Fly semi generative modular ambient

video upload by murratti 127

modular synth
eurorack

In this setting I only used the following modules:
black sequencer • erica synths
M185, vector wave, night rider • ryk
alan, morcom, enigma • after later audio
øchd • instruo
melotus versio, tymp legio • noise engineering
DPLPG • mengqimusic
boundary • schlappi engineering
258t, 281t • buchla tiptop audio
mimeophone, maths, XPO, QPAS, 0-ctrl • make noise
alter 2 • folktek
chainsaw • acid rain
T43 • vpme
crave • behringer

2 Minute Breakdown: Dice (Mutable Instruments Marbles)

video upload by After Later Audio

"@RobotsAreRed walks through all the base functionality of Dice, the Random Sampler in our Mutable Instruments Classic line."

Mutable Instruments Classics from ALA

5 Second Interviews at Knobcon 2023

video upload by Gerbil Hamster Records

"Shits too long sometimes
Love ya!

|||||Links|||||
Buchla
https://buchla.com/

Hive Mind Synthesis
https://www.thekillerbeerelayteam.com...

After Later Audio
https://afterlateraudio.com/

CLICK FOR MORE »

colors

video upload by murratti 127

LOOPMAN • error instruments
bass drum • mosaic
SPATHIPHYLLUM
scion • instruō
sample drum, black sequencer • erica synths
alan , pique, morcom, enigma, resonate • after later audio
roucha legio, yester versio • noise engineering
switch 4 • joranalogue
boundary • schlappi engineering
kermit mk3 • industrial music
mimeophone, maths,XPO, QPAS, 0-ctrl • make noise
night rider, M185, vector wave • ryk
passive LPG • intellijel
motion MTR • molten modular
Hope you like this video! Comments welcome!

Curiosity • Loopman Error Instruments • Kermit MK3 • XPO • Resonate • Crave • Sample Drum

video upload by murratti 127

"Lemon
Instruo Scion • Øchd, Industrial Music Kermit Mk3, Loopman Error Instruments • Make Noise Tape & Microsound Machine • XPO • 0-CTRL, erica synths black sequencer • sample drum, stmix befaco, after later audio Resonate, noise engineering melotus Versio • Roucha Legio"

SHIMMER

video upload by murratti 127

bass drum • mosaic alan , pique, morcom, enigma • after later audio
roucha legio, yester versio • noise engineering
switch 4 • joranalogue
Boundary • schlappi engineering
kermit mk3 • industrial music
mimeophone, maths • make noise
night rider, M185, vector wave • ryk
passive LPG • intellijel
motion MTR • molten modular
Hope you like this video! Comments welcome!

Rainy day with Loopman

video upload by murratti 127

"Black Sequencer from erica synths controls the bass drum from mosaic, the pique from after later audio, the kermit from industrial music and chainsaw from acid rain. 0-CTRL from make noise controls the resonate from after later audio, this signal is filtered with night rider from ryk and the mimeophone is used as an effect. Other effects and voices from the Benjolin v2 from after later audio. Roucha legio and yester versio from noise engineering.

My voice from the Loopman controlled with math and soundhack with morphagene from make noise. Hope you like this video! Comments welcome!"

MACHINE

video upload by murratti 127

"Alan from After Later Audio plays the bass drum from mosaic and resonate from after later audio as a touring machine, this signal is filtered with night rider from ryk and the mimeophone is used as an effect. Pique from after later is used as a drum voice and is controlled by 0-ctrl from make noise. disting mk4 by expert sleepers runs with shift register quantized CVs and plays acid rain's chainsaw. this signal runs through the roucha legio and yester version from noise engineering. maths and wogglebug play a little too.
Hope you like this video! Comments welcome!"

