Crumar Spirit

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Details:

"Only about 100 of these made which makes this a very rare find. This keyboard have been compared to the top analog keyboards on the market. The Crumar Spirit was originally designed by Bob Moog (himself), Jim Scott & Tom Rhea and released back in 1983. It is a full featured analog monophonic synthesizer with 2 VCO's so it's got a pretty fat tone, but not as much as the classic 3-VCO Minimoog. However it is considerably more flexible than the latter. It has a basic 37-note keyboard without velocity or aftertouch. The two oscillators feature basic sawtooth, triangle and square waves and can be synced together. The filter section is very nice featuring low-, high- and band-pass filters and switchable 12dB or 24dB slopes. Other features of the filter include an independent envelope with inverted and normal ADSR, key tracking and single or multiple triggering of the filter. Some other features of the Spirit include a built-in ring-modulator, an Arpeggiator with 3 different patterns and that can be linked to the LFO, and there's an external audio input for running external sounds through its filters, LFOs or Ring Mod. For the hands-on approach, the Spirit is sure to please. There are 24 knobs, 10 switches and 15 sliders to start. There are 3 performance wheels for controlling the Pitch, Mod-X and Shaper-Y modulation effects (see LFO specs below). Using those with the Arpeggiator can get pretty wild. The Arpeggiator features 3 modes: Ripple (Up/Down), Arpeggio (Up several octaves) and Leap (Goes up 1 and then 4 octaves). There are also Auto and preset Glide modes for getting some elasticity or bending effects. Since all the LFOs, envelopes and filters are quite flexible you are sure to get some weird noises, fat basses, synths, etc. with the Spirit."

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Moog MicroMoog SN 2641

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"MicroMoog by Moog. 1976 Serviced July 2023.

Vintage Moog synth made in Williamsville, N.Y. 1976 serial #2641

32-key analog Monophonic synth.

One VCO with variable waveshape, which can be transposed 5 octaves/ sub-octave doubling/ Moog classic VCF with cutoff frequency, resonance and depth control of envelope generator/ Envelope generator has both Filter contour, and VCA contour. Attack, sustain, release times adjustable./ Modulation section allows for selecting source and sending it to VCO, VCO+VCF, or VCF only./ Noise generator, an LFO or sample+hold circuit can be selected as source./ Ribbon controller for pitch bend + modulation wheel./ Can process external audio in the VCF and VCA sections/ Portamento Glide 1 msec to 5 sec./ S+H auto and S+H keyboard triggered

Rear panel: -10 or +12db outputs/ S-Trig input+ output/ keyboard voltage out/ Filter input/ oscillator input/ audio input/ modulation input-output jack for external switch or pedal control


Serviced July 2023 by Bell Tone Synth Works " Replaced all key bushings, leveled all keys/ Cleaned all switch contacts, fine tuning pot, and mod wheel/ Calibrated oscillator tuning; tested all functions after stress testing and touched up oscillator tuning again." (see copy of service receipt in pix)

**Minor cosmetic damage. See pix. Left rear aluminum frame has dent. Left rear corner bottom chipboard base has some seperation.

Comes with original MicroMoog 100 page operation manual by Tom Rhea."

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MOOG PRODIGY OWNERS MANUAL By Tom Rhea

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via this auction

Click the second pic to read the introduction.

Crumar Spirit

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Not the best shots, but you don't see these often.

"Only 100 made in the world in the 1980's .This synth is number 43. Kept in a smoke free environment and never taken on stage.

If you are here, you probably already know the history on this Rare Crumar Spirit .The Spirit is one of the most complex, challenging, and - above all - powerful monosynths ever produced. . Sounds amazing- aggressive & fat. Everything works great. This one is a gem. The Crumar Spirit was originally designed by Bob Moog( himself), Jim Scott & Tom Rhea and released back in 1983. It has a 37 note keboard with 2 vco's.The two oscillators feature basic sawtooth, triangle and square waves and can be synced together.

