Yuyo cmos synth - First try Attiny85 dco with analog cmos shaping and twin t filter

video upload by JIANT

"everything is from the synth to the zoom recorder, twin t drums, xor snare, pt2399, and cmos stuff.

attiny85 reseting the phase of 40106 oscilators, the digital control accepts 1voct from keysetp and go to the 40106 inputs through resistors, a little rc for filtering the pwm, and for this reason when you change the oscillator frequency you can get intervals and crazy stuff. is not orthodox but suits my need for Rich timbres. the dco goes to 40106 buffers , and then 4040 dividers, twin t filters, one for each of the two voices, one goes to env, vca, filter, delay, and the other one to clock divider and filter, to get the sub osc.

firmware super simple only for checking the conversion from filtered frecuency of the attiny85 to my 40106 non exponencial vcos.
currently is tracking 10 octaves really good, the trick is put a voltage divider in the cv in of the attiny because keystep has 0 to 10v and the attiny accepts 0 to 5v tehn the tracking inside the attiny converts o.5v oct to 1 volt oct. i dont know anything about coding but i made it with chat gpt and my design . source code will be in the coments ."

Previous videos:

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Introducing PlayAUDIO2U: The Ultimate Live Performance AUDIO & MIDI Interface from iConnectivity

video upload by iConnectivity

Check with dealers on the right for availability.



Press releae follows:

CALGARY, Alberta – January 13, 2025 – iConnectivity today announces the highly anticipated follow-up to the industry-standard PlayAUDIO1U, the new PlayAUDIO2U. Building on a reputation of made-to-tour live performance solutions, the PlayAUDIO2U sets a new benchmark for professional touring rigs with a powerful 24 balanced XLR output configuration and four pristine, ultra-low noise microphone preamps. The PlayAUDIO2U interface maintains and improves upon iConnectivity's famous redundancy failover protection for touring musicians, production companies, and any live event where failure is not an option.

The PlayAUDIO2U introduces not only an expanded output count of 24 panel-reinforced XLR outs but also integrates versatile new concepts into iConnectivity's PlayAUDIO range. Four pristine, studio-quality inputs are perfect for injecting vocals, guitars, synths, and other instruments for live processing—all while enjoying iConnectivity's famous redundancy protection.

iConnectivity has always been known for robust MIDI integration. The PlayAUDIO2U is the first of iConnectivity's interfaces to feature built-in MIDI control via integrated control buttons on the front panel of the interface, allowing convenient, hands-on control of your performance.

The physical build of the PlayAUDIO2U might be its most revolutionary innovation, combining extensive inputs, outputs, and extreme MIDI connectivity into one rugged 2U rackable enclosure. All I/O ports are specially reinforced to withstand the rigors of daily touring—designed to be plugged directly into stage boxes and house sound systems every day. You can say goodbye to complex, fragile setups. Now building a reliable touring rig is as simple as installing a single PlayAUDIO2U in a rack.

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Two KETRON SOLTON PROGRAMMER 24 synthesizers synchronized with each other and to a MINIMOOG

video upload by Davide Micheli

Click CC at the bottom of the player for subtitles, followed by the gear icon and and your language of choice if needed.

"ITALIAN
In questo video mostro come suonare contemporaneamente due sintetizzatori KETRON-SOLTON PROGRAMMER 24 sincronizzati tra loro e poi come far suonare la linea di basso di un PROGRAMMER 24 da un sintetizzatore MINIMOOG DODEL D

Il Solton Programmer 24, lanciato nel 1985, è riconosciuto come uno dei primissimi strumenti a introdurre il concetto di arranger automatico nel mercato delle tastiere, tanto da essere spesso definito 'l'apripista' dell'intero settore.
Questo strumento, prodotto dall'azienda italiana Ketron (con il marchio Solton), è considerato una pietra miliare nell'evoluzione delle tastiere arranger.

