KORG MINILOGUE XD POLYPHONIC ANALOGUE/DIGITAL HYBRID SYNTH (MODULE)

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KORG MICROKORG ANALOGUE MODELLING SYNTHESIZER

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Additional Signal Sounds listings

"A pre-owned Korg Microkorg in very good condition. It comes with original packaging and accessories. The packaging is a little worn but in good shipping condition."

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Hacking the TIME-SHIFTER - Eurorack module

video upload by LARIX ELEKTRO

"A small addition to the TIME SHIFTER module:
Add a CV input to the MAIN-SHIFT parameter.
A CV input to this parameter hadn't been planned, as in the intended use, it wasn't relevant.
But actually, why not? That's the whole point of being modular: going where the manufacturer hadn't thought!

Ok, it's a bit makeshift, but it works…
More info on the site:
https://www.larix-elektro.com/PRODUCT...

Modules used:
LARIX ELEKTRO 4TOMS for the toms! obviously ;)
LARIX ELEKTRO Ritournelle CV Generator + Shift-R for the rhythm
LARIX ELEKTRO Ritournelle CV Generator (another one) for the CV controlling the MAIN SHIFT"

"WHAT'S THAT THING ?
The Time-Shifter is a delay for gate or trigger signales.
As all good time machines it can delay after and before (!).

The first idea is to find a way to build a swing or a groove.
So to decide which steps of which track is decayed, and how much.

To do this, it is necessary to be able to shift the events after and before. But before, we can't predict when an event will appear...

The solution is to decay everything, and then, decaying less than the others events.
So comparing to the new decaying events, it will sounds like it appear before.


The MAIN SHIFT defines this new reference.
So if you enter the main CLK signal into the input, the output of this circuit can be used as the new CLK reference.

The four circuits A B C and D works according to the value of the MAIN SHIFT reference:
- When the knob is centered, the time decay is the same.
- Left, means less time decay, so the event will appear before.
- Right, means more time, so the event will appear after.

Extend your module:
The module can be enriched by one expansion modules:
- The AttV-4 adds to the CV entries an adjustment of the CV value by an attenuverter.
The connectors on the back of the module save connectivity at the front.

Typical use:
- Groove (or swing, etc.) controlable by CV (!)
- Realignment of gates sequences.
(When using multiple sequencers with different latency)
- Signals sequencing adjustment.
(Be sur that a RST arrives at the right moment, for example)
(Be sur that a your S&H module sample after signal stabilization, for example)"

VERMONA PERFOURMER MKII DESKTOP ANALOGUE SYNTH (MIDI VERSION)

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ARTURIA MINIBRUTE 2 SEMI-MODULAR SYNTH

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"Manufacturer's description

MiniBrute 2 has evolved from the legendary monosynth that revolutionized the analog scene with its mixable waveforms, Steiner-Parker filter, and Brute Factor. Now with semi-modular architecture, you can splice its genome and expand its raw power into the world of Eurorack modular. From the earliest electronic instruments, synthesizers have expanded and enhanced the possibilities available to musicians. We decided not only to apply this mantra to the sound of our new instrument, but to synthesizer itself. MiniBrute 2 was born! A synthesizer that would sound huge and yet be compact, self-contained and versatile. An instrument that would be both comprehensive and evolving.

The MiniBrute 2 has nothing to hide. Take a look at its front panel, get yourself acquainted. You’ll notice the now-iconic Brute oscillators, the acidic Steiner-Parker filter, and the mayhem-inducing Brute Factor knob that has become the signature Arturia synth element for many fans.

Looking a bit further, beyond the usual modulation sources and controls, you’ll notice some exciting, unexpected features: a second VCO; a second LFO; new VCO and Filter frequency modulation possibilities; modifier-related modulation destinations; a brand new, loopable AD envelope. Once tamed, this little beast will reveal the full range of its vocalizations, including raging leads and piercing sequences, as well as smooth pads and purring bass."

ENDORPHIN.ES SHUTTLE SYSTEM EURORACK MODULAR INSTRUMENT

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"A pre-owned Endorphin.es Shuttle System in excellent condition. It has a few surface blemishes but comes with all original packaging and accessories. Please note; this is a monolithic system so it's not possible to swap modules in and out.

