The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

HAINBACH & JORANALOGUE Introduce COLLIDE 4 - The Sonic Power Of Nuclear Test Equipment

video upload by HAINBACH

"I teamed up with Belgian Eurorack module manufacturer Joranalogue to solve one of the biggest problem I had with my wall of test equipment: I could use it in the studio, but not play it live. It is just too heavy and fragile, being about 50 years. So that part of my music remained unperformed. With our new module Collide 4 I and everyone else can now take the wonderful textures and sonic possibilities of nuclear research equipment on the road.

It is based on a lock-in amplifier, a tool made to sniff out tiny fluctuations of a frequency in vast amount of noise. But Joran took the concept further and added a frequency shifter. It is module with vast possibilities, and I can only give you a small overview and intro in this video. Check out Collide 4 at your trusted modular dealer in person now."

User videos:



Playlist:
1. FANTASTIC FILTH from COLLIDE 4 (Joranalogue & Hainbach) // my first patch + your questions! - DivKid
2. Joranalogue Audio Design X HAINBACH / COLLIDE 4 / first experiments / a lot of 'aha' moments - BRiES
3. Joranalogue Audio Design x Hainbach / COLLIDE 4 / dissonance and drones / JUST SOUND SERIES (1/4)
4. Joranalogue Audio Design x Hainbach / COLLIDE 4 / music and melodies / JUST SOUND SERIES (2/4)
5. Joranalogue Audio Design x Hainbach / COLLIDE 4 / slew, ringmod, cv / JUST SOUND SERIES (3/4)
6. Joranalogue Audio Design x Hainbach / COLLIDE 4 / audio processing / JUST SOUND SERIES (4/4)



The origins of electronic music are found within the early works of a small group of forward-thinking mid-century composers, harnessing electronic test gear to create strange new sounds. Building upon this heritage, today everything comes full circle again through Collide 4.

The first hardware release to be co-developed by acclaimed musician and YouTube sensation Hainbach, Collide 4 builds upon the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Now, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of analogue synth voice and audio processor, with capabilities far beyond what the avant-garde pioneers could have imagined. Collide 4 is an expression of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and the Joranalogue philosophy of electronic instrument design.

Honouring its innovative dual-phase architecture, this new kind of musical generator and processor has been christened the ‘quadrature spectral computer’. The sound? Quite simply: it's smashing!

Modern, fully analogue Eurorack format re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for frequency shifter use.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.
Impedance-compensated outputs with dual-colour LEDs.
Trim potentiometers accessible from the front panel.
Precision-milled 2 mm anodised aluminium front panel with high-resolution, non-erasable graphics.
Bullet-proof design: polarised power header and MOSFET protection circuit.
Includes 16-to-10-pin Eurorack power ribbon cable.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
Supplied with fold-out signal flow and front panel diagram.
High-quality components and assembly; designed and made in Belgium.

Check with dealers on the right for availability.

Noise Engineering Debuts Roucha Legio, Stereo Filter/DSP Platform

video upload by Noise Engineering



Press release follows:

Los Angeles, CA and Berlin, Germany — Boutique modular synthesizer company Noise Engineering announced Roucha Legio, a stereo resonant multimode filter with wavefolding, 1V/octave tracking, and gateable bypass, at Superbooth. The Eurorack module is available May 11.

Roucha Legio is a 12dB/octave state-variable stereo multimode filter. It is the fourth module in the Legio series of many that the Noise Engineering team has said they are working on.

“We argued for so long about the core of this firmware. We started with something completely different but we just couldn’t quite agree on the finer points. So we took a step back and decided that we should probably work on a filter, since people have been asking for one for years,” said Kris Kaiser, Doer of Many Things at Noise Engineering. “The next firmware Stephen dropped for us to test was so much fun that our team Slack workspace went silent while we all started patching. We knew this was the one.”

Roucha Legio features lowpass, bandpass, and highpass filter settings. The filter frequency is adjustable via the dedicated encoder or the one-volt-per-octave CV input. Roucha Legio is designed not to self-oscillate without an input signal, but once a signal is added, the Resonance control can offer anything from clean to the squelch of an acid house bassline. Resonance is also CV-able, which means filter sweeps are easy to achieve.

Noise Engineering has a love for wavefolders, so of course there is a Fold knob, with a switch that configures the placement of fold in the signal chain before, after, or both before and after the filter.

