A. G. Cook presents SuperStarSaw | Native Instruments

video upload by Native Instruments

"Presented by A. G. Cook, SuperStarSaw pushes stacked saw synthesis to its extremes. Create huge supersaws, impossible glides, blissed-out harmonies, and controlled chaos from a single playable instrument – without the need for endless layering and automation."

Playlist:

1. A. G. Cook presents SuperStarSaw | Native Instruments
2. Discover SuperStarSaw with A. G. Cook | Native Instruments
3. SuperStarSaw synth walkthrough | Native Instruments



Native Instruments and A. G. Cook turn his signature supersaw into a custom instrument you can play

The PC Music founder and 2025 BRIT Producer of the Year brings the stacked saw sound known for Charli xcx, and Caroline Polachek to a single synthesizer — built from his own patches

Berlin, July 16, 2026: Native Instruments has today launched SuperStarSaw, a synthesizer co-created with GRAMMY-winning A. G. Cook, British producer, PC Music founder, and one of the key architects of contemporary pop's defining sonic palette.

Supersaws, multiple sawtooth waves layered and slightly detuned against each other, are responsible for some of modern pop's most immediately recognisable textures: the wide, lush, harmonically dense quality running through Cook's work with Charli xcx, Beyoncé, Caroline Polachek, and Oklou. Building them has always meant painstaking multi-instance layering, a process Cook had refined over years of his own production work, and which became the starting point for what followed. The instrument grew out of a two-year collaboration with Native Instruments' design team, who worked directly from Cook's patches and production sessions to turn one of modern pop's most coveted sounds into something you can actually play.

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VIVALDI - Autumn Part 1 on SIX (5) ARP Odysseys

video upload by Richard Payne

"Been having a pop at Autumn Part 1 these last few days and this take I recorded (take 111!) has come out slightly 'dystopian' sounding and synthy. Have pushed the filters a bit more. There’s a bit of overdrive in places and some wobbly 'pitchy' stuff happening. But lots going on and lots of things to remember to do. Or not to do. This take here was only the 4th time I’d made it to the end, and the first and only without completely ballsing it up.

Odyssey #3 was briefly back in the fold last week and was ably handling the sub bass part all on it’s own, but it started going wrong again and has been taken back to the repair shop. So to cover that part here, I’m bringing in and out oscillator 2 on Odyssey #6, which is set to a square wave an octave down. I’d say a good 80 of those earlier takes that I mucked up were ruined by me forgetting to do this, or doing it badly, or at completely the wrong time. There’s a 'high jeopardy' patch change happening on Odyssey #1 too which I liked to get wrong, transitioning from a short filtery harmony part at the beginning to a long square wave lead line for the slow bit towards the end.

As before, I got the Midi parts online and processed them in Ableton Live. I combined and reduced them down from the 24 orchestral parts to the 5 here. Fixed up a few dodgy notes. Probably added a few of my own. Then I tempo matched to an orchestral performance of the piece, which is probably the fiddliest and most time consuming bit. There were a few more evenings messing with note lengths and refining the tempos further. So, I’ve been using Korg’s Odyssey plugins up to this point in the process, slouching on the sofa on my laptop, but the next step is to move into my little music room and to practice on the actual ones. Spent a couple more evenings working things out there and then a couple of days trying to film a good run through.

It’s certainly tricky trying to adjust each part as dynamically as I’d like when they’re all coming at me in one big terrifying lump. I’m not mixing or even EQ’ing afterwards so I’m battling to keep a good audible balance between the synths as I go. If I get too involved or too “two-handy” on a synth for too long, I’m neglecting the other four and I’ve missed 5 other things I wanted to do. So I’m relying quite a lot on the Decay slider in the envelope section, as it seems to offer a one-stop dynamic shop that I can adjust on two synths at the same time. I’ve modded all of the Odysseys to have a free-running LFOs also, so I can introduce a slow LFO to the filters to keep them shifting about on their own whilst I adjust something else elsewhere.

I have started re-recording these pieces 'properly', one Odyssey at a time, with view to putting them up somewhere for streaming or perhaps even pressing them onto vinyl. Would sound good on record I reckon. You reckon? And I have a whole shelf full of peculiar synthesizer albums from the 60’s and 70’s that it would be an honour to mingle with.

