Cwejman VCO-2RM

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Two identic very warm and phat oscillators which recalls the Oberheim Xpander and Minimoog Voyager (with filter fully open). The internal pre-patched frequency modulation is also very nice, just turn the control and enjoy the brilliant sound without patching.

The circuit is identical to the first VCO of the Cwejman S1 so you can use the module as an LFO, too. Additionally there´s a pre-patched hi-quality ring modulator which you can also use with externals signals of course. Each VCO has a positive and inverted output which provides only one waveform at the same time but 7 different waveforms are available, three of which (!) feature pulse width modulation. Penko´s tipp: Set both VCOs to pulse or mixed-pulse and make only the 2nd VCO audible. Then slowly turn up the FM-Level control on VCO2 and play with the PWM controls... that´s fun. Depending on the setting of frequencies or intervals very expressive sounds can occur. This new version now features switchable internal pitch-CV connection via the buss. Generally all Cwejman modules are shielded from interferences and contain lots of calibration possibilities on the backside, see picture."

CLICK FOR MORE »

DD Gamelan

DD Gamelan from Peter Speer on Vimeo.

"Using the on-board timing facilities of the Erbe Verb, Echophon and Clouds (in time-stretch mode) to mimic the shifting rhythms of a gamelan ensemble.

Bell voice: Braids
Bass voice: Shapeshifter
Drone: EHX Ravish Sitar

www.diode-ring.com"

Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

CLICK FOR MORE »

Pulser Three

Published on Nov 11, 2014 jdanielcramer

"Modular patch demonstration featuring the Shapeshifter oscillator's vocoder mode to create filter sweeps and pulses."

Monome Meadowphysics Percussion

Monome Meadowphysics Percussion from DUDADIUS on Vimeo.

"Patch notes:
Kick and Snare coming from Ableton Live. Meadowphysics clocked via ES3.

Basimilus Iteratus is row 3 of MP.

Cyclebox II is row 5, being trigger via Maths. Maths channel four 'cycle' is being turned on and off via some of the other rows and Intellijel Plog, from the Data out. Falls of both channels also being modulated as is Cyclebox ratio (mostly from Modcan Quad LFO).

Makenoise Mysteron is row 7. A Cwejman RG6 modulating the generation parameter.

Cwejman MMF6 on most of this, and the Mysteron is also going through an Intellijel Korgasmatron II.

Intellijel Mutamix is mixing, into an Azimuth II (doing some panning) and finally Audio Interface II back to the computer."

modular synth : another IDM study

Published on Aug 9, 2014 ipnoteca

"here a brief description of what is going on:

4MS QCD control:
ch1 - Z8000 horizontal row trig the kickdrum made with DARK ENERGY - cv in by channel 1 pressure point that provide division or multiplication
ch2 - woggelbug clock in - cv in by channel 2 pressure point that provide division or multiplication
ch3 - trig one channel of QUADRA - cv in by channel 3 pressure point that provide division or multiplication
ch4 - clock goest to RCD. cv in by EOR from a maths that gives a really nice varispeed groove

from RDC
various clocks sent to trig 3 different maths to different input, and to reset control direction of both 16 step on Z8000. vertical row trigger INTELLIJEL dual adsr that provide to trig bass sound made with SUBCON OSC passed throug DOEPFER wave multy then filtered by MMG

QUADRA+EXPANDER
various cv coming from 3 different matsh control the A/D cv to open close the hit hat made with white noise and all the glitchy sounds coming from HERTZ DONUT and CYCONIX CYCLEBOX sent through the echophon cv in freeze.

RENE'
the only melody comes from both channel of of a korgasmatron, love that sine, so round and soft, then sent to ERBEVERB
the nice attack is provided by QUADRA"

Grayscale Algorhythm and Binary - Random Logic Acid

Grayscale Algorhythm and Binary - Random Logic Acid from Joseph Fraioli on Vimeo.

"A patch built around the new Grayscale Algorhythm and Binary modules.

Main clock source for this patch is the Livewire Chaos Computer. The gate out is feeding the left most Algorhythm module, which is in random mode. The top row of outs is going into the left Binary module in OR mode. The output of the Binary is then triggering the Tip Top BD808 kick drum that is then fed into the Modcan Dual Delay.

The same Chaos Computer clock source is multed to the right Algorhythm with the same process applied to the Binary. The Binary output here is triggering the Mutable Instruments Braids in Meta mode. The output of Braids is multed into a mixer as well as a VCA. By manually triggering the a pressure points pressure output, the signal is sent to the Qu-Bit Electronix RT60 for reverb throws.

The main clock source is then multed into the 4ms shuffling clock multiplier and outputted to the Cylonix Shapeshifter via the x 2 output though a channel of the Make Noise Maths v2. A synced LFO from the Modcan Quad LFO is triggering the cycle input as well as another sine LFO is modulating the fall time.

