Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

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Love Synthesizers First Love interview and sounds superbooth 26

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Love Instruments first love interview and sounds at superbooth 26

First Love is a desktop 4-part multi-timbral FM Synthesizer with deep FM editing and waveshaping options. FM synthesis doesn’t always have to be DX-7-style. Love Synthesizers proves this.

Instead of dragging the user into the next operator nightmare, they’ve developed their own playful concept consisting of a 7-inch touchscreen, knobs, and buttons. This is supported by a colorful user interface that tries to enhance this new FM synthesis experience

For example, to create FM, you swipe one oscillator to another with your finger, and so on. At Superbooth 2026, the developers, including founder Kári Halldórsson, showcased the progress they have made over the past few months.

This includes a finished sound engine featuring four polyphonic FM synthesizers, a dedicated onboard FX engine with reverb, delay, chorus, and freezer per part, and the now-implemented 'The Playground'.

website https://www.lovesynthesizers.com/"

See the Love Synthesizers label below for addtional posts.

LARKING — Quantized Ambient Drone Instrument

video upload by recoverysounds

www.recoveryeffects.com

"Larking is a 4 voice ambient drone synthesizer that redefines what a playable synth can be. Pitch is quantized, with each voice locking to a selectable key and one of eight musical modes for consistent harmonic control.

A standalone instrument for immediate tactile performance and tonal exploration, Larking functions as a sound design tool, performance instrument, or central voice in effects based setups. It integrates easily into pedalboard systems and complex signal chains.

Without traditional keys, it shifts focus from fixed patterns to guided harmonic discovery. Voices can be triggered via onboard controls, gate inputs, or MIDI, supporting hands on playing, modular systems, and sequencing.

Each voice features independent pitch control that snaps to scale degrees, enabling open ended melodic movement within a stable musical framework.

At its core is a morphing tonal engine. The Shape control moves each voice from a warm sine like foundation into harmonic saturation with analog style overtones, grit, and complexity, delivering a deep resonant low end with strong weight and bass response. Attack and Decay shape voice response from percussive rhythmic strikes to slow evolving swells that dissolve into space.

A global LFO modulates pitch across all voices, from subtle drift to extreme instability. Onboard reverb expands everything into a deep spatial field and atmospheric wash. The result is an instrument between a melodic synth, drone machine, and experimental performance tool, grounded in musical structure and open to pitch based exploration."

Modulate the modulations to expand your sound design with Magnolia!

video upload by Frap Tools

"Today we want to transfer a classic 'modular' approach to Magnolia. In most keyboard synths, modulation sources like envelopes or velocity work directly over the sound parameters. However, Magnolia allows you to modulate even the modulation parameters themselves, which is a "patching" style very common in the modular synthesizer world. This video demonstrates a nested modulation that goes up to the fourth degree: the velocity modulates the envelope times, which modulate an LFO, which modulates another LFO, which modulates the cutoff frequency. The result is a very lively and animated patch, even with a simple sound."

00:00 Introduction
00:30 First modulation: LFO 1 over the cutoff frequency
01:53 Second modulation: LFO 2 over LFO 1 amp
03:46 Third modulation: Envelope over LFO 2 amp
05:04 Fourth modulation: Velocity over envelope decay time
06:00 Final touch
07:43 Closing remarks

Kawai K5000 — The Legendary Additive Synthesizer From The 90s

video upload by RetroSound

"Welcome to this demo of the legendary Kawai K5000 — one of the most advanced and unique digital synthesizers of the 1990s.

Released by Kawai Musical Instruments in 1996, the K5000 series became famous for bringing true additive synthesis into a hardware synthesizer with an incredibly deep sound engine and expressive realtime control.

Unlike traditional subtractive synths, the K5000 builds sounds from up to 128 individual harmonics, allowing for evolving textures, shimmering pads, vocal-like formants, metallic atmospheres, and complex cinematic soundscapes that still sound futuristic today.

