Future Retro XS Synthesizer Tips and Tricks

Published on Jun 26, 2015 FutureRetroSynths

Playlist:
Future Retro XS Synthesizer Tips and Tricks: Making envelopes more exponential
XS Synthesizer Tips and Tricks: Creating exponential waveforms
XS Synthesizer Tips and Tricks: Create two tones from one oscillator
XS Synthesizer Tips and Tricks: Understanding mixer levels
XS Synthesizer Tips and Tricks: Creating Clap Sounds
XS Synthesizer Tips and Tricks: Creating snare drum sounds
XS Synthesizer Tips and Tricks: Controlling oscillator levels with envelopes
XS Synthesizer Tips and Tricks: Controlling oscillator intervals with the mod wheel
XS Synthesizer Tips and Tricks: Make a self generating patch
XS Synthesizer Tips and Tricks: Creating hi-hat sounds
XS Synthesizer Tips and Tricks: Oscillator/Sub-Oscillator Sync
XS Synthesizer Tips and Tricks: Filter feedback
XS Synthesizer Tips and Tricks: Ring-modulating two sine waves
XS Synthesizer Tips and Tricks: Processing external audio
XS Synthesizer Tips and Tricks: Understanding accented envelopes and velocity
XS Synthesizer + Orb Tips and Tricks: Dual Glide plus LFO sequencers
XS Synthesizer Tips and Tricks: Transposing Orb sequences with a MIDI keyboard
XS Synthesizer Tips and Tricks: creating dark sounds
XS Synthesizer Tips and Tricks: More audio treats
XS Synthesizer Tips and Tricks: Chaotic patch I
XS Synthesizer Tips and Tricks: Chaotic patch II
XS Synthesizer Tips and Tricks: Recreating TR-808 style drums
XS Tips and Tricks Exploring amplitude modulation

NAMM: New Moog MINITAUR Coming to NAMM?

[Update: video, higher res pics & press release added below.]
via Matt on The MATRIXSYNTH Lounge via The Syntheszier Sympathizer.

"Not much to say here. Just found out through the vintagesynth.com forums... should be properly announced at NAMM. Rumored price: $600. Let's hope-- This could mean a Moog for almost every producer!"

And NAMM begins...

Update: details via Pro Star Audio:

CLICK FOR MORE »

Wersi Analoge Bass Synthesizer AP-6 / The Wersi AP-6 Baß (Bass) Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"In 1977 German organ company released the two in one Bass Synthesizer AP-6. Its a bass syntheszer and a bass guitar synthesizer in one with a quarky glide setting named "Hawaii" which worked as a slide guitar function presumably to play Hawaiian style slide guitar riffs.

Billed as two instruments in one: an Electric Bass Guitar and Synthesizer, this compact light-weight instrument from German organ builders WERSI was aimed at keyboard and organ players. The purpose was to give the organist/keyboardist some Bass Guitar and Synthesizer sounds they could incorporate into their performances. It is a monophonic analog synth with funky controls, decent sounds and a unique character.

The Bass Guitar sound is actually very realistic, really capturing the sound of an electric bass guitar or acoustic bass. It has an attack control called "On" that lets you adjust the initial attack to make it sound like a picked bass or a fingered bass. A "Damp" control is essentially a sustain envelope that can be used to create more of a muted bass sound.

The Synthesizer section is pretty basic, and definitely designed using organ player lingo as opposed to synth player lingo. There a five flute stops (sine) from 16', 8', 4', 2', to 1', two brass stops (sawtooth) at 16' and 8' and a woodwind stop (square) at 8'. Multiple stops and waveforms can be simultaneously engaged to create more complex tones. These waveform sections, as well as the Bass Guitar section, have independent volume controls to balance their mix.

CLICK FOR MORE »

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

Musical Instrument From Future - Robkoo Wind Synthesizer R1

video upload by Robkoo Official

"Wind Synthesizer R1 is now a proud finalist of 2022 MIDI Innovation Awards.

Behold the musical instrument from future! For the first time in history, a performer of music could bring light, directly and literally, to every audience vividly. This extra dimension of musical expression responds to your breathe, and glows over 60,000 colors of your choice.

Because of its intuitive panel design, one can easily learn in minutes and gig in 2 weeks. Explore motion control, customizable hotkeys, Bluetooth connectivity, and even onboard sound banks. R1 opens a new gate for both freshers and professionals.

As our city of Shanghai continues its quarantine, we are still unable to film, while we decided to put together this video for the MIDI Awards finals. It should help new friends know R1 better.

For the overseas version, we are talking to a number of KOCs/KOLs. Many features will make adjustments based on your feedback. If you find yourself willing to give comprehensive feedback, and are capable of making high-quality videos, you may contact us for collaboration.

To learn more about R1, please visit out website: https://official.robkoo.com/"

Wind Synthesizer R1 Concept Video | Robkoo

And the press release:

Robkoo’s revolutionary Wind Synthesizer R1 rocked as Commercial Hardware category finalist in the MIDI Association’s 2022 MIDI Innovation Awards Show


SHANGHAI, CHINA: fresh from making musical waves at The 2022 NAMM Show in Anaheim, California, USA, at the invitation of the MIDI Association, a non-profit community for both the companies who develop new MIDI (Musical Instrument Digital Interface) specifications and products and the people that create music and art with MIDI, digital art-facilitating software and hardware company Robkoo is proud to announce that its revolutionary Wind Synthesizer R1 — realised as a futuristic, cyber-like MIDI wind controller instrument with responsive RGB light bars, motion control, Bluetooth connectivity, customisable hotkeys, onboard sound banks, and a dedicated app allowing amateur and professional players alike to directly (and literally) light up their performances to audiences for the first time in history, having mastered its intuitive panel design in a matter of minutes and achieved gig-readiness within weeks of first musically making its acquaintance — rocked as a Commercial Hardware category finalist in the MIDI Association’s 2022 MIDI Innovation Awards Show, itself co-founded by music technologies learning platform Music Hackspace and the non-profit NAMM (National Association of Music Merchants), where it was displayed as taking third place…

It is true to say that the most distinguishing design feature of the Wind Synthesizer R1 is how much of its slimline body actually lights up. Ultimately, an extra dimension of musical expression responds to the player’s breath, glowing to the tune of over 60,000 colours — customisable in JamKoo, Robkoo’s popular performance app for iOS and Android that automatically detects (via Bluetooth) when a Wind Synthesizer R1 is nearby and awake to provide access to all settings on a larger screen, as well as a dummy-proof guide to learning — courtesy of two lengthy, patent-protected RGB light bars with which the futuristic, cyber-like MIDI wind controller instrument is equipped. It is also the only such instrument that can be played both vertically and horizontally, whether working with the (removable/replaceable) food-grade mouthpiece manufactured from the same material as a baby pacifier for utmost health protection or the new horizontal mouthpiece, making for a cyber-flute-like performance action.

