MATRIXSYNTH

Friday, December 21, 2012

Modular Synthesizer Passive Mixer Desktop Station

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"DIY Desktop Modular Synthesizer extension (for eurorack or MOTM formats).
A one-off design, a handy desktop mixer "Station" which provides:
- 4 Multiples
- 2 identical passive attenuators
- A Crossfader (between 2 incoming signals).
It is boxed into a vintage hard semi-transparent elegant VHS cassette tape case.
Very useful for users of modular synthesizers in studio or gigs.
Please contact me if you need more info and do visit my blog.
www.stamouinstruments.blogspot.com"

Roland Paraphonic 505 SN 881718


via this auction
thestudiobaron07 (RSS)

Roland EF-303 Groove Effects SN Z013039


via this auction
conwayair (RSS)

Click the pics for the supersize shots.

Kawai K3M Synthesizer w RC-2 Memory Cart

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

This is the one in these videos. There's one more video in the auction that has embedding disabled, so I was unable to post it here.

DARK STAR Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"A 2001, DARK STAR Synthesizer, made by Red Sound, England

8-Voice polyphonic synth. Pulse Width Modulation...Ring mod..Resonant Filtering...Enveloping"

ILLUMIRINGER Circuit Bent Guitar Modification Installation Overview


Published on Dec 21, 2012 by DoctorBlankenstein

"Dr. Blankenstein's Website: http://www.drBlankenstein.com

ILLUMIRINGER Circuit Bent Guitar Modification Installation Overview

I have been getting a bunch of emails from people out there who want to do the circuit bent guitar modification to their guitar, but want to know more about how it's done. SO... I made this video to help show everyone how SIMPLE it is to install. It's easy! Drill the holes for the off board wired components (switch, control knob etc). Remove the pre-existing guitar jack output wires (signal / ground). Solder the ILLUMIRINGER's input cables to the guitar output cable. Then solder the ILLUMIRINGER'S output cable to the guitar jack..... DONE!

If you have any questions about what I am talking about in the video, want to purchase a kit, or have me install one for you.... feel free to drop me a line.... and of course... as always.... please subscribe and leave comments if you like what you are seeing here and would like to see more.

HAPPY HOLIDAYS!"

Dr. Blankenstein on eBay (RSS)

Animoog V2 - 4 Track

Published on Dec 21, 2012 by Oliver Chesler

"Just playing around with the new Animoog. To hear my music go to: http://thehorrorist.com/"

iTunes:
Animoog - Moog Music Inc.

iPads & More on eBay - Don't miss the Daily Tech Deals

EMW Eurorack Modular System - Bongo sounds


Published on Dec 21, 2012 by psprojectbrazil

"Playing with our Eurorack modular system. All modules will be available on our website from January 2013."

http://www.electronicmusicworks.com/

Black Synthmas




"Experimental music using 5 evolving patches from the VCS3 mk2"

via Paul Lawler on The MATRIXSYNTH Lounge

Lunetta Guitar Motor Gate Interruptor


Published on Dec 21, 2012 NakagawaGakki

roland jx-3p

Published on Dec 21, 2012 by tblv9300

Future Retro's Next Product - the DB Mastering Processor


Future Retro's next product is not a synth or sequencer, but rather a mastering processor.

"Austin, TX, December 21, 2012—Not even the Mayans could have predicted what Future Retro would do next…. From reviving the acid scene with the 777 synthesizer to releasing the multifunctional Mobius and Orb step sequencers, the innovative circular Revolution, and powerful semi-modular XS, Future Retro has remained true to its vision of delivering high-quality instruments at an affordable price to everyone from home-studio musicians and DJs to chart-topping artists, engineers, and film score composers around the world.

Now, 15 years after its 777 debut, Future Retro ventures into the realm of pro-audio recording hardware with the db, a mastering processor designed for transparent routing and monitoring of all your audio. As the nexus for the modern recording environment, this multifunctional device can be used for tracking, summing, and mastering of your audio tracks, as well as full control of your monitoring system.

