EXPERIMENT 82725: Moog Muse Ambient Synth Drone

video upload by Bill Wolfer

"An ambient degenerative drone patch. No arpeggiator or sequencers were used. Oscillator two is synced to Oscillator one. LFO 1 and LFO 2 are modulating the frequency of Oscillator two with non-synchronized sample & hold waveforms. The filters are in series in bandpass mode, and are being modulated slowly with a sine wave from the modulation oscillator. Plenty of diffusion delay is added, along with Moogerfooger Clusterflux chorus and plenty of reverb. It's all one track, recorded as is. Machine melodies.

©2025 Wolftoons Music, ASCAP. All rights reserved."

What world does this warp you to? 🌍

video upload by Moog Music

"Created this sequence and suddenly we’re on a quest to awaken a hidden temple and save the princess. 🌙🗡️🧝‍♀️✨

What world does this warp you to?"

Exploring the Moog Messenger – Massive Analog Tone, Creative Sequencing & Hands-On Sound Design

video upload by Noisegate

"We went deep on the Moog Messenger, the latest affordable monophonic analog synth from Moog Music. Lachy takes it for a spin—exploring the huge sounds, flexible CV/midi options, lush filters, and the sequencer/arpeggiator that takes inspiration from the Moog Muse. Whether you're making basslines, modular jams or experimental sequences, this thing delivers.

🌀 Chapters:
00:00 - Intro
00:28 - First Impressions
01:02 - Build & Keybed
01:48 - Connectivity & CV
03:01 - Layout Walkthrough
04:41 - Oscillators & Sub
05:43 - Filter & Feedback
06:55 - Filter Modes
08:00 - Envelope Section
09:02 - Arpeggiator Setup
10:38 - Hands-on Arp Jam
12:35 - Arp Settings Deep Dive
16:06 - Swing, Expression & MIDI
17:06 - Sequencer Overview
18:10 - Step Recording & Parameter Lanes
21:10 - Note Pool & Probability
25:37 - Final Thoughts"

Harvey Sutherland x Moog Messenger – Analog Sound, Motion Sequencing & Modular Control in Action

video upload by Noisegate

00:17: Harvey Sutherland at the Aviary Studio
01:31: Harvey Sutherland at the SynthTemple

"In this artist spotlight, @HarveySutherland puts the new Moog Messenger to work, first in his studio, then inside the iconic SynthTemple.

From classic filter sweeps to real-time modulation, motion sequencing, and CV/gate control over iconic modular gear, the Messenger proves itself as an intuitive, expressive synth built for modern musicians.

🎛️ Features explored:
• New take on Moog's classic ladder filter & analog tone
• Creative sequencer with parameter locks
• CV/gate out to modular system
• Compact, portable design with full-size keys and after-touch

Shot across two sessions, this video captures the musicality, immediacy, and performance potential of the Messenger."

The Rare Tuttivox by Harald Bode

video upload by HAINBACH

"I have been very interested in the work of German inventor and engineer Harald Bode. His essays and instruments were hugely influential on Robert Moog, Don Buchla and many others, and laid the ground work to the synthesizers of today. Sadly, most of his more experimental designs don't survive. But some of his more conventional instruments do, like his adaption of the proto-synth Clavioline he made for Jörgensen, the Tuttivox (with involvement/Patents to Rene Seybold). When one crossed my way, I could not resist. But when it arrived, I was in for a bad surprise."

00:00 Unboxing
01:00 Fixing The Tuttivox
05:53 History Of The Tuttivox
08:52 Functions
11:14 Making Music
14:21 Closing Thoughts

Celaeno | Generative Ambient Moog Mother-32

video upload by Claus Gahrn

"Longform generative ambient music on the Moog Mother-32

Patch notes:
Ext. Audio – VCO Saw
Mix CV – KB
VCF Res – Mult 1
LFO Tri – Mix 2
LFO Sq – Run/Stop
VC Mix Ctrl – Mult 2
VC Mix – Tempo (Mode 1: Tempo CV)
Mult – Assign (Step Random)

32 note sequence. Sequence playback direction is set to random.
Software effects: Valhalla Supermassive + Delay

Here is the full patch on ModularGrid: https://modulargrid.net/e/patches/vie..."

Synth Legends (2005): Bob Moog, Tom Oberheim, Dave Smith, Marcus Ryle, Roger Linn

video upload by moogfoundation

"Get your SYNTH LEGENDS Limited Edition T-Shirt here: bit.ly/SynthLegendsTshirt
Pre-orders open through August 25th!

