Showing posts sorted by date for query Sound Voltage. Sort by relevance Show all posts
Showing posts sorted by date for query Sound Voltage. Sort by relevance Show all posts
Thursday, November 12, 2026
TouellSkouarn Distres Kontroll / Te Zo Koant Mk2
video upload by Stromkult
"Here is a short sound demo featuring two new modules from Touellskuarn: an overdrive and a preamp. The overdrive has two different clipping circuits that can produce sounds ranging from subtle to complete distortion. The second module is a preamp that can be used to process guitars, synths, or bass in a modular setup. This ultra-clean preamp also has an attached filter and is intended for processing signals with effects or filters in the modular setup."
0:00 Distres Kontroll C78
0:16 Distres Kontroll 808
0:38 Distres Kontroll Sinus into Distortion
0:56 Distres Kontroll MFB Tanzbär
01:31 Distres Kontroll Fors.FM Dyad
01:57 Distres Kontroll Doepfer A-111-6
02:24 Te Zo Koant mk2
02:44 Te Zo Koant mk2 Guitar
03:11 Both Modules + Bass
The Distres Kontroll is a versatile Eurorack overdrive designed to take your audio from subtle saturation to aggressive distortion. Built around a special Opamp, it combines a voltage-controllable gain stage, a tone-shaping filter, and two distinct clipping flavours.
6HP / Black aluminium panel
Jacks : Input, Output, CV Gain Input, CV Filter Input
Knobs : Input Volume Knob (Threshold), Gain Knob, Filter Knob (Hi Low)
Switches : Pad (reduce input level), Clip (Select Diode Clipping or Led Clipping)
Compatible with Guitar levels.
Hand-wired, Boutique quality, Made in Plougastel-Daoulas.
Stupid Breton name
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: eurorack, New Modules, News, TouellSkouarn
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: eurorack, New Modules, News, TouellSkouarn
Patchwerk - A modular synth for the M-VAVE FM-1
video upload by e y l v y
You can find the M-VAVE FM-1 on Amazon.
https://mattkuebrich.com/patchwerk/
"Patchwerk is a modular: you build a sound by placing modules (oscillators, filters, effects, sequencers, modulators) and joining them with cables. Everything is a voltage, so any output can feed any input: a sequencer can play a filter, an envelope can steer a delay. HOME is always the patch screen, and you can build and edit patches right on the FM-1. Press a page's button again to turn to its next page."
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: M-VAVE, New Updates, News
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: M-VAVE, New Updates, News
Tuesday, November 10, 2026
Body Synths The Laboratory is Now Available
video upload by BODY SYNTHS
"The Laboratory is now available. In this video, Andrey and Xavi meet at the Body Synths workshop in Berlin. They talk about how they met, where the ideas for the Laboratory came from, and how the instrument went through a series of prototypes before reaching its final form. They even find some time to make a few sound demos. We really hope you like this one.
The Body Synths Laboratory is a dual-channel effects processor and feedback synthesizer. Its two channels can work in parallel or in series to process external audio. As a sound processor, the Laboratory can widen mono signals into stereo and produce a variety of effects such as several types of delay, distortion, filtering, tremolo, vibrato and chorus. With the feedback paths engaged, it can also generate sound on its own as a stereo self-oscillating instrument.
MSRP: 420 EUR (excl. VAT)"
Explaining and testing Laboratory by Body Synths
video upload by Stazma
"In this new Gear Talk I'll test and explain to you the new Laboratory by Body Synths.
This fun little thing is a curious blend between a multi-effect processor (distortion, delay and filter) and a feedabck synthesizer with most of the key paramater being voltage controllable by the on board modulation generator or any other external control voltage generator.
It will reward experimentation and can go from very subtle to completly wild and unpredictable."
THIS IS ACE!! // LABORATORY by Body Synths
video upload by DivKid
"Here's LABORATORY ... a whole sonic sound lab of feedback synthesis and stereo sound FX. With saturation, PT delays and filters alongside a comprehensive set of feedback options we can turn this into a wide range of modulation FX, stereo, dual mono, series or parallel FX and you can even push the feedback into sound synthesis. Turning Laboratory into a standalone noise synthesizer. Loads of patches, check them below to skip around."
Cooking up some beautiful filth in the Body Synths Laboratory
video upload by Oscillator Sink
"Bells and whistles are nice, but sometimes the best gear just brings together a few simple ideas executed well and arranged in a creative way. So it is with the Laboratory from Body Synths, a box of creative filth which, while it revels in the dirt, can also enhance and widen sound sources in genuinely beautiful ways, as well be its own experimental sound source.
