"Outbox 8 adds eight outputs for configurable audio and CV, meaning you can turn your compatible Elektron machine into an octopus of connectivity. Add external effects. Separate your tracks out to a mixer or wherever. Control and sequence your modular gear or any other CV-equipped devices. And though Outbox 8 is predominantly made with your Elektron units in mind, it can do the same with a bunch more class-compliant gear too. Break out your sound and control, whatever the moment calls for."
Outbox 8 is a versatile eight-channel audio/CV breakout box and USB host/device designed to expand your connectivity, with creative possibilities to boot. It adds eight fully configurable physical outputs to a compatible connected device, letting you send audio and CV in any combination its capabilities allow. Route your sound and control wherever the moment calls for.
Send audio
Outbox 8 enables you to route individual tracks for external processing, mixing, or performance – creating a flexible bridge between your Elektron workflow and the wider world of sound and control.
"The story behind Adamsynths and the creation of the Warthog — the world’s first modular synthesizer with Total Recall.
This video tells the story of Adamsynths from the early beginnings to the creation of a truly unique instrument. Growing up in an environment where music and electronics were part of everyday life naturally led to building a modular analog synthesizer. But the goal was more than just creating an instrument — it was about redefining what a modular system can do.
This conversation features: Ádám Miski – founder of Adamsynths and designer of the Warthog Tibor Domokos – keyboardist and composer of the band Operentzia
In this video, you will discover: the origins of Adamsynths the story of the first prototypes how the idea of Total Recall was born and the multi-year development process behind the Warthog
The Adamsynths Warthog is the world’s first and only modular analog synthesizer capable of storing the entire patch — including knob positions, switch states, and cable connections.
⏱ Chapters: 00:23 Introduction 00:49 Tibor’s story 01:52 Ádám’s story 03:47 The Warthog story
📍 Filmed in Oliva, Spain 🎛️ Adamsynths Studio
If you’re interested in analog synthesis, instrument design, and the engineering behind truly unique musical tools, this video is for you."
"Ear Candy is the ultimate collection of iconic EP (electric piano) sounds from the 80s & early 90s, meticulously deep-sampled for MainStage/Logic and Kontakt. These are the most "expensive" sounding EPs you heard on the biggest hits of the decade, by countless artists.
This is a walkthrough of all patches, with background info on the instruments captured.
"This last few months I've been downsizing a lot in the studio, while focusing on creating a compact system within the Eurorack. Have lots of redundancies and gear that I haven't been using much.
Now has been the time for the Sequential Pro 3. I used it a lot in some projects, but the last two years has been gathering dust, so it was time for it to find a new home.
Still trying to find the perfect balance. However I find these these two, the Moog Matriarch and the Sequential Take 5 , so inspiring that I hardly see myself parting with any of them. My plan is to pair the modular with the Matriarch more in the future, so we will see.
Also the Magneto is growing on me, I loved the Strymon dTape sound from the Timeline, but this one is AMAZING. Takes anything to a whole different sound world.
Lastly, I used Rings into FX Aid (Gen Loss algorithm) for the bass sound.
"Stop using LFOs to play cheap vibratos! We come from the modular world and we believe that there's more into LFOs than meets the eye! In today's videp we want to showcase three simple tricks that can make your LFOs sound incredibly professional and organic."
This track is made on a cloned Buchla 200 modular system and a series of looper modules to construct the music in real time
The Buchla 200 is probably the most advanced electronic music synthesis system ever conceived by a human mind. It has such depth and nuance only perhaps some far away alien civilisation could come close to matching its experimental sonic quality
You can watch the original performance here:
• Midsome - Live Buchla 200 Performance [posted here]
This video pays homage to another of my favourite science fiction illustrators H.R.Geiger, who was responsible for creating the incredible world of the Alien movie franchise, but actually, before that I was familiar with his work as a young boy growing up in the 1970s and owning the ELP album Brain Salad Surgery, the cover of which was designed by Geiger. Actually before I had the album I had the single of an exclusive BSS track on some kind of flexi-disk which had a mini version of the fold out artwork as featured on the album. Or maybe I dreamed that? I'll have to dig it out!
I have tried to bring his work to life in my own way by putting some of his images through the Memetune VideoLab...enjoy!"