Manufacturer's description

ENDORPHIN.ES SHUTTLE is a unique performance instrument containing 5 Eurorack modules under single 84hp faceplate:

Shuttle Control: 16 channel USB to MIDI to CV interface with almost infinite possibilities interpreting MIDI events into analogue control voltages—including CV/Gate, random or noise generators, MIDI or tap-clocks, utility LFOs and envelopes

Furthrrrrr Generator: dual triangle-core VCO with a waveshaper

Grand Terminal: dual voltage controlled gate with 8 resonant filter modes (ladder, diode, lpg, state variable, comb), dual envelope generators (voltage controlled) with looping/AD/ASR with arbitrary voltage to control slope shapes: from EXP to LIN to LOG without stretching the length of a certain slope, Cabin Pressure audio FX processor with 8 selected effects

Cockpit 2: 4 stereo channel mixer with sidechain ducking

Gateway: dual 1+1 utility mixer and auto-tuners to scale, offset and invert voltages

comes with Shuttle Cover included"

Flanging & phasing feedback fun with Ubique from Manifold Research Centre

video upload by Signal Sounds

"In this video, Tom explores Ubique, a collaboration between Manifold Research Centre and Heretic Machines. It’s a 14HP Eurorack module that combines a BBD flanger and a transistor ladder 10-stage phaser. They have their own inputs and outputs, but the output of the flanger is also summed to the input of the phaser, and the output of the phaser can be fed back into the flanger via the feedback slider, so you can create an infinite loop of flanging and phasing.

Buy here:
https://www.signalsounds.com/manifold...

More info here:
https://www.manifoldresearchcentre.co..."

The Finish Line

video upload by davidryle

"Having a little fun with the Q960 sequencers and the Moog Matriarch.

The Q960 pair are set up for index sequencing on the bass line. This is a fun way to mangle the bass line but keep it steady in time with the drum pattern. The gate duty was handed to the Dotcom Q172 quantizer for only sending gates when there is a change of pitch voltage. This helped to avoid the typical pulse rhythm.

The bass voice is a pair of Synthetic Sound Labs TZ-VC Oscillators in FM coupling. There is a third VCO from SSL for a sine wave sub-oscillator. These are mixed through the Corsynth C114 transistor drive mixer to the Oakley Voltage Controlled State Variable Filter in low pass mode. The signal is split and sent through the Modcan 73B stereo echo delay and also a dry signal is driven by a second Corsynth T-Mixer for added saturation.

The drum sounds are from the Delptronics LDB-2E and the TipTop SD808 snare. There is a Mutable Instruments Grids and the Moon Modular 563 trigger sequencer coupled to trigger the modules. The snare is sent through the MakeNoise Echophon delay and produces the raspy pulse voice heard throughout.

A hollow wood/metal block percussive sound is generated by a pair of Dotcom Q106's, a Mega Ohm Audio CdS LPG and an SSL Digital Delay. This is triggered by the STG Trigger Mini Store and reset by the Moon 554 Octal Clock Divider.

The IN-YER-FACE lead line is the Moog Matriarch through a T.C.Electronics D-Two delay unit.

Clock source was from Cubase through the STG Time Divider.

A pair of Dotcom Q962 Sequential Switches were used to route the various step gates from the lower Q960 Sequencer to the upper Q960. Routing and pitch values were pre-determined after hours of rehearsal to set up a particular scale or mode that determined what I should play on the Matriarch.

It should be noted that certain happenstance values of the sequence pattern produced passing tones that lead to the typical blues scale in C. I just had to go with it."

The Head Banger is Pure Sonic Destruction

video upload by Metamyther

"The Head Banger Eurorack distortion module is a raw, aggressive tool designed for pushing sounds to their absolute limit. This brutal distortion module delivers crushing overdrive and a send/return that can feedback, ensuring explosive walls of sound. The Head Banger adds a unique, high-voltage character that cuts through any mix. Perfect for any system that needs to hit hard."

via Setonix Synth

"The HEAD BANGER Heavy Metal Distortion brings the authentic “chainsaw” sound made famous by the Swedish Death Metal scene to your Eurorack synthesizer! This tonal monster conjures an unholy union between high-quality VCA circuitry and the most legendary distortion circuit in Heavy Metal!