Connect mics, instruments, audio interfaces, hardware processors, and monitors to the db and enjoy having access to all your studio gear, in one spot. All inputs and outputs are fully balanced, and internal signal routing is 99 percent balanced for the lowest possible noise.

Highlights of the db:

• Fully balanced inputs and outputs
• Signal levels > +28dBu
• Quick selection of tracking, playback, summing, and mastering modes
• 16 Channels of fully balanced passive summing, with 8 channels individually selectable between mono/stereo
• 8 Stereo insert channels with hard bypass switching
• Mid/side processing with Width control
• Parallel processing with Pre/Post control
• Mix switch lets you quickly turn on or off parallel processing or A/B the pre/post signals of the buss
• Latency-free monitoring of audio from your DAW
• Track control independently adjusts monitoring level of your DAW backing tracks
• Stepped Monitor control for consistent mixing at ideal levels
• Comprehensive monitor section for 3 pairs of speakers
• Illuminated front-panel switches with customizable labels for personalized, visual feedback of all active functions
• High-quality components from precision matched resistors, custom sealed metal-shaft pots with conductive plastic elements, high-voltage relays, gold XLR, and industry-standard DB-25 connectors

Each db is hand-assembled and soldered in-house, right here in the USA, to assure the highest standard in quality.

The db ($2,500) will begin shipping in limited quantities in early 2013. Pre-orders are now being taken.

For additional information, complete specifications, the db manual, and images, visit:
http://www.future-retro.com

High-resolution images (double-click images to get the largest size) are available at:
http://future-retro.com/dbimages.html"


Rob Papen Blade and creating presets

Published on Dec 21, 2012 Rob Papen·36 videos


"Tutorial about how to create your own presets with Blade
http://www.robpapen.com/blade.html"

259e wavetables

Published on Dec 21, 2012 by Todd Barton

"This is a brief look at the 259e wavetables to make up for a poor camera angle on Buchla Break No. 6. Watch this video first then go to http://www.ustream.tv/channel/buchlabot
to see Buchla Break no. 6"

iPad Mini - Realtime music creation (Mr. Oizo Flat Beat Reprise)


Published on Dec 21, 2012 by AmidioInc

"Jamming with MINT.io groovebox on iPad Mini"

iTunes:
MINT.io Groovebox - Music In No Time - Amidio Inc.

iPads & More on eBay - Don't miss the Daily Tech Deals

1976 ARP 2600 with Original Leather Cases & ARP's Old Number

Note: links to listings are affiliate links for which the site may be compensated.
Published on Dec 14, 2012 by MechHandlingSystems


via this auction

"Along with the owner's manual and Patch Book, it has a copy of a 2-page hand-written note detailing setup, trim, VCO and VCF calibration and keyboard calibration. The best part of this is the sloppy market notation at the bottom of page 2,

"IF YOU GET IN TROUBLE, CALL:
CLARK FERGUSON OR PHILIP DODDS
965-9700"

Clark Ferguson was ARP's service department manager, and Philip Dodds was VP of engineering. These notes are likely written in Philip Dodds' hand. He was an interesting guy that ended up having a featured role in "Close Encounters of the Third Kind" after Spielberg saw him setting up a 2500 to do the big "dum dum dum DUM DAAAAA" thing.

MECHANICS

It is the 2601 V1.0, with the improved jacks that won't flake out and the better sliders. It is the most mechanically advanced ARP 2600 model that still contains the legendary 4012 ladder-type filter that was built too close to Moog's patents for their comfort (an actual lawsuit was never filed)

It comes with the duo phonic 3620 keyboard. Serial numbers match and are in the low 300s.

There is a broken slider at the bottom center of the main panel, although it works and can be adjusted by hand. I am looking for the replacement slider and knob I purchased and hope to include it in the auction. See pictures for detail.

