Manatee Synth Tutorial 2 - Generator, Sub-oscillator, Play modes

video upload by Fred's Lab

"Welcome to the second Manatee tutorial!

In this video, we will talk about the Fred's Lab Manatee sound sources!
You will learn how to build up the raw timbre for your custom sounds.

Covered are the fundamentals and the extra parameters of the spectral generator and maker, the sub-oscillator and the various available play modes for a part. The glide, tremolo and vibrato functions are also demonstrated.

Background music: 'Eletrosamba' by Quincas Moreira - YouTube Audio Library"

Manatee Synth Tutorials

Unlocking the Full Power of the Leviasynth Sequencer

video upload by Scott's Synth Stuff

"The ASM Leviasynth sequencer is far deeper than it looks—and in this video, we explore everything it can do. From real-time and step recording to probability, rules, macro automation, rhythm tap, and even turning sequences into arpeggiator phrases, this is a full hands-on walkthrough for musicians who want to go beyond basic patterns.

You’ll see how to build evolving sequences, edit every note in detail, perform with tracks live, automate macros, and creatively blur the line between sequencer and arpeggiator. Whether you’re new to Leviasynth or already programming patches, this video will unlock powerful workflows you probably didn’t know were possible.

If you love deep synth engines, creative sequencing, and performance-ready sound design, this one’s for you."

0:00 Intro
0:34 Initializing the Sequence
1:37 Overview
2:07 Track Parameters
5:06 Track Settings
7:55 Other Sequencer Controls
8:58 Realtime Recording
10:37 Editing the Sequence
15:39 Step Recording
16:32 Recording Macros
18:09 Performing the Sequencer
18:53 Sequencer to Arpeggiator

Rhythmic Filter Sequencing With Oxi One MkII

video upload by Alec Sea

"Inspired by Anthony Marinelli's great video on rhythmic filter sequencing, I thought I'd show how to do a similar thing using the Oxi One MkII and my eurorack modular synth.

00:00 - Intro jam
01:34 - The purpose of this video
02:22 - Explaining the patch
05:12 - Settings on the Oxi One
07:25 - Demo
12:25 - Conclusion

Gear used in this video:

Oxi One MkII
Oxi Pipe
Native Instruments Kontrol S61 MkIII
Korg multi/poly module
DF Audio Minibay v2
ART MX822 Line Mixer
Behringer U-Phoria UMC204HD
Kenton MIDI Thru-12
Rode Wireless ME Microphone
Meris Mercury X
CIOKS DC7 Power Supply

Eurorack:
DIY Case
Intellijel: Quadra and Expander, Quad VCA, Triplatt
Befaco: DivKid Output Bus, ST Mix
Doepfer: A-111-4 Quad VCO
Joranalogue: Filter 8
Erica Synths Pico Input
4MS Row Power 45"

Characterful Sequences, simple changes - ON ANY SYNTH

video upload by Hazel Mills

"…ok, any synth with a sequencer 😉.

Marvelling over the synths out there that have fancy sequencer functions to keep sequences evolving and spontaneous (probability, punch-in effects etc) got me thinking. What about the beautifully simple, primitive synths, particularly the older models, that don't have those functions? You can be so creative on them, and people are forgetting how to be. So here are 5 (of MANY - and please do share any others in the comments that you've discovered and love to use) things you can do to keep your sequences sounding characterful and stay interesting. Yes, on any synth.

The final jam is cut abruptly short. If you feel short changed, join my Patreon 👉👉👉 / hazelmills where I will post the full jam (and you'll find many other goodies, like behind the scenes vlogs, breakdowns, exclusive tracks and more).

0:00 Intro
0:18 Reframe time
1:19 S&H filter
1:57 Ride the value
2:53 Key tracking
3:48 Breathe
5:05 Jam snippet"

He's not saying it's UNDERRATED but it's...

video upload by AudioPilz

"Hey everybody! There are - at least - three strong contenders for the title “Worst Synth of all Time”: Akai Timbre Wolf, the obscure Red Sound Darkstar and today’s protagonist, M-Audio VENOM.

We are going to talk about how this 2011 instrument turned out to be one of the most epic failures in music tech history, why it is massively underrated and we will try to dial in sounds that are on par with and sometimes even better than those of synths further up the food chain.

I'm not saying it's UNDERRATED but it's...
MAudio VENOM"

Chapters:
00:00 Introduction
00:33 Overview M-Audio VENOM
02:00 History of the VENOM
02:23 Software Situation
02:43 Is it a Synth???
05:17 Is it a Groovebox???
05:57 Software Problems
06:14 Prices
06:29 Can we make it sound great?
06:50 Jam
07:25 Outro

Manatee Synth Tutorial 1 - Installation, Navigation, Basic Editing

video upload by Fred's Lab

"Welcome to the first Manatee tutorial!

In this video, we introduce Manatee, Fred's Lab's 16-voice, 4-part spectral synthesizer, and walk through everything you need to get started.
You will learn what Manatee is, what equipment you need to play it, and how to navigate its interface efficiently.

Covered are the fundamentals of installation, navigation, preset management, and basic editing, including hidden and special pages, multi mode, and how to switch on the MPE support.

Background music: 'Eletrosamba' by Quincas Moreira - YouTube Audio Library"

Make Noise Trio: 50 Combo Patches for Strega+0coast+0ctrl. No Talk Sound Demo. Live Jam/Performance

video upload by Anton Anru

"VOLTAGE IN SHADOW is a collection of 50 combo patches and patterns for a semi-modular system by Make Noise: 0-COAST + 0-CTRL + STREGA. It includes textures, basses, leads, drones, chords, percussion, and FXs.
💎 There is a wide range of timbres inside the pack: soft and bright, musical and experimental, harmonic and FX-like, cyclic and generative, slow and fast, analog- and digital-style, dry and atmospheric, clean and distorted.

📦 Get these patches: https://antonanru.sellfy.store/p/make...

🦠 This is one of the most complex works I’ve done. It required a lot of time and effort, but I also received huge pleasure and inspiration while working with such interesting and unique devices.
The patches turned out to be very fluid, dynamic, and non-static — largely due to the “alive” and sensitive nature of the synths. However, this also creates some difficulty when recreating the patches from images: even small changes in knob positions can affect the final result.

CLICK FOR MORE »

HiChord Update: They Added a SAMPLER

video upload by Pocket Trax

"There’s a new HiChord update, and it adds a few new features, including a sampler functionality. In this video, I focus on the sampler: how to upload samples using the Companion App, and start playing them inside HiChord using different modes like Arp and Repeat, plus the built-in effects. The sampler is still pretty basic for now (hope the team will improve it in the long run) but it already has a lot of character. Between the effects, slight glitches, and lo-fi artifacts, you can get some really interesting sonic textures out of it.

I didn’t have time to explore every new feature in this update, so this video sticks to the sampler only.

#hichord #sampler #synth"

https://hichord.shop/

Serge Modular Synth | Analog FM Drone

video upload by Akihiko Matsumoto

"Serge Modular Synth (Sample Pack)
Created entirely with the unique sonic character of Serge modular systems
https://akihikomatsumoto.sellfy.store...

About this Pack
This updated sample pack is composed entirely with Serge Modular Synthesizers — systems known not for emulating instruments, but for redefining how sound is shaped.
Included are raw noise textures, slowly morphing drones, and intricate one-shots captured through extensive patching with Random*Source Eurorack modules and classic Paperface 50 series panels.
Each sound reflects the chaotic elegance of analog voltages in motion. You’ll hear modulations that escape grid-bound sequencing, and timbral behaviors that emerge from complex feedback, slewing, and intermodulation — the kind of detail digital systems rarely capture convincingly.

Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.

In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.

This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.

CLICK FOR MORE »

Leviasynth subtractive synthesis Oscillator tips

video upload by Ken Flux Pierce Fluxwithit

"The Leviasynth Allows you to create a wide range of sounds from vintage sloppy subtractive synthesis to tightly bound FM sounds and everything in between. Here I show some tips on how to get the most out of the oscillator section's ability to have drift and movement when creating those vintage analog subtractive synthesis style sounds.

0:00 intro
0:56 starting from INIT
2:25 Voice section
3:41 Random phase
5:12 Snap
5:37 phase tips / VoiceMOD
8:32 Slop Macro
10:48 Step LFO Phase
13:34 Analog filter adjustment
14:27 sound example
16:37 Stereo
17:10 sine sub
17:42 gain stage
20:26 final examples with Polytouch

#leviasynth #Synth #hydrasynth #asm #synthesizers #synths #levisynth
#analogsynth #hybridsynth #ashunsoundmachines #Fluxwithit #flux #oscillator #8 oscillator"

SOMA Laboratory and The Midium announce PULSAR-23 1984 Edition

Press release follows:

SOMA LABORATORY AND THE MIDIUM® COLLABORATE ON LIMITED EDITION PULSAR-23

New circuits and custom aesthetic introduced, marking first SOMA partnership with US-based engineers STEVENSON RANCH, CALIFORNIA––23 JANUARY 2026––Local online family-run-and-operated synth shop and boutique, The Midium, collaborates with SOMA Laboratory to introduce the SOMA Laboratory PULSAR-23 1984 Edition. New bass drum and bass synth circuitry expand the current PULSAR-23 four-voice drum machine and synthesizer’s functionality, while a custom polished-steel chassis and red LED scheme accompany an all-black carrying case, red-white-and-black alligator clips, and typewritten certificate of authenticity.

“The SOMA Laboratory PULSAR-23 1984 Edition is a marriage of parallel ideas. While having aconversation with SOMA Laboratory US’s Kevin Flynn in early 2025, we forged the concept for a 1984-inspired aesthetic born from the times in which we live, as well as some well-known works of fiction we both enjoy,” says Cami Bitar, who owns and operates The Midium with their wife Erin Bitar and 4-year-old daughter Melody Nightingale Wednesday Bitar. “During that conversation, we decided that a polished-steel chassis and red LEDs would also give the PULSAR-23 1984 Edition an intensely industrial feel as seen in certain sci-fi movies of the 1980s. After its aesthetics were set, Kevin mentioned that he and Noah Jolly of Ground Grown Circuits had been developing prototypes for experimental boards for the PULSAR-23 synthesizer and drum machine. That’s precisely when the ‘1984 Edition’ looked like the perfect platform for their new circuitry. To complete the story and bring the ‘1984’ inspiration full circle, we saw that a stark black case and typewritten certificate of authenticity would round out the idea. Finally, having decided that we would work on this together, it was determined that The Midium and SOMA Laboratory would be the only authorized sellers of the PULSAR-23 1984 Edition.” Bitar adds that only 84 units will be made for the US market, according to SOMA Laboratory.

Kevin Flynn, who heads the SOMA Laboratory US Division, gets into the details. “The SOMA Laboratory PULSAR-23 1984 Edition marks the first time that the company has partnered with US-based engineers. Noah Jolly and I developed new circuit boards for the bass drum and bass synth modules onboard the PULSAR-23 in order to see how far we can push the PULSAR-23 platform.”

Flynn explains what makes the SOMA Laboratory PULSAR-23 1984 Edition’s sound and timbre unique.

