Introducing Pip Filter & Pip LFO by ALM

video upload by ALM TV

"The 'Pip Filter' is a compact 4HP voltage controlled 2 pole low-pass filter with resonance and built in VCA. Here we take a look at all the features of the module.

The filter cutoff is controlled via both knob control and dual CV inputs with a built in attenuverter. Resonance is manually controlled and will reach into self oscillation with rough V/Oct tracking. A trigger input allows the filter to be pinged for percussive plucked type sounds. Finally, a built in VCA (normalled open) allows for additional independent amplitude control of the filtered signal.

The “Pip Filter’ provides a classic lowpass filter sound in a small form factor with many useful features for sound sculpting."

Introducing Pip LFO

video upload by ALM TV

"The 'Pip LFO' is a compact 4HP all analogue low frequency oscillator with a wide frequency range, voltage control, numerous outputs, reset input and a VCO mode. Here we take a look at all the features of the module.

The frequency of the Pip LFO is set via a manual control and voltage control input. The module features a unipolar square wave output along with both bipolar and uni-polar triangle, saw and sine waveform outputs. When VCO mode is activated, the frequency jumps to audio range and will track V/Oct for approx 5 octaves. A reset input allows the LFO waveform cycle to be reset and produces hard sync functionality in VCO mode.

The Pip LFO’s compact design makes it easy to add a modulation source and an analogue voice into any system."

ROLAND SYSTEM 100 + MXR Pitch Transposer/Digital Delay (Restored By Synth Tailor Electronics)

video upload by Synth Tailor Electronics

"Heres a demo of some units we restored , the ROLAND SYSTEM 100 (Model 101, Model 102, Model 103, Model 104) + MXR Pitch Transposer + MXR Digital Delay.

The MXR Pitch Transposer M-129, and the Digital Delay M-113 (both of these units are FOR SALE, if you're interested reach out through our website contact form or email)

HISTORY: The Roland System 100 is a semi-modular analog synth from the mid-1970s, a classic piece of gear that’s still got a cult following. It’s got a gritty, warm sound, perfect for everything from deep basses to wild, experimental noises. The setup includes five main modules: the 101 synthesizer, 102 expander, 103 mixer, 104 sequencer, and 109 speakers. Each module’s got its own vibe, but they’re designed to work together, letting you patch cables to create custom signal paths. The 101’s the core, with a single oscillator, a meaty low-pass filter, and a built-in keyboard. The 102 doubles down, adding another oscillator for fatter sounds. The sequencer’s a standout, letting you craft repetitive patterns that were huge in early electronic music. It’s not as complex as a Moog modular but way more portable and user-friendly for live tweaking. People love it for its hands-on feel and raw, vintage tone.

Video shot and edited by Rakim Escobar

If you have a vintage synth, drum machine, outboard gear or tape machine that needs restored or repaired, please reach out to us or ship in your item to our repair shop, Synth Tailor Electronics. Visit www.synthtailorelectronics.com/contact or send us an email: info@synthtailorelectronics.com for more details!"

Ciat Lonbarde Plumbutter2 & Ableton Octa Comb

video upload by Akihiko Matsumoto

Effect: Ableton Octa Comb https://akihikomatsumoto.sellfy.store...
Reverb: Preset Verb: https://akihikomatsumoto.sellfy.store...

Ciat Lonbarde Sample Pack
https://akihikomatsumoto.sellfy.store...

116 Oneshots
30 Drones
Crafted from the Unpredictable
This evolving sample pack is a curated collection of sounds generated entirely with the eccentric modular instruments of Ciat Lonbarde. Featuring raw sessions recorded with Peterlin and Plumbutter 2, it offers a unique sonic palette ranging from fractured noise textures to rich ambient drones and abstract one-shots.