The HEAD BANGER (a collaboration between SetonixSynth and Robots Are Red) gives the modular-based metalhead total control over a wide range of tone parameters: a three-band EQ with 20dB of boost/cut per band, Distortion amount, plus bass boost (Doom) and soft limiting (Crush) switches. These controls will faithfully recreate the classic compressed, grinding Gothenburg sound when fully “dimed,” but they can also provide a great range of saturation reminiscent of 4-track tape and vintage consumer mixers at other settings.

So, users pursuing more mellow sounds need not fret: despite its “heavy metal” tag, the Head Banger offers a fantastic range of distortion flavors perfect for subtly or un-subtly “"warming up” just about any sound that dares approach its input.

But if you thought Jack (Setonix) and Brian (RAR) would simply emulate a famous pedal and call it a day, you would be gravely mistaken! The Head Banger is fully optimized for use with your drums, oscillators, filters and other modular audio effects. It offers full CV control over Input Gain, Feedback amount with Send/Return loop, and Dry/Wet mix. This allows the user to create a dense web of sound and selectively re-integrate it with the original input signal in a number of interesting ways.

With the arrival of the Head Banger, Eurorack users finally have access to the most highly regarded distortion circuit in aggressive music. And now it has more CV control and synth-friendliness than ever! For anyone with a love of harsh, heavy, and/or distorted sounds, the Head Banger is a must-have!"

Kanawha Music and Art: Long Division 2 & Filternator - #Knobcon

video upload by CatSynth TV

"We check out the new modules from West-Virginia-based Kanawha Music and Art. Long Division 2 is a classic polyphonic divide-down voice reminiscent of the electronic organs and string machines of the 1960s and 1970s. The Filternator is a filter module based on the resonators found in 1940s Hammond organs.

To find out more, please visit http://kanawhamusic.com/
For more about Knobcon, please visit https://knobcon.com

0:00 Introduction
0:10 Long Division 2
2:45 Filternator
3:55 Conclusion

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.

Merch: https://shop.catsynth.com
Patreon: / catsynth
Ko-Fi: https://ko-fi.com/catsynth"

Filternator

video uploads by Kanawha Music

Playlist:

1. "Filternator" module introduction

A no-talking introduction to our new module. Is it a Filter? Is it a Resonator? Yes...with a difference.

2. Filternator Stereo demo- no talking

Using two Filternator modules in parallel for stereo and the cool sounds you can make.

3. Filternator Drum & Guitar

What happens when you run a drum machine or a guitar through this module? Let's find out.

Filternator

"Is it a filter? Is it a resonator? Is it a filter bank? Yes- the new Filternator module is all of the above…with a difference. When developing the module and hearing how it treated signals, it was obviously filtering, but with high resonant peaks that were stronger than the incoming signal, at which point it was resonating up a storm. So what to call it? It’s resonating as much as it’s filtering, so we called it the Filternator!

It’s simplicity itself to use: plug your audio in the input, and the output goes to whatever you like down your signal chain. Use the wet/dry mix knob to control the amount of “filternated” signal you’d like to hear. Then comes the fun part: chose a mode, and start messing around with the switches. There’s a choice of three switches for the capacitors, and three switches for the coils used in the circuit. They can be used in any combination to set the filter frequencies and resonant peaks. If you like, automate the mix control with an external CV source. The one thing you don’t do is power it up…except for the external control voltage for the wet/dry mix, it’s completely passive! But unlike other passive filters, this design doesn’t drag down your signal level with resistors in the circuit, because there aren’t any. By using inductors instead, the signal doesn’t get attenuated as it does in a standard passive filter. Instead, it will actually boost signal levels as it nears the resonance peak.

Talk about skiff friendly, not only does it not take any power, but it’s nice and slim, just 12mm deep behind the (nice and thick aluminum) faceplate."
Long Division 2

video uploads by Kanawha Music

Playlist:

1. Long Division version II introduction

Introducing Long Division version II...in addition to the unlimited polyphony, we now have a choice of square or pulse waves, a Gate Out, illumination for the tuning trimmers, and more.