The filter section is very nice featuring low-, high- and band-pass filters and switchable 12dB or 24dB slopes. Other features of the filter include an independent envelope with inverted and normal ADSR, key tracking and single or multiple triggering of the filter. Some other features of the Spirit include a built-in ring-modulator, an Arpeggiator with 3 different patterns and that can be linked to the LFO, and there's an external audio input for running external sounds through its filters, LFOs or Ring Mod.

For the hands-on approach, the Spirit is sure to please. There are 24 knobs, 10 switches and 15 sliders to start. There are 3 performance wheels for controlling the Pitch, Mod-X and Shaper-Y modulation effects (see LFO specs below). Using those with the Arpeggiator can get pretty wild. The Arpeggiator features 3 modes: Ripple (Up/Down), Arpeggio (Up several octaves) and Leap (Goes up 1 and then 4 octaves). There are also Auto and preset Glide modes for getting some elasticity or bending effects. Since all the LFOs, envelopes and filters are quite flexible you are sure to get some weird noises, fat basses, synths, etc. with the Spirit. This is a synth that rewards patience, experience, and a lot of thought rather than aimless knob twiddling. But once you've mastered it, all the classic analogue timbres are at your fingertips: warmth, smoothness, grittiness, and screaming analogue pain, all produced with depth, expression, and as much complexity as you could ever desire."

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Minimoog Model D w/ MIDI & signed Vintage Synthesizers

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seller's details:
"I’ve owned this vintage Minimoog (serial #7578) since late 1976 and am its second owner. In 1999, it was electronically refurbished and updated with the Lintronics MIDI retrofit by the best tech in the synth business, John "J.L." Leimseider. Excerpt from www.lintronics.de/minimoog.html: “The Lintronics MIDI Converter (LMC) is a high-performance MIDI interface designed by Rudi Linhard to place the expressive potential of the Minimoog under MIDI control. The LMC uses state-of-the-art digital circuitry and software and includes an internal, programmable, wide-range, multi-waveform LFO that can be used in addition to, or in place of, the Minimoog's LFO. Pitch, pitch bend, filter cutoff, loudness, modulation amount, and the internal LFO's rate and depth can all be controlled through MIDI in real time and with high resolution. In addition, the Glide and Decay functions can be turned on and off through MIDI. The LMC circuitry is contained on a single circuit board installed inside the Minimoog, and uses its power supply.” Note that the Lintronics retrofit is for reception only, not transmission, and has no effect on the Minimoog’s standard operation.

This Minimoog has always lived in an entirely smoke-free environment. It was used in a few outdoor concerts under the sun, resulting in slight warping on the right side of the black plastic faceplate, and the bottom right corner has snapped off. There are minor scratches on either side of the wooden cabinet, but otherwise the Minimoog is in perfect working condition. It comes with Dr. Tom Rhea’s manual, documentation for the LMC retrofit, a 9' S-trigger cable terminated with male ¼" TS and S-Trigger plugs at either end, and an ATA-rated Anvil case in which I’ve replaced the original, deteriorated innards with new polyethylene foam.

Bid now and win the auction and, along with two vintage 12" x 5" Moog stickers, I’ll include a brand new copy of the first edition of Vintage Synthesizers, not only featuring an outstanding article written about the Minimoog Model D by the late, great BOB MOOG himself, but also personally signed by the author SPECIFICALLY FOR YOU!"

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Crumar Spirit 1983 Analog Synthesizer designed by Bob Moog SN 00085

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"#085 of 200 units ever made!! This is a special piece of analog synth history. One of the rarest most exotic monophonic synths ever made.

The Crumar Spirit was originally designed by Bob Moog (himself), Jim Scott & Tom Rhea and released back in 1983. It is a full featured analog semi-modular monophonic synthesizer with 2 VCO's so it's got a pretty fat tone that is considerably more flexible than the Minimoog. It has a basic 37-note keyboard. The two oscillators feature basic sawtooth, triangle and square waves and can be synced together.

The filter section is very nice featuring low-, high- and band-pass filters and switchable 12dB or 24dB slopes. Other features of the filter include an independent envelope with inverted and normal ADSR, key tracking and single or multiple triggering of the filter. Some other features of the Spirit include a built-in ring-modulator, an Arpeggiator with 3 different patterns and that can be linked to the LFO, and there's an external audio input for running external sounds through its filters, LFOs or Ring Mod.