A few of the sliders have scratch. See the video for an example of that.

ELECTRONICS

As just mentioned, it has the 4012 filter. Now, some of these are epoxied and gross. Some of them are copper clad but with sloppy brazing. But some … well, some glow like a beating heart pumping astounding signals through its soldered veins and arteries. This one is like that.

It also has the UN-encapsulated 4027-1 VCOs, which are necessary if you plan to do certain mods.

It also has a mod for a Mediamix Joystick, which I just learned thanks to Phil at CMS and have never looked for one. I have a picture of one for the winner. Owning a Synthi AK I can tell you joysticks are pretty nice to have on your synthesizer!

The capacitors on the power supply are 35 years old and should be replaced soon, according to a bunch of people that seem to feel very strongly about it. CMS sells a power supply you can install yourself, if you're into that kind of thing, for $169."

ARP PRO Soloist DGX Synth Model 2720 SN 0596

Note: links to listings are affiliate links for which the site may be compensated.

via this auction


Roland SPV-355 P/V (Pitch-to-Voltage) Synthesizer SN 840216

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Features and Specifications:
Dual-voltage controller oscillators
Selectable input source with filtering and level attenuation
Portamento with foot switch control
Three selectable waveforms: Pulse, Square and Sawtooth with three selectable ranges: 4’ , 8’ (unison pitch) and 16’
Offset tuning for VCO #2 with foot switch control to select from two pitch presets
Audio mixer to blend VCO #1, VCO #2 and Sub-Octave outputs
Envelope generator with attack, decay, and sustain
Voltage-controlled filter with resonance, pitch tracking, and variable envelope generator or envelope follow control.
Voltage-controlled amplifier with selectable envelope generator or envelope follow control
Hold pedal input
Variable foot pedal control over filter cutoff of VCO output
CV outputs for Pitch (control voltage), Gate and Envelope Follower
CV inputs for Pitch (control voltage) and Gate
Effects Send
Dimensions: 482 (W) x 92 (H) x 350 (D) mm
Power Consumption: 13 watts
Weight: 5.7 kg"

Roland Jupiter 8 SN 202253 14 bit

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

App Sound: Using Audiobus for FX Processing

Published on Dec 21, 2012 by appsounds

"An example how to use Audiobus for effecting the audio loops of our product Beat Konstrukt Vol 01. The loops are triggered with Loopy HD and processed with NLogSynth Pro on the Apple iPad.

More infos: www.app-sound.com"

iTunes:
Loopy HD - A Tasty Pixel
NLogSynth PRO - tempo rubato

iPads & More on eBay - Don't miss the Daily Tech Deals

University of Victoria, BC Buchla Update


An interesting updated went up in this post.

ANIMOOG V2: EXPANDED, UPGRADED, INTEGRATED

Published on Dec 21, 2012 by MoogMusicInc

"This major update to the TEC-Award Nominated iOS synthesizer is a free update for existing Animoog users and includes many user requested features and product enhancements, such as: accelerometer integration which gives Animoog owners the ability to tilt their iPad in any direction as an interactive 3D modulation source; note hold and scale lock, and tools for advanced users like, Load/Save MIDI CC maps, Audiocopy/Audiopaste integration and support for the new Audiobus platform.

Also, as a holiday gift, Animoog V2 features a powerful 4 Track Recorder, which gives Animoog users the ability to record audio from within Animoog or import audio tracks directly from their iTunes library. Users can then split, loop, copy, paste, and share individual clips, or mix down entire songs and upload them directly to SoundCloud, all from within the Animoog's universe.

This 4 Track Recorder will be free to existing users until Dec. 31, 2012 at which time it will revert to it's regular price of $4.99 in the Animoog Store.

Furthermore, between Dec 20th and Dec 31st Animoog for iPad will be available at the promotional price of $14.99 (reg. price $29.99), Animoog for iPhone will be available at the promotional price of $4.99 (reg. price $9.99), and Moog's first iOS app, Filtatron will be available at the promotional price of $4.99 (reg. price $7.99).

Learn more about Animoog here:

http://www.moogmusic.com/animoog

Download Animoog directly from itunes:"

Animoog - Moog Music Inc.

iPads & More on eBay - Don't miss the Daily Tech Deals

And the press release:

"ASHEVILLE, NC – December 21, 2012 – Moog Music today announced the release of Animoog V2 for Apple’s iPad. This major update to the TEC-Award Nominated iOS synthesizer is a free update for existing Animoog users and includes many user requested features and product enhancements, such as: accelerometer integration which gives Animoog owners the ability to tilt their iPad in any direction as an interactive 3D modulation source; note hold and scale lock, and tools for advanced users like, Load/Save MIDI CC maps, Audiocopy/Audiopaste integration and support for the new Audiobus platform.

Also, as a holiday gift, Animoog V2 features a powerful 4 Track Recorder, which gives Animoog users the ability to record audio from within Animoog or import audio tracks directly from their iTunes library. Users can then split, loop, copy, paste, and share individual clips, or mix down entire songs and upload them directly to SoundCloud, all from within the Animoog’s universe.

This 4 Track Recorder will be free to existing users until Dec. 31, 2012 at which time it will revert to it’s regular price of $4.99 in the Animoog Store.

Furthermore, between Dec 20th and Dec 31st Animoog for iPad will be available at the promotional price of $14.99 (reg. price $29.99), Animoog for iPhone will be available at the promotional price of $4.99 (reg. price $9.99), and Moog’s first iOS app, Filtatron will be available at the promotional price of $4.99 (reg. price $7.99).

Prices:
Animoog V2- $29.99 (Free update for current owners)
4 Track Recorder – Free until Dec. 31, 2012 (reg. price $4.99)"

First Time With Arturia Minibrute (and OP-1)

Published on Dec 21, 2012 by Khantipol Kasemsant

"My First Time With Arturia Minibrute. Drum sounds came from Teenage Engineering OP-1"

Gestrument and Audiobus

Published on Dec 21, 2012 by Gestrument

"Gestrument played in two different ways together with other apps connected through Audiobus. First directly into Loopy HD and then controlling Sunrizer playing over a loop from BitWiz recorded into Loopy HD."

iTunes:
Gestrument - Jesper Nordin

iPads & More on eBay - Don't miss the Daily Tech Deals

MPC STUDIO - It is light very

Published on Dec 21, 2012

"MPC STUDIO is faced to live performance. Very being light, it is easy to carry."

Handel Modular - Fugue HWV 612

Published on Dec 21, 2012

"Another very nice fugue of G.F. Handel played on YUSYNTH modular synth by Daniel Philipp Stotz. The pictures are made in Prague. The newest production of the studio is the Art of the Fuge of Bach, now available on iTunes. Please refer to http://www.danielphilippstotz.info/."

MIDI Pattern Sequencer for iPad in The Works


via Motion Soundscape


"Very soon I will publish my new project. At this time it's application for Apple iPad - MIDI Pattern Sequencer. I have long wanted to have a convenient and powerful sequencer on a device with a large touchscreen. iPad is best choice for this. Applications run very quickly and a lot of MIDI adapters there for it. I use Alesis IO dock..."

iPads & More on eBay - Don't miss the Daily Tech Deals

PreBrute Worlds First MiniBrute Based Kontakt Synth


Published on Dec 19, 2012 by PreciousSound

PreBrute is based on samples of the MinBrute.

"Programmed pre-sets for PreBrute are listed below for each demo
Festive Introductory Offer- 25% Saving at checkout until 07/01/13
http://www.precioussound.com/prebrute

DEMO - Downtown (Part 1)
Percussions: Synthetic Percussions (JW)
Percussions: Junkyard Orchestra (JW)
Percussions: Flabby Kicks 3 (JW)
Keys: Cyberphone (JW)
Bass: Fretless Smoothie (JW)

Thursday, December 20, 2012

New Tiptop Audio BD909 - Roland TR-909 Bass Drum Clone


tiptopaudio.com

Moog Micromoog Vintage Monophonic Analog Synthesizer SN 5624

Note: links to listings are affiliate links for which the site may be compensated.

via this auction



【DEMO】Xhun Audio LittleOne Virtual Moog Little Phatty


Published on Dec 20, 2012 by musictrackjp

"DEMO by Katsunori UJIIE."

Korg MonoPoy Demo Strings and More HIQUALITY

Published on Dec 20, 2012 by ar2jr

"No midi, just pure tone shaping and key hitting :-) a little bit of reverb in Pro Tools HD but no other fx used. It's what the MonoPoly sounds like raw. The string sound on this synth is very charismatic and reminds a bit of the older rev 2 Prophet 5."

The obvious hook is that the Rev 2 Prophet-5 and the Mono/Poly had SSM filters while the Rev 3 Prophet-5 had CEM filters. The KORG Polysix also had SEM filters.

SNAZZY FX WOW AND FLUTTER TEASE

Published on Dec 20, 2012 by snazelle

"Here it is....the finished module will be here early 2013"

Doepfer A167 Basics

Published on Dec 20, 2012 by raulsworldofsynths

"Description of the Basic Features of the Doepfer A167 Comparator. Sound and Audio by Raul Pena. Sound Demonstration begins in next segment."

Doepfer A167 Offset and Outputs Part One
Published on Dec 27, 2012 by raulsworldofsynths

"A closer look at the output and offset options on the Doepfer A167 Comparator. Part One of two. Sound and Video by Raul Pena."

Doepfer A167 Offset and Outputs Part Two
Published on Jan 3, 2013 by raulsworldofsynths·190 videos

"A closer look at the output and offset options on the Doepfer A167 Comparator.This is Part Two of Two. Includes Oscillocope views of waveforms using the Dave Jones Design O'Tool. Sound and Video by Raul Pena."

Doepfer A167 Comparator
Published on Jan 10, 2013 raulsworldofsynths·191 videos

"A continued exploration of the Doepfer A167 Comparator. Includes sound examples of Offset and Oscilloscope views. Free Running ADSR example found in next video.
Sound and Video by Raul Pena."

Doepfer A167 Offset and Free ADSR Part Two
Published on Jan 17, 2013 raulsworldofsynths·192 videos

"Part Two of the Doepfer A167 Offset and Free ADSR segment. A continued exploration of the Doepfer A167 Comparator. Includes sound examples of Offset and Oscilloscope views.
Sound and Video by Raul Pena."

Also see:
Doepfer A106-1 Xtreme Filter Basics
Doepfer A117 DNG Basics and Percussion
Doepfer A155 Analog/Trigger Sequencer Basics
Doepfer A188-2 Tapped BBD Delay Module Basics
Doepfer A156 Dual Quantizer Basics
Doepfer A189-1 VBM Voltage Controlled Bit Modifier Basics
Ring Modulation of Basic Waveforms with Doepfer A114 Ring Mod
Doepfer A131 VCA Intro
Doepfer A101-2- LPG Modes
Sample and Hold with Doepfer A148
Doepfer A118 Filtering with A120 VCF Low Pass Filter
Doepfer A110 Filtering with A101-2 and A120
Doepfer A110 VCO /A145 LFO-Pulse Width Modulation
Doepfer A110 VCO Features and Functions Tutorial
Doepfer A188-1 BBD Basics

An Interview with E-mu's Founder Dave Rossum

This one in via David Vandenborn of DVDBORN on The MATRIXSYNTH Lounge. theEMUs.com has an interview up with E-mu's founder David Rossum. The following is just the first question and answer for the archives. Click through above for the full interview.