The Handcrafted World of Ciat Lonbarde
Ciat Lonbarde is the creation of instrument builder and sound thinker Peter Blasser. His designs reject conventional synthesis in favor of circuits that behave like living organisms. These instruments respond with tactile irregularity and voltage-driven nuance. This collection is not a digital imitation. It is the real analog, shaped in real time by touch and signal.

For the Forward-Thinking Producer
Whether you’re working in experimental ambient, leftfield techno, cinematic sound design, or simply seeking sonic material that resists the algorithmic polish of modern production, these samples offer tactile character and genuine unpredictability. No two loops are alike. No modulation repeats.

What’s Inside
Atmospheric drones
Textural noise beds
One-shot percussive blips and pulses
Select loopable material with musical intent
Files designed to inspire both immediate use and deep sampling exploration
Free Lifetime Updates
Your purchase is not a one-time transaction. This pack is a growing archive. New recordings are added continuously at no extra cost. Previous buyers already have access to the latest updates. If you haven’t joined yet, now is a perfect time.

Listen or Use
Several pieces included were composed with musical intent. They can be sampled, reshaped, or simply listened to as drone compositions in their own right. Sound as music. Music as sound."

Maestro Rhythm King MRK-4 SN 45738

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"An American-made, analog drum machine with a distinctively woody tone and a remarkable feature no other drum machine posses - Modulation.

Swipe for a demonstration of how it operates [video previously posted here]

On the back is an audio input for modulating external instruments like guitar, organ or why not a string machine? Much like a side chain compressor, the external signal gets muted by the individual drum hits of the rhythm pattern engaged, almost like a tremolo but rhythmically syncopated.

There’s a slider to control the level of audible drums or instrument input signal.

10 drum sounds and 16 rhythm patterns are available to the user.

No individual volumes are at our disposal but a slider to emphasize the brighter or bass-y drum sounds.

Excellent condition unit with a small bump on the front wood panel.

110 Volt power with standard American power connector."

CLICK FOR MORE »

E-mu Drumulator 8 Kits + MIDI upgrade board

video upload by Harry Axten

https://hkadesign.org.uk/d8km.html



"ROM switcher boards and third-party sound ROMs are nothing new as far as the E-mu Drumulator is concerned – in fact both were available while the machine was current. JL Cooper Electronics and others made 3-kit boards, and Digidesign (who later became Avid) got their start producing alternative sound ROMs for the Drumulator under their original name of Digidrums. That said, while the various alternative ROM sets are easy to come by these days, ROM switcher boards are not, and without one it’s a total pain to keep swapping chips in and out as you have to take out 8 screws on the underneath of the thing, lift off the lid, swap 5 chips over and put it all back together again.

8 Kits

I wanted a modification very much in the same style as my TR-707 ROM expansion board, with a number of kits that you can instantly switch between. As with that project, this is done without the need for any additional switches and instead uses a microcontroller to snoop on the front panel switch matrix. Kits are selected by holding down one of the bottom row of buttons marked 1-8 and pressing the ENTER button. The selection is remembered when the Drumulator is powered off too.

The Drumulator’s sounds are stored across 4x 16kB ROM chips, although they form one continuous region of memory. Thanks to this, and due to the way that they’re selected, it’s really easy to replace all four with a single large capacity chip. The 512kB flash ROM that I used can hold 8 kits worth of sounds, which works out nicely as that’s the stock sounds plus 7 of the Digidrums kits, including the famous Rock Drums kit:

Stock kit
Digidrums Alternate Drum Set 1
Digidrums Electronic Drums 1
Digidrums Electronic Drums 2
Digidrums Rock Drums
Digidrums Jazz Drums
Digidrums Latin Percussion
Digidrums African + Misc Percussion
Because each kit also has a corresponding modified program ROM (as the length of sounds, locations in memory and channel assignments are all hard-coded into the Drumulator’s firmware); the D8KM board also has an EPROM which contains the relevant OS for all 8 kits, and is connected to the Drumulator’s OS ROM socket with a ribbon cable. Fortunately the Drumulator doesn’t care if the OS ROM changes while the machine is running as long as they’re all the same version, which they are – ‘P3.00’, the final version.