Roucha Legio also features a bypass control. Tap the encoder to bypass the DSP, and tap again to re-enable it. The dedicated Bypass gate input also works to bypass the filter while the input is high.

Roucha Legio is part of the Noise Engineering Legio DSP/oscillator platform. Users can change the firmware on any Legio module, completely free, to any other firmware in the Legio series via USB. Current offerings include the Virt Iter Legio oscillator (based on the same algorithms that Noise Engineering contributed to the Arturia MicroFreak and MiniFreak), Tymp Legio drum voice, and Librae Legio dynamics processor.

To help keep the panel controls straight with all the different firmwares available, Noise Engineering also offers laser-etched, impact-acrylic panel overlays that fit right over the existing panel. Overlays are available in silver with black text or black with white text, and as individual panels or in discounted multipacks.

Roucha Legio ($310 USD) and Legio panel overlays ($16 each or $48 for the 4-panel multipack) are available now at https://noiseengineering.us and at retailers globally. Current Legio owners can try Roucha for free by heading to the Noise Engineering Customer Portal (https://portal.noiseengineering.us) to swap the firmware.

Notable features
● 6 HP
● CV-able inputs
● Bypassable filter
● 1v/8va tracking
● Self-calibrating frequency CV
● Part of Legio ecosystem: buy one module, get them all
● Hotswappable panel overlays sold separately


Availability and pricing:
Roucha Legio: In stock in black and silver. Shipping from Noise Engineering and retailers starting May 11, 2023; MSRP US$310

Overlays: In stock in in silver with black text or black with white text, and as individual panels or in discounted multipacks

Legio single panel MSRP: $16
Legio multipack (4 panels) MSRP: $48

Roucha Legio: https://noiseengineering.us/products/roucha-legio
Overlays: https://noiseengineering.us/products/legio-panel-overlays


Audio only:

Doepfer A-100 BS2 Basic System 2 Modular (in a P9 Case) SN 206917

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Modules Included:
2x Standard VCO A-110-1
1x A-190-4 USB/MIDI to CV/Gate/Sync Interface
2x ADSR A-140-1 Envelope Generator
1x LFO A-145-1 Low Frequency Oscillator
1x LFO2 A-146 Variable Waveform LFO
1x Ring Modulator A-114
1 x Audio Divider A-115
1 x VC Waveform Processor A-116
1 x Noise/Random A-118
1 x VCF A-120 (24dB low pass filter)
1 x XP VCF A-106-6 16 Fold Vc Xpander Filter
1 x linear VCA A-130
1 x exponential VCA A-131
1 x linear Mixer A-138a
1 x exponential Mixer A-138b
1 x Dual S&H A-148
1 x Clock Divider A-160-1
1 x Clock Sequencer A-161
1 x Dual Slew Limiter A-170 SL
1 x Multiple I A-180-1

CLICK FOR MORE »

Buchla/Tiptop #257T | Voltage Processor

video upload by Cinematic Laboratory

"The 257 Voltage Processor is the latest addition to the Buchla/Tiptop Audio 200 series. It may not have the impressive looks of the previous releases, but - again - it's an amazing design by the legendary Don Buchla and it opens up many patches that are hard to achieve in modern Eurorack. The 257 and 281 (quad function generator) inspired many contemporary modules, with MakeNoise Maths being the most significant.

It will take some time to fold your brain around it, but this episode will hopefully make the module feel less scientific. The 257T has an equation on the panel that involves three voltages a, b and c. Voltage a can be attenuverted, voltage b and c can be crossfaded. These voltages are added together and finally you can add an offset voltage to the final output. It may feel like quantum mechanics instead of music, but that's the Westcoast way. To infinity and beyond!

Please support my work on patreon.com/cinematiclaboratory"

Symbolic Sound Unveils “Pacamara Ristretto” Audio Processing Unit (APU)

Pacamara launch from Symbolic Sound on Vimeo.

Pacamara explainer from Symbolic Sound on Vimeo.

Press release follows:



September 6, 2022

Symbolic Sound Unveils “Pacamara Ristretto” Audio Processing Unit (APU)

2.5 times performance boost, 20% lower price, expanded connectivity, and inter-application audio

CHAMPAIGN, ILLINOIS — Symbolic Sound announces a new Audio Processing Unit (APU) representing a giant leap forward in performance, energy efficiency, and connectivity over previous generation APUs. At less than half the size, the new Pacamara “Ristretto” delivers, on average, a 2.5 times jump in performance, a 20% reduction in cost, cooler operating temperature, expanded connectivity options, and seamless inter-application routing of audio and MIDI to/from applications running on a host computer.

