iDance RM-808 Groovebox Controller for iPad

Note: links to listings are affiliate links for which the site may be compensated.
video upload by idanceaudio idanceaudio

Somehow missed this one. Thanks goes to M Me for spotting the listing below and sending it in. A quick search brought up the video above.

via this eBay listing

Google translated from the listing in German:

"This is an extremely rare toy from 2023—one that, for some reason, seems to have been on the market for only a very short time—yet it is anything but a mere toy.

The controller pairs via Bluetooth with an app called X808. This app runs exclusively on iPhone or iPad. There is a stripped-down freeware version (featuring limited synth and effect parameters) and a full version available for 8 euros. Both versions provide access to a few acoustic kits as well as ALL THE ESSENTIAL ROLAND drum machines—specifically the 808, 909, 606, 707, 626, 727, CR78, and CR80. Furthermore, it includes a full-fledged bass synthesizer and *two* full-fledged Kaoss Pads!

I tested the device using only the freeware version, and even that alone is absolutely incredible.

Naturally, you can program beats, basslines, and even full songs; moreover, the controller features an extremely intuitive design—well, as one would expect, since it *is* designed for children.

Something seems to have gone wrong with the marketing, however, because a unit this powerful really shouldn't be classified as a 'toy' anymore.

The device is brand new and has been tested just once.

The internal batteries are charged via USB.

Incidentally, the user manual translates the term 'mixer' as 'stirring device.' Got it?"

w/ Original Box

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Shakmat Ballista Blast | What This Module Can REALLY Do

video upload by Braintree56

"Shakmat Sent me the Ballista Blast to demo for you.

In my first video on the Shakmat Ballista Blast, I gave a brief overview and some first impressions...

But once you start digging into it, you realize this module goes way deeper than that.

In this video, I take a deeper dive into the Ballista Blast and explore what it can really do when you push it beyond a simple voice. From advanced modulation routing to the different synthesis engines, this module starts to feel less like a utility voice and more like a flexible sound design tool. I'm going to show you the whole thing!

• Assignable envelope routing to multiple destinations
• Built-in randomization for evolving patches
• Multiple Engines and Modes

All of these features can be combined in ways that go far beyond a typical 'starter voice.'

If you're building a compact case—or just want to get more out of a single module—this one has a lot to offer."

Xenodrive and DB-01 twins (no talk)

video upload by Richard DeHove

"Why does the Xenodrive not want to let me go? I've had all sorts of good intentions for other content and other devices, stuff that I'm really impatient to show, yet here are we are with the Xenodrive again. I suspect it's down to two things: First that I've cycled through loads of dirt pedals and effects and rarely found one that has more than a single good sound. The Darkglass B3K for example has a brilliant effect on synths, but despite having four knobs and two buttons, it only has one sound. The Xeno has loads of flavors to explore. Second reason I am fixated on this device is that it's finally given me the 'punk synth' sound I've always wanted. Which is largely what we have in this video.

I originally had a big blabfest at the start of this video talking about the Xenodrive in detail but on sudden impulse I cut it all out. I think I was mesmerized by the Xeno and it was giving me instructions. I must exert my free will while I can. If my next video features the Xeno, send help.

Routing here is the MIDI out from the master DB-01 (left) to the rightside DB-01. The master DB-01 has an 8-step random-generated pattern, the leftside DB-01 is empty. Audio goes from each DB-01 to the Xeno left and right. As usual there is absolutely no other processing.

Many thanks to my kind patrons who keep this channel ad-free" My website: https://richarddehove.com/"

OKTAVISION - Discovering the Void

video upload by OktaVision

New video from supporting member OktaVision.

"Here's our new single Discovering the void, It's made with a DFAM and an Alpha Juno 2"

"Discovering the Void, a new track with a lyric video from Oktavision. In an era of immense activity but weakened meaning, the void should exist as a field of creation, not as a space that must be filled with stimuli."

Lyrics:

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Torso Live Session #5: Ctrls

video upload by torso electronics

"Torso Electronics presents the fifth live session recorded at our office space in Copenhagen.

In this episode, Copenhagen-based artist Ctrls presents a live set built entirely around the S4, using the samples he created for the factory sound library.

Ctrls: “It's composed without any sequencing, only looping and modulation, which is a totally new way of working for me, but which the S4 makes really fun and engaging. The Ableton Push 3 and Intech midi controller act as a my mixer and finalizer, and I'm triggering and effecting some drones and fx sounds from its launch grid. It was a great experience and I'm happy I got to exercise a less clubby side to my music. Big thanks to the Torso team for the opportunity.”