MIDI

I chose also to include MIDI functionality as part of the upgrade, as most Drumulators don’t have it. E-mu did offer a retrofit, which has been cloned over the years, but it’s very basic and only does MIDI notes. The D8KM board on the other hand also offers the ability to sync the sequencer to incoming MIDI clock. Just set the Drumulator to external clock and if MIDI clock is available, it will automatically override the external clock signal and will also start and stop playback. If MIDI clock is not available the Drumulator will use the external clock signal as normal, including for the tape loading functionality."

Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

CLICK FOR MORE »

Glitchy High Speed Switch || Turbocharger by Hakai Labs

video upload by Robots Are Red

"Turbocharger is a 6hp high speed switch between two signals. By default one signal is 5v and the other is 0v. There is an internal oscillator to act as the switching clock. The oscillator also has PWM control. CV control over all parameters. And the 'Do Not Touch' knob... well you'll just have to watch to see it's glitchy goodness.

Jump to any section of the video:
00:00 - Opening
00:25 - Intro
00:57 - Full Walkthrough and Demo
14:12 - Make it Louder
15:01 - Wavechopping
17:26 - Momentary Switch
18:28 - Pulserizer with Drums
24:03 - Some Music

Special thanks to Hakai Labs for providing the module for this video."

"Turbocharger is finally here!

Turbocharger at its core, is just a simple super high-speed switch (not a VCA) between 2 inputs. This sounds boring, but the switch is run by a CMOS switch IC capable of switching at extremely high speeds. This, paired with its internal oscillator, with PWM controls, makes for some fun experimentation. The best part is you don’t even have to use the internal oscillator. There is an external clock input that you can patch in your own pulse wave to control the switch.

Turbocharger is an idea that I (Scott Danesi) have had for some time now. After watching a presentation by Jon Sonnenberg (artoftravelogue.blogspot.com) back in the day at one of the early Knobcon conventions in Chicago on Wave Replacement Synthesis, I thought, I could do that in one module but make it crazier. So, what started out as a simple “Turbo” gate for the NT Controller module, now turned into this monstrosity.

The front panel art was created by the talented Aurich Lawson.

Check out the user manual below for more detailed information!

CLICK FOR MORE »

Arcaico Murena Stereo filter, vca mixer #synthesizer #eurorack #modularsynth

video upload by Arcaico Instruments

"Arcaico Murena is a feature-rich analog module designed to deliver a distinctive, unpredictable, and versatile sound. With a width of 26 HP and a depth of 38 mm, the Murena is a concentration of functionality in a compact space.

A 6-channel mixer, each equipped with a distortion VCA, attenuverter and switches to select the internal routing destination. The channels are divided into two groups of 3, allowing flexible stereo management. Each VCA can be controlled either manually via the panel or via bipolarized CVs, offering extensive modulation possibilities.
Each group of 3 channels terminates in a multi-mode filter , capable of generating extremely aggressive sounds. After the filter, the signal can be routed to a distortion or directly to the mix. This configuration allows the two groups to be treated as a stereo pair or to use A-B crossfade modulation for dynamic transitions.
Every parameter of the Murena is manageable either from the panel or via CV, offering complete and creative control. The ability to patch the module to itself allows endless sonic combinations to be explored, making each use unique and unpredictable.

