"This cinematic synth soundtrack was made using Waldorf PPG plugin emulations and other VST synths. Inspired by the golden age of francophone technocratic cyber-optimism of the late 70s and early to mid 80s, as identified by @GiscardPunk this track was actually written in the early 2010s for a concept album that never saw the light of day.
If you came for metallic falcon screams, jump to 1:19. This unbranded 2050 module was made custom by Jakub Jasiński for the previous owner. It’s plugged in a 4ms pod, but it’s getting 5v DC externally. It’s not a clone, but it seems to have been based on the Zerosum Inertia 6550-99, which is probably the greatest voltage controlled oscillator of all time. The Ladik S-143 (through the U-202 and multiplied) is sequencing the 2050 tune input and pulse input, as well as the MFB OSC-2 CV1. The triangle on the OSC-2 is running to the sync input on the 2050. An envelope from the MFB dual ADSR is running to the 2050 drive input. The delay is from the Peavey DDL-3 and the reverb was blended on CXM 1978."
Basic Eq, Reverb, Delay only applied to synths in the demo track portion.
Basic Reverb, Delay only applied to solo sounds portion.
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A premium collection of analog tones for the Sequential Fourm, inspired by darker, nocturnal soundscapes. This collection merges vintage character with a distinct modern edge, designed to deliver a colder, more atmospheric aesthetic perfect for synthwave, darksynth, cinematic, cyberpunk, and other simlar productions.
Every patch is deeply immersive, providing a brooding tone that immediately feels as though it belongs in the backdrop of a dystopian film or an atmospheric underground track.
Designed for maximum expression, this pack fully utilizes the hardware's dynamic capabilities. By heavily integrating velocity, the modulation matrix, and poly-aftertouch into every sound, these sounds allow you to shape and draw out unique elements, perfect for generating evolving, highly textured soundscapes that respond directly to your performance."
"One of the most influential tracks from the 90's, where dream music was ruling together with progressive for a time.
Gear used:
Roland MRS2 Promars
Roland JP8000 (used mainly for backtrack. Triggering a soft synth when playing live)
Kurzweil PC1x
Backtrack previously recorded from scracth on Pro Tools, instrument by instrument, (no original sound was used. Considering a natural piano sound is the main frame of the song, covers of this one are commonly misidentified by YouTube as originals whereas the are not).
Original track composed by Roberto Concina (Robert Miles).
Performed here by DX5 Jose Maria Bara"
"In this video we show a technique we use when we're stuck and don't want to input any notes manually — we let the OXI One MKII's sequencer do the generative work instead.
We create 3 tracks using the GEN function, then perform live using transpose to shape the melodic movement in real time. To add more flavor, we bring in the random generator and groove settings, which push the patterns into more organic, less predictable territory.
It's a simple way to get unstuck and still end up with something musical, without writing a single note by hand.
00:00 Introduction
00:49 Demo rundown
02:10 Track from scratch
05:13 Randomization
06:50 Making it more personal"
See parameter names, values, and button states instantly on the dual 256×64 OLED high-contrast displays.
The 8 push-encoders always stay in sync with your DAW, so your controls are always correctly positioned with no pickup issues. Press to toggle buttons, turn to adjust values.
"Modular Town — a synthesizer town, drawn by hand.
Modular Town is a single Amorph instrument: a hand-drawn village you scroll through, where every knob, step-sequencer and jack is mounted on a building facade wired by hand, just like real hardware.
🏭 Filter (Cutoff/Resonance) on the factoryVCO1 / VCO2 on the vending machinesDetune and Attack/Decay/Release tucked into the houses🥁 A 16-step drum machine (Drums Volume, Accent, Drive) running through its own sequencer🍜 Ramen Bass Shop, a mono bass synth with its own 16-step piano roll, playable live or sequenced. A day/night cycle you flip from a shop sign. Delay (Time/Feedback/Mix) on a canal-side wall. A full patch panel route LFO, ENV and random modulation across the whole village with real cables✨ Reverb, aged-paper texture and film grain for a sketchbook feel"