Dirt, delay, filtering and feedback, in one neat little package that encourages sonic exploration? Sign me, up! Let's take a look at it!
Chapters:
00:00 Intro and sound previews
03:27 What is Laboratory?
05:25 Exploring sounds without delay
14:19 Exploring sounds with delay
30:05 Destroying beats and making a compressor
36:54 Transforming a field recording
44:24 No-Input Noise Making
55:44 Final thoughts"
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Body Synths, News, Updates
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Body Synths, News, Updates
Thursday, November 05, 2026
GENE 616 - First Look
video upload by Gene Synths
GENE 616 is an all analog, stereo polyrhythmic drum machine with two independent CV / Trigger sequencers.
The upper sequencer controls the Bass Drum Generator and Oscillator 1, a Synth Drum voice with a unique architecture which can produce almost any frequency, multiple waveforms, sweet and soft or totally untamed and unhinged, and is CV controllable over a wide range of pitches, timbres and decay times.
The lower sequencer controls the Snare Drum Generator and Oscillator 2, which is the same type of Synth Drum voice but with slightly extended high frequencies.
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Gene Synths, New Tools, News
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Gene Synths, New Tools, News
Monday, November 02, 2026
Normal Devices Decay Cascade - Sounds I like
video upload by Jogging House
"Sounds I like, made with the Normal Devices Decay Cascade"
This appears to be the first post to feature Decay Cascade. Check with dealers on the right for price and availability.
"Blend reverb and cascading analog amplification stages to create complex and abrasive textures. Expanding on the idea of running reverb into distortion, the Decay Cascade can produce lo-fi subtlety or slabs of disintegrated noise. Or both.
Dial in reverb ranging from a light bounce to saturated drones, with a maximum decay time of about 20 seconds. The reverb mix is sent to a versatile drive circuit with a voltage sag gate for extra deterioration. Combine dry, reverb, and distorted reverb layers into your desired textural mix. The entire mix then passes through a preamp stage inspired by 1960s era research amplifiers that can add another boost of raw gain and gated tails, with an optional low pass filter. Add a little dust and murk, or create the sound of amp death. Thankfully, there is a volume control."
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: New Synth Effects, Normal Devices, Synth Effects, Vongon
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: New Synth Effects, Normal Devices, Synth Effects, Vongon
Friday, October 30, 2026
Syntheus 1001: a double-suitcase full of vintage modular synthesis
video upload by manmade madman
"If you could pack everything you ever wanted into a modular synth, and then put it in a suitcase, chances are it would reference the EMS Synthi AKS/VCS from the 1970's. Recently companies have released hardware editions that sound glorious. There's even a monster ultimate reissue called Analogue Solutions Colossus which I'm sure sounds incredible. The original was notorious not only for its clean look and capabilities but weird sounds even Brian Eno said "...great for bug noises" but he used it for decades as an effects processor as well. We've taken issue with this... it CAN be musical!
Here we have the ultimate version: 6 free range oscillators, dual patch panels, vintage spring reverb, a joystick that lets you record motion and play it back, and a snapshot sequencer that gives you your sound-per-step, or bug noises if you'd rather! Vintage circuitry all along the way, down to the opamp modelling. You'll hear the crunch and occasional bleeding of the original 70's wiring. Thanks to our db-cell technology, you'll hear a vintage drift everywhere, but well under control. It's not static-- in fact its always surprising and always different, just like the originals.
Best of all, its actually FUN to use. Drop a pin and watch the patch cable show you the connection! Modulate where you couldn't before. EZ rolls in different sections, including the patch matrix. Make sounds, snap them to the clocked sequencer, and get going.
Make vintage inspired sounds from the future that surprise you. Make something musical.
Prove Eno wrong!
https://store.denversynth.com/syntheu..."
SYNTHEUS 1001
An unobtainable synth that’s a double-briefcase full of awesome.
Famously used by a ’70s producer who called it “great for bug noises.” Prove him wrong!
Two EMS Synthi-style synths strapped together in one case: six oscillators, two 16×16 pin matrices, two diode-ladder filter/oscillators, two envelope shapers, a random voltage generator, ring mods, a spring reverb and an octave filter bank. There are no menus to patch. Push a pin into a hole, and the sound goes there. Pull it out, and it stops.