6-channel MIXER/VCA with CV attenuverter, cv and switch for routing (3-channel stereo mixer or 6-channel mono mixer or a combination of both)

Independent mono output of all 6 channels (clean)

2 multi-mode VCFs (LP/BP/HP) at 12db/oct with CV attenuverter, independent clean outputs, indepentent distorted outputs, fade output and 1V/Oct control (tuned up to 5 octaves)

OVEDRIVE with cv control on each filter

Stereo/mono/dual mono output and mono A+B output controllable via cv

Left and right OUTPUTS controllable via cv"

Best Ambient Synth Shootout #146: Wersi M.A.X.1 - Song 1

video upload by Christian's Sonic Spaces

"This is the first recording with the Wersi M.A.X.1. Almost nothing is known about this small desktop sound module. It's 16-voice, 8-way multitimbral. The minimal, somewhat non-self-explanatory UI allow you to adjust a few parameters, as long as you have access to the manual, which unfortunately isn't available online. However, the 96 preset sounds are simple but surprisingly useful. The drum sounds are clearly ROM-based, but everything else sounds like a real FM synth to me.

I used for the recording the following FX pedals:
Hologram Microcosm, Pigtronix Echolution 2 Deluxe, GFI System Specular Reverb 2.

The signal went through a Presonus StudioLive 16.0.2 into the PC via USB for recording. To create the complete song I recorded consecutively several stereo tracks. On some tracks Compressor and EQ where added in Cubase. The final song was then mastered using iZotope Ozone.

Well, I decided to go back to the basics, but at the same time make something useful for the synth community and do a kind of competition (I like competitions;-). What's my best synth for ambient music :-)

Check out my Best Ambient Synth Shootout Playlist:"



Additional Wersi M.A.X.1 posts here.

New GRP A10 Flagship Synthesizer Incoming

These in via John L Rice.

Left: front panel layout.

Below: PDF with full details. Click on each pic to zoom in.

Update: "The Grp A10 will cost €10,000* plus VAT and will be available at the end of 2026."

CLICK FOR MORE »

TipTop Polyphonic Modular + ASM Hydrasynth : "Entangled State" by gattobus

video upload by gattobus

"This track came out of the blue while I was playing and experimenting with TipTop Audio Poly Modular System and my ASM Hydrasynth.

This patch sounds organic and deep, a perfect blend between analog and digital!

I loaded a custom wavetable on TTA Vortex 6 then I set up a classic signal path going through the poly filter (TTA Octopass) and the poly vca (TTA Octogain). Then I added some external modulations coming from Hydrasynth CV outs, which turned out to be the best keyboard controller for this incredible system!

Star of the show is TTA Resonator that adds a very organic and ethereal texture to the entire patch!

These are the modules in my system:

Vortex 6 Oscillator
ATX-1 VCO
Octopass Poly Filter
Octostages Poly Envelope x2
Octogain VCA
Octopus USB/MIDI interface
Octo I/O
Octovert
Resonator
Z-DSP 'ZVRB 80' Card.
Mantis Case (black)"

Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

CLICK FOR MORE »

Sounds from Superbooth 2025: WMD Skorpion

video upload by Perfect Circuit

"We're on the ground in Berlin at the year's biggest synth event. Stay up to date with all the latest gear news, announcements, and preorder info on our Superbooth coverage hub."

WMD's Skorpion is a next-generation analog wavefolder module that redefines how timbre can be manipulated and modulated in the modular environment. Featuring eight cascading fold stages controlled by a powerful vector core, Skorpion introduces a dynamic system of thresholds and voltage targets, allowing users to morph basic waveforms into harmonically rich, evolving shapes. Its hands-on slider interface offers intuitive control over folding behavior, modulation depths, and macro animation, while the hybrid analog-digital architecture ensures both sonic depth and interface precision. Whether you're after subtle saturation or full-spectrum harmonic chaos, Skorpion provides a versatile platform for creative signal transformation.

Beyond its core wavefolding capabilities, Skorpion offers a wide array of modulation tools including a dedicated macro envelope, internal LFOs, CV routing, and stereo widening functions. Unique features like target Order, Sync modes, and symmetrical/asymmetrical modulation application give users the power to craft entirely original textures with fine-tuned control. Designed to be both exploratory and exacting, Skorpion delivers a deep synthesis experience for sound designers, live performers, and modular enthusiasts alike.

