JMT Synth DNVO-1A - Beatsville Edition w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"This tabletop noise synth has been used only a few times for specific recordings and remains in
perfect physical and working condition. The item pictured is the actual item you will receive.

Beatsville (Japan) Exclusive Model

Beatsville description (Japanese to English Translation)

JMTSYNTH, known for its popular creative noise drone synths, has released the DNVO-1a , offering even more flexibility and excellent integration with modular synths! This exclusive Beatsville model features a white acrylic panel and an additional Gate In jack, adding a touch of glamour. It's modulated by the voltage control of a BASTL INSTRUMENTS modular. Five modulation options are applied to the main VCO, which is then output via a brutal noise filter. Each sub-oscillator, SUB1 through SUB3, has its own on/off switch, is set to a different frequency range, and the modulation frequency can be adjusted with a knob. Each one distorts the sound intensely, creating a deluge of organic noise. Additionally, the NOISE knob allows you to apply noise modulation to the main VCO, adjusting the peak point with the knob. The fifth modulator is the WAVE GENERATOR, which can be enabled with the WAVE ON switch. The "WAVE GENERATOR" allows you to adjust the frequency with the WAVE LEVEL knob, while the ATTACK and RELEASE knobs, trigger switch, and Trigger 1 through Trigger 3 knobs allow you to create periodic, rhythmic vibrato and pitch bend. Random, rhythmic bends and long-period ups and downs can also be freely adjusted. This is a very practical technique, as it can be combined with noisy sounds to create noise synth sounds that add rhythmic elements without becoming monotonous. The DNVO-1a (Deluxe Edition) offers three types of trigger type switches. The top position, MIX, mixes the timing determined by the Trigger 1 through Trigger 3 knobs and sends it to the VCO. The bottom position, REPEAT, creates a regular rhythm and rhythmically modulates the VCO. The center position, GATE (OFF), is a special mode that allows the built-in envelope generator-type LFO to be generated from an external gate signal input to the Gate In jack (Trigger 1 through Trigger 3 are turned off, and the trigger is generated from the gate signal input to the Gate In jack). For example, if a gate signal is input from an external sequencer module, you can adjust its waveform with the ATTACK and RELEASE knobs before sending it to the oscillator. The additional CV IN jack also allows you to connect the CV OUT from an external modular or other device to modulate the VCO with an external CV! Everything is intuitive, allowing you to create even the most complex sounds. Furthermore, by connecting to external modular synths, you can explore the variety of analog synth sounds colored by JMTSYNTH's organic noise. This is an outstanding desktop synthesizer with a wide range of synth sounds."

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Polynomial - Norns Synthesizer built with AI // Oto Bim & Boum // Chase Bliss Onward

video upload by Lesjamusic

"Polynomial - a new phase modulation synthesizer for Monome Norns featuring Chebyshev polynomial waveshaping, instability systems, and deep modulation capabilities.

Built using Claude code. This 24-minute piece explores the sonic range of Polynomial through its preset system, moving between clean melodic tones, textured drones, glitchy rhythmic patterns, and layered ambient soundscapes.

Signal Chain:
Monome Norns (Polynomial) → Chase Bliss Onward → Oto Bim → Oto Boum → Chase Bliss CXM 1978

The performance uses Polynomial's 12-preset Grid system to shift between radically different tones - from warm pads to aggressive leads, chaotic textures to pristine bells. Long delay times on the Onward allow sounds to layer and evolve, while quick preset changes create glitchy, stuttering textures.

Polynomial Features:
Phase modulation synthesis with 4 operator waveforms
40 Chebyshev polynomial transfer functions for harmonic shaping
Multimode filtering with envelope and keyboard tracking
Dual LFO modulation with chaos/feedback control
Instability system for organic variation
Sub-oscillator, noise source, lo-fi bit crushing
Grid interface for instant preset switching
Arc interface for gestural parameter control
Animated particle field visualization

Release:
Polynomial will be available soon for Monome Norns.
For pre-release access, follow and DM me on Instagram: [@lesjamusic]

Gear:
Monome Norns
Monome Grid 128
Monome Arc 4
Chase Bliss Onward
Oto Bim
Oto Boum
Chase Bliss CXM 1978"

A new Minimoog VST controller: SFC-mini V4 Intro

video upload by mylarmelodies

"The SoundForce SFC-mini V4 is a new dedicated physical hardware controller for Minimoog-style VST plugins. This video introduces the device and how it works, what's new in this model, the special bonus features that work with the Arturia Mini V4 plugin, and much more.