One of its most iconic features is the powerful formant filter, capable of creating animated spectral movement and organic vocal-style timbres rarely heard in hardware synthesizers.

The K5000 was available in several versions including the K5000S, K5000R, and K5000W workstation, and over the years it has gained cult status among ambient artists, soundtrack composers, experimental musicians, and lovers of deep digital synthesis.

In this video you’ll hear original patches, evolving additive textures, classic 90s digital atmospheres and some factory demo and promotion tracks made the K5000 one of the most underrated synthesizers ever created.
I used the K5000 in the years 1998 - 2010."

Puremagnetik Etches | Getting Started

video uploads by Puremagnetik

"Etches Tutorial Series — Playlist Summary

A six-part walkthrough of Etches, covering every control on the instrument and how the sections work together. Watch in order if you're starting out, or jump to a specific video to reference a particular feature.

Etches is a touch-controlled synthesizer with FM oscillator, tape-style delay, stereo reverb, and an 160-second recorder. The series moves from setup through performance: power and calibration first, then articulation, sound design, effects, tuning, and finally the recorder.

**What's covered across the series:**

1. **Getting Started** — Power, stereo output, how the touch-resistive pads respond, SWELL as volume control, and calibrating SENS to your environment.

2. **The Articulation Pads** — STAC for plucked envelopes, DRIVE as combined overdrive and FM intensifier, INVERSE for parameter drift across seven destinations.

3. **The Oscillator** — FM synthesis basics, EDGE waveshape morphing, CYCLE for pluck character, and the FLUX/ORBIT pair that controls FM depth and rate.

4. **Effects** — Tape-style delay with self-oscillation, stereo reverb (SUSTAIN, FORM, WALLS), and the default signal flow through the instrument.

5. **Tuning** — ROOT for tonic, SCALE for quantization across twelve built-in scales, INDEX/SHIFT for ±4 octaves of transposition.

6. **The Recorder** — Splices vs. loops, REC and OVERDUB, the START/END loop window, TRAVEL as LFO modulation of loop points, SCROLL between splices, BLEND and SPEED, and the two routing modes.

By the end of the series, you'll have a working understanding of every knob and pad on Etches and how to combine them into musical gestures and full pieces.

#etches #synthesizer #ambientmusic #fmsynthesis #tutorial"

Redshift 6 DCO First Look — Supercritical’s Wild New Analog DCO feature

video upload by FutureMusic.es

"Recorded at Superbooth Berlin 2026, this video takes a closer look at the Supercritical Redshift 6, one of the most original analog synth designs on the show floor. The Redshift 6 is a six-voice desktop synthesizer built around Supercritical’s Demon Core technology, with each voice using a digitally controlled analog oscillator architecture that can generate up to 16 simultaneous analog oscillators per voice.

What makes this instrument stand out is Supercritical’s MDCO concept, or Multiperiod Digitally Controlled Oscillator, which goes beyond the usual idea of a classic DCO by allowing multiple analog waves with pitch and phase control from a single analog oscillator core. In practice, that gives the Redshift 6 a huge sonic range, from vintage-style poly textures and wide supersaw stacks to flanging, phase-based movement, and dense unison sounds across a fully analog dry signal path.

In this Superbooth 2026 video, we explore the synth’s sound, interface, and performance potential, while talking through the features that make it one of the most forward-thinking hybrid-controlled analog instruments available today. With six voices, an analog 4-pole multimode filter, and a design that can evolve through firmware-based engine expansion, the Redshift 6 is aimed at producers and sound designers who want a modern polysynth with a distinctive technical identity.

If you are into advanced synthesis, bold analog tone, and new approaches to oscillator design, this is one of the most interesting synthesizers to watch from Superbooth Berlin 2026."

New COMPAX Desktop Synth from Majella Audio

It is here: COMPAX! 🚀

The little brother of IMPLEXUS.