SKORPION FEATURES
8-stage analog wavefolder with threshold and target voltage control
Hands-on slider interface with macro animation and modulation layers
Internal modulation sources: macro envelope, threshold LFOs, CV modulators
SYNC and TARGET ORDER modes for advanced waveform manipulation
Stereo WIDE output with second vector core and delay-based processing
Hybrid analog-digital design using high-speed CMOS circuitry
Extensive CV I/O including rectified, differential, and gate outputs

Groove Synthesis: 3rd Wave 8M - SUPERBOOTH2025

video upload by Bonedo Synthesizers



"The most accessible way to the 3rd Wave sound

You’ve discovered the synth industry’s best-kept secret: the 3rd Wave 8M — bringing Groove Synthesis’ award-winning wavetable technology to more studios, stages, and creative spaces than ever before. This isn’t a watered-down version. This is 8 voices and 2 parts of pure, uncompromised 3rd Wave DNA in a more accessible, compact package. Same premium sound engine. Same analog filters. Same innovative synthesis. Just more accessible to more producers and musicians.

ACCESS ALL AREAS

The performance-oriented control set featuring a generous 7” display with six encoders gives you the confidence to create the sounds you’ve always envisioned.

COMPLETE SYNTHESIS TOOLKIT

Choose from wavetable synthesis, analog-style synthesis, FM, and sampling for each of the three oscillators to create rich and expansive soundscapes.

• 8 Voices of full 3rd Wave sound engine with complete patch compatibility
• Bi-timbral operation with two independent parts
• Premium analog filters and output stages—identical to our flagship models
• Multiple synthesis types: wavetable, analog-style, FM, and sampling
• Streamlined interface with larger, more intuitive display
• Compact desktop format that fits your creative space

CLASSIC LEGACY – MODERN SOUND

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters.

It boasts not only a punchy, Dave Rossum-designed 2140 analog low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures."

Update: and the press release:

ORINDA, CA – May 8, 2025 – Groove Synthesis, the innovative synthesizer company known for its award-winning 3rd Wave 24-voice advanced wavetable synthesizers, today announced the 3rd Wave 8M – a compact desktop synthesizer that brings the distinctive Groove Synthesis sound to a more accessible price point, without compromising on sound quality or core features.

Building on the success of the flagship 24-voice 3rd Wave models 24K and 24M, the new 8M features 8 voices of polyphony and bi-timbral operation in a streamlined desktop format. Priced at $1,999 USD, the 8M delivers the same premium sound quality and cutting-edge synthesis capabilities that have made Groove Synthesis a favorite among producers, composers, and performers worldwide.

"We created the 8M to bring the distinct 3rd Wave sonic character and sound design capabilities to more musicians and producers," said Bob Coover, co-founder of Groove Synthesis. "This isn't a watered-down version of our flagship 24-voice models. The signal processing chain, analog electronics, and the sound are the same as on the 24. The 8M just makes the 3rd Wave experience accessible to musicians, sound designers, and producers who don't need the full scale system.”

The 3rd Wave 8M maintains complete patch compatibility with the 24-voice 3rd Wave models, allowing users to seamlessly integrate the 8M into existing setups or upgrade to larger models in the future. The streamlined user interface focuses on performance-oriented controls while utilizing a larger, more intuitive display for deep sound design capabilities.

