via Shakmat:
"Superbooth is around the corner and I’m happy to finally unveil the prototype we’re going to show this year.
The Queen’s Court is a new kind of stereo matrix mixer, combining a fully analog signal path with deep digital control — and removing the need for external modulation. Designed for performance as much as for studio work, it brings hands-on control, internal modulation, and preset morphing into a single, cohesive instrument.
At its core, The Queen’s Court offers 4 stereo inputs (configurable as stereo or dual mono), 3 auxiliary stereo inputs, and 4 stereo outputs — all freely routable within a flexible matrix and it embeds modulation directly into the routing structure.
The Queen’s Court integrates 36 internal modulators directly into the matrix.
Per-input panning with LFO-based autopanning
Per-routing-point bipolar envelopes, triggerable via CV or extracted from audio signals
Integrated LFOs on each routing point, with sine and random waveforms, clock-syncable
This enables advanced behaviors such as internal sidechaining, dynamic routing, and animated spatial movement — without relying on external modules.
Designed with an open-ended philosophy, The Queen’s Court can function as:
a self-contained matrix mixer
a performance mixer
a feedback processor
a routing hub for audio and CV
Oh and the system can also be expanded with up to two expanders, increasing the total to:
8 stereo inputs
5 auxiliary stereo inputs
4 outputs
8 CV inputs"
Additional details:
