MATRIXSYNTH: Search results for Buchla


Showing posts sorted by relevance for query Buchla. Sort by date Show all posts
Showing posts sorted by relevance for query Buchla. Sort by date Show all posts

Wednesday, March 25, 2015

Don Buchla Files Lawsuit Against BEMI - Buchla Electronic Musical Instrument, LLC et al

via Justia Dockets & Filings

"Buchla v. Buchla Electronic Musical Instrument, LLC et al

Plaintiff: Donald Buchla
Defendant: Buchla Electronic Musical Instrument, LLC, Audio Supermarket Pty. LTD., Danny Olesh, Michael Marans, Lewis Chiodo and John Fuller
Case Number: 3:2015cv00921
Filed: February 27, 2015
Court: California Northern District Court
Office: San Francisco Office
County: Alameda
Presiding Judge: Elizabeth D. Laporte
Nature of Suit: Contract: Other
Cause of Action: 28:1332 Diversity-Breach of Contract
Jury Demanded By: Plaintiff"


Left is a screenshot of the "ORDER RE CITIZENSHIP OF PARTIES" available at JUSTIA Dockets & Filings. The full filing is not readily available however it was sent to me and I have read it in full. Below are the "GENERAL ALLEGATIONS" followed by the "PRAYER FOR RELIEF", which in legal speak is what the plaintiff, Don Buchla is requesting for the outcome. Note this is Don Buchla's side of the story. We do not have BEMI's. In short, the case pertains to BEMI not making good on agreements with Don Buchla. Buchla is claiming he was not paid what was agreed upon ("a minimum purchase price of $550,000" for the Buchla assets, "payment of $30,000 upon closing", "and to retain Mr. Buchla as Chief Technology Officer for a period of not fewer than two years at an annual salary of $96,000 for the first year and $108,000 for the second year"). Buchla claims the "defendants have paid Mr. Buchla less than $110,000", and he was subject to poor business dealings with BEMI including improper management of the company, its customers, and Buchla as an employee, namely the CTO, including wrongful termination.


"GENERAL ALLEGATIONS

A. The Buchla Story [this was background on Buchla history]
B. Defendants Induce Mr. Buchla to Sign an Unfavorable Agreement
C. Defendants Fail to Satisfy the Express Conditions Precedent of the Asset Purchase Agreement
D. Defendants Breach the Asset Purchase Agreement

1. Defendants Fail to Make Payments for Buchla & Associates
2. Defendants Fail to Account for the Sale of Music Easels
3. Defendants Fail to Make Rent Payments
4. Defendants Fail to Use Reasonable Business Efforts
5. Defendants Fail to Make a Good Faith Determination Regarding Mr. Buchla’s Availability

E. Defendants Breach the Employment Agreement
F. Defendants Attempt to Bind Mr. Buchla to Unconscionable and Internally Inconsistent Non-Compete, Right of First Refusal, and Right of First Offer Clauses"


"PRAYER FOR RELIEF

WHEREFORE, Plaintiff Donald Buchla prays for the Court to enter a judgment against Defendants Buchla Electronic Musical Instrument, LLC, Audio Supermarket Pty. Ltd., Danny Olesh, Michael Marans, Lewis Chiodo, and John Fuller, individually and in their capacity as corporate employees and shareholders, and jointly and severally, as follows:

A. For all available equitable remedies, including but not limited to:

1. declaratory judgment that there is no valid or enforceable contract;

2. an injunction and/or writ of replevin ordering Defendants to return the assets, intellectual property, confirmed purchase orders, and goodwill of Buchla & Associates to Mr. Buchla;

3. an injunction prohibiting Defendants from future use of the assets, intellectual property, confirmed purchase orders, and goodwill of Buchla & Associates and Mr. Buchla;

4. restitution to compensate Mr. Buchla for damages; and

5. disgorgement of Defendants’ unjust enrichment;

B. For money damages in an amount to be proven at trial, but at least $500,000;

C. For an accounting of payments made and owed to Mr. Buchla under the Asset Purchase Agreement and Employment Agreement;

D. For prejudgment interest from the date of breach as provided by statute;
E. For the costs of suit and attorneys’ fees incurred;
F. For exemplary and/or treble damages; and
G. For such other, further or different relief as the Court deems just and proper.

Dated: February 27, 2015"

Friday, October 14, 2016

Buchla 296e Tutorials & Demos by Todd Barton


Published on Oct 14, 2016 Todd Barton

Playlist:

1. Buchla 296e tutorial 01

"I plan on doing a little series of tutorials on the workings of the Buchla 296e Spectral Processor. This is the first."

2. Buchla 296e tutorial 02

"This is the second episode in my series on the basics of the Buchla 296e Spectral Processor, and focuses on morphing. I am simply going through the 3 page "manual" that you can download at buchla.com go to Support tab and look for 200e User's Guide. I am also posting these on my Buchla Blog of easy access: http://toddbarton.com/category/buchla..."

3. Buchla 296e tutorial 03

"continuing with my little tutorial series on the Buchla 296e Spectral Processor, this time looking at the Split Filter function."