This is the first prototype that will be shown at superbooth! (w485). Come have a look and try it out youserlf Release : TBD.

and from SYNTHTOPIA:

"The Majella Compax is a compact, semi-modular desktop synthesizer incorporating core West Coast synthesis elements, derived from its larger sibling, the Implexus.

Features:

Patchable semi-modular architecture
Complex oscillator with a continuously variable waveform
Wavefolder section provides West Coast-style harmonic shaping
Modulation control includes LFO, dual envelope generators, and a sequencer
The Compax includes an LFO with five waveform options and external clock sync capability.
20 patch points"

Haken Slim 21 - SuperBooth 26 - Stromkult

video upload by Stromkult

"The Slim 21 is the latest evolution of the Continuum Fingerboard family from Haken Audio — the pioneers behind MPE+, the EaganMatrix Sound Engine, and the Osmose synthesizer. As their most portable offering yet, it carries forward Haken's mission of giving musicians acoustic-style responsiveness in an electronic instrument."

SONICWARE Introduces deconstruct MINIMAL | Hypnotic Groove Machine — LESS IS MORE

Playlist:

1. deconstruct MINIMAL | Hypnotic Groove Machine — LESS IS MORE - SONICWARE
2. deconstruct MINIMAL | Hypnotic Groove Machine [Official Demo Jam] - SONICWARE
3. Sonicware deconstruct MINIMAL - Factory Patterns (no talking) - Bonedo Synthesizers
4. SONICWARE deconstruct MINIMAL: Ambient Techno Jam - Freaky Tweaky
5. Sonicware deconstruct MINIMAL - Sound Demo (no talking) with custom patterns for Electronic Music - Limbic Bits




"The deconstruct series has arrived — redefining musical structure.
Limited introductory offer: $299 for the first 1,000 units. [see dealers on the right]

deconstruct MINIMAL is a groovebox combining a sampler-integrated drum machine and analog-modeling bass synthesizer, built for the hypnotic grooves of minimal techno and minimal house.

● Legendary Groove DNA
● Deep 10-Track Drum Machine
● Sonic Expansion Sampler
● Elastic Bass Synth
● Live-Boosting Effects

● Legendary Groove DNA

Built on the rhythmic and pitch drift of the legendary drum machines — designed to create hypnotic minimal grooves

● Deep 10-Track Drum Machine

Intuitive, deep groove editing with fully per-track accents, random velocity, swing, sub-steps, and phrase rotation

● Sonic Expansion Sampler

Drum machine–integrated 4-track sampler with a 4-bar loop track — beyond drums through textures and phrases

● Elastic Bass Synth

Fluid analog-modeling bass synth delivering acid bass lines and driving techno leads

● Live-Boosting Effects

Live-focused real-time effects for dynamic groove control and performance intensity

Specifications
Drum machine with sampler and bass synthesizer featuring 11-track construction

[Drum Machine]
• Recreates the distinctive groove of legendary drum machines, shaped by subtle rhythmic and pitch drift
• 9 tracks
• 16 drum kits
• Instruments: 10 banks - 130 sounds
• Sample-based engine with dedicated edit parameters for each bank
• BD1 and SD each feature dedicated synthesis engines
• HH recreates the characteristic sound variations of analog drum machines
• Diverse groove edits: Accent, random velocity, swing, sub-steps, etc. can be set per track
• Supports real-time recording via pads, alongside fast step input
• Equipped with an isolator for bold boosts/cuts and delicate tonal adjustment

[Sampler]
• Supports sample import/export and sampling via LINE IN or USB
• 4 tracks: sample selection on drum machine tracks 7–9, plus dedicated loop track 10
• Preset samples: 3 banks - 48 sounds
Track 7–9

CLICK FOR MORE »

TBD 16 teaser #superbooth26 #dadamachines #tbd16 #dsp #esp32 #groovebox #electronicmusic #synth

video upload by dadamachines

"Get ready for Superbooth 26! 🚀

Here's a sneak peek at the TBD 16 from https://dadamachines.com/ , a powerful new DSP-based groovebox and synthesizer powered by ESP32.

Come see us at Booth Z385 to see the TBD 16 in action. You won't want to miss this!"

CLICK FOR MORE »

Meet Ziggy, the new desktop instrument from Buchla!

video upload by Buchla

"Meet the Buchla Ziggy - a new instrument formed around the famous Buchla “complex oscillator.” With a new, “unpatched” instrument experience, Ziggy offers quick, gestural means of assigning modulation and composing music. Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an “instrument” rather than a “synthesizer.”

All sounds in the video were made with the Ziggy!

Learn more and preorder yours now at Buchla.com, a Buchla dealer, or Kickstarter!"

Update: additional pics via Perfect Circuit added below.

What is Ziggy?

The Buchla Ziggy is a new instrument formed around the famous Buchla “complex oscillator.” With a new, “unpatched” instrument experience, Ziggy offers quick, gestural means of assigning modulation and composing music. Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an “instrument” rather than a “synthesizer.” Ziggy modernizes and simplifies a familiar Buchla tradition: composing music in a style of synthesis often associated with the western coast of America. Like any musical instrument, it can be played on its own, crafting sequences and sounds from its unique arrangement of controls. It pairs very nicely with a portable keyboard like the Buchla LEM218, but It also plays with a large range of third-party devices and DAWs through MIDI, USB, and 1v/octave CV.

There are a number of unique ways to shape your sounds internally and externally. The Cycler is an original modulation source that acts like the combination of a clock, envelope generator, LFO and random generator. With it, you can modulate pitch and timbre and/or trigger the gate envelopes. Other modulation sources include an “extra” slow LFO and external MIDI control. Rather than using cumbersome patchcords, modulation is assigned with switch selection and dialed in with the encoder or its own associated sliders.The modulation oscillator acts as the primary modulation source at low frequency or audio rates to modulate the Complex Oscillator with AM or FM modulation, and is often blended as a second sound source. The Envelope for the Low Pass Gate (a combination amplifier/filter) can be shaped by selecting common envelopes and manipulated in time and amount, rather than attack, decay, sustain, release.

Creatively, it is easy to quickly make music and design sounds with Ziggy. Assigning modulation to different parameters is made with simple gestures of holding buttons and moving sliders. Surprise is certain, with a source of “uncertainty” available for the Cycler’s attributes. Sounds are easily saved with the simple preset system. Glowing LEDs indicate assignments and modulations. Its unique analog sounds are sure to delight and entertain. Special chaotic modulators can be accessed from the menus, driving the sounds in unusual ways. Scales and alternate tunings expand your musical universe while pitch sliders can be quantized to scales to make them melodically playable

Musically, Ziggy is versatile. With two analog oscillators, multiple modulators, a variety of tunings, envelopes, and wavefolding and shaping, there’s a variety of sounds to be made. While Buchla is often associated with the purely experimental, there’s strange strings, wonderful drums, exotic leads, plucky percussions, and deeply felt basses that can be synthesized from Ziggy.

Practically, Ziggy fits well in a small studio. The patchcord-free design, simple USB-C power, and comprehensive MIDI control makes it easy to add to your kit; its handsome, durable enclosure of oak and steel with classic Buchla style makes it belong. Configure the device through its simple menus or using a web browser and the web app.

Update: additional pics via Perfect Circuit

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Korg Microkorg2 Synthesizer Sound Design All In The Eyes Blade Runner style music

video upload by James Dyson

"Korg Microkorg2 , custom presets and Looper, played over the top Live.
I've just started doing some sound design/presets for the Synth and thought I would give the Looper a blast.

Great little Synth this totally underrated/used.

Music James Dyson
Clip from the opening credits to Blade Runner"

Virtual Schmidt Synthesizer & "deck" controller Incoming

"The legendary Schmidt Synthesizer has been on the market for twelve years now and is used by many prominent musicians and studios.