For the hands-on approach, the Spirit is sure to please. There are 24 knobs, 10 switches and 15 sliders to start. There are 3 performance wheels for controlling the Pitch, Mod-X and Shaper-Y modulation effects (see LFO specs below). Using those with the Arpeggiator can get pretty wild. The Arpeggiator features 3 modes: Ripple (Up/Down), Arpeggio (Up several octaves) and Leap (Goes up 1 and then 4 octaves). There are also Auto and preset Glide modes for getting some elasticity or bending effects. Since all the LFOs, envelopes and filters are quite flexible you are sure to get some weird noises, fat basses, synths, etc. with the Spirit."

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Moog 2090 Micromoog Synthesizer SN 1541

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"I'm selling my vintage Micromoog that I've owned for about 40 years. I've used it mostly for left-hand bass and wired in a jack on the bottom to accommodate a Yamaha BP-1 bass pedal unit (13 notes, lower C to one octave up). The keyboard was rebuilt in late 2015 with all new rubber bushings using the proper Dow Corning lubricant. The keyboard action feels like new. The potentiometers and switches were cleaned at the same time. Everything works as expected and the unit sounds great.

Note the following:
1) The ribbon controller has a small tear near the bottom as can be seen in the photos, but it works fine and doesn't affect the functionality.
2) The white rectangular area to the left of the Moog logo (on the back) is from an adhesive label I had there at one time. I wasn't able to get it off with a mild adhesive remover, but a stronger one may work.

Included in the sale is the original "preliminary" operation manual from Moog dated July 1975, a Micromoog operation manual by Tom Rhea, some extra rubber keyboard bushings and a like-new Gator case."

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Crumar Spirit Bob Moog Designed MonoSynth RARE 50-100 Made SN 00102

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"Super Rare Bob Moog Designed Crumar Spirit Monosynth. Unique sounds, unique routings, excellent condition (minor marks, nothing major). The written specs don’t do the sonics of this one justice..

The Spirit synthesizer from Crumar was an analog synthesizer designed by Bob Moog, Jill Scott, and, Tom Rhea. It features 2 oscillators with basic sawtooth, triangle and square waves that can be synced together. The filter was highly regarded as well. the filter has low, high, and band-pass modes and is switchable between 12dB and 24dB slopes. Another plus is an independent envelope with key tracking. Other features are an external input, ring Modulator, and an arpeggiator with 3 patterns that could be synced with the LFO section."

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Hans Vegner Studio Panorama

Click this one for the full size shot.
via Hans Vegner on The MATRIXSYNTH Lounge
"Here's a pseudo pano shot of our studio.we'll be releasing short videos of some old gear in the upcoming weeks on elektrobahn.com... thanks Matrixsynth" "...we've got a request to do a show which involves geiger counters triggering our gear with Yves Amu Klein on Friday." Note the custom Pro-One minus keys on the right.

Update on the Pro-One: "it's a couple of Pro Ones i joined together it's a work in progress. already it's capable of cross modulation and we're working on unison and a few patch points."

The synth to the right of the desk is a Crumar Spirit. For those not familiar with the Stratus, it was designed by Bob Moog, Jim Scott and Tom Rhea. Via Hans: "yes the fabled Spirit. this radioactive show just popped up but afterward we're starting a small video section. and we'll have a go at the Spirit. if you've never played with one, they are truly unique. between the filter section and the mod routing, disturbing..."

Vintage Moog Minimoog Model D Synthesizer with Original Sound Charts Patch Book by Tom Rhea

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Patch settings pictured below:

The Moog Sound
Moon Chord
The T.L.R. Sound
Hindemoog

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Cherry Audio Announces the Rebirth of the Long-Awaited Chroma Synthesizer

Playlist:

1. Cherry Audio | Chroma Synthesizer

2. Cherry Audio | Chroma Classics Preset Pack

Chroma Classics Preset Pack for Chroma features an additional 100 phenomenal presets by Cherry Audio's Director of Sound Design, James Terris, blending vintage tones with a contemporary feel.

https://store.cherryaudio.com/presets...

