MATRIXSYNTH

Tuesday, September 18, 2007

PAiA Synthspin MK-II


via this auction

"The idea behind this device was to give a Leslie effect to your guitar (or whatever). You're not gonna fool anyone into thinking you've got a Leslie hidden behind the curtain, but it does work and gives a swirling effect."

via brian comnes

PAiA Phlanger


via this auction

This is an AC-powered flanger.

via brian comnes

Appliancide

via Appliancide

"I just put up a new track on my myspace page. It's one pass on my 2 suitcase eurorack modular. No external sequencing or sounds. I just made the track stereo and added a little compression in an audio editor. It's the first track on my page (myspace.com/appliancide) very aptly named '2 minutes too long'."

MMM 4X-1X2 Buffer


Mattson Mini Modular 4X-1X2 Buffer
Remember to click on the MMM link directly below to see all of these together as they come in.

KORG OASYS OS 1.3 Details and Samples


Follow up to this post. Comments disabled here to keep them all under that previous post.

Samples [Scroll to bottom when you get there]

Details via KORG (there's a flash demo and more on site as well):
"Korg is pleased to announce the release of system version 1.3 for Korg's flagship OASYS synthesizer, delivering the next level of the sound-creating and performance potential of this acclaimed instrument. In addition to new features and enhancements, version 1.3 includes a new version of KARMA (2.1), and makes available two more optional expansions: the MOD-7 Waveshaping VPM Synthesizer, and the EXs-3 Brass & Woodwinds Expansion sample library.

Main features
- The new EXi MOD-7 Waveshaping VPM synthesizer takes a classic form of synthesis into new and uncharted territories. A demo version is included in OASYS system version 1.3.

- KARMA 2.1 adds support for User GEs, selectable quantization for Scene changes and Module triggering, enhancements to the Note Map feature, and many other new functions.

- The optional new EXs-3 Brass & Woodwinds Expansion Sample Library, available separately, provides over 700 Mbytes of expressive, natural-sounding brass and woodwind instruments.

- EXs expansion sample sets can now be loaded and unloaded immediately in OASYS memory, without restarting the OASYS, a great time-saver!

- EXs-1 and 2 are now loaded into RAM using a new, lossless compression technique. This yields a modest reduction in size: EXs-1 now uses 284 MB instead of 313 MB, and EXs-2 uses 464 MB instead of 503 MB. With 2 GB installed and both EXs loaded, this increases the available user sampling RAM by about 68 MB. You’ll notice that this is much milder than the dramatic size reductions of mp3, or the PCM compression sometimes found in other synthesizers. There is a strong advantage over these other methods, however: the OASYS compression is completely lossless, and causes absolutely no degradation in audio quality whatsoever.

Note: This compression applies only to EXs samples, and not to RAM samples.

- Each EXi in a dual Program can be transposed separately for greater sonic flexibility.

- All Step Sequencers now provide separate "smoothing" parameters for attack and decay, allowing you to create more complex tonal changes.

- In Sequencer mode, a play button has been added to MIDI Event Edit, allowing you to play back the currently-edited measure while keeping the dialog box open.

- Other improvements and enhancements have been made to the operation of and stability of the Operating System.

OASYS software version 1.3 will be available in October 2007, as a free download from www.korguser.net. EXs-3 is expected to be available in mid-November."

Synth Advertising

Click here for a collection of synth adverts on polynominal. There is also a poll at the bottom of the page for the ugliest advert. Check out this French ad for the Oberheim SEM line.

BTW, be sure to search for "advert" minus the quotes at the top left corner of this site for more.

