MATRIXSYNTH

Thursday, March 26, 2026

J3PO // RESIST MFTPOM


video upload by Julian "J3PO" Pollack

"'Resist' (Music for the people of Minneapolis) -- DAW-less cinematic composition/improvisation performed in one take by Julian "J3PO" Pollack.

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Please visit my website for the latest tour dates, music releases, and preset libraries: www.j3po.net

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Gear used: Arturia Keystep Pro (sequencing), Groove Synthesis 3rd Wave 8m (utilizing bitimbral mode), Oberheim OB-X8, Sequential Pro-3, Roland SP-404, Hologram Chroma Console, El Capistan, Red Panda Particle, Meris Mercury 7, Red Panda Tensor, Meris Ottobit.

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Julian 'J3PO' Pollack is a Los Angeles-based keyboardist, producer, and sound designer, renowned for his blend of jazz and electronic music styles. He has toured and/or recorded with legends including Herbie Hancock, Marcus Miller, Terence Blanchard, Chris Botti, Nate Smith, Santana, Talib Kweli, and many others. He has released several acclaimed solo albums, most recently SOUL & CIRCUITRY (Ropeadope, 2025). A former guest on NPR’s Piano Jazz at just 18, Julian is also a sought-after sound designer for top synth companies around the world like Nord, Sequential, Oberheim, and Spectrasonics.

Listen to Julian's new album: https://lnk.to/soulandcircuitry"

Novation Peak Synthesizer some sounds from James Dyson's soundset and sound design fun


video upload by James Dyson

"Novation Peak Synthesizer some sounds from my soundset and sound design fun 128 Full Bank of Custom Presets each with careful use of the Animate Buttons the sound design has been done in a meaningful way to mazimise the Animate options. These range from careful addtional FX to Moprhing into a another sound.. example a Keys preset pressing one of the Animate buttons will give you a pad etc etc..

Deep Programming and great care and attention to detail throughout the Soundset, Presets are very Diverse hence the soundset name 'Diversity' and cover many musical styles from Cyberpunk/Synthwave to Space/Ambient to Classical and Retro emulations of the great synths of past years.

The Soundset uses Novation Peaks latest Firmware and features assiocated with the update FX,Stereo Panning etc etc. I should add I have not encountered any problems with the latest Firmware in Hours upon hours of creating this Bank."

EMW - Patch Synthesizer – Create & Modify Sounds Instantly (Juno, DW-8000, JX-8P & More)


video upload by EMW Synthesizers

Previous incarnations of the EMW Patch Synthesizer were featured here back in 2014 and 2011.

"Discover the Patch Synthesizer, a powerful tool designed to generate and transform sounds on classic MIDI synthesizers. In this video, I demonstrate how it works, including both Create and Modify modes, and how you can quickly explore new sounds without complex programming.
More info: info@electronicmusicworks.com
www.electronicmusicworks.com"

‪Steve Porcaro's‬ Iconic BLIP & SPIT Synth Technique on the ARP 2600


video upload by Anthony Marinelli Music

"‪@StevePorcaroMusic‬ shows me his iconic BLIP & SPIT synth technique"

https://anthonymarinellimusic.com/products/think-like-a-synth

Pluto's Moons (Album) by The Pedalboard Orchestra




Also see The Pedalboard Orchestra's demos of Modern Sounds Pluto Semimodular Synthesizer



"This album presents ten extended ambient soundscapes (approx. 150 minutes total), composed and recorded using the Modern Sounds Pluto semimodular synthesizer as the sole sound source. Pluto’s architecture—featuring five primary modulation engines named after Pluto’s moons (Charon, Styx, Nix, Kerberos and Hydra)—served as both a structural and conceptual framework during production.
Each track explores different interactions between these modulators, ranging from FM-based timbral shifts to complex CV-driven rhythmic deviations and slow-evolving modulation cycles.