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: MATRIXSYNTH Members, New Soft Synths, News
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: MATRIXSYNTH Members, New Soft Synths, News
Tuesday, October 27, 2026
Introducing the Microvolt 3901 Virtual Analog Synthesizer
video upload by Pittsburgh Modular Synthesizers
"Thanks to @getjervis for showing up in the proper tie."
Every Bit Analog
Microvolt 3901 is a component level emulation of the Pittsburgh Modular Microvolt 3900 plus a collection of classic Pittsburgh Modular Eurorack modules from throughout our history, together in one fully patchable instrument. The original instrument and Eurorack modules have been meticulously modeled at a component level to capture the warm sound and unique quirks of the original machines. Patch cables route audio and cv (control voltage) signals between modules to create unique, polyphonic sounds. Play it standalone or use it as a VST, AU, AUv3(iOS) plugin.
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: New Synths, News, Pittsburgh Modular Confluence
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: New Synths, News, Pittsburgh Modular Confluence
Monday, October 26, 2026
Beijing Modular 10/26/26 Videos
video uploads by sonicstate
Latest videos for the day. See the Modular Commune label for more.
Playlist:
1. Heisenberg Zynthian Workstation- Beijing Modular 26
Jarrod from Heisenberg told us about the OFAI Music Workstation and a handmade wooden MIDI controller.2. 30k - Nyoka - Magnetic Field Noise Generator - Beijing Modular 26
The workstation is a custom small Linux-based unit with audio outputs and MIDI. It runs open-source software from the Zynthian platform, with additional presets made by Jarrod. The hardware is a a custom development by the team, and it supports MIDI synths, plug-ins and multi-timbral sequencing.
The wooden controller works as a generic control surface and is not for sale, more just as a DIY project by Jarrod. Parameters are assigned with MIDI Learn, so knobs and buttons can control selected synth or effect parameters. In the demo, a USB MIDI cable connects the controller to the workstation. The system can run drums, hi-hats and riffs on separate tracks, and selecting a track gives access to further parameters. A MIDI latch function holds notes while parameters are adjusted.
The OFAI Workstation is sold in China for 3,700 RMB. The wooden controller is handmade and is not for sale. More Info: https://zynthian.org
Yang from 30K told us about their NYOKA Magnetic Field Noise Generator, a small experimental sound device that turns electromagnetic interference into audio control signals.3. 203 Systems - Mystrix 2 MPE Grid, Cardenza - tiny hackable music computer- Beijing Modular 26
The unit senses magnetic field signals and uses them to modulate an internal oscillator. It can also be played by touch, with fingers routing signals to different points in the circuit. The device includes multiple switches for changing operating modes, selecting oscillator or inductor output, choosing where the magnetic field signal routes, and altering routing inside the oscillator.
The unit runs from USB-C power and outputs audio via a 3.5mm TRS jack. It responds strongly to nearby power sources, with different electrical equipment producing different responses. Yang also mentioned that it works well with external reverb and delay.
The device is available for 229 RMB.
He also showed a magnetic field amplifier with 1000x gain and a small Meow Box synthesizer that produces cat sounds - I mean, why not?
Nengzhuo Cai from 203 Systems had some pretty cool units to show, first up is about Mystrix 2, a wireless MPE grid controller, and two compact music devices. Mystrix 2 is the latest generation and runs its own OS, so applications can be installed directly on the hardware without a computer.4. SPI1: Mini Multi-function Game-style Modules - Beijing Modular 26
Mystrix 2 acts as a MIDI and control-data source. It includes MPE keyboard apps, chord, arpeggiator, scale and custom scale tools, split-screen operation, an eight-track sequencer, clip mode and a mixer. The sequencer supports 16 patterns with 16 steps. It has three full-feature USB-C ports for charging, computer connection or accessory boxes, plus CV and MIDI adapters. A hidden side touch slider supports functions such as strumming.
Next up is *Cardenza, *a $20 open-source ESP32 S3 music computer with Wi-Fi, Bluetooth 5, microphone, SD card, app installation and web coding support. You can run your own programs on it, and even browse the web (assuming you can code your own browser!)
Then the NULLperator is a tiny eight-track tracker with audio I/O, TRS MIDI I/O, microphone, speaker and battery. Mystrix 2 is expected for Kickstarter at around $500, while NULLperator is expected around $300, with free iOS and Android apps available.