Doepfer A 101-8 Photo Phasing test ॐ

video upload by Ebotronix

"I had the original Schulte phaser in the 70's. 50 years later it comes as a 4HP Eurorack version from Doepfer. it has no internal LFO, but with the CV input you can feed it with all modulation signals. Many thanks, Mr. Dieter Doepfer, will order a second A 101-4 module....
used moduls....
Doepfer R2m , A 101-8, A111-4, A 110-4, A 126-2, A 171-4, A 177-2 (3x)
After Later Audio Ornament and Crime
XAOC Batumi (2x)
Mutable Instruments Shades , Ripples V2, Kings
Tunefish Modular Links ,uVeils, u Peaks
Verbos Scan and Pan
Moogerfooger Freqbox ( 2x), MF 101 Filter
Strymon 2x Cloudburst
G harmonic minor scale
vid # 2258"

flower field

video upload by murratti 127

"A piece with flower field by error instruments, amplified with listen i/o then runs through pitch from 2 hp and as a filter the night rider from ryk.
Alan from after later audio controls the bass drum of mosaic. Pique from after later audio runs as a touring machine and plays the chainsaw from acid rain, a low pass gate from disting mk4, then through the filter from noise engineering roucha legio the yester versio is used as an effect."

You can find details on Error Instruments Flower Fields previously posted here.

MooSonics Vanilla Synthesizer First Encounter - Cory Flanigan vs Juggable Offense

video upload by suitandtieguy

"My good friend Cory Flanigan, a drummer who plays drums and electronics simultaneously, came over a few days after I finished the first properly and fully functional MooSonics Vanilla Synthesizer, a new basic American format modular synthesiser based on and restricted to the functions and timbre of 1970s Oberheim instruments, specifically the Two Voice, which Tom said was his favourite of everything he made. There is also an LFO module derived from the MS-20 and a control bus module that allows you to address all pitch and gate modules in the system from only one place, instead of having a dumb mess of cables and multiples. The Moog modular synthesisers worked this way, and I think it's the way things should be.

I got it set up and put it through a couple of IK Multimedia pedals, the X-Time and X-Space, because I can't stand listening to naked instruments. It was also nice to spend more time with the pedals, some of the tweaks are Cory and some are me poking around them.

Controlling the synth is a 2 octave MIDI controller with an internal arpeggiator driving a Roland SBX-1 as a MIDI-to-CV converter.

He played with it for a half hour and I decided to hit the record button, he finished at literally 4:20 AM, about an hour and a half later.

I wanted to post the audio because I thought listening to someone who was not a "modular synthesist" but did actually know synthesisers (Cory spent years making sounds with the Korg Wavestation and Radias, Currently has TWO Wavestates) would do with a thing upon first meeting it.

I didn't edit this except for fades at the beginning and end. I just wanted to present it as something you could listen to, in whole or part, as a reference for what my new instrument sounds like.

Bubba Ayoub AKA Juggable Offense made 90 minutes of video art while listening to it so I could merge them and put it on U-Toob. It beats paying Soundcloud nine bucks a month but you will have to skip through some text-to-speech ads for total snake oil products (YouTube is fine with misinformation if you pay them enough money, it seems.)

It would be cool to do this with more people, putting a new instrument in front of them and seeing what they do with it as a first encounter with new technology.

I know what this thing is supposed to do and what it should sound like from my own perspective, but I'm more interested in hearing what other people do with it.

Also leave a comment if you would be interested in a livestream where I just play with this thing and have the oscilloscope handy to answer questions or make certain kinds of patches."

See the MooSonics label below for more.

Kermit Mk3 and his friends

video upload by murratti 127

"completely self-running

Echeveria gibbiflora plays the scion,
Instruo Scion • Øchd, Industrial Music Kermit Mk3, Make Noise Tape & Microsound Machine • XPO • 0-CTRL, erica synths black sequencer • sample drum, stmix befaco, after later audio Resonate • Benjolin V2, noise engineering melotus Versio • Roucha Legio, cre8audio EastBeast, Rolant aira T8."