Join us live on August 21, 2025 at 8 pm EDT as we present the entire 𝘚𝘺𝘯𝘵𝘩 𝘓𝘦𝘨𝘦𝘯𝘥𝘴 symposium from April 19, 2005 - Bob Moog’s final public appearance. This historic event, originally organized by Russ Jones of AudioMIDI, brings together synth pioneers Bob Moog, Tom Oberheim, Dave Smith, and Marcus Ryle, with Roger Linn moderating. For the first time ever, the full 1-hour and 38-minute symposium will be broadcast in its entirety.

Note: the original audio recorded at this 2005 event was only captured on the camera mics and is not studio-perfect. We’ve worked to make audio enhancements, including painstaking audio mastering by Harold LaRue (https://haroldlaruemastering.com), to make this once-in-a-lifetime conversation as clear as possible. We suggest turning on closed captioning in order to not miss any of the content.

During the stream, join Tom Oberheim, Denise Smith (Dave Smith’s widow), Marcus Ryle, and Michelle Moog-Koussa (Bob Moog’s daughter and Executive Director of the Bob Moog Foundation) in the live chat as they share reflections, answer your questions, and provide personal insights into the legacy of Bob Moog and synthesis history.

Huge thanks to our sponsors, without whom this broadcast would not have been possible:

Platinum Sponsors:
Moog Music – https://moogmusic.com
Sequential / Oberheim – https://sequential.com https://oberheim.com
Spectrasonics – https://spectrasonics.net

Gold Sponsors:
Arturia – https://arturia.com
Korg USA – https://korgusa.com
Roland – https://roland.com

Silver Sponsors:
Cherry Audio – https://cherryaudio.com
GForce Software – https://gforcesoftware.com
ILIO – https://ilio.com
Rosen Sound – https://rosensound.com |
Softube – https://softube.com

Special thanks to: Russ Jones, Harold LaRue, Dave Gross, Mark Ethier, Marcus Ryle, Tom Oberheim, Denise Smith, Roger Linn, Axel Hartmann, and David Mash, all of whose contributions helped make this possible.

Why watch?
Experience the inspiring reflections of five synth legends.
Hear behind‑the‑scenes stories of innovation from the pioneers themselves.
Celebrate Bob Moog’s enduring legacy on the 20th anniversary of his passing.

Mark your calendars and bookmark this page! You won’t want to miss this very special tribute. Feel free to share with fellow synth lovers, and join us live on the 21st to celebrate the magic of synthesis together.
–
Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.

▶️ "Voices For Bob" Shorts series:



 
▶️ "Moog Memories” video: bit.ly/MoogMemories [posted here]

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"

Cherry Audio | Introducing Crumar Spirit with Tim Shoebridge

video upload by Cherry Audio

"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.

https://cherryaudio.com/products/spir...

00:53 - Music Intro by Tim Shoebridge
02:05 - Introducing Crumar Spirit by Cherry Audio
03:28 - Spirit Signal Path
05:49 - Mod X
08:07 - The Oscillators
13:40 - The Filters
20:34 - Audio Mixer
21:14 - Shaper Y
26:20 - Arpeggiator
30:15 - Voice Modes and Multi-Voice Cycling
31:04 - Matrix Z Modulations
31:45 - Dual Effects Chain
34:42 - Conclusion"

Cherry Audio | Crumar Spirit

video upload by Cherry Audio

Cherry Audio | Spectres Preset Pack for Crumar Spirit by James Dyson

video upload by Cherry Audio

"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.

Just $9.99, exclusively from https://store.cherryaudio.com/presets...

18 Arps
9 Basses
5 Brass
8 Chords
10 Keys
9 Leads
17 Pads
14 Polyphonic
10 SoundFX"

Crumar Spirit by Cherry Audio: The rare Spirit reborn! (Part 1)

video upload by CatSynth TV

"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).

Part 2, covering the remaining features and exploring factory presets, will be released soon.

To find out more about Crumar Spriit by Cherry Audio, please visit: https://cherryaudio.com

00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"

Merch: https://shop.catsynth.com



Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.

Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.

Crumar Spirit includes over 430 sensational presets in 12 categories

Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.


A "Little Synth" Designed by Legends

Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.

Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.

