Sequential FourM brzmi masywnie (bez gadania)

video upload by Superlvminal Studio

"Analogowy syntezator Sequential FourM i dwa bardzo budżetowe efekty pedałowe:
M-Wave Elemental Pro (delay pedal) i Flamma FS02 Reverb.
Patche zrobione własnoręcznie.

00:00 Liquid Pad
02:10 Cinematic Piano
05:10 Sync Mellow Pad
06:15 Classic Rich Brass
06:53 Organic Pad
08:35 Liquid Lead
09:10 Sync Heaven
12:58 Gentle Lead

💚Moja muzyka:
Chântall on SoundCloud: / chantall-911580215
Chântall on Spotify: https://open.spotify.com/artist/6it7o...
Tidoux on Spotify: https://open.spotify.com/artist/0petc..."

Sequential Pro-3 // Tweaking Factory Presets F001-F025 // PT 3 // No Talking

video upload by LESINDES

"Sequential Pro-3 // Tweaking Factory Presets F017-F029 // PT 3 // No Talking

Unpublished footage from 2020

Contents
00:00 Intro
00:10 17 Seskatur Bass
00:32 18 Voxy Sync
02:03 19 Cortmini
03:21 20 04:02 21 04:12 22 04:40 23 06:40 24 08:56 25 09:18 26 11:31 27 11:40 28 12:45 29

Echoing Footfalls

video upload by A Little Knight Music

"Lo-fi ambient improv.

Sequential Prophet Rev 2 - Eventide Blackhole"

Tubbutec SH-1oh1 Max for Live Editor and Controller for the Roland SH-101

Tubbutec SH-1oh1 Editor for Roland SH-101 | Ableton Live Controller video upload by Studiomood



Studiomood has released SH-1oh1 Control, a Max for Live editor and MIDI controller for the Tubbutec SH-1oh1 upgrade installed in a Roland SH-101.

At the heart of the device is the Mood Engine, a 24-preset system designed for turning one sound into a whole collection of related variations. Inspired by the fast sound-variation workflow associated with the legendary AFX Mode, it encourages you to create a sound, copy it to the next preset, change a few parameters and keep moving.

Instead of treating presets as isolated patches, the Mood Engine makes them feel like different states of the same sound. Start with a bass sequence, copy it, open the filter, change the envelope, add an accent or push the extra LFO into filter FM territory. Within minutes, you can build a complete bank of connected variations and switch between them from Ableton Live or an external MIDI controller.

The video demonstrates exactly this Mood Engine workflow in action, moving through a series of connected SH-1oh1 sound variations and showing how a single starting point can evolve from preset to preset:

https://www.youtube.com/watch?v=-w1x0MWApas

This makes the modified SH-101 especially interesting for live performance, evolving sequences and fast studio experimentation. Presets can be selected with the arrow buttons, Random can generate an unexpected starting point, and Reset clears the current preset when you want to begin again.

Behind the Mood Engine is a complete software editor for all MIDI-controllable SH-1oh1 parameters. Cutoff, envelope amount, the additional filter ADSR, filter and volume accents, accent decay and the extra filter LFO are all available directly inside Ableton Live. The LFO offers coarse and fine rate control, covering everything from slow movement to extreme filter FM sounds.

Velocity can be mapped to 9 different targets: None, Cutoff, Volume Accent, Filter Accent, Accent Switch, Attack, Decay, Sustain and Release.

Clock sources for the Arpeggiator/Sequencer and Random LFO can be selected from internal LFO, external trigger input, MIDI clock and MIDI note. The corresponding clock dividers are also available directly from the Max for Live device.

Settings are stored with the Ableton Live project. When returning to a session, Send All transmits the current parameter values back to the modified SH-101, bringing the hardware and software back together without having to recreate the sound by hand.

SH-1oh1 Control turns the expanded architecture of the Tubbutec modification into a hands-on Ableton instrument, with the Mood Engine opening up a fast and playful way to explore how far a Roland SH-101 sound can be pushed.

Requirements
Roland SH-101 with the Tubbutec SH-1oh1 hardware upgrade
Ableton Live with Max for Live
MIDI interface
SH-1oh1 Control is available from Studiomood for €19.95 including VAT.

Product page
Tubbutec SH-1oh1 hardware upgrade

Using a VCA as a logic AND gate.

video upload by George B.

"Another 'Thinking Outside the Box' video where I discover a VCA can be used as a logic gate. See how I use a VCA to create a more complex rhythm."

