"The DecadeBridge Triad is a unique little Synth module that generates drones, rhythms, noises and glitches - it sounds, to me at least, like a haunted arcade in the 80s - malfunctioning machines, wailing, whirring and bleeping. It's based on a trio of analog oscillators arranged in a fairly unique, raw and unpredictable arrangement. It works great as part of a drone or noise setup, makes for excellent sample fodder, and thanks to the neat "reset" input it can play along with drum machines and sequencers (especially paired with a little low-pass gate).
Chapters:
00:00 - Intro
02:31 - The Architecture
06:08 - Sound Demo (Solo)
13:17 - Paired with a sequencer to impart rhythm.
14:58 - Adding a Low Pass Gate for more percussive sounds.
19:00 - Paring with the Neutral Labs Scrooge
22:49 - Final Thoughs"
Timestamps:-
00:00 Dry sound
07:59 Resetting oscillators with an external gate signal
13:58 Running the output through the microcosm
Designed by DecadeBridge
TRIAD is a 3 oscillator square wave drone/noise/glitch synth.
The 3 oscillators drive and reset each other in different ways depending upon the switch/button settings.
an external trigger, gate or clock can also be used to reset 2 of the 3 oscillators.
Knob style and knob/button colour may vary depending on stock.
A connector for a 9 volt battery is included with Triad. Triad can also run off a 9V !!CENTRE POSITIVE!! WALL ADAPTOR.
Designed and built by hand in Cheshire England
To keep up to date with product demos, prototypes and competitions follow me here:- instagram.com/decadebridge"
"Skorpion is an 8-stage vector based wavefolder module that boasts a huge range of sounds via it's deep, yet intuitive set of controls. In this video, we cut about an hour of jamming and experimentation together into about 8 minutes of sound examples. No talking in this one, just pure sonic exploration and a demonstration of what this module can do with a simple input.
In the intro, we're running a sine wave through Skorpion and add some CV from an envelope into slope to create some rhythm. We add some drums to hear this in context with a drum beat. We then transition into a sine wave as the input signal, then some Saw (with windows) and Swarm Waveforms, experiment with a filter before the Skorpion, and end up back with some drums in different configurations.
WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."
"Sound designer and composer Michael Manning makes a welcome return to the Signal Sounds channel to explore the ReSynthesizer - a curated selection of Make Noise modules in a 7U 104HP case. This system is a fantastic way to explore experimental music without being paralysed by choice when trying to build a Eurorack setup from scratch.
In the video, Mick builds some incredible patches that show off the range of the system, and talks through some of its key components - including the Spectraphon oscillator and double Maths!
Check out a playlist with full-length versions of the performances in the video: [below]
"Press features complete sidechain functionality with a stereo sidechain I/O, sidechain-activated stompswitch, and high and low pass filters for the sidechain input. These filters prevent any unwanted sounds from triggering your compressor, like hi-hats on a drum track, or the sub frequenies of a boomy kick. Use both filters like a band pass to focus on one narrow frequency band, like the click from a kick, to compress your signal."
"The Metasonix S-2000 sounds like a pretty cheerful creature with both contour two and contour three engaged, but gets more angry when contour three is turned off. A lot of that raspiness is due to feedback. The S-2000 audio output is multiplied by the Synthesizers.com Q124, then a copy goes to the Mackie Onyx 1640, with spring reverb from the Paia 6740 and stereo reverb from the Alesis MIDIVERB II, which is what we hear in the video. Another copy of the S-2000 output is sent through the STG soundlabs Attenuators, to the Lower West Side Studios M830 Signal Distribution System (just to convert it to 3.5mm), into the audio input on the S-2000 so it hears itself hearing itself."
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"Explore LoFi Strings, the latest free addition to the Vaults collection from The Crow Hill Company. We ran lush orchestral string recordings through a vintage cassette deck to capture authentic tape compression, saturation, wow & flutter, hiss, and drop-outs - bringing nostalgic warmth to the orchestral world."
Press release follows:
The Crow Hill Company lets loose …LO-FI STRINGS as latest VAULTS… virtual instrument release, free for all to download with no strings attached
EDINBURGH, UK: readily representing a quite literal realisation of company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, as the latest addition to the free-for-all-to-download-and-make-music-with-for-the-rest-of-their-lives-styled collection curated with the same care and attention to detail as the Make Music, Your Music motto-abiding Edinburgh-based enterprise’s paid-for releases, The Crow Hill Company is proud to announce availability of its VAULTS - LO-FI STRINGS virtual instrument — introduced with no strings attached, albeit actually, in this case, there are, but only of the lo-fi musical kind that are central to the tool in question seriously satisfying those who like the sound of their recorded strings to be unrefined by being fully adulterated through a knackered cassette tape with just a pinch of wobble in the process of doing what it easily does so well — as of August 14…
"Sound: https://akihikomatsumoto.sellfy.store... 116 Oneshots 30 Drones Crafted from the Unpredictable This evolving sample pack is a curated collection of sounds generated entirely with the eccentric modular instruments of Ciat Lonbarde. Featuring raw sessions recorded with Peterlin and Plumbutter 2, it offers a unique sonic palette ranging from fractured noise textures to rich ambient drones and abstract one-shots.