via catsynth

MMM Noise Module

Mattson Mini Modular Noise

ARP 2500



images via this auction

"super-rare ARP 2500 from the personal collection of Phil Cirocco of CMS / Discrete Synthesizers. It features a rare, vintage ARP 2002 cabinet, a 3000 series four voice keyboard and a full compliment of 1000 series modules. This is a once in a lifetime opportunity to own a fully functional, killer sounding synthesizer, as well as a rare piece of electronic music history. The 2002 cabinet is in good condition. It is all original and has not been restored. It was made in 1970. It is a very early and rare version featuring 10 patching tracks on the top section instead of the 20 that later versions use. The top section of a 2500 is only used for CV, gate and trigger etc. so 10 tracks is usually adequate for most situations. It has 20 tracks on the bottom as all 2500s do. Also, this early unit is more compact and uses its space more efficiently than later versions. (Many people complain about the large amount of real estate that later version 2500 cabinets use up.) The power supply was upgraded here at CMS about 2 years ago to a 1.5 Amp, low noise high performance unit. The separate 12v lamp power supply was also recently rebuilt. The Keyboard is a standard ARP 2500 4 voice split keyboard. The rubber mounts of the key contact PCB have been replaced. The key contacts have been cleaned. The rubber pads of the keyboard are intact. The keyboard is fully functional. The keys are in very good condition. The hardwood keyboard cabinet is in very good condition. There is a very small ding on the left keyboard control panel. It includes the keyboard connection cables as well as the AC cable. The 1000 series modules are fully functional and have been meticulously maintained here at CMS for the past decade. The module compliment includes the legendary ARP 1047 Multimode Filter and the ARP 1027 sequencer. The 1004T VCO and the 1036 Dual Sample Hold were originally owned by the ARP factory as production samples. The dual VCO is a super-rare prototype developed at ARP by Roger Powell and Clark Ferguson.

1004T VCO
1027 3 x 10 Sequencer
1023 Dual VCO
1005 Ring Mod / VCA
1047 Multimode Filter
1033 Dual EG with delay
1016 Noise / Random Voltage
1006 Lowpass filter / VCA
1036 Dual S/H, Clock
1003 Dual EG
1002 Power Control

This system has been fully calibrated recently here at CMS. If you want to hear an example of a 2500 system in action go to: discretesynthesizers.com

Several modules have a former owners name and serial # engraved the corners of the front panels. The veneer cabinet has 2 corners that have been rounded slightly, but they are in the back. The left side has some broken veneer on the front edge. I was planning to refinish the cabinet myself, but I never got around to it. It’s quite easy to separate the electronics from the cabinet. When all the modules are out of the case, the matrix switch/shelf assembly slides right out the back. The upper left matrix switch assembly looks like it took a small impact at one time, but it functions normally. This is a vintage instrument from 1970"

ARP 2600 Grey Meanie

via this auction.

"super-rare ARP Gray Meanie otherwise known as the ARP 2600C from the personal collection of Phil Cirocco of CMS / Discrete Synthesizers. It also includes the super rare 3604C matching keyboard. It was made in 1971. It still has the original ARP serial # on the front panel. The front panel has been restored and has been fitted with all new chrome hardware including all new Switchcraft jack hardware. All the
sliders are intact and move freely. It features an original, fully functional ARP 4012 filter and a rare ARP 4010 VCA. The filter main board has spring loaded sub-module sockets for easy service. It also features the very rare and better sounding 4027 VCO’s. This unit also features the Audio Path Upgrade from CMS. This upgrade combined with the special VCOs and VCF and VCA make this unit one of the best sounding 2600s of all time. The power supply was recently rebuilt here at CMS and is good for the next 20 years. The Keyboard is a super rare ARP 2600C monophonic keyboard. It also features a stainless steel cabinet. The keyboard is fully functional. The keys are in fair condition. It includes the keyboard connection cables as well as the AC cable. This system has been fully calibrated recently here at CMS. This is a vintage instrument from 1971. See the bottom of the CMS 2600 page for additional info."

Solartron Atari Axe Synth Theremin

images via this auction.

"Up for auction is " Solartron ", a custom built, one of a kind, Experimental Synth Theremin Midi Controller. I recently sold Solartron's big brother, " Zontar ", here on Ebay for $ 1,500, so for those of you who missed Zontar, here is your chance. The band Mute Math uses a much simpler version of this device, and this unique proto-type is being offered to the most discriminating electronics collector. Solartron is actually two separate electronic devices which can be controlled independently, or simultaneously for additional sonic madness, all housed in a space-aged frame.

The first function of Solartron is as an experimental Midi Ribbon Controller. These controls are located in the middle section of the device. The black knob on the left hand side of the front panel is the Midi Rate, or Speed knob, which also provides Arpeggiator-Type patterns. The black knob in the middle is the Master Volume control. The green push-button to the right of the Master Volume is the " Rate Burst " control. This control instantaneously increases the Rate or Speed. The green button on the lower portion of the middle front panel is the Power On/Off Switch for the Midi Controller, and the black knob on the right hand side of the front panel is the Midi Patch Selector, which allows you to switch the Midi Patch Program on the fly. The Midi Controller section is powered by a 9-volt battery, located on the left side panel, an LED light indicates that it is powered up, and the Midi Output Jack is located on the right hand side panel.