CLICK FOR MORE »

Sunday Session Jam 01 🎹🎹🎹 #electronicmusic #synthesizer #shorts

video upload by Luke Million

"I’m thinking about starting a fun new video series where I create jams in my studio on Sunday afternoons.

Today I’ve set up my Arturia KeyStep Pro, ARP 2600M, Moog Matriarch and Arturia DrumBrute Impact 1984.

The KeyStep sends midi clock to the DrumBrute and sequences the ARP2600M. And the Matriarch is dialled in for some tweaking!

Sunday arvo’s do have a vibe and are perfect for music creation with no distractions 😊"

Crumar Spirit Analog Monosynth SN 912331

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

CLICK FOR MORE »

Muse | Moog Influence on Matt Johnson of Jamiroquai's New Solo Album | Jazz Cafe London

video upload by Moog Music

"Join ‪@MattJohnsonskeyspace‬, the eclectic, funk-driven keyboardist of Jamiroquai, at the Jazz Cafe in London as he dives into the Moog instruments that helped shape his upcoming solo album.

For Matt, the Muse is more than a synth, it’s an instrument that talks back. With deep modulation possibilities and an assignable macro knob for expressive, on-the-fly control, Muse lets him program in advance and still play with complete spontaneity.

Alongside Muse, Matt’s Moog collection includes Messenger, his original Minimoog, the Moog One, and the Voyager — each adding its own character to his signature sound.

We love being a part of this musical journey."

RITM-2 Synthesizer (1982) - 1 OSC Clone Moog Prodigy

video upload by LFOstore

"According to information that is actively circulating and being replicated on the Internet, the RITM-2 synthesizer was created in 1982 by Viktor Anatolyevich Nikulin, an engineer at the Kirov Musical Instruments Factory, at the request of a musician friend.

The device was well-received by the company's management, and in 1984, it was put into mass production, which continued for 10 years. During this time, the instrument's design underwent three further improvements. It was the only Soviet synthesizer where all components and controls were housed on a single printed circuit board.

Functionally, it consists of one tone generator, a noise generator, a sound signal mixer (triangle, saw, rectangle, noise), a low-pass filter, two full-format envelope generators (attack, decay, sustain, aftertouch), and a low-frequency modulation generator. It is a portable keyboard instrument weighing approximately 9 kg, housed in a plywood case with a lid.

The front panel had two versions: black and white. The main feature of the instrument, which determined its character, long life, and fame in the professional environment, was its unique and harsh sound.

The production capabilities of the enterprise were quite modest, and only about three thousand instruments were produced over the course of 10 years. RITM-2 was produced exclusively on orders from the administrations of houses and palaces of culture, as well as from leading communist enterprises that had their own musical groups.

During the Soviet period, it was impossible to purchase a rare instrument on the open market, and the RITM-2 was not widely known among musicians who were not affiliated with amateur groups. It was not until after 1993, when the Soviet government's support for amateur music, along with the cultural palaces and the Soviet government itself, ceased to exist, that the RITM-2 synthesizer began to find its way into the hands of professional musicians both in Russia and abroad.

The electronic musical synthesizer Rhythm-2 is a single-voice
keyboard instrument designed for solo, ensemble, orchestral performance of musical works of various genres, as well as for educational purposes and obtaining new sound effects. It can be used both in pop orchestras and at home in conjunction with an amplifier-acoustic device having an input sensitivity of no worse than 0.775. It is possible to use a low-frequency amplifier of a radio receiver, TV, tape recorder. The sound quality of the synthesizer will depend on the quality of the amplifier-acoustic device used.
On the Rhythm-2 synthesizer, it is possible to imitate the sound of classical musical instruments (keyboard, string, reed, percussion) with a certain degree of authenticity and create original sound effects (wind noise, the sound of a passing train, the sound of a sea wave, a shot and the whistle of a bullet).

The synthesizer can be used to play melodies with randomly changing pitch or timbre."

80's vibes Lofi Music with Subharmonicon, volca fm : City BGM 2025-08-11 by atnr

video upload by atnr

"‪@MoogSynthesizers‬ Moog Subharmonicon, ‪@KORG_INC‬ volca fm2, and DIY noise box
A lo-fi piece built from nostalgic synth tones and layered soundscapes.

The noise box is routed into the ‪@ChaseBlissAudio‬ MOOD MK II to generate glitchy textures.