More Info: https://203.io/ |--------|
We spoke to Lei and the team behind *SPI1*, a compact modular music workstation built around a “micro universe” concept. They explained that the project uses a game-like interface for creating music, with visual design, touch controls and interchangeable hardware modules forming part of the workflow. SPI1 features a square-format touch bar with 12 control keys. Projects can start from blank templates or preset styles, and the system supports user-made templates. The team plans to release an SDK for third-party development, covering modules and internal software. The instrument includes a DSP synth system where timbres are organised as “plants”, with scale selection, generative music modes and four-channel pattern recording. A map-style interface contains sound machines, including chord and wave-based devices. External interaction comes through probes for wind, magnetic signals, audio signals and other inputs. The modular hardware includes interfaces such as joystick, DJ turntable, drum pad, fader and marble-based controllers. An audio sequencer module can trigger external devices and lights. SPI1 is currently a prototype, with a Kickstarter planned for spring next year. Pricing has not yet been confirmed.5. Erica Synths: Graphic Sequencer - Beijing Modular 26
Ģirts from Erica Synths gave us a look at the Graphic Sequencer a new Eurorack module currently in production.6. Theresyn - Beijing Modular 26
The Graphic Sequencer is a compact hub for sequencing and modulation. It has 10 steps (with a planned 16-step expander) plus CV and gate outputs and three modulation outputs. Those outputs support envelopes, delay-based envelope types, user-drawn multistage envelopes, LFOs, random walk, Euclidean sequencing and chord CV duties across multiple oscillators.
Magic mode changes an existing sequence in real time, with controls for note variation, octaves, density, gates and slides. Returning from that mode clears the edit buffer. The Euclidean section works with an 8-channel expander, and hits can be added manually with the encoder.
The module is expected in about a month, priced around €300.
We spoke to Nori about Theresyn, a handmade fully analogue theremin synthesizer. He explained that it uses the familiar theremin approach, with the left hand controlling amplitude and the right hand controlling pitch, but adds extra control and acoustic elements.7. PUFF Eurorack Breath Controller - Beijing Modular 26
Xin then demo'd the pressure-sensitive touch pad, which controls oscillator amplitude and can also trigger an ADSR envelope. Theresyn has two oscillators, with mixing between the theremin voice and an internal oscillator. Antenna tracking can be set to none, partial or full, allowing one oscillator to act as a drone or follow the pitch hand.
The synth also includes selectable waveforms, filter modes including low-pass, resonance, pitch-to-filter tracking and amplitude modulation of the cutoff. Its speaker system includes a front loudspeaker and rear resonating strings, with a pickup for the string output. There is no pitch quantizer, and pitch remains continuous. The pitch range can be tuned to the player's body capacitance.
Theresyn is handmade, available to order from the website, and the full version with bag costs €3,000.
More Info: https://theresyn.com/
We spoke to the team behind Puff V3 about the Puff breath controller project, which began in 2024. They explained that the current wired V2 has the same core functions as the planned V3, while the V3 moves to wireless operation.
Puff converts breath into control voltage for modular systems and synthesizers. It can control pitch, cutoff, resonance and other modulation destinations, depending on the patch. The system supports up to four CV outputs and one MIDI output. USB-C connects to a computer or laptop for MIDI, so it can control software and hardware at the same time.
The controller is held in the mouth, leaving both hands free for instruments such as guitar or piano. The team also discussed a future mouth ring or bite control for sustain-style input. The prototype is built, with release planned for June next year, and the project launches on Kickstarter.
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: 203 Systems, Beijing, Erica Synths, eurorack, Modular Commune, New Makers, New Modules, News, Nyoka, PUFF, SPI1, theremin, Theresyn, Zynthian
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: 203 Systems, Beijing, Erica Synths, eurorack, Modular Commune, New Makers, New Modules, News, Nyoka, PUFF, SPI1, theremin, Theresyn, Zynthian
Oberheim XP-1 Xpander & Xk-1 MIDI Keyboard Controller SN G50437 & Z631187
Note: links to listings are affiliate links for which the site may be compensated.
via this eBay listing
"The Oberheim Xpander (model designation XP-1) is a legendary six-voice desktop analog synthesizer released in 1984. It is widely celebrated by sound designers as one of the most flexible non-modular analog synthesizers ever constructed. By pairing rich analog audio components with an innovative digital control logic, the Xpander achieved the deep routing capabilities of a modular system without requiring any physical patch cables.