This track is made on a vintage ARP 2500 modular system from 1970. A series of looper modules made by 2hp were used to construct the music in real time
The ARP 2500 was known as the concert grand of synths. This is because it is so magnificent in every way possible
You can watch the original performance here:
• Summersend - ARP2500 [posted here]
This video pays homage to one of my favourite science fiction illustrators Syd Mead, who was responsible for many amazing designs, including some of the world building in Blade Runner and Tron. I have tried to bring them to life by putting them through the Memetune VideoLab...enjoy!"
"Suit & Tie Guy joins me for a TDL Synth Chat covering STG muSonics, Knobcon, modular synth history, why he moved away from software-based music making, and the stories behind his hardware design work.
Suit & Tie Guy is the founder of Knobcon and the person behind STG Soundlabs / STG muSonics. In this long-form synth podcast we talk about early computer music, Numerology, hardware sequencing, the move from software to dedicated instruments, module design, the muSonics story, and why in-person synth events still matter.
Timestamps: 00:00 Intro 00:49 Suit & Tie Guy joins the show 02:07 Early music work and Mac game scoring 06:31 Numerology and analogue sequencing ideas 08:46 Live rigs, Hammond-style controllers and Manchester 11:35 Moving from software to hardware 14:07 KiCad, modular design and prototyping 17:35 Why dedicated hardware matters 20:40 Building a video studio for music technology 23:20 The Lyall four-voice synth and rare hardware 26:43 STG Soundlabs, mythology and muSonics 30:55 What muSonics is and why the name matters 33:37 Finishing the Moog 900-series idea 36:34 Knobcon and planning a part two 39:32 Synth communities and real-world connections 42:01 Sound design plans for the next chat
"Join us for an evening of live patching, experimentation, and hopefully some proper techno grooves. I'll be patching alongside @theblisssssssss, who is still relatively new to the world of modular synthesis, so expect some exploration, testing, happy accidents, and plenty of learning along the way.
We'll be tweaking patches in real time, and seeing where the machines take us. Some things will work, some things probably won't — that's part of the fun of modular.
Whether you're deep into Eurorack, curious about live electronic music, or just want to hang out and listen to some evolving techno, you're very welcome to join us."
"An out of this world adventure with Lifeforms SV-2 begins Tuesday August 11, 2026 at https://pittsburghmodular.com
The soundtrack of this film was recorded by multi-tracking the Lifeforms SV-2 into Ableton Live with EQ and compression added while mixing.
Film and music by Richard Nicol, Founder and Lead Instrument Designer at Pittsburgh Modular. The film was layered together from public domain and stock footage. No AI was used."
WITH ORIGINAL DOCS- YOU'RE GONNA NEED THOSEAnalogue Solutions DJMC — Rare Dual Joystick MIDI Controller (Discontinued / Cult UK Gear)
WITH ORIGINAL DOCS- YOU'RE GONNA NEED THOSE
iNSTALLED IN CUSTOM DIY CASE , midi IN, OUT AND THRU
A genuine piece of underground electronic music history: the DJMC by Analogue Solutions, one of the UK's most respected true-analog synth builders. Long before "expressive control" was a marketing buzzword, Analogue Solutions built this twin-joystick MIDI controller with crossfader for performers who wanted real, tactile, two-axis-at-once control over their sound — no touchpads, no menus, just raw hands-on movement.
This thing was never mass produced. Analogue Solutions has since shifted entirely toward their acclaimed eurorack and analog synth lineup (Colossus, Leipzig, Telemark, Nyborg, and more), and the DJMC has completely vanished from their current catalog — it doesn't show up anywhere on their site today. they almost never surface secondhand. If you've been hunting for one of these, you already know how rare a find this is.
Perfect for:
Collectors of obscure UK analog gear Live performers wanting expressive dual-axis control (filter/resonance, X/Y FX, pitch/mod) Modular heads running MIDI-to-CV for joystick-driven patching VJs/lighting rigs that read standard MIDI CC A genuine, hard-to-find piece from a small builder with a serious cult following in the analog synth world — grab it while it's here, because another one might not turn up for a long time
iNSTALLED IN CUSTOM DIY CASE , midi IN, OUT AND THRU
A genuine piece of underground electronic music history: the DJMC by Analogue Solutions, one of the UK's most respected true-analog synth builders. Long before "expressive control" was a marketing buzzword, Analogue Solutions built this twin-joystick MIDI controller with crossfader for performers who wanted real, tactile, two-axis-at-once control over their sound — no touchpads, no menus, just raw hands-on movement.