2. Long Division II with modules- Demo (no talking)

In addition to the Master Tune and Tone CV inputs, Long Division II has a Gate Out which can be used to trigger envelopes, etc. This video demonstrates some of the possibilities.

3. LD II Stereo Demo- No talking

A demonstration of Long Division II with the Stereo Mixer/Break Out helper module.

Long Division 2

"In addition to the complete features of the original Long Division module… 12 independent and free running oscillators, one for each note of the scale
Built in vibrato with speed and depth controls
Choice or organ or piano sustain
Tone Control
Variable release time
Tone and tuning CV inputs
100% analog tone generation
Plug and play operation
All 61 notes available all the time!
Long Division II also offers:
A choice of square or narrow pulse waves, great for those string machine sounds!
A Gate Out jack, to trigger envelopes on any note coming on
Internal illumination for the tuning trimmers, and
An optional stereo output!"

The story of INVENTING Eurorack: DIETER DOEPFER // Why We Bleep 55

video upload by mylarmelodies

"A podcast about creating Eurorack modular synths in the 90s, collaborations with Kraftwerk, the 'red stripe' controversy (if you know you know). We meet from Dieter Doepfer & new Doepfer managing director Holger Zapf, in an interview at Machina Bristronica 2024, on how Eurorack Modular format went from "Nobody wants that sh*t" to a blossoming and diverse industry 30 years later. 👉 / mylarmelodies 🙌

This was filmed at the mighty https://machinabristronica.uk/" Chapters:
00:00 - In this episode of Why We Bleep...
01:30 - A word from Why We Bleep's Sponsors
04:38 - Introduction to Dieter Doepfer and Holger Zapf
06:14 - Early life, education, introduction to music & technology
16:47 - First encounters with synths - analogue vs the era of digital
21:49 - MAQ16/3 - a little collaboration with Kraftwerk
25:31 - The early developement of Eurorack ("Nobody wants that sh!t!")
31:16 - Holger's involvement, perspectives on Eurorack and favourite modules
36:53 - Doepfer's development and design process
41:55 - Eurorack's evolution - parallels and adopters of the format
45:55 - The 'Red Stripe' controversy and voltage standards
51:49 - How it feels to have started the Eurorack Industry
53:07 - What is the future of Doepfer, and of Music Technology?
58:14 - A question from the audience - Eurorack's Birthday?
59:07 - Thank you Doepfer! Final thoughts

If you enjoyed the episode, please share it and consider contributing on Patreon!

DOEPFER ONLINE:
▶︎ https://www.doepfer.de/home.htm

THANKS TO SPONSORS:
▶︎ SIGNAL SOUNDS http://signalsounds.com
▶︎ POINT BLANK MUSIC SCHOOL: https://bit.ly/pbopenday25

SUPPORT THIS CHANNEL:
▶︎ Patreon: / mylarmelodies (Help fund more podcast episodes, videos, join a community of music makers and ask me questions directly!)"

Synthesizer-Wettbewerb, Beitrag "Ambient Jam"

video upload by KEYBOARDS

"Ambient Jam with Polyend/Dreadbox Medusa and a few iPad apps.

A total of only 6 tracks, a simple chord progression, but with Probability/Random Notes from the Medusa and a few effects. It's all very chilled out and only using my "desktop setup" in my office. Since I usually only make music with hardware, this is a nice change and a challenge for me.

To visualize the whole thing more appealingly, I used a freely available NASA video in the background, which can be used for non-commercial purposes. The video was created with Adobe Premiere Pro. Everything else in the video, and of course the music, is mine.

I use the Medusa with Probability for melodic to whiny synth sounds, mostly with the wavetable oscillators. During recording, I play around with the filters and oscillators. The Medusa sequencer is synced to AUM by Kymatica.

I also recorded the bass beforehand using the Medusa and its analog oscillators. This is played back via the Koala sampler.

The track begins with a synth pad from Synthscraper/Igor Vasiliev

and two tracks of 'synthetic' water (one via the Koala Sampler, the other via the Spacecraft granular sampler). I tinkered around until I managed to create something reminiscent of flowing water from the noise and other sounds.

Klevgrand's Hillman, a phaser-equipped organ synth, is used to give the track a bit of a retro flair.

To increase the dynamics, Klevgrand's REAMP, a tube amp simulation, is later used.

Reverb from Eventide (BlackHole) was used except on the bass.

The mastering was done with GrandFinale 2, which was already in the signal path during recording."

Spectravox and DFAM | Advanced Physical Modeling

video upload by Moog Music

"In this video we explore the principles of physical modeling synthesis using DFAM and Spectravox.

We begin with a summary of physical modeling synthesis. Physical modeling models an excitation signal (the isolated sound of a finger hitting a drum head, a pick plucking a guitar sting, a bow bowing a cello string) and a resonating body (a drum, a wooden block, a string coupled with a wooden body, etc.). Excitation signals are usually very short sounds full of harmonics and noise – we use DFAM to sculpt a broadband signal with lots of internal dynamics using DFAM’s three envelopes. Spectravox’s ten resonant filters with individual level control are then used to model a resonating body. DFAM’s velocity sequencer further allows us to create a sequence with harder or softer drum hits, while its pitch sequencer can move Spectravox’s filters via the SHIFT input for fascinating tonal changes."

Labyrinth and Subharmonicon | Tangled Transpositions

video upload by Moog Music

"In this video we tie Labyrinth and Subharmonicon’s sequencers together for tangled transpositional movement.

We begin by mixing the VCA outputs of each instrument using Labyrinth’s utility mixer. We then show how to quantize Subharmonicon’s two sequencers to generate sequences of octaves and then add those sequences to Labyrinth’s two sequencers to generate polyrhythmic octave transpositions. Labyrinth’s voice is sequenced by Labyrinth SEQ 1 and transposed by Subharmonicon SEQ 2 while Subharmonicon’s voice is sequenced by Labyrinth SEQ 2 and transposed by Subharmoncon SEQ 1. With Labyrinth’s quantizer set to Hirajoshi pentatonic scaling octave transpositions from Subharmonicon work well regardless of western tonality. Using more traditional western scales from Labyrinth we can set the steps of Subharmonicon to values other than octaves (e.g. perfect fourths/fifths) provided we stay in key."

ALM/Busy Circuits masterclass | 27 August 2025

video upload by Signal Sounds

"We invited Matthew Allum from ALM/Busy Circuits to host our latest in-store event. The brains behind Pamela’s New/Pro Workout and dozens of other incredible Eurorack modules chatted to us about all things ALM and answered audience questions. He also showed off ALM’s awesome Turismo modular system and revelaed some new modules.

ALM/Busy Circuits products are available from Signal Sounds here:
https://www.signalsounds.com/alm-busy...

More info:
https://busycircuits.com/

Chapters:
00:00 Intro & Turismo demonstration
26:00 New modules & FMCo demonstration
37:48 Q&A"

Instruō Introduces Pocket SCÍON

Connect with Nature: Pocket Scion by Instruō & Modern Biology

video upload by Instruō

Instruō - Pocket SCÍON | Video Manual

video upload by Instruō

Also see DivKid's video here.

"The Pocket SCÍON is a portable device that captures biofeedback data sourced from contact with living organisms.

This data is used by the onboard sound engine to generate evolving soundscapes and a range of MIDI messages.

The data is also accessible as OSC messages which are broadcast from the accompanying desktop application.

Anyone can create, shape, and enjoy music with Pocket SCÍON regardless of existing musical experience.

Despite its stand-alone, plug-and-play interface, experienced or adventurous users can use the MIDI and OSC output capabilities to integrate Pocket SCÍON and biofeedback into their studios, installations, and audio- visual projects.

CLICK FOR MORE »

The Haunted Arcade of the DecadeBridge Triad (Drones, Noises, Glitches and Rhythms)

video upload by Oscillator Sink

"The DecadeBridge Triad is a unique little Synth module that generates drones, rhythms, noises and glitches - it sounds, to me at least, like a haunted arcade in the 80s - malfunctioning machines, wailing, whirring and bleeping. It's based on a trio of analog oscillators arranged in a fairly unique, raw and unpredictable arrangement. It works great as part of a drone or noise setup, makes for excellent sample fodder, and thanks to the neat "reset" input it can play along with drum machines and sequencers (especially paired with a little low-pass gate).

Check it out here:
https://www.etsy.com/uk/shop/DecadeBr...