The Oberheim XK (also known as the OB-Xk) is a programmable MIDI keyboard master controller released in 1985. It does not generate any internal sounds on its own; instead, it was engineered primarily as a dedicated, rugged companion hardware controller for Oberheim’s legendary Xpander and Matrix-12 synthesizer modules.
via this eBay listing
"The Oberheim Xpander (model designation XP-1) is a legendary six-voice desktop analog synthesizer released in 1984. It is widely celebrated by sound designers as one of the most flexible non-modular analog synthesizers ever constructed. By pairing rich analog audio components with an innovative digital control logic, the Xpander achieved the deep routing capabilities of a modular system without requiring any physical patch cables.
The Oberheim XK (also known as the OB-Xk) is a programmable MIDI keyboard master controller released in 1985. It does not generate any internal sounds on its own; instead, it was engineered primarily as a dedicated, rugged companion hardware controller for Oberheim’s legendary Xpander and Matrix-12 synthesizer modules.
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Auctions, Oberheim
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Auctions, Oberheim
Friday, October 23, 2026
Inside Hans Zimmer’s £15k Modular - 50 Years of History in One Case
video upload by Starsky Carr
CHAPTERS
00:00 Demo#1 Complex Arps
03:30 The history of the Radiophonic
08:16 Demo#2 Depp and Devastating Arp
11:00 Oscillators - seven transistor core VCOs
12:19 Filters
15:12 Sound manipulation
18:15 Demo#3 2 Notes is Enough...
22:51 Modulation & control
27:41 The STARSKYPHONIC!!!
27:58 Demo#4 Trance(ish) Arps and Beats
"History, passion, provenance and love. That's the AJH Synth Radiophonic in four words.
This isn't a performance video and it isn't a patch demo - it's the story of what's actually inside this thing, where every circuit came from, and why a cabinet of 48 modules ends up feeling like one complete instrument rather than a collection of parts.
The Radiophonic was commissioned by Hans Zimmer as the centrepiece for the resurrected BBC Radiophonic Workshop, and the lineage runs a lot deeper than the wooden case and the vintage lettering. The oscillators are built around the first-version Minimoog transistor core - the ones everybody says sound the sweetest - with the thermal drift finally sorted, and Alan went back to Jim Scott, one of the original version one designers, to get them right. The filters take in the Moog transistor ladder, the diode ladder that Gene Zumchak designed for the Musonics Sonic V to sidestep Moog's patents, a dual *SEM*, and the 914 fixed filter bank from the big Moog modular systems. The ring modulator is discrete transistor EMS Synthi circuitry sitting on top of a Moog CP3 style mixer. And none of it is a straight copy - there's a wave folder here, resonance compensation there, extra CV inputs everywhere.
So: seven transistor core VCOs, two transistor ladder filters, two diode ladder filters with wave shaping, a double SEM, the 914, the Ring SM, three noise sources, a 12-stage phaser, wave shaping, Tone Science collaborations with Ian Boddy, and more envelopes, LFOs and random voltage than you'll know what to do with.
A whistle-stop tour, and still an hour's worth of talking squeezed into twenty minutes. Stay to the end for the full track - everything you hear came out of this one instrument, with drums from the AJH Bullfrog."
Wednesday, October 21, 2026
AtomoSynth Reveals Mochika X7 Analog Synth
AtomoSynth Mochika X7 | Reveal | Analog Synth Sequence & Textures (No Talking)
video upload by Atomosynth
"Hello world! A simple sequence, a lot of different textures. No talking, just the new MochikaX7. Every sound you hear comes from the synth itself: the analog square/saw oscillator, DCO, the noise oscillator, and the vactrol filter.
Available as a *Eurorack module* with an extensive patch bay, and as a *standalone desktop synth* with a 3D-printed case.
Classic analog square and saw oscillator, plus noise oscillator
Digitally controlled oscillator (DCO) with square, saw, triangle, and sine waveforms
Voltage-controlled low-pass and high-pass vactrol filter
Extensive modulation and a new modulatable onboard delay
32-step sequencer with 9 playing modes and 100-pattern memory
Sync via external clock, MIDI clock, and USB MIDI clock
18-point patch bay (9 inputs, 9 outputs)
Desktop: 255 × 145 × 83 mm, 19 V power supply included
Eurorack: 48 HP, 25 mm deep, 123 mA (+12 V), 80 mA (−12 V), 30 mA (+5 V)
🇵🇪 Designed, hand-assembled, calibrated, and tested with care in Lima, Peru by the AtomoSynth team.