About Ctrls
The Ctrls project was founded In 2012. From the first release the presence of a highly individual sonic style was apparent and his fast paced and futuristic techno based sound has now been well established with a stream of respected music on labels such as Token Records, Earwiggle, Micron Audio, Mechatronica and Key Vinyl. A lifelong devotee of electronic dance music, DJ’ing and live performance are central for the project. This has resulted in many involved sets at globally notable venues such as Tresor, Berghain, Khidi, Fabric, Kit Kat, Fold, Basement NY, and Club Drugstore as well a residency at Copenhagens purest electronic venue: Den Anden Side. The future holds a wider scope as electro, breakbeats, noise and audio visual components are folded into the distinctive Ctrls sound palette."

"A song for the sad ones" by gattobus (Frap Tools Magnolia)

video upload by gattobus

"The song can be downloaded here:



This song was born a few months ago while I was programming some patches for Magnolia. I'm not having a great time right now, but luckily, as sometimes happens, music has come to help me. This song carries hope and all my wishes for peace and serenity.

All synth sounds are from Frap Tools Magnolia.
Drums: Roland TR-8S with LinnDrum LM-1 samples
Mixed and mastered on Ableton Live 12."

Bad Gear - He tried his best to HATE IT

video upload by AudioPilz

[Funny side note: I just saw that episode of Myth Busters with the truck plowing through cars, just yesterday.]

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There are a few learnings to be taken from years of ploughing through music production gear like an 80s rock band shopping in a liquor store: don’t believe the hype, everything has been done before and never trust a stylish instrument sold with the promise to give you all you need in a compact form factor without compromising sound quality and usability.

Today we are going to talk about Dirtywave M8. This hardware tracker and mini DAW comes with more red flags than the average dating app experience like a cult-like following, a Game Boy-inspired workflow and believe me - I tried my best to hate it.

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Waldorf Protein in the hands of a beginner makes "Bang!"

video upload by Nicolai

"I just bought the Waldorf Protein. They said it is their entry level, so I unboxed it, did a test drive, created some own patches and guess what: "Bang!" a tight techno track was born.

🎧 Original "Bang!" track (the one born from frustration): [below]


It is a lovely wavetable synth: portable (fits my setup perfectly), flexible and most importantly: accessible! Sure, there are menus and a shift button for deeper tweaks, but most of the time you just coast on the sound, dialing it in directly with the tons of hands-on knobs. How cool is that?

Watch the full video: unboxing, preset demos and evolution, honest critique, Nicolai patch building which lead to the 'Bang!' track."

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Oberheim TEO 5 / Volca Bass / Circuit Tracks - Dawless Cinematic Electronica

video upload by Scott Nellé - Plague Society

"This is a dawless cinematic electronica track, sequenced on the Novation Circuit Tracks. It features the Oberheim TEO-5 as a pad and the Korg Volca Bass making a couple of bass sounds.

In addition to sequencing the whole track, the Circuit Tracks plays drums with samples from my collection and also a supplemental string lead and pluck. I really enjoy the Circuit. For such an affordable device it's really a powerful centerpiece for a dawless setup. It also handles effects for the Oberheim and Volca Bass on this track.

The Oberheim TEO-5, my newest and biggest synth, plays a pad here with a patch that I designed. The patch uses both oscillators and most of the waveforms, with plenty of modulation to give it some extra analog vibe. The patch is called "Just Swell" and I think it sounds pretty cool. This is a really fun synth to design sounds on. It's super straightforward and there are lots of modulation options. I'm looking forward to exploring it in more depth.

The Volca Bass is used for two sounds here. Initially it plays a very staccato bassline, and later I switch on the sustain an it plays more off a gliding line that almost verges into lead territory.

I sat with this track for a long time, adding more and more stuff until I decided it worked better as a more stripped back arrangement. All of the individual parts ended up really simple, but I hope they play off each other to create something interesting. Let me know what you think!"

One-Bit Delay, a new plugin by Infinite Digits, inspired by the PT2399 delay chip

video upload by infinitedigits

https://onebitdelay.com

"Introducing the One-Bit Delay plugin - a VST/AU inspired by the one-bit sampling delay circuits from the 90's. it is my love letter to the classic delay chips like the PT2399 and M50195P.

this plugin uses a one-bit stream at its core. like the classic chips, this plugin uses delta-sigma modulation to manage noise above the audio band (though the plugin has a configurable sample rate to change the noise level!). also the One-Bit Delay plugin has demodulation filters tuned to the PT2399, and the harmonic distortion is modeled and closely follows the change in resistance applied to the internal oscillator (like the PT2399).

thank you all who continue to support me, I'm truly grateful - your support is allowing me to continue to crystalize musical artifacts."