Chapters:
00:00 - Intro
02:31 - The Architecture
06:08 - Sound Demo (Solo)
13:17 - Paired with a sequencer to impart rhythm.
14:58 - Adding a Low Pass Gate for more percussive sounds.
19:00 - Paring with the Neutral Labs Scrooge
22:49 - Final Thoughs"

TRIAD - Drone/Noise synth 25 minutes

video upload by DecadeBridge

Timestamps:-
00:00 Dry sound
07:59 Resetting oscillators with an external gate signal
13:58 Running the output through the microcosm



Designed by DecadeBridge
TRIAD is a 3 oscillator square wave drone/noise/glitch synth.

The 3 oscillators drive and reset each other in different ways depending upon the switch/button settings. an external trigger, gate or clock can also be used to reset 2 of the 3 oscillators.

Download the manual here.

Knob style and knob/button colour may vary depending on stock.
A connector for a 9 volt battery is included with Triad. Triad can also run off a 9V !!CENTRE POSITIVE!! WALL ADAPTOR.

Designed and built by hand in Cheshire England

To keep up to date with product demos, prototypes and competitions follow me here:- instagram.com/decadebridge"

WMD Skorpion Sound Demos

video uploads by WMDevices

"Skorpion is an 8-stage vector based wavefolder module that boasts a huge range of sounds via it's deep, yet intuitive set of controls. In this video, we cut about an hour of jamming and experimentation together into about 8 minutes of sound examples. No talking in this one, just pure sonic exploration and a demonstration of what this module can do with a simple input.

In the intro, we're running a sine wave through Skorpion and add some CV from an envelope into slope to create some rhythm. We add some drums to hear this in context with a drum beat. We then transition into a sine wave as the input signal, then some Saw (with windows) and Swarm Waveforms, experiment with a filter before the Skorpion, and end up back with some drums in different configurations.

WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."

Check with dealers on the right on availability.

The mighty Make Noise ReSynthesizer: a dream modular synth

video upload by Signal Sounds

"Sound designer and composer Michael Manning makes a welcome return to the Signal Sounds channel to explore the ReSynthesizer - a curated selection of Make Noise modules in a 7U 104HP case. This system is a fantastic way to explore experimental music without being paralysed by choice when trying to build a Eurorack setup from scratch.

In the video, Mick builds some incredible patches that show off the range of the system, and talks through some of its key components - including the Spectraphon oscillator and double Maths!

Check out a playlist with full-length versions of the performances in the video: [below]

ReSynthesizer is available here:
https://www.signalsounds.com/make-noi..."

[Re]Synth by Michael Manning


Playlist:

1. [Re]Synth #4: n2n2 // Make Noise ReSynthesizer Music
2. [Re]Synth #3: Fleck // Make Noise ReSynthesizer Music Performance
3. [Re]Synth #2: Spector // Make Noise ReSynthesizer, Spectraphon, QPAS, Mimeophon
4. [Re]Synth #1: Hush // Piano, Morphagene, Continuum Mini

Polyend Press / Sidechain Compression Explained

video upload by Polyend

"Press features complete sidechain functionality with a stereo sidechain I/O, sidechain-activated stompswitch, and high and low pass filters for the sidechain input. These filters prevent any unwanted sounds from triggering your compressor, like hi-hats on a drum track, or the sub frequenies of a boomy kick. Use both filters like a band pass to focus on one narrow frequency band, like the click from a kick, to compress your signal."

8/18/25 (feedback) Metasonix S-2000 + Paia 6740 + Alesis MIDIVERB II

video upload by Cfpp0

"The Metasonix S-2000 sounds like a pretty cheerful creature with both contour two and contour three engaged, but gets more angry when contour three is turned off. A lot of that raspiness is due to feedback. The S-2000 audio output is multiplied by the Synthesizers.com Q124, then a copy goes to the Mackie Onyx 1640, with spring reverb from the Paia 6740 and stereo reverb from the Alesis MIDIVERB II, which is what we hear in the video. Another copy of the S-2000 output is sent through the STG soundlabs Attenuators, to the Lower West Side Studios M830 Signal Distribution System (just to convert it to 3.5mm), into the audio input on the S-2000 so it hears itself hearing itself."