Key features of the 3rd Wave 8M include:

● 8-Voice Polyphony: Full 3rd Wave sound engine with 8 voices and three oscillators per voice
● Complete Synthesis Toolset: Wavetable synthesis, analog-style synthesis, FM, and sampling
● Bi-timbral: Two independent parts for layering and splitting
● Complete Patch Compatibility: Seamless integration with 24-voice 3rd Wave models
● 8 Analog Filters and Output Stage: The same premium analog filters and output circuit design as flagship 24-voice models, 24K and 24M
● Streamlined Interface: Performance-oriented, expressive control set with larger display
● Multiple Outputs: 4 balanced outputs for flexible studio integration
● Compact Design: Smaller footprint ideal for desktop or touring setups

"As a bunch of synth enthusiasts ourselves, we know that the sound is everything," said Andrew Silverman, co-founder of Groove Synthesis. "The 8M has the full DNA of our flagship models. We've carefully considered what matters most to musicians and sound designers, preserving the elements that define our sound while creating a more accessible entry point to the 3rd Wave sonic universe.”

The 3rd Wave 8M continues the Groove Synthesis tradition of combining vintage inspiration with modern capabilities. While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters. The intuitive, performance-focused interface avoids menu diving for a natural control flow, preserving and adapting the vital parts of the keyboard’s controls in a compact format.

Introducing the AS Vocoder: True Analogue Vocoding from Analogue Solutions

video upload by Analogue Solutions

"The AS Vocoder is available as a standalone unit, or as an upgrade to your Colossus synthesizer.

The sounds heard in this video were made with the Colossus synthesizer and the AS Vocoder. Let this video serve as our official announcement. More demos to come!

What is the AS Vocoder?

Analogue Solutions proudly introduces the AS Vocoder, a powerful, full-analogue vocoder that blends authentic vintage inspiration with modern reliability. Designed and built with precision, the AS Vocoder brings the distinctive warmth and character of classic analogue vocoding into contemporary studio environments.

This vocoder is not a digital emulation—it’s the real deal, offering 100% analogue audio paths and modulation circuits. While the AS Vocoder draws design inspiration from vintage classics of the 1970s, such as iconic vocoder units used in groundbreaking electronic music, all circuits within the AS Vocoder are original Analogue Solutions designs.

The AS Vocoder analyses the spectral content of speech or any audio signal and uses it to modulate internal oscillators or external sound sources. It provides musicians, producers, and sound designers with the legendary vocoder effect, capable of generating harmonically rich, robotic, or melodic vocal textures.

There are no gimmicks, just pure, unadulterated analogue vocoding crafted in a rugged enclosure designed for studio integration and live performance reliability. With a premium build quality that includes a solid metal case and precision-engineered components, the AS Vocoder ensures durability and consistency for years to come.

The AS Vocoder will be available as a Colossus upgrade and as a standalone unit.

A Brief Word on Vocoders

The vocoder has long been a cornerstone of electronic music, offering a unique way to merge voice and machine. First brought into the musical spotlight by Kraftwerk in the 1970s, its robotic vocal textures became part of the sonic DNA of their work. Artists like Herbie Hancock and Daft Punk later embraced vocoders as creative tools to shape melodies and rhythms, not just voices—expanding their role in music production far beyond novelty.

With 12 bands of filtering, flexible routing, and envelope follower outputs, vocoders like the AS Vocoder allow you to impose the spectral content of one signal—often the human voice—onto another, such as a harmonically rich synth tone. This creates the classic “talking synth” effect, but also opens the door to more experimental textures when fed drums, noise, or sequenced tones. The AS Vocoder makes this process hands-on, with CV options and modular access points designed for deep integration and patch experimentation.

The AS Vocoder brings this classic effect into the Analogue Solutions ecosystem with true analogue character and modern usability. Designed as a standalone unit or to integrate directly into the Colossus console, it adds a new dimension to sound design—perfectly complementing Colossus’s vast modulation and audio-routing capabilities. Whether for vocals, drums, or synth lines, the AS Vocoder opens up a new layer of sonic potential."

Introducing MESS - Multi-Effect Step Sequencer Pedal From Polyend

video uploads by Polyend

Polyend MESS: A sequenceable multi effects pedal

video upload by David Hilowitz Music




"MESS combines a powerful multi-track step sequencer with effects brimming with Polyend character – from classic modulation, delay or reverb to experimental effects never before seen in pedal form. With four fully customizable effect tracks, craft ambient soundcapes, intricate glitch sequences or even a familiar four effect chain – all moving in sync.

