MATRIXSYNTH: Search results for Voltage Controlled

Showing posts sorted by date for query Voltage Controlled. Sort by relevance Show all posts
Showing posts sorted by date for query Voltage Controlled. Sort by relevance Show all posts

Tuesday, October 06, 2026

Introducing DMNO ON — Desktop Synthesizer


video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic


video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

PAN & Feedback , TTMC Voltage Controlled Reverberation MK2 Card , Buchla Easel , 248


video upload by Tokyo Tape Music Center

Thursday, October 01, 2026

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Monday, September 28, 2026

Synthesizers.com Introduces Q108 Amplifier DIY KIT



"We're so excited to share with you the new Q108 Amplifier DIY KIT!!

The Q108 Voltage Controlled Amplifier is a staple of any synthesizer system.

The amplitude of any waveform can be controlled by another signal such as an envelope generator, sequencer, oscillator, etc.

An Initial Gain control allows manual adjustment of the amplitude and a Level Control determines the impact of the control signal.

Both Linear and Exponential responses are available to simulate a variety of real-world sounds. Positive and negative output signal polarities are provided.

Two inputs are provided for mixing."

You can find posts featuring the Synthesizers.com Q108 here.

Sunday, September 27, 2026

Levitate Expansion synth from Synamodec


video upload by Synamodec

"Hi everyone, this is the Levitate Expansion synth from Synamodec.
The Synamodec Levitate Expansion is a massively upgraded version of the original standalone desktop synthesizer. While the standard Levitate primarily consisted of just three simplified blocks (Legus, Neura, and the Nxpctd delay), the Expansion turns the machine into a deep semi-modular instrument by adding the following new modules, expanded sections, and dedicated processing blocks: [1, 2, 3, 4, 5]

1. New Sound & Modulation Modules
• "Crazy" Module: An entirely new, dedicated noise/sound generator designed for extra sonic chaos, which includes its own LFO and EQ controls. [1, 2]
• 6 LFOs (Low-Frequency Oscillators): The standard edition had highly limited internal modulation. The expansion adds 6 independent LFOs distributed across the modules (e.g., inside Legus, Crazy, the VCFs, and the Phaser/Delay) to dynamically modulate parameters. [1, 2, 3]
• VCA & Dedicated Envelope Generator: A full Voltage Controlled Amplifier accompanied by a dedicated ADSR/Envelope generator and a Gate/Trigger output for syncing with external hardware. [1]

2. New Audio Processing & Effects Blocks
• Dual VCF (Voltage Controlled Filters): Two filters designed exclusively for this edition with individual level controls for external inputs, high-pass (HP) and band-pass (BP) outputs.
• Phaser / Delay: Replaces the basic delay block with an advanced Phaser/Delay unit capable of extensive CV modulation.
• Dedicated Fuzz & Distortion: Two distinct, independent analog overdrive circuits allowing you to grit up your signals separately.
• 6-Band EQ / Filter: A fixed frequency equalizer section to shape the tone of your mix.
• Master Mixer: A comprehensive mixing stage featuring physical levels and a lever to blend pure audio signals with heavily processed ones. [1, 2, 3]

3. Expanded Features on Existing Blocks
• Legus Expanded: Upgraded with an extra exterior output, an external audio input, and 2 integrated CV inputs.
• Neura Expanded: Boosted into a Triple Oscillator setup featuring an increased count of signal generators and a dedicated external output. [1, 2]

4. Eurorack Patch Points
Unlike the standalone standard unit, the Expansion adds a vast matrix of external CV inputs and outputs. This allows every module to cross-patch internally or interact seamlessly with external Eurorack gear.

If you're interested, send me a message and we can chat. It’s on sale throughout October. miguel@synamodec.com"

Wednesday, September 23, 2026

Plexiphon Is Now Shipping! | Make Noise


video upload by MAKEN0ISE

"On Saturday, October 3rd, at 3 pm, Tom Erbe will be at Perfect Circuit in Burbank, California, talking about all things Plexiphon and soundhack. The event is free!

The Make Noise Soundhack Plexiphon is a stereo, modeless spatial texturizer which allows for continuously morphing between reverberations and multi-tap echoes, the widest range of possible results being neither reverb nor echo, and all results highlighting and amplifying character previously hidden in the source material being processed.

The Plexus control simultaneously modulates the number of feedback paths in the algorithm, and their entanglement together. The Size of the paths determines the temporal relation between them, operating like a 'delay time,' or a 'room size,' at either extreme of Plexus.

Diffuse and Color offer softening/sharpening/darkening/brightening effects over time.

Couple and Skew are stereo operations: Couple determines to what degree the left and right sides are isolated or intermingled (from 'dual mono' to fully interlaced stereo), while Skew offers simultaneous inverse or tandem control of the left and right paths on the Plexus, Size, and Color parameters.

The Send gate input (normalled high, or patchable) determines whether and when the input signal will be fed into the Plexus.

An envelope follower is provided at the CV output for re-integration of the Plexus into its own controls or elsewhere in the voltage controlled system.

Plexiphon is built from entirely new code by Tom Erbe, specifically for Make Noise’s newest digital hardware.

http://www.makenoisemusic.com/modules..."

Saturday, September 19, 2026

The Far Reaches of the Envelope/Hikari Instruments Triple AD #modularsynth #モジュラーシンセ


video upload by MY FIRST SYNTH TOKYO

"I made some beats and generated noise using only the Hikari Instruments Triple AD.

The Triple AD features standard envelope mode and cycling mode, and can also be controlled by incoming trigger (voltage) timing.

By combining its LFO and envelope functions, you can enjoy a full performance with just this single module.

It’s easily the worst—and coolest—way to use an envelope module imaginable!
#eurorack #eurorackmodular #envelope"



Triple AD from Hikari Instruments provides three independent Attack/Decay envelope generators in an uncommonly tiny Eurorack footprint. Each of the envelopes has a dedicated trigger input and an output.

All envelopes can be set to self-cycling mode either manually via a switch or using control voltage or gate signals sent into the cycle input jack, extending the module's utility into LFO-like territory. Additionally, above each of the outputs, there is a 3-position range switch, enabling access to envelope times from 0.2 ms to eight seconds in length.

Triple AD Features

Three AD envelopes

Per-channel cycle mode may be activated manually or momentarily set via CV/Gate

Definable envelope duration from 0.2ms - 8s

Thursday, September 17, 2026

Introducing Haas Zone Processor


video upload by Verbos Electronics GmbH

"Introducing Haas Zone Processor. In stores now.

Video by: ‪@coquinati_music‬


In 1951 Helmut Haas wrote the paper On the Influence of a Single Echo on the Intelligibility of Speech, describing the psychoacoustic effects of delay on sounds. Since the paper describes short delays, “The Haas Effect” generally refers to delays shorter than 50mS. The Haas Zone Processor enables the effects in this range, including chorus, flange, phase cancellation, doubling, ADT, waveshaping and others.

At the core is a multi-tapped digital Delay Bank largely influenced by vintage studio processors including the Marshall Time Modulator. Tap1 can be switched and swept from less than 1mS up to 20mS. Tap2 is chained from the output of Tap1, adding an additional 1mS-20mS. Tap3 ranges from 9-42mS. In addition to having their own full volume outputs, all 3 delay taps can be blended with the Dry input signal in a voltage controlled mixer.

Also included is a Bandpass filter built from a 2 pole hipass followed by a 2 pole lowpass. Bandwidth can be swept from very narrow all the way to full bandwidth. Frequency can be swept across the full audio range and voltage controlled through a bipolar attenuator.

To the left is a Voltage Controlled Oscillator, similar to the modulation side of a Complex Oscillator. Included is a Triangle, Square and Sawtooth wave that range from 0-10v. The Frequency can sweep from more than 1 minute per cycle all the way up to audio range and tracks volt/octave.
There is an envelope Follower on the input and both it and the triangle output from the Oscillator are normalled to the c.v. inputs on the Delay Time. The output of Tap3 is normalled to the input of the Bandpass filter and the output of the Bandpass filter is normalled to the Feedback In. Through tweaking the Delay Time, Oscillator Frequency and Bandpass Frequency multiple resonance points can be accentuated. The Haas Zone Processor is intended to be used as an effect, inside a patch as waveshaper or as a voice on its own."

Wednesday, September 16, 2026

9/15/26 (2050 test) 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + MIDIVERB II


video upload by Cfpp0

"9/15/26 (2050 test) Jakub Jasiński 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + Alesis MIDIVERB II

If you came for metallic falcon screams, jump to 1:19. This unbranded 2050 module was made custom by Jakub Jasiński for the previous owner. It’s plugged in a 4ms pod, but it’s getting 5v DC externally. It’s not a clone, but it seems to have been based on the Zerosum Inertia 6550-99, which is probably the greatest voltage controlled oscillator of all time. The Ladik S-143 (through the U-202 and multiplied) is sequencing the 2050 tune input and pulse input, as well as the MFB OSC-2 CV1. The triangle on the OSC-2 is running to the sync input on the 2050. An envelope from the MFB dual ADSR is running to the 2050 drive input. The delay is from the Peavey DDL-3 and the reverb was blended on CXM 1978."

Sunday, September 13, 2026

20cc Spectron: Classic Tape Dual Oscillator | Knobcon 2026


video upload by CatSynth TV

"Andrew from 20CC takes us on a tour of the TXX-1 Spectron, a dual-voice module based on samples from classic recording-based instruments like the Mellotron and Optigan.

To find out more, please visit https://www.20cc.cool/

'The 20CC TXX-1 Spectron is a Eurorack format dual oscillator inspired by vintage analog multisampling instruments such as the Mellotron, Chamberlin, and Optigan. Spectron uses a unique combination of synthesis and sampling techniques to bring the rich, warbly sounds of these classic instruments into Eurorack for the first time, while also offering new possibilities to manipulate, warp, and mangle them.'" Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth


0:00 Introduction
0:15 Spectron
1:49 Availability
2:08 How sounds are added to Spectron



"The 20CC TXX-1 Spectron is a Eurorack format dual oscillator inspired by vintage analog multisampling instruments such as the Mellotron, Chamberlin, and Optigan. Spectron uses a unique combination of synthesis and sampling techniques to bring the rich, warbly sounds of these classic instruments into Eurorack for the first time, while also offering new possibilities to manipulate, warp, and mangle them.

Analog multisampled instruments had their hey-day in the 1950's through the 1970's. They used analog recording technology - tape recording in the case of the Mellotron and Chamberlin, and optical sound printing on analog photographic film in the case of the Optigan. Each key corresponded to a recording of a note played on another instrument, often orchestral sounds like strings, woodwinds or choirs, which would play back when the key was pressed. All of Spectron’s sounds are based around full, per-key recordings of vintage multisampled instruments.

Rather than simply triggering discrete samples, Spectron organizes many samples to create the illusion of a continuous voltage-controlled oscillator. As pitch changes, playback seamlessly transitions between recordings, preserving the character of each original tape while allowing smooth, continuous frequency control.

There are two assignable timbre shaping sections not normally found on sample-based instruments: FM and Sync. These are tuned to range from subtle modulations that recontextualize familiar sounds, through radical transformations that are barely recognizable, and all the way to harsh and clangorous, with continuous CV control of all points between."


Friday, September 11, 2026

Обзор осциллятора Twang Wave Generator


video upload by temaniak - click CC for subtitles once the video begins.

0:24 Интро - Intro
1:12 Контроль - Controls
3:27 Волны - Waves
5:40 VCA и морфинг - VCA and Morphing
11:55 Сабосциллятор и Гармоники - Sub-oscillator and Harmonics
14:53 FM
22:13 Патч A (YAY) - Patch A (YAY)
23:58 Патч B (Sync) - Patch B (Sync)
25:56 Патч C (Selfpatching) - Patch C (Self-patching)
31:16 Комплексный патч А (Drone) - Complex Patch A (Drone)
34:58 Комплексный патч B (Мелодичный) - Complex Patch B (Melodic)
40:01 Аутро - Outro



Tri-core VCO with wave morph, TZ FM and buit in VCA's

Twang Modular Wave Generator is a fully analog triangle core VCO with great set of features:

– wave output with contintious morph between sine, triangle, upsaw and pulse waves.
– voltage controlled morph with bipolar attenuator.
– wave output has built in VCA, alowing to control the level and amplitude modulation.
– Roland SH-101 style square sub oscillator.
– even and odd harmonics outputs.
– FM in with amount control VCA and switch between exponential and through-zero.
– pulse width modulation which also change the phase of upsaw wave.
– sync input.