Performance
Pacamara Ristretto’s compute-cycles and memory are solely dedicated to sound computation, delivering unprecedented levels of performance capabilities to sound designers for film and games, live electronic music performers, sound artists, educators, researchers, and audio professionals who require the highest-quality real-time audio, responsive live interaction, and unbounded creative flexibility from their tools.

“The Pacamara Ristretto represents a radical transformation, not just because it’s Symbolic Sound’s most powerful external APU yet, but because of the ease with which it communicates with the rest of the world,” said Symbolic Sound’s president Carla Scaletti. “Audio, MIDI, and OSC streams can be freely routed between Kyma and other audio applications on your computer and audio devices in your studio, including across LANs and out onto the Internet, creating a combinatorial explosion of sound creation possibilities.”

According to game/film sound design consultant and Pacamara field tester, Alan M. Jackson, “It’s the latest, most powerful revision of the most important audio DSP environment of the last 30 years.”

Powered by Kyma
Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.

Kyma, described as a “recombinant sound design environment,” gives sound designers access to extensive libraries of unique audio synthesis and processing modules, along with tools for creating limitless combinations of those algorithms. Galleries of automatically-generated signal flow graphs help speed development, spark the imagination and boost the creative flow — providing creators with the advanced models needed to solve sound design challenges for games, film, live music, data sonification, voice processing, multi-sensor controllers, and more.

Deep integration between hardware and software has always been central to the Symbolic Sound approach. Hardware design is continually informed by software development and vice versa. As a result, the Kyma 7 sound development environment is optimally tuned to take full advantage of the huge increases in processing and memory bandwidth made available by the new Pacamara APU.

Sound designer and musician Cristian Vogel describes the Kyma software environment as “the best for innovating, prototyping and designing innovative digital sound processes… frictionless for ideation and research. Then, reliable and consistent at the outcome stage.”

The Pacamara Ristretto is as comprehensive in its connectivity as it is diminutive in size. The back panel of the rugged, roadworthy enclosure includes:

• USB-C port for audio and MIDI transfer to/from host computer
• Two USB 2.0 ports for connecting audio interfaces and MIDI controllers
• 3.5 mm jack sockets for mic input and stereo headphone output
• RJ-45 network port to connect via a gigabit Ethernet cable to a host computer
• Wi-Fi antenna jack
• USB-C power input port

An APU does for Real-time Audio what a GPU does for Real-time Graphics
Audio professionals require high quality, low latency, reliable real-time audio synthesis and processing. That’s what an APU can deliver.

“The question is not whether a CPU is capable of real-time graphics generation and processing. Everyone understands the advantages of offloading real-time graphics computation onto one or more GPU(s) running in parallel with your main CPU. Not only does it free up memory and computing resources on your CPU, a GPU guarantees the highest-quality, glitch-free interactive real-time graphic performance. The same is true for audio!”

“With the Pacamara you have high quality, configurable algorithms running on dedicated, uncontended hardware,” explains Jackson, “The result is that it sounds great and it’s reliable.”

Soft Hardware
Unlike traditional audio hardware, which has a fixed functionality that never changes, the Pacamara Ristretto can adapt to the evolving needs of users. Regular, significant software updates ensure that Symbolic Sound APUs continue to gain features and functionality so that they actually improve with time.

Jackson adds, “there’s a subtle and important difference between hardware that is upgradeable… and hardware that DOES get upgraded continuously and significantly. Kyma is [Symbolic Sound’s] only product and [they’ve] been working on it, passionately, for decades. [They] have a proven history of constant and significant upgrades.”

What’s in a Name?
The name, Pacamara, comes from a hybrid coffee plant bred to produce larger beans on smaller trees planted closer together — evoking both the ‘recombinant sound’ design philosophy of Kyma and the smaller size, higher-yield of the Pacamara APUs. According to Scaletti, “Coffee aficionados know that a ristretto shot delivers twice the caffeine per milliliter as a standard shot of espresso. The Pacamara Ristretto is actually 2.5 times more powerful and less than half (44%) the volume of previous generations, meaning that the computational performance by volume has increased 5.7-fold.”

Summary
The Pacamara Ristretto is an APU, designed from the ground up for real-time sound synthesis and processing; it works in parallel with your main computer to deliver high-quality real-time audio signal computation, freeing up resources on the CPU for managing your overall studio workflow.

Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.

The Pacamara Ristretto APU is the most recent development in a consistent flow of innovation from Symbolic Sound — from Capybara, to Capybara 33, Capybara 66, Capybara 320, Paca(rana) — the sixth generation Pacamara Ristretto APU is groundbreaking in terms of raw compute power, delivering a 2.5-fold leap forward in performance, connectivity, and dependability backed by extensive field testing in real world performance environments.

Pricing and Availability

The Pacamara Ristretto is available today at https://kyma.symbolicsound.com/order-now
Initial supplies are limited due to ongoing (and inexplicable) global electronic component shortages.

The price for a 4-processor Pacamara Ristretto is $3,818 (US)
An entry level, 2-processor system is available for $3,302 (US)

The Kyma 7 software for macOS or Windows is included with the APU.

Modular Synthesizer jamming with Tiptop Audio

video upload by OVERLAP

"in this video I'm particularly focused on showing what kind of organic sound you can get from one sampler player modular, the fun part started when I include the Buchla Dual Oscillator (out) patch into Fold Processor wave Multiplier (in) an then patch to Forbidden Planet Analog Filter to VCA ( Voltage Controlled Amplifier), and of course the Z4000 Voltage Controlled Envelope Generator help a lot to shape the sound of the Buchla, adding in top the Z-DSP VC – Digital Signal Processor for feedback delay."

Tiptop Audio Buchla 200t Sound Demo

video upload by Station 252

"Buchla and Tiptop Audio 200t series workout.

Exploring Dual Oscillator Model 258t and Quad Function Generator Model 281t sound capabilities while recording my new EP. I was curious how the sound and response of those two modules will fit into my music and at the same time going into territories I wouldn't normally go to out of curiosity.

I've used a bunch of additional modules as my patches grew to hear how 200t modules fit with other eurorack modules and to keep everything in context, those where:

CLICK FOR MORE »

「SLEDGEHAMMER」by SYNTHFOX ~overview~

video by SYNTHFOX Channel

"Overviewing my newest module, SLEDGEHAMMER. This is a wicked dynamics and harmonics processor with huge feedback play capabilities!"

SYNTHFOX Reverb Shop

"Meet SLEDGEHAMMER, a vactrol gate core experimental dynamics and harmonics processor. This module serves many needs, such as mixdown, wavefolding, waveshaping, distortion, VCA, suboctave generation, and much more. The three signal inputs - one with a dedicated thru-zero VCA, and four differently processed outputs provide endless tonal possibilities and a core module for creative patch-programming.

SLEDGEHAMMER is intended for heavy feedback usage. The INPUTS section mixes down three signals (audio or CV) for further processing. The first and second inputs have dedicated attenuators. The third input is special: it is a voltage controlled crossfader that fades between the negative and positive copy of the input signal. The FOLD output is normalized to input 2, and the SHARP output is normalized to input 3, so patching audio to input 1 and adjusting other inputs' volumes already creates a self-patched feedback loop.

The heart of this module is a vactrol-based dynamics processor ('gate') similar to the widely known low pass gates. It processes the mixdown of the three inputs from the INPUTS section: the big LEVEL knob, two Level CV (LCV) inputs and the PING input control both the amplitude and the slight filtering of the signal: from quiet and dark to loud and bright. The first LCV input has a dedicated attenuverter; the second one has a simple attenuator. The PING input expects a gate, and upon receiving one, will strike the gate with a sharp decay-only envelope. This input has a simple passive circuit behind it, which can be creatively exploited: for example, striking it with stepped voltages, e.g. a S&H output, will make the circuit skip some strikes, and the remaining strikes will have different velocity. The DULL / VIVID switch on the left chooses the type of the response: the DULL setting yields daker, quieter tones, while the BRIGHT setting makes the gate sound more open and loud. Both modes are useful in different applications.

Finally, the output of the gate core is passed through different harmonic processor to create the four SLEDGEHAMMER outputs: GATE, FOLD, BEND and SHARP.

CLICK FOR MORE »

Noise Engineering's Desmodus Versio Goes Chameleon with Custom Firmware Support

You might remember when Noise Engineering's Desmodus Versio reverb module was announced back in August, there was this little included note: "Desmodus Versio isn’t just a reverb, though: it’s a DSP platform. Its firmware can be changed via USB, so it can be transformed into a completely different effect with new firmwares coming late 2020. Are you programming savvy? Open-source support will be released later this year."

Well, it looks like that time has arrived.

via Noise Engineering

"In August 2020, we released the Desmodus Versio, Noise Engineering’s reverb. Maybe you heard about it. We were pretty excited about a lot of things about it:

It’s a pretty kick-ass reverb.

It’s a DSP platform that users can update via USB, so we could create lots of alt firmwares for people (more on that soon. Very soon.).

It’s based on an open platform, so from the beginning, we knew we wanted to open it up so people could create their own firmwares too.

So we asked the software engineers at NE to help us less programming savvy folks talk about how this works.

First thing to note: writing custom firmware requires basic understanding of the C / C++ programming language. If you are not proficient in C / C++, there are plenty of resources or even other modular platforms to get started on!

Ok, onward.

UNDER THE HOOD - DAISY!

If you look at the back of your Versio module, you should see a mounted yellow board with a micro-USB port. This is the Daisy Seed, an embedded audio platform created by Electrosmith. It is the main processing unit on the Versio hardware, i.e., where programs are downloaded, or 'flashed.'

We opted for the Daisy platform for a lot of reasons, but the biggest was that it would be the best customer experience. At the time that the Daisy Seed became a contender for us, we had been developing, in parallel, a similar board (called George). Moving to the Daisy Seed board allowed us to speed development, decrease cost for our users, and take advantage of the large (and growing) community behind the Daisy ecosystem

Daisy is powerful and handles stereo in/stereo out with ease with up to 24-bit, 192 kHz audio processing, 64 MB SDRAM, and 8 MB of flash memory. Got an idea that you want in Eurorack? If any embedded processor can handle it, it’s probably this one."

Click here for additional details on Noise Engineering website.

The following is a demo by Cinematic Laboratory of the Ampla Versio, an 'all in one' VCA, VCFA, ADSR with chorus running on the Desmodus Versio.

The Bat Verb | Part 04 | Ampla Versio firmware | Desmodus Versio


Here is the full playlist:

The Bat Verb | Noise Engineering Desmodus Versio videos by Cinematic Laboratory
Cinematic Laboratory

https://www.noiseengineering.us/shop/desmodus-versio

Playlist:

1. The Bat Verb | Part 01 | Noise Engineering Desmodus Versio

I am always curious when Noise Engineering comes with something new and they never disappoint. I love reverbs. I am lucky to have the Erbe-Verb, Milky Way, Z-DSP, Clouds and ZVERB but I was pretty confident the Desmodus (Vampire Bat) Versio (Versatile) would add something new to my collection. And it did. This is just a first-patch so there will be a part 2 soon. Trust me, this video is only scratching the surface.

Note: I wrote that the DV doesn't have a High Pass filter but that's not true. It has a filter that is neutral at 12:00 and becomes high pass CW and low pass CCW. What I mean it doesn't have a filter that makes sure the very low frequencies (below 80Hz) aren't 'reverberated' (high pass) which can go totally out of control and drives the module above the digital 0dB brick wall. Digital distortion is not pretty and you should be aware of it before going live. I also need to add that it happened only once during the making of this video. Just remember that infinite reverb and ultra low frequencies can cause serious trouble that goes way beyond 'mud'.

2. The Bat Verb | Part 02 | Noise Engineering Desmodus Versio

Desmodus Versio is a reverb - with a built in delay and distortion - and lots of other cool ways to turn your room upside down and fold a cathedral. DV's first batch had a little bug (I totally missed it), but NE's been working around the clock to create a fix and roll out the 'flash your DV' website. This also shows us how easy it is to install new firmware or future applications (which are coming soon). I am not sure, but I think the code will be open source so we can write our own reverbs and FX. I'll definitely dive into that when more info is available.

3. The Bat Verb | Part 03 | Desmodus Versio + Lyra-8

I had this idea of running the Lyra-8 through the Desmodus Versio and see what would happen. Then I realized it helped me (a lot!) to tune the Lyra-8 while playing live. So this video showcases the 'beyond infinity' setting on the 'regenerate' knob, where the reverb trail just plays on forever - but you can still hear a bed of the notes you've played - and add more. It can get pretty magical.

4. The Bat Verb | Part 04 | Ampla Versio firmware | Desmodus Versio

Noise Engineering promised to bring new firmware / applications to the Desmodus Versio reverb. Because it's not a reverb, it's a platform. This means you can completely change the application inside the module. Today NE released Ampla Versio, an 'all in one' VCA, VCFA, ADSR with chorus. In stereo. And this one is a worthy addition to the 'never too many' VCA's.

5. The Bat Verb | Part 05 | Imitor Versio firmware

"Noise Engineering has just released a new firmware for the Desmodus Versio, the 'versatile imitator'. It's a twelve tap delay with tempo sync, delay timing skew, circular stereo panning, distortion, tralis that rise and fall, shimmer and harmonically related pitch shifting. POB has done an excellent walkthrough on all features (see link in video), so I'll just focus on how it sounds in various patches. the IV is also available as a dedicated module with its own faceplate, and faceplates can be ordered for your DV if you're planning on permanent use.

Please note the IV is a delay that's designed to be discovered so make sure to spend some time with it. I noticed it features a lot of sonic textures which are also found on some of the best delays around. So this one may be the droid you've been looking for in just 10 HP. Highly recommended!"

Tiptop Audio Fold Processor now in black too

Tiptop .Audio

"All sounds on this video were made with the Fold Processor"

Reason Complex-1 // MEGA TUTORIAL

Published on Jan 24, 2019 DivKidVideo

"TIMING INDEX / SECTIONS BELOW - My index is so long (aka so much in the video) I have no room to write anything else! So here's Complex-1 which is a rack extension for Reason. I worked with them making some patches (bonus free patches to come) and there's a few videos coming too. Here's the first! Enjoy, grab a drink and skip around below.

00:00 introduction

00:28 Complex-1 overview

SOUND GENERATORS

Complex Osc

01:00 Buchla 259 heritage and features

01:40 Waveforms and waveshaping

02:28 Mod bus - FM / frequency modulation and modulating FM depth

CLICK FOR MORE »

Tiptop Audio Forbidden Planet as an Oscillator

Published on Jan 7, 2019 Station 252

"Patched Tiptop Audio Forbidden Planet VCF as an Oscillator. Other than the BD808 it is the only sound source. I run it through Fold Processor and ModDelay Panning Taps on Z-DSP. It is pinged by gates and triggers from Circadian Rhythms (Into Low Pass Input) and by Z4000 envelope (into Hi Pass) triggered from another CR track. Z8000 into QuantiZer into full range CV input. Other Z4000 modulates Fold. Z3000 modulates attack on pinging Z4000. By mistake I patched QuantiZer out also into Band Pass input on Forbidden Planet which surprisingly created weird timbre change that I liked."

Tiptop Audio Fold Processor (Serge based wavefolder and unique sub generator

Published on Aug 23, 2018 DivKidVideo

"*TIMING INDEX / SECTIONS BELOW SCROLL DOWN * Here's the Fold Processor from TipTop audio which is inspired by the middle section of the classic Serge Wave Multipliers. It's a great sounding folder with an inject control that adds voltage to adjust and manipulate the symmetry and wave shaping. You can sum two inputs and there's also a unique sub dividing circuit allowing for /1 /2 /4 /8 outputs that you can blend down to one output. The sub divided output is a train of pulse/square waves that adjust and morph depending on the fold and inject levels. Skip around the sections below, watch in full, enjoy and be sure to ask any questions. Cheers! :)"

NEW Z-DSP CARD: MARIANA TRENCH #3

NEW Z-DSP CARD: MARIANA TRENCH #3 from Station 252 on Vimeo.

Mariana Trench - a new card for Z-DSP eurorack module by Tiptop Audio.

Algorithm #3: FDN UNSTABLE 1

Running various FM noises and percussive sounds synthesized using Tiptop Audio modules: 2x Z3000, 2x Z4000, Z2040 and Fold Processor through FDN UNSTABLE 1 algorithm.

tiptopaudio.com/z-dsp-2018/#marianatrenchcard

TIPTOP BASS PATCH

TIPTOP BASS PATCH from Station 252 on Vimeo.