Its inbuilt gyroscope lets Wind Synthesizer R1 players spice up their performance with pitch bend and vibrato by simply moving the MIDI wind controller instrument itself. Indeed, performing with it is simply a case of playing the seven touch-sensing performance keys (positioned on its topside) — themselves exhibiting minimal noise and maximum durability — that resemble an acoustic instrument to permit playing expressively in a realistic and graceful way while switching tones in an instant, ably assisted by an OLED (Organic Light Emitting Diode) screen that even helps with navigating in the dark. Delve instantly into wider octaves beyond the limitations of acoustic instruments thanks to the triple-octave (-1, 0, +1, +2) keys (on the underside of Wind Synthesizer R1), while a reliable and intuitive mechanical pitch wheel lets performers pitch freely with their thumb — also customisable to trigger other controls like portamento.

Put it this way: with onboard tones sampled from top performers from around the world — working with sound suppliers like Dynamix Audio (Serbia), Impact Soundworks (USA), Kong Audio (China), Sound Magic (China), and Versilian Studios (USA), Wind Synthesizer R1 could conceivably shave off 10 or even 20 years of practice when it comes to achieving a professional-sounding performance!

Whether wirelessly or cable connected to an applicable device, by also allowing for portamento and program change alongside breath control — as implied by name, Wind Synthesizer R1 is also a capable MIDI controller that sends so much more than just note information. Interestingly, it also supports MIDI input over USB MIDI (Type-C) and Bluetooth (BLE MIDI) — not bad going for a lightweight (450g) device with 67 cm (length), 4 cm (width), and 5 cm (height) measurements making for comfortable handling. However, its slimline design belies its impressive specification, also accommodating a 3.5 mm TRS headphone output, 6.35 mm TRS audio output, and Type-C USB port. But better still, Wind Synthesizer R1 boasts a (2600mAh) battery-running time of six hours (with the RGB light bars operating), extending to 10 hours (with the RGB light bars turned off).

On the face of it, Wind Synthesizer R1 represents a highly-capable package, one which helpfully comes complete with a dust bag, neck strap, mouthpiece cap, Type-C USB cable, quickstart guide, and user manual... little wonder, then, that Wind Synthesizer R1 rocked as a Commercial Hardware category finalist in the MIDI Association’s 2022 MIDI Innovation Awards Show — something Robkoo Business Developer Tianbang Zhuang far from takes lightly, as evidenced in his well-chosen words when speaking there: “It would be unfair to say that R1 is just a wind synth with lights, or just a wind synth with motion control, or just a wind synth with a horizontal mouthpiece option. They are eye-catching, for sure, but R1 has much more layers. When we started this project, we were here to solve the problems in instrument learning. We did not add lights just because we thought it was cool, or stack those features because we thought they were cool. We added features because they can be helpful to our goal. That’s why those features can be put together as an organic whole. Think about the experience we designed for the customer: you receive it at Christmas; you say, ‘Wow! It’s cool!’; you follow the user guide and learn about it with our [JamKoo] app; and in 15 minutes you suddenly know how to play a new instrument. After two weeks you went from being someone who knows nothing about musical instruments to a confident performer — with lights and style. We are changing peoples lives with something that has so many fancy features, but doesn’t feel overwhelming at all since it still appears to be a simple and intuitive instrument.”


While Wind Synthesizer R1 is already available to buy as a commercial product in mainland China for CN¥2,999.00 RMB, Robkoo is currently working with a number of KOL (Key Opinion Leaders)/KOC (Key Opinion Consumers) on overseas firmware and other adjustments (including sound banks) with a view to making it available worldwide with a projected price tag of around $500.00 USD later this year when it is likely to become available to buy from Robkoo’s website (http://www.robkoo.com/en/) and also some selected retailers.

For more in-depth information, please visit the dedicated Wind Synthesizer R1 webpage here: https://official.robkoo.com/#/wind-synthesizer-r1

Meet the New KORG volca modular - Details & Demos

Published on Jan 14, 2019 Korg

It's real. Looks like a mini Buchla Music Easel with the red on blue touch panel "keys".

Updates: Reverb video, audio demos, hi-res pics & additional details added below.

"KORG volca modular is a semi-modular analog synthesizer in the KORG volca format that makes modular synthesis more accessible and understandable than ever before. Featuring 50 patch points for using the 20 included patch cables to connect the eight onboard modules in any way imaginable, volca modular was created with 'West Coast Style' synthesis in mind, to offer a unique sound and design that deviates from traditional synthesis norms."

Korg Volca Modular - Demo with Nick Kwas

Published on Jan 14, 2019 Kraft Music

"Find exclusive Korg Volca Modular BUNDLES at Kraft Music.

Nick Kwas Demos and jams out on the Korg Volca Modular at Kraft Music.

The Korg Volca Modular is a semi-modular analog synthesizer with eight independent internally-connected modules, 50 patch points, and digital effects. Although focused on the complex and experimental sounds of the West Coast school of modular synthesis, the Volca Modular is equipped with the familiar 16-step Volca sequencer with parameter automation capabilities, as well as flexible scale and key settings. Sync and CV in jacks allow for connection to other Volca units, select Korg synths and sequencers, and modular systems. Like other Volcas, the Volca Modular features a built-in speaker and battery operation.

Get more for your money with an exclusive Korg Volca Modular bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new micro modular synth, all for one low price. If you have any questions, please give us a call. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Korg Volca Modular - Clock Divider

Published on Jan 14, 2019 Rishabh Rajan

"Tutorial on creating a multi-voice pattern using the clock divider."

Korg Volca Modular - Step Sequencer

Published on Jan 14, 2019 Rishabh Rajan

"A tutorial on some of the functionality of the step sequencer on the Korg Volca Modular."

Korg Volca Modular Micro Modular Synthesizer | Reverb Demo Video

Published on Jan 14, 2019 Reverb

"The synth masters at Korg just announced the Volca Modular, Minilogue XD, and Volca Drum. Starting with the Volca Modular micro modular synth, check out this video demo (as well as those linked below) to learn more about the features in this trio of new offerings from the dream team that created so many of the top-selling synths on Reverb in the past couple years.
Read More on Reverb"

"An analog synth composed of modules

Eight modules

The volca modular is a semi-modular synthesizer consisting of independent analog synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

SOURCE：

This consists of a triangle VCO carrier and a modulator. The complex overtones generated by FM modulation are sent through a wave folder circuit to add additional overtones, producing a distinctive sound. This module is important in determining the basic character of the sound of volca modular.

CLICK FOR MORE »

G-Sonique Swede Trap Bass - VST plug-in synthesizer instrument for Trap / Hip-hop kick & bass

video upload by G-Sonique



"Made in cooperation with Swede from 808 Mafia, music producer for biggest stars Lil Wayne, Dj Khaled, Gucci Mane, Nas, Farruko, Dalex...
Made music for soundtracks like Bad Boys for Life with Will Smith, TV Show kidding with Jim Carrey, music for commercials with NBA Star Paul George and more!!"

DOWNLOAD HERE: https://www.g-sonique.com/swede-trap-...

"Swede Trap Bass is a plug-in synthesizer designed for creating heavy Trap / Hip-Hop Kicks and fat Basslines. Cooperation between G-Sonique X Swede, plug-in developer more than 14 years on the market and famous hip-hop RIAA platinum producer Swede.

Swede made music for world-class rappers and singers like Lil Wayne, DJ Khaled, Gucci Mane, Nas, Farruko, Dalex etc. his music was used in Hollywood movies / Soundtracks like Bad Boys for Life with Will Smith, etc.

Trap Bass is instrument designed to create kicks and basslines easy and fast without the need of difficult post-production and fine-tunning with additional effects, everything is included. With trap bass you can create massive kicks and basses in seconds, from classic to progressive new kind of basslines. The synthesizer combines the best of digital and analog/vintage, from warm analog filters and oscillators, to vintage style exponential envelopes coded after real hardware drum boxes. 20 kick oscillators, 8 filters, oscillator waveshaping, analog distortion circuits, parametric saturation and much more. Thanks to emulation of various vintage analog circuits/modules plug-in sounds very smooth, round and fat comparing to basic digital synths.

The synthesizer is designed for heavy Trap and Hip-Hop kick drums and basslines but it can be used in various music styles like Techno, House, Acid, Rave, Underground tekno, Hardcore, Gabber, Psytrance, Deep Drum and Bass, Bigroom, Minimal, Uk garage, Downtempo, Electro and others.

CLICK FOR MORE »

NAMM: Studiologic Sledge Synthesizer

"The Studiologic Sledge Synthesizer boosts the DSP heart of the latest Waldorf modelling technology, combined with an intuative user interface. Get right into your music instead of reading manuals and learning menu structures.

For many synthesizer enthusiasts, it is the particular interaction of the sound engine and user interface that makes a great instrument. A quick look at Sledge shows you the generous set of controls available to interact directly with the sound engine. When you touch the knobs and switches of the front panel, you will instantly be aware of the meticulous attention to detail our engineers have refined, during many decades building the best electronic keyboards.

You will experience the logical set-up of the synthesizer modules, mirroring the signal flow of a classic analogue synthesizer. But what really distinguishes any synthesizer is its sound. Fortunately, our friends at Waldorf Music have happily shared their experience and know-how on this crucial part of the Sledge Synthesizer.

So we implanted the DSP heart of the latest Waldorf modelling technology into Sledge. The result: enough power to put the foundations of your studio seriously at risk! And plenty of detail, to create the richest analogue pads you could ever want. Besides the classic analogue synthesizer waveforms, you will find a complete set of Wavetables, derived directly from the mother of all digital synthesizers, the PPG Wave.

The sum of three fat oscillators, plus a Noise generator, are fed into Sledge's powerful multimode filter with selectable 24 / 12 dB slope. The highly recognizable Waldorf filter algorithms enable a wide variety of sounds, from smooth to harsh, from fat to distinct, from pure HiFi to badass brutal. Ultra-fast, accurate envelope generators deliver ballsy punch. Two LFOs plus 1 extra Wheel-LFO are on board to offer huge, yet easy to understand, modulation capabilities. And two built-in Effect units deliver sophisticated synthesizer effects, such as Chorus, Phaser and Flanger, as well as a rich Reverb or an analogue style Delay.

And the best part – if you are familiar with the operation of a classic analogue synthesizer, you won’t have to spend any of your precious time reading the manual. There are no double or multiple functions on any of the knobs or pushbuttons. All synthesizer parameters are clearly and ergonomically arranged in front of your eyes and directly accessible under your fingertips. This makes sound design a blast, and takes you back to the pure user experience which you’ll soon realise you’ve been missing.

Specifications:
• 32 Pots
• 3 chicken head rotary switches (7 positions)
• 1 rotary encoder with push function
• 2 x 16 digits backlit LCD
• High Quality Pitch and Mod Wheel
• up to 256 Sounds
• fast and efficient sound selection via numeric keypad
• 2 fast LFOs per voice, each with adjustable Speed and Depth
• 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
- Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
- Destination: Osc 1, Osc2, Ocs3, PWM / Wave / FM, Volume, Filter Cutoff
• Monophonic mode with single or multiple trigger
• 3 Oscillators per voice
- Range from 64' to 1' each
- Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)

CLICK FOR MORE »

John Entwhistle's Steiner Parker EVI

Click here for shots pulled via this auction.

"Extremely rare 1970's STEINER-PARKER Wind Synthesis in superb condition, complete with controller, synth, footpedal and cables. Formerly the property of bass and brass legend, JOHN ENTWISTLE. Complete with original transit packing addressed to John!!!

As an instrument in its own right, this is a valuable collectors item. As a piece of history for WHO afficianados, this is unique!"
Update: some more info on the EVI via Mark Glinsky:
"For those unfamiliar with Nyle Steiner here is a short bio.

Nyle originally conceived of the concept of a brass-style electronic synthesizer in the 1960's. He began prototyping the concept in the early 70's and in 1975 Nyle completed his first playable electric valve instrument- the 'Steiner Horn'. A woodwind version was developed soon after. Around 1971, Nyle started working on this new idea. The prototype was finished about a year later, while it was not much to look at, it worked. The first production models were offered in 1975 with the rest of the Steiner-Parker product line. According to Mr. Steiner, around 200 were produced between 1975 and 1979. Most of them were sold to University electronic music departments and pop groups (one of the first systems was sold to Earth, Wind and Fire).

"I developed my own transducer using whatever- I tried a lot of things out. A lot of the main parts I had to build myself. The first one was just a switch. You blew and it turned on and off - just like pressing a key. Later I built a proportional transducer."

CLICK FOR MORE »

NORD LEAD 1 【SYNTHESIZER MUSIC】

Published on Jan 16, 2016 Synthesizer Style

"'M11' is a composition about The Wild Duck constellation I realized on the great Clavia Nord Lead 1. Please "show more" for more info. I hope you have a good subwoofer. I have set this performance to a 'video.'"

Playlist:
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "M11" - Ambient chillout / space music
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "Night of the Sands" - Ambient chillout / space music
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "God Speeds" - Ambient chillout / space music
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "Camino Stars" - Ambient chillout / space music
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "Fun With Nord" - Ambient chillout / space music
NORD LEAD 1 【SYNTHESIZER MUSIC】 - "A Nordic Perusal" - Ambient chillout / space music

Moognificat

Published on Mar 24, 2018 Moognificat

Playlist:

1. Bach WTC Book 1, Fugue 2 on Moog Synthesizer

A performance of Fugue No. 2 from The Well-Tempered Clavier, book 1 by J. S. Bach. All sounds are created with a Moog Sub 37 analog synthesizer and Reaper.

2. Bach, "Mein Jesu" on Moog Synthesizer

This performance of J. S. Bach's Aria, "Mein Jesu," was created with only a Moog Sub 37 analog synthesizer and the Reaper DAW. The arrangement is based on the string orchestra setting by Leopold Stowkowski.

Commonly performed during Lent, the lyrics describe the anguish of Jesus Christ in the garden of Gethsemane on the night before his crucifixion. Bach masterfully captures the scene with rich harmonies and a mournful melodic line.

Mein Jesu! Was für Seelenweh befällt dich in Gethsemane

3. Bach WTC Book 1, Prelude 6 - featuring Moog synth EDM

Bach meets EDM. This performance of the Well-Tempered Clavier, Book 1, Prelude 6 features a Moog Sub 37 analog synthesizer accompanied by Kontakt 5. Everything was recorded and mixed in Reaper.

4. Purcell, Rondeau from Abdelazer, 8-bit version on Moog Synthesizer

The famous Rondo from Henry Purcell's incidental music to Abdelazer, realized in the style of 8-bit computer game music. Square waves and white noise provided entirely by a Moog Sub 37 analog synthesizer. This is the same rondo that Benjamin Britten used as the source material for his Young Person's Guide to the Orchestra.

The sound of this almost makes you wish that Abdelazer was a real RPG...

5. A Musical Guide to the Synthesizer (Moog Sub 37)

A short demonstration of common synthesizer waveforms and basic filter/LFO effects. Tutti passages bookend short examples of square waves, sawtooth waves, and triangle waves. 100% of the sounds you hear were produced on a single Moog Sub 37 analog synthesizer and mixed in the Reaper DAW.

This video features an arrangement of Purcell's famous Rondeau from the incidental music to Abdelazer. This was also the source material for Benjamin Britten's "Young Person's Guide to the Orchestra. Britten's work is copyright protected, so the form of this arrangement is based on Purcell's original design. I'm sure knowledgeable listeners will still appreciate the homage.

Royalty-free images downloaded from pixabay.com.

Waldorf Boosts Rocket Synthesizer with Free iOS App

"BAD NEUENAHR, GERMANY: high-quality synthesizer developer Waldorf is proud to announce availability of Rocket Control, a free iOS assistant app for iPad that boosts the capabilities of its Rocket hardware synthesizer...

Earlier this year, Waldorf went hell for leather to break the price/performance sound barrier when launching its revolutionary Rocket, a superficially simplistic USB-powered desktop synthesizer with digital waveforms and analogue multimode filter housed in a sturdy, compact and bijou (185 x 185 mm) casing. But beneath an eye-catching faceplate designed by synthesizer style guru Axel Hartmann lies a wealth of ear-opening sounds fit to reach for the stars! To the untrained eye it may look like the Rocket only offers a single oscillator, but truly trained Rocket scientists can soon see (and hear) that its OSC section includes some highly-flexible features: for example, selecting the sawtooth waveform switch then turning the adjacent Wave knob clockwise from the centre position adds up to eight sawtooth waves — wunderbar for producing PolySaw cluster-type sounds; selecting the sawtooth waveform and turning both the Wave and Tune knobs to their respective rightmost position activates a special unison mode whereby all eight sawtooth oscillators sound with frequencies according to the held notes, so playing a chord with up to eight notes results in that chord being played by all eight oscillators, whereas playing a single note produces just that — a single note, albeit with all eight oscillators slightly detuned to enrich the sound. Either way, it’s a big sound from a little box with much more on offer besides! Blast off by selecting Boost to add warm, distorted characteristics, perhaps?

But hitting an attractive price point while maintaing Waldorf’s all-important high-quality synthesizer sound meant making some tough design decisions. Rocket has no patch memories, for instance — no great loss to those creative types who like to sculpt sounds each and every time they play, but useful nonetheless in an age of instant recall.

Which is exactly where Rocket Control comes into play. This free iOS assistant app for iPad acts as a synth editor for the Rocket and allows users to edit and/or save their patches (when connected via a Camera Connection Kit, WiFi MIDI, or a CoreMIDI-compatible device). Edits can be viewed onscreen or edited directly on the iPad itself. Users can even play the Rocket using the Rocket Control keyboard — plus Pitch and Mod wheels!

What’s not to like? Rocket Control is invaluable and free! So do yourself a favour and give your Rocket a sonic boost by heading on over to Apple’s App Store and downloading Rocket Control... then reach for the stars!

iPad owners can directly download Rocket Control from Apple’s App Store for free.

The Rocket synthesizer is available to purchase from Waldorf dealers worldwide with an RRP of €244.00 EUR/$349.99 USD (including tax).

Rocket can be seen and heard in an official product demonstration video" [below]

iTunes:
Rocket Control - Waldorf Music
Waldorf Rocket on eBay

Waldorf Rocket Synthesizer "official" Produktvideo

previously posted here

New KORG GROOVEBOX Renders

This one in via Chrome. Likely not real and just a rumor, as KORG has been focused on the new KORG MS20 Mini and KingKORG synths. The design is more a throwback to the Roland TB series which KORG has not done in the past.   Why copy Roland when they have their own vintage designs. There are no teasers on the KORG site. You can find the latest KORG press releases here.

New pics:















Pics are via techhouse.sk - technika pre DJs a producentov za najlepšie ceny on Facebook

And more:




So we have the the Volca Keys, Volca Bass, and Volca Beats. The style is definitely looking more KORG than Roland in these new pics. Electribe and Monotron knobs, black cases and vintage orange KORG logo on the Volca Beats, & gold on black keys.  Could these actually be real?  If so, KORG have been some very busy bees...

Update 4/10/2013:  They are real and only $150 each:

KORG volca series - 3 analogue synthesizers for the ultimate leads, basses, and rhythms

Published on Apr 10, 2013 KORGINC·352 videos

Brand new Korg Volca Series.

Published on Apr 10, 2013 Boris Pipiorke-Arndt·4 videos

Full Details:

"volca Keys - Analogue Loop Synth　

volca Bass - Analogue Bass Machine

volca Beats - Analogue Rhythm Machine

Three true-analog synthesizers with built-in sequencers to generate the ultimate analog leads, basses, and rhythms

Following in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the volca series. volca is a new lineup of EDM production tools comprised of three distinct models: the volca Keys lead synthesizer, the volca Bass synthesizer, and the volca Beats rhythm machine. These powerful and fun-to-use true-analog devices deliver a diverse array of fat sounds that can be obtained only from an analog synthesizer. Each is also equipped with sequencing/recording capabilities for intuitively generating performances. Multiple volcas can be used in tandem via the vintage-style sync in/out, and with your favorite DAW software or MIDI keyboard via MIDI In. Battery operation and built-in speakers mean that you can conveniently play anywhere and anytime. These are the next-generation analog synthesizers, bringing you the ultimate sounds and grooves with ease and depth. Whether used together or by themselves, the volca series is poised to inject true analog power into any performance or studio setup!

SYNC jack and MIDI IN connector allow synchronized performance with multiple units or with your DAW
By using the sync jack you can enjoy synchronized playback with multiple volcas or with a monotribe. You can also use the "SyncKontrol" iPhone app to wirelessly control tap tempo, swing settings, and synchronized playback with iOS music apps via WIST.

The MIDI IN connector lets you synchronize with other devices, as well as play the volca from any MIDI keyboard. You can also send note messages from your DAW and use the volca as an analog sound module.