Wednesday, September 09, 2026

VAV X-Wave: Wave-Crosser



"X-Wave is a crossover-synched signal switcher for the Eurorack modular system. It's simple to use (no knobs in sight), but it's also very powerful!

X-Wave has two Signal Inputs (conveniently named SIGNAL 1 IN and SIGNAL 2 IN). It has only one OUT, though, so it is forced to choose between the two signals you give it. To do this, it listens to SIGNAL 1 and decides if SIGNAL 1 is positive (as indicated by the little +).

If SIGNAL 1 is positive, it sends only itself to the OUT jack.

However, if SIGNAL 1 is negative, only SIGNAL 2 is sent to the OUT jack (as indicated, again, by the little -).

So, if you feed two different waveforms from a VCO into SIGNAL 1 and 2 IN (pulse on 1 and saw on 2 work very well together, for example), the result will be a wave shape that cycles between half of each waveform you provided. If you use a pulse for SIGNAL 1, you can also create wavetable-like effects by varying the pulse width of your pulse wave on your VCO.

There are two other functions on the X-Wave that greatly expand its capabilities:
You can connect a third signal to the + DETECT IN jack as an external control of the switching action. This will make X-Wave stop listening to SIGNAL 1, and listen only to the 3rd signal This is very useful for using a pulse wave with PWM to "scroll" between two other waveforms from the same VCO, inserting sub oscillators to toggle between full cycles of SIGNALS 1 and 2, hocketing effects via use of a sequencer or gate divider, non-synched interleaving and switching effects, and voltage-controlled A/B switching or muting.

You can also invert the polarity of SIGNAL 2 using the provided toggle switch. This can be used to correct unfavorable polarity alignments between SIGNALS 1 and 2 or can also be used to turn X-Wave into a full wave rectifier or external-voltage-controlled inverter if you plug the same signal into both SIGNAL IN jacks.

X-Wave can pass signals down to 0hz (DC) so it can also be used to process LFOs, Envelopes, CV Sequences, and 1V/Octave signals. It probably has other uses I haven't thought of!

X-Wave is 4HP and uses Burr Brown op amps for the main signal path alongside other high quality Texas Instruments ICs for other duties. X-Wave is not a bi-directional switch, so please be aware that the IN and OUT jack labels should be followed when patching. X-Wave uses a high impedance of 1M (10x the typical 100k) for all inputs, so multiple units can be connected via stacking cables/passive splitters (up to 10 inputs can be paralleled while still maintaining traditional Eurorack input impedance standards)."

VAV N-Wave: Middle-Out Waveshaper


video upload by Magical Synth Adventure

"Join me as I take the @control_voltage VAV N-Wave Middle-Out Waveshaper for a spin!

The N-Wave is a really imaginative waveshaper. Some waveshapers might fold over the peaks of an incoming waveform, some might rectify them - squaring things off like a fuzz pedal. N-wave keeps the peaks of waveform - like the top and bottom of a saw wave - intact, and instead lets you shape and turn up on the volume on a section in the middle of the waveform - leading to unique tones. This is especially true, as you can vary the width of this middle section!"

video uploads by control_voltage

Playlist:

1. VAV N-Wave: Step Sequenced Threshold
One fun live performance (or studio) use for the N-Wave is to connect a Step Sequencer on the Threshold CV and generate different timbres for each step in a sequence. These act as accents and add a lot of life and feel to your sequences and the feel can easily be changed on the fly using something like a Joranalogue Step 8 as your source of steps.
2. VAV N-Wave: Threshold Ring Modulation
In Part 2 of the VAV N-Wave Video Manual, we look at using the threshold control and bipolar vca cv to create new waveforms that have a mixture of normal and ring modulated (quadrature) segments.
3. VAV N-Wave Mangles a Triangle
Here, the N-Wave does quite a number on an unsuspecting triangle wave with the help of some nearby modules. N-Wave is kind of like that one kid's house where everyone hung out and cooked up weird DnD campaigns or something. But for modular signals.



"N-Wave is a novel waveshaper for the Eurorack modular format. Unlike traditional wavefolders and clippers, which operate on the peaks of a waveform, N-Wave leaves peaks intact. All you need to expand your sound palette greatly is a VCO signal and a few twists of the knobs!

Using its internal bipolar VCA (aka four quadrant multiplier, aaka ring modulator) you can apply gain reduction and polarity inversion to an inner portion of the wave slope that you define with the THRESHOLD and OFFSET controls.

All functions can also be controlled via control voltage inputs. LFOs, Audio Rate VCOs, ADSR Envelopes, 1V/Oct signals, sequenced voltages, sample and hold signals, noise, and sub octave signals are all very good choices and can produce results ranging from very musical to very strange. An external detector signal can also be applied if you don't want to trigger the detector on the waveform you're modifying.

If you like, you can also use N-Wave as a high quality bipolar VCA, attenuverter, or ring modulator with the THRESHOLD set to maximum and dynamically mute the effect by applying 0V or a negative voltage to the threshold either using a sequencer or manual control, which allows for hocketing and rhythmic effects.

N-Wave can also operate all the way down to 0hz (DC), so, in addition to audio, it can process LFOs, envelopes, 1V/octave sequences, and any other signal that varies amplitude over time (Sorry, square waves and pulse waves. Your super-sonic rise times are hard to shape in an audible way, but you do work well as control signals).

N-Wave is 10HP and uses Burr Brown op amps for the primary signal path alongside high quality Texas Instruments ICs that are carefully chosen to best fit their roles in the circuit."

Elektron Outbox 8 — Information from Sweden


video upload by Elektron

"Outbox 8 adds eight outputs for configurable audio and CV, meaning you can turn your compatible Elektron machine into an octopus of connectivity. Add external effects. Separate your tracks out to a mixer or wherever. Control and sequence your modular gear or any other CV-equipped devices. And though Outbox 8 is predominantly made with your Elektron units in mind, it can do the same with a bunch more class-compliant gear too. Break out your sound and control, whatever the moment calls for."

This is Outbox 8

video upload by Elektron

ELEKTRON OUTBOX8 IS HERE!!! The Power of Extra Outputs & CV

video upload by Catenation

What Elektron Outbox 8 does, and not just for Elektron Gear // Review & tutorial

video upload by loopop



"Eight-channel audio/CV breakout box

Outbox 8 is a versatile eight-channel audio/CV breakout box and USB host/device designed to expand your connectivity, with creative possibilities to boot. It adds eight fully configurable physical outputs to a compatible connected device, letting you send audio and CV in any combination its capabilities allow. Route your sound and control wherever the moment calls for.

Send audio

Outbox 8 enables you to route individual tracks for external processing, mixing, or performance – creating a flexible bridge between your Elektron workflow and the wider world of sound and control.

MIDI to CV

Monday, September 07, 2026

MemoryTone by XILS-Lab


video upload by xilslab

"MemoryTone by XILS-lab unleashes a colossal three-oscillator-per-voice analog architecture—with 16-voice polyphony and up to 18 oscillators in unison—then propels it beyond its 1982 inspiration with expanded modulation, MPE, advanced arpeggiation, integrated effects, and modern sound-design capabilities."



via XILS-Lab

MEMORYTONE: THEY CALLED IT MAGIC.

MemoryTone is XILS-lab’s exploration of one of analogue synthesis’s most ambitious instruments — a sixteen-voice polyphonic architecture built around three oscillators per voice and a 24 dB/octave self-oscillating ladder filter.

With eighteen oscillators across sixteen voices, combinable waveforms, oscillator sync, pulse-width control and a deeply interactive signal path, its character begins long before effects enter the picture. Oscillators interact. Levels influence behaviour. Voices move. The filter responds to everything that came before it.

Friday, September 04, 2026

Antonus 3620 – Official Teaser | ARP 3620 Inspired Keyboard


video upload by Antonus

"Inspiration - Evolution- Legacy

A new wave of expression is here. The Antonus 3620 is a high-end keyboard controller inspired by the legendary ARP 3620, expanded with advanced CV/MIDI capabilities, dual-zone split mode, built-in sequencer, and a premium Fatar key-bed.

Available in 37-key and 49-key versions, with classic Tolex or modern metal chassis options.