đź”— *More info / availability:*
https://atomosynth.co/"
"We are proud to bring back to the world the all-time classic AtomoSynth Mochika. This new version, “X7,” represents a rebirth of the classic Mochika sound, along with extensive modulation capabilities and a new modulatable onboard delay effect.
video upload by Atomosynth
"Hello world! A simple sequence, a lot of different textures. No talking, just the new MochikaX7. Every sound you hear comes from the synth itself: the analog square/saw oscillator, DCO, the noise oscillator, and the vactrol filter.
Available as a *Eurorack module* with an extensive patch bay, and as a *standalone desktop synth* with a 3D-printed case.
Classic analog square and saw oscillator, plus noise oscillator
Digitally controlled oscillator (DCO) with square, saw, triangle, and sine waveforms
Voltage-controlled low-pass and high-pass vactrol filter
Extensive modulation and a new modulatable onboard delay
32-step sequencer with 9 playing modes and 100-pattern memory
Sync via external clock, MIDI clock, and USB MIDI clock
18-point patch bay (9 inputs, 9 outputs)
Desktop: 255 × 145 × 83 mm, 19 V power supply included
Eurorack: 48 HP, 25 mm deep, 123 mA (+12 V), 80 mA (−12 V), 30 mA (+5 V)
🇵🇪 Designed, hand-assembled, calibrated, and tested with care in Lima, Peru by the AtomoSynth team.
đź”— *More info / availability:*
https://atomosynth.co/"
"We are proud to bring back to the world the all-time classic AtomoSynth Mochika. This new version, “X7,” represents a rebirth of the classic Mochika sound, along with extensive modulation capabilities and a new modulatable onboard delay effect.
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Atomo Synth, New Synths, News
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Atomo Synth, New Synths, News
Tuesday, October 13, 2026
Getting Started: Modifying CV with attenuators and offset modules
video upload by Noise Engineering
"Control voltage doesn't always need to be used exactly as it's generated. Sometimes, making small adjustments to a CV signal is the key to getting the sound you're after.
This video is part of our Getting Started blog post:
https://noiseengineering.us/blogs/loq...
One of the most common ways to modify CV is with attenuation.
Here, an LFO is modulating one of the Blendex inputs on Toros. At full strength, the modulation is dramatic. By attenuating the LFO signal using a module like Lapsus Os, we reduce its voltage range, creating a much more subtle effect.
Next, we’ll switch Lapsus Os into bipolar mode with a flip of the channel’s switch.
And then there's offset.
Here, we're using Sinc Pr avus to add an offset to the same LFO. The modulation keeps its shape, but its entire voltage range shifts, changing where it begins and how it interacts.
Whether you're using Lapsus Os to fine-tune modulation or Sinc Pravus to shift it into a different range, modifying your control voltage gives you more expressive and precise control over your patches.
Join us on Discord! Invite link: / discord"
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: MATRIXSYNTH Members, Noise Engineering
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: MATRIXSYNTH Members, Noise Engineering
Generate & Evolve New Melodies // SHOOTING STARS from Ethereal Electronics
video upload by DivKid
"Here we have Shooting Stars from Ethereal Electronics which is a stochastic melody generator that seeds patterns then allows for lots of control over them live and on the fly. It's not-so-secret sauce is the ability to save & recall 4 of its main controls and to use transition times to morph between two sets of melodic settings. There's plenty of external control and as I think the patch examples show - there's a lot of impressive things to play around with here!"
https://etherealelectronics.nl
"Shooting Stars is a high-performance 16HP Eurorack stochastic control voltage sequencer designed for modular synthesizers. It combines intuitive hands-on control with more advanced features, allowing musicians, sound designers, and performers to create evolving melodies.
Random melody synthesis from outer spaceShooting Stars is a Eurorack CV sequencer unlike any other in modular synthesis. A musical, performance-oriented sequencer built around tactile controls, visual feedback, and generative creativity.
At the center of the interface are four aluminium encoder knobs, each paired with a LED strip that shows the value of the parameters as well as the notes. Together, these four encoders form the entire control surface: designed for expressive live interaction rather than menu diving.
Instead of programming notes step-by-step, Shooting Stars forces you to sculpt melodies organically. Turn the encoders to transform the sequence musically. Transpose melodies, expand or compress intervals, introduce rests, and create variation, all while remaining perfectly quantized and locked to the selected musical scale.
Hold and turn an encoder to access meta-parameters, allowing fast adjustment of advanced sequencing parameters including:
Transition time (for evolving melodies)
Sequence length
Quantization scale
Slew
Vibrato
Gate length
Accent behaviour
Variation amount
Intelligence (This feature will be enabled in firmware 1.1!)