MathSynth - Turn Mathematical Equations Into Musical Instruments

"MathSynth is a free iOS platform where mathematical functions become musical instruments. The idea is to explore the connection between mathematics and sound, not simply as an educational tool, but as an actual instrument for making music, learning, sharing and experimenting with different types of synthesis.

Beta users get a 3-months free Premium Pass using the coupon code shown on the website. There's also a Founding Member challenge: save 10 sounds during your trial and qualify for a Founding Member reward when MathSynth officially launches.

Get MathSynth here:
https://mathsynth.com"

I reached out to MathSynth asking if there were any demos on YouTube. They said they would be coming. I'll be sure to follow up with them. Until then, feel free to give the Beta a try.

Ambient cascades | Novation Circuit Monostation, Stylophone Gen X-2 and S-1, Vongon pedals, eurorack

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

I enjoyed having the Vongon Solarfaze and Polyphrase on the table for my last jam and left them there on a whim. That was the starting point. Next, I needed to run a synth through them, so I chose the Novation Circuit Monostation. I borrowed the CMS from a friend and had been looking to make some music with it; my opinion is that it's an extremely underrated synth that can do way more than people recognized at the time. And once I had its sequencer running and a bassline queued up, I could hear more of what was needed.

I also recently got a couple of Stylophones, because they are extremely affordable—the S-1 was something like $60 Canadian—and because I like the sound of them. Using the CMS's CV outputs, I sent a second set of sequences to the Gen X-2, which has CV input. I also took advantage of the Gen X-2's beautiful internal delay for cascading performances. The S-1 ended up my improv melody device for the last third of the song.

At this point, I needed reverb but didn't want to add multiple reverb boxes, so I added the Jellymix to act as stereo send to all the synths. For reverb, I chose the Swells, because I currently have it in a case with the Fieldtone Weaver and Qu-Bit Stardust, which can add a lot to a mix through stereo sample mangling. The Stardust is playing something that came from the CMS into Weaver; the Weaver is playing a snippet of my voice.

By this point, I could hear the full song, and it was just a matter of adding a couple of sequences and performing the whole thing. Pretty fun to see how wanting to explore a bit of hardware can lead to a finished song.

Performed and recorded live to a stereo output from the Jellymix, with EQ, compression, and limiting on the master.

CLICK FOR MORE »

Works 2 - Soundbank for Moog One #moog #synths #sounddesign

video upload by SMV Producer

Sound banks available for purchase at:
🔴 https://gumroad.com/smvproducer
🔴 https://payhip.com/smvproducer
Other links:
Bandcamp : https://sergiomassimilianovarvazzo.ba...
Instagram: / smv_producer
Smartlink: https://ffm.bio/smv_producer

TIMELINE
00:00 Syntrx2
02:44 56 Steps
03:50 9 Steps
04:59 Cheese
05:48 Delayed Start
07:21 Aggression
08:12 Descending from high
08:47 Cold Alien Planet
10:05 Different Path
11:44 4 Steps - 8 Steps
12:36 Entitled Vitality
13:17 Double Face
13:58 Goodbye Head
14:30 Huge Pad
15:41 It is an OBIE
16:15 Matrix
17:11 Metal Strings
17:58 Octave sequence
19:39 Old Piano
20:17 Slow Rising
21:32 Slow Orchestra
23:00 Test 5
23:39 Understanding Treat

Making atonal sound resonat W. Elements

video upload by Meska (Meska)

"Quick sound demo of atonal sound to resonator in the case feedback , using the external input of Elements

Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with. You can stream my albums and EPs at https://statikwave.bandcamp.com/. If you'd like to support the channel​ consider buying music from bandcamp ;) Contact/booking: meskastatik@gmail.com"

RIPPLER

video upload by DATABROTH

"Read my full review here: www.databroth.com/blog/rippler-review

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon / databroth"

KAZU - VST/AU PLUGIN TEASE

video upload by Jonas Eriksson

"Kazu Audio VST Plugin coming in September

#vstplugins #sounddesign #musictech #musicproducers"

Unusable Engineering Slot Sequencers | How They Work

video upload by Unusable Engineering

"A walkthrough of the shared slot sequencer system added to all Unusable Engineering effects in version 1.3.0.

Depending on the plugin, the sequencer has four or eight slots. Each slot stores a different set of effect parameters, and the plugin can step or slew between those settings manually, using an internal clock, or in sync with the host.

