Tesuque Synths 9

video upload by Mike Synth

"After four years, I'm back!

Time to stop buying synth modules and figure out how to use what I have."

ARP Odyssey "Instant Odyssey" Overlay Series - Episode 1: Harmonica

video upload by EMEAPP

"In this short video series, our Education Associate Mike Kiker will be exploring the ARP Odyssey and the collectible 'Instant Odyssey' preset overlay set.

Created by David Frederick, former vice president of ARP, as a means of selling the instrument and giving the player some familiar sounds to get started and learn to program the synth along the way.

Does this patch sound like a harmonica?
You be the judge."

Novation Peak || Spacedust

video upload by Mike Lewis

"To get the synth patch file used in this video, you can purchase from my preset bundle here:

https://mikelewis.gumroad.com/l/attedv

Bandcamp:

https://mikelewis.bandcamp.com/"

True Trance Sounds V1 for Zebra 3 by NatLife

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/tru...

True Trance Sounds V1 for U-He Zebra 3 - is a first Zebra 3 soundbank by NatLife.

This soundbank have all the most famous sounds from the Trance history, from big Supersaw in 2000s to beautiful Plucks in 90s and more modern Adagio for Strings guitar Lead, like it was used in Tïesto recreation.

But I haven't stoped with only famous Trance sounds, I have used new possibilities of Zebra 3 for creating absolutely new unusual sounds. This library have a big collection of atmospheric Pads & Leads. For recreating the famous Trance sounds of the past I have inspired with a tracks by Tïesto, ATB, Megara & DJ Lee, Plastic Boy(M.I.K.E.), Ralph Fridge and my own ideas.

The soundbank contains 64 U-He Zebra 3 presets & patches, which are:

AAH - 4
Bass - 9
Leads - 17
Modulation Sounds - 2
Pads - 25
Plucks - 4
Synth - 3

TIMELINE:
00:00 Tiësto - Adagio for Strings (NatLife rework)
02:15 Megara & DJ Lee - Human Nature (NatLife rmx)
03:25 ATB - Let U Go (NatLife vision)
04:21 Plastic Boy - Silver Bath (Natlife rev)
05:20 NatLife - Thinking of Montains
06:19 NatLife - Rise Of Me
07:00 Ralph Fridge - Paradise (NatLife rev)"

Boston Modular and Synth 10 Year Anniversary Event & Showcase

via Sam Holland:

"Sam Holland from Boston Modular and Synth here. We are a Meetup group and performance event series based in the Boston area, with around 900 members in our Meetup group. We have been around for a bit over 10 years, and regularly meet at Synthcube in Waltham, MA. Artists that have been active at our events include Bill T Miller, Bob Familiar, Noizcode, Switch Angel, and many others. We are a sister organization to New England Synthfest.

We are hoping to do a post celebrating our 10 year anniversary! We have an event at Synthcube on March 21st - it will be an 8-act showcase, including TotoRobyn, Noizcode, EmeraldArcana, Metal Tiger, Bill T Miller, and others. We also have a compilation thats out for pre-order: https://bostonmodular.bandcamp.com/album/boston-modular-and-synth-10-year-anniversary-showcase. 25 recordings from Boston Modular events in the past 10 years by 25 artists."

"Electronic musicians, synthesists, modular enthusiasts, drum machine savants, chiptune creators, drum machine freaks, noise mavens, visualists, and all around nice people. We live primarily in the greater Boston area, but folks are known to drive in from all over the Northeast. Our basic practice is a monthly Meetup group where anyone is welcome to play a 5 minute live performance using any type of electronic instrument (including acoustic instruments with electronic treatments). As of 2026 our regular home was Synthcube in Waltham, MA. Boston Modular and Synth also runs performance showcases a couple of times a year with longer, more organized sets.

Boston Modular and Synth first met on October 12, 2015 in West Roxbury, MA under the organizing force of Paul Geffen. The current primary organizer is Sam Holland, aka Metal Tiger.

To learn more about the organization, please go to bostonmodular.org.

