"Homework is an experimental modular standalone workstation.
A four tracks portastudio-like cassette recorder with granular, reverb, echo and saturation effects, plus two classic modular synthesizers of the 70s.
The synths integrate with the tape recorder and the effects, thanks to a generous number of patch points placed directly on the recorder panel.
Homework is a powerful electronic experimental echo-system where fantasy is the only real limit and vintage warm sound is paramount!
THE EYE OF HORUS
is a modular synth carefully modelled after the west coast paradigm with some peculiar features like two Tropical Additive Synthesis Oscillators, a Hybrid Putney Filter, a Triple Variable State BP Filter, a Tropical Shaper, a Comparator and a double sequencer and clock.
Like the 1970s models which inspired it The Eye Of Horus is wild, organic and warm!
SONDA
is a modular synthesizer designed for drones, and inspired by the instrument popularized by the French composer and synthesist Eliane Radigue.
Five multi-waveforms oscilaltors, two multi-mode variable state filters/resonators, two modulators/amplifiers, one LPF 24 dB filter, a 7 channel mixer and a special very slow triple low frequency oscillator.
Available for Mac OS (M processors suggested) at giorgiosancristoforo.net"
"Univox Mini-Korg Synthesizer 700 For Sale. This Minikorg has been meticulously refurbished by perfectionists and is in perfect working order and ready to play.
This unit has some very useful modifications that expand its capabilities.
Adjustable Resonance The stock minikorg just has a single switch for resonance boost, but this one's got 2 additional rotary pots added for variable resonance of the high pass and low pass filters - it really lets this minikorg scream! This mod alone is a huge improvement over a standard minikorg.
Filter Input There's also an audio input allowing one to process external sounds through its filters.
Adjustable Chorus Rate There's a pot to adjust the rate of chorus 1.
Octave and Waveform Mixing These mods give you the ability to mix waveforms and octave divisions, resulting in a fatter sound. These mods are a bit strange and interact with the octave and waveform switches, so they take a little getting used to.
These additional octave and waveform pots are active at the very top of their range and are more like switches and are sometimes inactive, depending on your settings. Sometimes octave switch settings will cause a drop in volume if the appropriate knobs are not adjusted, and sometimes there will be a change in timbre of the selected waveforms if the knobs are not adjusted properly. It's a bit confusing at first. We can probably remove these mods for you if you'd like so the octave and waveform switches work as they normally would in a stock unit, but this will remove the ability to mix waveforms and octave divisions - please email us to discuss if you'd like these mods removed (we would just remove the wires connecting the mods, not the additional pots).
These mods give this minikorg more sonic possibilities than a stock unit and add value to this example.
We paid our tech for 5 hours of skilled labor to get this unit working great again. In addition to fixing any problems, he did the following servicing:
Cleaned jacks Replaced all power supply electrolytic capacitors (he says someone previously replaced the other electrolytic capacitors) Replaced fuse Cleaned and lubed all pots Calibrated VCO"
This Instrument is made for Soundscapes, Pads, FX and Cinematic Sounds.
We freshly Recorded and meticulously prepared 255 Samples from our extensive Vintage Synthesizer Collection from Synthesizer Museum/Studio Berlin for our updated version of the popular SYSTEM FLOW Grain Sampler. For this update we specially curated and prepared a huge Sound Library for a rich Soundpallette. Additional Overdrive & Tape Delay style FX for each Sample Engine. New Filters and Modulation Routing Options New Samples & Presets for version 2.0
NEW: ADSR and MPE capabilities. Choose your favorite Style of playing. Choose ADSR for regular Keyboard playing. DRONE for Chillout and Sessions where you just want to play a chord and let SYSTEM FLOW 2.0 do it’s thing. Use MPE for a full polyphonic experience with poly Pitch-bend and controls for the Filters and LFOs with pressure and Slide.
Additional Routing capabilities. Filter & Sample read Position can now be modulated from all 6 Modulation Sources.
NEW FILTERS: virtual Analog Filters with Drive, Boost & HP options. Same as the Filter used for X-FLOW.