Every note is represented visually as a falling shooting star across the LED sky. Pitch, gate activity, accents, and modulation states are reflected through colour and intensity, turning the sequencer into both a musical and visual instrument."
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Ethereal Electronics, eurorack, New Makers, New Modules, News
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: Ethereal Electronics, eurorack, New Makers, New Modules, News
Sunday, October 11, 2026
Beast on a Swing
video upload by davidryle
"Four tracks into Cubase from the 5U modular synth.
I am using the Maneco Labs Grone, the Dove Audio WTF vco, D502 Multi-Mode filter and the synthesizers.com Q210 Complex Noise for most of the drone noise parts.
The Synthetic Sound Labs Matrix pair through two TZVCO's and an Encore Electronics Frequency Shifter into the Modcan 73B Dual Delay is part of the opening sounds.
The middle portion is a pair of Q960 sequencers into the Grove Audio G294A LP Filter. An STG Soundlabs Voltage Mini Store is modulating the center frequency of the filter along with a very slow evolving LFO."
See dealers on the right for pricing and availability on gear.
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: 5U, Dove Audio, Grove Audio, Manecolabs, STG, synthesizers.com
PLEASE SUPPORT MATRIXSYNTH.
LABELS/MORE: 5U, Dove Audio, Grove Audio, Manecolabs, STG, synthesizers.com
Friday, October 09, 2026
MICROPHONIC: put the tube voltage back in your synths!
video upload by manmade madman
"MICROPHONIC: in the early days of electronics, analog devices were made with vacuum tubes and performed everything from logic to output amplification. The first Theremins were made with vacuum tube technology-- it was all that was available. Vacuum tubes were everywhere and in everything. But they had a flaw: they were inconsistent to manufacture, expensive to maintain, took time to warm up, generated heat, and could burn out like a lightbulb. Eventually, the world went solid state. It was cheaper, easy to maintain, and lasted longer.
But something got lost. Inside of tube mechanics were red hot voltages. As it turned out, these voltages were also somehow musical to our ears. Once the world transitioned to solid state, people started to miss the "tube sound" which was simply imperfect in a perfect way.
Meet MICROPHONIC.
See dealers on the right for pricing and availability on gear.
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Tuesday, October 06, 2026
Introducing DMNO ON — Desktop Synthesizer
video upload by UDO Audio
"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.
The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!
Soundtrack by @hazelmillsmusic"
The New UDO DMNO ON! Desktop DMNO - with George Hearn
video upload by sonicstate
"@udo_audio has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.
For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.
DMNO ONE has the same voice architecture as the keyboard."
DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: New Synths, News, UDO
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Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic
video uploads by
Playlist:
1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar
"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."
https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."
Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn
video upload by CatSynth TV
"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.
00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth
Press release follows:
"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.
Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: Cherry Audio, Gleeman, MATRIXSYNTH Members, New Soft Synths, News, Soft Synths
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Sunday, October 04, 2026
Why doesn't Digital Feedback Blow Up Like Analog?
video upload by Cinematic Laboratory
"When I posted my first Plexiphon video, I got a few comments like ‘how about Bruxa x Plexiphon’, or better, ‘how about two Bruxae x Plexiphon’.
I think I can answer that now. Bruxa is a dominating module. This simply means, whatever you patch up, Bruxa is going to demand all attention. New to modular? Bruxa is a Bruxa is a delay/filter using a crappy karaoke toy chip. Sorry, it’s the ‘lo-fi delay’ that reached a cult status in the legendary Soma Lyra-8 Orga(ni)smic Synthesizer.
And then there’s the PoliMaths vs Maths discussion. Maybe they should have called it the PolyFunction, because it’s not Maths. It’s more like a ‘polyphonic function sequencer’, where a function is nothing more than a rise and fall. A slope or envelope depending on the Coast you’re on. It’s an attack/decay shape to sculpt a sound.
In this patch, I am using Echophon – the echo – as a clock, using the clock divider output. It’s a cool example of working with limitations. There’s no clock module in this case, but any ‘repeat’ that ticks is a clock. So today it’s not a tape delay, it’s just sending blips to PoliMaths’ activation IN. PoliMaths is like an eight channel sample and hold. When a trigger comes in, the module ‘activates’ by reading all knob positions (sampling) and holding them until the next activation. The channel index will decide which of the eight channels is affected. Depending on the SPAN mode/color, the channel will either be addressable (white), rotating (yellow) or fire all (cyan blue). If you’ve updated your PM, there’s a purple mode too (binary logic).