This video covers:
editing and selecting slots
manual movement between settings
internal and host-clock stepping
Slew in free and clocked modes
copying and pasting slots
randomization
enabling and disabling slots
differences between individual plugins
and a bit of the philosophy behind it"

"Curves & Membranes has also gained a new oscillator mode called Node Mode.

The normal oscillator uses Bézier handles to shape its single-cycle waveform. In Node Mode those handles are replaced by vector points, which changes how the synth sounds and allows much deeper wave folding.

It gives the synth a noticeably more modern and aggressive side while still using the same one-oscillator architecture. Curves & Membranes also got a new Vel->Radius option, where incoming velocity can multiply the radius of its orbital modulators by up to 5x. That makes harder notes introduce more movement rather than just changing level or filter response.

There is also now a preset browser across the full lineup, along with some starting-point presets, version checking and a few smaller workflow and stability improvements.

The updates are free for existing owners and available through the account page: https://www.unusable.net/account/

The two freebies (Binaural Modulator and Cavitation Fractures) have also gotten updated with slot-sequencer, preset-system and some bug fixes.
Product pages and press images are here:
https://www.unusable.net/
https://www.unusable.net/press/

Roland Volca Sample V1 Compact Sampler

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

Roland TR-707 Rhythm Composer Drum Machine

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

Moog Subharmonicon Semi-Modular Analog Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

Moog Taurus 3 Bass Pedal w/ Original Box & Docs

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

CLICK FOR MORE »

The Andromeda I Could Never Afford | Fabric Vintage Andromeda

video upload by Autodafe

"The Alesis Andromeda A6 has always been one of my dream synthesizers — unfortunately, it was expensive when it was released, and it's definitely not getting any cheaper today!

I did get the chance to spend some time with a real Andromeda many years ago, when a friend and I produced a demo CD featuring some of its sounds. I still remember being seriously impressed by that huge, complex analog machine.

AIR Music Tech Fabric Vintage Andromeda brings the character of the Alesis Andromeda A6 into the Fabric environment using AIR's advanced multi-sample synthesis engine. It features two main multi-sample oscillators, a virtual analog sub oscillator, noise generator, extensive modulation, envelopes, arpeggiator and a comprehensive effects section.

In this No Talking demo, I'll simply play through a selection of presets and sounds so you can hear what Fabric Vintage Andromeda can do without interruptions.

🎧 No talking — just sounds.
👉 AIR Music Tech – Fabric Vintage Andromeda - Try Free for 10 Days
https://www.airmusictech.com/virtual-..."


Follow-up to Introducing AIR Fabric Vintage Synths Vol. 2

0-Coast, 0-Ctrl, S4 & Move - Ambient Exploration

video upload by André Davies

"A live ambient performance created with the Make Noise 0-Coast, 0-Ctrl, Torso Electronics S-4, and Ableton Move — an exploration of evolving sounds, textured drones, subtle rhythms, and spacious soundscapes.
Find a quiet space, put on your headphones, and let yourself drift into the sound."

Theremin & Modular Synth — Full Live Set | Mouyao

video upload by Mouyao

"Live performance recorded at Sleepy Eyes vol.4 by Lunapapa
小号地段Trumpetopia ，Beijing.
August 8, 2026
Artist / Theremin / Modular Synthesizer: Mouyao

My newest live set, first performed in Beijing, using an Abhar, OpenTheremin, and several other modular synthesizers. The performance took place in a small room tucked away in one of Beijing’s hutongs, filled with all kinds of interesting objects and instruments, including a drum kit and cymbals. In the middle section of the set, I tried to explore different frequencies and resonances, searching for ways to make the room itself vibrate (and perhaps even summon a few ghosts from the hutong lol)
After the performance, some audience told me they could feel a strong physical energy and vibration from the back of the room. So maybe the room really was responding."

Michael Whalen's Synth Jam. "SHREDDING! Unapologetically…"

video upload by Michael Whalen

"Here’s some shredness—which, apparently, works best at slower tempos.

I absolutely LOVE this factory sound on the Waldorf Quantum MK II. This :90 romp features some crazy pitch-wheel work, polyphonic aftertouch, and my (patented 😂) hand-over-hand technique.

As ever, the backing track was created entirely by me (no AI BS) and the solo was played LIVE, in one continuous take, for the cameras. No edits. No assembling the 'best bits.' Just playing... Enjoy. M"