MATRIXSYNTH

Thursday, April 30, 2026

Exploring the Sequential Fourm: an underrated synth gem

video upload by Signal Sounds

"Our good friend The Unperson returns to the Signal Sounds channel to put the Sequential Fourm through its paces.

Fourm offers the classic sound and quality of Sequential at an unprecedented price point. Drawing on some of the best synths of all time, this compact analogue powerhouse boasts some fantastic features like poly aftertouch and a flexible arpeggiator/sequencer.

Buy here:
https://www.signalsounds.com/sequenti..."

SEQUENTIAL FOURM: 4 voces analógicas para recrear un clásico

video upload by Hispasonic

Click CC for subtitles at the bottom of the player once the video starts.

Video descpription in Googlish:

Instead of a traditional review of the Sequential Fourm, we decided to take a different approach: putting it to work on a specific track. And not just any track: "Fade to Grey" by Visage—an absolute classic of 1980s British synth-pop. Every melodic and accompanying track you’re about to hear was created exclusively using the Fourm, starting from factory sounds (drawn from the approximately 300 initial presets) with only minimal tweaks. The only element not provided by the synth is the drums: an AI-generated Roland CR-78-style pattern, occasionally reinforced with a kick and snare from Logic’s sound library.

Along the way, Pablo demonstrates how to truly harness the power of a modern polyphonic analog synthesizer: polyphonic aftertouch (key for the lead vocal line, where some notes come alive while others fade out completely), intense mixer feedback (ranging from subtle thickening to nonlinear behavior with "ghost" harmonics), audio-rate filter modulation from Oscillator 2 (adding anything from brightness and vocal-like character to total sonic breakdown, depending on the intensity), glide for creating transition sweeps, and the LFO in random mode feeding the filter to ensure every note sounds unique.

We also cover specific recording techniques: layering basslines via MIDI using two different sounds and panning them; doubling hand-played pads so that the two takes aren't identical; and recording a MIDI pattern to free up both hands, allowing you to perform real-time timbral tweaks—adjusting the filter, resonance, and modulation intensity—during the actual audio recording.

📝 A quick refresher on the Fourm: a compact 4-voice analog synthesizer featuring two VCOs per voice, a 4-pole low-pass filter derived from the Prophet-5, one global LFO, two ADSR envelopes, a mixer with feedback capabilities, no internal effects, a mono output, a 37-key "slim" Tactive keyboard with polyphonic aftertouch, and a modulation matrix—inherited from the Pro-1—that is directly accessible right on the front panel. 00:00 Original vs. Fourm Version
00:24 Intro
01:35 Fourm Features
03:34 Polyphonic Aftertouch
04:57 "Fade to Grey" Intro
07:07 Bass
08:34 Chords
10:17 Sweep
12:32 Melody
18:50 "Clavi" Sound
19:34 Drums
20:39 Full "Fade to Grey" Version

Making Music With The Sonicware ELZ_1 Play

video upload by craigwilliamsmusic

I-710 Long Beach to CA 47 San Pedro | Complete Drive

video upload by CatSynth TV

"We continue our exploration of Terminal Island and its surroundings with a trip along Interstate 710 (Seaside Freeway) and California Highway 47. We start in Long Beach, and follow I-710 over the Long Beach International Gateway Bridge onto Terminal Island. We are treated to wide-open views of the ports of Long Beach and Los Angeles on the island. I-710 ends at a junction with CA 47 and the Terminal Island Freeway (CA 47 & CA 103). We follow CA 47 east over the scenic Vincent Thomas Bridge into the San Pedro neighborhood of Los Angeles. CA 47 ends and transitions into I-110 north (the Harbor Freeway), which will feature in a future video.