This thing was never mass produced. Analogue Solutions has since shifted entirely toward their acclaimed eurorack and analog synth lineup (Colossus, Leipzig, Telemark, Nyborg, and more), and the DJMC has completely vanished from their current catalog — it doesn't show up anywhere on their site today. they almost never surface secondhand. If you've been hunting for one of these, you already know how rare a find this is.
Perfect for:
Collectors of obscure UK analog gear Live performers wanting expressive dual-axis control (filter/resonance, X/Y FX, pitch/mod) Modular heads running MIDI-to-CV for joystick-driven patching VJs/lighting rigs that read standard MIDI CC A genuine, hard-to-find piece from a small builder with a serious cult following in the analog synth world — grab it while it's here, because another one might not turn up for a long time"
"The studios house a vast collection of vintage and state of the art electronic music instruments, equipment and facilities to suit to musicians, researchers, and artists with diverse creative practices and requirements.
In the studio’s 60 year history we have acquired a substantial assemblage of rare and unique electronic music-making, instruments, tools and technologies which have been at the centre of research projects across the department for many years.
"The LF-AMP module combines two modules in one chassis:
First, on the left, is a precision triangle wave LFO, featuring:
Two pairs of outputs, each with its own amplitude control ('amount' as most would call it);
Direct and Inverted outputs in each pair;
A precision BIAS control for each output which determines the center of the voltage swing;
HI/LO range for rate, for a total range of about 20Hz down to about 1 cycle every minute.
Easy to see rate indicator LEDs showing the positive or negative swing of the output.
Second, on the right, is a high gain utility amplifier for headphones or line level sources, featuring:
Stereo inputs and outputs, with Normalled output for two individual outputs, or signals combined into one stereo jack ('2/MIX')
A bit more about the rationale...this module was designed for use with our Stereo Ensemble instruments. We needed a specialized LFO for our phaser modules, and an amp for final output, so they were combined into single unit. It's the peanut butter and anchovies of the modular world! The LFO output can be reduced down to a very tiny voltage swing, and then precisely located to work with devices needing those conditions...but it can also be used to give an exact range to a VCO, or an exact amount of depth to a VCA, etc. And since there's an inverted version of each output, two of something can work inthe exact opposite direction if desired. There isn't much to say about the amp; it's just a high quality amp for headphones which works to drive line level sources as well, using the LM4580 amplifier chip."
"The NTS-4 is a compact performance mixer kit designed for modern hardware setups. With six channels (two mono and four stereo), built-in effects, USB-C connectivity, and support for up to 10 audio signals, the NTS-4 makes it easy to bring together volca units, NTS instruments, modular gear, grooveboxes, and desktop synths into one streamlined setup.
In this overview, Fess Grandiose walks through the NTS-4’s flexible channel architecture, Eurorack-compatible mono inputs, dual stereo effects engines, per-channel CUE and MUTE controls, USB-C audio and MIDI connectivity, and the hands-on Nu:Tekt DIY assembly experience.
Features:
• Compact 6-channel performance mixer
• 2 mono + 4 stereo 3.5 mm channels
• Supports up to 10 audio signals
• Eurorack-compatible mono inputs
• Standard 1/4" main outputs
• Per-channel CUE, MUTE, and FX send
• Dual stereo effects engines
• SEND FX + TOTAL FX processing
• Stereo send/return loop
• USB-C audio + MIDI
• Record directly to computers & mobile devices
• Rugged steel chassis
• Nu:Tekt DIY kit assembly
Learn more about the NTS-4: https://bit.ly/4w0QxLQ"
And a user video from supporting member Knobs & Switches:
KORG NTS-4 Performance Mixer Kit
video upload by Knobs & Switches
"Here is my review about the new Korg NTS-4 Performance Mixer Kit together with loads of other Korg gear:
MS20m, Drumlogue, SQ-1, 700Sm, Harmonic Distortion, Opsix, Sigma, Minipops-7, ISE-NIN Single Voice, Ryk M185 Sequencer and of course the NTS-4. The Nu:Tekt Mixer will be released today! Have fun
00:00:00 Intro
00:00:037 Title Track (only the NTS-4’s FX were used)
00:03:04 Epilogue
00:04:41 NTS-4 Run Down
00:08:58 NTS-4 Send FX
00:14:56 NTS-4 Send/Return
00:15:58 NTS-4 Total FX
00:21:19 Conclusion
00:22:47 Outro (only the NTS-4’s FX were used)
Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Yamaha MG-06, Steinberg Cubase 15 and Final Cut Pro X"
A compact performance mixer for modern hardware setups
Build the perfect bridge for your music. The NTS-4 brings the flexibility of the Nu:Tekt series to a compact performance mixer kit designed for today’s hardware setups. With six channels (two mono and four stereo minijacks), built-in effects, and USB connectivity, the NTS-4 makes it easy to mix and perform with volca units, NTS instruments, modular gear, and other desktop synths in one place, supporting up to 10 audio signals in a single setup.
From the integrated effects to the steel chassis, every part of the NTS-4 is designed to turn your collection of instruments and gadgets into a professional-grade creative hub.
"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Today we are going to talk about Native Instrument’s Massive X.
This 2019 plugin is a cautionary tale for music technology brands about what NOT to do if they don’t want to end up as yet another pair of antlers in inMusic’s trophy room.
Chapters: 00:00 Intro tune 00:39 Overview NI Massive X 01:12 Why it's worse than OG Massive 01:38 OK, that's not soooo bad... 02:05 Oscillator Section (Yeah, it's a mixed bag) 02:32 Noise Section 02:39 Filter Section 02:59 Insert FX, Feedback, FX Section 03:32 Workflow (Envelopes, LFOs, Random) 03:56 The Dealbreaker 04:03 Trackers and yes, it can still do Dubstep 04:16 Animator, Massive X Player 04:40 Modular Environment, Presets, Pricing 05:09 H*te Screen 05:37 Jam 1 ( Massive X-only Psy ) 06:31 Jam 2 ( Massive X vs. Analog Drums ) 07:32 Finale ( Drum'n'Bass ) 08:04 VERDICT"
"STIGMA is not just a module: it is a destructive, versatile analog sonic organism, powered by real vacuum tubes and designed to disrupt your Eurorack ecosystem.
Built with a flexible True Stereo and Dual Mono architecture, STIGMA offers total control over signal routing, allowing you to process independent sources or shape the stereophonic space with dense, harmonically rich tube saturation.
From Signal Processor to Pure Synthesizer While STIGMA is designed to filter, mangle, and brutally distort any external source (drum machines, oscillators, full mixes), it also hides an autonomous and unpredictable soul.
By driving the filter into self-oscillation, the module transforms into a fully-fledged solo synthesizer or a formidable percussive sound generator. By modulating the resonance and leveraging the lightning-fast response of its circuitry, STIGMA can sculpt devastating kicks, metallic toms, and thick, industrial percussive textures, saturated directly by the tube stage.
Key Features: True Stereo & Dual Mono: Two completely independent tube channels for maximum routing flexibility.
Warmth & Destruction: A tube saturation and distortion stage to go from subtle analog warmth to harsh, destructive clipping.
Advanced Filtering: Analog filters molded around the tube character, capable of cutting through the mix or screaming when pushed to the limit.
Self-Oscillation & Percussive Engine: Generate heavy kicks, industrial toms, and unique percussive sounds by using the circuit's self-oscillation as a sound source.
Eurorack Interface: Integrated CV controls for total, dynamic interaction with the rest of your modular system."
STIGMA – A Stop Motion Short Film by Arcaico #stopmotion #synthesizer #modularsynth #eurorack
"Luke and Tom are back with another chat about the world of synthesisers and electronic music, recorded at Signal Sounds HQ. This time, Luke discusses his work scoring short films, and the pair chat about their respective approaches to recording synths in the studio. They also cover some new arrivals at Signal Sounds HQ and discuss what hardware does better than software when it comes to making music.
Get in touch with questions, feedback and suggestions via signalflow@signalsounds.com
00:00 Introduction
01:18 Luke on film scoring
10:46 Tom on moving his studio (and some new toys)
19:45 Luke on the Fairfield Circuitry Placeholder
21:59 Tom on the Sixty Four Pixels CVOCD-X
24:52 Tom on the Earthlink Modular Trails
27:33 Approaches to recording synths & hardware effects
36:55 Hardware vs software
49:37 Outro"
"Up for sale is a super rare Macbeth Elements EL2 analog synth, hand-built by Ken MacBeth back in 2019 in extremely limited run of only 30 units, as said by himself - the best ever analog synth he ever built in his life… Described by him as “Elements on steroids, circuit wise”. Please do not mislead this with a regular silvers Elements - EL2 is one of a kind the way different unit. It features a striking black aluminium chassis, gold plated touch up keyboard and a very deep vintage style circuitry using through-hole components and 70’s vintage new old stock semiconductors and metal ICs. Three highly versatile discrete voltage controlled oscillators with individual audio outputs and advanced sync capabilities, classic architecture with subtractive signal path featuring unconventional filter slopes, a built-in spring reverb and a tape echo simulator. All this mixed up with a wide-ranging modulators and large tactile potentiometers for deep sound sculpting. Also, Ken decided to completely remove MIDI support making the priority to CV: he noted that most musicians use the instrument with Control Voltage and modular setups anyway. Removing MIDI parts freed up physical space and optimised the pure analog circuitry. VCO1 and VCO2 now get their own knobs instead of sharing just one. New spring reverberation circuit in EL2 provides a much deeper, different sound than the first model. Cross-modulation expanded as well: VCO3 syncs to VCO2 and VCO2 can now syncs to VCO1 directly. Of course, inspired of the legendary EMS Synthi, but ones you came across both in one room - you will definitely can’t choose which one is better here. EL2 will be never produced again and it’s already a holy grail in the world of analog synths. This exact one is number 15 of 30. Comes with the original power supply. Everything you can see in the pics is included in that sale. Was a beloved studio toy, but now it’s time to go! In excellent overall and technical condition. Please see all pics cause they are a part of description. Free shipping within the US from Brooklyn, NY. International shipping from Brooklyn, NY to any place in the world with a tax free service."
"The Befaco Modular Backpack is designed specifically to carry your Befaco 7U Case safely and comfortably wherever your music takes you.
Built for modular musicians on the move, the backpack features a soft padded interior, ensuring your system stays protected during transport. Its expandable design gives you extra space when needed, while keeping a compact profile for everyday travel.
A dedicated laptop compartment lets you bring your computer along for live performances, studio sessions, or patching on the go. Multiple accessory pockets keep cables, headphones, power supplies and small gear neatly organized — including a hidden pocket for your knurlies and tiny essentials.
Sized to be cabin-friendly, the backpack is ready for flights, gigs, rehearsals, and studio hopping. Whether you’re travelling across the city or across the world, it’s the perfect companion for your Befaco 7U Case.
"Here's a 3 patches series video that distils down many of the reasons I think random voltages are ace to just 3 examples. It's also a bit of a quick demo of the fantastic new RANDOM8, your new random mate from your pal and mine Mylar Melodies (and Befaco)."
*TIMING INDEX // CHAPTERS*
00:00 Hello & previews
00:50 What is Random8 & what are we doing here?
3 PATCHES WITH INCREASING AMOUNTS OF RANDOM
Patch 1 // Random for people that don’t like random (fools!)
02:58 Adding exciting movement to basic synth voices
Patch 2 // Looping random for melodies & riffs
07:17 Looping melodies & modulation for techno jams
Patch 3 // Embrace the random - let the random enter you, be you, surround you
14:54 Generative ambient Krell
THIS VIDEO IS NOT SPONSORED BY ANYONE I was sent the module by Mylar Melodies & Befaco to use as I like but they did not pay for, or have any say in this video. Any questions as always, just ask, clarity is always best."
A demo of RANDOM8: The world's most random module?
"Here's a demo of RANDOM8 (which is out now!) - it gives you 8 stepped or smooth random voltages in 8HP, with per channel looping & attenuator controls, pitch quantiser & more. It's designed to make your modular sound more alive & I designed it in collaboration with Befaco. First I'll explain it (2:33), then we'll Rings in to Clouds it (17:07), then we'll make drums and techno with it (27:42).
I managed to forget to show you how to reset channels to default settings! Just hold the channel button(s) down for 5 seconds. To reset all 8 channels, hold the top and bottom channels for 5 seconds."
CHAPTERS 00:00 - What is RANDOM8? 02:33 - Basic Looping & Evolving 05:35 - Menu Options Summary 06:30 - How to Enter & Edit Menus 07:06 - Steps Menu
