Weston Precision Audio Eurorack Modules - HV1 and Trivium - Quick Talkthrough

video upload by Steve Turner

"A quick look at the HV1 (Hybrid Oscillator) and Trivium. More to come!

Go here to see Devin's full range of products including the HV1 and Trivium: https://www.westonaudio.com/

Check out more of my commentary and reviews at https://www.steveturner.com.au

Buy my latest EP (progressive rock) 'Escape Velocity': https://steveturnerbc.bandcamp.com/al..."

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic

video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

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FREEDOM by Davide Micheli

video upload by Davide Micheli

You can find an English translation of the following video description further below.

"Freedom è un brano di musica elettronica prodotto da Davide Micheli utilizzando sintetizzatori elettronici tra cui alcuni Italiani moderni come il 'GRPA4', ma anche vintage anni 80 come 'Elka Twin61' e 'CRB Diamond 910 Gold M'. Altri sintetizzatori utilizzati sono il 'Moog Voyager XL', il 'Waldrof Quantum', e per ultimo 'Oberheim OB-X8'. La Drum Machine è una Drum degli anni 80 molto famosa ai sui tempi la 'Dynacord P20' 8-Bit Drum Machine.

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Korg Kronos 3 vs Korg Prologue - real analogue vs virtual analogue

video upload by j bowman ALL PROCEEDS TO MEDICAL AID FOR PALESTINE

"In this Korg Kronos 3 comparison and patching video, I put the incredible AL-1 synthesis engine to the test by programming it as a virtual analogue synth and comparing it directly with my Korg Prologue analogue synthesizer. Can the Korg Kronos 3 really capture the warmth, character, and punch of a true analogue synth, or does the Korg Prologue still have the edge? Join me as I explore oscillators, filters, envelopes, and detailed sound design techniques to find out.

This video is perfect for anyone interested in the Korg Kronos 3, Korg Prologue, AL-1, Korg Nautilus, virtual analogue synthesis, analogue synth programming, synthesizer reviews, synth comparisons, sound design synth tutorials, keyboard workstations, music production, and synthesis. Whether you're deciding between a workstation and a dedicated analogue synth, or simply want to learn how to make a digital synth sound convincingly analogue, this comparison is packed with practical demonstrations and programming tips.

If you enjoy synth reviews, synth demos, Korg Kronos 3 content, AL-1 tutorials, sound design, and in-depth comparisons of modern synthesizers, be sure to like, subscribe, and share this video. Your support helps the channel grow and helps more synthesizer enthusiasts discover detailed, honest, and educational content."

EMS VCS3 Synth "The Putney" with Cricklewood Keyboard

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Here is an extremely rare EMS VSC3 "The Putney" Synthesizer, with the accompanying Cricklewood keyboard. Most VCS3's are extremely rare, but this one has the distinction of belonging to Al Kooper, noted guitarist, synthesist, record producer and arranger. This was used on many of his recordings in the 1970's and 1980's, and was restored 3 years ago to its original glory. A full set of replacement pots were purchased from EMS, but the tech who serviced it found that the original pots were still in fine shape, and after cleaning and lubrication, performed as they should. So, this comes with a full set of replacement pots for whenever service needs arise."

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Lihuel Sosa & 1nd14 - Modulaciones (Techno + Arte generativo)

video upload by Modulaciones

"Musica Techno compuesta e interpretada en vivo sobre la marcha. El setup: una "groovebox", la Roland tr8s y el sintetizador polifonico Bree 6 de @gsmusicsynths (una bomba) Sin computadora y sin edición posterior, asi se escuchó en vivo.

VISUALES: 1nd14 (Arte generativo) / 1_n_d1_4_

Las visuales son desarrolladas mediante TouchDesigner, un entorno de programación visual orientado a la generación de contenidos en tiempo real.
El proceso de trabajo integra técnicas de síntesis visual, manipulación de video en tiempo real y diseño generativo, permitiendo que las imágenes evolucionen de manera orgánica y respondan a estímulos externos.

Este evento es organizado por la comunidad Modulaciones, un proyecto que reúne a los creadores Bianca Leveroni, Dan Chelger, Diego Scagni, Cintia Cejas, Evangelina Moldú, Roco Collado, Maxi Stork y Lihuel Sosa , y que además invitará a otros artistas en cada encuentro. Su propuesta integra performance, diálogo abierto con el público y una apuesta por la construcción colectiva por fuera del formato de show tradicional.