4. Buchla 296e tutorial 04

"Looking at the Comb Filter and some more at the Split Filtering function of the Buchla 296e Spectral Processor."

5. Buchla 296e tutorial 05

"continuing with my Buchla 296e Spectral Processor tutorials, this one on the Spectral Display and the Envelope Followers."

6. Buchla 296e tutorial 06

"continuing the series with Voltage Controlled Bandwidth Filters."

7. Buchla 296e tutorial 07

"Methodically going through all the functions of the Buchla 296e Spectral Processor. this episode on Spectral Transfers. For best audio of the two examples go to:

https://soundcloud.com/user7621213/29...
and
https://soundcloud.com/user7621213/bu..."

8. Buchla 296e tutorial 08

"Episode 8 of my series of basic tutorial on the Buchla 296e. This time I look at Sampled Envelopes."

9. Buchla 296e tutorial 9

"I'm really excited about this tutorial! Having methodically covered the Buchla 296e manual in episodes 1-8, I took a break and explored new territory beyond the manual. This time looking to see if the 296e would feedback on itself. It does! and it is amazing! Enjoy."

SoundCloud demo here: https://soundcloud.com/user7621213/spectral-feedback-sampler

10. Buchla 296e Transfer Test

"This is a test, just scrolling through the Transfer Mode settings on the Buchla 296e Spectral Processor. Better audio here: https://soundcloud.com/user7621213/bu..."

11. Buchla Percussive Lava Lamp

"more research and exploration of the Buhla 296e Spectral Processor. Be sure to hear the better, stereo audio here: https://soundcloud.com/user7621213/bu..."

12. Playing the Buchla 296e

"Using clock divided and processed pulses and CVs to sculpt a little S&H sequence heard right at the beginning of the video. Better audio: soundcloud.com/user7621213/296e-vca-dance"

13. Spectral Transfer Transmissions

"this is based on two static sounds whose shifting timbres are creating spectral arrays. the fast bubbly sounds are being created from specific envelop followers of specific frequencies. better audio: soundcloud.com/user7621213/spectral-transfer-transmissions"

14. Buchla Spectral Krell

"better audio here: soundcloud.com/user7621213/spectral-krell
The 296e is analyzing a low, varying pitched triangle wave and the envelopes outputs are opening and closing VCAs on the 292e. . . the same envelopes are triggering random voltage generators that go to the oscillators."

15. Buchla Spectral Krell ii

"more Spectral Krell, this time just a short teaser. for a much longer audio of same: soundcloud.com/user7621213/spectral-krell-ii"

Monday, April 24, 2017

Don Buchla Memorial Concert Videos by Encyclotronic22


Published on Apr 24, 2017 Encyclotronic

Electronic Music Archive - http://encyclotronic.com/

First video is from the collection of Alessandro Cortini and Associates w/ music by Keith Fullerton Whitman.

Playlist:
1. Buchla Synthesizers Room - Don Buchla Memorial Concert, San Francisco
2. Peter Blasser - Don Buchla Memorial Concert
3. James Fei - Don Buchla Memorial Concert
4. Loachfillet and Professor Cantaloupe - Don Buchla Memorial Concert in San Francisco
5. Ezra Buchla - Don Buchla Memorial Concert in San Francisco
6. Ezra Buchla - Don Buchla Memorial Concert in San Francisco
7. Laetitia Sonami - Don Buchla Memorial Concert in San Francisco
8. Morton Subotnick and Lillevan - Don Buchla Memorial Concert in San Francisco
9. David Rosenboom - Don Buchla Memorial Concert in San Francisco
10. Circus of Associates: Joel & Claudine - Don Buchla Memorial Concert, San Francisco
11. Circus of Associates: Joel & Amy X Neuberg - Don Buchla Memorial Concert, San Francisco
12. Circus of Associates: Mark Vail & David Battino - Don Buchla Memorial Concert, San Francisco
13. Circus of Associates: Joel & Peter Apfelbaum - Don Buchla Memorial Concert, San Francisco
14. Circus of Associates: Joel & Brian Rice - Don Buchla Memorial Concert, San Francisco
15. Todd Barton and Bruce Bayard - Don Buchla Memorial Concert, San Francisco.
16. Circus of Associates: Joel & Amy & Peter - Don Buchla Memorial Concert, San Francisco
17. Circus of Associates: Group - Don Buchla Memorial Concert, San Francisco
18. Circus of Associates: Group - Don Buchla Memorial Concert, San Francisco
19. bran(...)pos - Don Buchla Memorial Concert, San Francisco
20. Ami Radunskaya - Don Buchla Memorial Concert, San Francisco
21. Jessica Rylan - Don Buchla Memorial Concert, San Francisco
22. Susan Ciani - Don Buchla Memorial Concert, San Francisco