The center Algorhythm is in seq mode and clocked by a divided by 8 of the original clock source via the 4ms Rotating Clock Divider. The eight outputs are triggering eight tuned vocal samples on the Qu-Bit Electronix Nebulae in one-shot mode. The Nebulae output is then run through the Serge Resonant EQ and the Tiptop Audio Z-DSP with the Halls Of Valhalla reverb card.

The Make Noise Wogglebug, DPO, Maths and MMG provide acidy baseline.

The outputs of the Shapeshifter and DPO are put through the WMD Sequential Switch Matrix to use as a simple mute system for performance.

At around 3:17 I got a call from my cat food delivery guy.

No computers or editing were used in the making of this performance."

Swarm

Swarm from Joseph Fraioli on Vimeo.

"A simple patch using the Macro Machines Storage Strip along with the Mungo d0 to create a swarm of metallic micro percussion.

Sound Sources:
Micro Percussion - The Harvestman Piston Honda MKII > Mungo d0 with the Macro Machines Storage Strip. Storage Strip contains 16 delay presets which are stepped through via the SSF Ultra Random Analog random pulse output.

Kick - Tiptop audio BD 808 > Make Noise Echophon

Snare > Synthesis Technology E350 > Modcan Dual Delay

Additional Percussion > Cylonix Shapeshifter > TipTop ZDSP

Drone Melody > Qu-Bit Electronix Nebulæ > Qu-Bit Electronix RT60 (verb 2) source is an original piano recording. (loop mode)

Trigger Sources:
main clock source is the Livewire Chaos Computer. Micro percussion and additional Percussion are being triggered by a multiplication of the clock by way of the 4ms SCM with an attenuated CV on the rotate input of the breakout. kick is being triggered by the SSF URA which is random and unlocked. snare is triggered by the 4MS RCD.

The WMD Sequential Switch Matrix is being used as a simple mute system for manual control of bringing various sounds in and out of the performance."

Ultra Metric

Ultra Metric from Joseph Fraioli on Vimeo.

"A patch exploring three new modules, the SSF Ultra Random Analog, Qu-Bit Electronix RT60 and Macro Machines Storage Strip.

SSF Ultra Random Analog (URA):
The URA is the main clock source by way of random pulse output. the pulse density is being modulated via the Synth Tech e350 in LFO mode for more sporadic gestures and events. The Pulse out is also simultaneously dictating the pitch of the two sound sources - the Make Noise DPO and Cylonix Shapeshifter. Additionally, the sound source for metallic hi hat thats comes in mid way are from the URA as well. this is achieved by running an osc into a sample input (in this case a Hertz Donut MKII into sample input b) and outputting via the toggle output. This feature is very useful for creating analog bit crushed timbres as well as FMed analog bit crushing type sounds when using both sample inputs. for further sculpting, a synced and attenuated LFO (Modern Quad LFO) is going into the clock cv input which creates a filter of sorts to the hi hat sound. this is then put through the Flame FX6 reverb.

Qu-Bit Electronix RT60:
The RT60 is the main reverb source you can hear on the DPO LPG plucks in the patch, additionally it is the source of the flanger, chorus, pitch delay and tremolo whose parameters are being modulated by the Synth Tech e355. the presets are being stepped through via the SSF URA, with the same trigger that is sequencing the oscillators pitch. The RT60 has 7 sequence modes for switching between effects, in this patch i am using mode 1 (top to bottom)

Macro Machines Storage Strip:
Here i created 16 different presets for the Mungo d0 who's delay times are somewhat in tune with the overall piece. the presets are sequenced in random mode via the SSF URA random pulse output. various slew settings on the d0 causes interesting artifacts between delay settings when being sequenced.

Performance notes:
To create the effects throws and gated effects gestures i set up an aux/send system that i can control in the performance via make noise pressure points outputs. going straight into a VCA with the effect on the audio input for gated effects as well as instances with an envelope for one shots with decay trails. pressure amount also determines how the effects are performed - swells, volume etc.

Pressure Points pressure out channel 1 - DPO/Optomix through Qu-Bit RT60 as a gated effects send.
Pressure Points pressure out channel 2 - DPO/Optomix though the Modern Dual Delay as an effects send for throws.
Pressure Points pressure out channel 3 - Cyclonix Shapeshifter though the Mungo d0 and Macro Machines Storage Strip set up as a gated effects send.
Pressure Points pressure out channel 4 - Cylonix Shapeshifter though the Tiptop Zdsp set up as an effects send for throws.

Ambient melody is the Qu-Bit Electronix Nebulae playing an original piano recording in loop mode through the Make Noise Echophon and MMG."

via Joseph Fraioli on The MATRIXSYNTH Lounge

[ Modularsquare ] Intellijel / Cyclonix Shapeshifter : introduction et workflow

Published on Apr 17, 2014 modularsquare·42 videos

"(If you don't speak french, go straight to 10:36 for sounds)

Intellijel et Cyclonix présente le Shapeshifter ! Un double oscillateur/LFO à tables d'ondes qui peut également faire office de vocoder 64 bandes. Il embarque un delay, un drive (soft saturation) et peut fonctionner en mode percussion avec réglage du decay. Il est possible de paramétrer le Shapeshifter pour créer des interactions entre les deux oscillateurs, c'est un module très complet qui offre des heures de découvertes.

http://modularsquare.com/Intellijel-C...