But hey, thank you so much, everyone who showed up and watched the last video. For all the views and subscriptions and above all, the kind and encouraging comments. That was nuts. I didn’t know you lot were coming! Absoutely amazing and thank you sincerely again.

Oh, to wrap up, here the Odysseys are going balanced out into a Behringer ADA-8200 Interface, which is optically connected into the Adat In of my UAD Apollo. They get their 5 channels of Midi note on, note off information down USB from Ableton Live which is in turn recording the audio coming back. I added some Hall Reverb from Arturia’s LX-24 but nothing has been EQ’d. It’s all how it comes out of the lovely boxes. I did however have a Limiter on the main channel, to put a bit of a lid on some of the more feisty bits.

Toodles!"

Klik - Pushbutton Matrix for the Bastl Kastle Synthesizers

video upload by Sid Rockett

"💡Discover the Klik module. Add a playable 4x4 button matrix to your Kastle or Volca synth for ultimate hands-on control and experimental patching.

⏱️ Chapters:
0:08 – Intro
0:20 – Controls
0:40– Sound demo with Kastle 2 Wave Bard

🗒️ How does it work?

There are 8 patch points connected to 4 rows (ABCD) and 4 columns (1234) of buttons. Pressing button A1 connects point A to point 1. A2 connects A to 2. B2 connects B to 2 and so on.
It is best used by dedicating rows to outputs and columns to inputs. In this configuration every possible combination of buttons will connect outputs to inputs and cause a change in the behaviour of the synthesizer.

Based on the Synapsis by Bastl Instruments ! (...hope the guys are ok with it).

✌️ I’m Sid Rockett, a designer and explorer of experimental synthesizers and custom noise-machines.

From boutique pocket synths to DIY Eurorack builds, this channel is dedicated to pushing the boundaries of compact hardware. Join me as we navigate through industrial soundscapes, deep cinematic reverbs, and the infinite feedback of outer-space delays.
🎛️ You can buy my synths here:
https://sidrockett.bandcamp.com
https://www.tindie.com/stores/sid_roc..."

7/1/26 Roland TR-909 & RE-201 + ElectroComp EML 400/401 + SDS1 + Dukane 2a76 + MIDIVERB 2 + CXM 1978

video upload by Cfpp0

"This video is shot at a more revealing angle than usual, to document the setup before we change it. When we added an EML 400/401 to our EML 200, we made custom shelves to line the three panels up on a table. But we got a great deal on a second EML 200 during the pandemic, so that got installed on a metal shelf over the first EML 200. The studio kept growing over the years, with lots of revisions on how it is all arranged, but the EML 400/401 hasn’t moved an inch. I never liked this hockey stick configuration and have always felt the EML 400/401 is a bit underutilized. This summer we’ve decided to move the 400 above the 401, creating a big EML block, so that the 400 is closer to the 200s, to the Buchla system, and so it’s easier to reach everything at once.

Anyways, the point of this patch was to use V1 on the right set of stages to reset the left set of stages. It’s a fun trick because you can control when and how often you want to reset the sequence using the sliders. The TR-909 is externally clocked by ALM Pamela’s New Workout at 130bpm. The kick and rim shot are saturated by the Dukane 2a76. The snare sound is the Simmons SDS1, triggered by the rim shot trigger output on the 909. The EML 401 filter is in high pass mode. At 0:43 I drop the kick, unmute the clap and hats, and turn off the voltage control of the envelope, which makes it sound like a goose. At 1:13 I change the TR-909 pattern and switch the routing of the lower voltages on the 400, from V4 to V3 and from V3 to V4."

BASTL INSTRUMENTS KASTLE ARP DESKTOP MELODY SYNTH

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Bastl Instruments Kastle ARP in excellent condition. It comes with original packaging and accessories.

Manufacturer's description
Kastle ARP is a unique modular melody generator based on a quantized sine wave oscillator with a digital waveshaper.

The pitch selection employs straightforward concepts to unleash surprising intricacy. The quantized oscillator ensures it is always in tune, and its pitch can be selected using the NOTE and CHORD inputs. The decay envelope adds variation by occasionally skipping pitches before retriggering. The timbre control allows you to blend between noble sine waves and 8-bit chip-tunes.