Tuesday, December 24, 2019

Buchla Mother Load 1989-2019

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Buchla Lightning II
Buchla Thunder
Buchla Marimba Lumina Gold
Nearfield Marimba Lumina 2.5
Buchla LEM Spider
Buchla 206e
Buchla 218e
Buchla 210e
Buchla 223e
Buchla 225e
Buchla 227e
Buchla 250e
Buchla 256e
Buchla 261e (X4)
Buchla 266e
Buchla 272e
Buchla 281e (X2)
Buchla 285e
Buchla 291e
Buchla 292e
Buchla 296e
Buchla 18 Space Case
Buchla 12 Space Case

Thursday, January 19, 2012

NAMM: Buchla Acquired by Former Industry Veterans?

via DedMousie aka Les Mizzell on Muffs:

"... some industry veterans (including Michael Marans, former Keyboard tech editor) have acquired Buchla & Associates, with Don Buchla now acting as Chief Technology Officer for a new company, Buchla Electronic Musical Instruments. They have some really exciting plans for new products that Don's wanted to do for a long time, and now has the resources to do so."

I checked with a source and this one just might be true. No formal announcement on the Buchla site. Note this is speculation until confirmation.

This one in via Soviet Space Child.

Update 1/20/12: and we have confirmation from Synthopia (note the new keyboard controller):

"At the 2012 NAMM Show, several interesting announcements were made about electronic music legend Don Buchla, above, and the future of his electronic music instruments:

His company, Buchla & Associates, has been acquired by a group of investors, who are creating a new company Buchla Electronic Musical Instruments. Buchla wil be the Chief Technology Officer of the new company. The organizational change will bring design, manufacturing, sales and marketing resources to Buchla. The intent is that, by freeing Buchla from some of these areas, he’ll be able to spend more time to ‘introduce more innovations in music technology’, expand the Buchla product line into new areas and make his instruments available to a wider range of musicians.

Buchla also introduced a new modular synthesizer, the Buchla Skylab. The Buchla Skylab is a compact and slightly more affordable configuration of the Buchla 200e modular line.

Finally, Buchla announced that, after 50 years of not making a keyboard for his synthesizer [Buchlas aren't known for piano style keyboards, but he did have polyphonic keyboards with velocity and aftertouch in 1971 - 237/238 in 1971, touche in 1979 and the 406 in 1983 - see the Buchla 406 here.], that there will finally be a Buchla Keyboard controller. The Buchla Keyboard is currently in early stages, but don’t plan on it being a standard control keyboard. Buchla Electronic Musical Instruments expects to release a keyboard design that is as different from other keyboard controllers as its modular synthesizer is from other modulars."

Update 1/26/2012 via Ross Healy of Vicmod:

"The 3 owners are Aussies all working in the music equipment business and huge synth lovers. Lewis Chiodo, John Fuller, Danny Olesh are the new owners of Buchhla Electronic Instruments. Michael Marans is CEO in the US. Their intention with Buchla Electronic Instruments is to keep the brand as cool as it has been in the past allowing Don to do what he excels at ( creating/ designing). I have no doubt this will be a brilliant future for our beloved Buchla and Don/ Ezra etc. I have known Lewis for 12 years and believe me this guys LOVES synths/ playing synths since he was age 5."

Tuesday, April 02, 2019

Instrument Designer: Rare Buchla 700 Synth Coming to Software on Mac, Windows & iOS



via modosc designs

"a modern interpretation of the buchla 700, coming soon for mac, windows, and ios."


If you are not familiar with the Buchla 700, check out Chimeror by Benge on Vintage Buchla 700. According to that post, only about 12 of these machines were ever produced, and there are possibly only 4 working examples left in existence.

Update: Some additional info via modosc designs:

On the developer: "Jonathan Schatz has spent his life pursuing dual passions of music and computing, occasionally simultaneously. One of these convergences led to working with Don Buchla on the 200e system for several years. The latest such convergence is Modosc Designs."

FAQ:

"What is Instrument Designer?
Instrument Designer is a software synthesizer inspired by the Buchla 700.

Ok, what is the Buchla 700?
The Buchla 700 is a 12 voice 4 operator FM synth released in 1987 and designed by Don Buchla. There are several main ways the 700 differentiates itself from the other FM synths common in the industry at that time:

Each algorithm outputs through two independant waveshapers. This allows a single instrument defintion to output two different audio signals without requiring a separate stacked voice. This also increases the sonic palette by allowing a user to easily create non-sinusoid waveforms.

The waveshapers are cousins to the ones use in the Buchla Touche, Buchla 400 and the Buchla 259e. They are quite unique and use some interesting waveshaping techniques.

Each voice has 13 complex envelopes which control almost every aspect of the sound algorithm. The envelopes have a unique exponential display, are programmable with an arbitrary number of breakpoints, and include programmable features such as looping.

Programming was simplified with the help of a graphical user interface and an external monitor.

What does it sound like?

There weren't a lot of these produced so there's not that much out there, but what is out there is quite interesting:

Charles Cohen — Generator
Benge — Chimeror
Ode To Gravity — this is from the release party for the 700 and includes interviews with Don
So what happened to it?
The instrument never became very popular and today is one of the rarer of Don Buchla's instruments (which says a lot). The software itself was never finished, and the video card which connected up the external display was unreliable and eventually end-of-lifed by Intel. Probably 15-20 of these were made - I personally know of 3, of which only 1 currently works.

Why hasn't anyone made a reissue?
Good question. The design is quite complicated and includes 4 separate computers as well as a large membrane input surface. It would certainly be possible to build but it wouldn't be a cheap endevor, and unlike other recent reissues it probably wouldn't be a big seller - it's likely the most difficult instrument of Don's to use.

So why are you bothering?
I love the sound of Don's wavetable synths (specifically the 259e) and I've spent a lot of time implementing and reimplenting various related algorithms. I had the opportunity to play around with a 700 a few years back and the idea was hatched there.

Are you using the original source code?
No. This entire project was implemented using a scan of the original 700 manual as the spec (which was the usual Don way of doing things). You can view the original source code here, which is interesting because it seemingly contains code used for a NASA project as well:

Set ON_B700 non-zero to get a Buchla 700 PROM, or zero to get a NASA 3D Helmet Display PROM.

That source dump from Lynx Crowe is unfortunately incomplete but there is a project that's managed to get it to boot. Unfortunately the source code only includes some of the controller code and none of the DSP code so currently there's no sound generation.

Where can I learn more about the Buchla 700?
The Buchla 700 Preservation Page
Notes on the Buchla 700 audio synthesizer
Buchla 700 archeology
Buchla 700
Chimeror by Benge
The Buchla 700 Emulation Project
Alessandro Cortini of Nine Inch Nails playing a Buchla 700 in Twin Peaks — I don't know if the sound is actually 700 or not but who cares?"


Thursday, October 21, 2021

Buchla Easel Command 208c Tutorials by EthanJamesMusic



Playlist:

Buchla 208c Easel Command tutorial Lesson 1: Complex Oscillator
Buchla 208c Easel Command tutorial Lesson 2: Complex Oscillator CV
Buchla 208c Easel Command tutorial Lesson 3: Complex Oscillator Polarity
Buchla 208c Easel Command tutorial Lesson 4: Complex Oscillator Fine Tune and Keyboard control
Buchla 208c Easel Command tutorial Lesson 5: Modulation Oscillator Basics
Buchla 208c Easel Command tutorial Lesson 6: Modulation Oscillator Interactions
Buchla 208c Easel Command tutorial Lesson 7: Gate Basics
Buchla 208c Easel Command tutorial Lesson 8: Gate Input Options
Buchla 208c Easel Command tutorial Lesson 9: Envelope Generator Basics
Buchla 208c Easel Command tutorial Lesson 10: Advanced Envelope Generator Possibilities
Buchla 208c Easel Command tutorial Lesson 11: Pulsar Basics
Buchla 208c Easel Command tutorial Lesson 12: Pulsar CV
Buchla 208c Easel Command tutorial Lesson 13: Pulsar Clocking
Buchla 208c Easel Command tutorial Lesson 14: Sequential Voltage Basics
Buchla 208c Easel Command tutorial Lesson 15: Sequential Voltage advanced interactions
Buchla 208c Easel Command tutorial Lesson 16: Random Voltage

Thursday, January 11, 2018

BEMI Re-Purchased by Buchla U.S.A.


"Buchla Electronic Musical Instruments has been purchased by Buchla U.S.A.

The historic electronic music instrument company has been purchased, is under new management, and is now headquartered in Minneapolis, Minnesota.

Minneapolis, Minnesota January 18, 2018: Announcing the purchase of Buchla Electronic Musical Instruments by Buchla U.S.A. LLC. The iconic electronic musical instrument company founded by Don Buchla as Buchla and Associates in the mid-1960s is now headquartered in Minneapolis, Minnesota and headed by CEO Eric Fox.

The new company will continue to create unique, expressive, and iconic electronic performance instruments and controllers with a focus on the 50+ year history of Don Buchla. Buchla U.S.A.’s lead design and engineering is being performed by Don Buchla's right-hand-man, Joel Davel, who worked with Don for over 20 years. Production of the majority of Buchla modules is being handled by Dave Reilly, who was hand-picked by Don to manufacture Buchla products. Both design and production are located in the San Francisco bay area, as they were in the 1960s.

'With such an amazing legacy I am really excited about telling the story of Don and working closely with Joel and Dave to develop new products in the spirit of Don... and even revisiting/reimagining some of his designs that never actually made it out into the wild!' said Buchla U.S.A. CEO Eric Fox, about this historic purchase. 'I hope to involve as many of the artists and people that inspired Don as possible, moving forward. We owe it to him and the generations of new users to give them a sense of what he was all about.'

Buchla U.S.A. is committed to the continued production of high-quality historic synthesis/performance technology, a focus on and celebration of Don Buchla's legacy, and meeting the needs of Buchla customers.

By listening to the needs of composers at the San Francisco Tape Music Center, Don Buchla created one of the first modular voltage-controlled synthesizers in the mid-1960s as only a gifted designer and engineer could. His innovative and seminal musical instruments have inspired composers and listeners alike for over 50 years."