Impatto Culturale: è stato soprannominato 'Italian Disco Machine' per il suo ruolo nel plasmare il suono della musica Italo Disco.
Il Programmer 24 non è solo un pezzo di storia per gli appassionati, ma è anche al centro di iniziative come 'Arranger Legacy', un progetto web che mira a preservare la memoria di questi strumenti iconici e dei loro creatori.

Il Solton Programmer 24 è una workstation analogica italiana del 1985, famosa per il suo suono Italo Disco, che combina una sezione ritmica PCM a 8 bit (con uscite separate), bassi analogici, arrangiamenti automatici e sequencer, offrendo un suono vintage caldo e funzionale per produzione musicale. Include funzionalità avanzate per l'arrangiamento, sequencer polifonici e monofonici, MIDI, e interfaccia a nastro, rendendolo un pezzo da collezione apprezzato per il suo 'carattere anni '80'.

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AL-606 (Roland TR-606 AlienizeD MK2 Desktop Mod)

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find a demo of on here.

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Live Sets from Space – ambient grooves for late night

video upload by Caught In Joy

"Long-form ambient and analog music with gentle, evolving grooves.
Designed for late nights, focus, and staying on in the background.

This liveset was recorded live in the studio as one continuous flow – no talking, no hard stops, just slow movement and steady pulse. Some moments drift, others gently lock into rhythm, always leaving space to breathe.

If this keeps you company while you work, rest, or unwind, feel free to let it run.

🎧 Extended versions available on Bandcamp (three longer livesets + YouTube version included):
https://caughtinjoy24.bandcamp.com/al...
Pricing:
$9 today
$15 this weekend
$25 after Monday

Everything here was mixed on my modded 70s analog console, with performances recorded to analog tape. Warm, dense, and inviting tones emerge – transients softened, harmonics glued, time moving a little slower.

If these sessions keep you company while you work, rest, or drift, this is how they continue to exist.

Thank you for listening.
Thank you for supporting the work.

– Caught In Joy"

Meet Teenage Engineering's Carlo, Miki, Ivana, Gisela, Olga, Leila, Bogdan, and Hatshepsut

Note: links to listings are affiliate links for which the site may be compensated.
Bad Gear - TE Choir video upload by AudioPilz

Note this video is from two years ago, but I never managed to feature it or these devices on the site until now as they aren't really synths. These come to you curtesy of a supporting member who has them listed on Reverb here.

"Chapters:
00:00 Intro tune
01:09 Overview Bad Gear - TE Choir
01:28 Presentation of the Dolls (feel free to skip)
02:10 Standalone Mode, Control via Bluetooth Midi / OP-1 Field
02:39 How does it work?
03:19 Start/Stop a Song
03:39 Midi Control, Articulation
04:16 Limitations, Bugs, Issues, Latency
04:49 How it ACTUALLY works in practice
05:01 What else??? (Github, Pricing, Thanks)
05:30 Hate
05:54 Jam 1 (Sleepy Anime Music)
06:45 Jam 2 (Classic Bad Gear Jam)
07:07 Finale (Art House)
07:37 Verdict"

And a short one from HAINBACH:

Teenage Engineering Choir Unboxing And Sound
video upload by HAINBACH



via these listings

Be sure to check out the seller's other listings.

Each singer/member has its own vocal tone and is in very good condition and the electronic modules all work.

Holiday Songs

"Shchedryk" (Carol of the Bells)
"Deck the Halls"
"Sankta Lucia"
"O Come, All Ye Faithful"
"O Tannenbaum" (O Christmas Tree)
"Silent Night"
"Prelude" (a short introductory piece)
"Auld Lang Syne" (also available in their downloads)


All preloaded songs - more can be played live with BLE MIDI

silent night – franz xaver gruber, joseph mohr, j f young*
o tannenbaum – trad., ernst anschütz*
o come, all ye faithful – john reading, frederick oakeley*
sankta lucia – trad. via teodoro cottrau, sigrid elmblad*
deck the halls – charles wood, thomas oliphant
shchedryk (carol of the bells) – mykola leontovych
auld lang syne – trad. via robert burns
love me, and the world is mine – ernest ball, dave reed jr.
i never knew – tom pitts, raymond egan, roy marsh
sverige – wilhelm stenhammar
dear old girl – theodore morse, henry buck
gute nacht – robert schumann, friedrich rückert
sweet adeline – harry armstrong, richard gerard husch
warm-up exercise: signore – trad.
in all my dreams, i dream of you – al piantadosi, joe m
den blomstertid nu kommer – trad., israel kolmodin
i've been working on the railroad – trad.
now is the month of maying – thomas morley
gaudeamus igitur – trad.
warm-up exercise: zing-a-mama – trad.
the darktown strutters' ball – shelton brooks
an die freude – ludwig van beethoven
en sommarafton – adolf fredrik lindblad
tourdion – pierre attaingnant, césar geoffray
goodbye my coney island baby – les applegate
o haupt voll blut und wunden – johann sebastian bach

Pictured: Carlo & Miki

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Yamaha Introduces New MODX M Series of Synthesizers

video uploads by Yamaha Synths Official

Playlist:

1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression

"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.

Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.

🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move

🎧 Designed to inspire, wherever your music takes you."


Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music

Playlist:

1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos

Great bundle deals on the Yamaha MODX M music synthesizer:
https://kraftmusic.com/collections/ya...

Blake Angelos from Yamaha visits Kraft Music to present the MODX M music synthesizer.

00:00 Into
00:44 The DNA of flagship Montage M
01:29 Display knobs
02:21 Keyboard hold
03:50 Control matrix
04:36 Page jump
06:05 Sound engine
06:28 CFX piano samples
08:06 Keyboard action
10:12 Scenes and orchestral voices
14:19 Super Knob
17:24 Organs and rotary speaker
21:31 Trailer Toys
22:20 Smart Morph
27:17 Motion sequence
32:37 Computer integration
33:54 ESP plug-in synth
38:54 Signing off

2. Yamaha MODX M Synthesizer - All Playing, No Talking with Blake Angelos

loopop Review: Yamaha MODX M vs MODX+: vs Montage M // Everything you need to know M6/M7/M8

video upload by loopop

"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M

Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks ► Patreon: / loopop"

Here's a timeline of the video:

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Etude no. 1 in Eb for the Modular Easel

video upload by Electrum Modular

"A little piece on the 'Euro Easel,' using a touch-sensitive controller, sine wave, wavefolder, and delay.

Earlier video about the Euro Easel: • Buchla Music Easel in Eurorack! [posted here]

Album: https://smallchanges1.bandcamp.com/al..."

WISP - Granular Ambient Modular #17 // Instruo Arbhar, Qu-Bit Mojave, Rhodes

video upload by David Falcon

"noun /wɪsp/
a delicate, thin, and sometimes twisting piece or line of something

Me apetecía algo relajante así que hice una pieza para mí mismo. La idea parte sampleando en el @instruo Arbhar: Rhodes, Piano, Vibráfono, Acordeón, Synth bass y Cuerdas. En mi experiencia, este módulo funciona mejor cuando se samplean frases para luego recorrerlas con su motor en lugar de notas individuales. Lleva a sorpresas y texturas interesantes. En esta jam solo utilicé el vibráfono y el rhodes.

La textura aguda, parecida a una voz, soy yo mismo cantando al micro del @QuBitElectronix Mojave y fijando el búfer. Fui editando el módulo hasta hacerlo funcionar en el tema. La línea de bajo nace en el @MoogSynthesizers Subarmonicon y lo envié al @ShakmatModular Dual Dagger para controlar la dinámica.
En el @WeAreElektron Analog Four añado un Kick, Hi-Hat y dos líneas simples en las frecuencias agudas. También improviso con el Nord con un sonido Rhodes en algunas partes a tiempo real (no he podido montar el vídeo que he hecho en el móvil de esta parte por algun motivo en Davinci Resolve)

Gracias por estar al otro lado!

(eng)
I was in the mood for a relaxing piece so I made one for myself! It started by sampling some new sounds into Arbhar. Rhodes, Piano, Vibraphone, Accordion, Synth bass and Strings. In my experience this module works best when sampling phrases to then sweep around with its engine instead of single notes. It leads to more happy accidents and interesting textures. In this jam only the vibraphone and some rhodes was used.

The high texture vocal-like sound is myself singing into Mojave and locking the buffer. I tweaked the module until I found something that worked. It was mixed with a bass line in the subharmonicon and sent to the Dual Dagger to control the dynamics of the song.
Lastly the Analog Four is adding Kick, Hi-Hat and two simple lines on top. I also improvise with a Nord Rhodes sound on top in some of the parts."

NYBORG DUB Jam revisit / Modular synthesizer jam #buchla #arp2600 #minifreak

video upload by RandomVoltage

“Nyborg“ DUB Jam revisit

This is another version of the 'Nyborg' patch [previously posted here]

Now also available on Bandcamp
https://randomvoltage.bandcamp.com/al..."

Follow the sound: stereo motion in EDM

video upload by Electrum Modular

"An EDM track, featuring ADDAC System’s newish module, the 220 Stereo Envelope Follower+. Thanks to ADDAC for sending me this module.

More info and manual:
https://www.addacsystem.com/en/produc...

Latest Electrum Modular album:
https://smallchanges1.bandcamp.com/al...

Also starring:
Mutable Instruments’ Plaits
4MS Ensemble
Dnipro’s Metamorph
Disting EX
Pamela’s New Workout
ALM’s MFX
Cosmotronic’s Cosmix Pro

#eurorack #modularsynth #edm #electronicmusic"

When modules grow limbs: ADDAC's Servo

video upload by Electrum Modular

"Checking out Servo, a unique new module from ADDAC Systems. It can turn knobs or trim pots on a modular, synth, pedal, mixer, or anything else that’s small and cylindrical and that lacks a cv input. Perfect for when your hands are busy doing other things, or for when you want slow LFO-style modulation, or for when you want super precise stepped adjustments.

More info and manual:
https://www.addacsystem.com/en/produc...

Latest Electrum Modular album:
https://smallchanges1.bandcamp.com/al..."

"At ADDAC we always admired the geniality of Neil Young’s Whizzer, way ahead of it’s time, a great example how great ingenuity and engineering can come together to make something great. Inspired by it’s motor controlled method we created a 4HP solution to control any knob that doesn’t have a CV input, while also possible to use for other gear as well (within certain distance constraints).

We use a Servo motor which is a specific type of motor that can be digitally controlled to go to a precise angle. This motor is controlled by a microcontroller that also receives an incoming CV voltage from 0 to +5v and lineary converts this voltage range to the 270 degree Servo motor range.

Using a spring wire and metal couplers the motor shaft is then attached to the target knob to be controlled which will turn as the Servo turns.
Two other knobs [MAXIMUM ANGLE] & [MINIMUM ANGLE] further allow to control the “sweet spot” of the target knob, setting a smaller Servo range.

Raising the [MIN ANGLE] knob above the [MAX ANGLE] knob inverts the Servo range.

We can't stress enough how important it is to read the whole User's Guide thoroughly for this one!

Note: All specifications and features are subject to change without previous notice."

GONE - Electronica #4 // Subharmonicon, Analog Four, Octatrack, Modular

video upload by David Falcon

"En este tema me voy por una rama oscura del electro. Me evoca sensaciones similares a la OST del juego The Binding of Isaac. Bastante oscuro, incluso siniestro por veces.
Muchas disonancias girando en torno al ancla que es la Elektron Analog Four mkii. Bombo y Bajo sientan unas bases potentes sobre lo que construir lo demás. La octatrack como mixer del máster es una gozada mientras que el modular y el subharmonicon son una fuente inagotable de inspiración.
En este caso decidí disolver el tema al final en lugar de llevarlo a una parte nueva. Más acorde a la temática creo. Como siempre, grabado en una toma, y solamente masterizado en Ableton.

Gracias a los que estáis siempre al otro lado.
Saludos!