Album credits:

All tracks recorded by the performers at a Boston Modular and Synth event
Compilation organized by Sam Holland
Mastering for all tracks done by Bob Familiar.
Album art by Koala Steamboat (not sure how you want to bill yourself here).

Special thanks to: Bob and Kristina for their amazing work, Eric Crawley and Kent for their longstanding work that laid the foundation for the scene and run our sister organization New England Synthfest, the Watertown Public Library for hosting us for years in their makerspace and library meeting room, everyone who submitted a track, Irwin and Max for helping so consistently at events, Mike, Jeff, and Chris at Synthcube for giving us such an amazing home base, Deftly-D for organizing the visual bill for the release party, and an extra special thanks to Paul Geffen for the work he put in getting this group started. We wouldn't be where we are today without you."

ARP Foundation NAMM & Buchla & Friends Pics

via The Alan R Pearlman Foundation newsletter:

"Our West Coast Whirlwind!

Still feeling the synthesizer love from last month’s California visit to NAMM / Buchla & Friends!

At NAMM:

Anthony Marinelli visited our booth
The Blue Meanie was at our booth for a whole day!

ARP 2600: Drew Schlesinger demonstrated patches using the 2600 software included in the Korg Collection VST 6. 2 Lucky folks won a signed CD and poster from Martin Gore

And Congratulations to Violet Burns who won the Korg Collection 6!

Then it was off to Buchla & Friends – January’s biggest two-day collection of hands-on synths on the West Coast!

Remember: The Most Creative Part of an ARP synthesizer is You!

NAMM 2026 would not have been possible without the help of the following people and companies:

Thank you to Korg, Inc for the Korg Collection Giveaway and helping us make NAMM possible.

Thank you to Sean Weizmann of Arturia for the midi controller

Thank you to Beyer Dynamics for the headphones

Thank you to Ryan Hawkins of Hawkins Restorations for use of his Blue Meanie, Tonus 2600, OMNI and Odyssey, and for being the best Booth volunteer along with his assistant Miles.

Thank you to Julie Lewis for volunteering at the booth and for her donation last year of a rare ARP Soloist that was owned and played wonderful late husband synth legend Don Lewis.

Thank you to our Board Member and booth volunteer Stephen DeJesus for selfless assistance at both NAMM and Buchla & Friends.

Thank you also to Chris Cardone, Joe Castronovo, Tom Cusimano, Deanna DelVino, Rich Formidoni, Martin Gore, Andy Joyce, Brian Kehew, Ruperto Ifil, Mary Lock, Anthony Marinelli, Mark Marshall, Mike Metlay, LaMar Mitchell, Tony Notron, Drew Schlesinger, James Terris and Brianna Tortino,

View our West Coast photo dump!"



Pictured:

Top: The great Stevie Wonder w/ ARP Foundation's Dina Pearlman-Ifil.

Middle: "Richard Devine giving the Blue Meanie a run for its money." Check out the video here.

Bottom: ?! :)

Torso S-4 + • Textural Ambient Cinematic

video upload by Nate Connelly Music

"Track title : Winter Signal

Equipment Used:
• Torso S-4 Sculpting Sampler
• Sequential Prophet REV2
• Moog Sub 37
• Strymon Big Sky
• Gold Mike SPL Pre-Amp
• Pro VLAII Compressor

Recorded into:
• Cubase PRO 11

Very minimal EQ post processing.

Thanks for listening.

#ambientmusic #electronicmusic #synth"

Synth South West - Pro Synth Network's First Live Event!

video upload by Pro Synth Network

"Pro Synth Network is proud to announce our very first live event, Synth South West, in the picturesque seaside town of Dawlish, on March 21st, 2026.

Nestled on the Devonshire coast, and easily accessible by both road and rail (or boat for the adventurous!). Dawlish will provide a beautiful backdrop to our maiden event.

During the day, there will be a synth expo at The Strand Centre, featuring synth manufacturers, enthusiasts and performers. In the evening, we move across the road to The Shaftsbury Theatre for an evening of electronic music with some of the most talented live performers within our community.