The second function of Solartron is a Light Sensitive Photocell Theremin. The Photocell Theremin is housed in a small Red Dome, located in the top portion of the device, directly above the Midi Controller section. The green button to the left of the Red Photocell Dome is the Photocell Theremin On/Off Switch. The Photocell Theremin operates off of the same 9-volt battery as the Midi Controller section.

A third feature of " Solartron " is quite unique, and was not offered on " Zontar ". The lower section of Solartron features a Red Radioactive Symbol on clear plexiglass, and behind the plexiglass are Red Flashing LED lights. The upper portion of Solartron also features a row of Red Flashing LED lights behind a clear plexiglass panel. A green button on the left side panel near the Theremin Controller activates the Red Flashing LED lights, and are independently powered by a 9-volt battery located on the left side panel. A large Black Knob is located on the right side panel, and with this knob you may control the rate, or speed at which the Red LED Radioactive Symbol and row of LED's flash. This is a very cool feature, which allows you to sync up the rate of the flashing Radioactive Panel and LED lights with the rate or speed of notes generated by the Midi Controller Ribbon or Photocell Theremin. This would be quite effective visually in live performances, yet can always be shut off with the power button if not required.

Solartron features guitar strap lugs, which enables the user to strap Solartron on like a guitar. Solartron is approximately the length of a guitar, yet weighs less due to it's lightweight, aluminum housing. Solartron features a silver/gray post on the left-side of the neck which is decorative in nature, but also serves to stabilize and balance the neck portion of the device. Please note that Solartron sounds and reacts differently with each Midi device, which can be considered part of it's charm. If you wish to hear sound samples of Solartron, please send an e-mail, where I can direct you to the appropriate site."

If anyone has the link, feel free to comment.

Studio Electronics MIDIMOOG

images via this auction.

As always, be careful with auctions. Be sure to read the details in full.

Yamaha SK15

images via this auction.

Details:
"It was manufactured in 1979, hard to believe when you see the synth, it looks almost new. This synth has 3 sections : string synth, organ and polyphonic synth. The strings are very close and in some ways better than the Solina (i compared them side by side when i had the Solina) [not me, the seller] The organ sounds great and has drawbars so you can dial in many organ sounds. The Polyphonic synth section, while very basic, sounds great and unmistakably vintage. The best feature of this synth is that all these sounds are stackable, creating nice unique texture. This is also helped by the fact that the effects section sounds amazing : it has vibrato, tremolo and an "ensemble" type chorus similar to the Solina. The vibrato actually slows down and speeds up to create a leslie-type effect. This synth is a good way to get the 'typical string sound of the 70s and beyond (from Pink Floyd to the Cure to Sigor Ros), it's built really well, better than most other string synths, making a good long-term investment."

MOOG Minimoog Voyager

images via this auction

Alesis Andromeda A6

images via this auction.

Sequential Circuits Prophet-5

images via this auction.

Monday, September 17, 2007

MMM

Mattson Mini Modular.

Touché coulé

flickr by making_sound (click for more).

click here for the full size shot.

Analog Solutions Vostok

New Synthesis Coming in KORG OASYS OS 1.3 Update?

Saw this one on sequencer.de:

"MOD-7 Waveshaping VPM Synthesizer
New EXi MOD-7 Waveshaping VPM Synthesizer with „classical” synthesis procedure, whose flexibility was increased here in the almost immeasurable. A demo version is contained in system V1.3."

sequencer.de states: "it does not look like 6 OP FM or something since Korg never did complex FM, but possibly something new or different since they tell us it is 'unbeliavable and unlimited'.

As of this post there is only mention of the 1.2 OS on the OASYS site.

If you know more, feel free to comment.

Update via the comments:
"More info here [Look for "Tour the OASYS Virtual Interface – Now includes the new MOD-7!!" and "New Operating System"]

And sounds here, at the bottom of the page [second to last section]

Highway 43


YouTube via JimGordon5. "43-note-per-octave music by Jim Gordon"

The Devil Went Down to Jupiter

Remember this vid? Here's the mp3 with lyrics. Listen to the words on this one. : ) Via Dave.
Update: you can find the lyrics here.

Eruption on Alesis Fusion


YouTube via richmenga.

AH Bay Area Gathering 2007 - Chris Muir's Buchla 200e


YouTube via therealretrosynth.
"Chris Muir's Buchla 200e at the Analogue Heaven Bay Area gathering in Oakland CA on Sept 9 2007."

KORG EX-800

images via this auction.
"The EX-800 is a programmable synth-module that works as a sound source for any MIDI keyboard (DW8000, Poly-80011, RK100, etc.)
or other MIDI control device such as computer or synthesizer. For real versatility, it responds to eight kinds of MIDI data:
# key data
# pitch bends
# modulation
# sequencer clock
# program change
# volume
# computer dump
# active sensing

The MIDI THRU jack allows series connection with additional EX-800s or other MIDI units. This is an easy way to add extra musical power to your system with but a small investment. The EX-800 has eight voices, 64-program memory, and a built-in 256-step polyphonic sequencer. Dual DCOs and triple ADBSSR DEGs permit rich tonal variation and flexible envelope shaping. There's even a tape interface."

Yamaha CS50

images via this auction.

"From 1975, it's the little brother of the Yamaha CS80 (the famous "Blade Runner" Synth). This board was amazingly ahead of it's time in it's polyphonic implementation. If you recall, the majority of the big names at that time were strictly monophonic. This guy came out and featured 4 key polyphony and an early form of aftertouch that can affect the filter, VCO or LFO. There is also a auxillary input to run sounds through the side panel which I have used on a couple of tracks. Small or not, this still weighs close to 100 lbs and is the size of a small organ. There is a really great sounding ring modulator for crazy sci fi sound, 13 presets and a full synthesizer section including both HP and LP resonant filters. BTW: Check out the last pic of Herbie Hancock from the "Sunlight" album. You'll see a CS50 behind him, over his right shoulder!"

KORG Polysix

images via this auction.

Kurzweil 1200 PRO II


images via this auction.

Quasimidi Polymorph

via this auction.

Sunday, September 16, 2007

KORG KAOSSILATOR

Google translated via KORG.de:
"The KORG KAOSSILATOR is a new cliche Synthesizer in the vest pocket format with famous KORG Synth sounds and performance possibilities, which inspire abslout. The KAOSSILATOR is served over its touch-sensitive PAD, with which one can fire a rich treasure at Synthesizer sounds. The horizontal axle steers the pitch, during one along the vertical axle parameter such as filter frequency, feedback, modulation intensity, etc. affected. With this new, creative beginning music makes fun above all correct. In the hand turning one enriches a volume Gig or a DJ-set with driven off sound explosions. Even musical beginners can freshly, impudently and freely make music with the KAOSSILATOR.

The most important functions
* Synthesizer sound, sound effects, impact things sounds (100 hochkarätige programs)
* 31 scales, with which one can play simply clay/tone sequences always correctly intoniert
* 50 gate Arpeggio types for sophisticated rhythm figures
* Loop photographs with complex Layer function to the Over Dubbing of the cliches"
via Music Thing.

Casio PT-7


Published on Dec 22, 2006 inverseroom


images via this auction. via inverseroom

"If you're into little tiny home keyboards of the past, this is about the rarest of the rare. The Casio PT-7 is a bizarre two-piece box with a detachable capacitive keyboard, and a bunch of preset sounds and rhythms. It has a nice, thick, fuzzy tone, and works equally well using AA batteries or an adapter."

Roland JX-10 Advert

Roland Super JX

image via John

MMm...

Update: What this is will begin to be revealed tomorrow.

Kawai SX240


images via this auction

Here are some of the features:
+ On-board sequencer
+ Ability to edit the synth parameters
+ 48 Preset memories
+ 8 Voice Polyphony
+ Midi In,Out,Thru
+ 8-Character Display

DSI Prophet '08 Polymod Sample

Via Stephen Jones:

"Here is an example of how well a P'08 can do a polymod filter routing. I spread the output just because you can. I think it sounds quite good."

http://redmartian.com/p08/p08filtmod.mp3

Update: more samples and info here (scroll for the samples when you get there).

REwire Modular Track


via REwire:

"MFB OSC-01 triple DCO Oscillator plus a Plan-B Model 15, Asys-RS-95, Buchla 259, Steiner Parker Microcon and a Cwejman D-LFO at Pitch Level. All together, 8 Sawtooth waves panned 4 left through the Livewire Frequensteiner and 4 right through Plan-B Model 12 all with a little Spring Reverb. A great combo of new and super vintage VCO's + 3 new DCO's."

REwire_-_8_Modular_Oscs..mp3

Premiata Forneria Marconi PFM - Celebration - Live TV, 1974


YouTube via SholingBr. Sent my way via gattobus.
"They are a legend in Italy... They were the very first band in Italy playing with a Minimoog and THIS is absolutely the most famous synth Riff in the italian music history. They also played live in America in the seventies and recorded a live album there, called "Cook" This video was recorded in the U.S.A. in 1974..."
visit http://www.progprologue.blogspot.com/.

SH-09 Bass Riff


YouTube via analoguecrazy4.

guitar solo es8 and radias rythme


YouTube via graal7.
play with radias preset drums and preset gt on motif"

Oberheim OB-1 Minus Keys

via this auction.

"A working Oberhem OB-1 without the keyboard built into an instrument case. Great for someone expanding a modular synth or adding on to a performance setup where control voltages, triggers and gates are available (compatible with ARP, Moog, all analog synths)."

Synth ICs & Spec Sheets


via this auction.

SSM 2056 VOLTAGE CONTROLLED TRANSIENT GENERATOR (8 PIECES)
SSM 2038 VOLTAGE CONTROLLED OSCILLATOR (4 PIECES)
SSM 2300 OCTAL SAMPLE AND HOLD (3 PIECES)
SSM 2142 BALANCE LINE DRIVER (2 PIECES)
CEM 3381 DUAL VOLTAGE CONTROLLED AMPLIFIER (2 PIECES)

Korg 700 Minikorg Demonstration


YouTube via jabberwalky.

Univox Mini-Korg

images via this auction.

Persephone Controlling a Metasonix Wretch Machine

"It outputs CV from the ribbon, which I use the M#@g CP-251 attenuator to tweak a bit. It works really well. For trigger, I use the audio out of the Persephone which works perfectly as well."

Click here for the post with the sample on Deviant Synth.

Saturday, September 15, 2007

Custom MOOG Minimoog and Oberheim SEM

This one via michael:

"i just picked up an awesome rig and figured i'd share it with my fav synth blog.

the rig consists of a minimoog (#6536) (i'm thinking it is the discrete VCO board but I don't know a lot about mini's maybe you or your readers would know more) and an Oberheim SEM. It also came with a moogerfooger ring modulator which I haven't used yet. The mini has been modified, so the Loudness Control Input is now a CV out, and the S-trig input is no an S-trig output, both used for controlling the SEM. Also, the external input of the mini has been routed to automatically mix with VCO-2. there is no level control for the external signal input anymore, but the on-off switch for VCO2 controls both VCO2 and the external input. the external input section on the front panel has been converted to a sync section to sync VCO2 to VCO1. the external input mixer switch turns sync on and off, and the external input volume knob controls the amount of VCO-mod from the filter envelope (when sync is on) This mod rules, and this system is a 5 discrete beast that sounds amazing, no sound samples yet (i have no means to here at home) but i've posted a few hi-res pics i just took. the only problems with the rig is that the mini's keyboard could use a new set of bushings. i'll probably buy a set, i think this rig deserves it! the mods were supposedly done by kurt's amps and keys more than 15 years ago (but not 100% sure of the date of the mods)

dig the red paint job!"

Very nice. Click here for a couple more images. Thanks michael!

Audio Damage Fluid

The official page is up with demos and more info.

YMO's BTM w/ Prophet '08

"My band did a cover of YMO's Behind The Mask and I used a Prophet-5 and Multitrak on the recording. This evening I replaced the six Prophet-5 tracks entirely with the Prophet-08. The only remaining synth track that is not a Prophet'08 is the background arpeggiated sequence.

http://redmartian.com/BTM-Prophet08.mp3

And if you're curious, here is the version with the Prophet-5 which was actually mixed by Tom Ellard:

http://redmartian.com/btm.m4a

I think the P'08 does a pretty good job. What I'm doing now, and for the next 2 weeks, is only play it. Then I'll turn on a Prophet-5 and see how I react. :)"

You can see YMO's version here.

synthillance

Two shots via synthillance.
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