NEW FX per Sample Slot: We added a Tape Delay and Overdrive Distortion to each Sample Engine
New A & B View for a streamlined Workflow. Simple B View if you just want to play the Presets and or just want to drop some Samples into the engine or go to A view for a full experience with all parameters exposed. Same goes for the Reverb engine.
More Presets for the Reverb and a streamlined UI Mix/Match & randomize each Parameter of the Reverb and make your own combinations of the Independent Granular Engine and Reverb Presets. More than 80 different Reverb Presets.
Komplete Kontrol & Maschine ready Just add the Instrument to your User Library and browse the Presets from there with the 8 most important Knobs. KK & Maschine open System FLOW 2.0 with the simple B view. Press the + Sign to reach the full A view.
Synths Samples that we recorded for SYSTEM FLOW: Jupiter 4, Prophet 10, SH-2, SYSTEM 700, ARP 2600, Broken OB-X, CS-80, EMS SYNTHI AKS, MEMORYMOOG, MINIMOOG, ADDTIONAL RECORDINGS: Guitar, Field Recordings, GLITCH NOISES, SPACE SAMPLES, SSB SCI-FI BRAHM’s
Requiers: FULL NI REAKTOR 6.5 or up
Comes with: Presets: 30 Samples: 255 File Size: 547 MB packed 296 MB as ZIP for easy Download"
"TEO-5 versatility demonstration in 7 minutes, no talking.
😎 Presets / patches compatible with keyboard + rack & desktop. All sounds in all my videos come from the 'Jexus TEO-5 Soundset' with 200 custom presets plus all the sequences. You can get it here: ►https://sounds-for-synths.com/oberhei..."
"In this 90-second performance, Anthony Marinelli recreates the legendary melody (originally composed by Koji Kondo) using his collection of rare vintage analog synthesizers in a one-of-a-kind orchestration. No computers, no plugins, just pure hardware (with a touch of bit-crushing) and hands-on performance.
Watch as layers of classic synths bring new life to one of the most recognizable themes in video game history, with quick cuts showcasing the instruments behind the sound.
🎹 100% vintage synths
🎮 Music only, no talking
⏱️ 1 minute 30 seconds of pure analog nostalgia
If you love retro games, classic sound design, or analog gear, this one’s for you!"\
"In this in-depth demo and review, we explore the GS MUSIC Bree 6 keyboard — a 6-voice VCO-based analog synthesizer with a fully analog signal path, built-in chorus, delay, arpeggiator, and sequencer. If you love that vintage-meets-modern sound, this one might surprise you.
From raw oscillator tones to lush stereo pads and punchy basses, I break down what makes this synth special — including its unique double/triple arpeggiator modes, MPE compatibility, and rich, characterful sound that sits somewhere between classic Roland-style synths and something entirely new.
If you’re into synths like the Roland Jupiter-8 or Roland Juno-106, this is one you’ll want to hear.
🔍 What’s Covered Sound demo (full track made entirely on the Bree 6) Oscillator section: saw, pulse, sub oscillator 24dB analog low-pass filter with resonance & key tracking Dual ADSR envelopes & fast modulation Voice modes: poly, mono, unison & stereo spread Built-in chorus & analog-style delay Unique arpeggiator (double & triple note modes) Sequencer workflow & performance features MPE support & expressive control
🎛️ This isn’t just another vintage clone. The Bree 6 blends:
Raw VCO tone with modern reliability Hands-on workflow (minimal menu diving) A distinct character that feels alive and immediate A surprising amount of depth for a single-oscillator synth 🎧 Who Is This For? Analog synth lovers Producers looking for fat, mix-ready tones Fans of classic Roland-style sound with modern features Anyone wanting a hands-on, inspiring instrument"
We’re proud to present the Bree6 Keyboard, our first synthesizer with an integrated keyboard, designed and produced in Argentina for the world. 💙
Built on a six-voice analog architecture, it delivers a powerful and expressive sound engine capable of everything from solid basses and leads to rich, evolving pads. Now expanded with a built-in sequencer and advanced arpeggiator, it becomes a complete performance and composition tool.
With its one-knob-per-function interface, semi-weighted keybed with velocity and aftertouch, and fully analog signal path, the Bree6 Keyboard is designed for immediate, hands-on control—no menu diving. Immediate Control. No Menu Diving.