Self-tuning function (volca Bass and Keys only)
Until now, the problem with analog synthesizers has been that the pitch would drift over time, or because of changes in temperature. Volca solves this by providing a Self-tuning function that constantly tunes the oscillators. You'll never need to tune during a performance, or wait for the pitch to stabilize after turning the power on.

Compact size, battery-powered operation, and built-in speaker for enjoyment anywhere
With its compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.

volca Keys Analogue Loop Synth

The ideal introductory synthesizer, with a simple – yet powerful – polyphonic analog sound engine and loop sequencer

The polyphonic synthesizer you've been waiting for
Three note true analogue synthesis
Voicing function lets anyone create sounds easily
Delay effect for even more sonic possibilities

Simple loop sequencer
Loop sequencer lets you record phases just as you play them
Motion Sequencer records knob edits in real time
Active Step function and Flux function to add dynamic change to your sequences

Convenient functions for tremendous ease of use
Self-tuning function for constant, stable pitch
Sync In and Out allows clock sync of multiple instruments from the volca Series as well as Korg's Monotribe
Compact size, battery-powered operation, and built-in speaker for enjoyment anywhere

Volca Keys is a long-awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27-key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

volca Bass Analogue Bass Machine

Powerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines

Powerful analog bass sound
Three analogue oscillators for thick, huge bass line
Newly designed analog filter for crisp, bright response
Simple structure with single VCF, VCA, LFO, and EG
Loop sequencer distilled from the Electribe series
Electribe-style 16-step sequencer with eight memory patches
Slide function that’s indispensable for acid and other types of electronic music
Active Step function generates new bass lines by removing or inserting steps
Convenient functions for ease of use
Self-tuning function for constant, stable pitch
Sync In and Out allows clock sync of multiple instruments from the volca Series as well as Korg's Monotribe
Go-anywhere analogue: play anywhere with the built-in speaker and optional battery power
Aggressive sounds that stand up to the drums; fat sounds that support the rhythm; funky sounds that generate a groove - the volca Bass is an analog groove box that has what you need for a wide range of bass lines.

Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.

volca Beats Analogue Rhythm Machine

Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer

Powerful analog drum sounds
Real analog sounds created with reference to classic rhythm machines
Six editable analogue parts with one knob per function for easy editing
Maximum effect from minimal parameters - a unique advantage of analog
PCM sound engine expands possibilities when used with analog sounds
Loop sequencer distilled from the Electribe series
Electribe-style 16-step sequencer with eight memory patches
Stutter function generates repeated triggers that dramatically change the sequence
Active Step function generates new bass lines by removing or inserting steps.
Step Jump function instantly plays only the step you're pressing
Convenient functions for incredible ease of use
Sync In and Out allows clock sync of multiple instruments from the volca Series as well as Korg's Monotribe
MIDI In for note entry, plus external sync and control from your DAW
Go-anywhere analogue: play anywhere with the built-in speaker and optional battery power
Even today, more than thirty years after the age dominated by analog synthesizers, we just can't let go of the sound of analog rhythm machines. Those thick sounds have the power to stand up to guitar and acoustic drums, and are still indispensable for track-making or live performance. The volca Beats gives you those analog drums plus the easy-to-use step sequencer of the Electribe; it lets you turn your inspiration into reality and generate beats with the best high quality sounds.

Specifications

volca Keys : SPECIFICATIONS

Keyboard
Multi-touch Keyboard

Synthesizer

Type :
Analog synthesis

Maximum Polyphony:
3 voices

Structure:
3VCO, 1VCF, 1VCA, 1LFO, 1EG

VCO:
Octave, Ring Modulation, Detune, Portamento, EG Intensity

VCO Waves:
Sawtooth, Square

VCF:
Cutoff, Peak, EG Intensity

VCF Type:
Low Pass Filter, 12 dB/oct

LFO:
Rate, Pitch Int, Cutoff Int, Wave (Sawtooth, Triangle, Square)

EG:
Attack, Decay/Release, Sustain

Effects
Delay: Time, Feedback, Temp Sync

Sequencer

Number of parts:
1

Number of Steps:
16

Number of Recording Patterns:
8

Connectors

Audio Output:
Headphones (1/8” stereo mini jack)

Sync:
Sync In (1/8” monaural mini jack, Maximum input level: 20V)
Sync Out (1/8” monaural mini jack, Maximum Output level: 5V)

MIDI:
In

Power

Power supply:
6 AA alkaline or AA nickel-metal hydride batteries
or KA-350 AC adapter (optional)

Battery Life:
Approximately 10 hours (using alkaline batteries)

Dimensions (W x D x H)
193 × 115 ×46 mm / 7.61 x 4.54 x 1.81 inches

Weight
377 g / 0.83 lbs (Excluding batteries)

Others

Options:
KA-350 AC adapter

Accessories:
AA alkaline battery ×6 (for verifying operation)

* Specifications and appearance are subject to change without notice for improvement.

volca Bass : SPECIFICATIONS

Keyboard
Multi touch Keyboard / step key

Synthesizer

Type:
Analog synthesis

Structure:
3VCO, 1VCF, 1VCA, 1LFO, 1EG

VCO Waves:
Saw, Square

VCF:
Cutoff, Peak, EG Intensity

VCF Type:
Low Pass Filter, 12 dB/oct

VCA:
EG on/of, Sustain on/off

LFO:
Rate, Intensity, Target (Amp, Pitch, Cutoff), Wave (Triangle, Square)

EG:
Attack, Decay/Release, Sustain

Sequencer

Number of parts:
3

Number of Steps:
16

Number of Recording Patterns:
8

Connectors

Audio Output:
Headphones (1/8” stereo mini jack)

Sync:
Sync In (1/8” monaural mini jack, Maximum input level: 20V)
Sync Out (1/8” monaural mini jack, Maximum Output level: 5V)

MIDI:
In

Power

Power supply:
6 AA alkaline or AA nickel-metal hydride batteries
or KA-350 AC adapter (optional)

Battery Life:
Approximately 10 hours (using alkaline batteries)

Dimensions (W x D x H)
193 × 115 × 46 mm / 7.61 x 4.54 x 1.82 inches

Weight
370 g / 0.82 lbs (Excluding batteries)

Others

Options:
KA-350 AC adapter

Accessories:
AA alkaline battery ×6 (for verifying operation)

Specifications and appearance are subject to change without notice for improvement.

volca Beats : SPECIFICATIONS

Keyboard
Multi touch trigger pad / step key

Synthesizer

Type:
Analog synthesis (Kick, Snare, Hi Tom, Lo Tom, Closed Hi Hat/Open Hi Hat)
PCM synthesis (Clap, Claves, Agogo, Crash)

Kick:
Click, Pitch, Decay, Part Level

Snare:
Snappy, Pitch, Decay, Part Level

Tom:
Hi Pitch, Lo Pitch, Decay, Part Level

Hi Hat:
Closed Decay, Open Decay, Grain, Part Level

PCM:
PCM Speed, Part Level

Sequencer

Number of Parts:
10

Number of Ssteps:
16

Number of Recording Patterns:
8

Connectors

Audio Output:
Headphones (3.5mm stereo mini jack)

Sync:
Sync In (1/8” monaural mini jack, Maximum input level: 20V)
Sync Out (1/8” monaural mini jack, Maximum Output level: 5V)

MIDI:
In

Power

Power supply:
6 AA alkaline or AA nickel-metal hydride batteries
or KA-350 AC adapter (optional)

Battery Life:
Approximately 10 hours (using alkaline batteries)

Dimensions (W x D x H)
193 × 115 ×45 mm / 7.61 x 4.54 x 1.78 inches

Weight
372 g / 0.82lbs (Excluding batteries)

Others

Options:
KA-350 AC adapter

Accessories:
AA alkaline battery ×6 (for verifying operation)

Specifications and appearance are subject to change without notice for improvement."

Update2 1/10/2013: The official Press Release:

"Korg Announces the Volca Series of Analog Synthesizers

-True-analog synthesizers with built-in sequencers are designed
to generate the ultimate analog leads, basses, or rhythms-

Musikmesse, Frankfurt, Germany, April 10th, 2013 - Korg USA has announced the Volca series of portable, true-analog synthesizers. Following in the footsteps of the Korg Monotron, Monotribe, and the MS-20 Mini synth, these next-generation true-analog instruments offer on-the-go sounds and grooves along with MIDI functionality. The series is comprised of three models: the Volca Keys lead synthesizer; the Volca Bass synthesizer; and the Volca Beats rhythm machine.

All models provide carefully selected parameters that allow users to create the distinctive, massive sounds that can only come from a true analog synthesizer. Each instrument features a loop sequencer for intuitively generating and recalling phrase-based performances. Multiple Volcas can be used in tandem thanks to vintage-style sync in/out, or with the user's DAW software via MIDI In. Convenient, optional battery operation and built-in speakers provide the ability to play anywhere at any time.

The Volca Keys represents a new chapter in Korg's long history of analog synthesizers. This 27-key analog lead synth generates sound that's more powerful than its compact, low-profile body would suggest. Its three oscillators can be tuned against each other in a variety of ways-from one part unison to three-part chords-to provide the versatility needed to create a diversity of sounds. With a filter section that utilizes the circuitry of the classic miniKORG700S (1974) plus an easy-to-use interface that includes delay effects and a 16-step sequencer, Volca Keys offers the richly expressive sounds that are distinctive of an analog synth, and combines the enjoyment of basic sound creation with deep functionality.

The Volca Bass is an analog bass line groove box that's capable of generating a wide range of bass lines. Though basic in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation, making it ideally-suited for acid house and many other styles of electronic music. Its step sequencer-distilled from Korg's Electribe series-offers a convenient, visually intuitive way to generate "free form" bass loops to stimulate inspiration. The three oscillators can be combined in several ways via a voicing function, to generate a variety of thick and modulated bass sounds.

The Volca Beats offers six fat analog drum sounds: Kick, Snare, Hi Tom, Lo Tom, Closed Hi Hat, and Open Hi Hat. It contains a wide array of sound variations that could not be produced by any means other than analog, with special emphasis on the sounds that are considered indispensable for dance music. A PCM sound engine is also included for generating clap, crash and others sounds that are better suited for PCM. Simple knob-based parameters can be used to quickly create a variety of drum sounds. For example, simply by using the three knobs (Click, Pitch, and Decay), a variety of kick sounds can be crafted, ranging from rough sounds that dominate the low range to tight sounds that keep a precise beat. In addition, a 16-part sequencer is included to easily add or remove parts.

The Volca series will be available in July 2013 for a U.S. street price of $149.99 each. Additional product information is available at Korg.com"

Update3 4/10/2013: The first set of new Volca videos:

Musikmesse 2013: Korg Volca analogue grooveboxes

Published on Apr 10, 2013 FutureMusicMagazine·266 videos

"At Musikmesse 2013, Korg show us Volca Beats, Volca Bass and Volca keys - their new range of analogue grooveboxes."

Korg Volca Grooveboxes Video at Musik Messe

Published on Apr 10, 2013 sonicstate·462 videos

"MESSE13: Korg Volca Grooveboxes Vide0 Drums, B-line and analog poly - yes poly"


Musikmesse 2013 - Korg Volca Bass, Keys und Beats

Published on Apr 10, 2013 musotalk·858 videos

Update4:


Published on Apr 10, 2013 Steelberry·33 videos

"The three new groove boxes from KORG - the Volga boxes - featured at MusikMesse
Run through of the capabilities and features

Steelberry Clones at MusikMesse
Copyright Stereoklang Produktion"

Update5:

Musikmesse 2013: Korg Volca Serie angespielt!

Published on Apr 11, 2013 justmusicvideo·70 videos

"Mehr News von der Musikmesse 2013: http://blog.justmusic.de

Boris Pipiorke-Arndt stellt auf der Musikmesse 2013 drei neue Miniatur Synthesizer vor: Volca Keys, Volca Bass und Volca Beats."

Musikmesse 2013: Korg Volca Serie


Update6:

Musikmesse 2013: Korg Volca Keys

Published on Apr 10, 2013 DeBugVideo·6 videos

"Trying out the Korg Volca Keys at Musikmesse 2013"

Udpate7:

Messe13: Korg Volca Keys - Direct sound recording

Published on Apr 12, 2013 FrequencyTestSystem·70 videos

"Sound impression of the Korg Volca Keys. Recorded directly from the Volca Input. Not mastered or FXed."

messe13: Korg Volca Beats - Direct Recording

Published on Apr 12, 2013 FrequencyTestSystem·70 videos

"Korg Volca Beats - Sound impression recorded directly from the output. I don't know if this is only with THIS model at Messe but the volume was really low. In the video the volume was raised by 6.4dB, no other mastering or FX took place."

MESSE13: Korg Volca Bass

Published on Apr 12, 2013 FrequencyTestSystem·71 videos

"Korg Volca Bass - Direct Sound Recording - Sound impression not mastered or FXed."

Update8:

MESSE13: Korg Volca Bass sound impressions (sound corrected version)

Published on Apr 14, 2013 FrequencyTestSystem·73 videos

"Korg Volca Bass (protoype) - recorded directly from the input (for real this time, sorry for the earlier mistake). I took the liberty to raise the recorded volume by +4db, no other mastering or FX took place."

Korg Volca series - Musikmesse 2013

Published on Apr 14, 2013 soundonsoundvideo·586 videos

"Korg have built on the success of their Monotron and Monotribe with a new family of analogue boxes. There are three new units: Volca Beats, a rhythm station with TB808-style drum sounds; Volca Bass, a TR303-style bass synth/sequencer; and Volca Keys, a three voice polyphonic lead synth. All include an in-built Electribe sequencer, effects, MIDI input (including MIDI sync) and analogue sync for synchronising with each other, and with Korg's hugely popular Monotribe units."

Update9:

Musikmesse 2013: Korg Volca Serie angetestet und erklärt

Published on Apr 16, 2013 DJlabde·72 videos
Jump to 3:15 for the jam demo.

"Mehr News von der Musikmesse 2013: http://www.dj-lab.de/

Boris Pipiorke-Arndt demonstriert auf der Musikmesse 2013 die drei neuen Miniatur Synthesizer Volca Keys, Volca Bass und Volca Beats von Korg."

NORD LEAD 1 【SYNTHESIZER MUSIC】 - "A Nordic Perusal" - Ambient chillout / space music

Published on Jan 17, 2016 Synthesizer Style

"'A Nordic Perusal' is a synthesizer composition I realized on the great Clavia Nord Lead 1. My style of synthesizer music could be Ambient, Chillout, or Space Music; feel free to make up your own mind or I might invent some crazy name for my style. Please "show more" for more info. I hope you have a good subwoofer. I have set this performance to a 'video.'"

All parts here.

Peter Edwards aka CasperElectronics "Tone Tweek" Custom Circuit Bent TI Speak & Spell

via this auction
"Rare one-of-a-kind custom interface & hand-art finished prototype modified vintage synthesizer

Dual double stacked TV-style controls for:
-Volume & Pitch
-Wave Randomize & Fine Tune

Dual red Atari Game style buttons with black bezels for:
Synthesizer Tone Engage & Wave Tweek

Dual highest quality extra large momentary/off/on switches for:
Hold/Freeze & Wave Loop

Dual body contacts for:
Tactile User pitch control note bending and flammy/whammy effects
Red Glitch Mode engage switch
Black Reset button
A/C adapter
The 1/8 inch out to phones or mixer is fully functional
The speaker is fully functional -and loud ( hence the Volume control ! )
Sweet custom vinyl Art hand finish

All stock TI Speak & Spell games work 100% without the Bends engaged.

This is a very playable & musically versatile hand modified T.I. robotic voice synthesizer specifically designed to produce:
Robotic voices
Synthesizer tones
Hard pumping rhythmic grooves & loops
Glitched-out IDM noise mayhem
Unusual electronic sound effects
& R2-D2 love songs
It sounds great, it looks great; -and it's a heck of a lot of fun to play!

Peter Edwards is well known for His Custom Synthesizer Construction, Circuit Bending & Performance.
He has Produced Custom Instruments for:
Danny Elfman
Mike Patton
Otto Von Schirach
& Many Others...

This is a prime example of advanced custom circuit bending:
It is fitted with the finest obtainable tactile double stacked knobs
Arcade game style buttons
Military spec. three way switches
& high quality internal components
...The culmination of years of synthesizer construction & circuit bending exploration


You may see further examples of Peter Edwards' amazing work and contact Him directly at: http://www.casperelectronics.com/"

Hataken Interview

Back on March 31, I put up a post on Hataken, a Japanese DJ artist who primarily uses analog synths. At the time, Shane Chisolm, the manager of Don Juan Dracula mentioned Hataken was working on a remix version of DJD's "Take Me Home". Shane asked me if I'd be interested in doing an interview with Hataken, and I thought why not. It would be interesting to hear his perspective on the world of synths as a live DJ artist. The following is the result of that interview. Note, this is a long one. You will want to use page down to scroll through. If it is too long for you, I recommend reading one or two questions each time you visit the site. Each DIY item below would typically have been a separate post. There is a lot of interesting stuff here. That said, I start with an introduction followed by asking Hataken how it all started for him. Note the focus is primarily on synths as this site is about everything synth, and Hataken delivers. The gear he has both worked with and designed to meet his specific needs is overwhelming. There's also an interesting interlude on experimenting with frequency counters to produce specific frequencies of sound known to have healing properties, and of course there is a bit of the age old discussion of digital and analog.

Before we start the interview, I want to thank Hataken for taking the time out for this, and I want to thank Shane for suggesting it. It's a fascinating history of a DJ synth artist with interesting perspectives that I'm sure I will come back to over time. Be sure to check out the video and link to more at the end. And of course be sure to check out Hataken's website.

1. Can you tell us a little bit about yourself?

CLICK FOR MORE »

Roland Releases New SYSTEM-100 PLUG-OUT Synthesizer

It looks like we have a new PLUG-OUT synthesizer based on the original Roland System-100. Note the EMS pin style patch routing matrix on the lower left. The PLUG-OUT is available for the System-1/1m, AU & VST. With the 1m you get the physical semi-modular patching capabilities. This brings the total number of individual PLUG-OUT synths for the System-1/1m to five including the System-1, SH-101, SH-2, and Promars.

"The SYSTEM-100 PLUG-OUT Software Synthesizer is a modern reproduction of the now-legendary semi-modular monosynth from 1975. It integrates the features of the original Model 101 Synthesizer and Model 102 Expander units, resulting in an incredibly fat and uniquely versatile two oscillator monosynth with modular routing capabilities. Designed for SYSTEM-1 and 1m as well as Mac and PC hosts, the new SYSTEM-100 uses Analog Circuit Behavior to faithfully recreate every detail of the warm, expansive sound of the original, with a level of authenticity that can only come from Roland.

Perfect replica of SYSTEM-100 sound and behavior
ACB provides expansive, liquid tone of the original
Model 101 Synthesizer and Model 102 Expander in a single instrument
Sophisticated architecture with dual VCO, dual LFO, S&H, Ring Mod, Noise and more
Versatile semi-modular patching capabilities
Integrated Phaser with modulation inputs, Reverb and Delay
Advanced arpeggiator with Scatter capabilities
VST, AU and PLUG-OUT compatible

Modular Monosynth

Created in 1975, and both distinctive and sought-after to this day, the SYSTEM-100 broke new ground for monosynths. In addition to its ultra-fat oscillators and creamy filters, it had modular patching capabilities, vastly increasing the sound design options. Pairing a Model 101 Synthesizer with a Model 102 Expander gave you two VCOs and two LFOs to work with, as well as Sample and Hold, Ring Modulation and a Noise Generator that all worked seamlessly together. With the addition of its modular routing capabilities, the SYSTEM-100’s sonic palette was staggering - effortlessly turning out the fattest of bases, in-your-face sync leads, dense textures, and exotic soundscapes.

The New SYSTEM-100

With the new SYSTEM-100 PLUG-OUT Synthesizer, the sound of this legendary instrument is perfectly reproduced and brought to life with Analog Circuit Behavior (ACB). ACB faithfully captures the sound and feel of our most revered classics, using original design specs, and a detailed, part-by-part analysis of each analog circuit. While the sound and behavior is reproduced with total accuracy, there are a number of modern additions that improve upon the original design.

The features of the original Model 101 Synthesizer and Model 102 Expander are combined into a single interface, allowing you to use both VCOs, both LFOs, S&H, Ring Mod and so on with no patching. Of course, the signal path can be altered and parameters modulated by connecting cables between the patch points. A new 14x15 Routing Matrix makes for super-quick patching with all connections still visually reflected as patch cables on the SYSTEM-100’s control panel. You can toggle patching on/off as well as quickly see the entire signal flow with convenient buttons right above the Routing Matrix.

Like other PLUG-OUTs there are dual ADSR envelopes (VCF and VCA) and the advanced pattern generation of the Scatter equipped Arpeggiator. Six arpeggio types with six step settings combine with variable Scatter type and depth to create a seemingly infinite selection of patterns. A lush phaser with modulation inputs joins the superb reverb and delay, creating an effects section perfectly suited for synth sounds.

PLUG-IN and PLUG-OUT

While multiple instances of the SYSTEM-100 plug-in can be used in any VST or AU compatible DAW, the SYSTEM-100 PLUG-OUT Software Synthesizer offers seamless integration and unique capabilities for SYSTEM-1 and SYSTEM-1m owners, including knob-per-function hardware control, stand-alone portability, and semi-modular patching capabilities (1m only).

Connect a SYSTEM-1/1m to your computer and it becomes a dedicated controller, only lighting the appropriate knobs and sliders pertinent to the SYSTEM-100. Transfer sounds back and forth between the hardware and software and even use the SYSTEM-1/1m as a high-quality audio and MIDI interface. Or break free entirely and PLUG-OUT directly to the SYSTEM-1/1m, creating a stand-alone hardware SYSTEM-100 synthesizer with real physical controls that can go anywhere and doesn’t require a computer.

With the SYSTEM-1m, you can even use the physical audio and CV/Gate patch points on the hardware with any of the available PLUG-OUT synths. This means semi-modular versions of classic Roland synths are now possible. Pairing the SYSTEM-100 with the SYSTEM-1m gives you dedicated high-resolution controls and both virtual and physical routing and modulation capabilities. The results are simply mind-bending."

http://www.roland.com/products/system-100_plug-out/

Roland System-1s on eBay

New OCS-2 Digital, Semi-Modular, Analog Style Hardware Synthesizer by Nozoïd

OCS-2 from chnry on Vimeo.

"Demonstration of the OCS62 synthesizer from http://www.nozoïd.com"


OCS-2 VCO demo from chnry on Vimeo.

"This video demonstrate the sound of one VCO of the OCS-2 synthesizer. The sound did not pass throw the VCF,VCA.

The frequency is changed thanks to a LFO.

the 15 waveforms of this VCO are demonstrated one after the other.

more info about the synth : chnry.net/ocs"


OCS-2 VCF demo from chnry on Vimeo.

"Sound of the VCF OCS-2 synthesizer. A sawtooth waveform at constant frequency is pass throw the VCF. The VCF cutoff is changed via a LFO.

the resonance factor (Q) is manually adjusted during the recording."

via Nozoïd:

"OCS-2 is a digital, semi-modular, analogue style synthesizer. Small, but very powerful and flexible, it provide an incredible sound quality. Dedicated to knob addict, this synthesizer is full of feature that define it’s own unique sound.

Why is it so special?
First, the sound quality is impressive : this is not a cheap 8 or 16 bits synthesizer : it implement state of the art audio synthesis algorithm.
OCS-2 provide lot’s more than the essential of a modern dual oscillator monosynth. Original waveform, shape morphing LFO, there is a lot of unique feature :

30 control knobs
Few atypical waveform with incredible fat sound
LFO that can continuously change waveform
A CV GENERATOR with different algorithm to generate random to rhythmic modulation
4 audio effects
A very powerful digital connection matrix
A light sensor to control sound with hand gesture
Customizable and possibility for software update
Very compact
Incredible sound quality

What is inside?
2 VCO providing 15 different waveform
1 VCF (multi-mode, including a 24db/Octave low pass resonant filter)
1 VCA
1 ADSR
3 LFO (2 with configurable waveform, 1 with CV frequency control)
1 custom CV GENERATOR with 4 different algorithms (Attack Release, dual LFO, Random, Non Linear)
1 audio effects processor with 4 different effect (Distortion, delay, bitcrush, waveshaper)
1 ring modulator
1 CV controlled MIX (for VCO1 and VCO2)
2 octaves keyboard with portamento
1 digital matrix to connect CV to modulation fader
1 Stereo line-IN with envelope follower and gate control
1 MIDI input (note / velocity / pitch wheel / modulation wheel / control change)
3 analog CV IN and 1 GATE IN
1 light sensor
Why will you love it?
Since it is very small, you can carry this synthesizer everywhere. You can even use a 9V battery as power supply. With an embedded audio multi-effect, you don’t need anything else!
But this synthesizer can also adapt to your setup: add a midi keyboard and your ready for endless jam.
OCS-2 is also perfect as a computer complement : prepare some midi loop and use them in combination with the modulation faders as CV controls.
With a line audio input, 3 analogue Control Voltage In, and one 0/5V Gate IN, OCS-2 can also be a great addition to your modular setup.

The extensive number of physical control allow an easy and effective sound tuning. 30 faders intent a direct access to all sound parameters, so you can only focus on the music.

The light sensors is also a great for music expressiveness : use the shade of your hand to control your sound! Your performance on stage will never be the same thanks to this feature. This is also attractive for studio work since it introduce a very different control than a fader rotation.

Specifications
30 fader, 12 bits input
48KHz audio synthesis
about 10KHz for CV computation
24 bits audio ADC and DAC
32 bits audio synthesis
82 dB S/N ratio for the audio line-out (measured)
0.15 ms IN/OUT audio latency
cortex M3 32 bits micro-controller (arduino due)
7 to 12V power supply (1 standard 2mm power plug or 1 standard eurorack plug)
low power consumption (300mA @ 12V)
3U, 10 inches (50HP) eurorack format
254 x 128.5 x 50 mm (290 x 139 x 55mm for the box)
about 270g (750g with the wood box)"

CLICK FOR MORE »

Synthesizer Evolution: From Analogue to Digital (and Back) by Oli Freke

New synth book coming from Oli Freke, who brought us the SYNTH EVOLUTION posters.

The book is currently available for pre-order here.

The book features:

• Over 500 hand-drawn illustrations of vintage synthesizers, drum-machines, samplers and pre-modern electric instruments.

• A reference book for every synthesizer, drum-machine and sampler manufactured between 1963 and 1995 with key stats, fascinatingly quirky facts and company profiles.

• Destined to be the new ‘bible’ of synthesizer information, following in the footsteps of the classic ‘KeyFax’ series by Julian Colbeck.

• Tells the story and impact of the synthesizer on all forms of modern music and culture with geek appeal for the music fan and synth fan alike.

From acid-house to prog-rock, there is no form of modern popular music that hasn’t been propelled forwards by the synthesizer. As a result they have long been objects of fascination, desire and reverence for keyboard players, music producers and fans of electronic music alike. Whether looking at an imposing modular system or posing with a DX7 on Top of the Pops, the synth has also always had an undeniable physical presence.

This book celebrates their impact on music and culture by providing a comprehensive and meticulously researched directory of every major synthesizer, drum machine and sampler made between 1963 and 1995. Each instrument is illustrated by hand, and shown alongside its vital statistics and some fascinatingly quirky facts. In tracing the evolution of the analogue synthesizer from its invention in the early 1960s to the digital revolution of the 1980s right up until the point that analogue circuits could be modelled using software in the mid-1990’s, the book tells the story of analogue to digital - and back again.

CLICK FOR MORE »

Casio XW-G1 Groove Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »