Suncrest Echoes | Dual Elektron Monomachine IDM with the new aftermarket +Drives from MachineStore

video upload by MIDERA

"Last night we decided to get a Corn Snake. I used to have a beautiful California King Snake that I sadly parted ways with back in 2014. I deeply regret that. My daughter was begging to have a pet that was 'hers' and after thinking through the options (my favorite being a rat, but I'm allergic to them now), we went with a snake. My daughter kept going back to one that had a 'small tail', making it B grade. It's likely it was incubated too hot and now has a defect. But it was cute that she continued to choose that one over all the others. I think deep down she figured I'd be most likely to accept the 'cheapest one' but she maintains it was because she felt bad for it because no one seemed to want her. She named the snake Mocha because "you both like Mochas" (referring to me and my wife). Currently, the snake has been staring at me for the last 30 minutes.

I also wanted to plug the new +Drives for the Elektron Monomachines and Marchinedrums. If you have these instruments, definitely consider the upgrades if you don't have them. I purchased TWO of them. Installation was incredibly simple too. Here's a set of links to check out. Ask questions too!

/ discord

/ wts_drive_extension_for_elektron_machinedrum"

Teardrop/Massive Attack (Circuit Rhythm Version)

video upload by Guinan

"This week’s track is the ever wonderful ‘Teardrop’ by Massive Attack. Time to light a few candles, run a hot bath and get ready to chill out…..

I first attempted a version of this a couple of years ago in Logic after seeing the excellent breakdown by @GyuBeats . See his video here; • MASSIVE ATTACK - Teardrop - How Was It Mad...

Try as I might I still haven’t perfected this, but I thought it would be fun to do a ‘proper’ version using the Novation Circuit Rhythm. I’ve chopped and loaded as many phrases from the accappella version of the track as I could fit in the sample memory of the Rhythm. I think the Liz Fraser vocal is what makes 'Teardrop' so special. You can find the vocal track here (not sure how ‘official’ as it claims to be though)… • Massive Attack - Teardrop Official Acapell...

Everything you hear was programmed into the Circuit Rhythm and played live without any extra effects or synths.

I hope you enjoy my recreation (and on a Circuit Rhythm for a change). Check back soon for more tunes.

More details for synth nerds.

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An Update from muSonics via Their Electronic Newsletter

via muSonics

It's Independence Week and while I had intended for this to go out on the 4th itself, I put a bit more work into something special for you which delayed it a few days. I hope that's okay with you.

I wanted to give everyone a status update on how things were going over here and also offer a couple of specials to celebrate. Out of respect for the dozen or so people who have been patient and trusting of me I'm going to let you know how things are going and then share a few cool deals.

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Supercritical Redshift 6 Multitimbral Test Play

video upload by Molten Music Technology

"The Redshift 6 can now run up to 6 parts dividing up the 6 voices and 96 oscillators accordingly. I thought I'd capture this as I'm working on my review of this interesting analogue synth.

Is it me or is the Keystep Pro just a bit dodgy?"

Moog's LAST GREAT SYNTH: The Moog Matriarch

video upload by Noir Et Blanc Vie

"Subjective opinions within, those who do not understand subjective opinion may be excused lol

BUY THE NEW ALBUM HERE
https://noiretblancvie.bandcamp.com/a...

.....it's great! OK so, I really don't know what to say. As someone who makes music a lot, not all instruments inspire the creative process. I believe the Moog Matriarch does. I haven't bought a synth in a very long time, but this is a gorgeous piece, I'm not a hype man for gear, but sometimes you look back and see that you may have missed out on something...for me, the Matriarch was that one, and I'm grateful they had the dark version still available so I didn't have to show you the crayola colored version lol

BUSINESS INQUIRIES
►NoirEtBlancVie@gmail.com"

Dreadbox Artemis | Six ambient sketches

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Exploring the Dreadbox Artemis in my way. All sounds from the synth, with no additional effects on the master (other than a little compression and limiting for volume).

00:00 Super slow envelopes
03:29 Exploring bass sequence w/ effects
05:08 Modulated osc drone magic
11:06 Stereo bass arp
15:30 ???
15:38 Cover song on modulated pad
17:24 1980s pad

Full disclosure: while I have bought many, many Dreadbox synths over the years, Dreadbox did send this one to me for free.

Here, I explore the Artemis for the first time, mainly initializing patches and seeing where they lead me. I find that while other demos have done a great job of showing off the wild and weird, the Artemis mainly leads me to two places: slow beautiful expansive pads, and bouncy unison basses.