InstaComposer 2 - Evolved AI MIDI Tool (VST / AU / AAX)

video upload by W. A. Production

Press release follows:

W.A. Production introduces InstaComposer 2 as advanced AI MIDI Tool taking popular MIDI creation station plug-in predecessor to another level

PRAGUE, CZECH REPUBLIC: W.A. Production, producers crafting creative plug-ins to help anyone achieve studio-quality processing speedily and easily, is proud to introduce InstaComposer 2 as an advanced AI MIDI Tool taking its popular InstaComposer MIDI (Musical Instrument Digital Interface) creation station plug-in predecessor to another level — launching new features and improvements that enhance the user experience with more MIDI tracks, scenes, new scales, and new modes married with enhanced generative coding and superior performance to make practicable new ideas flow more quickly than ever before by producing a wide variety of musical elements, including melodies, phrases, riffs, and chord progressions to provide both beginners and professional musicians with endless possibilities for creating unique and engaging music in any genre or style while working with an intuitive interface and advanced algorithms allowing them to focus on the creative aspect of music production without having to think about composing every note — as of July 6…

Ever experienced those testing moments when creativity runs dry? Do not fear, for InstaComposer 2 is the ultimate musical muse. Indeed, infinite inspiration is at the creative core of the thinking behind making InstaComposer 2 what it is — an advanced MIDI generation plug-in designed to revolutionise music creation. By building upon the solid foundation of W.A. Production’s popular InstaComposer — itself released to widespread critical acclaim in its original incarnation in October 2021, InstaComposer 2 truly represents an even more attractive proposition, with exciting new features and improvements to enhance the user experience. Example highlights include an ability to organise ideas and song parts with eight new so-called ‘scenes’ — Scene 1 through to Scene 8 — that provide a convenient way to store different variations within a single preset; upgraded Scale support, with 22 additional scales ranging from Arabic and Spanish through to Miyako Bushi, Ryukyu, and more; a new virtual keyboard and highlighted chord menus to help with scale and chord selection; and melodies that can be generated in different modes and paired with unique chord progressions for each scale. Speaking of which, InstaComposer 2 adds two new-generation modes to its notable name — namely, Drums, enabling effortless generation of drum lines (supporting a wide variety of complexity levels, styles, and time signatures), and Pad 2, facilitating creation of a fuller, richer sound (by combining Pad and Chord modes). AI algorithms have been further improved for rhythm, phrase, and melody generation, conjuring more refined results, while new additions like the Sustain parameter — provides control over the length of the notes that are going to be generated — and a Chord Helper — highlights the notes for the selected chord on the virtual keyboard — help take things to another level entirely.

Each new starting point for InstaComposer 2 generates a unique result to ensure that users never run out of fresh ideas and possibilities for their compositions, ultimately. Unlike random note generation, InstaComposer 2 employs meticulously crafted algorithms and databases to produce musical ideas. Indeed, it constructs rhythmic and melodic structures that sound correct by mimicking human creativity — selecting notes that fit the given scale and context, and creating cohesive phrases that complement underlying chords. Clearly, InstaComposer 2 ‘understands’ the human brain’s affinity for pattern recognition. After all, AI (Artificial Intelligence) is involved in making InstaComposer 2 do what it does — different shapes and formats are used to build captivating combinations of beats and bars, adding rhythmic and melodic consistency often found in chart-topping music. Moreover, by using smaller musical chunks that repeat or occur in various forms throughout the melody, InstaComposer 2 builds larger blocks, creating a sense of unity throughout its user’s music-making interactions. It even harmonises notes to enrich the sonics (depending on selected mode and settings), resulting in a more cohesive composition as it aligns melody to chords. Adjustable AI controls — Generate Chords generates harmonious sequences of chords inspired by the most commonly used chord progressions, for instance — and a convenient Chaos control — ensures everything remains under control by preventing unwanted chaotic situations such as notes repeating excessively, jumping erratically, or climbing too far in one direction — mean that users can comfortably remain in charge of how InstaComposer 2 develops ideas (and how far it strays from any set rules), while fine-tuning of chord complexity, note population, beat and bar structuring, pattern generation, harmonisation, velocity randomisation, and more are always available.

As an advanced AI MIDI Tool, InstaComposer 2 includes complex algorithms for generating Melody (generates a wide variety of melodies and phrases), Riff (similar to Melody, but with shorter phrases, more repeating patterns, and more restricted structures), Ostinato (generates short melodic phrases that keep repeating, often ignoring chord changes underneath), Rhythm (generates more harmonies, focusing on rhythmic patterns and chord notes), Bass (generates bass lines that compliment chords and melodies being played), Chord (focuses on the chord notes with options to inverse chords and add bass notes), and Pad (emphasises longer notes often focusing on harmonies based on underlying chords). Creatively exploring the potential of these modes means users are always uncovering unique and compelling music. Moreover, with those eight scenes available alongside six tracks — Track 1 through to Track 6, InstaComposer 2 offers flexibility and organisation for multiple layers, alternative variations, and different song parts within a single preset.