3. Cherry Audio | The Story of Chroma

"Dive into the captivating history of the Rhodes Chroma synthesizer with "The Story of Chroma," a documentary that traces its revolutionary path from the final days of ARP Instruments to its celebrated release by Rhodes in 1982. This compelling video brings to life the innovative spirit of the Chroma through the firsthand accounts of those who stood at the forefront of its creation. Hear from Dr. Tom Rhea, a renowned electronic music historian, Michael Brigida, a dedicated ARP and Rhodes product specialist, and Mary Lock, the esteemed service manager for both companies, as they recount the synthesizer's development, challenges, and triumphs. Featuring exclusive interviews and insights, this documentary not only explores the technical breakthroughs and musical possibilities the Chroma introduced but also celebrates its enduring legacy and the recent resurgence through Cherry Audio’s efforts. Witness the story of a musical marvel that continues to inspire innovation and creativity in the world of music.

Produced by Daniel Keller
Editing and graphics by Mal Meehan
Music by James Terris"

4. Cherry Audio | Introduction to Chroma Synthesizer

Synth designer Mitchell Sigman of Cherry Audio introduces Chroma, Cherry Audio's virtual instrument that emulates the 1982 Rhodes Chroma polyphonic analog synthesizer and its Expander unit.

Online User Guide at https://docs.cherryaudio.com/cherry-a...

0:10 Introduction
1:18 User Interface Basics
4:44 Voice Architecture and Patch Configuration
9:43 The Chroma Arpeggiator
11:37 Sweep Generators (the LFOs)
17:02 Envelope Generators
19:46 Chroma CPU Usage

Cherry Audio Chroma User Videos


1. Cherry Audio Chroma: A demo + tutorial of an elusive analog synth - CatSynth TV - Patreon

We take a deep dive into Cherry Audio's new Chroma, a meticulous recreation of the legendary and elusive Rhodes Chroma. It was a polyphonic analog synthesizer that came with some unique features, notably the ability to reconfigure the signal path among its oscillators, filters, and VCAs, opening up a wider range of sound possibilities. Cherry Audio's version combines these features with a modern user interface that allows direct manipulation of the parameters (unlike the original with a single data slider), and adds a full-featured effects section. We go over the expansive feature set of this instrument, showing you how each feature works and how to use them to make your own sounds.

00:00 Introduction
00:27 History of the Chroma synthesizer
01:38 Presenting the Cherry Audio Chroma
02:39 Oscillator features
06:56 Filter features
11:17 VCA features
12:42 Dual Layers configuration
16:49 Dual Layers + Oscillator Sync
18:47 Dual Layers + Ring Modulation
21:13 Filter FM
23:54 Parallel Filters
26:09 Parallel Filters + Oscillator Sync
27:04 Series Filters
31:44 Effects section
32:38 Factory Presets
39:41 Conclusion

2. Cherry Audio Chroma Expander Sounds of Chaos Beauty Virtual Synthesizer - Rik Marston Official - AhnyxianSoundDesign

3. Cherry Audio Chroma Expander Sounds of Light & Darkness Virtual Synthesizer VST - Rik Marston Official - AhnyxianSoundDesign

Press release follows:

May 14, 2024: Cherry Audio is excited to unveil Chroma, a groundbreaking virtual instrument that brings the legendary sounds of the 1982 Rhodes Chroma into the digital age.

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Bob Moog Foundation Commemorates Sixth Anniversary

YouTube Published on Aug 20, 2012 by moogfoundation

"Bob Moog's legacy lives on in the rock stars and panelists at Moogfest 2011. Find out why Bob's extraordinary legacy deserves to be carried forward.

Featuring: Moby, Wayne Coyne, Diego Stocco, Eric Persing, Bryan Bell, Dick Hyman, Terry Riley, David Borden, Joel Cummins, Alan Vega and Torley."