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PhenoType - Generate Synplant Patches from Text

video upload by Sonic Charge

Surprisingly no mention of AI.

"PhenoType is a free script for Synplant 2 that lets you generate synth patches from text descriptions.

Type the description of a sound, texture, or instrument, click EXE, and PhenoType will attempt to create a matching patch locally on your machine. Click EXE again for another interpretation, use the result as a starting point for further editing and evolution, or click RND and see where things go.

PhenoType runs entirely locally inside Synplant 2. No cloud processing and no internet connection required.

Free download:

https://soniccharge.com/phenotype

Requires Synplant 2:

https://soniccharge.com/synplant

(All sounds in this video, including the mouse clicks and keyboard sounds, were created using Synplant 2.)"

boards of canada - the process (cover)

video upload by fischek

"A piano and synth cover of 'The Process' by the legendary Boards of Canada, from their incredible new album, 'Inferno'.

I've been captivated by the 'Inferno' album since its release and wanted to share my interpretation of this beautifully soothing and melancholic track. If you enjoy this, let me know in the comments! I'm planning to cover more from the album soon, with 'Naraka,' 'Hydrogen Helium Lithium Leviathan,' and 'Blood in the Labyrinth' being next on my list.

What's your favorite track from the new album?

// GEAR & SOFTWARE
🎹 Synths & Keys:
Yamaha DX7 (as MIDI controller)
Pianoteq (Piano Sound)
Korg Wavestate (Pads)

🎛️ Effects (FX):
Eventide Blackhole (VST Reverb)

#boardsofcanada #boc #inferno #theprocess #synthcover #pianocover #ambient #idm #electronicmusic #yamahadx7 #korgwavestate #arturia"

Previously:

Boards of Canada New Seeds (short cover)

video upload by fischek

"► here's the Vital VST patch for the lead sound:
https://tinyurl.com/mwy63h5t

A gem from the Tomorrow's Harvest. Far from perfect, but kinda close. I hope to do a full cover at some point. Hope you like! :)"

Exploring the Hexinverter / Erica Synths Mindphaser | Drone Sound Study

video upload by synthetic theory

"Yesterday was Drone Day and technically I'm one day late, because I didn't finish the post-processing in time. But anyway: this felt like the right moment to share something a little different.



I'm currently expanding my rack and learning how to operate a few new modules properly. One of them is the Hexinverter / Erica Synths Mindphaser. At first, I honestly wasn't completely convinced. I tried it, struggled to find the right tones, packed it back into the box and was already planning to send it back.



But then I gave it one more evening.



Instead of judging it too quickly, I tried to understand how it actually works. I slowed down, explored the interaction between the oscillators, the modulation paths, the waveshaping, and the strange areas between tone and chaos. And then the potential suddenly became clear.



Some modules simply need more attention. They have a learning curve and they don't always reveal themselves immediately. But once you reach that point of understanding, they can turn out to be real powerhouses.



So this is not one of my usual performance videos. It's more of a slow exploration: a drone-focused sound study with the Mindphaser at the center, sometimes shaped by effects, filtering, gates, and modulation.

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BUCHLA Ziggy Sound DEMO & Walkthrough — Superbooth 2026

video upload by Hispasonic

"At Superbooth 2026, Buchla unveils Ziggy: their most portable and accessible analog desktop synthesizer to date. Filmed at the Buchla booth in Berlin, this video walks through the instrument's main features and includes a full sound demo.

Ziggy distills the DNA of classic Buchla instruments into a compact, immediately playable format: complex oscillator, modulation oscillator, Cycler (envelope + pulser, à la 208c), lowpass gate and a stereo digital effects section with a brand-new ping pong delay. All modulation routing — normally done with patch cables on a Buchla — is handled through flexible assignments from the panel and the oscilloscope screen.

