Album with Make Noise only - Fracture #05 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Knobcon Number Thirteen Coming September 5-7, 2025

Just a heads up, Knobcon Number Thirteen is set for the weekend of September 5-7, 2025, just three and a half weeks out from now. You can find full details on the event at https://www.knobcon.com. If you are an exhibitor interested in a booth or table, you can still sign up for one here.

"What is Knobcon?
Knobcon is a one-of-a-kind synthesizer convention now in its thirteenth year. Complete with performances, workshops and vendors, Knobcon allows for a fully immersive experience. Attendees can get their hands on an incredible amount of equipment, learn from industry professionals and talk directly with designers of some of today's most innovative synthesizer products.

Held just outside Chicago, Ill., at the Hyatt Regency Schaumburg, the entire event takes place under one roof. Enthusiasts travel from all parts of the world to attend this yearly event. Direct access to all major forms of transportation make this an easy destination for those traveling.

Who should attend?
If you are interested in electronic-based or experimental music and the tools used to create it, this is the place for you. The diversity and passion of those at knobcon make it enjoyable for all experience levels."

IM TZ Dual VCO demos

video upload by Todd Barton

"This and other great modules are available at https://www.infinitemachinery.com/

Also, there will be a booth at Knobcon next month https://www.knobcon.com/"

"The TZ Dual VCO is two full featured VCOs on in a single 16HP module. Both VCOs output sine, square, saw, triangle and PWM wave forms. Each VCO also has thru-zero and expotential FM input. The type of FM is selectable using a toggle switch. An important feature of TZ Dual VCO is the FM input for each VCO can be control by a VCA input. A potentiometer adjusts the overall maximum of the FM input while the VCA provides an amplitude envelope.

Each VCO has the following inputs:

1V/Oct
PWM CV
FM signal
FM signal VCA
Each VCO has the following wave form outputs:

Sine
Square
Saw
Triangle
PWM
Each VCO has these adjustment knobs:

Coarse
Fine
PWM
FM amount
The upper VCO can be synced with the square wave of the lower VCO. A three position toggle switch is used to select hard sync (up), soft sync (down), or no sync (center).

Current requirements - 130mA +12V, 130mA -12V"

Future Retro Vectra Prototype with Black/Gold Faceplate SN 0001

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"One of only 2 known Vectras with an early Black/Gold faceplate which was never put into production. No Black Gold keyboards were ever made as far as I know. These were prototypes. This unit is fully working with all mods and upgrades including a firmware upgrade to version 2. Includes box, packing, manuals, and Universal power supply. The other known unit has purple heartwood endcaps and ALSO features a 001 serial number. These are the only units like this known to exist. Will be double boxed for safe delivery worldwide.

The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It’s the best of both worlds… The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO’s, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analog circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analog filter, VCA, and final output, as these provide the best sonic qualities."

CLICK FOR MORE »

This Rare 90s FX unit turns anything into surreal ambience

video upload by Thought-Forms

"Nobody talks about the Roland RSP-550, but they should. It rivals the Ensoniq DP/4, slaps the Alesis Quadraverb around, and can be had for under $400. Let me show you why I love this 1U rack mount effects unit from 1991...the perfect dedicated FX unit to run synths & sound effects through. Dream like delays, phasers, and modulated effects"

@0:00 WTF is the RSP-550?
@0:55 How it works
@2:50 TF-Sonic Portal (Multi 3)
@2:59 Rich St. Chorus (Stereo Chorus)
@3:32 TF-Space Echo (Mod. Dly/Rev)
@4:44 TF-Shimmer (Mod. Reverb)
@5:11 TF-Space EP (Space Chorus)
@5:33 TF-Alien Harmony (Quad Pitch Shifter)
@5:47 TF-Hydro (Multi 4)
@6:08 TF- Dub Spaced 2 (Mod. Dly/Rev)
@6:31 TF-Dub Spaced (Mod. Dly/Rev)
@6:56 TF-Ambi Star (Mod. Dly/Rev)
@8:23 TF-Cosmic Swirl (Multi 3)
@9:00 TF-Ghost Verb (Mod. Reverb)
@9:43 TF-Space EP (Space Chorus)
@10:04 TF-Dub Spaced 2 (Mod. Dly/Rev)
@10:35 Shimmer Space (Mod. Reverb)
@11:04 Black Hole (Mod. Reverb)
@11:38 TF-Deep Phase (Multi Phaser)
@11:57 TF-Liquid (Multi Phaser)
@12:18 TF-Ping Pong (Tempo Delay)
@12:52 TF-Space Echo 2 (Tempo Delay)
@13:13 Why the Delays rule. 120% Feedback!!!
@13:36 Control Assign for real-time modulation
@15:00 Closing Thoughts

