The Terminal Island Freeway (CA 47 & 103) | Synthesizer soundtrack

video upload by CatSynth TV

"We return to Terminal Island to explore its freeways anew after several major construction projects, starting with California highways 103 and 47, which form the Terminal Island Freeway. The island and its surroundings are at the southern end of Los Angeles, and host the massive ports of Los Angeles and Long Beach. This gives the drive an industrial, surreal, and delightfully dystopian vibe. The music, which combines metallic sounds with a sense of solitude, reflects the experience.

The Terminal Island Freeway begins at an intersection near the southern terminus of Interstate 710 and heads north, crossing the Commodore Schuyler F. Heim Bridge onto the mainland, where 47 and 103 split. We stick with CA 103 and the freeway, passing by some large industrial facilities and CA 1, and ending at modest intersection with Willow Street in Long Beach.

Synthesizers used:
Arturia Augmented Persia and CMI V
Yamaha RX5 vintage drum machine
Anukari 3D physics modeling synth
Cherry Audio DS-2, Spirit, and Filtomika
AudioThing Wires
EastWest Fab Four, Stormdrum 3, and Orchestral Percussion"

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

0:00 Introduction
0:11 Starting out on Terminal Island
0:29 The start of the Terminal Island Freeway (CA 47 and CA 103)
0:54 CA 47 leaves the freeway, which continues with CA 103
1:42 Crossing CA 1 and entering Long Beach
2:22 The freeway and CA 103 end at Willow Street in Long Beach

Plinky 12 Chords: 80s Brass

video upload by Making Sound Machines

"In this clip, Enrica from Making Sound Machines improvises on the Plinky 12 Chords play surface.

The internal sequencer advances through a progression of harmonies, playing and arpeggiating a new chord each bar. With her fingertips, Enrica improvises an expressive melody on the play surface.

The notes in this view are a stack of the chord notes for each of the harmonies from the rainbow chord palette at the bottom of the instrument. This allows Enrica to freely arpeggiate and transition from harmony to harmony, sometimes leading, sometimes trailing behind the chords launched from the sequence.

The polyphonic play surface reads both play position and pressure of the touch, allowing for an intuitive and nuanced play style. All sounds are produced with Plinky 12's internal synth engine."

DnB on a 1996 Quasimidi Raven Max Synth (Constellations by Fred V & Grafix)

video upload by Nismology5

"What an underrated beast of a synth. Everything you hear is made on an old German Groove synth built in 1996, using only the built-in 'Motivator' sequencer and the internal ROM sounds. No external FX.

Used a few tricks to get this to work. Recorded it in double-time at 87 BPM on a 32nd note grid, so that I could get round the 8 bar loop limit, and effectively record 16 bar loops. I also doubled the melody line on two tracks, panned L/R and detuned apart by 10 cents so get a wide, thick lead sound.

Apologies for the slightly rough sound quality, I just recorded with my phone between the headphones!"

Unboxing a $5,000 Synth… It BLEW Him Away 🤯

video upload by Scott's Synth Stuff

"Unboxing the Groove Synthesis 3rd Wave — a powerhouse wavetable synthesizer inspired by the legendary PPG Wave. In this first-look video, I plug it in fresh out of the box and explore its stunning sound engine, analog filters, modulation capabilities, and factory presets.

From classic digital textures to rich analog warmth, this synth delivers serious sonic depth. Expect real-time sound exploration, surprises, and honest first impressions as I dive in without even opening the manual."

0:00 Intro 0:15 Unboxing 0:42 Power Up 0:50 First Impressions 1:35 What Is It? 2:40 Samples 2:58 Filters 3:40 PPG Sounds 5:56 Multitimbrality 6:46 More PPG 7:04 Saturating a Pad 8:14 Analog Filter Manipulation 8:38 Eurogliders! 9:15 Analog Pad and Analog Filter 11:00 Sequencer 12:27 Arpeggiator 13:42 Wave Surfer 14:12 Unison Mode 15:20 Mod Matrix 16:11 Effects 18:56 Modulating Effects 22:30 Powerful Low End 23:54 Oberheim-y? 26:07 It's Digital?!? 26:27 Filter Compensation 28:02 Hours of Playing!

These Leviasynth Hacks Will Instantly Improve Your Sound Design

video upload by Scott's Synth Stuff

"Unlock the hidden power of the Leviasynth with these must-know shortcuts and workflow hacks! In this video, I walk through powerful tips like Shift functions, rapid patch navigation, mod matrix tricks, copy/paste workflows, randomization, and more—everything you need to speed up sound design and get the most out of this incredible synth.