After a year of development, we are excited to present the Schmidt Vi, the Schmidt synthesizer as a digital plugin, at Superbooth 26.

Through close collaboration with our partner UJAM, we have created an instrument that is sonically on par with the original Schmidt hardware.

In addition, we are introducing the virtual instrument deck, on which sounds created on the Schmidt can be played. These sounds can be manipulated using simple, Minimoog-style controls.

The Schmidt Vi and Schmidt deck will be available in mid-2026 as VST3, AU and AAX.

Prices for the plugins will be announced in due course."

deck pictured bottom right below. The big question: is it hardware or virtual as well? The description above can be interpreted as either a virtual-instrument deck, or a deck for the virtual-instrument.

ETCHES | Soundscape Palette by Puremagnetik

video upload by Puremagnetik


via Puremagnetik

"Etches is a layered soundscape synthesizer. It's a palette for playing with sound, sketching melodic sections and building evolving tapestries. It moves between cinematic washes, percussive pizzicatos, and atmospheres worn smooth through ambient processing.

Inspired by live modular techniques, Etches is built upon classic synthesis and tape music traditions. Etches’s main engine includes a complex oscillator, a splice recorder and built in space processing.

We designed Etches to be performed. Every control is on the surface, and every gesture is audible the moment you make it. There are no traditional envelopes or filters here. You shape the timbre as you play.

Pick a root note and choose from twelve scales and modes and the pads stay locked to that key while you move. It's hard to play a wrong note, which means you can focus on phrasing instead of finger positions.

At the center is a monophonic voice generator and a splice recorder with overdub, so you can layer sounds into something bigger than individual patches. An internal LFO moves against each splice, modulating where the recording starts and ends. It's a behavior we first used in our LAPS and JOTS pedals. Around all of that: a tape-style delay, and a stereo space processor you can get lost in.

Etches Features:
• Four articulation pads that control contour, timbre-shaping and animation
• Musical overdrive with soft clipping
• 80-second multi-splice recorder for capturing ideas and layering sounds
• Stereo space processor with tape-style delay and a pristine reverb.
• Stereo output
• Runs on a standard Boss-style 9V power supply"

You can find a link to the manual and addtional details at Puremagnetik

SEQUENTIAL FOURM: 4 voces analógicas para recrear un clásico

video upload by Hispasonic

Click CC for subtitles at the bottom of the player once the video starts.

Video descpription in Googlish:

Instead of a traditional review of the Sequential Fourm, we decided to take a different approach: putting it to work on a specific track. And not just any track: "Fade to Grey" by Visage—an absolute classic of 1980s British synth-pop. Every melodic and accompanying track you’re about to hear was created exclusively using the Fourm, starting from factory sounds (drawn from the approximately 300 initial presets) with only minimal tweaks. The only element not provided by the synth is the drums: an AI-generated Roland CR-78-style pattern, occasionally reinforced with a kick and snare from Logic’s sound library.

Along the way, Pablo demonstrates how to truly harness the power of a modern polyphonic analog synthesizer: polyphonic aftertouch (key for the lead vocal line, where some notes come alive while others fade out completely), intense mixer feedback (ranging from subtle thickening to nonlinear behavior with "ghost" harmonics), audio-rate filter modulation from Oscillator 2 (adding anything from brightness and vocal-like character to total sonic breakdown, depending on the intensity), glide for creating transition sweeps, and the LFO in random mode feeding the filter to ensure every note sounds unique.

We also cover specific recording techniques: layering basslines via MIDI using two different sounds and panning them; doubling hand-played pads so that the two takes aren't identical; and recording a MIDI pattern to free up both hands, allowing you to perform real-time timbral tweaks—adjusting the filter, resonance, and modulation intensity—during the actual audio recording.