Subharmonicon is patched to produce city-like noise and sent through ‪@HologramElectronics‬ MICROCOSM for reverb.

volca fm2 is driven via MIDI from Ableton; its output runs into ‪@strymon‬ NIGHTSKY for reverb and filtering."

Moog Sound Studio & spices

video upload by No Lake

"Robert Arthur Moog was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer. His inventions changed the complexion of the pop and classical music worlds. Moog synthesizers are considered high-quality instruments with a strong reputation for sound and build quality. They are known for their distinctive analog sound and are often praised for their musical legacy, solid construction, and the ability to inspire creativity.

Headphones 🎧 recommended"

Bandcamp : https://nolake.bandcamp.com/

Voices For Bob: Drum machine & synth pioneer Roger Linn recalls meeting Bob Moog

video upload by moogfoundation

"Roger Linn is an innovative engineer, designer, and musician best known for creating the LinnDrum, one of the first drum machines to use digital samples of real drums. His groundbreaking instruments helped define the sound of 1980s pop, hip-hop, and R&B, and he later co-developed the Akai MPC series, a cornerstone of modern beat-making. Linn continues to push boundaries with expressive instruments like the LinnStrument.

In this video, Roger shares a story about meeting Bob Moog at NAMM.

Roger Linn Design: https://www.rogerlinndesign.com

Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"

Moog Memories: Remembering Bob Moog & the Impact of Moog Synthesizers 20 Years After His Passing

video upload by moogfoundation

"Synthesizer pioneer Bob Moog passed away on August 21, 2005. His indelible legacy lives on through the synthesizers he created, through his warm, humble personality, and through the work of the Bob Moog Foundation.

Please consider honoring Bob's legacy by donating to or becoming a member of the Bob Moog Foundation.

Donate here: https://bit.ly/ContributeBMF
Become a member here: https://bit.ly/BMFMembership

Featured in this video are Bob's colleagues, iconic musicians, and electronic music luminaries lending insights into working with Bob, being empowered by Moog synthesizers, and guiding Bob's legacy forward. Many thanks to our friends at ‪@WaveshaperMedia‬ for creating this video from interviews from the upcoming Electronic Voyager documentary.

Other cool ways to support the Bob Moog Foundation:

Visit our website: www.moogfoundation.org
Sign up for our newsletter here: https://bit.ly/BobMoogFoundationNewsl...
Shop our online store: https://bit.ly/shopbmf
Visit us at the Moogseum in Asheville, NC: www.moogseum.org
Omnisphere user? Check out the Bob Moog Tribute Library v2 (100% proceeds donated to the Bob Moog Foundation): https://bit.ly/BobMoogTributeLibrary

Join us on this channel at 8 pm (ET) on August 21, 2025, the 20th anniversary of Bob's passing, when we will be streaming the 2005 Synth Legends symposium featuring Tom Oberheim, Dave Smith, Bob Moog, and Marcus Ryle, with Roger Linn moderating. Read more about this event here: https://bit.ly/SynthLegendsEvent"

NAMM Museum of Making Music ARP: The Innovator, The Instruments, The Impact. Update

This is a follow-up to this post.

Additonal details on the upcoming two day event via The Alan R Pearlman Foundation follows:

ARP: The Innovator, The Instruments, The Impact Opening August 9

We invite you to step into the world of innovation with our new exhibition "ARP: The Innovator, The Instruments, The Impact." The impact of ARP synthesizers and the legacy of their innovator Alan R. Pearlman (1925-2019) was vast and deeply influential. From progressive rock and jazz to pop, film, and experimental music, ARP instruments helped shape the sound of a generation and inspired countless artists.

Curated by Brian Kehew, the exhibition brings together a stunning array of instruments, vintage media, and behind-the-scenes insights.

Guest Curator: Brian Kehew

Brian Kehew is a Los Angeles-based producer, engineer, and co-author of Recording The Beatles. Kehew’s deep expertise as a synthesizer programmer and performer with artists such as The Who and The Moog Cookbook brings a uniquely informed perspective to this presentation.

Exhibition Events
Day 1: Opening Reception and Concert Celebration
Saturday, August 9 @ 6 pm
Join guest curator Brian Kehew and Dina Pearlman-Ifil, daughter of Alan R. Pearlman, for an in-depth look at the exhibition. Stay for special performances by renowned synth artists Rupert Greenall, Robin Hatch, and Steve McQuarry. This event is free for museum members, and $30 for non-members.

CLICK FOR MORE »

Moog Muse | Bitimbrality &

video upload by Moog Music

"In this video we explore the bi-timbrality of Muse.

