The keyboard sounds of "Haunted By Silhouettes - Pantheon"

video upload by Benjamin Dehli

"Some of the keyboard sounds from the track Pantheon by ‪@HauntedBySilhouettes‬ .
Pantheon will be featured on their upcoming album Faith Came Crawling, set to be released on November 28, 2025.

Instruments:
Louis Zwicki Pianette
Mellotron M4000D
Dave Smith Instruments Tetra
Dave Smith Instruments Mopho Keyboard
Therevox ET-4.3

Effects:
Alex Franklinos Stereo Transformer Saturator
Chase Bliss Audio & Meris CXM 1978
DIY Recording Equipment G Bus VCA Compressor
Electro-Harmonix Deluxe Memory Man
Fairfield Circuitry Shallow Water
Hairball Audio FET/RACK Revision D
Handsome Audio Zulu
Korg MS-20 External Signal Processor (ESP)
Roland Dimension D SDD-300
Roland PA-120

Amplifier:
Tandberg Model 2 T

Microphones:
AKG C451E
Royer R-121

Tape recorder:
Fostex X-28H

Website: https://www.dehlimusikk.no/
Store: https://store.dehlimusikk.no/"

JOMOX ALPHABASE ANALOGUE DRUM MACHINE MK2

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"A pre-owned Jomox AlphaBase in very good condition. It comes with original packaging and accessories.

Manufacturer's description
The ALPHA BASE Mk II is the sucessor of the already legendary ALPHA BASE.
Graphic OLED display
Real RGB LEDs in the sequencer
More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
Analogue panning circuitry for the hybrid sample channels
Improved analogue engine
Noise volume is controllable in the hybrid sample channels
More samples
Headphone volume is independent from mix volume
It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.
Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. We have put in the concentrated know-how of the Jomox drum machines and of our synths of the past 20 years. We have simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built."

ISLA SP2400 SAMPLING DRUM MACHINE

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"A pre-owned ISLA SP2400 in very good condition. It comes with its original packaging and accessories.

Manufacturer's description
For us, the S2400 is a passion project – to recreate the sound of one of the world’s most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years – owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on youtube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same ‘instant gratification’ and intuitiveness of its spiritual pre-predecessor at heart."

ERICA SYNTHS SYNTRX II PIN MATRIX ANALOGUE SYNTH

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SYNCLAVIER REGEN DESKTOP ADDITIVE SYNTHESIS MODULE

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"A pre-owned Synclavier Regen in excellent condition. It comes with all original packaging and accessories."

Jamming with the Teenage Engineering EP-40 Riddim & Ting: dub, reggae & beyond

video upload by Signal Sounds

"The Unperson returns to the Signal Sounds channel to put Teenage Engineering’s new box through its paces! The EP-40 Riddim is the latest iteration of the EP-133 form factor, and it’s a whole heap of fun. It’s loaded with sounds inspired by reggae and dub styles, and the EP-2350 Ting microphone is the icing on the cake, with its voice transformer and sound effects.

Buy it here:
https://www.signalsounds.com/teenage-..."

Chapters:
00:00 Introduction
01:28 Supertone synth engines
04:47 Pressure-sensitive dub sirens
06:17 Ting microphone
08:28 Making a beat
10:59 Loop controls
13:23 Tape Stop effect
14:17 New performance parameters
17:52 Punch-in effects
18:46 Conclusion

With The Unperson

The Official Unboxing of the Stylophone CPM DF-8

video uploads by Stylophone

Playlist:

1. The Official Unboxing of the Stylophone CPM DF-8

2. OFFICIAL UNBOXING (2/4) - An In-depth Look at The Different Filter Types | Stylophone CPM DF-8

Part Two: An in-depth look at the different filter types of the Stylophone CPM DF-8.

MORE INFO ABOUT THE EIGHT FILTERS:

The Stylophone CPM DF-8 has two filter channels - dubbed 'The Beauty & The Beast" There are 8 Filter types per channel:

The Beauty is in our smooth, discrete analog recreation of a 2045 (24 dB/oct) Low pass filter that has been used to great effect by artists such as Massive Attack, Radiohead, and for that distinctive 90s nostalgic filter house sound synonymous with Daft Punk. The Beast is our proprietary analog GEN R-8 (12 dB/oct) filter that can snarl and howl in all modes (Low Pass, Band Pass, HP, NOTCH).

Then there are 3 additional combination types (12/24 dB/oct) with BP+, NOTCH+ and BANDSTOP+ modes for some truly unique filter sounds.

Both filter channels have all eight filter types and are controlled by two full ADSR envelopes with multiple trigger modes to cater for every need. They can be triggered by a gate signal, by an audio signal threshold, by a manual trigger button, and they can even auto-repeat in a loop mode, acting as LFOs."

3. OFFICIAL UNBOXING (3/4) - An In-depth look at the Modular capabilities of the Stylophone CPM DF-8

The CPM DF-8: OUT NOW. Welcome to Part 3 of our Official Unboxing Series of the Stylophone CPM DF-8 Dynamic Analog Multi-filter.

In this episode, we explore the creative patching possibilities that arise when the Stylophone DF-8 is incorporated into a Eurorack Modular setup.

4. OFFICIAL UNBOXING (4/4) - Combing the Stylophone DF-8 with the DS-2 to create a Two Voice System

In part four of this deep dive series, we show you the endless possibilities when you combine the Stylophone DF-8 with the DS-2 to create a Two Voice System.