There are a few things that elevate this device over other table-top modules, like the Nymphes: the spread of stereo voices (for both unison and polyphonic patches), effects (very decent sounding delay and reverbs, for example), and an internal drive for shaping the character/personality. Plus, all of these patches took just a minute or two to set up; the Artemis has a fast and friendly interface for exploring.

There are at least three ideas here that I might potentially develop further, which is quite a high hit rate for a first exploration of a synth. I can't wait to get back to the city and put the Artemis on the table with some friends.

There is one notable shortcoming to the Artemis as of today (4th July 2025): its envelopes have something that occasionally makes them get very clicky at onset of gate/note. I'm not sure what's causing it, but contributing factors seem to include using the internal drive, and not just at very fast attack rates. In any case, it's a bummer. I've read online that Dreadbox are currently working on this in terms of a firmware update, but I don't personally have any firsthand information. The clickiness really can interfere with a project, so know if you're thinking of buying, you should plan to work around this shortcoming. (My personal opinion: don't buy gear for promised or hoped-for firmware updates, because they may never come, and they may never solve the problem.)

But otherwise, Artemis is a great synth. Lots of personality, strangely well behaved at times, very good at bouncy basses, and very easy to design interesting sounds with.

Thanks for listening.

The cover song is one of my very favourites, "Poor Edward" by Tom Waits."

Tour De France/Kraftwerk - (Circuit Tracks & Rhythm Version)

video upload by Guinan

"I was listening to the 50th Anniversary version of the album, ‘Autobahn’ by Kraftwerk and it occurred to me to have a try at one of their tracks.

By far the most danceable of theirs is the 1983 song ‘Tour De France’ with the 2003 Francois Kevorkian mix the best fit for the Circuit Tracks treatment. It also should be noted that the band were complete cycling fanatics even hosting some of their concerts in velodromes!

With the real Tour De France just about to kick off (5th July in Lille) I couldn’t think of a more suitable track, and I want to dedicate this with love to my cycling-loving father-in-law, Bernard.

Having influenced early 80’s electro music such as Afrika Bambaataa’s ‘Planet Rock’ the influences went in the other direction for this track. Hiring the famous New York electro producer Kevorkian to do the remix made for a fantastic combination. Francois was responsible for many of the greatest New York electro productions and remixes.

(a big shout out too to anyone who's here because they love the broom scene from the movie, 'Breakdance' !)

This era of Kraftwerk was notable in introducing sampling to the normally analogue instrumentation they used. For this reason, I’ve drafted in my Circuit Rhythm again in the same way as my recent version of Robert Mile’s ‘Children’. See here;

• Children/Robert Miles - (Novation Circuits... [posted here]

Everything you hear is coming from just these two machines (Circuit Tracks & Rhythm). The Tracks is programmed with the musical parts and is playing the Rhythm on two tracks. There are in addition some rhythm tracks playing on this machine to thicken out the sound. No other synths were used (apart from the sampled instruments mentioned below) and you’re hearing the straight audio direct out from the machines.

I loved the challenge of putting this together (see below for details!)
I hope you enjoy it too and check in soon for more tunes.

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Midweek MIDIPan - fitting new enclosure and 9/8 improv

video upload by MIDI IN

"A friend and enthusiastic MIDIPan user kindly sent me an enclosure that he designed. I'm going to fit that to my MIDIPan and see how it looks. Then I'll do a little improvisation.
This is the @Hainbach video that I refer to: • This Rare Anatolian Drum Machine Hits Diff..." [posted here]

Waldorf Music M TouchOSC Bidirectional Editor v5.0 by synth_nyc

via synth_nyc

"I developed a bidirectional editor for Waldorf Music M v1.10 using TouchOSC mk2 augmented by LUA scripts, here is a video (with audio) showcasing 4 possible workflows.

It was interesting loading the patches I created (without an editor, directly on the synth)

https://waldorfmusic.com/produkt/soundset-synth-nyc-the-blue-journey/

https://waldorfmusic.com/produkt/soundset-synth-nyc-shapes/

… in the editor and have global view of the patch in 2 (editor) pages only.