We first look at the bi-timbral nature of Muse and how voices are allocated to each of Muse’s two timbres. We then take a look at the Voice Control module of Muse, and how you can use SPLIT to restrict Timbre A to the left side of the keyboard while Timbre B is restricted to the right side. We also look at how you can change the keyboard split point, swap timbre settings, and explore how you can restrict voice counts per-timbre. Finally, we look at STACK and how timbres can be layered on top of each other for deeper sound design possibilities."

Muse | Spatial Binaural Spread

video upload by Moog Music

"In this video we look at some of Muse's spatial and binaural features.

We begin by looking at the Pan Spread control, which by default spreads alternating voices in the left/right stereo field at increasing width. With this we can take a mono synth sound and create something much more enveloping. Next we look at spatial (sometimes called ‘binaural’) modulation with the LFO PHASE SPREAD setting in the VCA more menu. With this setting enabled and an LFO set to per-voice (instead of global) as Pan Spread is increased the LFO will be inverted in the right channel. When used to control a parameter like the volume, this turns a simple tremolo effect into something similar to a rotating Leslie speaker cabinet. Finally, we look at random Pan Spread voice placement."

Discovery Pro 8.8 Released

video upload by discoDSP

https://www.discodsp.com/discoverypro/

"Experience Discovery Pro, the ultimate virtual analog synthesizer and sampler. With 4 layers, 12 oscillators, WAV and SoundFont support, PADSynth re-synthesis, and Nord Lead 2 SysEx import/export, Discovery Pro offers endless sound creation options. Its arpeggiator, 12 filter types (including Nord Lead 2 and Moog filters), panning modulation, stereo delay, gate and step modulation effects provide unmatched control. Discovery Pro is perfect for any music production."

PMS Performance Music Systems SYNTAR

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Don't miss the demo in the listing, previously posted here.

"This is the very rare 1980 Performance Music Systems (PMS) SYNTAR. The SYNTAR licensed the Electronic Music Systems EML designs made famous in the ElectroComp EML 101 and arranged them as a two oscillator synth with a multimode filter, Sample/Track & Hold, LFO, two EGs: ADSR and AD. All of the pots are sealed Type-J and some of them use the unique center 0 style for mixing in LFO or ENV. The oscillator wave forms are selected using a pot rather than a switch, which allows for a full range of shapes and you can go through low pass, bypass and highpass modes in the same linear fashion.

Sonically the SYNTAR is its own beast though most similar to the EML ElectroComp 101 and capable of growly moog style bass and leads with colorful resonant filter sweeps to very subtle pure tones thanks to how wave forms are variably dialed. The two printed pages are excerpts keyboard magazine's analog synthesizers features some details and pictures of the SYNTAR being shown at NAMM.

The left hand controls feature 9 wood blocks that control pots to allow for:

pitch up, pitch down
pitch modulation
sustain
filter up, filter down
filter modulation
amplitude modulation
nose. [sic]

Portamento control can be set to be directional and has a linear or exponential glide.

The power was rebuilt and includes a few modifications for CV and GATE out so that the SYNTAR could be used to drive modular analogue synthesizer. The Pratt-Reed keyboard has new bushings.

The original ATA flight case and a one off custom vinyl gig bag are included as well as a 50' and a 25' cable and stack of original patch sheets. The cable handles power, audio, external audio in, CV and gate so that you only plug in the 10 pin milspec cable to the SYNTAR.

The flightcase foam is collapsing, but fortunately the velvet covering is intact over it. The flight case is solid. This synth is now 45 years old with components from the mid 1970s. The original type-J sealed pots are all working, but are scratchy."

CLICK FOR MORE »

RIP Ozzy Osbourne 🖤

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Rest in Peace Ozzy
One of my favorite tracks.
Mr. Crowley by Ozzy Osbourne from the album Blizzard of Ozz (1980)

Featured the Moog Minimoog, the Logan String Melody II and the Roland VP-330

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.

My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."

OZZY OSBOURNE - "Mr. Crowley" 1981 (Live Video)

video upload by Ozzy Osbourne

"Ozzy performed "Mr. Crowley" live on TV in Rochester, NY in 1981."

With what appears to be a Roland RS-09 mkI. And the brilliant Randy Rhoads on lead guitar. I hope they are together again.

--

I'm going to miss him. Thanks to RetroSound for the post.