EMS Universal Sequencer Playlist

video uploads by analogia pl

A few of these have been featured on the site before. You can use the player controls to skip around.

Playlist:

1. EMS Synthi with Universal Sequencer and RSF Kobol #emssynthi #rsfkobol #rolandph830

It’s a tune done on the Synthi and EMS Universal Sequencer with some help from RSF Kobol processed by Roland PH-830 phaser.

2. 2 x EMS Universal Sequencer with Roland MC-202 #emssynthi #emsuniversalsequencer #mc202

Universal Sequencer is playing a sequence on the Synthi and the 202 - that’s why it’s called “universal” as both sequence and real time layers have CV/gate outputs. No effects other than spring reverb on the Synthi.

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DSI Tempest - Why Did I Buy This Thing...

video upload by Noir Et Blanc Vie - After Hours

"I’m going to keep just making grooves on my groove box lol. I think this is why I’m not really considered part of “gear tube” I keep with the stuff I’ve been using forever and ever. I do like gear peeps, don’t get me wrong, but I think you’d be better off just diving heavily into two instruments. Call them “instruments” too. When you call them “gear” it removes the fact that you’re 'playing' something. Give the instruments their creative intention back lol. Dave Smith Tempest is still the best. Groovebox lord."

Waldorf Protein Synth Demo Part. 3 | Pure Patches & Ambient Textures (HQ Audio, No Talking)

video upload by DKS SYNTH LAB

"Welcome to DKS Synth Lab! In this video, we discover the sounds of the Waldorf Protein Synth. In this sounds only session, we explore the power of the Waldorf synthesis engine through ambient patches, granular textures, and crystal-clear digital timbres.."

Timeline
0:00 Intro
0:09 KingSync
1:03 Lunare
2:18 Nietrop
3:05 ID Mallet
3:47 Perc
4:30 Dune
5:30 Queen Bass
6:06 Magic Protein
7:15 Pro Vibes
8:08 Ey Piano
9:08 Komplex
10:58 Digilog

Waldorf Protein Synth Demo Part. 2 | Pure Patches & Ambient Textures (HQ Audio, No Talking)

video upload by DKS SYNTH LAB

Timeline

0:00 Intro
0:09 Distance
1:00 Humble
1:33 Soft Dist
2:05 Kaputt
2:52 Apo
3:50 Dist
5:20 Dings
5:53 Hellp
6:34 No Reason
7:28 Small M
8:21 T-Bass
9:17 String Me
10:29 Cathedr

Part 1 here

Cwejman S1: Heavy Bass & Micro-Clicks meet 808 Beats

video upload by verstaerker

"this time i'm using the Cwejman S1 as a duotimbral synth. Sequenced by the Hapax via CV Gate it delivers a hefty bass and some wonderful glitchy microknurpsel sounds.
The 808 Beats are done on an MPC LiveIII - supported by a Prophet-10 padish sound.
---------------------------------------------------------------
to listen more music by me please visit
https://verstaerker.bandcamp.com
https://verstaerkerahead.bandcamp.com"

Yuyo cmos synth - First try Attiny85 dco with analog cmos shaping and twin t filter

video upload by JIANT

"everything is from the synth to the zoom recorder, twin t drums, xor snare, pt2399, and cmos stuff.

attiny85 reseting the phase of 40106 oscilators, the digital control accepts 1voct from keysetp and go to the 40106 inputs through resistors, a little rc for filtering the pwm, and for this reason when you change the oscillator frequency you can get intervals and crazy stuff. is not orthodox but suits my need for Rich timbres. the dco goes to 40106 buffers , and then 4040 dividers, twin t filters, one for each of the two voices, one goes to env, vca, filter, delay, and the other one to clock divider and filter, to get the sub osc.

firmware super simple only for checking the conversion from filtered frecuency of the attiny85 to my 40106 non exponencial vcos.
currently is tracking 10 octaves really good, the trick is put a voltage divider in the cv in of the attiny because keystep has 0 to 10v and the attiny accepts 0 to 5v tehn the tracking inside the attiny converts o.5v oct to 1 volt oct. i dont know anything about coding but i made it with chat gpt and my design . source code will be in the coments ."

Previous videos:

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Scramble | From Random Patch to Heavy Electro-Rock – OP-XY Jam

video upload by Lo-fi Pask

"In this video, I explore the scramble function on the Teenage Engineering OP-XY to generate random sounds and turn them into a full alternative electro-rock track.

I’m not a sound design expert, but I’m fascinated by the process of discovering new textures through experimentation. Using the OP-XY’s synthesis engines, I started generating random patches and shaping them into something cohesive.