Our headline act is Dave Bessell, one quarter of synth supergroup NODE! We also have a rare performance from Film & TV composer, Ty Unwin and flying in from the USA, Mr Spiral, aka Dr Mike Metlay. And our very own Peter James Stephen will be kicking the evening off!

Visit https://www.synthsouthwest.com/ to book your tickets. The day and evening events are ticketed separately at £10 pp each, but buy both tickets and save £2!"

"Concert Line up:

Peter James-Stephen Breaking the Sound Barrier
Dr Mike Metlay Mr Spiral and Guess
Ty Unwin
and Dave Bessell from Node

Tickets £10 for Daytime Expo
£10 for Concert
or £18 for both"

The Alan R Pearlman Foundation's Year in Review

video upload by Alan R. Pearlman Foundation

"From a Compilation to a Concert Celebration, our year celebrating our namesake's Centenary has been amazing! Share our journey!

Music by Lisa Bella Donna & Shawn Johnson

Purchase Soul of the Machine at https://alanrpearlmanfoundation.bandc...

2025 Sponsors:
Korg, Cherry Audio, Moog Music, Manny Fernandez, Tom Rhea, Rosen Sound

2025 Partners:
Bell Tone Synth Works, CMS, CatSynth TV, EMEAP/MMT, Eric Crawley/Dan Gilbert, Interage MediaWorks, Knobcon, Korg, Anthony Marinelli Music, Antonus, Mashina Bristronica, NAMM Museum of Making Music, Vito Nandi, New England Synth Fest, Projekt Records, Steve Roach, Round & Wound, the SynthCave, SynthCube, Synthtopia, Synthetic Dreamscapes, The Record Co. (TRC), Sharon Wasko Designs

Thank you to all of our donors, volunteers, interns, friends and partners including (but not limited to) Alex Ball, Antonus, David Baron, Lisa Bella Donna, Chris Cardone, Jon Carin, Alison Cassidy, Nick Carlisle, Phil & Linda Cirocco, Mike Cushing, Tom Cusimano, Eric Crawley, Stephen DeJesus, Rich Formidoni, John Foxx, Dan Gilbert, Patrick Gleason, Herbie Hancock, Martin Gore, Rupert Greenall, Ryan Hawkins, Mary Lock, Mark Marshall, Machina Bristronica, David Mash, Steve McQuarry, Bill T. Miller, LaMar Mitchell, Chris Meyer, NE Synth Festival, Nicola Joss, Ruperto Ifil, Brian Kehew, Anthony Marinelli, Tom Piggot,TRC (The Record Co). EMEAPP/MMT, Mary Lock, David Mash, Matrix Synth, Michelle Moog-Koussa, Tony Norton, Jim Michmerhuizen, Mike Metlay, C. Carl Peters, Rob Puricelli, ProSynth Network, Drew Raison, Steve Roach, Sam Rosenthal, Drew Schlesinger, Don Slepian, Steve Smith, SynthTopia, the NAMM Museum, the MiDI Association, Real World Studios, Gerson Rosenbloom, Collin Russell, James Thirlwell, Pete Townshend, the Townshend Studio, and Andrew Ward"

Cherry Audio Introduces Mercury-8 - Virtual Roland JUPITER-8 Soft Synth

video uploads by Cherry Audio

"Mercury-8 synthesizer builds on Cherry Audio's renowned Mercury legacy with a passionate focus on detail and modern technical advancements. Every aspect of the original hardware has been carefully modeled to capture the sound and behavior that made the JP-8 so legendary. Furthermore, Mercury-8 goes "beyond Jupiter" by offering expanded polyphony, versatile modulation options, studio-quality effects, and expressive performance capabilities. It not only captures the distinctive essence of a JP-8 but can even exchange SysEx data with MIDI-modified hardware.

https://cherryaudio.com/products/merc...