"Asheville, NC - August 20, 2012 - Tomorrow marks seven years since beloved synthesizer inventor Bob Moog passed away in 2005. It has also been six years since his family formally established the non-profit Bob Moog Foundation. The BMF continues to advance Bob’s legacy by announcing several recent projects ranging from educational videos to a Web page tracing the history of synthesizers. The “Moogmentum” that the BMF initiated in the summer of 2006 continues picking up steam.

In cooperation with macProVideo.com, the Bob Moog Foundation introduces a tutorial series titled The Foundation of Synthesis with Marc Doty. Six videos cover the History of Synthesis; Oscillators; Filters; Control Voltage; VCAs, Ring Modulation, and S&H; and Applied Synthesis. Education specialist Doty, best known for his YouTube-based synth instruction, has created custom animations and uses a variety of instruments to demonstrate these six concepts. In addition, keyboardist Erik Norlander makes an appearance to give a brief tour of his massive modular synthesizer affectionately known as the Wall of Doom. The first three videos from this exclusive series will be available on August 23 for individual downloads or to monthly or annual macProVideo.com subscribers. A large portion of the proceeds will go to benefit the BMF.

A new promotional video, produced by Flying Pig Studios in Asheville, highlights the Bob Moog Foundation’s unquenchable desire to inspire innovation and ignite creativity. It features performers and panelists from last year’s edition of the annual music festival held in Bob’s honor, Moogfest 2011. Musicians such as Moby, Dick Hyman, and Wayne Coyne of the Flaming Lips talk about Bob Moog’s lasting impact on the world of music and the importance of continuing his legacy. You can view the video at http://youtu.be/VO-9JtN5-a0. [embed above]

This week the BMF is also releasing free online video coverage of “History of the Minimoog,” one of the most spirited and informative panel discussions of Moogfest 2010. Watch and learn as legendary Moog collaborators Bill Hemsath, Tom Rhea, Dave Van Koevering, and Herb Deutsch discuss their individual roles in developing the Minimoog synthesizer in 1970 as part of a team effort with Bob Moog.

Anyone who has researched the history of synthesizers knows how frustrating it can be to find consistently reliable information. As part of the Foundation’s relentless effort to rid the world of misinformation, the BMF announces its comprehensive Timeline of Synthesis, which will be posted on its website beginning this week.

Dr. Bob’s SoundSchool is making news, too, with its ongoing mission to teach the science of sound through the magic of music. After concluding its pilot program in 8 Asheville second-grade classrooms this past spring, DBSS is expanding to 25 classrooms in Asheville and Buncombe County schools for the 2012–2013 school year. Using traditional and electronic musical instruments with custom educational materials, the BMF plans to expand DBSS to 100 classrooms in North and South Carolina by 2014.

For more information and announcements, visit www.bobmoogfoundation.org."

Crumar Spirit

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"The Crumar Spirit was originally designed by Bob Moog (himself), Jim Scott & Tom Rhea and released back around 1982-83. These are the three people behind the Minimoog.

This is said to be the most flexible monophonic synth ever. It has a 37-note keyboard with 2 VCO's. There are saw, triangle, and several square waveforms on both oscillators.The oscillators have an octave range from 32' to 4'. Ring Modulation, low and high pass filters, 12 DB & 24DB slope, single & multiple triggering, keyboard filter tracking, band pass filtering, loudness envelope, filter envelope, arpeggiator linked to LFO (mod-X) with 4 different arpeggiations, LFO 1 modulated 6 different ways, a second waveshapable LFO called (shaper-y) with 4 fixed waveforms and shape control adjustable from saw to reverse-sawtooth, performance panel to include Auto & preset glide, and 3 performance wheels, pitch, Mod-x, and Shaper -Y. with the latter 2 having 5 different destinations. An audio mixer with ability to mix OSC A & B with Ring Modulator, and Noise. LFO 1 also has a red noise generator as well as a brightness control for overall boost of the high frequencies. A filter envelope with inverted and normal ADSR & a loudness envelope which can be bypassed.

Output Jacks: External Gate in, External Pitch in, Keyboard Pitch out, Keyboard Gate out, OSC B Pedal, Filter Pedal, Shaper Audio Out, ADSR Mix Out, External Audio In.