This video serves as an official intro to the SFC-mini V4, and was funded by SoundForce. Based in the Netherlands, SoundForce have been in business for more than 10 years making controllers and eurorack modules."

CHAPTERS:
00:00 - Why Does this Exist?
02:23 - Minimoog: From Bass to Pad
04:39 - Whats new in V4?
06:59 - Build and Feel
07:25 - How does the integration work in a DAW
08:02 - Mini V4 Smoothing Catchup
08:55 - Mini V4 Jump & Pick-up Catchup Modes
09:43 - Hopping between plugin instances
10:28 - How do you set up a Plugin?
10:52 - UA Minimoog
11:34 - Dump (Manual Control)
11:56 - UA Minimoog Play
14:01 - Extra Control at the Bottom
14:54 - Changing Presets (Mini V4)
15:46 - User 1 & 2 Mapping
16:41 - Mapping Another Plugin (MS-20)

Press release follows:


SoundForce is introducing the SFC-Mini V4, a high-end, dedicated MIDI controller designed for the world’s leading Minimoog software emulations. Featuring more than 65 hands-on controls arranged in an authentic Minimoog-style layout, it delivers a true analog-inspired workflow for modern producers. Representing over a decade of SoundForce MIDI-controller innovation, the SFC-Mini V4 is the most advanced and accurate Minimoog-focused controller yet.

Build quality
The SFC-Mini V4 is assembled in the Netherlands using high-quality components sourced from Europe and Asia. Its case is built entirely from powder-coated sheet metal. Both sides are fitted with elegant 8 mm walnut wood panels for a vintage-inspired look.

Backed by over ten years of MIDI-hardware expertise, the SFC-Mini V4 is part of SoundForce’s newest generation of controllers. Its pots, sliders, and switches were chosen after extensive research and experimentation to deliver outstanding tactile response, long-lasting performance, and rock-solid reliability during assembly.

Plugin support:
Because the SFC-Mini V4 outputs standard MIDI CC messages, it can be paired with any software or hardware that supports MIDI CC mapping. However, since each plugin has its own UI and MIDI implementation, the firmware provides dedicated plugin modes to ensure proper integration. The SFC-Mini V4 has specific plugin modes supporting the following plugins:

Arturia Mini V4 (incl 2-way)
Arturia Mini V3/iMini
GForce Minimonsta 2
Cherry Audio Miniverse
UA Minimoog
Softube Model 72
NI Monark
Synpase Audio The Legend HZ
Plugiator Minimax

2-way communication:
Two-way communication means the SoundForce controller and a supported plugin can talk to each other in both directions, instead of the controller only sending MIDI data one-way. At this point, this feature is supported with the Arturia Mini V4.

In practice, that creates a far more “hardware-like” experience when using software synths. Change a preset, load a new instance on another track, move a parameter with your mouse and the controller automatically syncs its LED switches, and ingest the pot data in memory. When the received pot data from the plugin differs from the actual pot position on the controller, 3 options similar to Ableton take over modes can be chosen from: jump, pick-up and smoothing.

For more technical details: consult the manual.

Where to buy:

EU: SoundForce store

UK: Signal Sounds

US Perfect Circuit

Stereo pre/post XMOD on filters is ace!! // DEUXD from Mehr Music Machines (Eurorack Stereo Filter)

video upload by DivKid

"Deuxd from Mehr Music Machines is a Eurorack stereo filter based on cross modulation, easy to implement advanced synthesis and sounds with audio rate modulation and it's an all round simple to use module that's as clean and simple as you like or all out bonkers when you push it to behave that way.

Learn more about Mehr Music Machines & Deuxd in our interview // https://divkidvideo.com/mehr-interview/"

Direct sales, manual and more // https://mehrmusicmachines.com/product...

Deuxd at Signal Sounds // https://www.signalsounds.com/mehr-mus...

Deuxd at Noisebug // https://www.noisebug.net/products/meh...