Whether you're just getting your Leviasynth or want to master its deep engine, these shortcuts will completely transform how you create sounds."

Plinky 12 Chords and Model:Samples

video upload by Making Sound Machines

"In this video, Enrica and Roland from Making Sound Machines play a melodic techno track, performing live with the built-in polyphonic arpeggiator and the sound modulation in Plinky 12 Chords.

Plinky 12 receives a MIDI clock signal from the Elektron Model:Samples, synchronizing tempo and transport between both devices. Model:Samples is a fantastic all-digital drum machine and provides the beats you hear in this clip. All synth sounds are produced with Plinky 12's internal synth engine.

Plinky 12's sequencer advances through a harmonic progression, while Roland performs on the touch surface, editing the polyphonic arpeggio. As the track progresses, he taps the touch surface to add or delete notes in the arp pattern.

Enrica operates the model cycles, bringing in layers of drums, while Roland manipulates the XY pad on Plinky 12, modulating the synth and effects setting. This allows them to build and adjust the arrangement on the fly.

This track was composed for a live set at Club Synth, an event our friends Stijn and Priscilla from This is Not Rocket Science are hosting and organizing quarterly at Ruigoord near Amsterdam. Thank you for inviting us and putting in the hard work to create such a lovely event!"

Korg R3 — A Forgotten Synth From the Future

video upload by A Force Truly Evil

"Sound Pack available here: https://sci-fiaudio.com/product/legac...

74 sounds covering everything from basses, evolving pads, textures, and experimental tones.

Many of these programs include dual timbres, combining two patches within a single sound for richer layers, splits, and more complex motion.

The pack also includes Formant Motion data with vocoder textures, bringing the unique character of the Korg R3 synth engine to life."

Korg multi/poly - Oblivion Vol.1 OUT NOW! (Demo 3 - Performances 71 to 101) #custom #korg #multipoly

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Video 3 of 3
it's finally here!
Yes finally after many many requests, the ‪@korgukofficial‬ ‪@KorgOfficial‬ multi/poly - Oblivion Volume 1 is now complete!

Containing 260 individual programs contained in 100 Performance patches, along with a few custom effect presets too. This banks is not one to be missed!

I can't believe I have had the multi/poly since 2024 and this is the first bank i have managed to do for it!, the synth is amazing, such a powerhouse, and really proved itself with anything I asked from it!

very excited to finally get this released for you good folks!

Thanks as always for checking them out!

Scott"

Yamaha TX7 Quick Demo

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Seventy Three Records Music Store

via this eBay listing

"Classic and sweet. Yamaha TX7 Tabletop FM synth that has all those classic DX sounds. This one works great, NO operational nor sonic issues and as you can see It looks great as well. Great addition to any studio or live rig! CHECK OUT THE ATTACHED VIDEO OF THIS ACTUAL TX7 : )"

CLICK FOR MORE »

Korg multi/poly - Oblivion Vol.1 OUT NOW! (Demo 2 - Performances 41 to 71)

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Video 2 of 3 [part 1 here]
it's finally here!
Yes finally after many many requests, the ‪@korgukofficial‬ ‪@KorgOfficial‬ multi/poly - Oblivion Volume 1 is now complete!

Containing 260 individual programs contained in 100 Performance patches, along with a few custom effect presets too. This banks is not one to be missed!

I can't believe I have had the multi/poly since 2024 and this is the first bank i have managed to do for it!, the synth is amazing, such a powerhouse, and really proved itself with anything I asked from it!

very excited to finally get this released for you good folks!

Thanks as always for checking them out!

Scott"

Plinky 12 and Plinky v3

video upload by Making Sound Machines

"This video clip is a duet using a Plinky each from both generations: a Plinky 12 Chords providing glissandi and harmonies, and the original Plinky v3 from Thonk providing the main melody.

Enrica, engineer and musician of Düsseldorf-based synth maker Making Sound Machines, plays the original Plinky v3, with long melodic arcs and the characteristic melancholic sound at the touch of her fingertips.

Roland slides his fingertips along the rainbow coloured columns of Plinky 12 in Chordnotes view. The notes in this view are a stack of the chord notes for each of the harmonies from the chord palette at the bottom of the instrument.

This allows him to freely arpeggiate and transition from harmony to harmony. After the intro of the piece, Roland starts a harmonic sequence on Plinky 12 to accompany the notes Enrica plays on the original Plinky.