The Spirit is a treasure trove of desirable synth chips, with a pair of CEM3340 oscillators, a pair of CEM3350 Dual VCFs, and no fewer than six CEM3360 Dual VCAs. If this means little to you, I should point out that the 3340 provided the voicing for the Moog Memorymoog, the Oberheim OBXa, OBSX and OB8, the Roland SH101, MC202 and Jupiter 6, early revisions of the Roland MKS80 Super Jupiter, the Rev.3.x Prophet 5s, all Prophet 10s, the T8, the Pro One and the Prophet 600. 3360 VCAs were used in a huge range of instruments, including the Ensoniq ESQ1 and SQ80, the Linndrum, the Memorymoog, numerous Oberheims, the PPG Wave 2.2 and 2.3, the Chroma, the Jupiter 6 and MKS80, and some of the Prophets. The Spirit shares its architecture with the very best. GOOD LUCK!

SoundOnSound
Gordon Reid"

Moog MiniMoog Model D

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Some shots of the inside below, including a pretty cool shot of one of the circuit boards with some light passing through.

Auction description: "One word best describes this MiniMoog: Minty! Not as in peppermint, but as in mint condition. This Mini has lived comfortably in an air-conditioned living room beside my beloved Steinway Model B for the last 30 years and played only by me, the owner. Never on the road. The circuitry is 100% pure, unadulterated analog factory original stuff, no MIDI modifications or added junk.

This is the real deal, the one you’ve been waiting for. Beautiful wood, no significant dents or dings, no gashes. Knobs, wheels and switches are all original and mint with glistening aluminum inserts, panel is perfect, clean, lovely. Pots are perfect, no noise, no static, no hum. Includes the revered buffer board. Fine, solid white Modulation Wheels with all stops, not the cheesy ribbed plastic. All 3 oscillators are perfect, stable, pure. Even the 440 oscillator is on pitch. Keyboard needs new bushings, and the red power light needs to be replaced, but all else is pure unadulterated awesomeness. Once used in concert here in Atlanta by Rick Wakeman when his own Model D was down for the count.

This is no fake remake; this is the real McCoy. Own it. Play it. Love it. Make Bob Moog proud. Included is the vintage, original Tom Rhea MiniMoog Sound Charts book, which shows exactly how to recreate ELP/Keith Emerson’s Aquatarkus, Rick Wakeman’s Catherine of Aragon, steel drums, jet engines, earthquakes – 51 sounds in all! Maxwell House percolator tune? MiniMoog Model D is on it. This unit does it all! Serial number in the Golden 5,000’s when the bugs were worked out, but the glitches of tawdry modernization and volume production had not set in. As you can see from the pics, this baby is built by hand. Not only is it the best-looking Mini you’ve ever laid eyes on, it’s the best-sounding Mini you’ve ever laid ears on!"

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Synth Books

See the Synth Books label for more.
Also see the scans label for more synth documentation.


The A-X of Analogue Synthesizers by Peter Forest


Vintage Synthesizers by Mark Vail


Essential Retro by James Grahame

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Moog Micromoog

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"This is Moog Music's 'synthesizer for everyman. [The] design approach for the Micromoog was to use a minimal number of functional building blocks and to configure the instrument for the greatest amount of performer control over these blocks. The Micromoog consists of the basic necessities: one voltage controlled oscillator (VCO), one voltage controlled amplifier (VCA), two contour generators, and one sample and hold. The 'open system' inputs and outputs make this Micromoog a basic musical building block which can be expanded to meet the performer's growth.'----[from Micromoog Operation Manual ---by Tom Rhea]"

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Tom Rhea - Author of Minimoog Manual Comments on Auction?

See the update in this post.