GENERIC FEATURES:

- Display parameter Name and Value

- Double click a slider or button to reset it to a default value

- MIDI data rate efficient: only sends a MIDI message if the parameter value is incremented or decremented by 1

SPECIFIC FEATURES (FW v1.10):

- 2 Editor Pages per M Part (total of 8 Pages for the 4 M Parts)

- 1 Editor Page for M Multi

- All Single (Program) (254 x4 = 1016, for each of the 4 Parts) parameters implemented in the editor. Program parameters are bidirectional using SYSEX

- All Multi parameters (130) parameters implemented in the editor. Multi parameters are bidirectional using SYSEX

- Automatically imports M current Single / Multi bank / program numbers (3 parameters) when the editor is started using SYSEX

- MIDI Channel selection slider

- Bank (change) + Program (change) selection slider + buttons

- Buffer Request, Buffer Init, Buffer Write and Program Write buttons using SYSEX

- Multi (Arrangement) change buttons using SYSEX

- Multi (Arrangement) Buffer Request, Multi (Arrangement) Write buttons using SYSEX

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Kloob - Dark Solstice Echo

video upload by - Kloob -

"Kloob - Dark Solstice Echo

A friend of mine lent me the Nord Micro Modular synth, and I'm pretty surprised by its sound — and I still have to dig into the software editor!

All sounds come from hardware synths:

Nord Micro Modular: baasline sequence (midi channel 3).

Micromonsta 2 sounds: pad-drone sequence (midi channel 2) and ‘Sad Pad’ (midi channel 1) played in realtime.

Sonicware Live Ambient 0: sequencer and noise sound in layer 4.

Behringer Edge: Bass-Drum loop.

Hologram Microcosm feeding the ‘Dreamy Pad’.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
Kloob.bandcamp.com"

Mood Machine | Sonicware Liven Evoke | New Set of 14 Songs

video upload by Sonic Cartography

"Track list and lots of notes below:

0:00 - 1. Dream Machine - With the Sonicware Liven Evoke, I’ve often been playing songs live, without using the sequencer, which I used for almost all of my songs with the Liven Ambient Ø (the two sequencers are very similar). With this song, I use the hold feature to hold some notes of textural sound in a couple of layers, while playing the piano layer live. The piano sound morphs between an acoustic and electronic sound a little bit after I play each note. Around the halfway point, with the chromatic pitch shifting, everything starts to turn into a granular storm (there are no granular effects prior to this), which is helped by the fact that you can cut the dry signal of each track and have a 100% wet mix of the reverb and/or granular sound. Oh, also, I want to give a thank you/shoutout to this video by @BenLevin because I started messing around with the chords that led to this song after watching it: • The secret to EMOTIONAL chords . His channel is one of my favorite music education channels on YouTube, so do check it out!

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Future Retro Mobius Sequencer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"A little tape residue that I’m going to clean off of the 4/4 and 3/4 scale screenprint… shouldn’t be an issue at all.

The Mobius is very practical little sequencer in my opinion… I also have a Sequentix Cirklon 2 and it was a breath of fresh air with how fast the Mobius simplifies and assists in creating productive limitations for me to commit to.

No menu divey time consuming pages… just start putting notes in immidiatly and choosing between the 2 time signatures that future retro allows.

Super fun making patterns and transposing patterns on this machine

Lots of sweet spots with pattern lengths and DIN Syncing to my drum machines..

The Mobius can also control vintage cv/gate synths ( SH-101 ) and Hz/v synths like yamaha CS-15 / Korg MS20

You can send clock out of Mobius to control your synths internal sequencer or arpeggiator as well

The little red lcd screen protector has come away from the machine

I removed it so it wouldn’t fall inside of the Mobius and get lost"

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Torso S-4 album | IDM/DnB/glitch | Not even a poet can speak the whole truth

video upload by Jay Hosking

"An album of IDM, Drum & Bass, and glitchy electronic music, for the more intense parts of your day. Songs were composed and performed on the Torso S-4, with additions and polish added in the box.

Buy the album here: https://jayhosking.bandcamp.com

00:00 - Imaginary countries
03:48 - Dreams must explain themselves
07:21 - Very far away from anywhere else
12:24 - The farthest shore
17:28 - The unreal and the real
20:57 - The word for world is forest
26:06 - Dancing at the edge of the world
29:33 - Always coming home

I recently posted a workflow video about why the Torso S-4 was an inspiration to me. Here's the proof.

I started sketching on the S-4, and before I knew it, I found myself writing song after song after song. Most of the songs needed a little more after the fact (the four tracks of the S-4 are not enough for full arrangements, for me), but the inspiration of the S-4 was enough to get me performing even before the song was finished.