"I read on the internet once that you got inspired to build the first Emulator after having seen the Australian Fairlight CMI at the AES show in 1980. I also want to build a lot of stuff that I see – but I always fail miserably and can’t even get my head around it.
I obviously know that you build modular synthesizers and that you created the technology for keyboards for other companies like Sequential Circuits Inc. and Oberheim Electronics.

What made you so sure you could do a sampler? Had you been experimenting with digital circuitry and RAM based technology prior to this? Did you buy a Fairlight sampler to look at when developing the Emulator – or did you do it differently – from scratch?

To understand fully, you need some background: the situation in May 1980 was that we returned from AES to find that Sequential Circuits was refusing to pay the royalties they had promised, and that we had counted on to fund the marketing of the Audity - which we introduced at the show.

We needed a product soon. Scott Wedge, Marco Alpert and Ed Rudnick had been talking on the drive back from the show, and thought that the Fairlight had one and only one good feature - sampling. We had also seen a Publison Digital Delay that had a capture mode, and the captured (sampled) sound could be played with a control voltage/gate type synthesizer keyboard.

The guys came to me with their ideas, and we had the need for a new MI product quickly to replace the lost Sequential revenue stream.

E-mu was the first company to use a microprocessor in an MI product - our 4060 polyphonic keyboard and digital sequencer, introduced in 1976. We'd done all sorts of stuff with microprocessors - the Audity had a full blown real-time operating system I'd written.

We'd built our own Z-80 development system including disk interfaces, etc. The sequencer in the 4060 used 64K bytes of dynamic RAM. And as I've been previously quoted as saying, "Any asshole can design digital circuits." (Analog is a LOT harder).

We also had been consultants for Roger Linn on the circuit design for the LM-1, so we knew a bit about sampling as well. We'd played with COMDACs in the lab at E-mu as well.

The Fairlight used a separate RAM and a separate CPU for each voice. When Scott, Marco, and Ed came to me with their idea, I knew that such an approach was simply too expensive for an MI product. We'd just have another Audity-class product, competitive with the Fairlight.

So I saw that the key would be to use ONE CPU and ONE memory for all eight voices. The trick was getting the memory bandwidth to accomplish that. The solution was a combination of fast, cheap DMA chips and some FIFO buffers to give them big enough bursts so that the bus negotiation didn't hog too much bandwidth.

So the answer is that we never gave the slightest thought anything but designing the Emulator from scratch. I was revolutionizing the state of the art - building what was in my mind, not duplicating something that I'd seen. And the hardware was the easy part.

The software was the real challenge. The Audity we demo'ed at AES had about 10,000 lines of code, which I'd written in about 3 weeks. The Emulator code base was a similar size, but rather more complex in several ways. Getting both the hardware and software into a form for demonstration at January NAMM 1981 was a real challenge. And that leads to..."

Emu

Korg MS-20 SN 147963 In Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this auction
yousenditworks (RSS)

"This synth sounds amazing, the hi and low pass filters are great. This one has the earlier Korg 35 "noise" filter on the low pass, which gives it an extra gnarly sound. Amazing for bass, leads, effects and especially great for the external processing and running anything you want through it, drums, mics, guitars."

OBERHEIM OBSX

Note: links to listings are affiliate links for which the site may be compensated.

via this auction


Analogue Solutions Leipzig S

Note: links to listings are affiliate links for which the site may be compensated.
via this auction

"LIKE NEW IN THE BOX Analogue Solutions Leipzig-S. As we are not an Analogue Solutions dealer it is being sold without warranty but you have the supreme benefit of getting this piece new in the box at an unbelievable price! Analogue Solution's quality is exceptional in the synth world and you can purchase with confidence! We offer a 14 day inspection period to make sure the synth is perfect for you.

Pure analogue voice and modulation circuitry.
Fat Moog style filter.
2 VCOs with Glide and Sub-VCOs.
Osc Sync & Cross-Mod
Plenty of modulation routing possibilities.
Analogue step sequencer – with plenty of clocking options.
Audio input so can be used as a sound processor.
Rugged steel/aluminium construction.
MIDI In for software sequencer control."

Roland MKS-80 Super Jupiter

Note: links to listings are affiliate links for which the site may be compensated.

via this auction
thestudiobaron07 (RSS)

Analog synthesizer JAM - minimoog model D - ARP 2600 - synthesizers.com

Published on Dec 20, 2012

"Jamming, jamming..."

Update:

Analog Baiao - modular synthesizer - minimoog D - ARP 2600
Published on Dec 20, 2012

BACH: Christmas Oratorio on mobile devices - by DigiEnsemble Berlin featuring Tobias Berndt

Published on Dec 20, 2012

"The DigiEnsemble Berlin exclusively uses digital devices to perform the aria "Großer Herr, o starker König" from the famous and glorious Christmas Oratorio by Johann Sebastian Bach sung by Tobias Berndt.

For two years now, the DigiEnsemble Berlin has explored the opportunities of mobile music. This aria, however, is a very important step in the course of the musician's quest, due to the high qualitative aspiration and requirements of the piece. The DigiEnsemble Berlin physically premiers the piece together with the singer Roman Trekel at the Berlin Cathedral on the 16th December 2012.

The realization of the musically challenging aria is a culmination for the mission of acquiring virtuous playing techniques with smartphones. Matthias Krebs chose this aria consciously with the intention of accomplishing a signifying step in the ensemble's development. Experts like music professors from the Berlin University of the Arts were consulted to optimize the musical adaption and musical interpretation.
Furthermore, the technical level was enhanced by utilizing a number of elaborate controllers. An important sound quality improvement for this musical interpretation was enabled by a new motion control app called "MIDI In Motion" by Florian Schwehn.
In the process of the project, the digital devices became serious musical instruments on a high level of proficiency and differentiation that has not been reached before.

15/8 around the clock

Published on Dec 20, 2012 by Ebotronix

Roland Jupiter 6 & EF303 (15&30 steps)
Logic sequencer 6 tracks
fx Boss SL 20 BSS DPR 402 Lexicon PCM 80 SPL Gold Mike
drums Jupiter 6 odd time 15/8

Update:

15/8 o'clock at Jupiter
Published on Dec 20, 2012
Roland Jupiter 6 & EF303 (15&30 steps)
Logic sequencer 6 tracks
fx Boss SL 20 BSS DPR 402 Lexicon PCM 80 SPL Gold Mike
drums Jupiter 6 odd time 15/8

Styx Fooling Yourself Keyboard Solo Roland Jupiter 8


Published on Dec 20, 2012 by synthartist69

"This was a first take for me on this so I didn't get the exact sound or my timing perfect on the solo but here it is. It seems like I read where he used an Oberheim 4 voice for the lead. I think that the other lead parts in the song are two oscillators tuned 2 octaves apart. I know that my Alesis Ion has that Fooling Yourself patch on it and it is a great one! One of my all time favorite songs by Styx!

I do not claim any rights to the music in this video. This is merely fair use under Section 107 of the Copyright Act."

Techno Kitty....


via Paul Electronicaz Johnson on The MATRIXSYNTH Lounge

"Techno Kitty.... On a vocal tip. Bwoyeee!"

1979 ARP 2600 Ad


via Retro Synth Ads where you'll find the write-up.

"ARP 2600 synthesizer "The ARP for the studio. The ARP for the stage." full page colour advertisement from the September 1979 issue of Contemporary Keyboard."