KEY FEATURES
Fully analog signal path + digital stereo effects True analog bypass (voltage divider) when dry is at zero "Programs" designed as a starting point, not as closed presets Fader quantization to scales (pentatonic minor, etc.) Oscilloscope screen doubles as the programming and mod-assignment display

CONNECTIVITY
USB-C (power + MIDI) plus a second USB-C dedicated to power 3.5 mm TRS Type A MIDI and 5-pin DIN MIDI
Eurorack patch points: gate, modulation, pressure and 1V/oct
Aux audio input and stereo outputs

PRICE AND AVAILABILITY
$999 street price. Available for pre-order, first units expected late summer / early fall 2026"

Monoplex Melodic Microtonal Sequencer - Superbooth 2026 Reveal

video upload by KOMA Elektronik

"We're revealing our Monoplex Sequencer at Superbooth 2026. Come check it out at our booth O400!"

KOMA Elektronik Monoplex
Melodic Microtonal Sequencer
Berlin-based synth makers KOMA Elektronik reveal Monoplex, a performance-driven Eurorack sequencer built for evolving melodic control. Inspired by the Komplex Sequencer, it distills its hands-on philosophy into a focused, single-channel design packed with features. Patch everything into everything and let the melodies evolve.

Every core parameter can be voltage-controlled, opening the door to endlessly shifting yet fully deterministic sequences. From tight Berlin-school patterns to generative melodic systems, Monoplex encourages experimentation.

At its heart is a significantly expanded quantizer. Beyond chromatic, major, and minor modes, Monoplex allows you to upload your own scales via MIDI SysEx using our browser-based tool. Choose from thousands of microtonal scales or create and audition your own instantly.

A dedicated MIDI-note capture mode lets incoming notes define the active scale on the fly. Microtonal scales can also be played on MIDI Synthesizers via Pitch Bend information.

Compact and hands-on, Monoplex delivers an endless supply of melodies and modulations inside your Eurorack system.

Fully CV-able 16-Step Eurorack Analog / MIDI Sequencer
42HP

CV-able Features
First Step (Sequence Start Point)
Sequence Length
Skip Step – Multiple Modes
Gate Length
Repeat Step – Simple or Ratcheting
Glide
Play Mode – Multiple Modes
Transpose
Divisions

Sequencer Features
CV Out
Gate Out
Trigger Out
MIDI Out (Note and CC)
Output Range 2V, 5V, 10V
Unipolar / Bipolar CV-Output
One-Shot Mode
Swing
User Interface Color Changes

Quantizer / User Scales
Wilson MTS-ESP scale system
3 user-definable scales, on-the-fly editing
Live scale upload via web interface directly via browser on PC, laptop and mobile, via SysEx
Live scale input via MIDI, e.g an attached keyboard
Live scale input via slider method on the sequencer itself (future feature)
MIDI implementation via Note On + Pitch Bend information for MIDI synthesizers

Sync
Clock Input
Clock / Division Output
Start Trigger Input & Output
End Trigger
Reset / Pause Trigger Input
MIDI In
MIDI Sync Master / Slave
MIDI Sync Start / Stop


Product page and more info:
https://koma-elektronik.com/monoplex

MSRP: €498,-

Available now through KOMA Elektronik and selected dealers.

Behringer Edge+Grind Combo Patches, Patterns, Samples. Demo

video upload by Anton Anru

"🟪🟫 Welcome to the soundset for the analog semi-modular synthesizers Behringer EDGE + GRIND.
It is a collection of 50 combo patches (+50 GRIND patterns) that include basses, drums/percussion, leads, plucks, textures, FXs.
There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, straight and polymetric patterns.

📦 The link to the soundset: https://antonanru.sellfy.store/p/edge...

⚙️ The main point of the soundset is the high level of interconnection, not just syncing the two synths with independent timbres (individual patches for EDGE and CRAVE are also available on my website).

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UDO DMNO

video upload by Infested Alien

"And finally it arrived!
A masterpiece of a special poly synth (dual module) :-)
I seriously cannot stop play the UDO synths they are just so fun and special.

These sounds are custom made and no external FX being used, not even compression just to give you a more honest point of view of this machine.
Since this is a crazy machine when it comes to signal path flexibility then patches will jump in volume from patch to patch :-)

This synth will easily push out some of my other synths with all it's right of being an engineering-art literally.

Thank you UDO team for making ground breaking machines and above all keeping your production in UK and the outstanding high quality!"

The FOURM — Here's What It Can Do

video upload by Starsky Carr

"I've spent months building a full 128-patch sound bank for the *Sequential FOURM*, and this is your chance to hear it in action.