So here you have eight songs, performed on the S-4, and then added to in the box as necessary to get them to the finish line. Many of the samples come from my Patreon community's sample pack from last year; a number of the samples come from a DJ Crystl sample pack, especially on the Drum & Bass tracks (2, 5, 7); and some of the samples are from the factory sounds.

Overall, this album is a showcase of how and why hardware can inspire, can surprise, and can lead to performance. It's wonderful to use hardware synths and drum machines, but sometimes audio loops and mangling is where the performance really comes alive. I'm extremely proud of this record and how spontaneous, energetic, and cohesive it is.

Thanks for listening."

Korg MiniKORG 700S SN 00110 w/ Extras

Note: Auction links are affiliate links for which the site may be compensated.
video uploads by Vintage Synthlab

Playlist:

1. 1974 MiniKorg 700s K2, vintage analog synthesizer for sale in Portland, Oregon - Demo 1 (Pop Songs)

This is Demo 1 (1 of 2 videos) highlighting the sound and character of the 700s / K2 synthesizer in action. This video contains 3 short pieces from 3 famous songs that were written and recorded during the 1970s using the 700s / K2 synthesizer.

1. The Cure - A Forest
2. The Cars - Just What I Needed
3. The Normal - T.V.O.D."

1974 MiniKorg 700s K2, vintage analog synth for sale in Portland, Oregon - Demo 2 MIDI Bach BWV 565

2. 1974 MiniKorg 700s K2, vintage analog synth for sale in Portland, Oregon - Demo 2 MIDI Bach BWV 565

This is Demo 2 (2 of 2 videos) highlighting the sound and character of the 700s / K2 synthesizer in action, and showing the external control of DAW, via MIDI, into a MIDI-to-CV convertor, connected to the CV inputs on the back side of the 700s. The MIDI songs has multiple organ and harpsichord tracks. The MIDI output to the 700s is one of the main tracks for this piece, panned to the RIGHT side of the stereo field, to help discern the 700s sound. The point of this video is to show the capability of DAW control, given all the external hardware interfaces, which comes with the sale of the 700s as one package.

via this Reverb listing

"All items that come with this sale:
* 1974 Korg MiniKorg K2 / 700s
* Kenton CV Upgrade (adds 3 CV input jacks/sockets on backside of synth)
* Kenton Pro Solo Mk2 (MIDI-CV convertor)
* Custom Flight Case
* USB to 2-channel MIDI convertor box + long USB cable

Demo video # 1:
Demo video #2:

This 1974 MiniKorg K2 / 700s works and sounds great. It has the Kenton CV upgrade, a hardshell case, and I’m throwing in a Kenton Pro Solo Mk2 MIDI-to-CV converter, a USB to 2-ch MIDI convertor, long USB cable.

Everything works great and is ready for any modern studio DAW, or adaptation to your external MIDI capable hardware!

The Kenton CV upgrade “3 socket” kit has three 3.5mm ports (easily interfaces with modular synthesis architecture!) or a MIDI-to-CV convertor (which I am including for free with this sale). The 3 inputs are: CV (pitch in), GATE (note on/off), FILT (filter control).

The synth has been with me for about 14 years. I serviced vintage synth and pro-audio gear for the last 30+ years, and this was one that I restored, upgraded, used for recording, and cared for. Every key contact works great, all adjustments have been calibrated, it stays in tune, and every feature works."

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Top 86 Greatest Intros and Tunes on Sequential Prophet 6

video upload by jami.m

"Not all these were originally played on Prophet synths. These video clips are just for amusement - Enjoy -"

00:00 The Final Countdown - Europe
00:27 Bette Davis Eyes - Kim Carnes
00:52 Save a Prayer - Duran Duran
01:19 Blinding Lights - The Weeknd
02:02 Just Can't Get Enough - Depeche mode

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Torso S-4 | Pure inspiration (walkthrough)

video upload by Jay Hosking

"A walkthrough of how I'm making songs on the Torso S-4.

00:00 - Song
02:24 - Intro, tape machine
04:38 - Granular
07:36 - Resonator
11:45 - Drive, noise, colour
13:11 - Delay and reverb
15:32 - Drums and performance effects
19:18 - The magic of TEMP
19:56 - Pitched drums
22:43 - Making a pad
27:24 - Fourth track
28:56 - Performing with four tracks
31:14 - Concluding thoughts, USB multitrack out

I bought the Torso S-4 last month, thinking it would be an interesting device for playing with granular ideas with a few loops. As soon as I started playing with it, it was clear I had underestimated just how much more the S-4 is, and how inspiring it is. In fact, I basically never use it as a granular device!

