MATRIXSYNTH: Friday, October 18, 2019

Friday, October 18, 2019

Realistic Concertmate 660 (aka Casio CT360) keyboard demo - "Blue Edge"


Published on Oct 18, 2019 Alfonse

"Realistic Concertmate 660 (aka Casio CT360) keyboard (1988)

All sounds you hear in the track were made using the Concertmate 660 and run through various single effects pedals (TC Electronic Sub Up octaver for adding some depth to bass notes, the very synth-friendly Yamaha SDS CH-10MII chorus pedal, and the Boss DD7 digital delay). Parts were recorded to a DAW, where I added compression, EQ, and reverb as required. I sampled individual drum hits from slowed-down rhythms, to allow fresh beats to be built, rather than using the rhythms found on the 660 itself.

The aim of these videos is to see what you can create using sounds from ageing home keyboards together with current production tools. This one was a challenge, in all honesty, as the sounds are generally a bit thin and dull, but there was something about that Violin patch that felt right for a synthwave-inspired track...

Music: 'Blue Edge' (C) Copyright 2019 Alfonse
Download here: https://alfonse.bandcamp.com/album/l

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic"

New Artinoise re.corder Demo Videos


Published on Oct 18, 2019 Davide Mancini

See this post for details on the Artinoise re.corder.

Playlist:

1. re.corder (alternative) pad keyboard
Re.corder can be played laying it flat. You can associate whatever notes you want to the 9 front touch zones. Switching octaves with the lip sensor.
2. re.corder (alternative) beat designer
Re.corder can be played laying it flat. You can associate whatever notes you want to the 9 front touch zones. Switching octaves with the lip sensor.
3. re.corder (alternative) aggressive arpeggiator (GarageBand)
Re.corder can be played laying it flat. You can associate whatever notes you want to the 9 front touch zones. Switching octaves with the lip sensor.
4. re.corder Fender Rhodes
Re.corder can be played laying it flat. You can associate whatever notes you want to the 9 front touch zones. Switching octaves with the lip sensor.
5. re.corder (alternative) classic guitar arpeggio
Re.corder can be played laying it flat. You can associate whatever notes you want to the 9 front touch zones. Switching octaves with the lip sensor.
6. Swinging re.corder (baritone saxophone from SWAM libraries)
I am not a player.. I apologize for errors! This is just to show capabilities of the re.corder in its present form! Using velocity and aftertouch expression from breath sensor and vibrato depth with accelerometer data (inclination)
7. re.corder jazzy solo (Oboe courtesy of SWAM library by AudioModeling)
I am not a player.. I apologize for errors! This is just to show capabilities of the re.corder in its present form! Using velocity and aftertouch expression from breath sensor and vibrato depth with accelerometer data (inclination)

Old Light Performed by Dave Valdez, Ellie Pritts and Zachary Paul


Published on Oct 18, 2019 Perfect Circuit

"This is a live Performance of 'Old Light' composed by Dave Valdez with visuals by Ellie Pritts, it is performed by Dave, Ellie and Zachary Paul. We filmed this performance on 10/9/2019 at Substrate Gallery where Ellie Pritts' show Spectral Horizon was opening.

Ellie Pritts was playing her Cello through an Old Blood Noise Endeavors Dark Star V2. Zachary Paul was playing his violin through a Strymon Volante and Red Panda Particle 2. Dave Valdez was using a Chase Bliss Mood with his tape loops.

To see other events we are involved with or are hosting go to our events page here: https://www.perfectcircuit.com/events"

Bana Haffar's Morphagene Reel


Published on Oct 18, 2019 Todd Barton

"I've been loving Bana Haffar's MakeNoise Morphagene reel and the maniplulation potential with the Buchla Easel & Intellijel Planar 2.

The reel is freely available at:
https://freesound.org/people/makenois...
Bana's soundcloud: https://soundcloud.com/banahaffarmusic"

Qu-Bit Electronix Prism


Published on Oct 18, 2019 CatSynth TV

"We check out the Prism multidimensional signal-processing module from Qu-Bit Electronix, with an assist from Big Merp.

0:04 Introduction
0:38 Basic functionality with steady-state Sputnik Dual Oscillator as input
2:15 Demo with Dual Oscillator controlled by Make Noise Rene Sequencer
3:31 Using Arturia MicroFreak as source
4:14 Clock mode (synchronizing delay times to external clock)
5:00 Using MicroFreak pressure as CV control from Prism decimation function
5:10 Big Merp crashes the party

'Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.'

For more synthesizer demos, please subscribe to CatSynth TV and visit www.catsynth.com

(Bernie Sanders action figure voiced by Amanda Chaudhary)"

The Day of the Dead Vult Giveaway


Published on Oct 18, 2019 Omri Cohen

"Vultari and Boomstick are 2 new modules from Vult, an oscillator, and a filter. Celebrating their release and the upcoming Day of the Dead, Vult and I are doing another giveaway :) Here are all of the details:

- Build a patch in VCV Rack using Vultari as the only sound source and Boomstick as the only filter. Both are from Vult and both are available for free here - https://vcvrack.com/plugins.html#vult...
- You can use any module you like, free or commercial, virtual or hardware, as long as it's not used as a sound source (no noise, no samples, no other oscillators), and as long as it's not used as a filter (no EQ modules also). If you're not sure if a module is a filter or a sound source, feel free to write to me and ask.
- Record a video of the patch, for example with the VCV recorder module, and upload the video to YouTube.
- Send the link to dotdvult19@gmail.com
- Today is Friday, the 18th of October, and the deadline for submissions is Thursday, October 31st.
- Only one submission per person.
- The winner will get all of the Vult commercial collections. Here's more about Vult - https://modlfo.github.io/VultModules/
- Feel free to build a patch in any genre/style you want.
- If you're not sure about something, please ask.
- Good luck and have fun!

If you like what I do and want to support my work, consider joining my crew on Patreon - https://www.patreon.com/omricohen"

Improv #13 for VCS3, Arp 2600, Mellotron and Fender Rhodes


Published on Oct 18, 2019 R. Reger

"One-take improvised piece for VCS3 (4 different patches), Arp 2600, Mellotron and Fender Rhodes."

Duet - A dual oscillator dual LFO USR oscillator for your KORG 'logue synthesizers!


Published on Oct 18, 2019 hammondeggsmusic

"Available at https://hammondeggsmusic.ca/logueplug...

Duet, is a dual oscillator, dual LFO user oscillator for your KORG minilogue xd, prologue, and NTS-1 synthesizers. It can be a dual sawtooth, or saw+PWM. This very flexible oscillator can evoke some familiar sounds, and let you explore some new ones too!"

Rossum Electro-Music Linnaeus Thru-Zero State Variable Filter Ping Mode Demos


Published on Oct 18, 2019 Rossum Electro-Music

Rossum Electro-Music Linnaeus Internal & External Ping Mode Demos

Playlist:
Rossum Electro-Music Linnaeus Thru-Zero State Variable Filter Internal Ping Mode Demo
Rossum Electro-Music Linnaeus Thru-Zero State Variable Filter External Ping Mode Demo

"Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter’s natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a “one-knob-per-parameter” interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS’s cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS’s channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter’s exponential frequency or operate independently. The modulation oscillator’s output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.

What’s with the egg?

Late in the beta testing process, our good friend and tester, Chris Meyer, raised the possibility of alternative behavior that would let LINNAEUS function as a self-contained (i.e., no input required) stereo oscillator and/or FM percussion voice with some really powerful timbral capabilities.

While we were initially hesitant to try to shoehorn the new functions into the existing interface, once Dave had prototyped them, it was clear to us all that they were just too cool not to include. So we’ve provided them in the form of alternate firmware accessed by pressing and holding the Egg button.

LINNAEUS is 16HP wide and 25mm deep.

Power requirements (max): 155mA +12V, 36mA -12V. Reverse polarity protected."

Roland MKS Series Full set - Perfect working Nice Condition


via this auction

Roland MKS Series Full Set.

MKS-7 Super Quartet
MKS-10 Planet-P
MKS-20 Digital Piano
MKS-30 Planet-S
MKS-50 Alpha Juno
MKS-70 Super JX
MKS-80 Super Jupiter
MKS-100 Digital Sampler
MKS-900 Signal Indicator

Perfect working confirmed.
Nice Condition as see in the pictures.

FDD drive (MKS-100) not tested.

This one is in via M Me.

Vintage ARP synth : Avatar (1977)


via this auction

"Sold as "fair", actually in good shape and fully working, but the sliders plastic caps are missing, the power switch is disconnected and power light is off, though the machine powers up, OSC 1 sometimes goes erratic for a few seconds, may need a recap ?

The guitar part was disconnected by the previous owner who used it as synth expander. Anyway, this machine asks for getting modular: arp-avatar-modular-patch-bay-kit"

Synthesizers.com Modular Synth System w/ Custom Walnut Cabinets


via this auction

Cab 1
(2) Q960 8 Step Sequential Controller
(2) Q961 Interface
(2) Q962 Sequential Switch
(2) Q963 Trigger Buss
(1) Q120 Connector Interface
(1) Q122 Mini Jack Interface

Cab 2
(1) Q174 Midi Interface
(1) Q175 Midi Interface Aid
(1) Q118 Instrument Interface
(3) Q124 Multiples
(1) Q110 Noise Module
(1) Q127 Fixed Filter Bank
(1) Q150 Transistor Ladder Filter
(1) Q116 Ring Modulator
(1) SSL 1250 Quad LFO
(2) Q109 Envelope Generator
(1) Q107 State Variable Filter
(1) Q108 VCA
(1) Q117 Sample + Hold
(1) Q105 Slew Limiter
(1) Q113 8-CH Mixer

Cab 3
(10) Q106 Oscillator
(4) Q107 State Variable Filter
(8) Q109 Envelope Generator
(5) Q112 4-CH Mixer
(4) Q108 VCA
(1) Q144 Osc Aid
(1) Q101 Power Control

Includes Custom Oberheim Electronics 6 Voice Analog 5-Octave Polyphonic Keyboard Controller

Yamaha CS-40M Vintage Analog Synthesizer SN 2604


via this auction, also on Reverb

Yamaha CS-30 Vintage Analog Synthesizer SN 1503


via this auction, also on Reverb

Roland System 100 Model 101 w/ Original Box


via this auction, also on Reverb

Korg Sigma vintage analog synth CHECKED AND SERVICED SN 0322


via this auction

Roland JP-08 Boutique Jupiter Desktop Synth SN Z0G6028


via this auction

JX3P synthesizer without pg200


Published on Oct 18, 2019 Paul Z

"JX3P synthesizer without pg200 - replaced by organix mod and CTRL JOX '3P software controller"

JX-8P: An Incredibly Underrated Synth! Sounds from Scratch


Published on Oct 18, 2019 MR TUNA Music

"I bought the JX8P on a whim, it was a great deal and I figured it would be redundant in my setup. Now that I own it I couldnt even think of letting it go. What an amazing, cinematic sound from this bad boy.

No external effects or editting other than that sweet, sweet, sweeeeet H9 reverb at the end when the camera dies."

Processing Synths and Drum Machines through a Vintage Maxon Mixer


Published on Oct 18, 2019 Alex Ball

"A follow up to the Boss KM-60 mixer video I did a few weeks back"

Processing Drum Machines with a 70s Boss KM-60 Mixer

Marc Doty creating more great sounds on the Easel Command!


Published on Oct 18, 2019 Buchla

GOD's BOX Humpback // Multimode Eurorack filter with BAGS of character!


Published on Oct 18, 2019 DivKidVideo

"Here we have a newly re-panelled version of the Humpback filter from GOD's BOX. This is an 8HP SEM style multimode filter with a 2 pole response across the individual low, band and high pass + notch outputs. The input level can drive the filter for that lovely harmonic 'burn' and the two CV inputs affect the cut off with attenuators. It responds well to audio rate modulation for YOI bass, glottal overtones and odd pinged hits. The resonance is severely "hot rodded" beyond the normal SEM inspired filters giving a wide range of soft and warm bass to all out chaotic screams. I stumbled upon a weird way to create distance concrete car park reverb trails in your kick drums too. So skip around below and if you have any clue what's happening with that odd reverb I managed to create - let me know.

More info - http://bit.ly/godshumpback
https://www.thonk.co.uk for all your synth DIY needs.

TIMING INDEX // SECTIONS

00:00 Hello and patch previews

00:56 What is Humpback? Feature run down

RAW SOUND DEMOS
01:53 Low Pass
02:26 Band Pass
02:42 High Pass
02:57 Notch

03:09 Acidic resonance, envelope modulation and key tracking

04:08 Feedback patching for BEAUTIFUL distortion. Bandpass output into the CV input.

04:48 Kick drums synthesis

06:10 Noise injection for weird distant ‘car park’ reverb

06:48 Tone shaping noise

7:00 The secret to sounding like frying bacon spitting all over the hob!

07:40 Filtered FX trails & feedback for beautiful run away echoes.

09:13 Saturated filter action! With mixed stepped random and envelope modulation. Plus a lovely compressed reverb trail with Lollipop.

11:18 Audio rate modulation - filter formants, glottal tone shaping and all the YOI you can shake a stick at.

12:48 A trip to the west coast with filter pings, sequences and audio rate modulation.

15:05 Notch output phaser-like modulations


*** This video is sponsored by THONK.co.uk. They have funded the production of this DEMO video, but had no input on the content both in what was said or the patches made and recorded. Thank you to THONK for their continued support. Any questions about sponsorship please just ask. *** "

4ms SWN Custom Wavetables Demo


Published on Oct 18, 2019 UncertainMusicCorps

"A demo run through of some custom wavetables on the SWN. The wavetables have been designed specifically for drone use. Mostly the range of their spectral content is intentionally limited. Aiming for subtlety here (with one obvious exception). All of them were made using the module itself. No editing software involved. They were sourced by live sampling other synths and some orchestral recordings.

SWN is set up for a simple drone, with channels A & B dropped an octave and detuned against each other. The other channels also have some detuning applied. Internal LFOs are used to modulate the WT Depth and Latitude parameters throughout. Longitude and Sphere are modulated manually.

First run through is flat - all channels to 100% no LFO modulation of the VCAs. Then going back down the same wavetables with LFOs on and some chordal spread applied
Everything recorded dry, without EQ, direct to camera apart from the final 2 mins when some reverb is applied just for comparison."

MelloBeats


Published on Oct 18, 2019 Vykaar Tones

"Improvised jam testing diy sloth chaos random CV circuit modulating jupiter storm cosmic noise oscillator shaped by diy cowbell vca circuit and lots of other stuff... Mellotron samples played on Korg microsampler, Bass riffs from minibrute2S and Korg MS20."

Hordijk Modular Spectromorph


Published on Oct 18, 2019 Richard Scott

Dave Martijn (GOOSE) about the Modor NF-1 Synthesizer


Published on Oct 18, 2019 Turnlab

"One of Dave Martijn's favourite synths in the Belgian made Modor NF-1. In this short video, he expains how he discovered and uses the instrument live with his band GOOSE, and in the studio, for writing movie and tv-scores."

Friday Fun -Reface Synth Jam From Yamaha HQ


Published on Oct 18, 2019 sonicstate

"Mixing it up a bit here, we visited the Yamaha headquarters in Hamamastu, Japan a few weeks back for their 45 Years of synth making event. While we were there, we shot a Friday Fun synth jam featuring a couple of the Reface instruments.

Nick grabbed a Reface CS and a Reface CP for this one, all set up in their amazing control room.

Plenty of FX on the CP for some dreamy soundscapes."

Klavis Quadigy as an expressive ADSR


Published on Oct 18, 2019 Martin Doudoroff

"An exhaustive exploration of the ADSR features and behavior of Klavis Quadigy Quad Programmable Envelope Generator for Eurorack modular synthesizers.

Addenda:
• I didn’t realize until after the video was done that the PUNCH parameter is considered part of ATTACK for the purposes of the FULL ATTACK mode; so, with FULL ATTACK turned on, you’ll get at minimum the full attack and punch of the envelope; good to know
• I should have clarified that the time value of the HOLD parameter is relative to gate/trigger on, not relative to the end of DECAY
• I should have clarified that the HOLD parameter can be used in conjunction with gates as well as with triggers; with gates, the HOLD parameter effectively sets the minimum duration of the envelope (not including RELEASE)"

Update: follow-up video:

Klavis Quadigy: Minimoog-style retriggering behavior

Published on Feb 4, 2020 Martin Doudoroff

"Addendum demonstrating how the Klavis Quadigy implements a retriggering behavior reminiscent of the MInimoog."


via Klavis

"The Quadigy is a complex envelope generator focused on live play. The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage. This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.

Quad 7-stage envelopes
Pre-delay
Hold
Attack
Punch
Decay
Sustain
Release
Continuous curve shape setting
Inversion
Independent output level
Cycle capability with auto fit-to-clock
Elastic time stretching
5 internal clocks with tap tempo
External clock control
Multiply/divide and offset
Individual cycle ext. control
32 presets with naming
External preset control via CV/Trig
Simultaneous 156-point CV matrix
Morphing on presets and CV Matrix
Multi-editing for polyphonic uses
Live mode for easier/safer control
Graphical display
Real-time envelope stages LED indication
Current state retained over power cycle
Easy firmware update via an audio file
Skiff-friendly and compact module

Yamaha QX7 - When Sequencing Was New and Exciting


Published on Oct 18, 2019 Espen Kraft

"Yamaha QX7 digital sequencer from 1985 was the second MIDI sequencer released by Yamaha. The flagship QX1 was out of reach for most people so they released a 2-track "budget" sequencer for those not super rich.

You recorded everything on track 1 and bounced that down to track 2 as you went along. All separete MIDI channels were kept through the bouncing so you could build big multi-timbral arrangements if you wanted. Except for a dedicaded "copy" function and note editing, the QX7 had it all and it worked great for most things. The QX21 came a little later and it's basically the same sequencer for a lower price."
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