The Bree6 Keyboard version is designed to deliver an immediate and intuitive hands-on experience, eliminating the need for deep menu navigation. Its interface follows a one-knob-per-function philosophy, providing direct access to all key parameters for fast and precise sound shaping.
"In this video I demo patches 26 - 51 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.
Buy the sound bank here: https://synthuniverse.sellfy.store"
"Any effects you hear on the sounds in this video are internal to Murmux.
A list of patches with timestamps and more information about the sound banks is below.
🌃 'Echoes Of Machines' is a collection of 64 atmospheric cinematic presets for Moog Muse. 🗂 It includes: 19 Keys, 9 Leads, 5 Pads, 9 Strings, 12 Synths, 4 Drones, and 6 Textures. 📺 The soundset draws inspiration from sci-fi movies, cinematic soundtracks, dystopian worlds, urban landscapes, retro electronica, noise ambient albums, experimental modern art, and contemporary sound design. 📼 Built around the concept of imperfection, the collection blends gritty, lo-fi textures with constantly shifting timbres shaped through deep modulation.
📻 The timbral range is wide and diverse, covering dark, noisy, lo-fi, warm, deep, retro/vintage, melancholic, atmospheric, detuned, cold, distant, dull, massive, epic, bright, distorted, metallic, tense, atonal, non-harmonic, FX-like, evolving, and sweeping textures.
🎛 All patches are Velocity-sensitive. The ModWheel enhances expressiveness by adding motion and tonal variation—brightening the sound, introducing vibrato, shifting timbre, or adding extra movement for dynamic and engaging performance.
Aftertouch introduces distortion, increases sustain, or speeds up modulations. The Macro Knob introduces additional changes—it enhances the stereo effect or detuning, adds bright overtones, or adds modulation to the filter or oscillators.
"The Sequential Multitrak (released in 1985) is a six-voice analog synthesizer notable for combining true analog sound with early digital control.
Each voice has a CEM3394 synth-on-a-chip, offering a single oscillator, sub-oscillator, noise source, and resonant low-pass filter. It was one of the first affordable synths to feature a built-in sequencer and MIDI implementation, making it popular for both studio and live use.
The Multitrak’s panel and parameter editing system allowed deep sound design, though programming could be a bit tedious. Its warm, punchy tone and distinctive Sequential character make it a cult favorite among vintage synth enthusiasts today.
This one works like a charm and has that analog warmth you've been looking for in a polysynth."
"In this video, I take you on a tour through my personal "Best Of" collection of rare Soviet Synths gathered over the past 30 years. These instruments are known for their distinctive sound character, shaped by unconventional engineering and vintage components.
Featured in this collection:
0:00 Rodina Alisa 1377
3:11 Formanta Polivoks
9:52 Elektronika EM-26
11:40 RMIF Opus
Each of these synthesizers offers a unique tonal palette – from raw and aggressive textures to warm analog pads and experimental sound design. Their unpredictable behavior and lo-fi charm make them especially inspiring for electronic music production.
If you're into analog synths, vintage gear, or experimental sounds, this collection showcases some of the most interesting and underrated instruments from the Soviet era.
"In this video I demo patches 1 - 25 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.
00:00 Bright analog keys 00:42 Deep wobbly pad 01:39 One VCO key 02:08 PWM strings 02:52 Vintage resonance 03:30 Ambient filters 04:12 Analog echoes 04:46 Sync brass swell 05:25 Poly glide lead 06:02 Eastern chimes 06:32 PW cello pad 06:59 Flanging pad 07:52 Double filter keys 08:24 Pitch mod poly 08:56 Resonant triangle sweep 09:33 Deep scape 10:22 Soft squares 10:58 One VCO bass 11:28 Analog pulse 12:28 PW pluck 12:57 Polysphere 13:30 Reverse pad 14:21 Modulated plucks 14:49 Murmux strings 15:23 Rich sweep
"Sound bank notes
In my opinion, the Murmux Adept is a modern classic among synthesizers. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures.
It excels at ambient pads, textures and atmospheres so I have exploited this in many of my patches. I have also created more conventional sounds such as strings and brass which sing with power and majesty – rivalling those of the Sequential Prophet 5. Lead sounds are another strength of the Murmux, so you will find many within the bank ranging from pure triangles and sines through to aggressive and expressive saws.
Although the Murmux looks like a very simple synth - lacking complex features like a modulation matrix, in fact it is possible to create many layers of modulation simultaneously. You can for instance, assign velocity (how hard you press the keys) to modulate envelope times while also morphing between waveforms in both oscillators and using aftertouch to control filter cutoff and resonance. In this sound bank I have used modulation comprehensively and all patches have parameters assigned to the mod wheel as well as aftertouch and/ or velocity to maximise the expressiveness of the sounds.
The delay is a big feature of this synth so I have used it a lot, although you will also find traditional analog synth patches with no effects at all. The BBD resonator and ensemble modes are powerful, yet I have tended to use them for subtle modulation to thicken sounds or to create gentle flanging.
No AI was used in the creation of this video.
All musical ideas in this video are my own and are copyright to me."
"Check out SynthStamp, our new app celebrating the history of electronic music, featuring fully modeled engines and familiar user interfaces behind some of the most influential synthesizers."
"SynthStamp is a celebration of the history of electronic music, featuring fully modeled engines and familiar user interfaces behind some of the most influential synthesizers. Tap and drag to patch, save your patch as a preset, and export presets to share across all of your devices including Mac, iPhone, and iPad. Yes that’s right, iPhone. Take your sound anywhere.
INSTRUMENTS
5001 Analog Synthesizer — based on the ARP 2600
B500 Sampling Keyboard — based on the Casio SK-1
All synths are modeled. For the SK-1, the sample engine is modeled, making this synth technically sample-based outside of synthesized partials mode. Circuit bending is free within a fixed set of points that can be patched in any combination to achieve a variety of effects you would get with real bending.
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KEY FEATURES
- AUv3 compatible
- Full MIDI support
- Stereo audio input
- Share presets across all devices
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ABOUT
SynthStamp is made by The Musicology Group, Inc., the team behind AmpStamp. Release 0.9.
"A musical exploration of sounds and timbres featuring custom-created patches.
I think the Murmux Adept is a modern classic among analog poly synths, even though it was released as a limited edition in 2024 and is only attainable on the used market. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures."
"All sounds in this video are individual patches played straight from the synth except for ‘Alhaqueca’ and ‘Ambient layers’ which are layered tracks. No external enhancement or processing was applied to the sounds except on the track ‘Alhaqueca’ where I used a software delay plugin and a little compression and EQ when mastering."
Time stamps 00:00 Ambient filters 01:11 Velo plucks 01:53 Deep pad 02:46 Alhaqueca 06:52 Rough chimes 07:24 Deep scape 08:58 Ethereal sweep 09:41 Brass pad 2 10:12 Ambient layers 12:18 Murmux strings 13:19 Poly glide lead 13:59 Spiky ambient triangles 15:06 Modulated plucks 15:33 Nasty bass 15:58 Fluttering FM tail 16:33 Pitched delay keys 17:12 Cloud pad triangles 18:07 Expressive keys 18:47 Rich riser 19:23 Plaintive lead 20:02 Deep sea bubbles
"Roland Jupiter-4 famous songs and riffs played on the original vintage synth. Hear 20 classic riffs across 8 famous songs recreated on a real Roland Jupiter-4 — no plug-ins, just the real thing.
Where the original records used layered Jupiter-4 parts, those layers are recreated here in the same spirit on the real synth.
Featured songs in this video:
The Human League – Open Your Heart
The Cars – Shake It Up
Depeche Mode – Photographic
Simple Minds – Love Song / Themes for Great Cities
Thomas Dolby – Windpower
Spandau Ballet – To Cut a Long Story Short
Styx – Too Much Time on My Hands
John Foxx – Europe After the Rain
Jupiter-4 programmed by Paul Soulsby
Mixed by Alex Hargreaves
The aim here is simple: let you hear what the Jupiter-4 really sounds like on classic records, while also giving you a clear view of the keyboard, performance and sound settings as each part is played.
Everything in this video is played on the actual Roland Jupiter-4 — one of the most distinctive vintage analogue synths of the early 80s, known for its raw tone, punchy filter, unique arpeggiator and unmistakable character.
No talking, no software emulations, no plug-ins — just famous Jupiter-4 parts played properly on the real thing."
Discover a living collection of synthesis drawn exclusively from real hardware bringing together 43 UVI instruments spanning five decades of electronic sound, from the warm, evolving textures of early polyphonic analog synths, to the crisp digital voices that defined the '80s and '90s, to the obscure prototypes and cult machines that quietly shaped entire genres, this collection captures the true sound of the hardware that defined modern music.
A premium collection built to honor a generation of iconic instruments, while unlocking their full potential in a modern workflow. With six classics, a Multi groove engine, deep editing, and a huge preset library, it’s a uniquely CASIO sound world for today’s producers, composers, and sound designers.
From lush pads to punchy basses and soaring leads, Fabric Vintage Synths, Vol 1 channels the sonic character of three iconic hardware synthesizers, bringing new creative inspiration to your MPC or DAW-based workflow.
Inspired by three of the most influential analog polysynths ever created, this collection includes the Fabric Vintage Pro, Fabric Vintage Jup, and Fabric Vintage Memorymoog. Each instrument in this collection captures the sonic DNA of cherished 1970s and 1980s polyphonic synthesizers and places it inside a powerful, modern instrument designed for how producers, composers, and synthesists work today.
These instruments have been reimagined through the AIR Advanced Multi-Sample Synthesis Fabric Engine for flexible, intuitive music-making. This shared engine allows each synth to retain its unique identity while benefiting from a common, modern workflow across MPC hardware and desktop DAWs."
"The Roland SH-5 is possibly the most feature rich vintage mono synth ever made by the legendary Japanese company. With 2 LFO's, 2 VCO's, 1 variable state VCF, 1 bandpass filter, 2 Envelopes, 1 VCA, S&H, Ring Mod and a simple but powerful switch matrix for routing modulation this synth is more than capable of making some of the most incredible tones and textures you can imagine!
Made in the late 1970's 'green face' Roland era, when their synths had a certain magic sound that is hard to describe. Fizzling and alive with electricity!
A handful of patch points on the back give you access to all the essential controls via CV so that this can play along nicely with a modern set-up.
This particular SH-5 has just been fully serviced in our Synthesizer Rejuvenation and Wellness Centre and comes with a 90 day warranty of good health. Original lid included."
The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS
Press release follows:
The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments
EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…
Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!
"The UDO Domino *is here… and it might be one of the most interesting hybrid synths we’ve seen in years. In this full demo, review, and walkthrough, I explore what makes this *8-voice hybrid polysynth so unique — from its dual synth architecture to its incredibly flexible filter section and deep modulation capabilities.
With FPGA oscillators, analog-style waveforms, 32 digital waves, and a powerful dual-engine design inspired by classic SEM-style layouts, the Domino sits somewhere between vintage character and modern sonic experimentation. And yes… it can get beautifully weird.
In this video, you’ll hear real-world sound demos, explore the interface, and see how far you can push this synth — from lush pads to aggressive, experimental textures.
🎛️ What you’ll learn in this video:
Overview of the UDO Domino architecture
Dual synth engines (Domino 1 & 2) and layering possibilities
FPGA oscillators + digital waveforms
Deep modulation options (LFOs, envelopes, cross-modulation)
Advanced filter modes: low pass, band pass, high pass, phase & more
Stereo, parallel & series routing
Effects: chorus, drive, delay, reverb & EQ
Play modes, binaural mode & voice variations
Real sound demos and performance examples
🎧 Why this synth stands out
The Domino goes far beyond a traditional polysynth. With extreme flexibility in routing, modulation, and filtering, it behaves more like an experimental sound design tool than a conventional keyboard — while still being intuitive and hands-on.
🎹 My verdict
This isn’t just another synth — it’s a playable, exploratory instrument that encourages experimentation and rewards creativity. If you like synths that go beyond the obvious… this one’s worth a serious look."
The synths integrate with the tape recorder and the effects, thanks to a generous number of patch points placed directly on the recorder panel.
Homework is a powerful electronic experimental echo-system where fantasy is the only real limit and vintage warm sound is paramount!