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules

Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

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PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

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Korg Prophecy VST Plugin (Korg Collection 6) - No talking demo

video upload by ADL-MusicLab

"Hi, everyone!

In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s.

It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today’s music production.

KORG Collection - Prophecy, a legendary physical modeling synthesizer developed with the aim of offering freedom of expression beyond analog synthesizers and unprecedented sound creation possibilities, has evolved even further in its expressive capabilities. In version 1.5, the quirks of the hardware Prophecy can now be expressed even more precisely thanks to deeper creative input from the brilliant minds in the original Prophecy development team.

Version 1.5 also adds 180 new programs. This unique sound collection brings out the individuality of the Prophecy, ranging from fresh, software-only sounds to those that pay homage to the original Prophecy and pushes monophonic sound design to all new levels.

Prophecy for Mac/Win uses software to fully reproduce the original Prophecy’s MOSS (Multi-Oscillator Synthesis System) and is equipped with five of the seven total oscillator types:

Standard Oscillator for Analog Synth Sounds
Noise + Comb Filtering
VPM (Variable Phase Modulation)
Cross / Ring / Modulation and Sync
Physical Modeling (Brass Model Oscillator, Reed Model Oscillator and Plucked String Oscillator)


The sounds from each oscillator model can be processed using a nonlinear wave shaper. In addition to the oscillator and wave shaper sections, there is also a sub oscillator and noise generator.

Grab it! You won't be disappointed.

More info here:
https://www.korg.com/us/products/soft..."

Christmas lights from OP-1 + Modular and Microcosm

video upload by Music4screens

"Super dusty signal through TASCAM portastudio for extra noise and analog sauce. Sound source OP-1 in reverse tape, processed by modular Sealegs and Microcosm out of the Eurorack.
The sounds evolves by itself in a way I couldn't control, and I loved it!

‪@teenageengineering‬ ‪@HologramElectronics‬ ‪@intellijel‬
#ambientmusic #lofi #ambientcuration #eurorackmodular #experimentalmusic"

Ear Modular Introduces 暮秋 The End of Fall

video uploads by Ear Modular



"The End Of Fall is a feedback-filled effects unit in a 40hp Eurorack format.

By adding two expansion boards and replacing the front panel, it can be reconfigured as a standalone device.

The core of The End Of Fall consists of two ladder filters and two echo effects. The signal chain routes Filter A to Echo 1 and Filter B to Echo 2, with their outputs mixed together for the final output. Each filter features a CV control input for cutoff frequency, while each echo has a CV control input for delay time.

At first glance, this may seem like a basic setup, but The End Of Fall offers much more. It is filled with various feedback pathways:
​
1. Internal feedback within each filter, from output back to input, creates a resonator capable of self-oscillation.
​
2. The internal feedback within each echo is essential for creating the echo effect; excessive feedback results in endlessly decaying echoes.
​
3. The output of Filter A is fed back into the input of Filter B, and vice versa. This design was inspired by experiments during the creation of Solar Card Type VII, where it produced unexpectedly complex and intriguing sounds on the card. This concept has been adapted for The End Of Fall.
​
4. The output of Echo 1 is fed back into the inputs of both Filter A and Filter B, and similarly, the output of Echo 2 is fed back into the inputs of both filters. These two global feedback loops transform The End Of Fall into a circular structure without a clear front or back end, allowing sounds to intertwine within this loop.
​
Additional design features:
​
1. Each filter and each echo has its own dedicated input. When feedback is not utilized, the feedback pathways serve as internal bridges, enabling various signal routing configurations such as echo to filter, filter to echo, echo to echo (for multi-tap delays), or filter to filter (for multi-stage filtering). With expansions, outputs can be taken from the end of any effect, allowing the unit to be used as a stereo effects processor.
​
2. The End Of Fall includes a noise source with two functions: it supplies audio to the inputs of both filters, and it serves as an oscillation source for generating internal CV signals.
​
The unit features four internal CV sources, each assigned to one of the four effects. When no external CV is present, these internal CVs provide randomly varying control voltages. If an external CV is connected, the corresponding internal CV is disconnected. These four internal CV signals are generated by sample-and-hold circuits sampling the noise source. Four knobs in the upper-right corner independently control the sample intervals of these circuits, introducing chaotic and unpredictable modulation. A CLK input can interfere with these four sample-and-hold circuits, partially synchronizing them while maintaining an underlying chaos.