"Luke takes a look at Instruo's miniature marvel, the Seashell, and shows off some of its killer features using the integrated plug-in. He also shows why it's such a great option for a compact live setup.
"The V-Shape is a wave-folder/wave-shaping module, and also features a distortion circuit, with full CV control - it can make a single VCO sound a lot more interesting.
The Gemini also features here, using both of its 2 VCFs and shared CV control to filter the same input signal separately.
Video & Performance by @DreamsOfWires
The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."
"On Wednesday, 30th July 2025, we welcomed synth wizard and long-time friend of the store Chris ‘-CALC-’ Calcutt to our showroom for a masterclass on all things Sequential and Oberheim.
He provided insight into the culture and history of both companies, as well as what makes their instruments a feature in so many studios and live rigs worldwide. These iconic brands - founded by Dave Smith and Tom Oberheim, respectively - have been at the forefront of analogue synthesiser design for half a century, and they’re currently both going stronger than ever, with new desktop versions of the affordable Oberheim TEO-5 and Sequential Take 5 polysynths hitting the market. Chris spoke about both instruments’ illustrious heritage and explained just what makes each one sound so unique."
"This synthesizer/organ was nicknamed the 'White Elephant'. It was built in Italy in 1974 by Cordovox. It combines a Thomas organ with a Moog Satellite shared on the upper manual.
The synthesizer voices play only on the upper manual, while the organ voices play on both, with organ and synth sections simultaneously available on the upper manual. The CDX-0652 also includes a batch of 9 preset synthesizer voices which don't appear on a Moog Satellite. The sonic options available are vast, with banks of switches, buttons, and sliders to shape both the combo organ and Moog circuitry. The Moog bass signal can also be accessed on the lower manual and blended with the organ, and the combo organ even has a full percussion bank.
CDX-0652
A dual-manual combo organ with a Moog Satellite grafted onto it. I understand that the Satellite had a very thin sound, nothing like the MiniMoog. It had only a single oscillator and several preset sounds, similar to other semi-preset synths like the Arp Pro Soloist and the Roland SH-2000.
Thomas bought the rights to the Satellite from Moog. The CDX-0652 was designed by Thomas in cooperation with Cordovox. A Thomas version of the Satellite (the "Synthi 1055) and the CDX-0652 were both manufactured by EME, the same outfit that made most Italian Vox organs. Thomas also marketed the Satellite under the "Orbit" name on some of their home organs.
The synthesizer voices play only on the upper manual, organ voices play on both. Organ and synth voices may be played simultaneously on the upper manual. It includes a batch of 9 preset synthesizer voices that don't appear on a Satellite. Unlike the 0642, this one seems to have all of the organ features (many of which seem identical to the 0642) available on both keyboards.
Work done: fabricated new key actuators for synth section. Fixed divider causing top synth note not to work, repaired synth signal to main output, LFO on synth, replaced TDA-470 transistor array that was causing missing footage on organ's G notes, replaced filter supply capacitors on synth and organ, cleaned all controls and key contacts, replaced missing white fader caps on synth section with Vestax caps."
"🎆 Obscure Atmos is a collection of 50 presets for the U-He Hive 2 virtual synthesizer. It features 5 drones, 17 pads, 11 strings, and 17 textures. The soundset is inspired by dark sci-fi soundtracks, dystopian films, thrillers, games, and dystopian novels.
🧿 Each sound in this collection has a cohesive style, blending noise, distortion, and vintage tape emulation, striking a balance between experimental elements and playable, accessible sounds. The pack includes atonal sounds, drones, and textures perfect for creating tension and suspense. The core of the collection consists of atmospheric sounds, ranging from soft, expansive, and lush to bright, shimmering, distorted, orchestral, vintage, and more.
🎛 All patches are performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness, tonal shifts, or dynamic movement — offering creative flexibility for both studio production and live performance.