Across the sessions, the wider effects chain underwent several iterations, incorporating various pedals for filtering, spatial processing, and granular-style textural shaping. However, two components remained consistent throughout:

Modern Sounds Pluto (core synthesis + modulation)

Eventide Space (primary reverb stage, used for long-tail ambient diffusion, shimmer variants, and modulated plate algorithms)

All material was captured as real-time, single-track, one-take recordings, with no overdubs or post-layering. Performance control relied heavily on Pluto’s internal modulation matrix, manual parameter riding, and dynamic interaction between the... more
credits
released March 7, 2025

Many thanks to the brilliant creators of synthesizers and effects pedals -
especially the teams at Modern Sounds, Chase Bliss, Old Blood Noise Endeavors, and Eventide Audio.
Without their innovations, this album would not have been possible.

All sounds and noises by: The Pedalboard Orchestra
Recording and mastering by: The Pedalboard Orchestra
Photo and album cover design by: The Pedalboard Orchestra"

248t Arbitrariness & Tutorial Videos by Todd Barton & Stazma


video upload by Todd Barton

"A deep look at the multifunctionality of each stage. This answers the question, 'What is meant by Arbitrary Function Generator.'
Also , checkout Stazama’s video on the 248t [below]
My Patreon: / synthtodd"

Here comes the MARF - Tiptop Audio 248t Demo Video

video upload by Stazma and Tiptop Audio

"Here we are, the "MARF" aka Multiple Arbitrary Function Generator Model 248 in now in a reality in eurorack: all hail the 248t!

In this video I'm going to show you a bit of everything it can do (it can do a lot) but believe it or not I'm not going to go too deep. I'll try to go a bit deeper in some of the many rabbit hole of this things in future videos."

Birds by Aylesim -- Generative Melody Sequencer for Ableton Live (MaxforLive Demo)


video upload by Isotonik Studios

"Birds by Aylesim is a MaxforLive instrument that generates and evolves 16-step melodic sequences in real time -- no note programming required.

Get Birds here: https://isotonikstudios.com/product/b...

In this demo we walk through everything Birds offers: four generative styles (Stormo, Ostinato, Cantabile, and Puntillista), eight pitch mutation algorithms, and independent gate evolution controls that keep both the melody and the rhythm moving as the sequence plays.

The core idea is straightforward. Generate a sequence, set your Difference Limit, and Birds will drift away from that original reference and back toward it -- creating variation that stays musical. The bird-on-wire interface shows you exactly which notes are original, which have evolved, and which are inactive, so you always know where the sequence stands.

Whether you're building evolving loop beds, generating melodic material for a live set, or just breaking out of patterns you've played a hundred times, Birds gives you a sequence that works with you rather than sitting still.

Birds reads Ableton Live's scale and root key directly. Use it diatonic for in-key lines or switch scale mode off for chromatic and atonal results. Drive it from Ableton's transport or use MIDI Trigger mode to sync it to external hardware."



BIRDS BY ALESSANDRO AYLESIM MIRACAPILLO

WHAT IF YOUR MELODY COULD WRITE ITSELF?
MAKE YOUR OWN TRIPLE PACK: Buy any three or more Aylesim products at the same time and get a 20% Discount (automatically applied at checkout)

Static sequences repeat. Birds evolves. This MaxforLive instrument generates 16-step melodic sequences and mutates them in real time -- drifting away from the original idea and back again, creating melodies that breathe, shift, and surprise without losing their thread.

Inside you'll find:

Four generative styles -- Stormo, Ostinato, Cantabile, and Puntillista -- each producing distinct melodic character

Eight pitch evolution algorithms including Chromatic, Gravity, Smooth, Drift, Interval, and Rotate

Difference Limit control to set how far the sequence drifts from the original reference

Independent gate evolution with Shuffle, Density, and Chaos controls for rhythmic mutation

Generation tab with full control over density, note range, velocity range, and motif length

Lunacy Audio BISMUTH


video upload by DATABROTH

"This video is sponsored by Lunacy Aucio
Read my full review here: https://www.databroth.com/blog/bismut..."