Minimoog Sound Charts by Tom Rhea

SynthMania

"Demos of the classic book of Minimoog patches published in 1974"

0:10 - Shamisen (Japanese plucked instrument; also known as sangen and in Chinese as sanxian )
0:37 - Harpsichord
1:00 - Electric piano
1:22 - Violin
1:56 - Viola
2:28 - Cello
2:57 - Bass viol (bowed)
3:27 - Bass viol (plucked)
3:53 - Piccolo
4:28 - Flute
4:59 - Recorder family
5:30 - Clarinet (bass clarinet)
6:05 - Oboe
6:32 - Bassoon (English horn)
6:56 - Trumpet
7:25 - Horn
7:55 - Trombone (jazz)
8:26 - Tuba
9:01 - Xylophone
9:22 - Temple blocks
9:37 - Drum roll
10:02 - Bass drum
10:19 - Tinkling bells
10:44 - Emerson, Lake & Palmer's "Aquatarkus" (from Tarkus )
11:08 - Emerson, Lake & Palmer's Trilogy
11:31 - Keith Emerson's fat bass from Brain Salad Surgery
11:58 - Keith Emerson's steel drum from Brain Salad Surgery
12:16 - Rick Wakeman's "Catherine of Aragon"
12:47 - Good sound
13:09 - Goom (Moog spelled backwards!)
13:50 - The Moog (trademark) Sound
14:34 - The T.L.R. Sound
15:00 - Moon Chord
15:34 - Hindemoog
16:02 - Hommage a Badings
16:17 - Ring modulator effects
16:48 - Vree-oo-bleep-bleep!
17:18 - Running rhythm
17:41 - Night creatures
18:10 - Jet plane
18:53 - Surf
19:23 - Thunder
19:55 - Wind
20:36 - Exploding bomb
20:59 - Gasoline engine
21:30 - Heartbeat
22:06 - Siren
22:48 - Whistlers
23:22 - Steel drum

1978 Crumar Spirit SN B0 00432

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"The Crumar Spirit was originally designed by Bob Moog (himself), Jim Scott & Tom Rhea and released back in 1983. It is a full featured analog monophonic synthesizer with 2 VCO's so it's got a pretty fat tone, but not as much as the classic 3-VCO Minimoog. However it is considerably more flexible than the latter. It has a basic 37-note keyboard without velocity or aftertouch. The two oscillators feature basic sawtooth, triangle and square waves and can be synced together.

The filter section is very nice featuring low-, high- and band-pass filters and switchable 12dB or 24dB slopes. Other features of the filter include an independent envelope with inverted and normal ADSR, key tracking and single or multiple triggering of the filter. Some other features of the Spirit include a built-in ring-modulator, an Arpeggiator with 3 different patterns and that can be linked to the LFO, and there's an external audio input for running external sounds through its filters, LFOs or Ring Mod."

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Maximize Your Moogfest Experience

"GET THE MAXIMUM MOOG AT MOOGFEST 2010 HALLOWEEN WEEKEND – 10/29-10/31 IN ASHEVILLE, NC

Going to Moogfest 2010? Be sure to get the most out of your festival experience. You’ll enjoy the music even more if you take advantage of these unique opportunities to immerse yourself in the world of Moog:

PROJEK MOOG
Saturday, 6:00pm – 6:50pm at The Orange Peel

A stellar lineup of some of today’s most proficient multi-instrumentalists (including Moog Chief Engineer, Cyril Lance), Projek Moog has composed a specific piece of music for Moogfest, one that highlights the various instruments for which Moog Music is renowned. Joining the group will be Brian Kehew, a close friend of Bob Moog’s and best known for his work in the Moog Cookbook as well as being the historian for the Moog Foundation. If you want to see the many facets of Moog Music at work, this has to be on your must-see list.

The inspiration in creating this show was to feature new instruments and the artists whose valuable input helped perfect them. Both Brian Kehew and fellow Projek Moog musician Billy Cardine have been involved in helping create instruments that are truly inspirational. Brian has been associated with Moog for years and Billy recently helped with a brand new stringed instrument which will make its debut at Moogfest.

Having these great musicians involved in product development is emblematic of what Bob was all about and the legacy of Moog Music. Instruments are collaborative - they need to be intuitive and soulful. Brian and Billy's involvement have kept this spirit alive and Projek Moog is about celebrating that legacy.

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