There is a slight background noise from The End Of Fall when there is no output, but it does not affect normal use.​​​​​​​​​​"

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Introducing Soft Memo by Herbs and Stones

video upload by Herbs and Stones

"Soft Memo is a stereo hybrid multi effects desktop unit.

Eight digital CV controlled FX programs, two analog feedback paths, two complex VCLFOs."

Soft Memo - Eight programs overview

video upload by Herbs and Stones

"Dry / wet comparison of a drum loop treatment by Soft Memo

00:00 Twin Gorge - dual drifting delay
00:25 Faux Mirrors - lo-fi reverse time processor
00:50 Empty Shell - shimmering feedback delay
01:16 Fixed Thoughts - double pitched freeze reverb
01:41 Grotto Divide - stereo crossfade reverb
02:05 Rival Choir - freeform stereo chorus
02:29 Mood Swings - drifting stereo pitch shifter
02:54 Late Rings - dual ring modulator w/ tempo offset

https://herbs---stones.com/soft-memo/"

Soft Memo is a hybrid stereo multi effects desktop unit with eight digital CV controlled FX programs, two analogue feedback paths and two complex voltage-controlled LFOs.

It has patch points to integrate external synthesisers and sequencers and it is designed to creatively reshape your sounds with a menu-free hands-on approach.

You can create patches by connecting inputs and outputs with eurorack-standard 1/8" jacks.

All its inputs are protected from potentially dangerous voltages.

It generates (and reacts to) control voltages in the 0-5V range: when a CV signal is patched into an input, its knob becomes an attenuator for the incoming signal.

The patch points are visually divided between inputs and outputs: the inputs are placed in the middle of a white circle while the outputs are not.

Soft Memo is powered by a 9V center-negative (500 mA) power supply, the standard PSU used with most guitar pedals.

Features:

Eight FX programs

A total of 25 patch points

Two high gain preamps

Two feedback paths made of analog VCAs and resonant analog VCFs


Two complex voltage controlled LFOs with clock division and phase offset control

An envelope follower

A→B buttons to set how the two channels controls interact with each other"

Arturia sound design masterclass | 27 November 2025

video upload by Signal Sounds

"** Note: unfortunately, thanks to a corrupted SD card, we only have clean audio for the first 35 minutes or so of this session - it switches to the backup room mic for the remainder. Apologies for the drop in sound quality, hopefully it doesn't detract too much from the content! **

Our final in-store event of 2025 was a sound design masterclass from Arturia's Tom Lewis, who used a PolyBrute 12 to give a crash course in subtractive analogue synthesis and revealed some tips for creating pads, basses and leads on any polysynth.

PolyBrute 12 is available here:
https://www.signalsounds.com/arturia-...

Browse the rest of the Arturia range:
https://www.signalsounds.com/arturia"

Xfer Serum 2: Dark Rhythmic Presets. Arps, Pads, Basses Demo

video upload by Anton Anru

"❄️ Alchemy Of Glacial Rhythms is a bank of 50 rhythmic presets for Xfer Serum 2, inspired by the north and its cold winters, which are accompanied by a special dark magic. The core idea of the bank was to create rhythmic, atmospheric, and "cold" sounds that evoke a certain magic. The result was brutal yet ethereal arps, growling basslines, magic pads, cold noisy synths, and mystical textures.

📦 Get these patches: https://antonanru.sellfy.store/p/seru...
The bank includes 50 Presets: 10 arps, 10 basses, 10 pads, 10 synths, 10 textures.
👤 The author of the soundset is skendi (Arseniy Pushkov).

🔮 The soundset spans a wide range of tones, from warm, deep and atmospheric textures to clean, punchy, bright and airy timbres. The sounds include different combinations of oscillators in different modes, such as wavetable, FM, granular and spectral as well as different types of reverbs, delays, distortions, filters, and modulations.
Presets are suitable for genres such as ambient, cinematic, IDM, experimental, techno, breakbeat, jungle and many others.

🎛 Macros can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

ModWheel adds expressiveness to the timbre.

❗️Compatible only with Serum 2. Not compatible with Serum 1.
Installation: Open the Serum menu and click 'Show Serum Presets Folder.' You will see folders containing different Serum content. Open the 'Presets' folder and place the new bank (folder) of presets there."

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FOLKTEK ALTER Y GUITAR MULTI-EFFECTS PROCESSOR PEDAL

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

You can find demos and additional details in additional posts here.

"Manufacturer's description
Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. We made this pedal to work with either standard ¼” jacks (for both input and output) or 1/8” (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (eg. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it’s very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

We wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which we thought complimented one another when used together. Running X into Y or vis versa creates some powerful changes."

The ARP Foundation Cyber Monday Sale

"Digital Goodies and a limited-time discounted ARP Discography!

One day only!

Beat and Spell Sample Pack by the outrageously amazing Alex Ball

A sample pack made using the techniques of Daniel Miller and Depeche Mode on their 1981 Speak and Spell album. ARP 2600 on kicks and zaps, Korg KR-55 on snare and some Simmons SDS-3 for good measure. Some sounds have up to 20 round robins to capture the natural variation of analogue equipment. A Kontakt patch is also included with the wav files.

Download available immediately upon purchase.

Get it!

ARPDISCOGRAPHY - %50 OFF

For one day, you can get the entire ARP Bandcamp Discography for $41.99 - that's 50% off the everyday price.

Visit our Bandcamp Store

CHERRYAUDIO 2600 SOFTWARE - $20

CA2600 - Cherry Audio’s powerful, faithful software recreation of the ARP 2600, featuring useful updates such as integrated effects and advanced patching features. ONLY 10 LEFT IN STOCK!

CA2600 Features:
Every aspect precisely modeled in exacting detail
Over 300 presets
Monophonic and duophonic voice modes
Vintage-correct multi-mode filter with 12db and 24db slope
Integrated, fully CV-controllable distortion, reverb, and delay with sync
Sidechain audio input for external signal processing
Flexible CV Routing
Advanced, next-generation patch panel cabling system from Voltage Modular
Multiple voice assign modes
Advanced patch cabling with unlimited mults per jack, “quick patch” for rapid multiple destination routing, and click and drag movement of multiple connections
Additional LFO with six waveforms and tempo sync
Virtual instrument and effect plug-in versions included
Voltage Processors section with additional VCA and 1/2-step quantizer
Advanced one-click UI magnification
Selectable blue, gray, or black/orange color schemes
Full MIDI control
Full DAW automation for all controls
CA2600 is available in AU, VST, VST3, AAX, and standalone formats.

Get It!"

POLYEND TRACKER DESKTOP SAMPLER SYNTH & SEQUENCER

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

ERICA SYNTHS DB-01 DESKTOP ANALOGUE BASS SYNTH

via this listing

Additional Signal Sounds listings

KORG ARP 2600 FS DEMO

video upload by EthanRayMusic

"Here's 8 minutes of me messing around on Korg's full size reissue of the ARP 2600. This is by no means a comprehensive showcase of its sonic potential, which is vast, but just a small taste of how great it sounds.

No reverb or effects, just the pure, dry signal of the 2600 going into my interface."

CONDUCTIVE LABS NDLR DESKTOP SEQUENCER

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"A pre-owned Conductive Labs NDLR in good condition. It comes with original packaging and accessories.

Manufacturer's description
A MIDI Four-track, Sequenced Arpeggiator, Chord and Drone Player

We’ve turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there’s a “panic” button to stop all MIDI notes.

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SEQUENTIX CIRKLON & CV BREAKOUT DESKTOP SEQUENCER

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"A pre-owned Sequentix Cirklon & CV Breakout in very good condition. It comes with the expander cable, power supply and original manual.

Manufacturer's description
The Cirklon Mk1 is a dedicated hardware sequencing workstation designed for precise, real-time control of MIDI, USB-MIDI, and analogue systems. Built around a high-resolution encoder interface and a structured pattern engine, the Mk1 provides tight timing, flexible routing, and a streamlined workflow for complex setups.

This unit ships with the CVIO breakout expander, offering sixteen analogue control voltage outputs and eight gate outputs for direct integration with modular and other voltage-controlled instruments. The CVIO system delivers calibrated, low-latency analogue control suitable for demanding studio environments."

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SOMA LABORATORY COSMOS DRIFTING MEMORY STATION DELAY PROCESSOR (ORANGE)

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings