MATRIXSYNTH


Friday, July 18, 2025

Black Corporation Kijimi TouchOSC Bidirectional Editor v5.0



via https://synthnyc.com/


GENERIC FEATURES:

- Display parameter Name and Value

- Double click a slider or button to reset it to a default value

- MIDI data rate efficient: only sends a MIDI message if the parameter value is incremented or decremented by 1

SPECIFIC FEATURES (FW v2.0.0):

- 1 Editor Page for main, LFO and ADSR2 Common Program parameters (some Global parameters are also on that page)

- 2 Editor Pages for LFO and ADSR2 Individual Program parameters (and duplication of key LFO and ADSR2 parameters for a better workflow)

- 1 Editor Page for ARP and Microtuning Global parameters

- All 240 Program + Global parameters implemented in the editor. Program and Global parameters are bidirectional using CC and SYSEX

- MIDI Channel selection slider (this is the Kijimi MIDI Receive Global parameter)

- Bank (change) + Program (change) selection slider + buttons

- Buffer Request, Buffer Init, Buffer Write and Program Write buttons using SYSEX

- Hide / unhide specific LFO and ADSR2 features based on Common / Individual parameters selection (see video for a demonstration)

WORKFLOW 1 EDITING FROM PATCH (starting at 00:06 in the video above):

- Select a Bank & Program

- Press Buffer Request to load it to the editor

- Start editing (the loaded patch) on the editor (the Patch is edited in the synth buffer)

- Select a Bank & Program (Optional)

- Press Program Write to save it in the synth

WORKFLOW 2 EDITING FROM SCRATCH (starting at 03:56 in the video above):

- Press Buffer Init to send an init patch to the synth buffer

- Start editing (the init patch) on the editor (the Patch is edited in the synth buffer)

- Press Buffer Request to record it in your DAW / SYSEX librarian; or save it manually in the synth

- Press Program Write to save it to the synth

FEATURE REQUESTS / BUG FIXES:

- Go to the video Description on Vimeo

https://vimeo.com/1102655869

MOTIVATION:

- Consistent User Experience (no skeuomorphism): Color coding of synth blocks (VCO1 in blue, VCO2 in green, VCF in orange, etc..) which makes it extremely efficient and consistent across synths (rather than using different synth UI or dedicated editors).

Can MonoPoly Drum N Bass???


video upload by HanzVolt

"Quick jam I put together... The MonoPoly is the most influential synth Ive experienced. Everyone needs a MonoPoly!!"

This Tiny Synth Shouldn't Sound This Good — GS Bree6 Review


video upload by Devin Belanger

https://www.gsmusic.com/

"Review, demo & walkthrough of the new GS Music Bree6 analog synthesizer

Get my custom synth patches: https://shop.milesawayofficial.com

0:00 - intro
0:45 - PSA: I'm going on my first tour!
1:26 - factory preset playing
2:18 - melodic house demo song
3:43 - strengths of the Bree6
4:27 - MPE demo with ROLI Seaboard
6:38 - front panel walkthrough
8:11 - testing the VCOs
10:47 - pulse width modulation
11:30 - LFO
13:23 - filter section
17:54 - envelope & amp section
19:56 - keyboard tracking
20:45 - FX and voices mode section
24:52 - pros and cons, who is this synth for?
27:00 - E7 vs Bree6?
27:52 - outro jam"

Synths That Tanked! Top 15 Value Crashes You Won’t Believe!?


video upload by Andy Whitmore

You be the judge. Feel free to comment below.

"💥 The biggest synth value crashes of all time! These once-iconic instruments lost tens of thousands in value—from legendary analog giants to futuristic digital monsters.

You've seen the synths that became priceless icons… but what about the ones that didn’t?

In this countdown, we reveal 15 professional synthesizers that lost the most value from their original prices (adjusted for inflation). From boutique rarities to digital behemoths, these are the synths that hit the market hard—and hit resale even harder.

🎹 We cover:

Synth name + release year

Original price + adjusted inflation value

Current resale value

Total loss 💸

A fun or tragic fact per synth

Whether it's a Fairlight, Synclavier, or the ultra-rare GX-1, some of this gear once cost more than a house… and now? Let’s just say you could buy one for the price of a laptop.

🧠 Think you can guess the biggest loser?"

Sonicware LIVEN Evoke Unboxing and Demo 7/18/2025


video upload by I Love Cats and Synths

"Unboxing and trying out the new Sonicware LIVEN Evoke Acoustronic Synthesizer. Bella helps out with the unboxing too. 🥰

00:00 - Intro
00:32 - Unboxing
01:22 - Bella reveals what it is!
03:33 - Bella inspects the box!
05:52 - Demonstration"

Bilaval thaat


video upload by Ebotronix

Joranalogue Audio Design,
2x ,Cycle 5, 2x ,Filter 8,Generate 3,Fold 6,Pivot 2,Select 2,
Contour 1,Collide 4, 2x, Link 2, Enhance 2, Step 8, Morph 4,
Tunefish, µYarns, Shades, µPeaks,
Ornament and Crime,
Bilaval Scale, number of notes: 7,
notes (in cents): 0, 203.9, 385.9, 497.7, 702.3, 906.2, 1088.3,
Doepfer R2m, A 177-2,
4ms Peg, DLD,
Hologram Electronics Microcosm Special Edition 2024,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
18.07.2025
video # 2557

Whimsical Patching


video uploads by Whimsical Raps

Playlist:

1. Whimsical Patching // 1. Audio-Rate Modulation
from Dani:
"One of my favorite aspects of modular synthesis is that signals we can hear are made of the same basic building block as signals which provide control and modulation -- they're all just voltage moving at different rates!

When we use an audio signal in the place of control voltage, we're touching into a technique broadly known as audio-rate modulation. Using audio-rate modulation in the Whimsical Raps ecosystem is incredibly rewarding, as it can unlock unexpected behaviors in familiar and new modules alike.

Here, Mangrove (our formant oscillator) modulates Silhouette's (our new 'signal combiner') SPOT, which is mixing six audio channels from Just Friends (our six-voice digital oscillator). I noticed that sending Mangrove into SPOT bleeds Mangrove's audio signal into the mix, so I tuned Mangrove to harmonize with Just Friends. This endowed FORMANT changes with new power, adding harmonic depth to the chaotic modulation -- notice the sizzle around 0:30 as FORMANT is cranked up.

Once INTONE adds distance between the ratios of Just Friends' oscillations, I reduce FORMANT to a low-frequency grumble -- I particularly enjoyed Silhouette's delayed vocalizations of these changes across the stereo field. Manually scanning SPOT offsets the input channels we're highlighting, which reveals the new INTONE-spread pitches. Increasing FORMANT introduces audible discontinuities as Mangrove regains its pitch, which are unique in the left and right channels. A final INTONE adjustment is added for performative spice, which is caught by the bucket-brigade device for a muted splash of stereo color."

Intellijel Multigrain: Live Sounds and the Looping Recorder


video upload by Intellijel

"In this video manual, we cover the new Live Sounds and Looping Recorder features, added for firmware version 1.2.

Find the latest firmware and written manual here:
https://intellijel.com/support/

Chapters:
00:00 - Introduction
00:32 - Creating a Live Sound
04:10 - The Looping Recorder
07:15 - The Freeze Function
09:05 - Freeze with Modulation
11:01 - Freeze with Threshold
12:12 - Sampling Settings Page Update
13:54 - Sampling with the Looping Recorder
15:10 - Converting Live Sounds to Sample Sounds
17:22 - Summary and Outro Jam"

Van Ties Sjoegele with MetaModule


video upload by 4ms Company

"View the patch notes on our MetaModule forum here: https://forum.4ms.info/t/van-ties-sjo..."

Superbooth 2025 Soundforce controllers Interview


video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Superbooth 2025 Soundforce controllers Interview"
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