Nous somme Modularsquare, une boutique d'instruments électroniques spécialisée dans les synthétiseurs modulaires, et une communauté d'artistes.

La boutique : http://www.modularsquare.com
Le blog: http://www.modularsquare.com/blog
Nos vidéos :
Les photos de nos rencontres : http://www.flicker.com/modularsquare
Retrouvez-nous sur Twitter et facebook"

Constellation Matrix

Constellation Matrix from Joseph Fraioli on Vimeo.

"A patch utilizing the WMD Sequential Switch Matrix as a routing switch for incoming gates. Gate sources are four channels of the 4ms SCM which are routed to the Cylonix Shapeshifter, TipTop BD808, Mutable Instruments Braids and Harvestman Hertz Donut MKII. Another output of the 4ms SCM is sequencing through the matrixes via the SSM step/gate input which results in complex and evolving percussion patterns.

Ambient melody is an original piano recording played back via the Qu-bit Electronix Nebulae in loop mode with various time and pitch manipulation, This is then fed through the Serge Resonant Equalizer and Modcan Dual Delay for further modulation.

Additional accent melody coming from the Synthesis Technology E350 though the Flame FX6 reverb and Modcan Phaser with an envelope being triggered by another channel of the 4ms SCM.

Reverb is from the Eventide H8000FW."

ss vocoder

Published on Mar 29, 2014 cylonix1·10 videos

"A demonstration of some different uses of the Intellijel Shapeshifter's vocoder"

Soundmachines LS1 and LP1

Published on Mar 16, 2014 David Lilja·1 video

"This is a demonstration of the Soundmachines LS1 and LP1 Eurorack modules.

Demonstration setup

Left LS1:
CV: MMG Filter Cutoff Frequency
Gate: Trigger Maths which controls the PH2 on the Cyclebox

Middle LS1:
CV: MMG Filter Resonance
Gate: Trigger Maths which controls the PH2 on the Cyclebox

Right LS1:
CV: Gain on the Cyclebox and Morph Z on the E350
Gate: Trigger Maths which controls the PH2 on the Cyclebox

The LP1:
CV(x): Morph X on the E350 and Spread on the E340
CV(y): Morph Y on the E350
CV(z): Chaos BW on the E340"

via Davide Mancini of Soundmachines on The MATRIXSYNTH Lounge

wave dipper

Published on Mar 13, 2014 SunFallsMusic·15 videos

"Searching for 'gamelan-esque' polyrhythms in here.
This happened. Piston Honda MK2 doing most of the sound, w/ Shapeshifter adding a nice fm'd kick.
(no other sound source) Headphones!!"

gamma shift

Published on Mar 6, 2014 SunFallsMusic·13 videos

"Exploring more of a.. pulsating drone approach with the Piston Honda MKII and Shapeshifter. All sorts of 'i don't remember how i patched this' going on. HeadPhones recommended."

Intellijel Atlantis + Metropolis Quick Bash

Published on Mar 3, 2014 mylarmelodies·24 videos

"Rough jam vid of the Cyclebox/Atlantis + Metropolis, and Tiptop Trigger Riot + 808 Modules - which make a totally frigging excellent combo."

Cylonix Cyclebox Cycle Box II Wavetable Oscillator Eurorack

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Cylonix Cyclebox Cycle Box Wavetable Oscillator Eurorack Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

New Intellijel & Cylonix Shapeshifter Dual Complex Morphable Wavetable VCO

shapeshifter demo1 Published on Nov 14, 2013 cylonix1·9 videos

"Demo of preset stepping and morph on the Cylonix/Intellijel Shapeshifter VCO module"

via Intellijel

"Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

Features at a glance:

preset sequencing and morphing,
delay based resonator,
64 band vocoder mode
special audiorate modulation modes (MOD A)
analog wavefolder
extensive sync, pulse and modB options
detuneable 8 note chords and tons more
WAVETABLES
Each VCO can select from 128 banks of wavetables , each with 8 individual 512-sample waveforms for a total of 1024 waves.
The choice of waveform within the currently selected bank is under voltage control. There is smooth interpolation between the waveforms within a bank, allowing a very wide range of different possible waveshapes.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time

There is so much more but it is better covered in the manual and suite of demos."

TrIGgeR rIOt pAtCh idea 1 TEST

Published on Jul 12, 2013 marlondyer·108 videos

"First patch testing TipTop Trigger Riot
Modules used
TipTop Trigger Riot, Z8000, Dixie, Trogotronic 666, Cyclebox II, PEG, Maths, Makenoise echophon, phonogene, harvestman hertz donut, double andore, piston honda, wmd uhc, gieger counter, VCF
Feedback guitar overdub"