Friday, February 02, 2024

Exploring the 1st Buchla 100 Modular Synthesizer


video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Friday, September 16, 2016

Don Buchla Has Passed Away


It has come to my attention that Don Buchla passed away on Wednesday, September 14, at the age of 79. Anyone coming to this site should be well aware of who he is; who he was to the world of synthesizers. For those that aren't, he was by all means one of the fathers of the modern day synthesizer. Credit usually goes to Bob Moog, mainly for two reasons. One, Bob Moog chose the standard keyboard as the main interface for his synthesizers as they were more accessible to musicians. Two, Bob Moog's approach focused mainly on reproducing the sounds of acoustic instruments. Wendy Carlos' Switch on Bach and Keith Emerson's use of the Moog Modular brought Moog synthesizers to the mainstream.

Don Buchla's instruments, however, focused mainly on the exploration of sound. Artists attracted to his instrument fell more into the realm of what was known as musique concrete. Musique concrete mainly focused on the manipulation of sound, initially composed with electro-acoustic instruments recorded and manipulated on analog tape.

via wikipedia: "Buchla formed his electronic music equipment company, Buchla and Associates, in 1962 in Berkeley, California. Buchla was commissioned by avant garde music composers Morton Subotnick and Ramon Sender, both of the San Francisco Tape Music Center, to create an electronic instrument for live performance. Under a grant from the Rockefeller Foundation Buchla completed his first modular synthesizer in 1963." On the other hand (also via wikipedia): "Moog created the first voltage-controlled subtractive synthesizer to utilize a keyboard as a controller and demonstrated it at the AES convention in 1964." Update: Wikipedia appears to be incorrect on Buchla.  Don Buchla started working on instruments in 1963, and the 100 was his first VC system completed in 1965. It was then sold in 66/67. The first name of the company was Buchla Associates in 66/67 followed by Buchla & Associates in 70/71. This New York times obituary has a good write-up on Don Buchla's work beyond just synthesizers. It also has 1965 as the date for the completion of his first synth.

Please note, this post isn't about who came first. In my opinion they both did and they both had different approaches. Most of you will be familiar with the terms East and West Coast synthesis. They pertain to these two different approaches with Buchla on the West and Moog on the East.

Don Buchla's passing is bittersweet. On the one hand his creations have finally gained popularity and respect in the modern day synthesizer community - a decade ago the focus was primarily on Bob Moog. On the other hand, he passed away not being able to do what he himself wanted to do in the end. He sold the rights to the Buchla name to BEMI, only to later take them to court. The case was settled, but I have been told it was far short from the initial agreement. It is also my understanding that Don Buchla was discouraged from working on creating new instruments.

One thing to consider is that although there were/are many Buchla clones out there that paid tribute to Don's work, it is my understanding that Don wasn't paid licensing for them and that Don wasn't necessarily thrilled by them. Think about it for a bit. One, people cloned his work, two, he did not get paid for his original creations, and three, people buying clones were putting their budgets towards clones vs. his new creations, for example, the 258 clone vs the new 261e. I was told from a reliable resource, that Don never had any interest in re-hashing old products. In a sense, they were more works of art, and he was always interested in creating something new, rather than re-hashing the old. However, I was told he was fine with people creating clones for personal use, just not for sale.

Writing this post is extremely difficult. I didn't know Don personally, but I did meet him a few times at NAMM. The first time I met him was a bit awkward because he doesn't talk fluff. His answers were very short, and he just kind of stood there as if implying, "are we done yet". I then realized, he wasn't implying that at all, he was just hanging out. The second time I met him, I said hello and didn't elaborate much. He then engaged in conversation with me. It was a simple thing, but something I will never forget. The video below with Don Buchla being interviewed by Mark Vail, captures the way I felt perfectly. If you were ever fortunate to meet him in person you will know what I mean. I'm going to miss him greatly, and will always wish I got to know him better.

And a message from Moog Music:

"Dear Don,

There are no words that can accurately portray the profound impact you have had on our lives. We are deeply inspired by your artistry, and your ground-breaking achievements will always inform the work we hold most closely to our hearts. You and Bob, through your distinctive styles, collaboration and friendship, have laid the foundation for our future. Your influence endures in our minds, hearts and hands as we craft tools that give rise to joyful experimentations. We will never truly capture the elegance and beauty that you and Bob achieved, but we promise to never stop trying.

From everyone at Moog, thank you for inspiring us and giving meaning to our life's work.

Love,
Your Friends At Moog"


Published on Aug 27, 2015 Redaktion Megasynth

And a rare performance of Don playing live with his instruments and Alessandro Cortini of Nine Inch Nails (NIN):

Everything Ends Here

Uploaded on Nov 18, 2011 Alessandro Cortini

"San Francisco Electronic Music Festival 2010

Alessandro Cortini + Don Buchla, performing the piece "everything ends here", from Blindoldfreak's 1st EP, 1."