Damos especial agradecimiento al apoyo de
/ tercerbrazoestudio
/ olivellamodular
/ e97.com.ar
/ caseslihuel"

Googlish:

"Techno music composed and performed live on the fly. The setup: a 'groovebox' (Roland TR-8S) and the Bree 6 polyphonic synthesizer by @gsmusicsynths (an absolute beast). No computer, no post-production editing—this is exactly how it sounded live.

VISUALS: 1nd14 (Generative art) / 1_n_d1_4_

The visuals are created using TouchDesigner, a visual programming environment designed for real-time content generation.
The workflow integrates visual synthesis techniques, real-time video manipulation, and generative design, allowing the imagery to evolve organically and respond to external stimuli.

This event is organized by the Modulaciones community, a project bringing together creators Bianca Leveroni, Dan Chelger, Diego Scagni, Cintia Cejas, Evangelina Moldú, Roco Collado, Maxi Stork, and Lihuel Sosa, while also inviting other artists to join each gathering. Their approach combines performance and open dialogue with the audience, prioritizing collective creation over the traditional concert format.

We extend special thanks for the support of
/ tercerbrazoestudio
/ olivellamodular
/ e97.com.ar
/ caseslihuel"

ARP Gallery Announcement

video upload by EMEAPP and Alan R. Pearlman Foundation

"On June 7th, 2026 we celebrate the 101st birthday of Alan R. Pearlman, the founder of ARP Synthesizers. And we wrap up our year-long ARP@100 celebration with the announcement of our new gallery dedicated solely to ARP.
We're thrilled to display these wonderful instruments and to help preserve the history of ARP and would like to thank the Alan R. Pearlman Foundation for all their support.
Happy Birthday Al!
#arpsynthesizer #alanrpearlmanfoundation #synthesizer #electronics #museum"

Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

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Lowriders en La Misión! | #SF #Carnaval 2026

video upload by CatSynth TV

"Bienvenidos al corazón de La Misión en San Francisco, donde la vibrante chicano culture cobra vida. Este lowrider video captura la esencia de un car show espectacular, mostrando custom cars y lowrider cars que son verdaderas obras de arte.

Welcome to the heart of the Mission District in San Francisco, where vibrant Chicano culture comes to life. This lowrider video captures the essence of a spectacular car show, showcasing custom cars and lowriders that are true works of art.

Background music (that may or may not resemble a well-known tune) recorded using the following instruments:
Cherry Audio KR-55C, Solovox, Stardust 201
Arturia Mini V
BFD3 Drums
Minimoog"

MARF as Switcher et al

video upload by Todd Barton

"Using the 248t MARF as a switcher via its external inputs from the 245t sequencer to create a 20 stage sequence. Then using the other part of the MARF for a 12 stage sequence. Some fun now!"

My Patreon / synthtodd

Osmose CE lleva la EXPRESIVIDAD del Osmose a tus plugins

video upload by Hispasonic

GS Music Bree6 on the desk.

"Tomasz Bura, artista de Expressive E, nos presenta en SuperBooth 2026 el Osmose CE: la versión sin motor de síntesis del aclamado Osmose, ahora disponible en 49 y 61 teclas, pensada para llevar toda su expresividad a cualquier DAW, plugin o sintetizador externo.

El Osmose CE conserva exactamente el mismo keybed expresivo del Osmose original, capaz de detectar presión, inclinación, vibrato natural, gestos de pitch y un note-off expresivo que permite moldear cada nota como si se tocara un instrumento acústico.

Lo que verás en la demo:

🎹 Control MPE total: cada tecla responde de forma independiente a la dinámica y al movimiento lateral.
🎵 Pitch bend por tecla: efectos vocales, de violín o de instrumento acústico imposibles en un teclado convencional.
🎛️ Polifonía expresiva: puedes mantener cuatro notas y modular solo una de ellas.
✨ Press Glide: un gesto exclusivo que permite deslizar entre notas usando presión.
🎼 MPE Arpeggiator: patrones donde cada nota mantiene su independencia expresiva.
🔊 Ctrl-e incluido: un ecosistema de sonido expresivo con más de 900 presets que combina motores propios de Expressive E con instrumentos de desarrolladores externos, todos diseñados para reaccionar orgánicamente al teclado sin mapeos previos.
🎚️ Aporta expresividad incluso a plugins y sintetizadores que no soportan MPE.

Tomasz lo utiliza en directo, en estudio, como compositor para cine y publicidad, para música de relajación y como músico de jazz. En sus palabras, este instrumento ha cambiado por completo su lenguaje musical.

Disponible ya en tiendas a 999 € (49 teclas) y 1.199 € (61 teclas)."

Googlish:

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Probando el Yamaha DX-1: el sintetizador digital más exclusivo de la historia

video upload by Mauro Brunetti Música

Click CC at the bottom of the player for subtitles.

"En este video exploramos en profundidad el Yamaha DX-1, uno de los sintetizadores más difíciles de conseguir de todos los tiempos.

Considerado el modelo más exclusivo de la serie DX, el Yamaha DX-1 fue diseñado como una verdadera obra maestra de la síntesis FM. Con una construcción premium, teclas contrapesadas y una arquitectura basada en el legendario Yamaha DX7, este instrumento representó el máximo lujo tecnológico de su época."

Googlish:

"In this video, we explore in depth the Yamaha DX-1—one of the rarest synthesizers of all time.

Considered the most exclusive model in the DX series, the Yamaha DX-1 was designed as a true masterpiece of FM synthesis. With premium build quality, weighted keys, and an architecture based on the legendary Yamaha DX7, this instrument represented the pinnacle of technological luxury in its era."

And one on the CS80:

Programando el Yamaha CS-80: el sintetizador más expresivo de la historia

video upload by Mauro Brunetti Música

"En este video exploramos en profundidad el Yamaha CS-80, uno de los sintetizadores más expresivos y míticos de todos los tiempos.

Considerado por muchos como el sintetizador más expresivo de la historia, el CS-80 revolucionó la forma de tocar sintetizadores gracias a su aftertouch polifónico, su ribbon controller y su enorme capacidad para moldear el sonido en tiempo real.

En este recorrido programamos sonidos paso a paso y exploramos las posibilidades expresivas que hicieron del Yamaha CS-80 un instrumento único, capaz de responder al intérprete como pocos sintetizadores en la historia."

"In this video, we take an in-depth look at the Yamaha CS-80—one of the most expressive and legendary synthesizers of all time.

Considered by many to be the most expressive synthesizer in history, the CS-80 revolutionized the way synthesizers are played, thanks to its polyphonic aftertouch, ribbon controller, and immense capacity for real-time sound shaping.

In this walkthrough, we program sounds step-by-step and explore the expressive possibilities that made the Yamaha CS-80 a truly unique instrument—one capable of responding to the performer in a way that few other synthesizers in history ever could."

Sound Design with Cybernetics: Interference and Inversion

video upload by La Synthèse Humaine

New Uses for Old Circuits Series

"New Uses for Old Circuits is a series looking at linear and nonlinear processes in the modular system.

In this video we look at the al-Jabr (الجبر) patch - a patch that injects inverted signals into the feedback loop to tame chaotic behavior, and uses the rate of change (derivative) of a signal as a cybernetic regulator."

Sound Design with Cybernetics

video upload by La Synthèse Humaine

New Uses for Old Circuits Series

"New Uses for Old Circuits is a series looking at linear and nonlinear processes in the modular system.

In this video we look at the al-Muqābala ( المقابلة) patch, which combines everything we've discussed so far into a playable system where nonlinear feedback loops are pushed and pulled via cybernetic regulation. A garden of forking, bifurcating paths..."

Yuyo cmos synth - First try Attiny85 dco with analog cmos shaping and twin t filter

video upload by JIANT

"everything is from the synth to the zoom recorder, twin t drums, xor snare, pt2399, and cmos stuff.

attiny85 reseting the phase of 40106 oscilators, the digital control accepts 1voct from keysetp and go to the 40106 inputs through resistors, a little rc for filtering the pwm, and for this reason when you change the oscillator frequency you can get intervals and crazy stuff. is not orthodox but suits my need for Rich timbres. the dco goes to 40106 buffers , and then 4040 dividers, twin t filters, one for each of the two voices, one goes to env, vca, filter, delay, and the other one to clock divider and filter, to get the sub osc.

firmware super simple only for checking the conversion from filtered frecuency of the attiny85 to my 40106 non exponencial vcos.
currently is tracking 10 octaves really good, the trick is put a voltage divider in the cv in of the attiny because keystep has 0 to 10v and the attiny accepts 0 to 5v tehn the tracking inside the attiny converts o.5v oct to 1 volt oct. i dont know anything about coding but i made it with chat gpt and my design . source code will be in the coments ."

Previous videos:

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Introducing PlayAUDIO2U: The Ultimate Live Performance AUDIO & MIDI Interface from iConnectivity

video upload by iConnectivity

Check with dealers on the right for availability.



Press releae follows:

CALGARY, Alberta – January 13, 2025 – iConnectivity today announces the highly anticipated follow-up to the industry-standard PlayAUDIO1U, the new PlayAUDIO2U. Building on a reputation of made-to-tour live performance solutions, the PlayAUDIO2U sets a new benchmark for professional touring rigs with a powerful 24 balanced XLR output configuration and four pristine, ultra-low noise microphone preamps. The PlayAUDIO2U interface maintains and improves upon iConnectivity's famous redundancy failover protection for touring musicians, production companies, and any live event where failure is not an option.

The PlayAUDIO2U introduces not only an expanded output count of 24 panel-reinforced XLR outs but also integrates versatile new concepts into iConnectivity's PlayAUDIO range. Four pristine, studio-quality inputs are perfect for injecting vocals, guitars, synths, and other instruments for live processing—all while enjoying iConnectivity's famous redundancy protection.

iConnectivity has always been known for robust MIDI integration. The PlayAUDIO2U is the first of iConnectivity's interfaces to feature built-in MIDI control via integrated control buttons on the front panel of the interface, allowing convenient, hands-on control of your performance.

The physical build of the PlayAUDIO2U might be its most revolutionary innovation, combining extensive inputs, outputs, and extreme MIDI connectivity into one rugged 2U rackable enclosure. All I/O ports are specially reinforced to withstand the rigors of daily touring—designed to be plugged directly into stage boxes and house sound systems every day. You can say goodbye to complex, fragile setups. Now building a reliable touring rig is as simple as installing a single PlayAUDIO2U in a rack.

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Two KETRON SOLTON PROGRAMMER 24 synthesizers synchronized with each other and to a MINIMOOG

video upload by Davide Micheli

Click CC at the bottom of the player for subtitles, followed by the gear icon and and your language of choice if needed.

"ITALIAN
In questo video mostro come suonare contemporaneamente due sintetizzatori KETRON-SOLTON PROGRAMMER 24 sincronizzati tra loro e poi come far suonare la linea di basso di un PROGRAMMER 24 da un sintetizzatore MINIMOOG DODEL D

Il Solton Programmer 24, lanciato nel 1985, è riconosciuto come uno dei primissimi strumenti a introdurre il concetto di arranger automatico nel mercato delle tastiere, tanto da essere spesso definito 'l'apripista' dell'intero settore.
Questo strumento, prodotto dall'azienda italiana Ketron (con il marchio Solton), è considerato una pietra miliare nell'evoluzione delle tastiere arranger.

Impatto Culturale: è stato soprannominato 'Italian Disco Machine' per il suo ruolo nel plasmare il suono della musica Italo Disco.
Il Programmer 24 non è solo un pezzo di storia per gli appassionati, ma è anche al centro di iniziative come 'Arranger Legacy', un progetto web che mira a preservare la memoria di questi strumenti iconici e dei loro creatori.

Il Solton Programmer 24 è una workstation analogica italiana del 1985, famosa per il suo suono Italo Disco, che combina una sezione ritmica PCM a 8 bit (con uscite separate), bassi analogici, arrangiamenti automatici e sequencer, offrendo un suono vintage caldo e funzionale per produzione musicale. Include funzionalità avanzate per l'arrangiamento, sequencer polifonici e monofonici, MIDI, e interfaccia a nastro, rendendolo un pezzo da collezione apprezzato per il suo 'carattere anni '80'.

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AL-606 (Roland TR-606 AlienizeD MK2 Desktop Mod)

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find a demo of on here.

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Live Sets from Space – ambient grooves for late night

video upload by Caught In Joy

"Long-form ambient and analog music with gentle, evolving grooves.
Designed for late nights, focus, and staying on in the background.

This liveset was recorded live in the studio as one continuous flow – no talking, no hard stops, just slow movement and steady pulse. Some moments drift, others gently lock into rhythm, always leaving space to breathe.

If this keeps you company while you work, rest, or unwind, feel free to let it run.

🎧 Extended versions available on Bandcamp (three longer livesets + YouTube version included):
https://caughtinjoy24.bandcamp.com/al...
Pricing:
$9 today
$15 this weekend
$25 after Monday

Everything here was mixed on my modded 70s analog console, with performances recorded to analog tape. Warm, dense, and inviting tones emerge – transients softened, harmonics glued, time moving a little slower.

If these sessions keep you company while you work, rest, or drift, this is how they continue to exist.

Thank you for listening.
Thank you for supporting the work.

– Caught In Joy"

Meet Teenage Engineering's Carlo, Miki, Ivana, Gisela, Olga, Leila, Bogdan, and Hatshepsut

Note: links to listings are affiliate links for which the site may be compensated.
Bad Gear - TE Choir video upload by AudioPilz

Note this video is from two years ago, but I never managed to feature it or these devices on the site until now as they aren't really synths. These come to you curtesy of a supporting member who has them listed on Reverb here.

"Chapters:
00:00 Intro tune
01:09 Overview Bad Gear - TE Choir
01:28 Presentation of the Dolls (feel free to skip)
02:10 Standalone Mode, Control via Bluetooth Midi / OP-1 Field
02:39 How does it work?
03:19 Start/Stop a Song
03:39 Midi Control, Articulation
04:16 Limitations, Bugs, Issues, Latency
04:49 How it ACTUALLY works in practice
05:01 What else??? (Github, Pricing, Thanks)
05:30 Hate
05:54 Jam 1 (Sleepy Anime Music)
06:45 Jam 2 (Classic Bad Gear Jam)
07:07 Finale (Art House)
07:37 Verdict"

And a short one from HAINBACH:

Teenage Engineering Choir Unboxing And Sound
video upload by HAINBACH



via these listings

Be sure to check out the seller's other listings.

Each singer/member has its own vocal tone and is in very good condition and the electronic modules all work.

Holiday Songs

"Shchedryk" (Carol of the Bells)
"Deck the Halls"
"Sankta Lucia"
"O Come, All Ye Faithful"
"O Tannenbaum" (O Christmas Tree)
"Silent Night"
"Prelude" (a short introductory piece)
"Auld Lang Syne" (also available in their downloads)


All preloaded songs - more can be played live with BLE MIDI

silent night – franz xaver gruber, joseph mohr, j f young*
o tannenbaum – trad., ernst anschütz*
o come, all ye faithful – john reading, frederick oakeley*
sankta lucia – trad. via teodoro cottrau, sigrid elmblad*
deck the halls – charles wood, thomas oliphant
shchedryk (carol of the bells) – mykola leontovych
auld lang syne – trad. via robert burns
love me, and the world is mine – ernest ball, dave reed jr.
i never knew – tom pitts, raymond egan, roy marsh
sverige – wilhelm stenhammar
dear old girl – theodore morse, henry buck
gute nacht – robert schumann, friedrich rückert
sweet adeline – harry armstrong, richard gerard husch
warm-up exercise: signore – trad.
in all my dreams, i dream of you – al piantadosi, joe m
den blomstertid nu kommer – trad., israel kolmodin
i've been working on the railroad – trad.
now is the month of maying – thomas morley
gaudeamus igitur – trad.
warm-up exercise: zing-a-mama – trad.
the darktown strutters' ball – shelton brooks
an die freude – ludwig van beethoven
en sommarafton – adolf fredrik lindblad
tourdion – pierre attaingnant, césar geoffray
goodbye my coney island baby – les applegate
o haupt voll blut und wunden – johann sebastian bach

Pictured: Carlo & Miki

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