TMP-3-04 Vintage Synth TV Series from Benge

video upload by Memetune Studio

Additional episodes

00:00 Opening Titles
00:17 Introduction
01:25 Switched On 80s
13:08 Synthesiser Club
15:58 Little Black Boxes
20:05 Commercial Break
23:45 Patching Today
35:08 Video Lab
40:29 Outro

////////////////////////////////////////////////////////

Episode four of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

////////////////////////////////////////////////////////

In THIS episode:

SWITCHED ON 80s - A detailed presentation on the Oberheim Xpander hybrid polysynth from 1984

SYNTHESISER CLUB - The Emu Strut - featuring the Emulator 2, the Drumulator, the Proteus/2 and the mighty Emu Modular 2000

LITTLE BLACK BOXES - A look at the highly underrated Yamaha TX16W and its companion reverb unit, the REV7

COMMERCIAL BREAK - Some adverts for Memetune-related goodies, including the Memetune Annual 2024, the range of Memetune merchandise and Benge's FORMS series of single-synth albums

PATCHING TODAY - on the incredible ARP 2500, which I bought exactly 20 years ago this month

VIDEO LAB - In this episode we take a closer look at the Grass Valley Indigo AV Mixer, which is the central hub of the Video Lab, and provides many more ways of getting that genuinely vintage look to the Memetune video productions, in particular using its memory recall system which allows you to program complex time-based actions

////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2025"

PMS Performance Music Systems SYNTAR

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Don't miss the demo in the listing, previously posted here.

"This is the very rare 1980 Performance Music Systems (PMS) SYNTAR. The SYNTAR licensed the Electronic Music Systems EML designs made famous in the ElectroComp EML 101 and arranged them as a two oscillator synth with a multimode filter, Sample/Track & Hold, LFO, two EGs: ADSR and AD. All of the pots are sealed Type-J and some of them use the unique center 0 style for mixing in LFO or ENV. The oscillator wave forms are selected using a pot rather than a switch, which allows for a full range of shapes and you can go through low pass, bypass and highpass modes in the same linear fashion.

Sonically the SYNTAR is its own beast though most similar to the EML ElectroComp 101 and capable of growly moog style bass and leads with colorful resonant filter sweeps to very subtle pure tones thanks to how wave forms are variably dialed. The two printed pages are excerpts keyboard magazine's analog synthesizers features some details and pictures of the SYNTAR being shown at NAMM.

The left hand controls feature 9 wood blocks that control pots to allow for:

pitch up, pitch down
pitch modulation
sustain
filter up, filter down
filter modulation
amplitude modulation
nose. [sic]

Portamento control can be set to be directional and has a linear or exponential glide.

The power was rebuilt and includes a few modifications for CV and GATE out so that the SYNTAR could be used to drive modular analogue synthesizer. The Pratt-Reed keyboard has new bushings.

The original ATA flight case and a one off custom vinyl gig bag are included as well as a 50' and a 25' cable and stack of original patch sheets. The cable handles power, audio, external audio in, CV and gate so that you only plug in the 10 pin milspec cable to the SYNTAR.

The flightcase foam is collapsing, but fortunately the velvet covering is intact over it. The flight case is solid. This synth is now 45 years old with components from the mid 1970s. The original type-J sealed pots are all working, but are scratchy."

CLICK FOR MORE »

MEMLNaut - Total sound control with machine learning

video uploads by MEML

A 2025 MIDI INNOVATION AWARD entry

"Bring your sounds to life with the MEMLNaut, the first neural symbiotic controller for synths and effects: discover new sounds instantly, live, with any rig."