4 Effect Tracks
Combine four effects for every preset to create your own unique multi-effect. No limits are placed on what effect each track contains. Run a reverb into a delay or a spectralizer into two bitcrushers and create vibrant tones, suitable for any instrument.

125 Stereo Effects
Want a specralized micro-looping effect with randomized repeats? A time-shifting chorus into a reverb that slowly gets darker over time or simply a traditional modulation, delay, and Reverb chain? With over 120 effects to assign to the four tracks, MESS opens the door to the unexpected.

Why Sequence?
MESS has the sequencer power expected from a Polyend instrument. Control per-track speed and length to create polyrhythmic or polymetric sequences or use chance options to easily create complex generative effects that never sound the same twice. Instantly add movement and musicality to any effect. Reverbs bloom, delays evolve rhythmically, and modulations shift in sync with your tempo.

CLICK FOR MORE »

Frap Tools Magnolia, 8-voice analog thru-zero FM polyphonic synthesizer | Project update

video upload by Frap Tools

Click CC at the bottom of the player for subtitles.

"Magnolia will be an 8-voice analog through-zero FM synthesizer, which we built to create sounds from the modular world through a classic keyboard interface.

Waveshapers, wavefolders, and, most importantly, analog linear through-zero FM unlock every sound associated with the 'West Coast' synthesis world. But that's not all! Fat resonant filters and powerful analog oscillators allow more traditional subtractive synthesis sounds as well.

A vast and flexible modulation section encourages complex patches with the twist of a knob, but it is always easy to keep track of what's going on thanks to LEDs on every source and destination. An arpeggiator and a sequencer complement the machine.

We are announcing and showcasing two pre-production units. We aim to release the final version at the end of summer, and it will show some differences. It may have a more refined interface, it will feature digital effects, and some of the features currently under evaluation may disappear.

We've been working on it for the last year, and we're eager to show it to the world!"

Follow-up to this post where you'll find additonal pics.

Update: press release follows:

Frap Tools to take on high-end keyboard synthesizer market with ‘West Coast’ MAGNOLIA making its public debut at SUPERBOOTH25

MEDOLLA, ITALY: Frap Tools, hitherto known as a manufacturer of Eurorack modules and accessories alongside professional audio compressors in the 500-Series format, is proud to venture into the world of high-end keyboard synthesizers with its introduction of MAGNOLIA — announced as an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER built to unlock every sound associated with ‘West Coast’ modular synthesis through a classic keyboard interface — anchored around showcasing two pre-production units at SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany…

As an 8-VOICE ANALOG THRU-ZERO FM SYNTHESIZER, MAGNOLIA unlocks every sound associated with the so-called ‘West Coast’ modular synthesis world with waveshapers, wavefolders, and, most importantly, analog linear TZFM (Through-Zero Frequency Modulation) Indeed, its intentions are made clear from the outset by the on point wording worked tastefully into its (initial) top panel design. No need to necessarily remain there, though, for fat resonant filters and powerful analogue oscillators also allow for more traditional subtractive synthesis sounds. And although a deep and flexible modulation section encourages complex patches with the push of a button and twist of a knob, switching modulations on and off with the TOGGLE function, it is always easy to keep track of what is going on thanks to the inclusion of LEDs (Light-Emitting Diodes) on every source and destination.

Digging deeper, MAGNOLIA features eight analogue voices with two oscillators — carrier and modulator — and 24 dB/oct resonant HIGH-PASS and LOW-PASS filters; the carrier oscillator has a through-zero core for precise, sideband-rich analogue FM (Frequency Modulation) sounds, so crystal-like pads to growling basses are available to all with the greatest of ease, while FM can be applied to the filters. Furthermore, sculpting sounds that have not been heard before on analogue polysynths are now perfectly possible, thanks to MAGNOLIA’s unique signal flow — think continuously variable waveform shapes and a wavefolder circuit per voice!