"Crystallize your sound with Bismuth, a new Lunacy effect designed in collaboration with one of EDM’s most respected and iconic producers, Virtual Riot.

Bismuth is an iridescent color resonator which can transform raw sound into something tonal, melodic, and alive. By introducing resonant filters to any incoming sound, Bismuth generates lush harmonic layers tuned to specific chords and scales. Like light passing through a prism, what goes in clean comes out fractured into hidden harmonics, shimmering tones, and vivid, colorful textures. Designed for BEAM, our multi-effects engine, Bismuth, is also offered as a standalone effect plugin."

Introducing BLEASS Peaks: The Playable Polyphonic Filter Is Here (MIDI Performance Revolution)


video upload by BLEASS

"Meet BLEASS Peaks, a new generation audio filter that turns traditional filtering into a fully playable performance instrument.

➡️ In Internal mode, you can shape the sound using up to 32 resonant peaks/notches.
➡️ In MIDI mode, the plug-in becomes a playable polyphonic filter, where MIDI notes control the filter frequency. You can run up to 8 filter voices at the same time.

This lets you play filter movement using MIDI notes or chords, shaping drum loops and synths in real time. You can create evolving filter patterns, rhythmic effects, and perform filtering like a musical instrument.

🎨 Additional tools include 5 FX slots (distortion, delay, compression, bitcrush, and filters), plus LFOs, envelopes, and macros.

Discover its full features right now: http://bleass.com/peaks/"





BLEASS Peaks unites classic audio filtering with the spontaneous spirit of performance to deliver an entirely new class of creative filtering effects.

The plugin is built around BLEASS’ advanced multi-peak polyphonic filter design. When set to Internal control mode, this creates a single bell-filter curve containing up to 32 resonant peaks/notches. Details of the filter curve, such as the quantity, root frequency, and spread of the peaks/notches, are set parametrically, making it easy to shape the filter’s response and bring it to life via the plugin’s synth-style modulation sources.

BLEASS Peaks truly comes into its own when operating in MIDI mode. In this configuration, the filter’s root frequency is controlled via MIDI coming from live-played notes or a recorded track. Better still, BLEASS Peaks can generate up to eight such filters simultaneously, making this a true polyphonic filter.

MIDI control makes the filter fully playable and performable, opening up a whole new constellation of original and compelling filtering effects. Drum loops can be tuned to follow chord progressions, rhythmic harmonic pulses can be added to pads, arpeggios can be brought to life with complex frequency-shifting chorus effects… the creative possibilities are endless.

Additional colour and detail can be added to Peaks’ filtering via a set of five assignable Effects slots. These allow you to enhance the filtered sound with distortions, dynamics processors, delay, and even conventional low- and high-pass filters.

As with the filter itself, Peaks’ effects can be brought to life by the plugin’s various modulation sources, with each modulator mappable to up to four destination parameters. There are three LFOs, three envelopes triggered by the incoming audio plus a fourth triggered via MIDI, and four Macro controls. Alongside these internal modulators, the plugin also recognises various realtime MIDI CC and MPE sources.

Used as a conventional single-voice filter, BLEASS Peaks is at the top of its game, allowing easy-yet-deep control over the spectrum of your audio, and offering many ways to inject life and movement into the effect. Enabling MIDI control makes that advanced filter behave as a playable instrument, unshackling you from the limitations of conventional filtering and giving you direct hands-on control over the effect.

However you choose to use it, BLEASS Peaks is a uniquely creative, intuitive and fun tool for shaping, colouring, and injecting originality into your music.

Doctor Fungus, Aldebaran #arpoloop


video upload by LepLoop

"Doctor Fungus prepare travel to Aldebaran | ArpoLoop Live Performance
https://www.leploop.org/2024/05/14/th...
Without the use of microprocessors or digital memory, the ArpoLoop creates a living, breathing musical experience.
#spaceambient #generativemusic #doctorfungus"

Seaside Thailand Phuket Dub Techno on Novation Circuit Tracks


video upload by Tsumios / Hardware Electronic Music Adventures

"Playing a bit Dub Techno at Phuket Seaside. Nice place, lazy sea, good coffee and playing Dub Techno on simple, but good music device!