The lead synth in the beginning and throughout is captured directly from Plinky v3. All additional synth sounds and effects, the harp-like sound and glissandy in the accompaniment, are produced with Plinky 12's on-board synth engine.

Plinky 12 is a family of expressive polyphonic synthesizers. The three instruments are built around a shared polyphonic synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky.

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!"

MOON Passive Analog Drum/Synth

video upload by Landscape

"MOON ordering is open. Please visit https://www.landscape.fm/moon for lots of audio, a manual, and to order if you’d like. Moon is a *passive (*CV powered) analog 4 channel drum/synth. These examples get progressively more intense and then there’s the ending. Moon sounds different from the 8 channel Noon. New circuits, new liquidness, new sub-bass, new vocal tones, new filtering, new drones, new heaviness, but smaller with many blue knobs + input and cross-channel-modulation attenuation. When I use it I enjoy how it rhythmically breaths with the voltage. Thank you to ‪@MysticCircuits‬ for helping to make this happen! Special thanks to Erin vanZandt, Emily Brandt and Emily Poole for visual and ear support!"

Korg muli/poly - Oblivion Vol.1 OUT NOW! #custom #korg #multipoly

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Video 1 of 3 it's finally here!
Yes finally after many many requests, Oblivion Volume 1 is now complete!

Containing 260 individual programs contained in 100 Performance patches, along with a few custom effect presets too. This banks is not one to be missed!

I can't believe I have had the multi/poly since 2024 and this is the first bank i have managed to do for it!, the synth is amazing, such a powerhouse, and really proved itself with anything I asked from it!

very excited to finally get this released for you good folks!

Thanks as always for checking them out!

Scott

© Scott McAuley. All rights reserved."

Introducing Drum Farm by Knobula

video upload by knobula

Drum Farm is a Eurorack module dedicated to the cultivation and un-ethical treatment of drum sounds. It combines real-time drum synthesis, effect processes and sampling into a hands-on, multi-engine instrument, delivering up to four simultaneous voices and three effects at once."

Press release follows:


Knobula cultivates new ground in drum voice design with Drum Farm performance-focused Eurorack module

LONDON, UK: advanced modular synthesiser developer Knobula is poised to cultivate new ground with its upcoming Drum Farm Eurorack module — merging synthesis, sampling, and real-time effects into a single, hands-on instrument built for fast, intuitive sound design, empowering users to relentlessly sculpt, process, sample, and re-sample sounds grown from its wide range of virtual analogue and physically modelled drum and effects algorithms — readily representing the latest addition to its growing lineup of control-centric instruments embodying a no-screen, no-preset philosophy, as of April 21…

As an appropriate appellation, Drum Farm was inspired by Knobula Technical Director Jason Mayo’s background in computer animation, where vast ‘render farms’ generated thousands of realistic images with minimal human input; as a performance-focused Eurorack drum module occupying 24HP of rack space, it is organised into three core sections: a Drum Synth with 16 virtual analogue and physically modelled drum algorithms, an Effects engine offering 16 different realtime processes, and a digital Sampler with up to three playback voices — capturing the combined output of everything a creative user could conceivably do with it. By bringing all the essential building blocks together, Drum Farm allows for the creation of original sounds quickly and intuitively — whether shaping punchy kicks, layered snares, tuned percussion loops, cymbals, CV/Gate-controlled samples, or physically modelled drum membranes.

Moreover, Drum Farm’s onboard sampler can run automatically in the background, sampling into one of 16 sequential audio buffers. Ultimately, users can capture the drum synthesiser on its own or record hybrid combinations of synthesis, effects, and samples, which can themselves be resampled into richly layered percussion structures or loops. Additionally, an EXT (external) input opens the gate to the world of field recording or sampling directly from elsewhere in a Eurorack system and a row of CV and trigger inputs allows further influence to any assignable control, including the ability to switch samples, drum algorithms, or effect types on the fly.

Duly designed for fast, intuitive sound creation, Drum Farm positively encourages an immediate, iterative workflow — simply select a drum model, sculpt it, process it live through the effects, sample the result, blend it with another model, and repeat. As a result, complex and evolving sounds quickly emerge.

Embodying Knobula’s philosophy of promoting experimentation and tactile control reminiscent of classic real-world instruments, Drum Farm features no screens and no sub-menus. Instead, it is a performance-focused module that rewards hands-on exploration, invites happy accidents, and provides a fertile environment for sounds to flourish and grow.