Put it this way: with a user-friendly piano-roll interface at their fingertips, users can effortlessly manoeuvre, duplicate, and remove notes, and even change velocity to effectively breathe life into their riffs, while the onboard MIDI editor can be used to tweak the output of InstaComposer 2, meaning music can be manipulated before it even leaves the plug-in. Personalised style and creativity can be easily added to the AI-generated phrases, in other words.

Modifying MIDI playback directly within the InstaComposer 2 interface itself is also on offer — simply save the output as a MIDI file or conveniently drag and drop it into a DAW (Digital Audio Workstation). It is also worth noting here that each track can be saved separately. Setting up multi-channel instruments as an alternative workflow also allows for routing MIDI from InstaComposer 2 into virtual instruments to preview all six tracks simultaneously — and all without ever having to leave the plug-in environment.

It is fair to say, then, that by taking its popular plug-in predecessor to another level as InstaComposer 2, W.A. Production has surely succeeded in creating the only MIDI creation station anyone could conceivably wish for... today, tomorrow, and into the foreseeable future!

InstaComposer 2 is available to purchase at an attractive 70%-discounted introductory promo price of $32.70 USD until August 17, 2023 — rising thereafter to its regular price of $109.00 USD — as a 64-bit AU-, VST-, and VST3-compatible plug-in for macOS (10.15 or later) and 32- or 64-bit VST-, and VST3-compatible plug-in for Windows (8 or later), as well as an AAX-compatible plug-in for Pro Tools (11 or higher), directly from W.A. Production via its dedicated webpage, which also includes some superb audio previews, here: https://www.waproduction.com/plugins/view/instacomposer-2

Owners of the original InstaComposer can upgrade to InstaComposer 2 for only $10.00 USD.

14-day, fully-functional trial versions of all W.A. Production plug-ins — including InstaComposer 2 — are available by signing up for an account for free from here: https://www.waproduction.com/users/login

LARK Digitakt and Modular Synthesizer Performance // Track Breakdown

video upload by Patchwerks

"Seattle based artist Lark performs and breaks down a track made with an Elektron Digitakt and a Mutable Instruments themed modular synthesizer.

Check out the Digitakt here: http://bit.ly/ele_digitakt
Check out the some fresh Mutable Instruments remakes by After Later Audio here: https://bit.ly/pw-ala

https://www.patchwerks.com
Video by: Matthew Picora (@EZBOT_)"

Intro to Modular Synthesis – Part 3 of 3: Everything Else

video upload by Robots Are Red

All parts here

"In this third and final video of Intro to Modular Synthesis, we'll take a look at a variety of other staples of synthesis and modular.

Here is a quick look at everything covered in the video:
00:00 - Introduction
00:51 - Mults & Splitters
03:44 - Attenuators & Attenuverters
05:36 - Quantization
07:39 - Wave Rectification
09:15 - Slew
11:25 - Sample & Hold/Track & Hold
14:45 - Subharmonic Generator
16:04 - Full Moog Style Patch
19:54 - Frequency Modulation
23:33 - Amplitude Modulation
25:57 - Ring Modulation

Again, special thanks to After Later Audio for providing a good handful of modules for this video series!"

'Für Klaus' - Tribute to Klaus Schulze, a Eurorack Modular Performance #eurorack #synth #ajhsynth

video upload by AJH Synth Official

"On this channel Sunday 8th @7pm GMT - a 13-minute track recorded as a single-take performance, and a purpose-made tribute/dedication to the late Klaus Schulze. The piece is inspired by his music directly, creating some sounds akin to those he used in the late 1970's, even including one of his sequences. Much of it was composed and rehearsed, whilst some of it was improvised, but I suspect much less so than Schulze's works, which were often much longer, involving more improvisation and more instruments. This piece consists of just three voices across 4 audio tracks/channels, altered or converted in real-time during the performance to achieve different sounds.