Tuesday, December 19, 2017

Buchla Easel V Tutorials


Published on Dec 5, 2017 Arturia

Playlist:

Buchla Easel V Tutorials: Episode 1 - Finding your way
Buchla Easel V Tutorials: Episode 2 - Modulation and Control Sources
Buchla Easel V Tutorials: Episode 3 - Exploring the additional features in Buchla Easel V

"French music software & hardware creators Arturia have created a series of tutorial videos demonstrating the features and functions of their recently released Buchla Easel V, a software recreation of Don Buchla's legendary Music Easel.
The in-depth tutorial - hosted by Glen Darcey - is presented in 3 parts, covering its layout, modulation and control sources, as well as the additional new features.

Recreating the leftfield brainchild of visionary synth legend Don Buchla, the Buchla Easel V maintains the unique, inspirational approach to sound creation that made the original a true cult icon. Over and above the standard parameters synth enthusiasts expect to find on an instrument, the Buchla Easel V provides a recreation of Don's innovative slider system. Each slider provides a unique voice, overtone, animation, shape, or color to the sound, opening up an exciting, fresh way of sculpting sound, and giving even seasoned professionals a chance to rediscover the joy of synthesis.

Authentically recreating Buchla's experimental, West coast sound was no small feat, and pushed the limits of TAEⓇ: Arturia's exclusive analog emulation technology. The incredibly accurate modeling - mapping out and reproducing the nuanced response of every analog component within the instrument - makes Buchla Easel V a truly cutting edge product. This level of intense detail means that each voice of polyphony requires around 20% of an i7's processor power.

While famed for the accuracy of their software emulations, Arturia also rework their instruments to include optional features that would have been impossible on the original instruments. Arturia have created many subtle improvements to the interface of the Buchla Easel V, in the true spirit of Buchla's legacy. They have also included an extra, ground-breaking synth engine: Gravity. Using an interactive physics engine to create animated, organic sounds, the addition of this powerful new synth engine makes Buchla Easel V a synth that's truly out of the world.

Buchla Easel V is one of four new stunning vintage instrument recreations that are included in V Collection 6 - Arturia's groundbreaking retro synth and keyboard package. Containing 21 instruments, each modeled after a keyboard that changed the face of music as we know it. Within V Collection, you'll find meticulously modeled analog synths, digital powerhouses, incredible performance keyboards, acoustic and electric pianos, organs, a string machine, and even a sampler.

Breathing life back into the most iconic keyboard instruments of all time, V Collection is the ultimate creativity launchpad, and an essential studio tool for the modern music producer."

Tuesday, April 16, 2013

Buchla Choses MESI as New Distributor in France

"April 16, 2013, Grants Pass, Oregon: Buchla Electronic Musical Instruments (BEMI), the legendary innovator and manufacturer of expressive instruments designed for electronic music performance, today announced the appointment of MESI as distributor for France. Effective immediately, Buchla's customers located in France can rely on MESI for the purchase of Buchla's entire product line, as well as for outstanding repair service.

"French musicians rave about MESI's product knowledge and service," stated Lewis Chiodo, a BEMI managing partner and the company's director of international sales. "Their great reputation along with a long history of carrying highly-respected product lines, made them our first choice to represent Buchla in France. Through this partnership, we aim to grow and support a French user community that shares our love of innovative products and electronic music."

This partnership is the latest expansion for Buchla and immediately follows the company's recent announcement at Musikmesse regarding Alex4's appointment as Buchla's first European distributor. Both distributors are responsible for sales and service on Buchla's complete product line, from the 200e Modular Synthesizer System to the Music Easel Electronic Music Box.

For more information on Buchla products, please visit BEMI at www.buchla.com.

MESI Contact Information:
6 rue Marceau
94200 Ivry-sur-Seine
FRANCE
contact revendeurs:
Benoit 06 03 40 25 32
renseignements:
Tél : 01 45 15 41 95
Fax : 01 45 15 07 24
www.mesi.fr

About Buchla Electronic Musical Instruments:

Buchla Electronic Musical Instruments, LLC, is the new incarnation of Buchla & Associates, the world renowned designer and manufacturer of advanced electronic musical instruments. Company CTO Don Buchla is known as the co-inventor of the analog synthesizer, and has been the creator of highly innovative electronic music tools for over 50 years. www.buchla.com"

Also see Buchla Opens First-Ever European Distribution & Service Center

Wednesday, September 27, 2017

Buchla 259e Twisted Waveform Generator Comes to Software


Published on Sep 27, 2017 Published on Sep 27, 2017

"Get your free 20-day trial license here: http://softu.be/buchla_259e

✮ Buchla 259e is the first ever officially licensed Buchla plug-in. The equally unique and desirable dual oscillator—with a truly twisted circuitry—is available as an expansion to Softube's Modular ✮"


"The Buchla 259e Twisted Waveform Generator plug-in for Modular features all the digital waveshaping, aliasing noise and foldover frequencies of the original hardware. Enjoy the self-modifying, screeching, snarling responses from the original’s downright odd inner workings. The 259e is a unique addition to the Modular ecosystem.

