Recreating Pink Flyod's Iconic EMS Synthi AKS Sound | Voltage Labs

video upload by Voltage Labs

"In 1973, Pink Floyd released 'The Dark Side of the Moon', one of the most influential albums of all time. The track 'On the Run' is famous for its use of the Synthi AKS, a classic London-made analog synthesizer by EMS (Electronic Music Studios).

Today I’d like to show you how to recreate the iconic sequence of that track on an EMS Synthi A, then show how to program it on a Moog Mother-32, and finally how to patch it in a Eurorack system."

Sinewave Feedback FM | Make Noise Shared System

video upload by Akihiko Matsumoto

"A textural expedition into modular synthesis
This pack is a deep dive into the sonic world of Make Noise, the Asheville-based modular synthesizer company known for redefining how musicians interact with sound.
Drawing inspiration from the vision of founder Tony Rolando, who sought to create instruments that invite play, exploration, and complexity, this collection offers sounds you cannot extract from conventional DAWs or virtual synths alone.

All material was produced entirely with Make Noise modular systems, capturing their distinctive tonal character and lively unpredictability. It is designed for electronic music producers who value raw texture, voltage-driven chaos, and intricate sound design rooted in hardware.

That is 1951 oneshots and 1059 loops, each chosen for its uniqueness and modular authenticity.
This pack is not static. All purchases include free lifetime updates. Files are continuously added over time, rewarding those who support early and stay involved. If you've already bought the pack, you now have access to the latest additions at no extra cost. If not, this is a perfect moment to jump in.
Perfect for those working in experimental club music, ambient, glitch, techno, leftfield bass, or soundtracks that need something unfamiliar yet compelling.
This is not just a sample pack. It is a collection of sonic experiments born from voltage and possibility."




Make Noise Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...

CLICK FOR MORE »

Moog Sound Studio: RAW VOLTAGE Sample Pack #01

"To celebrate Bob Moog’s 92nd birthday and how much he changed the music world by giving us these amazing synths to mess with, I’m dropping a free Moog Sound Studio sample pack so everyone can play with Moog sounds today! I spent some time in my room sampling my moog sound studio: DFAM, Subharmonicon, and Labyrinth.

All samples are captured at 24-bit/48kHz as raw analog signals, leaving about 6–7dB of headroom, so you have full flexibility to compress, saturate, or distort them further in your DAW. 100% royalty-free, just drag and drop them into your project.

Hope you enjoy!"

https://sequencemode.bandcamp.com

Modulaire Maritime Essaim Quick demo/review

video upload by Meska (Meska)

"quick demo/review of Essaim by modulaire maritime, 2hp VCO build around the SSI 2130 with TZFM/PM capability

Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with. You can stream my albums and EPs at https://statikwave.bandcamp.com/. If you'd like to support the channel​ consider buying music from bandcamp ;) Contact/booking: meskastatik@gmail.com"

via Modulaire Maritime

https://www.modulaire-maritime.com/product-page/essaim-ѳ Voltage Controlled Oscillator

Provides:
'Thru-Zero' Frequency Modulation / Phase Modulation (selectable)
'SSaw' Wave (Swarm - SuperSaw) /Ramp Wave (selectable)
Sine Wave
Triangle Wave
Hard Sync
Tracks 1V/Octave thru 8 Octaves
Temperature stabilisation

CLICK FOR MORE »

Voltage Starved Compression Goodness with Hungry Thumb

video upload by Robots Are Red and Hive Mind Synthesis

"Hungry Thumb, by Modular 4 the Masses.

This is an 8-10hp Voltage Starved Compressor module with additional side chain and EQ.

Thank you to Modular 4 the Masses for providing the module for this video."

00:00 - Intro
00:45 - Demo with Kick only
06:58 - Full Drums
09:14 - Plucky Voice
12:00 - Full Mix

HungryThumb is a Eurorack adaptation of a compressor named Engineer's Thumb, typically built as a guitar effect pedal. Juanito built an Engineer's Thumb early in the tin can synth journey, naively replicating the 9V core of the circuit, and then didn't really know what to do with it.

Until they put an 808 kick drum through it. As a kick drum processor, this compressor shines brightly, especially when the Starve settings reduces the core circuitry voltage to 9V and lower. You can get even the purest 808-style kick drum signal, which will be mostly a sine wave, to crunch, clip, gate, fizz and fold. Do you need hardstyle kicks in your modular? This can get you there.