"Heavily modulated bass patch using one Z3000 oscillator with other two cross modulating each other and the filter parameters. The final output is processed with a Fold Processor and filtered with Z2040 low pass filter and a VCA on the output. A couple of Z4000s are modulating the filter frequency and the VCA. Z8000 is used to sequence the main oscillator's shape and a parameter on the Z-DSP as well as the main oscillator's pitch. Quantized and manually transposed by QuantiZer. Triggers by the Trigger Riot and Circadian Rhythms. Effects, as usual, are Z-DSP based."

Tiptop Z8000 + Sequential Switch

Published on Apr 10, 2018 ZV_K

"I new about the existence of sequential switches for a long time and recently finally had a chance to try it out. I was so impressed with the results that I bought two Doepfer A-151 Quad Sequential Switches. Those little gems are an amazing addition to Tiptop Z8000 sequencer

This video is the first patch I came up with.

Z8000 - 4 vertical 4 step sequencers are connected to the first A-151, they share the same clock and are simultaneously reset to 3 steps by the Tiptop Trigger Riot. The output of the sequential switch is connected to Tiptop QuantiZer which in turn is driving Z3000 oscillator.

Circadian Rhythms - channels 5-8 are connected to the second A-151, the output of which is driving a pair of Z4000 VC ADSRs for The VCA and Filter FM.

The Sequential switches are reset to 8 step by the Circadian Rhythms.

The voice is quite simple: Z3000 sine wave - Tiptop Fold Processor (fold is modulated by a sine wave doepfer LFO and the offset is modulated by the horizontal 16 step sequence from Z8000 slewed by Make Noise Math) - Z2040

The bass drum is Tiptop BD808

tiptopaudio.com/z8000/
doepfer.de/a151.htm"

Tiptop Z8000 + Sequential Switch Videos by Station 252

Tiptop Z8000 + Sequential Switch part 1 from Station 252 on Vimeo.

"I new about the existence of sequential switches for a long time and recently finally had a chance to try it out. I was so impressed with the results that I bought two Doepfer A-151 Quad Sequential Switches. Those little gems are an amazing addition to Tiptop Z8000 sequencer

This video is the first patch I came up with.

Z8000 - 4 vertical 4 step sequencers are connected to the first A-151, they share the same clock and are simultaneously reset to 3 steps by the Tiptop Trigger Riot. The output of the sequential switch is connected to Tiptop QuantiZer which in turn is driving Z3000 oscillator.

Circadian Rhythms - channels 5-8 are connected to the second A-151, the output of which is driving a pair of Z4000 VC ADSRs for The VCA and Filter FM.

The Sequential switches are reset to 8 step by the Circadian Rhythms.

The voice is quite simple: Z3000 sine wave > Tiptop Fold Processor (fold is modulated by a sine wave doepfer LFO and the offset is modulated by the horizontal 16 step sequence from Z8000 slewed by Make Noise Math) > Z2040

The bass drum is Tiptop BD808

http://tiptopaudio.com/z8000/

http://www.doepfer.de/a151.htm"

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Quick synth trick: How to create complex LFOs with wavefolding (MiniBrute 2S, TipTop Fold)

Published on Feb 5, 2018 loopop

"This is a relatively short clip, but conveys an idea I’ve not seen elsewhere. The idea is to get out of the monotony of “standard” repetitive LFO shape modulation by applying a wavefolding to a regular LFO, creating much more rhythmically interesting patterns. These new complex LFO shapes can then be applied to any number of destinations (AMP, filter, oscilliator shape, etc).

I’m showing it using the MiniBrute 2 and TipTop Audio Fold Processor but you can really use any “metalizer” or wave folder for this, as long as you can send it an input and receive its output. Digitone is in the background here sending chord pads to show this can be applied to any source of audio."

Modulation Mix

Modulation Mix from Station 252 on Vimeo.

"Mixing two Z4000 envelopes and an LFO with the top section of MixZ mixer module into the FM input on the Z2040 filter module to change the groove of the bass line.

MixZ:

Ch.1 - short envelope that is visible in the Mantis triggered with the same trigger as the VCA envelope (located in the skiff). I’m modulating release with one of the outs of doepfer LFO

Ch.3 - inverted envelope triggered on 1 and 5 (off screen in the Station 252 case)

Ch.4 - Doepfer LFO (also in the station 252)

Voice: 2x Tiptop Audio Z3000. One FM’ing the other while being hard sync’d to it > Tiptop Fold Processor > Z2040

Simple tiptop drum pattern for context:

BD808, SD808, Hats808, RS808

www.tiptopaudio.com"