'Coming from a staunch, obsessive analog Buchla tradition I was skeptical about a virtual 259e. But Softube has knocked it out of the park.'

Todd Barton, Buchla Legend

What Is a Twisted Waveform Generator Anyways?
The 259e consists of two separate oscillators—Principal and Modulation—where Modulation can be used either to modulate the Principal oscillator or as a separate generator of audible notes. Furthermore, the sine wave generated by the Principal oscillator is simultaneously applied to two of the eight available waveshape tables. A morph voltage pans between the two tables and a warp voltage varies the amplitude of the sinusoidal (driving) waveform. Both these functions can be modulated by the Modulation oscillator.

'Three years ago I purchased a Buchla Easel and it really changed the way I compose my music. The Softube Buchla 259e makes me not miss my Easel too much while travelling.'

Andreas Tilliander, Producer, DJ, remixer and artist.

Here's Where it Gets Really Twisted
Three of the waveshape tables are actually not tables in the classical sense—they are simply portions of the 259e operating program, full of unpredictable noise and frequent silences. This is the innovative Mem Skew mode, possibly the most unique feature of the Buchla 259e. When these tables are selected, the FM controls are re-assigned to table scanning functions and the FM inputs become table modulators.

To sum it up, while the Buchla 259e can certainly be used for more traditional sounds, it excels at creating otherworldly twisted digital sonic landscapes. Which is why it is one of the most coveted synth modules on the market.

Thursday, November 21, 2019

The Galaxy Electric - Buchla Cosmic Drone - Session 1 - Modular Drone Music


Published on Nov 21, 2019 The Galaxy Electric

"The Galaxy Electric - Buchla Cosmic Drone - Session 1 - 11/18/19 - Modular Drone Music

Relax and tune into our live weekly Drone Sessions. This inaugural session involves a drone featuring 4 Buchla style square wave oscillators starting in tune a couple octaves apart. As the oscillator frequencies drift apart by way of manual control beating ensues. Listening to droning oscillators can serve as an aid in a meditation practice as there is no sudden changes in sound. Just smooth drifts in pitch and the resulting beat frequencies. Drones can also serve as an ambient track to have on while doing tasks that require intense focus. The slow yet progressive nature of a drone performance can help one focus on tasks without distraction.

The electronic music instruments used in this performance of modular drone music are the Buchla Music Easel, and a small system involving a Buchla clone model 259 Programmable Complex Waveform Generator, Buchla 292h Dual Lowpass Gate, and 281h Dual Function Generator in the Buchla LEM Powered 3 Boat."

Patch and Tell - E1- Buchla Clones 280 266 - Pseudo Sequence - Source of Uncertainty -1979 DAO

Published on Nov 21, 2019
Patch and Tell - E1 - Buchla Clones 280r 266r Pseudo Sequence - Source of Uncertainty - 1979 DAO

"Augustus Green of The Galaxy Electric uses a Buchla inspired modular synthesizer system to demonstrate making a randomly generated pseudo sequence using the 266r Source of Uncertainty Buchla clone, 280r Quad Envelope Generator Buchla clone, 1979 modular Dual Algorithmic Oscillator DAO, and 292c Quad Lopass Gate Buchla clone. The DAO is a dual version of the masterful Émilie Gillet's Mutable Instruments Braids. The new dual interface design and electrical engineering to assure Buchla system compatibility was performed by 1979 modular. The HARM and TOY* Algorithms are featured in this patch. The varied pitches as well as the animation of the DAO's parameters are being generated at random by the Source of Uncertainty. The 292c Quad Lopass Gate is used as a dual VCA in this instance and is being animated by the 280r Quad Envelope Generator. This is a modular synthesizer tutorial and demonstration that focuses on the Buchla modular synthesizer system."

Wednesday, December 13, 2017

A Very Buchla Christmas by Kyle Swisher


Published on Dec 13, 2017 Kyle Swisher

"After being heavily inspired by Warner Jepson's charming Buchla Christmas [posted here] and Pianosa's spectacular rendition of White Christmas [posted here], I am releasing 12 performances of classic, and not so classic Christmas songs performed on the Buchla Music Easel. One song will be posted each day leading up to Christmas Day 2017."

Playlist:
Buchla Music Easel: We Wish You A Merry Christmas
Buchla Music Easel: The Little Drummer Boy
Buchla Music Easel: There's Always Tomorrow
Buchla Music Easel: The Nutcracker - Coffee
Buchla Music Easel: Just Like Christmas
Buchla Music Easel: Oh Christmas Tree
Buchla Music Easel: The Most Wonderful Day Of The Year
Buchla Music Easel: You're a Mean One, Mr. Grinch
Buchla Music Easel: Christmas Is Here (Duet)
Buchla Music Easel: Last Christmas (Reprise)
Buchla Music Easel: Silent Night

I'll post them here on MATRIXSYNTH as they go up! Be sure to see the holidays label directly below for more synthmas spirit!