The Engineer's Thumb this circuit is based on uses an LM13700 OTA chip as the adjustable gain portion. These chips are a bit noisy, so an innovation of Engineer's Thumb was to put the gain section in an op amp inverting feedback loop, meaning while the compressor is set to its highest gain, the OTA is set to its lowest gain, and will theoretically be creating less noise. The theory checks out, but I'm not sure how much we Eurorack people care about noise floor.

CLICK FOR MORE »

Bitweaver demo: fully analog per-bit modulation

video upload by Finegear

"Bitweaver is an 8-bit fully analog bit-crusher that sounds warm, squelchy, fuzzy, and rich. One reason is in the circuit: its ADC and DAC are built from discrete op-amps, transistors, resistors and capacitors, and the inherent imperfections of converting and reconstructing the audio signal add a squelchy character to the sound. Another source of this machine's distinctive sound texture is that Bitweaver computes bits continuously, with no sampling clock, flipping whenever the signal crosses a threshold.

Each of the 8 bits is then yours to play with, from the Most to the Least important: turn it on or off, invert it, replace it with a CV signal, or override it with the value of another bit. All bit manipulations stay harmonically related to the incoming signal, expressing the unit’s wave-shaping abilities.

From sub-audio tremolo to classic bit-crusher grit, three distinct sonic territories open up depending on where you place the sample-and-hold stage (an analog take on sample rate reduction): before the bit engine, after it, or bypassed entirely.

Bitweaver invites producers, performers, artists and musicians to a new kind of analog destruction: harmonically rich, voltage-controllable down to the single bit, and ready to meet you from the desktop or the eurorack.

For this first video-demo, we are showing Bitweaver in a playground of noisy beats. A drum-machine is sent to the Bitweaver, which comes to “crush” the mix into a warm sauce on one of the sends, sometimes joined by an extra fuzz pedal before it. (For those of you who heard it at Superbooth first, please enjoy the …clean sound!)"

Koma Elektronik Haloplane | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"KOMA Elektronik’s Haloplane is one of the most unusual instruments unveiled around Superbooth 2026, translating the company’s experimental electromagnetic playing concept into a new digital instrument built around micro-loop sampling and wavetable synthesis. Developed together with Passpartout Duo, the expressive tabletop device replaces traditional keys and pads with playable electromagnetic fields, positioning Haloplane somewhere between a synthesizer, performance interface and sound sculpture."

Superbooth 2026 Highlights | Voltage Labs

video upload by Voltage Labs

"This year at Superbooth, we found some seriously inspiring instruments - here are a few of our highlights. Soma showed one of the most forward-thinking instruments we came across, with a truly unique interface. Richie Hawtin and Erica Synths introduced the latest Bullfrog edition: Drums.
Buchla also caught our attention with Ziggy a compact new take on their iconic West Coast sound.
Polyend is aiming high with their new analog-digital hybrid drum machine, possibly their most ambitious project yet. And one of the most fascinating discoveries for us was Tembo: a wooden drum synthesizer that looks beautiful and sounds unlike anything else.

Interesting bits and pieces:
00:00 Intro
00:17 Buchla Ziggy
02:00 Soma Enigma
03:00 Superbooth & Schwarzmann (Live)
04:00 Erica Synth x Richie Hawtin´s Bullfrog
07:00 Polyend Drums
08:20 Tembo"

Soma Enigma | Superbooth 2026 | Voltage Labs

video upload by Voltage Labs

"As always, SOMA continues to push a genuinely forward-thinking approach to instrument design.

With ENIGMA, traditional control disappears. No keys, no knobs, no obvious interface. Sound is shaped through the position and movement of metallic objects placed directly on its surface, turning physical interaction into sonic exploration.

What makes it compelling isn’t just the concept, but the mindset behind it: Playfulness meets precision. Randomness meets intention. Experimentation becomes composition. Rather than asking you to perform, ENIGMA invites you to listen, react, and discover.

One of the most inspiring instruments we came across this year."

BUCHLA Ziggy Sound DEMO & Walkthrough — Superbooth 2026

video upload by Hispasonic

"At Superbooth 2026, Buchla unveils Ziggy: their most portable and accessible analog desktop synthesizer to date. Filmed at the Buchla booth in Berlin, this video walks through the instrument's main features and includes a full sound demo.

Ziggy distills the DNA of classic Buchla instruments into a compact, immediately playable format: complex oscillator, modulation oscillator, Cycler (envelope + pulser, à la 208c), lowpass gate and a stereo digital effects section with a brand-new ping pong delay. All modulation routing — normally done with patch cables on a Buchla — is handled through flexible assignments from the panel and the oscilloscope screen.

KEY FEATURES
Fully analog signal path + digital stereo effects True analog bypass (voltage divider) when dry is at zero "Programs" designed as a starting point, not as closed presets Fader quantization to scales (pentatonic minor, etc.) Oscilloscope screen doubles as the programming and mod-assignment display

CONNECTIVITY
USB-C (power + MIDI) plus a second USB-C dedicated to power 3.5 mm TRS Type A MIDI and 5-pin DIN MIDI
Eurorack patch points: gate, modulation, pressure and 1V/oct
Aux audio input and stereo outputs

PRICE AND AVAILABILITY
$999 street price. Available for pre-order, first units expected late summer / early fall 2026"

FLOW 3 | Auto-Dynamic Filter | Quick Overview

video upload by Joranalogue Audio Design

"Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state-variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range."

0:00 intro
3:00 filter sweeps
5:32 quadrature sine VCO
6:20 spectrum splitter
8:15 auto filter
10:52 sine LFO
12:01 pinged percussion
14:00 decay envelope
14:40 envelope follower
16:05 outro

Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs. Core integrator saturation provides for a sound that’s clean, yet distinctive.

The resonance response is exceptionally smooth—and it can easily reach self-oscillation. In this mode, temperature-compensation and exact calibration make Flow 3 a reliable quadrature sine/cosine oscillator with tight pitch tracking.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range. Either fire decay envelopes from external triggers, or flip it to auto mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

CLICK FOR MORE »

Buchla 259e Bongo | 160 BPM

video upload by Akihiko Matsumoto

"Don Buchla’s electronic instruments can be understood as musical tools and as environments for exploration. They allow performers to play in a physical and expressive way, yet they also invite a method of working that resembles research into the behavior of voltage and timbre.
Buchla did not follow the conventions of keyboard based instruments. Instead he created systems in which sound could be shaped through touch sensitive controls, complex modulation, and freely arranged signal paths. As a result, each patch becomes both a performance setup and a place to investigate how tones, noise sources, control voltages and modulation can interact within an electronic space."

Drum: Breakbeat Anthology Sample Pack https://akihikomatsumoto.sellfy.store...
Recordings: https://akihikomatsumoto.sellfy.store...

Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

NINA Macro Oscillator Mode - BRAIDS Update! Demo and deep dive with THE UNPERSON video upload by Melbourne Instruments

"The powerful new Macro Oscillator Mode firmware update for Melbourne Instruments' motorised polysynth, NINA, has arrived. This new update adds 45 synthesis waveform models using open-source code from Émilie Gillet’s Mutable Instruments Braids, one of the most celebrated Eurorack synth modules.

This new mode massively expands Nina's sonic capabilities, unlocking a new world of synthesis, from classic analog textures to cutting-edge digital experimentation. Powered by Nina’s innovative architecture, the new Macro Oscillator Mode delivers an incredibly versatile hands-on sound design experience unlike any other.

In this video Melbourne Instruments collaborator THE UNPERSON takes a deep dive into Macro Mode, exploring some of the Macro Oscillator models, and demonstrates just some of the 60 new presets created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:11 Intro - about this update
0:02:31 Oscillator Models
0:06:02 Preset previews - Untitled Unperson Patch
0:07:13 Spectral Whips
0:07:37 Trance Lead
0:08:10 Bulk Carrier
0:08:50 VHS Error
0:09:09 Chords
0:09:53 Talkback
0:10:11 Sweeping Horizon
0:10:55 Arp DRM
0:11:23 Toy Crush

To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

2nd video followed by the press release:

NINA Macro Oscillator Mode — 12 polyphonic voices of BRAIDS! Macro Presets audio demo with PROTOVOLT

video upload by Melbourne Instruments

"In this video, Sound Designer PROTOVOLT demonstrates a selection of the 20 new presets he created for this update, exploring the sonic possibilities of the new Macro Oscillator.

0:00:20 Xenomorph
0:01:02 String Theory
0:01:40 Zero Space
0:02:28 Harpsichon
0:02:58 Dark Matter
0:03:41 Supernova
0:03:58 Nucleus
0:04:38 Flux
0:05:09 Datablade
0:05:38 Retsu
0:06:04 Event Horizon


To support this update there is a new bank of 60 Macro Presets, designed by Protovolt, Tom Hall and James Terris. Available to download now: https://www.melbourneinstruments.com/..."