It is possible to create fully hands-free generative patches, self-building sample libraries, or access to round-robin multi-samples since all controls are CV- or trigger-assignable via five CV/Gate inputs. Sensibly, sounds can be saved to a microSD card alongside a complete snapshot of the module itself, whereby buffers, knob positions, samples, and settings are stored together as a session — with up to 32 sessions per card — allowing users to return to their work, exactly where they left off. It is fair to say, therefore, that Drum Farm is always ready for both studio experimentation and live recall.

Thanks to Knobula cultivating new ground with Drum Synth, the relentless creation of drum parts in Eurorack has never been more immediate or rewarding. Attendees at London Synth & Pedal Expo 2026 may recognise the farm-themed product tease, with ‘alien cow abduction’ subsequently forming the core of Drum Farm’s promotional campaign video.

Shipping scheduled for June 2026, Drum Farm will be available to purchase — priced at £449.00 GBP (including VAT), with a choice of two faceplate colourways on offer — directly through the Knobula shop (https://www.knobula.com/shop), as well as via Knobula’s growing global network of resellers.

For more in-depth information, please visit the dedicated Drum Farm webpage here: https://www.knobula.com/product-page/drum-farm

EEH Banana Rare German Vintage Synth - First encounter

video upload by The Associate

"Just serviced the rare EEH Banana from 1981. It´s a six voice analog synth with two oscillators per voice. This was from the first owner who bought it at Synthesizer Studio Bonn in the early 80s. Looks like an Oberheim but sounds more Moog-like in my opinion. Just demonstrating some of the first sounds I created on this synth."

Introducing Plinky 12 Blocks, Chords and Toadstep

video upload by Making Sound Machines

Additional videos below.

"We are super excited to introduce 3 new instruments today! Plinky 12 is a family of expressive polyphonic touch synthesizers. The three instruments are built around a shared synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky. https://plinky12.com

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!

In this video, Enrica and Roland from Making Sound Machines explore the three new Plinky 12 instruments: Blocks, Chords and Toadstep from left to right.

The track builds on a repeating loop created with the built-in sequencer on Plinky 12 Toadstep. The short sequence uses rhythmic step repeats, track step length and animated synth parameters to create an ostinato that keeps sonically evolving over the length of the track.

As the piece continues, Roland plays a progression of harmonies from the rainbow chord palette on Plinky 12 Chords, before launching a sequence that reharmonizes the loop heard from Toadstep. Enrica joins in playing sparkling arpeggios with her fingertips on Plinky 12 Blocks, the surface with the sunset colour-fade print.

As the track progresses, Roland plays a melodic line on Chords, then Enrica takes over with a melody on blocks. The Plinky 12 polyphonic play surface reads both play position and pressure of the touch. It enables bends and glides on the horizontal axis, while allowing for discrete arps in the vertical direction.

They end the piece with a tempo transition showcasing the septuplet feature on the internal sequencer."

CLICK FOR MORE »

Animal Factory Dirty Mirror × Korg Monologue // Fuzz Synth Jam (No Talking)

video upload by Animal Factory Amplification

"Use headphones for this one! Animal Factory Dirty Mirror dual parallel fuzz pedal running a Korg Monologue analog synth — no talking, no post-processing, just raw tone. This was recorded in one take to bring out how the Dirty Mirror becomes an instrument in itself.

A love letter to shoegaze, noise, and harsh textures, the Dirty Mirror pairs a modified Shin-Ei Superfuzz (the "Burn" channel) with a heavily modded Big Muff Pi (the "Churn" channel), plus a pre-fuzz delay modulated by an internal LFO and envelope follower. Hand-built in Mumbai by Animal Factory Amplification and debuted at Superbooth 2025.

Here it's sculpting the Korg Monologue's aggressive analog voice into fuzzscapes, drones, seasick vibrato, and pitch-shifted square-wave chaos. Recorded dry — no EQ, no reverb, nothing but the pedal and the synth. Drums from an MFB Tanzmaus (not processed)

🎛 SIGNAL CHAIN
Korg Monologue → Animal Factory Dirty Mirror → interface"

Animal Factory Dirty Mirror Fuzz on MFB Tanzmaus | Dual Distortion Delay Jam

video upload by Animal Factory Amplification

"Use headphones or speakers with good bass! Dual fuzz chaos meets beat-driven synthesis! Watch the Animal Factory Dirty Mirror transform the MFB Tanzmaus drum machine with creative distortion and delay manipulation. This is pure experimentation—no tutorial, just sonic exploration.

Gear featured:
Animal Factory Dirty Mirror Dual Fuzz Pedal
MFB Tanzmaus Drum Machine

Not just a shoegaze and noise rock machine - the Dirty Mirror is the perfect fuzz for musicians exploring wall-of-fuzz sounds, experimental synthesis, drum machine effects processing, and unconventional gear combinations."