It's three years old video, filmed it in Almaty, Kazakhstan, where I live some time at autumn in 2022 year."

Making a Tonverk Techno Rumble + other things


video upload by Abre Ojos

"The first thing I like to do on a new box is make a techno rumble. I learn a lot about a machine like this as I have a goal in mind and I can explore all the options. Here is one way to do it. I also live route the Pulsar 23 Bass channel through the TOnverk and apply a bunch of effects. And then sample the Pulsar and feed the Grainer. Finally add a Pulsar snare sample and make some weird hi hats. The video starts with the final result and then the making journey. And yeah yeah, OS 1.30 but in Australia I woke up to that so this is the final video that will ever be on OS 1.21.

00:00 Intro is the final track sketch
01:08 Intro ramble - oops I bought a Tonverk
05:02 Making the rumble
14:48 Sidechaining options
20:49 Testing at a faster BPM
22:26 Routing an external synth (Pulsar 23) MIDI control and using effects
26:20 Quick techno drone test
28:41 Sampling the Pulsar and feeding the Grainer Machine
42:02 Subtracks & adding some percussion
44:33 Weird hi-hats and a random sequence
46:24 Bringing it all together - the start is the end"

Dark ambient audiovisual stuff: https://abreojos.net

Analog VS Digital - Elektron Syntakt Sound Pack Demo by A Force Truly Evil


video upload by A Force Truly Evil

"Available Here: https://sci-fiaudio.com/product/analo...

IDM & AVANT-GARDE SOUND DESIGN — RAW ANALOG FORCE VS DIGITAL PRECISION

Analog vs Digital by A Force Truly Evil is a hybrid sound pack for Elektron Syntakt featuring 128 patches and 31 demo patterns.

Created as a tribute to IDM, this pack blends the spirit of classic artists with contemporary experimental electronic music.

Built around the contrast between classic IDM and forward-thinking electronic sound, it is designed for IDM, drone, experimental electronica and ambient music, with a strong focus on minimalist and modern electronic styles.

LONG DESCRIPTION

Analog vs Digital is built around the hybrid nature of the Elektron Syntakt, combining analog and digital synthesis while exploring the contrast between classic IDM and contemporary electronica.

This pack comes from a place of pure love for IDM. Its sound palette draws inspiration from different corners of the genre:

Ableton Live: 50 Dreamy Ambient Presets + Clips. Sound Demo


video upload by Anton Anru

🌅 Dreamscape Clouds is a collection of 50 presets + clips for Ableton Live that includes 10 Arps, 10 Pads, 10 Plucks, 10 Strings and 10 Synths.
🎆 The bank is inspired by cosmic, dub and dreamlike moods, giving it a sweet, atmospheric and dreamy, lo-fi sound.

📦 Get these sounds: https://antonanru.sellfy.store/p/able...
👤 The author of the soundset is skendi (Arseniy Pushkov).

The timbres have a wide spectrum: from warm and cold, noisy and detuned, soft and punchy, dark and bright, clean and distorted, deep and airy.
Perfect for genres such as ambient, ID, downtempo, pop, cinematic, trance, deep, progressive, techno, breaks, jungle, drum and bass, dub and others.

🪐 Clips include additional motion, adding expressiveness. You can use them as a starting point and change notes, or use presets separately.
The presets are presented in the Instrument Rack format, which combines synths and effects in a single device.
Each Instrument Rack has 8 Macros that make it easy to develop timbre and adjust key parameters.

🎛️ The macros are a significant part of the soundset. They can change tone, LFO, distortion, space, effects mix, envelope parameters, add extra OSCs and others.
You may control them via MIDI controller like Push, use them for automation, or map the macros to Ableton modulators like LFO, Shaper, and others.
Modwheel makes the timbre brighter. Velocity affects volume and brightness.