In this patch, the eight envelopes are distributed to various effect modules like Bruxa, more Bruxa and Plexiphon. Depending on knob settings (and especially ABSORB) Bruxa can make percussive sounds with its crappy chip. So what can we do with it? We can make a drum machine that nobody else has.
The patch itself is turning my effects units into an improvised lo-fi CMOS drum machine and Plexiphon is adding a bit of reverb. Even on full strength it can’t compete with the two Bruxae.
There’s an intermezzo where I’ll patch a long loop between Echophon, Mimeophon, Bruxa 1, Bruxa 2, Plexiphon and QPAS. In plain English, it’s making a long FX chain, but the end of chain is also the beginning. A snake biting its own tail. It’s like taking ugly feedback noise, and then try to sculpt it into something that faintly sounds like music – or a score from an 80’s horror sci-fi B movie with lots of sax and violins.
I was expecting something like throwing a mentos in a bottle of Coca Cola, but it didn’t happen. Instead, a nice abstract feedback patch emerged. It turned out to be pretty civilized.
In this video I discovered that feedback patching with digital modules is very different from using analog modules. A well designed digital effect doesn’t explode, it stays clear from crashing into digital brick wall and self destruct. In fact, digital feedback patching is more like continuous sound on sound dubbing. If you’re into chaotic feedback patching, you’ll benefit from adding at least one analog module, like a Serge wavefolder, waveshaper, filter or resonant EQ – or any other brand. Just make sure it’s using real analog components and real voltage instead of coded error handlers, limiters, exceptions and guardrails. In the analog domain, chaos is only bound to the rules of Mother Nature.
The ‘crappy drum machine’ patch is decorated by a second take with Error Instruments x This Is Not Rocketscience Kharper. I am running it through dual Bruxae and Plexiphon, where the PP gets modulation from Bruxa’s mysteriously labeled CV outputs. They basically contain CV related to Bruxa’s internal chip rumble. Nothing special, but super cool as a mod-source."
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: eurorack, Make Noise
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Thursday, October 01, 2026
AnalogFX Announces Availability of Limited-Run LARYNX
AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.
Press release follows:
AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton SyrinxDEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…
By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.
Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.
Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.
Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.
Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.
Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.
On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”
Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).
For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: AnalogFX, New Synths, News
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Wednesday, September 30, 2026
NLC FM OP quick review/demo
video upload by Meska (Meska)
"Quick demo/review of the NLC FM OP oscilator
RTFM& Buildguide: https://static1.squarespace.com/stati...
Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with. You can stream my albums and EPs at https://statikwave.bandcamp.com/. If you'd like to support the channel consider buying music from bandcamp ;) Contact/booking: meskastatik@gmail.com"
via nonlinearcircuits
"This 4HP module is a thru 0 VCO using the SSI2130 chip. It is designed as an FM operator as per the concepts delivered by John Chowning, so for best results 2 or more are needed (get 6!), along with suitable EGs and mixers. The NLC Valmorification (VC EG) and 4HP Mix are intended as support modules to develop an all analogue FM system. It contains the oscillator and VCA, the EG must be patched in. The thru-0 oscillator has a good variety of controls – control voltage, frequency modulation, phase modulation and hard sync.
The module only has a sine output as per a standard FM operator, although it generally spits out some very complex waveforms. I rarely do any further processing to the signal, such as VCFs or wave folding, there is enough going on.
Before going too far, please check the size and datasheet of the SSI2130 at https://www.soundsemiconductor.com/ . It is tiny and will be extremely difficult to solder by hand, much better to use solder paste and a hot air gun or a reflow oven. Also the circuit requires quite a few unusual resistor sizes that need to be obtained from Mouser or similar. This is not a regular NLC design, where all the resistors are just 1k, 10k and 100k. There are a few other components that have never been used on NLC modules before as well, nothing particularly rare or expensive, just probably not in your stash.
Thanks to Neil Johnson of Sound Semiconductor Inc. for his support and advice in developing this module.
Assembled modules are built to order. They will be ready to ship within 4 weeks after ordering."
See dealers on the right for pricing and availability on gear.
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LABELS/MORE: eurorack, MATRIXSYNTH Members, nonlinearcircuits
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH


