Those two oscillators are derived from Frap Tools’ BRENSO (https://frap.tools/products/brenso/), a Euroack module readily representing its creator’s primary analogue source of articulated waveforms whose degree of entanglement can be precisely set by the musician. MAGNOLIA’s Oscillator 1 is the ‘West Coast’ one with TZFM, wavefolder, and FLIP SYNC, while Oscillator 2 is the ‘East Coast’ one, with PWM (Pulse Width Modulation) and fine-tune. Whether wanting experimental FM sounds or punchy synth brass, they are always at anyone’s service. Speaking of Frap Tools’ unique modular soul, MAGNOLIA’s filter section is derived from CUNSA (https://frap.tools/products/cunsa/) — itself a quadruple analogue ping-able multimode resonant filter, saturator, mixer, and oscillator, no less!

Musically, MAGNOLIA sports a keyboard from fellow Italians FATAR, with polyphonic aftertouch capabilities for enhanced expressiveness, while a per-part ARPEGGIATOR and per-part 16-step SEQ (sequencer) serve to creatively complement the synthesizer still further. Features briefly worth drawing attention to here by way of ending on some more high notes include MAGNOLIA’s bi-timbral programs (with SINGLE, MORPH, DUAL, and SPLIT MODES); all-analogue signal path; three loop-able DAHDSR (DELAY, ATTACK, HOLD, DECAY, SUSTAIN, and RELEASE) envelopes; three digital LFOs (Low Frequency Oscillators); and 512 preset memory slots.

Anyone attending SUPERBOOTH25, May 8-10, FEZ-Berlin, Germany can get up close and personal with two MAGNOLIA pre-production units by swinging by Booth B049 there. Their creators will be showcasing them personally, eager to show the results of their hard work, while providing a passionate warm welcome. Frap Tools aim to release MAGNOLIA as a production product by the end of summer, albeit with some differences evident by then. The interface will likely be more refined, featuring digital effects, while some features currently under evaluation could conceivably be removed."

Gamechanger Audio Plasma Voice High Voltage Synth - Presentation

video upload by sonicstate

"A unique synth voice from ‪@GamechangerAudio‬
is the Plasma Voice, a Eurorack synth voice which uses a plasma tube with a high voltage signal to generate audio rate waveforms and it looks cool too.

With multiple engines suited for Bass, Rhythm, Pitched or Percussive sounds, it also has a multi-mode filter, CV control, plus many other unique features.

Available now, priced at £224/$499"

Check with dealers on the right for availability.

00:00:00 Intro
00:03:19 Overview
00:07:26 Filter
00:09:39 Bass Engine
00:13:17 Modulation and CV
00:15:03 Rhythm Engine
00:19:04 More engines and Accent
00:22:32 Ducking
00:24:06 Wrap and playout

1968 RA Moog Modular IIIC

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.

This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.

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Kastle 2 Wave Bard ✨ Patchable Stereo Sample Player

video upload by Bastl Instruments

First jam - Kastl 2 Wav Bard

video upload by Stazma

BASTL Kastle 2 WAVE BARD — a tiny modular groovebox & rhythm generator! But is it any good?!

video upload by BoBeats

CONTENT
00:00 What is the Wave Bard?
00:50 Overview & sound demos
03:28 Sample specs
03:42 Making some rhythms with Wave Bard
06:20 Can you use it to make actual music?!
09:05 How to load samples
09:38 My thoughts about Wave Bard

Check with dealers on the right for availability. Details and pics follow:


KASTLE 2 WAVE BARD

Experimental, patchable stereo sample player

The Kastle 2 Wave Bard is an experimental, patchable stereo sample player that empowers you to discover new rhythms and riffs through modulation and modularity.

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