A Visit to the Mattson Mini Modular Studio

I recently paid a visit to George Mattson of Mattson Mini Modular. Posted here is a collection of pics I took.  Click them for the full size glory, these are big pics.  I'll be posting a few more along with video of George taking me through the new Divison 6 Mattson SQ816 Sequencer (Mattson page here).  George Mattson designed the hardware, while Division-6 did the software.   Along with the Mattson and Division 6 eurorack formats, it will be available as a stand alone desktop sequencer.


This thing is going to be a beast.  If you are in the market for a hardware sequencer you are going to want to check this one out.   One thing I really like about the Mattson SQ816 is the individual gate outs for each step.  You can have a 16 step sequence with the main out driving the main sequence while having each step drive different drum modules.   In essence you get a main melody sequencer as well as 16 drum triggers.  You can of course gate anything including non percussive sounds.   The sequencer also supports MIDI out.

Also pictured is George's giant EML Mattson modular. It consists of vintage EML components and new designs from George Mattson. It is a monster. See the Mattson EML label for more, and don't miss the light show. :)  To the right of the EML Mattson modular and in the other pics you'll see the Mattson Mini Modular in different case formats. A eurorack system sits on a shelf over the long horizontal case.

2nd set of pics here.

2012 Apocalypse Not!


2012 Apocalypse Not! from Atomic Shadow on Vimeo.

"This is a soundtrack for the Mayan inspired 2012 non-event on December 21st. It features EMW-200, DotCom, SSL (DDVCO! Thank you Mrs. Shadow and Merry Christmas), STG, Krisp1 devices. It also makes use of an Eico sine wave generator with various effects including some pedals on the floor. It is a live improvisation captured from two angles.

The final film was created from my raw footage by filmmaker Jeff Gustafson using stock footage from atomic bomb films of the 50s. His was the genius idea to run the bombs backwards, thus underlining the NOT part of the title.

See you all in 2013!
https://twitter.com/AtomicShadow www.atomicshadow.com"

Hinton Instruments & Wiard Team up with Bantam Jack Patching

via Hinton Instruments

"Due to astute bulk purchasing we can now offer all our audio processing and synthesizer modules with bantam/TT jacks for the same price as the mini-jack or banana versions. All the modules have balanced/unbalanced compatibility and may be connected to other balanced audio systems using low cost moulded patch cables without the previous higher price tag.

Bantam or TT (tiny telephone) jacks are widely used in professional audio for high density and reliable patching. They have the feel and ruggedness of 1/4″ jacks, but only take up the panel space of inferior, fragile 3.5mm jacks without the compatibility issues between manufacturers.

Seamless patching between synthesizers and professional studio equipment is now possible without special interfaces. Studio outboard may become integrated into a synthesizer patch and synthesizer modules used to process audio from a studio jackfield."

via Wiard: "Why Bantam Jacks?

In brief, you get the reliability and solid feel of a professional audio connector in a compact footprint (only slightly larger than a 3.5mm jack)..."

Fortress Modular Eurorack Desk from World Grid Modular


"Designed for minimum footprint and maximum height whilst still being free standing.

Allows you to grow your case size with your module collection, suitable for desktop or floor.

Cascading power and switch port options allow you to share power between active and passive boards and sections allowing you to shut down individual rows of your modular setup independantly.

All the usual World grid modular case innovations including:

Removable powerboard trays.
Super strong triple layer design.
Passive Air flow design.
Laser artwork

Available in Australia at Equinox Oz."

Drivkraft - All Is Moog by Drivkraft@Play



"Another track made with only The Realistic Concertmate MG-1.

All drum and synth sounds made with The Realistic Concertmate MG-1. (Yes, it's a Moog)
www.vintagesynth.com/moog/mg1.php
No MIDI, no sync. Recorded from mono output to line in on laptop.
All audio sequensed and processed in Cubase 5.

Additional filter - FabFilter
Delay - FabFilter
Reverb - D16 Group
EQ and dynamics - Waves

A bit crooked but it's alright. ;)"

via Anders Olofsson on The MATRIXSYNTH Lounge
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