At one point, a powerful sound emerged — the opening tone of the track — and everything else grew from there.

This piece moves into alternative electro-rock territory, blending:
Heavy electronic beats
Distorted bass lines
Aggressive synth textures
Raw, energetic sound design

Most of the sounds remain very close to their original scrambled versions. I only made subtle adjustments to fit the arrangement and dynamics.

This workflow felt spontaneous, unpredictable, and surprisingly personal, probably one of the most “mine” tracks I’ve made so far.

🔥 If you’re into dark/heavy electronic music, synth textures and Teenage Engineering gears, this track is for you. 🔥

Hope you enjoy it!

🎧 For the full immersive experience — subtle textures, evolving pads, spatial details, and low-end nuances — listening with headphones is highly recommended.

☕ Buy me a coffee: https://ko-fi.com/lofipask

📸 You can follow me on Instagram too: / lo_fi_pask "

Launch Control XL 3 Got an Update – Still Missing One Thing

video upload by Sineway

"I’ve been refining my live performance setup with the Syntakt and the updated Launch Control XL 3, and this jam is the result.

The XL 3 recently received a firmware update, which got me thinking about how close this controller is to being perfect for Elektron gear - and the one feature I still wish it had.

In this performance, I’m using:
Elektron macros for more expressive changes across patterns
A second row of encoders for Syntakt track levels
Momentary Breath Control via the lower button row

What I’m still missing is aftertouch MIDI support - it would unlock a third row of Elektron macros, which are so much more powerful than direct CC mappings. This is one area where alternatives like Faderfox still have a massive edge. That said, I really like the XL 3.

Curious what you think - would aftertouch support change how you use the XL 3?

If you're interested in how I set the Launch Control XL 3 up, I've made a tutorial about it featuring the Digitone II. It works exactly the same on the Syntakt: • Digitone 2 + Launch Control XL 3: One Syst..." [posted here]

❤️ Join my Patreon for project files & more: / sineway"

The MASSSIVE caladan update you've been waiting for....

video upload by Isla Electronics

"It’s rough as hell, I apologize in advance, if you have a bit over an hour to spare and want to see almost everything the machine does now.. then be my guest and come and watch the youtube video.I’m uploading it as a youtube premier now so I can sit there for a bit with y’all and we can watch it together and you can ask me any questions you like while it’s playing…I go over how the machine works, every engine the machine has and just about everything I can think of.. it’s finally an actual working synth, it sounds great (although my video quality leaves a lot to be desired)This is an update, not a commercial, The machine is solid, I am not…"

Comparing the Sequential Fourm to the Pro-One

"I Compared the Sequential Fourm to My Pro-One" video upload by Starsky Carr

0:00 intro jam and info
5:04 Really Deep Bass - THE FILTER
9:14 They've got Oscillators
11:24 Creating a Few Tones
15:11 PWM and how to match them
19:10 F to the M
20:00 Show Me The Sync
21:19 Pushing the Envelope 24:06 Overall..?

"Some genuine surprises in this head-to-head with the Sequential Fourm and the legendary Sequential Pro-One to find out if the Fourm can give the same vibe.

At first glance, the architecture looks familiar: dual oscillators, classic envelopes, a focused modulation section, and unmistakable Prophet-era DNA from Prophet-5 territory. But the big question is this: does the Fourm capture the raw punch, deep bass, and aggressive character that made the Pro-One a cult classic?

.. and I know it's not a clone :) but in this in-depth demo and comparison, I explore:

Oscillator behaviour, sync, PWM and FM
Filter differences (including low-end depth and resonance extremes)
Envelope response and modulation range
Bass performance, subs, and room-shaking tones
Where the Fourm goes beyond the Pro-One — and where it doesn’t

Rather than obsessing over perfect null tests, this video focuses on feel, playability, and whether the Four inspires the same kinds of sounds and musical ideas as the original Pro-One.

If you’re into analog monosynths, Sequential gear, vintage vs modern comparisons, or you’re wondering whether a contemporary synth can truly stand in for a rising-price classic, this one’s for you.

🎧 Headphones or proper speakers strongly recommended — some of these bass tones go very deep."

Jamuary 31st 2026 - Punishing Pulp

video upload by Captain Credible

"Thats it I guess. One jam per day per January for 6 years. Hope you enjoyed this round because I'm already looking forward to the next sprint.

Also I have a soft spot for this kind of dnb, and the #UBXaMini through the #nts-1 phaser reminds me of creme brulee or Cadburys Crunchy bars. Yummy in a guilty way."