As a creator of electronic music, Schulze was one of the most significant influences for me (the video creator). His music, his attitude towards it in the interviews I read of his, and the way he worked alone to create dense, fascinating, complete musical performances and soundscapes, at a time when the technology was in it's infancy, and before later technologies such as complex computer sequencing, sound creation, processing and mixing were available. As a solitary musician, his was a great, empowering example. His bravery to improvise, experiment, and co-exist with imperfections, embracing them rather than fearing them, makes me warm to the artist and the music even more. Schulze used, among others, an early Minimoog (leads) and a large Moog modular system, which he customised with additional modules over the following years. Since the core AJH MiniMod system is directly based on the early, more desirable R.A.Moog version of the Minimoog, yet is entirely modular, it makes a great choice for this homage to one of electronic music's greatest pioneers.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by DreamsOfWires

Modules used:
Vintage Transistor Core VCO x6
Transistor Ladder Filter
Gemini 2412 Dual State-variable VCF
Wave Swarm
Ring SM
Glide + Noise MkII x2
Next Phase
Dual RVG
Tap Tempo VC-LFO
Sonic XV Diode Ladder Filter
Contour Generators x2
Muting Mixer
Dual LFO + VCA
Discrete Cascaded VCA x3"

DEMO - Mutable Warps (After Later Audio Fuse) Parasites delay (v1.02) and frequency shift modes

video upload by brandon logic

"Showing Delay and Freq shift algo's my two favorite algorithms in Warps Parasites firmware (v1.02)
I found a lost alternate parasites firmware made by modwiggler member autopoiesis-
Only changes from version 1.01 are:
- delay mode has been reverted to the v0.95 implementation
(adds built in lfo for modulation and the time control goes from shortest delay to slowest without stopping and changing directions in the middle like it does in parasites 1.01 (the two small trimmers control the speed and mod depth of the lfo) - the fold's input bias control has been replaced with control over the order (via the smaller Timbre knob, like on the Comparator+Chebyshev mode) of a Chebyshev shaper that can be applied after the wavefolding stages. I find it convenient to have both in the same mode since harmonically richer sources take better to the Cheby, and folding simple signals first makes them more interesting through this shaper.
Here is the 1.02 firmware:
https://drive.google.com/file/d/1Z85A..."

The Ultimate Groove Box - Modular Eurorack Synthesizer

video upload by clonzee

"Join me in 2023 as I explore the ultimate groove box: This 104hp 7u modular Synth. Modules may come and go, but the goal is to stay self contained to create all my music in this single modular synth.

Modules currently in the case:
Pamela's New Workout
Clank Chaos
After Later Buff Mult
Mutable Instruments Stages
After Later Sum + Inv
Modbap Osiris
Instruo Ts-L v2
After Later uRings
Steady State Fate Steady State Gate
Intellijel Quad VCA
Intellijel Mixup
Noise Engineering Zularic Repititor
4ms QCD
Modbap Trinity
Make Noise Maths
Intellijel Quadrax
Mutable Instruments Beads
Noise Engineering Imitor Versio
Intellijel Triatt
After Later Audio Threads
Intellijel Noise Tools
Intellijel Switch
Intellijel Quadratt
Intellijel Pedal I/o"

Intro to Modular Synthesis – Part 2 of 3: Patch Building

video upload by Robots Are Red

All parts here

"In this video we will look at building patches and all the modules you will need for both a Moog and Buchla style patch.

If you have any questions about anything covered in the video, leave a comment and I will do my best to answer.

Jump to any section of the video:
00:00 - Opening
01:08 - Sequencers/Controllers
02:25 - East Coast Synthesis
03:03 - Oscillator
06:40 - Filter
10:46 - Envelope & VCA
15:45 - West Coast Synthesis
16:34 - Wavefolder
18:32 - Low Pass Gate
21:36 - Pseudo Low Pass Gate

Special Thanks to After Later Audio for providing some modules for this video series!"

Pixie (1:1 Plaits) and Waves (1:1 Ripples) Together, Create a Full Synth-Voice

video upload by After Later Audio

"ALA is proud to bring you more modules in the Mutable Instruments Classics Line!
Pixie (1:1 Plaits) and Waves (1:1 Ripples)"