The bank includes 50 bass tones (covering everything from deep analogue subs to punchy, cutting leads), classic Prophet-5 patches, and a wide range of sounds designed to be genuinely usable in a mix straight out of the box.

The FOURM isn't trying to be a Prophet-5 or a Pro-One — and that's the point. It can go places those synths simply can't.

All patches are demonstrated dry and some with a simple reverb or chorus to demonstrate what it would sound like in a mix. So what you hear is the real character of the synth.

Download the pack and add your own reverb, delay, or chorus and they open up even further.

✅ Mix-ready sounds designed for real music production
✅ 50 bass tones + leads, pads, keys & classic analogue voices
✅ Prophet-5 inspired patches reimagined for the FOURM
✅ In sysex and SoundTower formats
✅ Full 128-patch bank — one complete sound library"

Yamaha RX-8 Circuit Bent Drum Machine

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Canned Sound

"1989 16-bit drum machine with custom 25-point ROM modulation patch bay and 16 preset FX switches."

00:00 - Rhythm 1
02:06 - Rhythm 2
04:11 - Rhythm 3

via this Reverb listing

"Rare 1989 16-bit drum machine with a unique 25 point ROM modulation patch bay and 16 preset effects switches. These custom modifications allow for the processing of the onboard sounds and user programmed rhythms to an extreme extent with the generation of an immense range of warped and inspiring sound design possibilities. These include distortion, bit crushing, aliasing, cross modulation, delays, digital noise, tonal sounds, reversing, flams and more indefinable effects. The five included patch cables can also be stacked for even deeper processing. The unit functions as normal when the patch bay is not implemented. Includes original manual and power supply.

2x 16 backlit LCD display.
43 tuneable and reversible sounds.
99 pattern, 100 song memory.
MIDI in, out.
1/4" outputs.
Tempo and volume controls."

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Introducing Glou-Glou "Bien Jolie !"

video upload by Glou Glou

Playlist:

1. Glou-Glou "Bien Jolie !"
2. Glou-Glou "Bien Jolie !" Introducing
3. Glou-Glou "Bien Jolie !" - Controlled Randomness
4. Glou-Glou "Bien Jolie !" - Mineapolis Beat
5. Glou-Glou Bien Jolie ! - Sound Only / No Talk by Stazma
6. Explaining and testing Bien Jolie ! by Glou-Glou by Stazma
7. Glou Glou's Bien Jolie! as an insert with Tonverk. So many tones. by keinseier



Details:

9V DC 200mA PSU (not included)

Relay-bypass available via external footswitch (no built-in bypass switch)

Passive expression pedal input for direct performance control of parameters

Analog signal path: Filter → VCA → Output

6-mode rotary switch: Banjo, SuperTri, Audio In, Fuzz, Octave −1, Octave −2

Banjo + SuperTri modes generate sound internally (audio input not used)

Audio In / Fuzz / Octave modes use the audio input with adjustable input Gain

3 analog VCOs (triangle + square outputs, 2 modulation inputs each)

Resonant low-pass filter with PEAK control up to near self-oscillation

Rungler shift-register modulation with patchable inputs: Rung Clock and Rung Data

Semi-modular patch system with default internal routings (overridden by patch cables)

Patch-point signals normalized to ±5V (external CV should not exceed 5V)

Envelope follower outputs from audio input: Envelope + Envelope Invert

Octave down generator from audio input: −1 and −2 (best with monophonic sources)

3 MIDI Squares (clockable square oscillators) sync to incoming MIDI Clock

MIDI Squares also work without MIDI Clock via internal tempo setting, plus Random mode

Optional Desk-Sides for vertical station

Kurzweil K2061/K2088 Tutorial: Juno-60 Analog Expansion (part 1)

video upload by Kurzweil Music Systems

"In this video, we take a deep dive into the Kurzweil K2061/K2088 and explore creative V.A.S.T. programming inspired by the legendary Juno-60 sound.

This is Part 1 of a two-part series. We’ll build the patch you heard at the beginning completely from scratch, using only a single saw wave as our starting point.