"The Dirty Mirror takes these two behemoths of sonic perversion and adds an extra layer of nasty – using the core circuit of our Coma Reactor Eurorack module.

This three footswitch, 15 knob pedal looks complicated – but it’s not:

The BURN Channel (left side) is based on our Chemical Burn circuit, a nastier FY-6 variant.

The CHURN channel (right side) is based on a heavily modded Big Muff Pi.

There is a short delay circuit before the fuzz circuits.

Both the fuzz circuits can switch between the input sound, 100% wet delayed sound or a blend of wet and dry.

The fuzz circuits are then mixed in parallel into a high-headroom output section.

For added sickness, the delay time can be modified by an envelope follower or LFO.

Choose your filthy reflection – from straight dual parallel fuzz textures, to seasick vibrato to long slow quasi-chorus phasey apocalyptica.

The delay can be used on its own for slapback, chorus and vibrato effects.

Yes, it can get very noisy.
No, you can’t do anything about it - so weep in pain and pleasure, and submit to the swarms of square waves that joyfully fill your room."

FREE SYNTH: NILS' KAWAI K1v (Kawai K1 Emulator) - No talking demo

video upload by ADL-MusicLab

"Hello everyone!

Here's to you my "No talking demo" of this FREE emulation of the Kawai K1 synthesizer developed by Nils Schneider, which brings back to life this iconic synthesizer!

The Kawai K1 is a famous japanese classic from 1988 and it was a massive success with both the critics and the public. The company managed to reportedly shift around 50,000 of them. There also was a rackmount version (K1r) and a tabletop option (K1m).

The key to its popularity was certainly down to its sound, which combined single-cycle additive waves with PCM samples. There was another reason though: in the late 80's this D-50-style sample synthesis was out of reach of most musicians, but then the Kawai K1 came along and it was much cheaper than the Roland D-50!

Now you can have it in your DAW with this amazing FREE software emulation!

CLICK FOR MORE »

Dreadbox Murmux Sound Bank | Demo 3 (patches 52 – 76) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 52 - 76 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient."

Timestamps 00:00 Long playing fifths 00:34 Sync harpsi 00:54 Wailing string 01:34 Mellow rising 02:16 Cloud pad triangles 03:11 Velo plucks 03:53 Raw slow bass 04:20 Samson lead 04:49 Recollections 05:31 Slow pitch poly 06:08 Super mellow 06:48 FM resonance 07:08 Sync bass down sweep 07:41 Analog filter trail 08:19 Meditative 09:06 Rich release keys 09:37 Brass pad 1 10:12 Coarse FM Lead 10:40 Transformation 11:23 Fading filter mod 11:54 Rich riser 12:30 Sync lute 13:03 String pad 13:45 Rising resonance 14:13 Bright poly pluck

Dreadbox Murmux Sound Bank | Demo 4 (patches 77 – 101) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 77 - 101 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient."

Timestamps 00:00 Filter attack keys 00:25 Nasty bass 00:49 Plaintive lead 01:27 Resonant LFO bell 02:20 Thick detuned poly 02:46 Fluttering analog pad 03:28 Analog epiano 03:57 Raw ensemble 04:39 Ethereal sweep 05:22 Spectral promise 05:59 Mellow mod pluck 06:25 Brass pad 2 06:55 Slow Q sine 07:35 Triangle sync lead 07:58 Ambient calm 08:45 Thoughtful lead 09:11 Detuned brass 09:36 Kick sub 09:57 Hi hats 10:18 Open hat & crash 10:37 Snare 10:52 Ghost space 11:34 Effected circuits 12:16 Sonic boom 12:44 Deep sea bubbles

Synth Universe Dreadbox Murmux demos

Sound design and track walkthrough with UDO DMNO

video upload by Martin Stürtzer

"Hello and welcome to an extended sound design session with the UDO DMNO synthesizer. In this video I show the workflow of this duo-timbral hybrid analog / digital synth and design four sounds from the init patch. I use the new sounds to record a new ambient track to demonstrate the musical context, in which I use the instrument.

All music was created by a (cat assisted) human. No AI tools were involved in the production of the music and artwork.

🔔 For exclusive music releases, production walkthroughs and more please consider visiting my Patreon page. Your support is very much appreciated.
/ martinstuertzer"

00:00 Intro
01:33 Pad 1
15:11 Bass
24:22 Sequence
35:14 Pad 2
12:00 Result