UDO AUDIO SUPER 6 HYBRID ANALOGUE POLYPHONIC SYNTH - KEYBOARD (WHITE)

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ROLAND TR8S DESKTOP

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SugarBytes Introduces Transfigure - Sonic Manipulator

video uploads by Sugar Bytes

"Transfigure is your creative partner in sound. With just a few clicks, it turns any track into a living, breathing sonic landscape full of depth, motion, and emotion. Its clean, intuitive interface makes complex processes feel effortless. Whether you’re refining details or creating entirely new textures, Transfigure gives you the freedom to shape sound your way. The central XY pad allows for simultaneous parameter control and expressive automation, perfect for performative sound design and evolving texture.

Runs on macOS & Windows (AU, VST2, VST3, AAX, Standalone)"

2nd video timestamps:

00:00:00 Overview
00:09:02 The Modulators
00:32:09 The Sound Processors
01:08:58 The Effects

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MAKE NOISE STREGA DESKTOP SYNTH & PROCESSOR

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MOOG MUSIC DFAM ANALOG SEMI-MODULAR DRUM SYNTH & SEQUENCER

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MOOG MUSIC MAVIS SEMI-MODULAR ANALOGUE DESKTOP & EURORACK SYNTH

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Black Friday Sales

Just a reminder, Black Friday is coming Nov 28. Be sure to check with dealers and manufacturers on the right as well as Reverb for any offers. Perfect Circuit's sale are currently up.

Links to shops that support the site (be sure to check with manufacturers as well):

CONTROL

Perfect Circuit

Signal Sounds

Nightlife

KRAFT MUSIC

SYNTHCUBE

SYNTH CITY

Tone Tweakers

Noisebug

Analog U.S.

Three Wave Music

And of course Amazon

If you want to support the site please support the shops and manufacturers that sponsor the site. They, as well as supporting members, help keep the site running.

MOOG THEREMINI DESKTOP THEREMIN

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MOOG SUBHARMONICON SEMI-MODULAR POLYRHYTHMIC ANALOG SYNTHESIZER

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SN (21)A12408588901117

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80s YAMAHA Rhythm Machine RX17 & Kasane Teto sampled OP-1 field | Resolve 2025-11-11 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ OP-1 field, ‪@NordKeyboards‬ Nord Lead, ‪@YamahaSynthsOfficial‬ RX17, MU15, and MOTIF-RACK ES. It combines rhythm machine beats, melodies made from sampled vocals of 重音テト Kasane Teto SV, and live bass performance.

On the OP-1 field, the sampler contains Kasane Teto’s voice, which is used to create melodic phrases. At certain points, looping is applied through the NTS-3, and the signal is processed with the ‪@ChaseBlissAudio‬ MOOD MKII.

The RX17 rhythm machine is recorded with an ALESIS 3630 compressor applied.

On the MU15, synth sounds are performed using its built-in keyboard, with reverb added via the blueSky.

The Nord Lead plays melodic parts in the middle section of the piece, processed through the ‪@gfisys‬ Specular Tempus for delay.

The bass is recorded through a SANSAMP Bass Driver DI, routed directly into the audio interface for a clean yet warm tone."

Metasonix TM-7 Scrotum Smasher 2007 - Yellow

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via this Reverb listing

"Metasonix TM-7 Ultra Distortion Scrotum Smasher

This particular TM-7 was modified at the factory to have a TRS connector that provides a stereo signal on the output.

Includes box, manual and power supply.

The TM-7 is basically a mean, angry guitar preamp made of three vacuum tubes. Plus a feedback loop which makes the preamp unstable. The first tube is a 6AK5. It was used as an IF amplifier in military radios and suchlike. We use it as a preamp—a BAD preamp. Then the signal goes through ANOTHER 6AK5. Finally, we have a 6BN6 tube. It was used as an FM modulation detector in cheap FM radios. You’re not supposed to use it for audio. But it has a neat effect….when overdriven, it sounds like a push-pull guitar amp driven deep into saturation. The SMASH switch selects the output desired. Down, and you get the output of the second tube. Up gives the output of the third (6BN6) tube. If you want maximum saturation, flip it UP. The TM-7 outputs are divided down, so they are more compatible with solid-state devices than previous TX series pedals."

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Oddment ODD-1 Build Update & Demos

video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads

For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.

2. ODD-1 Overview: Grains

This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.

3. ODD-1 Overview: 03 Envelopes & Time Path

This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.

4. ODD-1 Overview 04: Sample

This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.

5. ODD-1 Overview 05: LFOs, Macros, Patching

This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.

6. ODD-1 Overview 06: Filters, Saturation, Echoes

This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!

7. ODD-1 Overview: 07 Layers

This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.

8. ODD-1 Overview 08: Reverb & System

The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?

And from their newsletter:

What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

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Radikal Technologies Delta CEP A v2 SN 20236

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via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Listed as 'modular' - but it's a semi-modular, 4-voice paraphonic synth, or mono synth, with on-board effects (reverb, delays, phaser, flanger, chorus), internal sequencer and interpolator (innovative design where sequencing can combine morphing of the oscillators, filter, LFO and envelopes), with patch memories. Very useful multi-mode filter (LP, BP, HP), with digital and analogue filter circuits. Good connectivity including midi (front and rear) for this to be the centre of your modular universe.....and it sounds wonderful and is built like a tank. Version 2 firmware with version 1 livery. This is the more expensive desktop version which can be rehoused in a eurorack case by simply disconnecting from the internal power bus and removing from the case. The case does however provide benefits for connectivity, e.g., the 1/4 inch jack inputs to run any external signal (mono or stereo) via the effects section. A future classic?"