Original music by Amanda Chaudhary, featuring a solo by our cat Big Merp!
Synthesizers and instruments used:
BFD3 Drums
Vintage Minimoog
Kenton USB Solo mk2
Audio Modeling SWAM Trumpet
Arturia Augmented Persia, CP-70 V, LX-24 reverb, Mix DRUMS
Cherry Audio Filtomika, Novachord, Chroma, Stardust tape delay
Dawesome KULT
Anukari 3D physics modeling synthesizer
Qu-bit Prism module (Eurorack)
EastWest Ministry of Rock 2, Hollywood Orchestral Percussion"

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

0:00 Introduction
0:10 Heading south in I-710 in Long Beach
1:19 Crossing the Long Beach International Gateway bridge
1:50 Terminal Island
2:13 Transitioning from I-710 to CA 47
2:57 Crossing the Vincent Thomas Bridge
3:20 Entering San Pedro
4:04 Conclusion

Self-Organization in Circuits and Society

video upload by La Synthèse Humaine

"New Uses for Old Circuits is a series looking at linear and nonlinear processes in the modular system.

In this video we look deeper into the idea of Self-Organization and how to create sounds that David Tudor might describe as 'free to be themselves.'

0:00 Intro
1:32 Self-Organization in Sound
4:05 Self-Organization in Society
5:09 Slef-Organization in Language
6:40 Patching a Self-Organizing System"

This Drum Machine Isn't Normal!

video upload by Oscillator Sink

"At Superbooth two years ago, as I was walking the halls I felt a hand on my shoulder and a voice said “oscillator sink, let me show you my groovebox”.

Now whatever gets conjured in your mind when you hear the phrase “groovebox” is probably not the Drop from Mad Sound Factory, but after a few minutes of patching and turning knobs I had it generating extremely aggressive gabber, and naturally I was hooked and named it one of my synths of the show.

In this video we’ll get to know Drop, how it works, how it sounds, how it plays with others - including a discussion of how to get banana jacks and euroracks to talk. As the video is long (because of course it is if it’s on my channel), I’ve added chapter markers throughout, and scattered some small no-talking demos throughout, both with drop as a solo instrument, and in ensemble with other instruments.

Transparency notice: Mad Sound Factory kindly sent the Drop to me for free for the purposes of making videos about it. I get to keep the unit, but no other payment was made for making the video and MSF have been given no editorial oversight for this video.

Chapters:
00:00:00 Introduction
00:01:14 The Tone Section
00:05:50 Interlude 1
00:06:42 The Noise Section
00:14:47 Interlude 2

CLICK FOR MORE »

The Incredible WARBL Wind Controller and the Haken Micro: Featuring Ed Eagan

video upload by HakenAudio

"Watch as Ed Eagan, creator of the Eagan Matrix, demos custom Eagan Matrix presets designed specifically for the WARBL Wind Controller.

The WARBL is a uniquely expressive and sensitive MPE Wind Controller. Paired with a Haken Micro as its sound engine, the WARBL is capable of performances that truly blur the lines between acoustic and electronic music.

To learn more about the Haken Micro and the Eagan Matrix: https: https://www.hakenaudio.com/

To learn more about the WARBL: https://warbl.xyz/"

Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

NINA Macro Oscillator Mode - BRAIDS Update! Demo and deep dive with THE UNPERSON video upload by Melbourne Instruments

"The powerful new Macro Oscillator Mode firmware update for Melbourne Instruments' motorised polysynth, NINA, has arrived. This new update adds 45 synthesis waveform models using open-source code from Émilie Gillet’s Mutable Instruments Braids, one of the most celebrated Eurorack synth modules.

This new mode massively expands Nina's sonic capabilities, unlocking a new world of synthesis, from classic analog textures to cutting-edge digital experimentation. Powered by Nina’s innovative architecture, the new Macro Oscillator Mode delivers an incredibly versatile hands-on sound design experience unlike any other.

In this video Melbourne Instruments collaborator THE UNPERSON takes a deep dive into Macro Mode, exploring some of the Macro Oscillator models, and demonstrates just some of the 60 new presets created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:11 Intro - about this update
0:02:31 Oscillator Models
0:06:02 Preset previews - Untitled Unperson Patch
0:07:13 Spectral Whips
0:07:37 Trance Lead
0:08:10 Bulk Carrier
0:08:50 VHS Error
0:09:09 Chords
0:09:53 Talkback
0:10:11 Sweeping Horizon
0:10:55 Arp DRM
0:11:23 Toy Crush

To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

2nd video followed by the press release:

NINA Macro Oscillator Mode — 12 polyphonic voices of BRAIDS! Macro Presets audio demo with PROTOVOLT

video upload by Melbourne Instruments

"In this video, Sound Designer PROTOVOLT demonstrates a selection of the 20 new presets he created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:20 Xenomorph
0:01:02 String Theory
0:01:40 Zero Space
0:02:28 Harpsichon
0:02:58 Dark Matter
0:03:41 Supernova
0:03:58 Nucleus
0:04:38 Flux
0:05:09 Datablade
0:05:38 Retsu
0:06:04 Event Horizon

To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

Press release follows:

Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

“NINA has always been an absolute powerhouse of a synth, but this update is insane; OSC 3 gives you 45 Braids macros across 12 voices, plus its massive mod matrix — the range of sounds and textures you can create now knows no bounds.”

- Musician/sound designer PROTOVOLT, 2026

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to bring Mutable Instruments’ Braids engine — Emilie Gillet’s celebrated open-source macro oscillator — to its desktop NINA analogue polysynth, as of April 30…

Available as a free firmware update, all 45 Braids synthesis models run across NINA’s 12 true polyphonic voices, each shaped by a dedicated overdrive-able analogue filter. Ultimately, users can now layer Braids and analogue VCOs (Voltage Controlled Oscillators) across four multitimbral parts, morph between presets, and sequence everything.

Duly described by Mutable Instruments as a macro oscillator, Braids was a mono Eurorack module: one voice, no internal filter, and no modulation routing. It is now something else entirely on NINA, itself described as the world’s first motorised polysynth. Put it this way: when switching layers, the motorised knobs snap to new positions; morph between patches and they sweep in real time. Meanwhile, modulation routings are all visible on the panel from the moment they are selected. Surely Braids has never been this hands-on.

Digging deeper, each waveform model is shaped by two expressive parameters — Timbre and Color — adapted from the original Braids module. More meaningfully, these controls affect multiple tonal dimensions simultaneously, producing complex, evolving, and musically responsive sounds. Spanning analogue VCO emulation, vowel and formant synthesis, 2-operator FM, physical modelling of strings and wind instruments, wavetable synthesis with smooth interpolation, granular synthesis, and electronic drum simulation, the 45 models evidently elevate NINA to a new level, further cementing itself as a premium analogue polysynth powerhouse for experimental, generative, analogue, and digital synthesis.

Says musician/sound designer James Terris, ending on a high note: “I’ve always described NINA as a beautiful beast — analogue oscillators paired with its super-fat and driven analogue filter make it beastly! But while the existing wavetable oscillator adds a crystal sheen that provides a beauty, the new macro oscillator models expand this tremendously. Indeed, it can go from delicate FM, Karplus-Strong, and even vocal formant textures straight into swarming, stacked super-waves. With this update, it feels like an instant NINA ‘MK-2’!”

Excluding taxes applicable to the territory concerned, NINA is presently priced at $3,299.00 USD in North America; €3,165.00 EUR in the EU; £2,835.00 GBP in the UK; and $3,499.00 USD in Japan, while it is presently priced in Australia at $4,995.00 AU, including GST (Goods and Services Tax) — all via Melbourne Instruments’ growing global network of dealers.

For more in-depth information, please visit the dedicated NINA webpage here: https://www.melbourneinstruments.com/nina

The new NINA MACRO OSC UPDATE firmware is downloadable for free from here: https://www.melbourneinstruments.com/support#nina

Coinciding with the new NINA MACRO OSC UPDATE firmware release, owners of the world’s first motorised polysynth can also download 60 new presets for free from here: https://www.melbourneinstruments.com/presets#nina

Cuckoo Introduces the SVENSSON 49 Looping Keyboard by AUXY

I gave the new SVENSSON 49 keyboard my sound signature! Dream collab with AUXY!
video upload by True Cuckoo

"Everything about the new SVENSSON 49 keyboard by AUXY, in this friendly Tutorial."

"Svensson 49 is a digital keyboard with expressive sounds, a playful looper, and a personality of its own.

No menus to dive through. No manual to read before you start. Just play, loop, and explore your musical ideas.

Svensson uses a mix of samples and wavetables to generate sounds that range from acoustic to synthetic, with a special focus on everything in between.

The sounds are designed by Cuckoo. We love how much care he puts into making his sounds feel colorful and expressive, and how naturally he blends synths with pianos and other acoustic instruments.

Loop and Layer
Svensson keeps track of the notes you play, so you don’t have to hit record before you start. If you like what you just played, hit Loop to capture it.

The four sound categories are also separate parts that can be looped individually. Loops can be as long as you want, and you can add as many layers as you want.

Build Quality
Svensson has a metal body with solid oak sides and is manufactured in Germany. It uses a Fatar keyboard with 49 semi-weighted, velocity-sensitive keys.

The built-in speaker is custom-made by Swedish speaker guru Ingvar Öhman. It's surprisingly loud and lets you play so other people can hear without additional gear. Perfect for living room jams.

Connections
Sustain pedal
Stereo line out
Headphones
USB-A for class-compliant audio and MIDI
USB-C for power and data

Availability
We're on the final stretch of getting Svensson ready for production. The price is not fully locked in, but expected to be around 899 EUR / 999 USD.

Preorders for the first limited batch will start soon. The first units will ship to customers in early fall 2026."

Get notified on preorder dates: https://auxy.co/

Future Sound Systems ENV1 CFG

Future Sound Systems ENV1 CFG Percussion Demo
video upload by Future Sound Systems

Additional demos below.

"What happens if we pair an ENV1 Cyclical Function Generator module with our FIL4 Timbral Sculptor, the super-flexible Westlicht Performer sequencer and a slinky Eventide Space reverb? Watch this video and find out - it's a ton of fun.

2:17 - a basic kick
4:13 - using the Loop input
5:30 - extra modulation from the CFG
6:22 - modulating the modulation
7:48 - wavefolding the kick
8:54 - more sequencing

CLICK FOR MORE »

GreyScale-HyperPulse #duos #cs10 | Phase5

video upload by plantssystem

"GreyScale releases 'HyperPulse' — a raw pulse forged by Duos and the Yamaha CS‑10.
Minimal voltage shifts collide with tight rhythmic logic, creating a pulse that keeps mutating in real time. A single line of energy, pushed into overdrive."

GreyScale - Phase5 "The boundary where everything loses its color.

The GreyScale project, Chapter 5 (Phase 5), has finally begun.

'GreyScale - Phase 5'

A soundscape constructed more deeply and meticulously through the previous phases.

We have poured the emotions that are losing their form, and the truth that lies beyond, into the sound. We were able to reach Phase 5 thanks to all of you who always listen.

Please enjoy the expansive world of sound that fills every corner, using headphones or speakers.

---

すべてが色を失う境界線。

GreyScaleプロジェクト、第5章（Phase5）がついに始動。

「GreyScale - Phase5」

これまでのフェーズを経て、より深く、より緻密に構築されたサウンドスケープ。

---

形を失いゆく感情と、その先にある真実を音に込めました。Phase5まで辿り着けたのは、いつも聴いてくださる皆さんのおかげです。

ぜひ、ヘッドフォンやスピーカーで、隅々まで広がる音の世界を楽しんでください。"

NEW BEHRINGER UB-1 PATCHES: The 100 All-New Sounds [Vol. 1-3]

video upload by ULTIMATE PATCHES

"ALL-NEW FOR BEHRINGER UB-1 MICRO: 100 ULTIMATE PATCHES, PLUS FREE PATCH PACK

Ultimate Patches created all of the premium-quality factory presets that ship in the UB-1. Now, Ultimate Patches releases the next-level UB-1 Ultimate Patches (Volumes 1-3): 100 all-new patches for the UB-1 Micro, with classic sounds from the past, present and future: Soaring leads, thumping basses, paraphonic polys, strings, brass, percussion and fx as well as classic non-synth instruments including electric guitar & basses, acoustic pianos, wurlitzer electric piano, classic 60s/80s organs, voices, world / orchestral and more!

The three-volume set spans genres of 70s, 80s & 90s synth classics as well as cinematic, orchestral, hiphop, pop, vaporwave, retrocade, latin, R&B, reggae, jazz, chiptune, reggaeton, dubstep, tech/deep/retro house, trance, modular, experimental, synthwave, retropop and others.

Pricing & Availability:
Available now as an instant digital download at ultimatepatches.com starting at $9.99 per volume or just $19.99 for all 100 sounds.

Free Patch Pack
There's also a free 15 patch Taster Pack now available (no registration required): https://www.ultimatepatches.com/free-synth-presets-patches.html"

The early 90s Genesis Sound with Roland JD-800 & Korg Wavestation Synthesizers

video upload by RetroSound

"Experience the early 90s sound by Genesis’ “Hold On My Heart,” from the album We Can’t Dance (1992) recreated using two of the most powerful synths of the era:

The Roland JD-800 and Korg Wavestation.
Drums: Roland TR-808

This video dives into lush digital textures, warm pads, and expressive atmospheric layers that defined a generation of pop and progressive rock. From shimmering soundscapes to evolving cinematic tones, you’ll hear the unique character of these classic synths—known for their rich sound design capabilities and emotional depth.

Whether you're a fan of vintage gear, a producer chasing that authentic retro sound, or a Genesis enthusiast, this performance captures the essence of timeless synth artistry."

Synapase Audio Dune 3 Atmospheric Motion Presets. Sound Demo

video upload by Anton Anru

"Drifted Elements is a bank of 50 atmospheric presets for Synapse Audio Dune 3, focused on abstract textures, evolving layers and spatial sound design. The bank is built around movement and depth, with sounds that slowly change over time.
🌊 The soundset includes: 12 Pads, 13 Strings, 13 Textures, and 12 Drones.

📦 The download link: https://antonanru.sellfy.store/p/dune...
👤 The author of the soundset is Ilian.

🫧 The patches range from soft and airy tones to darker and more textured sounds. You’ll find drifting pads, distant strings, layered textures, and deep drones—all designed to add space, atmosphere, and subtle motion without taking over the track.

🎛 ModWheel controls brightness, opening the sound and adding harmonic content, while velocity (key pressure) affects volume, making the presets more expressive and responsive to playing.

💎 The soundset is suitable for ambient, cinematic, experimental electronic, IDM, as well as film, game, and visual sound design where atmosphere and space are important.

💡 Ensure that you are using the latest software version.
To add presets to the collection, open the plugin Browser, click Menu in the upper left corner, then select Import Folder, and specify the folder on your computer."

CLICK FOR MORE »

LIVE MODE: Explore Spectrasonics Bob Moog Tribute Library v2 for Omnisphere

video upload by moogfoundation

"Spectrasonics Bob Moog Tribute Library v2 for Omnisphere features over 1300 sounds from 50 different legendary sound designers and composers. 100% of the proceeds from the library benefit the work of the Bob Moog Foundation. Check out the library here: https://www.spectrasonics.net/product...

In this video, synthesist and composer Andrew Colyer delves into Live Mode of the Tribute Library, illustrating the kinds of effects and rhythmic nuances you can route through the modulation wheel.

This is the fifth video in a series of videos exploring the Bob Moog Tribute Library.

Special thanks to Strange Cranium Studios in NYC for loaning us their Moog One synthesizer for Andrew to use as a controller."

Additional videos in the series:

TONVERK & EVIL PET: One Sound Source and Modulated Lines

video upload by keinseier

"Proof of concept type thing - the idea was that tonal tracks are using the same single sample and all the single melodies fade in and out independantly by unsynced LFOs.
Needs more work, but works. Evil Pet delivering the flourishes as a send effect.
(Edit: Ok, the strings are not from that one sound source...)"

Befaco Introduces Iroi Stereo Effects Processor Eurorack Module

video upload by Befacosynth

"A Shortcut for Atmospheric Processing
Iroi is a compact, 18 HP stereo effects powerhouse designed to turn any external signal into a deep, evolving soundscape. It inherits the sophisticated processing chain of its predecessor, Oneiroi. Combines a unique signal chain composed of a multimode filter, a VCA, a unique character resonator, a versatile delay, and an experimental Reverb. The filter - VCA act like a block that can be placed at any point on the signal chain"

Atmospheric FX Processing in Eurorack // IROI from BEFACO

video upload by DivKid and Befacosynth

"Here's Iroi from Befaco, which is the right hand side of Oneiroi standing alone at 18HP as a stereo atmospheric sound FX processor for Eurorack. There's improvements made and more processing headroom with Iroi and it offers stereo multimode filter, 3 band resonator, 2 tape delay and ambience reverb and reverse FX. Lots of CV, on board modulation and randomisation."

Press release follows:

"BEFACO's NEW MODULE: IROI

The Oneiroi, in Greek mythology, were dark-winged spirits of the night who emerged to bring dreams and nightmares to mortals. Our ambient synthesizer, Oneiroi, takes its name from them, evoking that shifting, dreamlike realm of sound.

IROI is derived from 'Oneiroi' and carries that same essence forward, distilling it into something more compact and open to external signals, while preserving its cinematic feel that connects us to the world of dreams and the unknown.

What is IROI?

IROI is a stereo effects module based on the right half of the original Oneiroi. It applies Oneiroi’s sonic character to external sources in a more compact format, while incorporating subtle improvements developed throughout the Oneiroi project. Designed to shape, transform, and immerse sound, Iroi carries forward the dreamlike essence of its predecessor into a dedicated effects processor.

Audio Core: Powered by OWL mk3, featuring 24-bit 48 kHz stereo audio resolution (with 32-bit internal processing) and a full stereo signal path.

Filter: Multimode filter offering low-pass, band-pass, high-pass, and comb filtering, with flexible positioning within the effects chain.

Digital VCA.

Resonator: Three-band resonator with dedicated tune and feedback controls.

Delay: Two-tap echo (delay) with adjustable time and density.

Reverb: Comprehensive reverb effect with macro control over size, filtering, and direction.

Modulation: Various types of self-modulation, offering configurable routing and control over level and speed.

Control Voltage (CV): CV inputs for all primary parameters. Four of these inputs are dynamically assignable to secondary parameters.

Synchronization: External sync input supports clock speeds from 30 BPM to 300 BPM.

Randomization: Powerful randomizer with a flexible mapping system, including undo/redo functionality.

IROI is set to be released on April 30th, 2026 and the launching price will be 275€ (assembled version) and 210€ (DIY Kit).

Find us at Superbooth 2026, in BoothZ180 to see IROI live and take a peek at our upcoming products, we're pretty sure you'll love them."

Chase Bliss Introduces Big Time – Analog/Digital Delay

video upload by chase bliss

"Big Time revisits the mixed-up circuitry of rackmount echoes from the early 80s, where advanced analog engineering was used to prop up crude digital systems. What would happen if that hybrid circuitry were pushed to its extremes? Big Time is our answer, stuffed with misbiased modulations, saturating loops, and sequenced echoes.

Time to live large."

https://www.chasebliss.com/big-time-blog

And a user video with the Vermona Perfourmer by Matt Lowery:

Chase Bliss: Big Time

video upload by Matt Lowery

"The Chase Bliss Big Time is here, and today we'll spend some time throwing a bunch of synthesizers at it and seeing how it sounds. We'll also talk about the fundamental concepts, controls, and identity of the newest addition to the Automatone family. Timecode is below- skip around!"

00:00 Intro/Tascam Jam
03:46 Tone and Dynamics
10:00 Delay Line Controls
19:41 CV/Expression Control; Modular
22:10 Big Time Generates Clock!
28:04 Drum Machine Sound Sample
33:55 Easel Outro Jam

Akai MPC 3.8 Update | Walkthrough

video upload by Akai Professional

"MPC 3.8 introduces expanded integration with MPC Sample, enabling seamless project compatibility and workflow continuity between MPC hardware, desktop software, and MPC Sample. https://inmusic.to/2da8v7pn

This update strengthens the MPC ecosystem by allowing users to move projects and tracks between environments while also incorporating MPC Sample effects directly into MPC. Additional bug fixes and stability improvements ensure a smoother production experience across all supported platforms.

0:00 Introduction
0:23 Exporting a drum track from Standalone to MPC Sample
0:28 Importing a project from MPC Sample into Standalone
1:25 5 new Effects
3:38 Exporting a new Project/Kit from Standalone into MPC Sample
3:58 Opening a Project/Kit from Standalone on MPC Sample
4:46 Activating the 5 new Effects
4:56 Information on updating and support for updating to 3.8"