Rather than recreating a vintage synth directly, this patch expands on the Juno’s classic single-oscillator architecture — demonstrating how Kurzweil’s powerful V.A.S.T. synthesis engine can transform a simple waveform into something far deeper and more expressive.

In this episode, you’ll see how to:
• Design a full synth patch from a single oscillator
• Shape tone using VAST DSP architecture
• Create movement and depth with Kurzweil FX
• Use physical controllers to add expression and performance dynamics
• Push beyond traditional analog limitations while preserving classic character

The goal is simple: show just how much is possible with one waveform, thoughtful programming, and the immense flexibility of VAST.

Featuring Kurzweil Artist Kash Iyengar.
https://kurzweil.com/2019/11/19/kashy...

Select your preferred language in the subtitles to follow along!

Download the FREE program featured in the video here (Under 'SoundBanks'):
https://kurzweil.com/k2061/#downloads"

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Perfect Pads - Soundset for Waldorf Protein

video upload by WaldorfMusicChannel

"https://waldorfmusic.com/produkt/soun...

This inaugural Protein soundset brings the acclaimed Perfect Pads series – previously available for the Waldorf Iridium and Quantum – to Waldorf’s newest synthesizer Protein.

Featuring 32 meticulously crafted pad presets designed to showcase the full depth and character of the Protein sound engine. Drawing on the powerful synthesis architecture of the Protein and rich wavetable palette, this collection delivers some of the widest, warmest, and most expressive pads available on the Waldorf Protein. Each patch is immediately playable and musically inspiring, making the pack ideal for a wide range of genres – from ambient and cinematic to electronic and experimental – while also providing an excellent starting point for further tweaking and sound design.

Harry van Mierloo is an emerging international sound designer and creative design professional from the Netherlands. He blends the sound of classic analog synthesizers with the power of modern machines – perfect for artists seeking highly usable patches or fresh inspiration as a starting point for everyday day studio work. For many years, Harry has been fascinated by the wonderfully rich and emotional touch that pad sounds can add to music. He has now crafted and released his second official soundset called ‘Perfect Pads 2’ for the Iridium & Quantum."

Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation w/ Cartridge SN ESQ-35724-D

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This listing is for a vintage 1980's Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation that comes with an Ensoniq Sequencer Expander Cartridge and power cord. This synthesizer is in good physical and working condition. The winning bidder will receive exactly what is pictured.

The Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but is actually an early music workstation. Although its voice generation is typically subtrative in much the same fashion as most analog synthesizer that preceded it, its oscillators are neither voltage nor digitally controlled, but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.

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The Living Room - an idea/sketch Zoia, M8, Razzmatazz, NTS-3, MT-32 pi

video upload by Arman Bohn

"An 'in progress' sketch for an OST I'm working on.

My 2nd Zoia patch, 'Dream Shrine #2', is a four voice, generative synth thingy with master tempo and adjustable meter for each voice. The voices are routed through a reverb and ping-pong delay module. The four voices are also sending MIDI notes out on different channels - which are triggering 2 harp voices, a vibraphone and a celeste voice on the MT-32.

The Zoia patch is also sending clock sync out to the Razz to keep it in tempo. The M8 is playing back creepy public domain samples from an old-sci radio show about an alien that haunts your dreams called "The Green Thing".

NTS-3 is chopping the drums.

Not sure if this will be the final configuration - I'd like some bass in there as well. Just playing around at this point.

The album is an ambient-ish OST that should be out by this summer!"

Juzisound 3 Digital Module and Synth

Note: links to listings are affiliate links for which the site may be compensated.

video uploads by juzisound

Note there are two versions, a synth version and accordian: http://juzisound.com. The original was in a rectangular box format as seen in previous posts here. Spotted this newer model via the listing below.

via this eBay listing

Details via Juzisound

Next generation of sampler device, again specialized for playing ethno music. If you play that kind of music, this device is really the right one for you!

Model 3 is successor of Sampler 2, but the technology is much more advanced. Sampler 3 have 8 independent Uppers (synth version), read samples from Micro SD card with maximum possible speed, have SD card auto refresh function, and have best in the world 32 bit DAC for perfect audio quality. The same hardware is used with 2 independent software versions: One for use with any Synth, and second for use with MIDI accordions.

For more information, see specification and comparison table between all samplers.

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