This is probably the single most inspiring piece of hardware I've tried since I discovered the Octatrack. It transforms sounds, it is incredible for performing, and it has that perfect feedback loop between musician and instrument. In just a couple of weeks, I've recorded a whole album with it, which I'll release soon.

This is a walkthrough of how I'm making full songs on the S-4. In reality, four tracks is not quite enough for me to be making full songs, and in the final performances I add extra layers. But as a device to create new sounds, glue tracks together, sketch out a song arrangement, and perform some interesting parameter changes, the S-4 is nothing short of an epiphany for me.

Note that I'm using the 2.0 firmware beta, which is largely the same as the recently released 2.0 firmware. I'm well aware of the internet conversation on the previous firmware of the device, of hardware buttons not having any function and triggering a "coming soon" message, etc. I'm also aware of some quality/build concerns from some S-4 owners. I don't want to discredit any of those complaints, and I'm sure they are valid; but I can only tell you about my individual experience, which was largely flawless aside from a few bugs along the way.

Please also note that this isn't my usual sort of video, but rather one I originally recorded for my Patreon community. I'm having such a good time with the S-4, though, that I really wanted to share it more broadly. I hope you find it useful.

I look forward to sharing the album soon!

https://jayhosking.bandcamp.com"

Setting Up...

video upload by No Lake

"Just a few words to let you know that I'm still here. I'm currently working on the new era of my music. It's heading in the direction I wanted it to go. I introduced you to the concept of Brussels School, which means everything and nothing, and I realize that it's ultimately something that suits me.

So what's next? I'll gradually introduce you to jams based on this concept. Rather long pieces that take the time to establish an atmosphere. Something absorbing, bewitching, with a hypnotic and almost insidious rhythm. Something along the lines of "Illusion" or "Hypnosis," which were two of the channel's top three hits. I take this as proof that I'm on the right path.

As explained three weeks ago, there will no longer be videos every week. They will arrive when they arrive. The long-term idea is to rework all these jams to create a real album centered around a single philosophy, but this is another story for later.

Wishing you a great day! See you soon.

My set up:
Ableton Live 12
Novation Summit
Moog Sound Studio
(Moog DFAM)
(Moog Subharmonicon)
(Moog Mother-32)
Ableton Push
Novation Launchkey 49
Akai Mini
Sonicware Liven 8Bit Warps

My Spotify : https://open.spotify.com/artist/3MAeb... My Bandcamp : https://nolake.bandcamp.com/ My Soundcloud : / frederic-kuyl "

Top 11 Greatest DX7 BASS songs

video upload by jami.m

00:00 Tarzan Boy - BASS 1
00:48 Boys - Summertime Love - BASS 1
01:24 When the Going Gets Tough - BASS 2
01:58 Take My Breath Away - BASS 2
02:22 Danger Zone - BASS 1
02:44 Live To Tell - BASS 1
03:22 Friendships - LATELY BASS [TX81z?]
03:58 Higher Love - BASS 2
04:20 Smooth Criminal - FUNK BASS
04:37 Another Part of Me - FUNK BASS
05:07 Take On Me - BASS 1 (on MODX)

Remembering Dave Smith: A Prophet-5 Story

video upload by INHALTVIDEO

"Today is the anniversary of Dave Smith’s passing, and every year on this day, I find myself reflecting not just on the incredible instruments he created, but on the friendship we built and the tremendous support he gave me in my career.

One of the projects I’m most proud to have been a part of is the reissue of the Prophet-5. I had the honor of contributing to its development, from long conversations and persistent hassling about voice allocation to the privilege of crafting patches for the final instrument. One of those patches—my take on the true essence of the Prophet-5—became the very first one you hear when you turn it on: patch 111.

To have my work live inside such an iconic synthesizer, and to have shared time and ideas with the man who brought it to life—not once, but multiple times—is something I’ll always carry with deep gratitude. Thank you, Dave, for your friendship, your brilliance, and your contributions to music that ripple out endlessly."

AViC KV-04 RYUICHI SAKAMOTO & KV-01 Seifuku Part1 ROM Cartridges for Yamaha DX7

Note: Auction links are affiliate links for which the site may be compensated.

AViC Keyboard Voice ROM KV-04 RYUICHI SAKAMOTO Cart via this eBay listing

AViC KV-01 Keyboard Voice ROM Seifuku Part1 Cart via this eBay listing

These were spotted and sent in via
M Me.

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