Learn more about the MEMLNaut and Musically Embodied Machine Learning: https://musicallyembodiedml.github.io/

Some info saved for the site archives:

"MEMLNaut is a musical instrument and research platform for exploration of musically embodied machine learning. It can process and generate sound, it’s extensible with a wide range of IO and interfaces, and it can optimise and run machine learning models on it’s dual core microcontroller chip.

MEMLNAut is open source, you can find all the Kicad files on our github"

"MEML is funded by the UK Arts and Humanities Research Council. It is an investigation into the musically expressive potential of machine learning (ML) when embodied within physical musical instruments. It proposes ‘tuneable ML’, a novel approach to exploring the musicality of ML models, when they can be adjusted, personalised and remade, using the instrument as the interface.

ML has been highly successful in allowing us to build novel creative tools for musicians. For example, generative models that bring new approaches to sound design, or models that allow musicians to build complex, nuanced mappings with musical gestures. These instruments offer new forms of creative expression, because they are configurable in intuitive ways using data that can be created by musicians. They can also offer new modes of control, with techniques such as latent space manipulation. Currently, to train a ML model, standard practice is to collect data (e.g sound or sensor data), create and pre-test the model within a data science environment, before testing it with the instrument. This distributed approach creates a disconnection between the instrument and the machine learning processes. With ML embodied within an instrument, musicians will be able to take a more creative and intuitive approach to making and tuning models, that will also be more inclusive to those without expertise in ML. Musicians can get the most value from ML if the whole process of machine learning is accessible; there are many creative possibilities in the training and tuning of models, so it’s valuable if the musician can have access to the curation of data, curation of models, and to methods for ongoing retuning of models over their lifetime.

We have reached the point where ML technology will run on lightweight embedded hardware at rates sufficient for audio and sensor processing. This opens up innumerable additions to our electronic, digital, and hybrid augmented acoustic instruments. Our instruments will contain lightweight embedded computers with ML models that shape key elements of the instruments behaviour, for example sound modification or gesture processing, responding to sensory input player and/or environment. This project will demonstrate how Tuneable ML creates novel musical possibilities, as it allows to create self-contained instruments, that can evolve independently from the complex data science tools conventionally used for ML.

The project asks how instruments can be designed to make effective and musical use of embedded ML processes, and questions the implications for instrument designers and musicians when tunable processes are a fundamental driver of an instrument’s musical feel and musical behaviour."

Make Noise Modular Jam - Fracture #01 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"

The Crow Hill Company Introduces POCKET STRING no-barrier-to-entry-styled string library plug-in

video upload by CROW HILL XTRAS

Press release follows:

"The Crow Hill Company creates POCKET STRINGS as no-barrier-to-entry-styled string library plug-in produced without compromise… with added ‘synthy spice’

EDINBURGH, UK: having recently rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company continues its journeying into ‘Season Two’ as a producer of resources and tools to protect, inspire, support, and provide opportunities for music-makers the world over, believing that music is, and should remain, a wholly human experience, one that is by far one of the most powerful forms of expression, escape, comfort, and remembrance, of which its newly-created POCKET STRINGS — styled as a definitive string library plug-in that opens the doors to collaboration between anyone anywhere, creatively combining live cinematic orchestral recordings with some rarefied vintage synth classics made to measure for added body, depth, and character — readily represents the cornerstone of this ethos, as of July 10…

“A string library that’s accessible to all without compromise — a distillation of the last 25, nearly 30, years that I’ve been working as a media composer, which means that I write music for film, TV, and computer games, giving you the very basic necessities to write pro-end string arrangements. Whether that be adding to productions, songs, collaborating with others, or, indeed, creating professional film scores — whether that be to demo for an orchestra to play, or, indeed, to go to broadcast, there’s been no compromises here. But accessibility is the key — not just with the price point, but with usability.” So says Christian Henson himself, perfectly positioned — as The Crow Hill Company’s original founder, forging forward by building upon his extensive experience gained from founding Spitfire Audio to originally offer a palette of sounds he had created for his own use as a professional composer to his film world colleagues by invitation only, though the rest, as they say, is history — to proudly introduce POCKET STRINGS as a never-tried-before strings library plug-in that aims to bring broadcast-grade string possibilities to everyone.

CLICK FOR MORE »

Album with Make Noise only - Fracture #02 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp:

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Album with Make Noise only - Fracture #03 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"

Dr. Endo explores LIVEN Evoke: EXPR//Residue

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Dr. Endo – Live Set
PTN12: EXPR//Residue
---
A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.

The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.

Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion.
Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.

One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.

This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.

Yu Endo
---

CLICK FOR MORE »

1968 RA Moog Modular IIIC

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.

This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.

CLICK FOR MORE »

Tech Talk: Vitalic (Electronic Beats TV)

video upload by Telekom Electronic Beats TV

"Electronic Beats returns with another Tech Talk, this time we took a trip to Paris to visit the studio of Pascal Arbez aka Vitalic / Dima. Pascal initially began his career on French Techno label Choice under his Dima alias, releasing a series of original works as well as remixing the likes of Daft Punk, Björk, Royksopp and Paul Kalkbrenner, a striking sign of his ability to craft greatness in the studio.

He went on to then launch his alter-ego Vitalic and released numerous albums and EP’s for Different/[PIAS] Recordings as well as material for Jennifer Cardini’s Correspondant, his ‘Poney’ EP on DJ Hell’s Gigolo Records and of course his own Citizen Records imprint.

Vitalic also forms the duo KOMPROMAT with Rebeka Warrior (ex Sexy Sushi), is currently celebrating twenty years of his career and the release of his fifth album DISSIDÆNCE. We took a trip to find out what keeps this powerhouse producer stirring after decades in the game and discover all of the machines and technologies that were used to create his impressive and extensive back catalogue and his new album 'Dissidaence'."

TMP-3-03 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:17 Introduction
01:27 Switched On 80s
16:14 Synthesiser Club
19:48 Commercial Break
23:57 Patching Today
35:04 Little Black Boxes
38:53 Video Lab
44:22 Outro

////////////////////////////////////////////////////////

Episode three of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

////////////////////////////////////////////////////////

In THIS episode:

SWITCHED ON 80s - A detailed presentation on FM synthesis and its history, looking at the DK Synergy (as used on the Tron soundtrack), but mainly the Yamaha DX series of synths

SYNTHESISER CLUB - a very 'timely' composition, made on Moogs; a Minimoog, a Polymoog and the mighty Moog Modular 3C from the 1960s, which was used for sequences, and also all the drum sounds

LITTLE BLACK BOXES - A look at the Roland MKS Super JX, the lushest pad-synth of them all

COMMERCIAL BREAK - Some adverts for Memetune-related goodies, including the Memetune Annual 2024, the range of Memetune merchandise and Benge's FORMS series of single-synth albums

PATCHING TODAY - on the incredible Crystal Machine - the legendary double-Synthi-A made by EMS, Tim Blake, Patrice Warrener, Graham Wood, and looked after by Lucidsounds. Plus a beautiful VCS3 Mk1 and rack of EMS peripherals for good measure

VIDEO LAB - In this episode we look at the Grass Valley Indigo AV Mixer, which is the central hub of the Video Lab, and provides many more ways of getting that genuinely vintage look to the Memetune video productions

////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2025"

LOOPA project 2025 updates

video upload by ferluht

"Just want to show new hardware version without much plot
Waitlist: https://forms.gle/QZ3VMWCaBACKZPqr6
More demos: / loopasynth.lol

0:00 - new hardware
1:00 - scales
1:50 - xy pad
2:00 - sampler
2:10 - velocity & IMU
2:30 - scope
2:50 - tape & instruments
3:40 - mic input
4:00 - demo"

Gibson Clavioline with rare stand SN 1598

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"1950s Vintage Gibson Clavioline w/Tube Amplifier / Speaker / Case & Tripod Stand
The Gibson Clavioline is a single manual mini-key piano attachment with a tube preamp and amplifier, made from about 1934-1965. The sound made famous in Telstar and in The Beatles' 'Baby I'm A Rich Man', it uses a basic square wave.

The original design was by Constant Martin in France, and many companies licensed it. Selmer were perhaps the most famous maker in the UK, but Jorgensen in Germany was another, and Gibson in the US. The common design feature was a metal-cased keyboard, complete with internal tube tone-forming circuitry. The case attached by metal sliders to rails that could be screwed to the underside of your piano keyboard - or you could use the Clavioline as a stand-alone instrument on a metal stand. There is a Set of rocker switches underneath the keyboard for tone choice. The tube amplifier and speaker are in a case, which the Clavioline keyboard folds into for transport.