“For instance, the bass drum on the PULSAR-23 1984 Edition introduces an oscillator design that produces an asymmetrically clipped triangle wave that can be driven to the point of becoming a square wave, which makes for a more aggressive and harder-hitting bass drum which is perfect for techno and other musical styles. The bass drum on the PULSAR-23 1984 Edition’s tuning range is now also wider than before, which also adds to its flexibility in use, and the “OMG” pin is now an AC-coupled FM input that enhances the bass drum’s sound design potential.” He ends by saying of the second modified module in the PULSAR-23 1984 Edition, the bass module, that it “now features a new filter inspired by the Polivoks, which is a classic analog synth made in the Soviet Union during the 1980s. That’s a key part of the ‘1984’ concept, and the bass module’s new filter has a similarly aggressive nature.”

The SOMA Laboratory PULSAR-23 1984 Edition is available now exclusively at TheMidium.com and EarwormLLC.com.

CLICK FOR MORE »

Clavia Nord Lead 2X Emulation (NodalRed2x) - "Cinematica" Soundset

video upload by LFOstore

"INSTALLATION GUIDE is here: https://dsp56300.wordpress.com/instal...

Only what we are attaching - is our sounds & instructions how make it all work.
OS - you need to download yourself

PLUGIN: https://dsp56300.wordpress.com/nodalr...

The Future Is Now!
Finally famous Motorola DSP56300 emulated in computer!
The Virus B,C,TI,SNOW, Waldorf Micro Q and other famous synths were made with this baby in heart.

Please support developers here: https://dsp56300.wordpress.com/ostiru...

And we made Cinematica soundset for Nord Lead 2X emulator -NodalRed2x - with 50 sounds you are need for production of Ambient, Soundtrack, Electronica & Dance Music with integration in every modern genre.

Inside the pack:

Deepest Pads & Strings
Beautifull Polyphonic Sounds
Organic Plucks & Leads
Organic Arps & Sequences
Classic Iconic Sounds


By Nick Klimenko aka Chronos, a creator of Organica for Waldorf Blofeld & WS Universe for Korg Wavestation.

All sounds of soundset bpm syncable & modulation wheel approved.
Powerful unison basses, stunning mono & poly leads, sharp plucks, dynamic & wide arps, deep & realistic strings.

Great for soundtrack atmosphere, synth-pop & retro wave music, dance floor music.

Rediscover & Enjoy The Clavia Legacy!"

Behringer JN-80 - Sounds Like a $HIT - I mean, sounds like a synth lol

video upload by Noir Et Blanc Vie - After Hours

"Look, what am I supposed to say, it sounds fine, it plays fine, it's not a bad product.... BUT, how can I be excited about something that I don't care about. It literally sounds like a synth, not bad, not great, not inspiring, BUT who cares. It's a tool, use it if you got it. I could make an album with it as easily as a real Juno-60/106. I wouldn't buy it, but that's not because of any other reason than I don't need another synth lol. Behringer JN-80 is fine, but a Cmaj7#11 is the same no matter what the brand. Don't push brands, push creativity.

#BehringerJN80 #NAMM2026 #Synthesizer"

PART 2 - Winter synth improv | Analog synth/spring reverb/chorus | meditation

video upload by Hazel Mills

"Listen for a gentle warming uplift, as the earliest glimpses of spring are emerging. Days are getting lighter, as they always do.

👋 Join my Patreon for FREE for similar videos, tutorials, studio vlogs and creative inspiration 👉👉👉 / hazelmills (...plus a description of how I built up this piece).

This is "Expanse Part 2", an improvisation that came to be because I'd been re-jigging my studio set-up and was testing a gear combo (listed below).

Sequential Circuits Prophet 6
Echo Fix Spring Reverb
Echo Fix Chorus Vibrato
Vongon Polyphrase
Vongon Ultrasheer

Happy Jamuary."

Roland TR-1000 and eurorack | Hypnotic dance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Buy the album here: https://jayhosking.bandcamp.com

This is a set of live, improvised dance music performed on a eurorack skiff with the Roland TR-1000. The TR-1000 provides most of the drums, and the eurorack does everything else.

00:00 - Archaios
07:33 - Elan vital
13:42 - Magnetic sleep
21:58 - Entelechy

I'm really happy with how this set turned out, and will probably try the setup again. I'd also love to give it a shot in a live environment, with actual humans dancing.

Eurorack modules:
Noise Engineering Zularic Repetitor - Gates (rhythms)
Noise Engineering Gamut Repetitor - Pitch (notes)
ALM Busy Circuits Pamela's New Workout - Synchronization, modulation, and LFOs
Forge.TME Vhikk X - Drone
Frequency Central Product - Bass
Mutable Instruments Rings - String synth
Noise Engineering Desmodus Versio - Reverb for Rings
Eowave Domino - Subtractive synth
Happy Nerding FX Aid XL - Delay for Domino
Bastl Citadel Wave Bard - Percussion
Bastl Citadel FX Wizard - Glitchy effects for Wave Bard
Qu-Bit Nautilus - Delay (on a send)
Befaco STMix - Send mixer for Nautilus
Intellijel Mixer 1U - Mixer out for Product and Domino
Intelljel Headphones 1U - Mixer out for Rings"

Famous Minimoog Songs ~ Sniff 'n' The Tears Drivers Seat ~ Vintage Synth Recreation

video upload by RetroSound

"(c)2007-26 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

We’re diving into the Minimoog’s enduring legacy by dissecting its pivotal role in Sniff 'n' the Tears' "Drivers Seat," meticulously recreating the iconic lead and bass lines to demonstrate its timeless analog warmth and how its distinct character continues to shape modern electronic soundscapes.

One of my favorite tracks from the late 70s.
Drivers Seat by Sniff 'n' The Tears from the album Fickle Heart (1978)
Written byPaul Roberts

Minimoog Sounds:
0:21 Mini Octave Bass
1:27 Square Glide Sound
2:08 Mini Sub Bass
2:25 Mini Square Lead Sound with Glide and Modulation"

synth tees: https://retrosound.creator-spring.com

A Love Story - Roland Cloud CR-78 First Look

video upload by Starsky Carr

"The Roland CR-78 CompuRhythm is one of the most iconic drum machines ever made — and now it’s back as a stunningly accurate ACB emulation inside Roland Cloud. In this video I take a deep dive into the CR-78 plugin, exploring its legendary analog sound, programmable patterns, classic rhythms, and all the powerful new features that go far beyond the original 1978 hardware.

The original CR-78 was the world’s first programmable drum machine and became famous for its warm analog voices, signature presets and musical groove. It appeared on countless classic records — from Phil Collins and Blondie to early synth-pop, post-punk and electronic pioneers.

In this demo I explore:

Roland’s ACB (Analog Circuit Behaviour) modelling technology

How the CR-78 patterns, fills and variations work

Sound shaping with decay, tuning, gain and metallic tone

MIDI CC control and DAW automation

Live performance workflow and pattern programming

Why this is so much more than just a retro drum machine

If you love vintage drum machines, classic analog rhythms, synthwave, post-punk, electronic music production or hardware-accurate software instruments, this is one you don’t want to miss.

🎛 Classic analog warmth
🥁 Programmable rhythms & fills
🎚 Deep sound design
🎹 Full MIDI control
🔥 Perfect for synthwave, electro, indie, pop & film scoring

The CR-78 may look simple — but it’s a seriously powerful creative tool once you start digging in."

Hacking the Korg Phase8 to uncover NEW SOUNDS

video upload by Oscillator Sink

"The Korg Phase8 has been present in the collective synth-nerd consciousness for a few years, as Korg’s Berlin skunkworks department have slowly released details and demo’d prototypes, most notably at the last two Superbooth events. An iconic, mainstream synth manufacturer like Korg, exploring and experimenting with an entirely new concept in how synthesis can be used was an exciting prospect, and captured a lot of people’s imaginations - mine included.

I was lucky enough to find time to explore those prototypes at the previous two Superbooths, and even more lucky to have Korg approach me with a completed production model to make a video about.

The final model is an impressive physical instrument, with Korg Berlin’s industrial design chops on display, but I’m here mostly to talk about the sound and the functionality of the Phase 8, so in this video I’ll explore how it operates solo, how it can be integrated into a larger setup, try out some “extended techniques” and discuss where I feel the Phase 8 could be pushed further.

Transparency notice: Korg kindly sent over the Phase8 to make videos about. They haven't requested or been granted any oversight of the contents of the videos. I haven't otherwise been paid, but I do get to keep the unit shown in this video."

Chapters:
00:00 Intro
01:04 What is Phase8?
03:36 Voices, Resonators and Tuning
06:17 The voice controls
07:58 The Air Control
09:03 The Mod Effects
12:44 The Sequencer
17:51 "Strum"
18:57 Control Voltage and Sync
22:13 MIDI control and CC
27:25 Can it DRONE?
29:35 Acoustic Feedback
31:53 Phase8's Untapped Potential
40:30 Final Thoughts

Today Marks the 10th Anniversary of the Sequential Oberheim OB-6

Andrew McGowan, pictured here with Tom Oberheim, wrote in to let us know today is the 10th Anniversary of the Sequential OB-6. Andrew was a product designer at DSI/Sequential and worked with Tom Oberheim on the OB-6.

You can find a write-up on some the development of the OB-6 as well as the Prophet-6 on his website, https://www.smartbombdesign.com.

A couple of excerpts:

"I was sitting in my office at Seer Systems one day in 1997 or thereabouts when the phone on my desk rang. It was Dave Smith calling from his home. 'I’ve been talking to Tom Oberheim. He’s between jobs and wants to learn about software synths, so I asked him if he wanted to write the Reality operation manual. Can you get him set up and manage that?' I knew who Tom was, of course, but I had never met him, and now Dave was asking me to be his manager. I had no reason to believe that Tom was anything other than the warm, bright, and kind person that I now know he is, but the idea that I would be managing him made me deeply uncomfortable.

Seer Systems was in the process of developing Reality, which is generally considered to be the first 'professional' software synthesizer, though I’m not certain what makes one synthesizer professional and another not."

[Side note: Propellerheads Rebirth was also released in 1997, however the demo version was released in October 1996. A bit like The Damned vs. Sex Pistols for those in the know!]

And [thought this was funny]:

"Those Fucking Lines

Tom and I had talked about synths over the years and, on several occasions, he remarked how often people asked him to remake the OB-X, perhaps because not many were made. Or maybe Rush/Tom Sawyer? I don’t know. What little I did know about the OB-X was that it had a (low-pass only) SEM filter, and we had already made a synth with an SEM filter in it. And our hardware engineer Tony Karavidas had worked at Oberheim and owned multiple Oberheim synths. I also felt very strongly that if we were going to make two poly synths that were essentially the same except for the filter, the 2-pole, SEM state-variable filter would be complementary to the Prophet-6’s 4-pole, OTA low-pass filter.

Tom’s wish list was short. He didn’t want the Prophet-6’s analog distortion. And he wanted the OB-Xa’s blue lines."

Read the rest here

[P.S. I still own an OB-6 desktop and it's one of my most cherished synths. There is something organic about it. The demos I've heard of Sequential's new FOURM have that about them. I have enough synths as it is but the FOURM is very, very tempting for this particular reason.]

Bastl Introduces CITADEL Alchemist Eurorack Module

video upload by Bastl Instruments

Check with dealers on the right for availability and price.

Playlist:

1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!

We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."

2. Bastl CITADEL Alchemist - All Synth Modes preview

"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."

Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching

3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments

Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.

Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic.
Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.

5 synthesis modes
The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.

The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds.
The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode.
You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento.
You can customize its rhythms and scales with the web-based editor.
Modulate anything
All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.

CLICK FOR MORE »