📝 A quick refresher on the Fourm: a compact 4-voice analog synthesizer featuring two VCOs per voice, a 4-pole low-pass filter derived from the Prophet-5, one global LFO, two ADSR envelopes, a mixer with feedback capabilities, no internal effects, a mono output, a 37-key "slim" Tactive keyboard with polyphonic aftertouch, and a modulation matrix—inherited from the Pro-1—that is directly accessible right on the front panel. 00:00 Original vs. Fourm Version
00:24 Intro
01:35 Fourm Features
03:34 Polyphonic Aftertouch
04:57 "Fade to Grey" Intro
07:07 Bass
08:34 Chords
10:17 Sweep
12:32 Melody
18:50 "Clavi" Sound
19:34 Drums
20:39 Full "Fade to Grey" Version

Moog Labyrinth Demo Song Sounds Chat and Stats

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Moog Labyrinth Demo Song, Sounds, Chat and Stats

The Moog Labyrinth is a semi-modular, parallel generative analog synthesizer designed for creating evolving, complex sonic textures and percussive, melodic patterns. It features dual eight-step sequencers utilizing chance operations and 'corrupt' controls to produce randomized, polymetric melodies. Labyrinth blends traditional Moog analog warmth with West Coast-style synthesis, including a voltage-controlled wavefolder, ring modulation, and a state-variable filter

Moog Labyrinth demo song copyright 2026 Simon Hunns"

SYSTEM FLOW 2 by Synthesizer Studio Berlin

Tutorialvideo upload by Synthesizer Studio Berlin

SYSTEM FLOW 2 PRESET PREVIEW SUPERCUT

video upload by Synthesizer Studio Berlin

"SYSTEM FLOW 2

Get it here for 14,99€:
https://www.synthesizerstudioberlin.c...

GRANUALR SAMPLER WITH 2 GRAIN SAMPLER SLOTS

This Instrument is made for Soundscapes, Pads, FX and Cinematic Sounds.

We freshly Recorded and meticulously prepared 255 Samples from our extensive Vintage Synthesizer Collection from Synthesizer Museum/Studio Berlin for our updated version of the popular SYSTEM FLOW Grain Sampler.
For this update we specially curated and prepared a huge Sound Library for a rich Soundpallette.
Additional Overdrive & Tape Delay style FX for each Sample Engine. New Filters and Modulation Routing Options
New Samples & Presets for version 2.0

NEW:
ADSR and MPE capabilities.
Choose your favorite Style of playing.
Choose ADSR for regular Keyboard playing.
DRONE for Chillout and Sessions where you just want to play a chord and let SYSTEM FLOW 2.0 do it’s thing.
Use MPE for a full polyphonic experience with poly Pitch-bend and controls for the Filters and LFOs with pressure and Slide.

Additional Routing capabilities. Filter & Sample read Position can now be modulated from all 6 Modulation Sources.

NEW FILTERS: virtual Analog Filters with Drive, Boost & HP options. Same as the Filter used for X-FLOW.

NEW FX per Sample Slot: We added a Tape Delay and Overdrive Distortion to each Sample Engine

New A & B View for a streamlined Workflow. Simple B View if you just want to play the Presets and or just want to drop some Samples into the engine or go to A view for a full experience with all parameters exposed. Same goes for the Reverb engine.

More Presets for the Reverb and a streamlined UI
Mix/Match & randomize each Parameter of the Reverb and make your own combinations of the Independent Granular Engine and Reverb Presets. More than 80 different Reverb Presets.

Komplete Kontrol & Maschine ready
Just add the Instrument to your User Library and browse the Presets from there with the 8 most important Knobs.
KK & Maschine open System FLOW 2.0 with the simple B view. Press the + Sign to reach the full A view.

Synths Samples that we recorded for SYSTEM FLOW:
Jupiter 4, Prophet 10, SH-2, SYSTEM 700, ARP 2600, Broken OB-X, CS-80, EMS SYNTHI AKS, MEMORYMOOG, MINIMOOG,
ADDTIONAL RECORDINGS: Guitar, Field Recordings, GLITCH NOISES, SPACE SAMPLES, SSB SCI-FI BRAHM’s

Requiers: FULL NI REAKTOR 6.5 or up

Comes with:
Presets: 30
Samples: 255
File Size: 547 MB
packed 296 MB as ZIP for easy Download"

The GS Music Bree 6 Keyboard Synthesizer: Super cute and super fat!!!

video upload by Matt Johnson’s Keyspace

See dealers on the right as well as https://www.gsmusic.com/synth-store for availability and price.