Press release follows:


Melbourne Instruments brings Braids engine to desktop NINA analogue polysynth

“NINA has always been an absolute powerhouse of a synth, but this update is insane; OSC 3 gives you 45 Braids macros across 12 voices, plus its massive mod matrix — the range of sounds and textures you can create now knows no bounds.”

- Musician/sound designer PROTOVOLT, 2026

MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to bring Mutable Instruments’ Braids engine — Emilie Gillet’s celebrated open-source macro oscillator — to its desktop NINA analogue polysynth, as of April 30…

Available as a free firmware update, all 45 Braids synthesis models run across NINA’s 12 true polyphonic voices, each shaped by a dedicated overdrive-able analogue filter. Ultimately, users can now layer Braids and analogue VCOs (Voltage Controlled Oscillators) across four multitimbral parts, morph between presets, and sequence everything.

Duly described by Mutable Instruments as a macro oscillator, Braids was a mono Eurorack module: one voice, no internal filter, and no modulation routing. It is now something else entirely on NINA, itself described as the world’s first motorised polysynth. Put it this way: when switching layers, the motorised knobs snap to new positions; morph between patches and they sweep in real time. Meanwhile, modulation routings are all visible on the panel from the moment they are selected. Surely Braids has never been this hands-on.

Digging deeper, each waveform model is shaped by two expressive parameters — Timbre and Color — adapted from the original Braids module. More meaningfully, these controls affect multiple tonal dimensions simultaneously, producing complex, evolving, and musically responsive sounds. Spanning analogue VCO emulation, vowel and formant synthesis, 2-operator FM, physical modelling of strings and wind instruments, wavetable synthesis with smooth interpolation, granular synthesis, and electronic drum simulation, the 45 models evidently elevate NINA to a new level, further cementing itself as a premium analogue polysynth powerhouse for experimental, generative, analogue, and digital synthesis.

Says musician/sound designer James Terris, ending on a high note: “I’ve always described NINA as a beautiful beast — analogue oscillators paired with its super-fat and driven analogue filter make it beastly! But while the existing wavetable oscillator adds a crystal sheen that provides a beauty, the new macro oscillator models expand this tremendously. Indeed, it can go from delicate FM, Karplus-Strong, and even vocal formant textures straight into swarming, stacked super-waves. With this update, it feels like an instant NINA ‘MK-2’!”

Excluding taxes applicable to the territory concerned, NINA is presently priced at $3,299.00 USD in North America; €3,165.00 EUR in the EU; £2,835.00 GBP in the UK; and $3,499.00 USD in Japan, while it is presently priced in Australia at $4,995.00 AU, including GST (Goods and Services Tax) — all via Melbourne Instruments’ growing global network of dealers.

For more in-depth information, please visit the dedicated NINA webpage here: https://www.melbourneinstruments.com/nina

The new NINA MACRO OSC UPDATE firmware is downloadable for free from here: https://www.melbourneinstruments.com/support#nina

Coinciding with the new NINA MACRO OSC UPDATE firmware release, owners of the world’s first motorised polysynth can also download 60 new presets for free from here: https://www.melbourneinstruments.com/presets#nina

Future Sound Systems ENV1 CFG

Future Sound Systems ENV1 CFG Percussion Demo
video upload by Future Sound Systems

Additional demos below.

"What happens if we pair an ENV1 Cyclical Function Generator module with our FIL4 Timbral Sculptor, the super-flexible Westlicht Performer sequencer and a slinky Eventide Space reverb? Watch this video and find out - it's a ton of fun.

2:17 - a basic kick
4:13 - using the Loop input
5:30 - extra modulation from the CFG
6:22 - modulating the modulation
7:48 - wavefolding the kick
8:54 - more sequencing

CLICK FOR MORE »

GreyScale-HyperPulse #duos #cs10 | Phase5

video upload by plantssystem

"GreyScale releases 'HyperPulse' — a raw pulse forged by Duos and the Yamaha CS‑10.
Minimal voltage shifts collide with tight rhythmic logic, creating a pulse that keeps mutating in real time. A single line of energy, pushed into overdrive."

GreyScale - Phase5 "The boundary where everything loses its color.

The GreyScale project, Chapter 5 (Phase 5), has finally begun.

'GreyScale - Phase 5'

A soundscape constructed more deeply and meticulously through the previous phases.

We have poured the emotions that are losing their form, and the truth that lies beyond, into the sound. We were able to reach Phase 5 thanks to all of you who always listen.

Please enjoy the expansive world of sound that fills every corner, using headphones or speakers.

---

すべてが色を失う境界線。

GreyScaleプロジェクト、第5章（Phase5）がついに始動。

「GreyScale - Phase5」

これまでのフェーズを経て、より深く、より緻密に構築されたサウンドスケープ。

---

形を失いゆく感情と、その先にある真実を音に込めました。Phase5まで辿り着けたのは、いつも聴いてくださる皆さんのおかげです。

ぜひ、ヘッドフォンやスピーカーで、隅々まで広がる音の世界を楽しんでください。"

Befaco Introduces Iroi Stereo Effects Processor Eurorack Module

video upload by Befacosynth

"A Shortcut for Atmospheric Processing
Iroi is a compact, 18 HP stereo effects powerhouse designed to turn any external signal into a deep, evolving soundscape. It inherits the sophisticated processing chain of its predecessor, Oneiroi. Combines a unique signal chain composed of a multimode filter, a VCA, a unique character resonator, a versatile delay, and an experimental Reverb. The filter - VCA act like a block that can be placed at any point on the signal chain"

Atmospheric FX Processing in Eurorack // IROI from BEFACO

video upload by DivKid and Befacosynth

"Here's Iroi from Befaco, which is the right hand side of Oneiroi standing alone at 18HP as a stereo atmospheric sound FX processor for Eurorack. There's improvements made and more processing headroom with Iroi and it offers stereo multimode filter, 3 band resonator, 2 tape delay and ambience reverb and reverse FX. Lots of CV, on board modulation and randomisation."

Press release follows:

"BEFACO's NEW MODULE: IROI

The Oneiroi, in Greek mythology, were dark-winged spirits of the night who emerged to bring dreams and nightmares to mortals. Our ambient synthesizer, Oneiroi, takes its name from them, evoking that shifting, dreamlike realm of sound.

​IROI is derived from 'Oneiroi' and carries that same essence forward, distilling it into something more compact and open to external signals, while preserving its cinematic feel that connects us to the world of dreams and the unknown.

What is IROI?

IROI is a stereo effects module based on the right half of the original Oneiroi. It applies Oneiroi’s sonic character to external sources in a more compact format, while incorporating subtle improvements developed throughout the Oneiroi project. Designed to shape, transform, and immerse sound, Iroi carries forward the dreamlike essence of its predecessor into a dedicated effects processor.

Audio Core: Powered by OWL mk3, featuring 24-bit 48 kHz stereo audio resolution (with 32-bit internal processing) and a full stereo signal path.

Filter: Multimode filter offering low-pass, band-pass, high-pass, and comb filtering, with flexible positioning within the effects chain.

Digital VCA.

Resonator: Three-band resonator with dedicated tune and feedback controls.

Delay: Two-tap echo (delay) with adjustable time and density.

Reverb: Comprehensive reverb effect with macro control over size, filtering, and direction.

Modulation: Various types of self-modulation, offering configurable routing and control over level and speed.

Control Voltage (CV): CV inputs for all primary parameters. Four of these inputs are dynamically assignable to secondary parameters.

Synchronization: External sync input supports clock speeds from 30 BPM to 300 BPM.

Randomization: Powerful randomizer with a flexible mapping system, including undo/redo functionality.

IROI is set to be released on April 30th, 2026 and the launching price will be 275€ (assembled version) and 210€ (DIY Kit).

Find us at Superbooth 2026, in BoothZ180 to see IROI live and take a peek at our upcoming products, we're pretty sure you'll love them."

RYK TimeSlice Looper Module New Firmware V1.2 - sound demos and technique tutorials

video upload by RYK Modular

"The New V1.2 Time Slice firmware unleashes some super cool new features including Polyphonic sample playback, Autoslice + Slice marker editing, Morphagene Reels support, and some funky quantised trigger input and output options amongst others . . .

NEW FEATURES LIST:

CLICK FOR MORE »

Tandberg instrumentation recorder controlling a synthesizer

video upload by A Radiophonic Shed

"This Tandberg Series 115 instrumentation recorder is a scientific logging device from the 1970s.
Voltage changes detected from scientific instruments are recorded as frequency-modulated signals to four separate tracks on ¼" magnetic tape. When the tape is played back for analysis, those same voltages can be examined - replaying the experiment.
Here we have recorded 1V/octave pitch voltages from a keyboard, and now we're replaying those same voltages into a modular synthesizer - all the sound is coming live from the synthesizer, it isn't an audio tape recording.

More details: https://shedsynth.wordpress.com/2026/..."

And a short video featuring the Tandberg as a VCO along with a full view of the front:

Tandberg 115 as a VCO – electronic music from old test equipment

video upload by A Radiophonic Shed

Mood swinger synthesiser

video upload by errorinstruments paul tas

Testing mood swinger with the sequencer

video upload by errorinstruments paul tas

Update:

Mood swinger synthesizer how to use

video upload by errorinstruments paul tas


Mood Swinger — Drone FM Emotion Synthesizer

A voltage-controlled experimental instrument designed to play emotion as sound. The Mood Swinger merges FM drone synthesis with tactile performance controls, letting you sculpt evolving soundscapes that shift between love, pain, happiness, and anger.

At the center is a gamepad-inspired joystick interface, allowing expressive, real-time modulation of complex drone layers. A built-in light-sensitive sensor reacts to environmental changes, adding organic movement and unpredictability to the sound.

The system generates cross-modulated frequencies and evolving textures, blending harmonic warmth with harsh dissonance. Push the controls far enough, and the gate opens, unleashing intense, unstable sonic states.

Features:

* FM-based drone engine with deep modulation
* Emotional state switching: Pain / Happy / Anger / Love
* Joystick controller for expressive performance
* Light sensor for reactive sound modulation
* Full CV control (Eurorack compatible)
* Works as both standalone instrument and modular system component
* Integrates with sequencers, LFOs, and external CV sources

This isn’t just a synthesizer—it’s a performance instrument for emotional exploration, where tension and harmony continuously collide.

The GS Music Bree 6 Keyboard Synthesizer: Super cute and super fat!!!

video upload by Matt Johnson’s Keyspace

See dealers on the right as well as https://www.gsmusic.com/synth-store for availability and price.

"The Bree 6 will surprise you with its massive sound! I would take this over a vintage Juno anyday!"

Matt Johnson GS Music demos

And one from Starsky Carr:

Analog Done Right // GS Music Bree 6 Keyboard

video upload by Starsky Carr

"In this in-depth demo and review, we explore the GS MUSIC Bree 6 keyboard — a 6-voice VCO-based analog synthesizer with a fully analog signal path, built-in chorus, delay, arpeggiator, and sequencer. If you love that vintage-meets-modern sound, this one might surprise you.

From raw oscillator tones to lush stereo pads and punchy basses, I break down what makes this synth special — including its unique double/triple arpeggiator modes, MPE compatibility, and rich, characterful sound that sits somewhere between classic Roland-style synths and something entirely new.

If you’re into synths like the Roland Jupiter-8 or Roland Juno-106, this is one you’ll want to hear.

🔍 What’s Covered
Sound demo (full track made entirely on the Bree 6)
Oscillator section: saw, pulse, sub oscillator
24dB analog low-pass filter with resonance & key tracking
Dual ADSR envelopes & fast modulation
Voice modes: poly, mono, unison & stereo spread
Built-in chorus & analog-style delay
Unique arpeggiator (double & triple note modes)
Sequencer workflow & performance features
MPE support & expressive control

🎛️ This isn’t just another vintage clone. The Bree 6 blends:

Raw VCO tone with modern reliability
Hands-on workflow (minimal menu diving)
A distinct character that feels alive and immediate
A surprising amount of depth for a single-oscillator synth
🎧 Who Is This For?
Analog synth lovers
Producers looking for fat, mix-ready tones
Fans of classic Roland-style sound with modern features
Anyone wanting a hands-on, inspiring instrument"


via GS Music

The day has arrived

We’re proud to present the Bree6 Keyboard, our first synthesizer with an integrated keyboard, designed and produced in Argentina for the world. 💙

Built on a six-voice analog architecture, it delivers a powerful and expressive sound engine capable of everything from solid basses and leads to rich, evolving pads. Now expanded with a built-in sequencer and advanced arpeggiator, it becomes a complete performance and composition tool.

With its one-knob-per-function interface, semi-weighted keybed with velocity and aftertouch, and fully analog signal path, the Bree6 Keyboard is designed for immediate, hands-on control—no menu diving.
Immediate Control. No Menu Diving.

The Bree6 Keyboard version is designed to deliver an immediate and intuitive hands-on experience, eliminating the need for deep menu navigation. Its interface follows a one-knob-per-function philosophy, providing direct access to all key parameters for fast and precise sound shaping.

CLICK FOR MORE »