Cherry Audio and @TimShoebridge have collaborated once again to share an in-depth introductory video for Mercury-8. This comprehensive guide demonstrates how simple it is to create powerful sounds from scratch, maximize the modulation matrix, and get the most out of splits and dual layers. Additionally, the video highlights the new effects and Mercury-8's remarkable capability to import original JP-8 patch bank SysEx data via a drag-and-drop feature.

00:00 - Mission Mercury! by Mal Meehan, James Terris, and Robert Saint John
01:16 - Introducing Mercury-8 with Tim Shoebridge
02:48 - A Little Experiment
05:20 - Music: "From Scratch"
07:26 - Front Panel: VCOs and LFO
11:45 - Music: "Two Notes"
12:05 - Filters and Envelopes
15:00 - Music: "Plucks"
15:20 - Mod Matrix
16:35 - Layers, Dual and Split
18:05 - Effects
25:45 - Music: "Lo-Fi"
26:27 - Quick Tour: Sequencer, Arp, Performance, Assign Mode, and the Digital Display
27:43 - Digital Display and Expanded Settings
34:41 - Mercury-8 and JP-8: Factory Presets and SysEx Data Exchange
37:37 - Conclusion and Music: 'Timeline'"

Playlist of videos (note the desciption above is for the first video):

1. Cherry Audio | Introduction to Mercury-8 with Tim Shoebridge
2. Cherry Audio | Mercury-8 Synthesizer - NEW! - Cherry Audio and Michael Oakley Official
3. Cherry Audio | The Grid Preset Pack for Mercury-8 by Michael Oakley
4. Cherry Audio | Mercury-8: A Tour of the Presets with Mike Martin
5. Cherry Audio | JUPITER-8 x MERCURY-8 - Factory Presets Compared
6. Cherry Audio Mercury-8: Artist Demo - James Dyson
7. Cherry Audio Mercury-8: Artist Demo - Jezz Woodroffe

And two user videos:

Cherry Audio Mercury-8 Jupiter-8 Strings Pads FX VST Virtual Analog Synthesizer Rik Marston

video upload by Rik Marston Official

"My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou..."

Cherry Audio Mercury 8 Synthesizer 'Mercury Sunset Riders'

video upload by James Dyson

"Cherry Audio Mercury 8 Synthesizer 'Mercury Sunset Riders'

Composed with just handful of the included 'James Dyson Collection' Factory Presets that come with Mercury 8. 'More than just a Jupiter 8'

All played live and multi track recorded.

Checkout Mercury 8 here https://cherryaudio.com/products/merc..."

100 Oberheim Matrix 12 URBANEK Patches BY Peter Urbanek

video upload by Really Nice Audio

"After the last set of whacky sounds [posted here] I wanted to document some more 'classic' Matrix 12 vibes. I found this great bank by Peter Urbanek.

From the .txt

PATCHES BY PETER URBANEK (free)
Reviewed by Mike Metlay

Peter's patches tend to be organized in sets, with several subtle variations on a theme, and named accordingly: VOICE 1.1, VOICE 1.2, etc. It seems that when a patch deviates enough from the basic form, he gives it a name of its own and groups it after the others of its ilk. For this reason, Peter's patch tape is organized quite neatly, making it easy to audition all of a particular type of patch. Heavy use is made of both Levers, both Pedals, Pressure, Velocity, and Release Velocity on many patches, for effects ranging from vibrato to ENV shape changes and resonant sweeps on note attacks. It should be noted by all that to Peter, "vibrato" means everything from triangle-wave warbles to deep noise-wave growls. His Multi Patch setups are meaningless: they're left over from the factory patch tape. Blanking them would've been nice.

In contrast to the previous set, the patches here bear little resemblance to the sounds after which they're named. Each sound group, like VOICE, STRIN, CHURCH, etc., appears to describe the general character of a sound rather than it's true intent. Peter seems to enjoy the "analog synthesis for its own sake" approach to programming; he eschews realism in favor of timbre.