"The Bree 6 will surprise you with its massive sound! I would take this over a vintage Juno anyday!"

Matt Johnson GS Music demos

And one from Starsky Carr:

Analog Done Right // GS Music Bree 6 Keyboard

video upload by Starsky Carr

"In this in-depth demo and review, we explore the GS MUSIC Bree 6 keyboard — a 6-voice VCO-based analog synthesizer with a fully analog signal path, built-in chorus, delay, arpeggiator, and sequencer. If you love that vintage-meets-modern sound, this one might surprise you.

From raw oscillator tones to lush stereo pads and punchy basses, I break down what makes this synth special — including its unique double/triple arpeggiator modes, MPE compatibility, and rich, characterful sound that sits somewhere between classic Roland-style synths and something entirely new.

If you’re into synths like the Roland Jupiter-8 or Roland Juno-106, this is one you’ll want to hear.

🔍 What’s Covered
Sound demo (full track made entirely on the Bree 6)
Oscillator section: saw, pulse, sub oscillator
24dB analog low-pass filter with resonance & key tracking
Dual ADSR envelopes & fast modulation
Voice modes: poly, mono, unison & stereo spread
Built-in chorus & analog-style delay
Unique arpeggiator (double & triple note modes)
Sequencer workflow & performance features
MPE support & expressive control

🎛️ This isn’t just another vintage clone. The Bree 6 blends:

Raw VCO tone with modern reliability
Hands-on workflow (minimal menu diving)
A distinct character that feels alive and immediate
A surprising amount of depth for a single-oscillator synth
🎧 Who Is This For?
Analog synth lovers
Producers looking for fat, mix-ready tones
Fans of classic Roland-style sound with modern features
Anyone wanting a hands-on, inspiring instrument"


via GS Music

The day has arrived

We’re proud to present the Bree6 Keyboard, our first synthesizer with an integrated keyboard, designed and produced in Argentina for the world. 💙

Built on a six-voice analog architecture, it delivers a powerful and expressive sound engine capable of everything from solid basses and leads to rich, evolving pads. Now expanded with a built-in sequencer and advanced arpeggiator, it becomes a complete performance and composition tool.

With its one-knob-per-function interface, semi-weighted keybed with velocity and aftertouch, and fully analog signal path, the Bree6 Keyboard is designed for immediate, hands-on control—no menu diving.
Immediate Control. No Menu Diving.

The Bree6 Keyboard version is designed to deliver an immediate and intuitive hands-on experience, eliminating the need for deep menu navigation. Its interface follows a one-knob-per-function philosophy, providing direct access to all key parameters for fast and precise sound shaping.

CLICK FOR MORE »

FREE SYNTH: NILS' KAWAI K1v (Kawai K1 Emulator) - No talking demo

video upload by ADL-MusicLab

"Hello everyone!

Here's to you my "No talking demo" of this FREE emulation of the Kawai K1 synthesizer developed by Nils Schneider, which brings back to life this iconic synthesizer!

The Kawai K1 is a famous japanese classic from 1988 and it was a massive success with both the critics and the public. The company managed to reportedly shift around 50,000 of them. There also was a rackmount version (K1r) and a tabletop option (K1m).

The key to its popularity was certainly down to its sound, which combined single-cycle additive waves with PCM samples. There was another reason though: in the late 80's this D-50-style sample synthesis was out of reach of most musicians, but then the Kawai K1 came along and it was much cheaper than the Roland D-50!

Now you can have it in your DAW with this amazing FREE software emulation!

CLICK FOR MORE »