(eng)
In this song I am going for a dark branch of electro. It evokes similar feelings in me to the OST of the game The Binding of Isaac. Quite dark, even sinister at times.
Many dissonances revolving around the anchor that is the Elektron Analog Four mkii. Kick and Bass lay powerful foundations on which I build the rest. The Octatrack as a master mixer is amazing while the modular and the subharmonicon are an infinite source of inspiration.
In this case I decided to dissolve the main parts of the song at the end instead of taking it to a new part. More in line with the theme I think.
Recorded in one take and mastered in Ableton.

Thank you for being on the other side."

ARP@100 Kick-off Event Tomorrow at EMEAPP / Museum of Music Technology

via The Alan R Pearlman Foundation

Don't miss the celabratory T!

Be a Part of the Party! Come to our Live Stream Opening the EVENT AT EMEAPP!

ARP@100 celebrates the life and work of our namesake, the visionary synthesizer pioneer Alan R. Pearlman with the opening of a remarkable exhibition, taking place this Saturday, June 7, on what would have been his 100th birthday. This fundraising event will highlight Alan's groundbreaking achievements and showcase his legendary ARP synthesizers.
How to Attend

IN PERSON: Saturday, June 7 · 7 - 10pm EDT. Doors at 6:30pmIn-person event at EMEAPP in Pennsylvania

On-LINE STREAMING EVENT: Starts at 7:00pm EDT, but if you purchase a ticket and are out of the time zone, you can revisit for up to one month!

Purchase Tickets!

EVENT DETAILS:

The event will include:

An interview with Al's daughter, Dina Pearlman-Ifil, Executive Director of the ARP Foundation

Videos of Alan and his life

Live synth performances by the renowned Robin Hatch, Ombient, and Don Slepian

A virtual tour of EMEAPP's new Museum of Music Technology, and more surprises!

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Music of the wind: a modular Aeolian harp

video upload by Electrum Modular

"Combine a modular synth with a wind gauge and you get what we might call an electro-aerophone: an electronic instrument that can transform the wind into music … and, in the process, reconnect us to our environment.

On this second trip to the park, I simulate an Aeolian harp with the help of an eight-band, resonating filter bank, a comparator, and an addressable sequential switch.

Previous episode (modular wind chime): • chiming with the breeze: wind as control v... [posted here]

My new album: https://smallchanges1.bandcamp.com/al...

Readings quoted:
Timothy Morton, “Of Matter and Meter: Environmental Form in Coleridge’s ‘Effusion 35’ and ‘The Eolian Harp,’” Literature Compass 5, no. 2 (2008): 310-335
Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013)
R. Selfridge, D. Moffat, E. J. Avital and J. D. Reiss, “Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models,” J. Audio Eng. Soc. 66, no. 7/8 (2018): 594-607

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BACK - Electronica #1 // OP1, Arbhar

video upload by David Falcon

"Saludos!
Siempre he querido probar un OP1 de Teenage Engineering pero los precios eran prohibitivos incluso en el mercado de segunda mano. Por suerte los precios ahora son más razonables. Hace años tuve un OPZ pero no me acabó de gustar el sonido ni la construcción del sinte, aunque si me pareció muy divertido.

Esta es la primera idea que he montado con el OP1, sencillo, yendo a lo esencial. Beat, Bajo, Arp y Pad. Añado en el modular una voz al final que toco con el Keystep (fuera de plano).

La idea es tener un equipo que me pueda llevar conmigo a todos lados en la que jugar con armonías e ideas de temas para luego construir encima.

Gracias por estar al otro lado!
David.

_____________________________________________________
(eng)
Greetings!
I've always wanted to try a Teenage Engineering OP1 but the prices were prohibitive even on the second hand market. Luckily the prices are more reasonable now. I had an OPZ years ago but I didn't really like the sound or the construction of the synth, although I did find it very fun.

This is the first idea that I have put together with OP1, simple, going to the essentials. Beat, Bass, Arp and Pad. I add a voice to the modular at the end that I play with the Keystep (out of plane).

The idea is to have a piece of gear that I can take with me everywhere to play with harmonies and theme ideas to then build on top of them.

Thanks for being on the other side!
David."

GLEEMAN PENTAPHONIC + TASCAM 38 DEMO

video upload by Synth Tailor Electronics

"Here's another Gleeman Pentaphonic that was restored by the shop. We decided to kill two birds and put in another repair item, the Tascam 38 Reel to Reel 1/2" 8 Track Tape Machine. The audio output is recorded directly to tape. (Tascam 38 is for adam remnant, check out his music/Instagram @adamremnant)

There are only around 50 units ever manufactured by the Gleeman Brothers Al and Bob. Such a truly amazing sounding 5 voice polyphonic synthesizer. This five voice polyphonic synthesizer sounds very large in such a small package and is a hybrid of both analog/digital. Featuring a 300 note Polyphonic Sequencer, "Presetter" preset control switches, X+Y Joystick Pitch and Mod controller, and 100 programmable presets.
Visit my website or email for repairs and restorations for vintage synthesizers, drum machines, outboard gear, and tape machines."

SADE - No Ordinary Love (AL-ReWork)

video upload by Andro Lectric

"SADE - No Ordinary Love (AL-ReWork)

Sounds w/
Novation PEAK
KORG VOLCA FM 2
ROLAND MC-707

(c) ReWork 2025 by ANDROLECTRIC

Original Track:
SADE - No Ordinary Love
1992 | Epic Records"

Gibson Clavioline with rare stand SN 1598

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"1950s Vintage Gibson Clavioline w/Tube Amplifier / Speaker / Case & Tripod Stand
The Gibson Clavioline is a single manual mini-key piano attachment with a tube preamp and amplifier, made from about 1934-1965. The sound made famous in Telstar and in The Beatles' 'Baby I'm A Rich Man', it uses a basic square wave.

The original design was by Constant Martin in France, and many companies licensed it. Selmer were perhaps the most famous maker in the UK, but Jorgensen in Germany was another, and Gibson in the US. The common design feature was a metal-cased keyboard, complete with internal tube tone-forming circuitry. The case attached by metal sliders to rails that could be screwed to the underside of your piano keyboard - or you could use the Clavioline as a stand-alone instrument on a metal stand. There is a Set of rocker switches underneath the keyboard for tone choice. The tube amplifier and speaker are in a case, which the Clavioline keyboard folds into for transport.

Although the tone is quite variable, the sound is distinctive, and instantly recognizable, due mainly to the simple envelope employed - and maybe also to its monophonic nature, which somehow gave melodies a different feel from exactly the same line played on an organ. It may be the glitches which provide its charm. Gibson licensed the Clavioline design from Constant Martin and made the American Clavioline version in 1954. Al Kooper plays one on BS&T's first album, Child is Father to the Man, and I think the specific tune is 'Meagan's Gypsy Eyes.' Also used on 'Sweet Pea' by Tommy Roe, 'Just a Mirage', Tommy James, and Del Shannon's 'Runaway'. A really cool instrument, it's the big brother to the Clavioline used on 'Telstar'.

Good condition, functional but has issues. Powers up, although the power light on the amplifier does not light. Keys play, but seem to just play one pitch, with a variable pitch underneath, and a quavering quality. The tone switches do change the sound, volume control works, and the octave switch works.

Includes the tube amplifier / speaker, which forms the case that holds the Clavioline, the Clavioline keyboard, 3-legged tripod stand, and power cable with split-off multi-pin cable that powers the Clavioline. Also has the service manual (which appears to be original). And includes the expression knee-lever, which is integral to the sound of the Clavioline.

Full pictures are here, along with a video of the instrument being played:

https://drive.google.com/drive/folders/1rSXB0kPlwqEIRB92uAWtyN6DwBvGPExU?usp=drive_link

Great review at Sound on Sound:

https://www.soundonsound.com/reviews/story-clavioline"

CLICK FOR MORE »

242t PingPong et al

video upload by Todd Barton

"what began as a simple ping-pong patch developed a bit.

My Patreon: / synthtodd"