Discover all specs and features: https://antonus-synths.com/3620-2/

Credits

Starring: Fernanda Aleman
Video: Ambar Waegemaeker
Editing: Mica Villafañe
Soundtrack: Free Norman
Production Team: Toni Gutierrez, Xinaxina, Mica Villafañe, Ro Cimmino

Huge thanks to our entire team and everyone involved in bringing this visual teaser to life!"



The Antonus 3620 is a sophisticated keyboard, sequencer, and CV/MIDI controller designed to be an expressive, powerful, logical, and intuitive tool. Inspired by the classic ARP 3620, the Antonus 3620 goes further by incorporating many new features and enhanced connectivity, capable of interacting with both voltage–controlled systems and MIDI devices.

Tuesday, September 01, 2026

Polysynthi Loops


video upload by Memetune Studio

"Here's a happy/sad tune on the ultra rare and quite exquisite EMS Polysynthi. Maybe only about 30 of these synthesisers were ever made, and probably just a handful are left in the wild. It came out in 1978 to rave reviews (https://www.muzines.co.uk/articles/em...) but then disappeared in spectacular fashion when other polysynths came to market around the same time (Prophet 5, Korg PS3100, Yamaha CS80, Polymoog, Roland Jupiter 4), most of which had huge corporate advertising budgets behind them. But the EMS had a number of unique things going for it, such as 49 note polyphony (albeit sharing one filter / VCA -- it is essentially paraphonic, like the Polymoog), 2 LFOs with a clever routing system, pressure sensitive keyboard, and a voltage controlled analogue delay section. But above all, it has a totally "of-its-time" sound like no other synth I know - it creates instant late-70s happy/sad tones like nothing else in my studio. And the other thing - JUST LOOK AT IT

This is a live performance using the Polysynthi and the Concrete Box (stereo loopers) to layer up multiple passes of melodies

As always, thanks for watching, and enjoy the tones"

Saturday, August 29, 2026

Oberheim 4/2-voice/SEM Catalog

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing, also on eBay.

See the seller's other items for more.

"OK, this is one of the holy grails of vintage Synthesizer-Literature. In the 30 years of collecting synth-literature I only saw this catalog twice. There is another Oberheim Catalog from 1978 (8/4/2 Voice) which is much less rare. I guess this Oberheim catalog was only foreseen for dealers and universities. The price reflects it's rarity but I'm open to fair offers as always, the price will also be adapted as long it's not been sold, so keep watching this item if the price is too high for you now . I'm only shipping this with a tracking-option hence the higher shipping-costs,it would be an immense shame if this catalog gets lost in mailing traffic somewhere. This Oberheim catalog is for the real collector and could be your only chance in life to own this piece :)

For sale is an Oberheim 4/2-voice/SEM Catalog from 1975 (!)

This is your chance to own this original Oberheim Catalog which contains information and picture's of the 4/2 Voice and SEM Oberheim synthesizers. It also contains info and pics of the early Oberheim Products of the early 70's when Oberheim started as a company as there are the stand-alone Voltage Controlled Filter, Phasor and Digital and Mini Sequencer.

This is a must-have for any vintage synthesizer/Oberheim collector as these are getting very hard/impossible to find these days.

This catalog has no highlighting or underlining in it. This catalog has 1 stamp and 1 sticker on it. This original Oberheim catalog is in very good condition, see the picture's for more detail."

Thursday, August 27, 2026

Yamaha CS Series Chip Clones by Ando Pilve



This was shared by Ando Pilve on Facebook (Aug 22):

"If you know what this is, you know what these are. Coming soon!"

Note the PILVE iG00153AP and iG00156AP chips left.

Followed by (2nd board image with the the iG00158AP pictured in place from January 21):

"IG00158 waveshaper chip clones are now available on Reverb and eBay. They are drop-in replaceable into the original footprint or a DIP-16 socket."

and from March 2025:

"IG00151 VCA clones are now available on Reverb and eBay! They are drop-in replaceable and can coexist with original chips without modifications."

You can find them on Ando's Gear Shop on Reverb here, and eBay here.

You'll find additional details on each captured from the listings below.

Ando Pilve also brought us the Kijimi Stereo Output Mod as well as a few recordings featuring Black Corporation's Xerxes and Deckards Dream. Deckards Dream of course was based on the CS80.

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