Soundtoys MicroShift: A Quick Start Guide

video upload by soundtoys

"In this quick tutorial, we’ll get you up and running with MicroShift, a stereo-widening plug-in that captures the unique character of classic studio hardware. You’ll learn how to adjust the controls to create super-wide vocals, spacious synth bass, and more immersive mixes.

Learn more at https://www.soundtoys.com/product/mic...

#Soundtoys #MicroShift #MusicProducer #Plugins #Recording #mixing"

Sequential Fourm - He bought the Sequential Fourm, for the wrong reasons, and you may want to too!

video upload by kgbirmingham media

Don't miss the videos below. Also see Sequential Fourm - The Non Prophet Presets by kgbirmingham media.

"I traded in my Roland MC-707 for a Sequential Fourm. And, I did it for all the wrong reasons!
This video is different than my usual music videos. I needed a synth that was simple to use, could be a Polyphonic Aftertouch Controller for my ASM Hydrasynth and horror of all horror had MiniKeys.
So, this is why I bought the Sequential Fourm and why you may want to too!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into a Zoom R4 and transferred it to my DAW - Fender Studio Pro 8.
The background music is five tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and an iPhone SE and iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm - For All The Wrong Reasons - The Song!

video upload by kgbirmingham media

"Sequential Fourm – For All The Wrong Reasons – The Song!
When I shot my Sequential Fourm video 'For All The Wrong Reasons' I created a background music track using only the Sequential Fourm for that video.
It is short, but I like it, so I put it together with some video on a misty day from Marie Curtis Park.
Enjoy!
For the Techies
The background music is five tracks all created on the Sequential Fourm using Factory Presets:
1 - A New Legend, 44 - Ryan Reverse, 69 - Sin Cussion, 72 - PluckyArp, 42 - Mini Prophet
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to a: Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video: iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm Creating Chaos

video upload by kgbirmingham media

"Sequential Fourm – Creating Chaos
This is a 'Making Of' type video. I just recently purchased a Sequential Fourm and I wanted to create a 'Song' using only Fourm Presets. So, I created six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
I put “Song” into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer.
I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

1982 Sequential Circuits Prophet 10 Overview

video upload by Wannit BBBad

"I am the original owner of this 1982 Sequential Circuits Prophet 10. I sold to a friend years ago and am now posting this video for him. The P10 has the original MIDI kit sold by Wine Country installed and includes the two original CV pedals and original momentary pedal for sustain or program increment. There are plenty of videos that do deep dives on the Prophet 5 and Prophet 10, so I primarily just want to quickly hit on all of the functions working and point out some of the things that make this much more than two Prophet 5 synths."

Sequential Circuits Prophet 10 Control Voltage Pedals

video upload by Wannit BBBad

"Here's a short video of some of the flexibility added to the 1982 Sequential Circuits Prophet 10 performance using the factory Control Voltage (CV) pedals. Pedal 1 can be assigned to any combination of Freq A, Freq B, Filter, Amp, and Mono-Mod. Pedal 2 can be assigned to Filter and Amp. Pedal 1 and Pedal 2 simultaneously control both Prophet 5 boards."

oZoe.fr Introduces the DRUM BOX

Details Google Traslated:

The oZoe.fr DRUM BOX prioritizes a direct, immediate approach to rhythm programming, free from menus or hidden functions.

It is a standalone 16-step drum machine designed around a simple principle: no menu pages, no screen—just dedicated controls and direct access to essential functions.

It features six WAV sample players. Each instrument can select its sound from a sample bank, allowing for multiple sound variations per instrument.

Additional functions such as Fill, Ratchet, Break, Human, and Chain expand programming possibilities while maintaining intuitive operation.

Audio output is available via a 3.5mm jack and USB audio.

CLICK FOR MORE »

The Hope - Circuit3 & Vince Clarke

video upload by Circuit 3

Update: you can find an interview with Circuit3 and the collaboration on ELECTRICITYCLUB.CO.UK here.

"With grateful thanks to artist Jackie Hudson Lalor for the production of this video and Kat Lalor for assistance with post-production.

The Hope is taken from the album 'Metanoia: Music From Therapy' available on CD & Vinyl from circuit3.bandcamp.com, available in Digital from mortalitytables.bandcamp.com

Circuit3, the retro-futurist project of Dublin-based Peter Fitzpatrick, steps away from his melodic synthpop background on Metanoia. The album moves into spacious, quietly expressive instrumentals. The sound is minimal and tactile, shaped by the classic late70s and early80s electronic vocabulary without being locked inside it.

Metanoia grew out of therapy and the slow process of letting difficult truths surface. Instead of singing those words, Fitzpatrick shaped them through analogue machines. The title refers to the deep shift that can follow self-reflection: a break, a reset, a way of living with more honesty.

A defining moment in the project was the opportunity to work with Vince Clarke, a longstanding influence on Fitzpatrick’s music. They created an eleven-minute piece titled ‘The Hope’, named after the bar near Farringdon, London where that first conversation between Fitzpatrick and Smith happened. The collaboration feels like a dialogue across time: the artist Fitzpatrick once was, the one he is now, and the one emerging through this process.

The album closes with ‘The Hope’. Across eleven minutes, it builds a melodic drone landscape that holds both hopelessness and hope at the same time. The piece suggests that neither feeling disappears; they sit beside each other, always present, always waiting to be recognised."

VAV X-Wave: Wave-Crosser

"X-Wave is a crossover-synched signal switcher for the Eurorack modular system. It's simple to use (no knobs in sight), but it's also very powerful!

X-Wave has two Signal Inputs (conveniently named SIGNAL 1 IN and SIGNAL 2 IN). It has only one OUT, though, so it is forced to choose between the two signals you give it. To do this, it listens to SIGNAL 1 and decides if SIGNAL 1 is positive (as indicated by the little +).

If SIGNAL 1 is positive, it sends only itself to the OUT jack.

However, if SIGNAL 1 is negative, only SIGNAL 2 is sent to the OUT jack (as indicated, again, by the little -).

So, if you feed two different waveforms from a VCO into SIGNAL 1 and 2 IN (pulse on 1 and saw on 2 work very well together, for example), the result will be a wave shape that cycles between half of each waveform you provided. If you use a pulse for SIGNAL 1, you can also create wavetable-like effects by varying the pulse width of your pulse wave on your VCO.

There are two other functions on the X-Wave that greatly expand its capabilities:
You can connect a third signal to the + DETECT IN jack as an external control of the switching action. This will make X-Wave stop listening to SIGNAL 1, and listen only to the 3rd signal This is very useful for using a pulse wave with PWM to "scroll" between two other waveforms from the same VCO, inserting sub oscillators to toggle between full cycles of SIGNALS 1 and 2, hocketing effects via use of a sequencer or gate divider, non-synched interleaving and switching effects, and voltage-controlled A/B switching or muting.

You can also invert the polarity of SIGNAL 2 using the provided toggle switch. This can be used to correct unfavorable polarity alignments between SIGNALS 1 and 2 or can also be used to turn X-Wave into a full wave rectifier or external-voltage-controlled inverter if you plug the same signal into both SIGNAL IN jacks.

X-Wave can pass signals down to 0hz (DC) so it can also be used to process LFOs, Envelopes, CV Sequences, and 1V/Octave signals. It probably has other uses I haven't thought of!

X-Wave is 4HP and uses Burr Brown op amps for the main signal path alongside other high quality Texas Instruments ICs for other duties. X-Wave is not a bi-directional switch, so please be aware that the IN and OUT jack labels should be followed when patching. X-Wave uses a high impedance of 1M (10x the typical 100k) for all inputs, so multiple units can be connected via stacking cables/passive splitters (up to 10 inputs can be paralleled while still maintaining traditional Eurorack input impedance standards)."

VAV N-Wave: Middle-Out Waveshaper

video upload by Magical Synth Adventure

"Join me as I take the @control_voltage VAV N-Wave Middle-Out Waveshaper for a spin!

The N-Wave is a really imaginative waveshaper. Some waveshapers might fold over the peaks of an incoming waveform, some might rectify them - squaring things off like a fuzz pedal. N-wave keeps the peaks of waveform - like the top and bottom of a saw wave - intact, and instead lets you shape and turn up on the volume on a section in the middle of the waveform - leading to unique tones. This is especially true, as you can vary the width of this middle section!"

video uploads by control_voltage

Playlist:

1. VAV N-Wave: Step Sequenced Threshold

One fun live performance (or studio) use for the N-Wave is to connect a Step Sequencer on the Threshold CV and generate different timbres for each step in a sequence. These act as accents and add a lot of life and feel to your sequences and the feel can easily be changed on the fly using something like a Joranalogue Step 8 as your source of steps.

2. VAV N-Wave: Threshold Ring Modulation

In Part 2 of the VAV N-Wave Video Manual, we look at using the threshold control and bipolar vca cv to create new waveforms that have a mixture of normal and ring modulated (quadrature) segments.

3. VAV N-Wave Mangles a Triangle

Here, the N-Wave does quite a number on an unsuspecting triangle wave with the help of some nearby modules. N-Wave is kind of like that one kid's house where everyone hung out and cooked up weird DnD campaigns or something. But for modular signals.

"N-Wave is a novel waveshaper for the Eurorack modular format. Unlike traditional wavefolders and clippers, which operate on the peaks of a waveform, N-Wave leaves peaks intact. All you need to expand your sound palette greatly is a VCO signal and a few twists of the knobs!

Using its internal bipolar VCA (aka four quadrant multiplier, aaka ring modulator) you can apply gain reduction and polarity inversion to an inner portion of the wave slope that you define with the THRESHOLD and OFFSET controls.

All functions can also be controlled via control voltage inputs. LFOs, Audio Rate VCOs, ADSR Envelopes, 1V/Oct signals, sequenced voltages, sample and hold signals, noise, and sub octave signals are all very good choices and can produce results ranging from very musical to very strange. An external detector signal can also be applied if you don't want to trigger the detector on the waveform you're modifying.

If you like, you can also use N-Wave as a high quality bipolar VCA, attenuverter, or ring modulator with the THRESHOLD set to maximum and dynamically mute the effect by applying 0V or a negative voltage to the threshold either using a sequencer or manual control, which allows for hocketing and rhythmic effects.

N-Wave can also operate all the way down to 0hz (DC), so, in addition to audio, it can process LFOs, envelopes, 1V/octave sequences, and any other signal that varies amplitude over time (Sorry, square waves and pulse waves. Your super-sonic rise times are hard to shape in an audible way, but you do work well as control signals).

N-Wave is 10HP and uses Burr Brown op amps for the primary signal path alongside high quality Texas Instruments ICs that are carefully chosen to best fit their roles in the circuit."

Brooklyn Synth & Pedal Expo Set for October ‎17–18

Press release follows:

BROOKLYN, NY — The Brooklyn Synth & Pedal Expo returns October ‎17–18, transforming a 7,000-square-foot Greenpoint warehouse into an immersive playground for electronic music creators.

Presented in partnership with the legendary Three Wave Music, the Expo offers a strictly in-the-headphones experience — letting attendees demo the latest synthesizers, effects pedals, and modular gear from over 100 brands in a noise-friendly environment.

Nestled in one of Brooklyn's most vibrant musical corridors, the show is expected to draw more about 2,000 visitors, a mix of musicians, producers, and gear enthusiasts.

"Intro to Synthesis" Workshops
This year, the Expo expands beyond its large exhibition floor with a new lineup of educational workshops focused on synthesis — from hands-on patch-building sessions to deep dives into modular workflows, led by working artists and builders. A schedule of the workshops will be announced soon.

CLICK FOR MORE »

The 10-Coast Celebration is THIS WEEKEND! | Make Noise

video upload by MAKEN0ISE

"Enjoying a patch with GTE, Spectraphon, and Plexiphon!

Also, come join us on Saturday, September 12th for 10-Coast, celebrating ten years of the 0-Coast!

There will be events throughout the day along Haywood Rd. in Asheville, NC including:

—the Make Noise shop will be open for demos from 2-4:30 (414 Haywood Rd.).

—a tape loop installation by Chris Hamilton and Steve Pescatore — featuring the 0-Coast— will be activated at Lamplight Studios from 2-5pm (2 Westwood Pl., across the street from Make Noise)

—starting at 6pm, the 10-Coast Concert will be held at the AyurPrana Listening Room , featuring a night of live music by the Make Noise Crew made on the 0-Coast! (312 Haywood Rd.)

These events are all free, although the 10-Coast concert requires an RSVP: https://link.dice.fm/Pb9bdbd5ffd2?pid...

We hope to see you there! Happy birthday 0-Coast!!

http://www.makenoisemusic.com"

The Electric Weasel Ensemble Strange/Buchla/Ruppenthal/Morse 2LP/2CD

"Below you'll find a press kit for a historic 2LP/2CD from The Electric Weasel Ensemble, a touring group of electro-acoustic musicians including Donald Buchla and Allan Strange.

Why is this group so important, you ask? Because they were playing Donald Buchla's instruments straight off his workbench and these instruments have gone on to help define the modern modular synthesizer era and business. Thankfully, the music is incredible, too."

Press release follows:

The Electric Weasel Ensemble
Strange/Buchla/Ruppenthal/Morse
2LP/2CD

EPK

Release date: Nov 27, 2026

Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously-unreleased live recordings from a little-known but trailblazing ensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP and double CD.

Founded in 1974 by composer Allen Strange and now-celebrated instrument designer Donald Buchla, The Electric Weasel Ensemble explored new directions in live performance with electronics, using Buchla’s sophisticated and unusual instruments as a launching pad.

Maintained for decades by Ensemble member Stephen Ruppenthal, these recordings include some of the best-preserved examples of Allen Strange’s pioneering compositions: graphically-notated directed improvisations for electronic and electronically processed acoustic instruments. They also offer rare insight into the radical sonic aesthetic that Buchla’s inventions enabled in the Bay Area music scene.

Focused on performance and DIY music distribution, the Electric Weasel Ensemble never widely released their music. Transferred from the original quarter-inch reels at Imprec, mastered for vinyl by Tom Eaton at Sounds and Substance, and pressed at Optimal in Germany, this record is a glimpse into the raw creativity and inventiveness that fueled the early decades of electronic music performance.

Who is the Electric Weasel Ensemble?

How do you build a new type of music from the ground up? The Electric Weasel Ensemble continually orbited this very question: inventing new instruments and, through collective play, learning to communicate in their unfamiliar, emergent languages.

The Weasels operated along the fringes of Northern California’s 1970s music scene, drawing equally from avant-garde and electronic composition, free improvisation, cybernetics, and the Bay Area’s psychedelic-fueled, countercultural spirit. A group of self-proclaimed “music outlaws,” their eclectic, anything-goes approach eschewed traditional notions of harmony, melody, form, and virtuosity—informed by their evolving relationships with new technology.

CLICK FOR MORE »

Elektron OUTBOX 8 is Finally Here!

video upload by EZBOT

See the announcement post here.

"Elektron has finally released the Elektron Outbox 8. An 8 channel audio/CV interface for Overbridge supported devices and OTHER DEVICES!? The interface is honestly fantastic and it's quite easy to get started with. Let's dive in and I'll tell you all about it wit the Digitone II, Octatrack, and a small modular synthesizer."



EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

Feel the sound, not the screen: TERRA synth

video upload by SOMA Laboratory

"Do you want to lose yourself in a direct, intuitive interaction with sound where every touch shapes the tone?

SOMA TERRA gives that. No screens, no menus, no obstacles between you and the music. Just a pure physical interaction, like with an acoustic instrument.

Follow an idea as it appears in your mind, shape it into a phrase, and make it part of your music.

Watch Tim Kroker turn this direct connection into a composition.
Video by @maks.alokhin (Inst)

#synthesizer #synth #musicgear #electronicmusic #somasynths"

Additional posts featuring Tim Kroker

DREAMER SOUNDSET - 75 VINTAGE PRESETS - Crumar Bit 99 / Bit 01 Sounds

video upload by Synth Cloud

Also see Crumar Bit 99/01 - Custom Ambient & Vintage Sounds

"▬▬▬ Download Link ▬▬▬▬
🚀 https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Dreamer Soundset for Crumar Bit 99 / Bit 01 & Bucket ONE brings 75 fresh organic sounds to one of the most distinctive Italian synth families of the 1980s.

This video focuses on the original Crumar Bit 99 / Bit 01 hardware, showing the vintage character of the instrument through a new sound bank designed for ambient music, retro electronic productions, synthwave, cinematic textures and classic analog-style arrangements.

The Crumar Bit series has a rare and unmistakable sound identity: deep, warm, slightly raw and full of vintage character. Dreamer Soundset is designed to bring that personality back into modern productions with a musical and highly usable selection of new sounds.

The soundset includes deep basses, bright leads, huge PWM strings, deep pads, plucks, keys, FX and percussive textures. These sounds are ideal for producers, collectors and synth lovers who want a boutique sound bank for a niche vintage instrument with a strong sonic identity.

A small amount of Valhalla Supermassive reverb is used in the demo to add space while keeping the original hardware character clear.

Compatible with:
Crumar Bit 99
Crumar Bit 01
Bucket ONE Emulation

Sound Categories:
Deep Basses
Bright Leads
Huge PWM Strings
Deep Pads
Plucks & Keys
FX & Percussive Textures
Vintage Ambient Sounds
Retro Electronic Tones

#CrumarBit99 #VintageSynth #SynthPresets #AmbientSynth #HardwareSynth"

Behringer JT-2 Jupiter-8 Infused Analog Power! Roland JP8 Synthesizer Rik Marston

video upload by Rik Marston Official

"Analog Synthesizer Demo by Rik Marston
*Watch in HD!* *NO Talking!* *Turn it UP!*
My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou..."

Chris Liebing | Roland 909 session

video upload by Chris Liebing

"Happy 909 day!

I’m the proud owner of a machine without which the evolution of Techno would be almost unthinkable. Rarely has a drum machine had such a profound impact on an entire genre, and far beyond it.

Over the years, friends have stopped by my studio, and sometimes even met me on the road, to sign it. I keep getting it signed whenever possible. Maybe someone can make a list of all the names that have made their way onto it so far! 😄

Some people might not know what a raw 909 actually sounds like, the kick, the toms, the hats, and all the other sounds that make this machine so unmistakable. So, I decided to have a little session on the 909 and hit record, enjoy! 909 forever!

And thank you, ‪@rolandglobal‬ for creating this machine and making billions of people happier along the way."

Oberheim OB-12 Ambient Sounds – "Ambient Exploration" 54 Programs

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Ambient Exploration for Oberheim OB-12 is a custom sound bank featuring 54 Programs created for ambient, cinematic and atmospheric electronic music.

This demo presents a smooth and musical side of the Oberheim OB-12, with sounds focused on deep ambient pads, evolving textures, airy layers, soft choir-like tones, cinematic colors and melodic soundscapes.

The collection is designed for players and producers who want the OB-12 to deliver spacious, emotional and performance-ready sounds without moving into extreme FX-only programming. The bank keeps a coherent ambient identity while offering warm pads, darker atmospheres, vocal-style textures, motion-based sounds and wide synth layers.

Reverb, delay and modulation are used to create depth and movement, giving each Program a more immersive character for chords, slow melodic parts, soundtrack cues, ambient passages and experimental electronic arrangements.

Ambient Exploration is a focused sound bank for Oberheim OB-12 users who want a more expressive, spacious and cinematic ambient palette."

CLICK FOR MORE »

Sting – Russians | Vintage Synth Cover with Moog Taurus bass pedal

video upload by RetroSound

"A vintage synth reinterpretation of Sting’s “Russians”, originally released in 1985 on his debut solo album The Dream of the Blue Turtles.

Please use headphones or a subwoofer for the full audio range.

For this cover, I wanted to capture the atmosphere of the original while giving the track a distinctly analog, vintage synthesizer character.

The bass foundation was created with the legendary Moog Taurus bass pedal synthesizer, known for its massive, deep and powerful low-end sound. The Taurus has become one of the most iconic bass synthesizers of the 1970s and is especially famous for its thunderous sub-bass character.

All additional sounds, sampled elements, drums, percussion, effects and sound-design elements in this version come from the E-mu Emulator II. Released in 1984, the Emulator II became one of the defining samplers of the 1980s, combining early digital sampling technology with analog sound-shaping circuitry. Its unmistakable 8-bit character gives this version a deliberately authentic vintage texture.

'Russians' itself was written by Sting during the Cold War and became known for its powerful anti-war and peace message.

The goal of this cover was to combine two very different worlds of vintage electronic music:

1970s analog synthesis + 1980s digital sampling

The massive analog low end of the Moog Taurus meets the gritty, unmistakable character of the E-mu Emulator II to create a new interpretation of Sting’s 'Russians'.

If you are interested in vintage synthesizers, analog bass synthesizers, E-mu samplers, 1980s electronic music, synth covers and classic studio gear, you will hopefully enjoy this version.

Thanks for listening!

🎛️ Main bass: Moog Taurus Bass Pedal Synthesizer (1976)
🎹 String and Lead sounds & samples: E-mu Emulator II Sampling Synthesizer (1984)
🥁 Drums / percussion / FX: E-mu Emulator II

This is a cover/reinterpretation created as a tribute to the original composition and its timeless message."

And the original:

Sting - Russians

video upload by Sting

"REMASTERED IN HD!
Official Music Video for Russians performed by Sting."

LYRA-8 Rust Version Close-Up | This Is What It Looks Like

video upload by Tibor Synth Explorations

"A close-up macro footage of my LYRA-8 in rust version. This finish has a distinct matte, textured surface with visible but strongly attached rust flakes/artifacts. It doesn’t flake or leave any residue when you touch it.

When I ordered mine, there were very few good-quality photos or videos of the SOMA rust versions available, so I was a bit hesitant about going with this finish. But it was totally worth it.

Every rust-finished unit is different, though, so don’t take this particular look as a guarantee. Yours might look completely different.

In the background, you can hear the first song I ever recorded with my LYRA-8. If you’re interested in the full performance, you can check it out here:"

The Day My Lyra-8 Arrived

video upload by Tibor Synth Explorations

"This performance was recorded approximately one hour after receiving my Lyra-8."

Nanobox Fireball - "Space Textures” 40 Presets

video upload by LFOstore

"40 new presets 46 new Samples for the 1010music Nanobox Fireball synthesizer, built on its powerful waveform architecture, deliver rich and evolving sounds.

BUY: https://kav-sound-explorer.sellfy.sto...

'40 Space Textures' is tailored for ambient, cinematic, electronic, and experimental music production.

Whether you're sculpting immersive soundscapes or adding subtle movement to your compositions, these sounds bring depth and emotional weight to your work.

includes:

40 Synth Presets files

46 new Samples

synth pads, bass, texture, effects and synths

For quick searching, new Synth Presets are marked with (TX) in front of the name.

Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in the Nanobox Fireball effects section.

by: A.Kav"

Diving deep into Cerebellum, a performance logic matrix Eurorack module from Biopower Audio

video upload by Perceptes and Biopower Audio

See the intro post here.

"In this video, we'll be diving deep into Cerebellum, a new Eurorack module from Biopower Audio that gives you a logic matrix you can perform to create lots of interesting rhythms. We'll also cover two new companion modules: DM, a three-channel gate-to-trigger converter, sample and hold, and track and hold module, and AO, a three-channel attenuator, inverter, offset, and mixer module."

00:00 Meet Cerebellum, DM, and AO
01:40 Patch previews
02:39 Cerebellum overview
03:16 Inputs and outputs
04:56 The logic matrix
06:43 Column features
07:20 Binary clock dividers
07:58 +5V and NOT switches
08:47 Column outputs
09:02 Decade clock dividers
10:52 LATCH switch
11:21 Column resets
12:11 DM overview
14:13 AO overview
15:35 Drum machine
18:10 Melodies with AO
21:30 Arps from LFOs with DM
26:45 Orchestrating events
32:13 Audio rate pulse waves
36:53 Cerebellum jam