🎆 The bank covers a wide range of timbral colors: dark, noisy, lo-fi, retro, romantic, melancholic, nostalgic, soundscapes, atmospheric, detuned, cold, distant, dull, massive, epic, bright, orchestral, distorted, metallic, tense, atonal, non-harmonic, FX-like, evolving, and sweeping.
🧬 These presets are versatile and can be used in any genre where a dark atmosphere is essential, such as techno, ambient, IDM, industrial, drum and bass, and others. This collection is also an invaluable resource for soundtrack composers, game developers, audiobook producers, video creators, advertisers, and social media content creators.
XR22 VCO FT
VCO with Ring Modulation Input and FSK (Frequency Shift Keying)
Amplitude Modulation (AM) Input
Ring modulation
CV controllable sine/triangle volume
Advanced waveform generation by AM
Rgb-LED for optical control
FSK (Frequency Shift Keying)
Pulse and ramp generation
Switching between two different frequency CVs
Advanced waveform generation by FSK
LFO-, Bass-, High- Mode
Switchable Sync-Mode (from Rev.6)
The XR22 VCO FT is a VCO with amplitude modulation option – which can be used for volume control, or ring modulation of the oscillator’s sine/triangle output. The AM-input signal is added to a DC-voltage adjustable by knob ‘Gain’ (between ca. +/-5V) and the sum voltage is being internally multiplied with the sinewave/trianglewave The result is an oscillator amplitude depending on the ‘Gain’-DC plus AM-input signal.
The applied AM-input signal can be mixed to the VCO output signal (modulated or unmodulated) too – a kind of ‘dry/wet’ control with the mix provided on the sine/triangle output. With no AM-input, the XR22 VCO FT behaves like a normal sinewave/triangle VCO, then its volume is controlled by knob ‘Gain’. Whereas with the knob ‘Gain’ in center position, the oscillator tone is becoming almost muted, and the input signal on ‘AM in’ controls the amplitude of the wave completely; thus the VCO can be used as a ring modulator.
The FSK (frequency shift keying) option provides two internally switchable different oscillator frequencies F1 and F2; each controllable by the two big-sized knobs (and their respective fine-tuning knobs and CV inputs). Switching between F1 and F2 can be done manually or by a logic signal (e.g. a gate signal) applied on input ‘FSK in‘.
Further, it is possible to use the XR22 VCO FT‘s squarewave output for FSK switching. This will result in ramp or sawtooth (on the sine/triangle output) and pulse (on the squarewave output) waveforms. The falling and rising edges of the of the sine/triangle signal and the duty-cycle of the squarewave output are independently adjustable, and/or controllable via CVs of F1 and F2.
Furthermore, there is a switch for linking F1 to F2. In this case, the ratio between F1 and F2 is remaining the same, independently from the frequency, and ensuring properly 1V/oct. CV tracking.
A switch allowes to enable ‘sync mode’: An applied trigger will restart the wave always at the same point, useful for synced LFO applications and more.
For optical control, the XR22VCO FT has a full-color LED for AM visualization and a 2-color LED for FSK control.
"Crafted from the Unpredictable https://akihikomatsumoto.sellfy.store... This evolving sample pack is a curated collection of sounds generated entirely with the eccentric modular instruments of Ciat Lonbarde. Featuring raw sessions recorded with Peterlin and Plumbutter 2, it offers a unique sonic palette ranging from fractured noise textures to rich ambient drones and abstract one-shots.
116 Oneshots 30 Drones xemptyz The Handcrafted World of Ciat Lonbarde Ciat Lonbarde is the creation of instrument builder and sound thinker Peter Blasser. His designs reject conventional synthesis in favor of circuits that behave like living organisms. These instruments respond with tactile irregularity and voltage-driven nuance. This collection is not a digital imitation. It is the real analog, shaped in real time by touch and signal.
For the Forward-Thinking Producer Whether you’re working in experimental ambient, leftfield techno, cinematic sound design, or simply seeking sonic material that resists the algorithmic polish of modern production, these samples offer tactile character and genuine unpredictability. No two loops are alike. No modulation repeats.
What’s Inside Atmospheric drones Textural noise beds One-shot percussive blips and pulses Select loopable material with musical intent Files designed to inspire both immediate use and deep sampling exploration Free Lifetime Updates Your purchase is not a one-time transaction. This pack is a growing archive. New recordings are added continuously at no extra cost. Previous buyers already have access to the latest updates. If you haven’t joined yet, now is a perfect time."
"An in-depth walkthrough and demo of Cric, made by Future Sound Systems. Cric is a self-contained synthesizer with fully modular signal routing. It uses a pin matrix for patching between modules, leading to some unusual and exciting workflows and sounds.
In this video we’ll take a look at everything that’s inside of Cric and how it all works, and I’ll share some of my favorite approaches to using Cric as a performance instrument and sound design tool. And of course, I’ll also share lots of sounds and patches along the way."
TIMESTAMPS:
00:00 Introduction
1:23 Overview
2:35 Patching Workflow
4:16 Sound Generation in Cric
6:56 Scissor Oscillator
10:19 DNA Oscillators
23:48 Filter
28:42 Waveshaping & Distortion
35:00 Filter FM
36:28 Filter Self Oscillation
37:19 Modulation in Cric
37:31 Cycling Function Generators
46:24 Sample and Hold
49:10 VCA
51:18 I/O
53:04 Musical Demos
"Learn how to make your own unique music with modular synths and master the fundamentals of sound design inside my step-by-step course & coaching program, Learning Sound and Synthesis®—no experience needed!: https://www.soundandsynthesis.com"
"DBMix is a 3 channel passive attenuator/summing mixer module for eurorack.
It can be used to attenuate individual CV/audio signals or as a switched mono/stereo summing mixer. When used in stereo each channel's PAN control can be utilised to pan sounds left or right or when used with a CV signal as a type of crossfade to send the signal to two different destinations.
6HP This module is passive and draws no power Depth in case - 15mm
Download the PDF guide here:- www.decadebridge.com/Downloads/Manuals/DBMix%20Manual.pdf
1. Loopy Pro 2: Polyphonic Clip Playback with MIDI
Explore one of Loopy Pro 2’s most powerful new features: polyphonic clip playback. This tutorial shows how to trigger audio clips using MIDI — either pitched, where each note plays a different pitch of the clip, or sliced, where each note plays a different part of the audio. You’ll learn how to set up MIDI routing to clips, configure playback modes, and fine-tune behavior with features like fade-out-based note decay. We’ll also cover how to use loops as polyphonic targets, letting them sustain while held, and how to add an intro section to act as a sample’s attack before the loop takes over.
2. Loopy Pro 2.0: MIDI Loops & Signal Flow Explained
Learn how to harness the power of MIDI loops in Loopy Pro 2.0. This tutorial walks you through connecting a MIDI controller — whether it’s an external keyboard or the new on-screen keyboard — to a MIDI loop for recording and looping MIDI performances. You’ll also learn how to route that loop to an AUv3 instrument or any other MIDI destination to bring your loops to life. Plus, we’ll take a look at the redesigned mixer and demystify the new signal flow system so you can take full control of your setup.
3. Loopy Pro 2: Organize Your Mixer with Collapsible Sections & Rows
Loopy Pro 2 introduces powerful new ways to keep your mixer tidy. In this tutorial, you’ll learn how to collapse entire sections — like Inputs, Outputs, or Groups — to hide them until you need them. You’ll also see how to collapse individual rows to save space and reduce visual clutter, making it easier to focus on what matters in the moment.
"Welcome to the first episode of the Loopy Pro Artist Spotlight — a new series where I sit down with musicians who use Loopy Pro to talk gear, creative process, and the magic of building music live.
In this premiere episode, I’m catching up with none other than Dub FX — looping legend, street-performer-turned-festival-headliner, and longtime Loopy Pro user. He has been pushing the limits of live vocal looping for over a decade, and we dive deep into how he’s using Loopy Pro 2.0 to run his full live show.
🍩 Loopy Pro 2.0 is out today — July 11! If you’re new here: Loopy Pro is the most powerful and flexible looper DAW around. Whether you’re on stage, in the studio, or building beats in your bedroom, it’s built for musicians who want total control.
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🔍 In this episode, we cover: • How Ben got into live looping and built his first busking rig • The (very weird) story of how we met — and how he discovered Loopy Pro • Why he replaced his RC-505 and Akai Force with just an iPad and Loopy Pro • How he controls his vocal effects, pedals, and sequencer entirely from the APC40 • The plugins and processing chains he uses for live sound design • Touring insights: his approach to backups, reliable USB hubs, and hardware quirks • His approach to the full artist cycle — from writing and releasing, to content, clubs, and festivals • His philosophy on collaboration — and how looping opens up space for others
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🎛️ Dub FX Loopy Pro Rig – Hardware • iPad Pro (USB-C model, running Loopy Pro) • Akai APC40 MKII (USB MIDI controller) • Line 6 Helix (multi-FX pedal & USB audio interface) • Allen & Heath Qu-Pac (16-channel digital mixer/interface with 10 outputs) • Miktek PM9 mic • Custom stand rig (drum stool + road case + velcro for compact stage setup) • Kopplen powered USB hub