And what timbres-thundering basses, blasting church organs that seem to belong to any church I've ever heard of, bizarre sound effects (though not on the level of the next tape reviewed) with random LFOS, rich filtered string pads ... all heavily overlaid with a grimy analog crunch that threatens to bury the listener. There are a few slightly altered factory patches as well, but these have also fallen to Peter's grim analog touch.

In fact, there aren't that many different kinds of sounds on this tape; it has a definite "one flavor" feel to it throughout, and that flavor doesn't lend itself to realism, so if you're looking for variety or realistic sounds, look elsewhere. But if you want to learn exactly why no digital synth can cross an Xpander and live, these sounds would be a fine place to start."

ARP Foundation's Soul of the Machine CD & Download Update

If you haven't picked up a copy of the release, now might be a good time.

via the Alan R Pearlman Foundation:

Soul of the Machine is a Roaring Success!!!

We have officially sold half of our limited edition CD; we are also going to end our introductory 'Name Your Price' for downloads on BandCamp soon, so don't hesitate to purchase today!

Praise from BandCamp (Alan R Pearlman Foundation and Projekt Records )

"A tribute to the creator of my favorite music instruments. I Like the sound of the ARPs in classical electronic albums. Great record with many great contributions!"

"No favourite track, just indulging in the sonic wash of this amazing album. Just wonderful."

"...what an AMAZING collection!! ..."

"A ritual offering—ARP as oracle, muse, and monument. The machine has a soul. And here, it sings."

"It's hard to pick a favorite track off of this compilation... Lots of groovy music by a lot of artists.I had never heard of, but there are a few artists.I am familiar with. this is pretty groovy stuff... " "Awesome tribute and collection. Mr. Roach has somehow found time to be an archivist. would love a second volume. get this as both sampler and tribute..." Purchase from BandCamp

CLICK FOR MORE »

Liam and the Pro Soloist V4

video upload by Alan R. Pearlman Foundation

"Liam and the Pro Soloist

Presented by:
Liam Duggan
Lucky Winner of an ARP Pro Soloist
Signed by Tony Banks

Liam has been active in the UK music scene since the late 80’s. From playing in punk bands in his teens, djing in Bristol’s early acid house scene to working in the studio with Mr Scruff and DJ Krust, touring as keyboard player for the reknowned Bristol band Breakbeat Era, and working as a synth programmer for Bryan Ferry.

Liam has a deep love of music and synthesizers. ARP Synthesizers in particular. His email address ends in 2600.

This raffle was made possible by:
Andrew Ward, Tony Banks and Machina Bristronica

Thanks also to: Alex Ball, Alison Cassidy, Bell Tone Synth Works, the Board of the Alan R Pearlman Foundation, Cherry Audio, Gino Wong, Korg UK, Mike M. Martin, Moog Music, Nick Carlisle, Robbie Puricelli,
Robert Saint John, Rupert Greenall,
Sweet Discrete and Vito Nando"

https://alanrpearlmanfoundation.org/

Soul Of the Machine: A Celebration of the Life & Legacy of ARP founder Alan R. Pearlman

via the Alan R Pearlman Foundation

Available on Bandcamp here

Press release follows:

Kingston, NY— In 2025, the Alan R. Pearlman Foundation celebrates the centennial of its namesake, the electronic visionary whose marvelous ARP synthesizers changed the landscape of music forever. As part of the ongoing celebrations, the Foundation is announcing the release of Soul Of The Machine, a 36-track musical celebration of the man and his creations as interpreted by a diverse range of recording artists.

Soul Of The Machine is a 36-track collection of tracks old and new, covering everything from innovative electronic, dance, and space music to jazz, funk, and Latin pop, all featuring the signature sounds of classic ARP instruments. The collection includes everything from ARP’s first synthesizer — the massively powerful ARP 2500 modular system — to the instruments that rewrote the rules on how electronics and music came together. The 2600, Odyssey, Pro Soloist, Omni, and many more ARP instruments sing, cry, scream, and soar, in the hands of musical talents both legends and newcomers.

Soul Of The Machine is a treasure trove of musical exploration. Martin Gore’s “KIno" combines Depeche Mode’s signature rhythmic power with a uniquely lyrical and sweet atmosphere. “Mr. No” is a celebration of the classic proto-techno sound of John Foxx. Award-winning soundtrack composer Mark Isham showcases his signature pulsating energy and evocative moodscapes in the mini-suite “Musings – in Two Parts”. Lisa Bella Donna takes listeners on a journey into timeless wonder in the epic “Conclusions.” JG Thirlwell’s “Sphere” is a synth freakout ricocheting between ominous sci-fi atmospheres and searing beats. Panic Girl offers "Drifting Whispers," a somber and uplifting neo-retro journey into a past that never was.

Other artists on the collection include Michael Brückner, Phil Cirocco, Rupert Greenall, LaMar "Kronick" Mitchell, Jeff Rona, Drew Schlesinger & David Torn, Don Slepian, and many others, as well as tracks by the collection's curators Steve Roach and Chris Meyer of Alias Zone.

Famed ambient / electronic pioneer and ARP user since 1978, Steve Roach shares his thoughts on Soul Of The Machine: "In 2024 I had the honor of meeting Dina Pearlman-Ifil — the director of the Alan R Pearlman Foundation — in person. Over the course of several phone conversations we discussed ways to celebrate the centennial year of her father's life and his place in history. My idea for a compilation of music using her father’s creations grew out of those conversations, presenting a perfect way to directly experience the vast range of music that was birthed by the family of ARP synthesizers. This compilation is just a small taste of the universe Alan inspired in sound explorers and artists across a vast range of genres."

Steve mapped out the music so that CD 1 represents a sonic journey and CD 2 provides a showcase of the depth and breadth of what ARP synths can do. After both CDs were finalized, there were more tracks than room on the CDs. These additional songs are available as a bonus digital supplement to the physical CD set.

Says Dina Pearlman-Ifil: “I have long-dreamed of a multi-genre collection that would illustrate the depth and breadth of the possibilities of my father's instruments. This collection is the embodiment of what my father treasured most: The creative spirit. As the old ARP tagline used to say: ‘The most creative part of an ARP Synthesizer is you.’”

The Alan R. Pearlman Foundation is dedicated to the empowerment of young and burgeoning artists into the future. When we look at classical instruments born hundreds of years ago, we see that Alan Pearlman's synthesizers stand tall, earning their place in the evolution of musical history. Acoustic or electric, their common ground is the enduring inspiration for creativity and sonic innovation that inspires the hearts and minds of musicians, performers, and sound explorers worldwide.

Soul Of The Machine will be available for streaming on October 17, 2025. The special limited edition CD will be available for purchase in early-to-mid-November.

Proceeds go the Alan R. Pearlman Foundation

The Alan R. Pearlman Foundation is a 501(c)(3) not-for-profit organization.
Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman, by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create.

ARP Centennial Compilation Concept: Steve Roach
Project Directors: Steve Roach, Chris Meyer, and Dina Pearlman-Ifil Mastered by: Robert Rich

Cover concept and design by Dina Pearlman-Ifil, production by Sharon Wasko

This compilation wouldn't be possible without the support of our incredible sponsors: Cherry Audio, Korg USA, Moog Music and Steve Roach.
Also HUGE thanks to Chris Meyer / Alias Zone, Mark Marshall / interage.com for all things web, Dr. Mike Metlay/ atomicwords.net for creative input on the liner notes, and Sam Rosenthal / Projekt Records.

Purchase from BandCamp: https://alanrpearlmanfoundation.bandcamp.com/album/soul-of-the-machine...

Korg Prophecy Demo | 90s Rave & Trance Preset Sounds (The Prodigy, The Orb)

video upload by Nostalgic Explorer

"Today, I’m diving deep into the Korg Prophecy, the legendary 1995 synth that pushed boundaries with analog-style power, FM tones, and wild physical modeling — all packed into one compact digital beast. 🎹

This video is a personal journey through the Prophecy’s factory presets (A-00 through A-23), where I’ll show you why this monophonic synth became a favorite for 90s electronic pioneers like The Prodigy, The Orb, and even Radiohead. From punchy basses and expressive leads to brass, winds, and experimental textures, the Prophecy truly defined a new era of sound design.

Along the way, I’ll share some fun history, performance tricks, and why the Prophecy’s ribbon controller and modulation options made it one of the most expressive synths of its time."

00:00 Intro – Korg Prophecy 90s Rave Synth
00:30 Prophecy history & background
02:34 Preset A00 – Prophetic Steps (+ battery issues)
04:21 Preset A01 – Airworks
05:18 Preset A02 – Dina Slap Bass
05:57 Preset A03 – Trumpet
06:46 Preset A04 – Prophetic Steps (variation)
07:49 Preset A05 – The Whistler
08:25 Preset A06 – The MD Hard Azz
09:18 Preset A07 – Waterphonics
10:18 Preset A08 – Alto Sax
10:27 Preset A09 – Trombone
11:44 Preset A10 – Piccolo Flute
12:33 Preset A11 – Feedback
13:13 Preset A12 – Countrytime
13:50 Preset A13 – Four on the Floor
14:40 Preset A14 – Prophetic Steps (repeat)
15:24 Preset A15 – Space Bee
16:30 Preset A16 – Mike Dune
17:14 Preset A17 – Saculude
18:08 Preset A18 – Bagpipes in A
18:58 Preset A19 – French Horn
20:10 Preset A20 – Studio Mogg 2
21:01 Preset A21 – The Sign
22:03 Preset A22 – The Rave
24:38 Preset A23 – Tubular Glass
25:15 Outro – Prophecy Demo Wrap-up

Ambient exploration with the Oberheim TEO 5 (3rd Arp)

video upload by Wingo Shackleford (Mike R.)

"This is the kind of synthesizer you can play one chord on and just luxuriate in the thick warm tones, tweaking the knobs forever. "Knob-per-function" instruments are the best to interact with. You get lost in the endless worlds of sound. A real joy to play. Pure vibes.

The aura of the synth is also being enhanced by an OBNE Dark Start lofi reverb. The newest stereo version of this FX pedal is a true work of art. Both visually and aurally.

Ride the cosmic waves...

Download the Hi-Fi audio version here: / 3rd-arp-mix-2"

Emulator II purportedly played by Brent Mydland of the Grateful Dead

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"This Emulator II has been lovingly refurbished and brought back from the Dead (quite literally!)

This particular unit has a storied alleged past that I would implore you to read up on the Mystery Circuits webpage.

I purchased this off eBay about 7 years ago in non-working condition from a seller who had bought it locally from an estate sale in California some years before. I had missed the chance to buy one while they were still somewhat affordable, and this was my chance to get my hands on one. There were a couple of low quality photos included in the listing, but from what I saw it was an Emulator II unit being sold for parts/non-working that I thought there might be a possible chance we could get it up and working again.

I received the unit and it absolutely had seen better days. There was partially disintegrated black foam from a touring case scattered in openings, it was missing it's floppy drive. That's when I notice a Dead Head sticker on the back of the unit. My immediate reaction was to remove it, as my synth heroes all played these: Depeche, Pet Shop, New Order, etc. Why would anyone associate an Emulator sampler with the Grateful Dead? Before I proceeded to remove the sticker I did a quick online search. Faamous Emulator II players...Brent Mydland of the Grateful Dead!? And there was a photo...NO WAY! I stared at that photo, it was awfully close. The sticker placement, the serial number placement. This is way too close of a resemblance. Long story short my tech Mike Walters out of Chapel Hill NC reached out to the Dead's synth tech and did as much research as we could. The conclusion was ultimately inconclusive with a wink wink from Bob and the rest of the Dead crew.

Fast forward to 2021 and there is an auction for Dead memorabilia and instruments. Brent's Stage Used Emulator II is now up for auction. This should dispel any questions, we must not have the unit. But wait! After closer examination- there's some odd sticker placements and the serial number and FCC sticker are considerably further away then the photos of Brent playing his stage used Emulator. My working opinion is the auctioned off unit was likely a backup unit.

Modernized and retrofitted with a SD floppy emulator and new LCD backlight. We kept the original overlay (which is starting to peel in flake in certain areas) but can include a replacement overlay if you so desire. The outer casing has seen life outside of a studio and does show some wear."

CLICK FOR MORE »

SynthAxe Demo - Full Video #sythnaxe #guitar #synth #music

video upload by natr0n

via Wikipedia

"The SynthAxe is a fretted, guitar-like MIDI controller, created by Bill Aitken, Mike Dixon, and Tony Sedivy and manufactured in England in 1985. It is a musical instrument that uses electronic synthesizers to produce sound and is controlled through the use of an arm resembling the neck of a guitar in form and in use. Its name comes from the words synthesizer and axe, a slang term meaning a guitar in rock music. The system was developed as a joint venture funded by Richard Branson's Virgin Group.

The SynthAxe itself has no internal sound source; it is purely a controller and needs synthesizers to produce sound.[1] The neck of the instrument is angled upwards from the body, and there are two independent sets of strings.

The fretboard is continuously scanned and sends signals to synthesizers which produce the sound. The left set determine the pitch played, through contact with the frets on the neck and by sensing the side-to-side bending of the string. The right set of strings are velocity sensitive; these strings can be plucked, strummed or damped in the same manner as a guitar. A keyboard made up of nine keys can also be used to trigger notes instead of the strings.[2] Design of the key toggles was done by the late David Fowler, at the time trading under BJ Hopkins Injection and toolmaking, in Littleworth, Oxford.

An electronic tremolo bar (the 'electronic wang arm') can be used for standard whammy bar effects, or can be redefined to produce different MIDI output such as filter cutoffs or volume.[3]

When originally produced, the SynthAxe was priced at £10,000[4][5] (approximately $13,000) and eventually sold for about £6,000. The instrument was built from aerospace and military grade hardware, and was such a sophisticated and expensive piece of machinery that few were sold, making it difficult to keep the company afloat. In or around 1986, Virgin Games took over the distribution but let it go after a couple of years.

Fewer than 100 SynthAxes were made,[6] and it is difficult to locate used units. Most musicians who desire a MIDI guitar controller often use other alternatives, such as Roland or Axon systems that can convert a guitar's output to MIDI via 13-pin cables and outboard devices or older systems such as the Roland GR-500."

Yamaha | Synth Space Berlin Tour | Mike Patrick & Michael Feiner

video upload by Yamaha Synths Official

"Join Mike Patrick and Michael Finer for an exclusive walk-through of the Yamaha Synth Space in Berlin, as they explore and play some of the most legendary synthesizers Yamaha has ever created.
From vintage analog classics like the CS40M and CS80 to modern powerhouses like the Montage M and YC series, this is a journey through sound, history, and inspiration.

Learn more about our Yamaha Synth History here: https://europe.yamaha.com/en/products..."

Mike Dean | The Creation of 425 | Moog Music

video upload by Moog Music

"Back in March, ‪@therealmikedean‬ brought us into his world during the making of 425—a 12-track instrumental journey shaped through late nights and relentless experimentation. This video offers a rare glimpse into his creative process: instinctive, unfiltered, and always ahead of the curve.

Stream the '425' album: https://open.spotify.com/album/6Lkygc...

Mike Dean is a legendary producer and synth pioneer known for shaping the sound of modern hip-hop. From Travis Scott’s ‘Astroworld’ to The Weeknd’s ‘Dawn FM,’ his work consistently blurs the line between beatmaker and sonic architect. A master of analog texture and atmosphere, Dean continues to push boundaries with every project he touches... and we continue to look forward to what's next.

This video contains low frequency harmonic content that cannot be reproduced via phone or laptop transducers. Use a pair of headphones or monitors for an optimal listening experience."