Casio CZ-101-1000-3000-5000 - "Cassiopeia" Soundset 64 Presets


video upload by LFOstore

"!! This soundset is completely re-worked previously released 'Mosaic Tones' soundset which is no more avaliable.

BUY: https://lfo.sellfy.store/p/casio-cz-1...

If you bought 'Mosaic Tones' please write to us with payment history and we will send you this one for free!

Casio CZ-101 aka. Cosmosynthesizer is here!

Soundset working with hardware CZ-101 Model & Plugin Boutique Virtual CZ!
Working with CZ-101,CZ1000,3000,5000!

As description says:
The CZ-101 is a state-of-the-art musical instrument which incorporates the latest electronics technology to make its operation as easy as possible.

Exceptional sound quality backed up by a host of sophisticated features and functions makes the CZ-101 a truly unique musical instrument.

Thanks for Injapan.ru - we've got 36 years old CZ-3000 in mint condition.
Introducing "Cassiopeia" Soundset with 64 organic sounds for CZ-101!

Mellow Leads
Beautiful Pads
Sweeping Strings
Bells & Plucks
Poly's & Brass

A PDF booklet is included with description to every patch in the soundset.
From Ambient & Electronica to SynthWave & SynthPop with benefits of phazeDistortion synthesis.

Made by Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation

Enjoy and may the music come with you!"

Famous Yamaha DX7 Sounds & The Songs That Made Them Iconic


video upload by RetroSound

"🎹 The Yamaha DX7 is one of the most iconic synthesizers of all time—and the sound of the entire 1980s. In this video, we break down the most famous DX7 presets like E. Piano 1, Marimba, and Bass, and the legendary songs that made them unforgettable, from Toto to The Police. If you want to know why the DX7 changed music forever and why its sounds are still everywhere today, this video is for you. The Yamaha DX7 shaped the sound of the 80s like no other synthesizer. These sounds defined pop, rock, R&B, and film music.

The DX7 song list:
0:06 Dire Straits
0:22 The Police
0:36 The Commodores
0:50 Bryan Adams
1:05 Chaka Khan
1:20 Toto
1:33 Kenny Loggins
1:42 H. Faltermeyer
1:55 Chris Rea
2:06 Dirk Michaelis

(c)2007-26 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

synth tees: https://retrosound.creator-spring.com
Donation: https://www.paypal.com/ncp/payment/9N..."

Rare Custom DIY ARP-Style Analog Synthesizer – One-of-a-Kind Estate Find

Note: links to listings are affiliate links for which the site may be compensated.


via this eBay listing

"Offered here is a truly unique and intriguing analog synthesizer, discovered at an estate sale in Los Angeles belonging to a longtime record collector. This piece appears to be a custom-built or prototype-style instrument inspired by classic ARP designs—featuring elements reminiscent of both the ARP 2600 and later Odyssey models.

The layout, switching, and signal flow strongly reflect deep knowledge of vintage ARP circuitry, while the construction suggests a highly skilled builder with access to professional-grade metalwork and components. The unit is housed in what appears to be an ARP pedal synthesizer case, though the internal assembly is not permanently mounted—indicating this may have been a custom project or experimental build. It has one etched circuit board on a module and the rest are on perfboard with point to point wiring.

Notable features:

ARP 2600-style panel layout with Odyssey-style switching influences

Point-to-point wiring with included schematic diagram

Separate keyboard connected via cabling

Vintage analog components throughout

Powers on (unit lights up), though full functionality has not been tested

Whether this is a one-off custom build, a studio project, or an experimental instrument from a knowledgeable enthusiast, it represents a fascinating piece of analog synthesis history. With some restoration or calibration, it has the potential to become a highly expressive and unique instrument."

EMS Synthi AKS Mk2, 1975 w/ Docs & 7" Record

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"A superb and highly original EMS Synthi AKS Mk2, manufactured in 1975, in full working order and very nice cosmetic condition as shown in the photos. The aluminium front panel is in excellent shape and fitted with the original vernier dials, which have developed a lovely natural patina with age and use. The Spartanite briefcase is also in very good condition and retains the correct EMS London badge.
This is a genuine, unmodified example that retains its original character and components, something that is becoming increasingly difficult to find. It has clearly been a well-loved and carefully maintained instrument. I have owned it for the past 11 years, but it’s now time for it to move on to someone who will give it the use it deserves.