Although the tone is quite variable, the sound is distinctive, and instantly recognizable, due mainly to the simple envelope employed - and maybe also to its monophonic nature, which somehow gave melodies a different feel from exactly the same line played on an organ. It may be the glitches which provide its charm. Gibson licensed the Clavioline design from Constant Martin and made the American Clavioline version in 1954. Al Kooper plays one on BS&T's first album, Child is Father to the Man, and I think the specific tune is 'Meagan's Gypsy Eyes.' Also used on 'Sweet Pea' by Tommy Roe, 'Just a Mirage', Tommy James, and Del Shannon's 'Runaway'. A really cool instrument, it's the big brother to the Clavioline used on 'Telstar'.

Good condition, functional but has issues. Powers up, although the power light on the amplifier does not light. Keys play, but seem to just play one pitch, with a variable pitch underneath, and a quavering quality. The tone switches do change the sound, volume control works, and the octave switch works.

Includes the tube amplifier / speaker, which forms the case that holds the Clavioline, the Clavioline keyboard, 3-legged tripod stand, and power cable with split-off multi-pin cable that powers the Clavioline. Also has the service manual (which appears to be original). And includes the expression knee-lever, which is integral to the sound of the Clavioline.

Full pictures are here, along with a video of the instrument being played:

https://drive.google.com/drive/folders/1rSXB0kPlwqEIRB92uAWtyN6DwBvGPExU?usp=drive_link

Great review at Sound on Sound:

https://www.soundonsound.com/reviews/story-clavioline"

CLICK FOR MORE »

Sequential Circuits Prophet VS keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"Very good condition Prophet VS + its very rare original memory Cartridge. This one model is truly in a very very good cosmetic shape as shown on pictures. This prophet VS was serviced in 2018 and works fine thanks to a new bright OLED display, new CEM5530's, new Data Entry Slider, some new switches, ... The Prophet VS is a true 'classic-hybrid' of the early nineties with a very unique sound signature. This synth was the original Sequential's venture into the digital era, combining through vector synthesis, 127 digital wave forms with the famous analog filters and envelopes of the prophet 5 legacy. Add to this excellent recipe, a 'sequencer' allowing to combine and or record the 4 oscillators/wave forms and mix them in real-time with the joystick and you get into seriously creative avenues. The result is a wonderful instrument, covering with ease a vast sonic territory, and allowing to reach both very warm analog sounds, evolving pads and landscapes, as well as very rich metallic and bell-like sounds."

CLICK FOR MORE »

Bluelantern Mu Format Phrogs Analog VCF Poly Patch. Low Pass adventure.

video upload by flavio mireles

"Poly patch on a fully blue lantern modules Mu format system. I use (4) Phrogs filters, (4) VCO's, and a Yarns midi to cv. The fx are done using external behringer racks, connected to the soon to be released 4 channel Mu Mixer. Phrogs analog filter has an on board simple decay envelope generator, and a vca. You can easily make a poly patch. External modules used for control: BLM Active Multiple, BLM Joy rider Euro Format Joystick, and BLM MegaClite Digital LFO.

Low Pass filter output is demonstrated.

Each voice was panned left or right. This is done on the up coming Mu format 4 channel stereo mixer. One the lower (bass) voice, I added a Mu Format ADSR. Gate was daisy chained through the ADSR and into the Phrog's trigger input. In the video it has a large green square led."

Mu Format Phrogs Analog VCF 4 Voice Poly Patch. High Pass saga.

video upload by flavio mireles

"High Pass output is demonstrated. Filter output mixing: band pass, high Pass, low pass is also used.
Each voice was panned left or right. This is done on the up coming Mu format 4 channel stereo mixer."

Update:

Mu Format VCO demo

video upload by flavio mireles

"I use (2) VCO's to demonstrate CV's and the two sync's. An Mu Format ADSR was used for the sync. It has the square green led. The output was patched through the Mu Format 4 channel mixer. There are AC capacitors on the Mixer, this gives some slew to the wave forms. You can see the slew on the scope.You can't hear this distortion by ear to the waveform. Just about all audio gear has AC coupling, no big deal."