The Synthi A itself has been recently serviced by a professional vintage synth technician, and the KS sequencer was serviced four months ago by Robin Wood at EMS in Cornwall, ensuring everything is functioning exactly as it should.

Included with the synth: • Extra patch pins • Original Synthi–KS sequencer umbilical cable (excellent condition) • UK mains cable • Two keys for the Spartanite case so it can be locked — a great security feature… after all, no one would think of stealing a locked briefcase synth!

Also included is an excellent collection of original EMS documentation and ephemera, which is becoming increasingly difficult to find with surviving instruments: • Original EMS user manual, bound for protection • EMS 7' 33rpm demonstration record with cover • Original guarantee form (unused — unfortunately the manufacturer’s warranty has now expired!) • Several original EMS leaflets for the Synthi, VCS3 and Synthi 100 & Synthi Hi-Fli • Unused patch cards from 1975, in two different formats • Original 1975 EMS price list • An unbound copy of the Synthi Educational Handbook

Overall this is a beautifully preserved and highly original Synthi AKS Mk2, complete with period accessories and documentation — something that is becoming increasingly rare.

If you are looking for an authentic EMS instrument with real provenance and ready to continue making extraordinary sounds for decades to come, this is a wonderful example. Serial Number: 45104KS"

Emu Modular, 45 modules & keyboard a/s

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Superb, rare E-mu 45 module dual cabinet system with the elaborate and powerful keyboard. The main power supply has stopped working - so unable to test modules. The S&H module is known to be a non working module. Generally good physical condition, so a really great project. At a rough estimate, it might cost 2000GBP to get everything 100%. Very well worth it indeed. Please check the photos for the modules included.

VEMIA can collect and pack: 60GBP."

Magnificent 5U / MU modular

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"All modules are in basically good working condition. On a few of them you can slowly notice that they have not been used for a long time, but this should easily disappear again with regular use. One or two jacks are a bit stiff.
I am the first owner. Listed from top to bottom and then the rack on the right (not in the main photo, but full of amazing modules).

ModularGrid Rack 1: https://modulargrid.net/d/racks/view/3056577 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q118 Instrument Interface Synthesizers.com Q125 Signal Processor Synthesizers.com Q105 Slew Limiter Club of the Knobs C 994 Multiples Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q113 8-Channel Mixer Synthesizers.com Q106A Oscillator (VCO) Synthetic Sound Labs The Matrix Algorithmic Composer – Model 1660 Corsynth C103 Frequency Divider Multiplier Synthetic Sound Labs VC Envelope Generator – Model 1230 Synthesizers.com Q107 State Variable Filter (VCF) Synthesizers.com Q162 Filter Mixer for Q107 Synthesizers.com Q109 Envelope Generator Club of the Knobs C 905A Voltage Controlled Low Pass Filter Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 905 Reverberation Unit

ModularGrid Rack 2: https://modulargrid.net/d/racks/view/3056596 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q124 Multiples Moon Modular 563 v1 4-Track/8-Step Trigger Sequencer Moon Modular 528 Sample and Hold Moon Modular 524 Quad Low Frequency Oscillator Moon Modular 524A Quad Low Frequency Oscillator Assistant Synthetic Sound Labs 5-Pulser / Dual Analog XOR – Model 1710 Club of the Knobs C 962B Sequential Switch (bidirectional) Club of the Knobs C 995 Attenuators Synthetic Sound Labs Double Deka VCO - Model 1130 Synthesizers.com Q115 Spring Reverb (Modified with 2 Tanks) Club of the Knobs C 911P v1 Pentaphonic VC Polyphonic Envelope Generator STG Soundlabs Digital Attenuators Synthesizers.com Q109 Envelope Generator Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 994 Multiples

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