Thursday, January 17, 2013

NAMM 2013: New Buchla Music Easel Coming to NAMM?


This one in via Alex.  It looks like Buchla is likely going to announce a new Buchla Music Easel at NAMM this year.  If you look up Buchla in the NAMM directory you will see: "BRANDS: 200e Electric Music Box, Music Easel"  If you look at the bottom shirt to the left you will see that it reads "Life Should be Easel".  The image comes from what appears to be a new Buchla home page currently in construction.  It's open now so take a look before it gets locked down.  Below are a couple of screen grabs. Deadmou5 is featured in one of two pics being rotated.  For those not familiar with the original Buchla Music Easel, see this post for a pretty amazing performance by Charles Cohen.  You can also do a search on Buchla Music Easel on the top left of the site.  As for the new easel, there's some discussion going on at Muff's here, including the following via BEMI (Buchla Electronic Musical Instruments):

"Hi All
Happy New year and a very healthy and safe one at that for all of us..  Namm 2013 is almost upon us, and what a journey we have had at BEMI.  It has not been easy - I would be misleading you all by stating otherwise, but we have never lost track of our vision for Buchla products and the future of Buchla instruments that will inspire.  So, fingers crossed, our new toy will be at NAMM 2013..

What ever could it be ?

We are taking it to the wire to have everything ready in time, and I assure you we have all lost years from our lives in stress and emotion, with a little bit of fun and excitement thrown in.

We thank you for your patience thus far and we will need a lot more, but rest assured we are real and are on the ground level artists passionate about our company and what we can do to continue to push the boundaries of creativity.

We are ironing out bugs in the new BEMI whilst embracing the history of the old, and we continue to come up against hurdles every day..BUT we are conquering them and moving forward to bigger and better things.

Anyone who knows us as individuals understand our determination.  Everything will click in place as we move forward and hopefully at NAMM 2013 you will all see the start of our vision.

BTW..the new BEMI web site that you are all talking about that has been leaked by our lack of judgement in not password protecting is very much in test mode and any information regarding products, pricing, images and anything in general on the URL : http://www.buchla.com/buchla is not ready for public viewing. Any information and data is only there as a guide for us to test pages and code. The new Buchla HUB will be ready soon and will be an all inclusive experience for information, history, shopping, resources and building of Buchla products.

Stay tuned !

Lewis C"

Wednesday, May 22, 2019

Guy Gets High Working on Legendary Buchla Covered in LSD


Update: video is back. I switched to their YouTube upload thinking it would be a better option long term for the archives, but apparently not.

Update2: bonus video on YouTube while it's up:

Web Extra: Buchla Model 100 Synthesizer at Cal State University East Bay

Published on May 23, 2019 KPIX CBS SF Bay Area

"Here more about the groundbreaking musical instrument at Cal State University East Bay and what it can do. Interviews with retired professor and composer William R. Shannon, electronic music pioneer Suzanne Ciani, musician and Buchla representative Joel Davel, and CSUEB Associate Professor Inés Thiebaut."


This one is in via Brian Comnes. The legend of the CSU Hayward acid/LSD soaked vintage Buchla 100 is true. Apparently it was dipped in LSD back in the 60s. It wasn't clear, however, if all panels or just the red one was dipped. You can find some additional pics of the infamous CSU Hayward Buchla 100 here. BTW, this was likely some Owsley Stanley LSD.

Left image via Todd Barton: "I love that the red panel is a 156 Control Voltage Processor which can blend, invert and mix up to 6 different CVs! You’re only as trippy as your CVs. Oh, and I love the squiggly line pattern on the faceplate 🤩"

And the article via KPIX5 San Franscico for the archives:

"SAN FRANCISCO (KPIX 5) — For years, an urban legend circulated online and in documentaries, purporting how part of a groundbreaking musical instrument — versions which are stored at a Bay Area university and other institutions — was dipped in a psychedelic drug.

Online chatter detailed how musicians who used the instrument would wet their finger, touch the device, and then lick their finger to get a little bit of mind-expanding inspiration.

Now this supposed myth may turn out to be a reality.



At the helm of KPIX Television, Broadcast Operations Manager Eliot Curtis tackles all sorts of technical problems to keep Channel 5 on the air. Recently however, a strange electrical transmission threw him for a loop. It happened inside his brain.

“It was … felt like I was tripping on LSD,” remarked Curtis.

It turns out that Curtis was indeed tripping on the infamous psychedelic drug known as lysergic acid diethylamide, or LSD for short. He got dosed by accident at home in his workshop — in front of his wife.

“I think it’s super wild. I think this whole situation is a nice chapter in the history of the counter culture,” commented Curtis’ wife Holly.

Wednesday, September 15, 2021

Buchla & Tiptop Audio - Series 200


video upload by Tiptop .Audio

"The Buchla analog modular synthesizer has been around since the early 1970s yet very few people ever had a chance to play one or even to see one in person. Buchla and Tiptop Audio have joined forces to resume the production of these wonderful rare pieces of gear."

SUPERBOOTH 2021 - TipTop Audio/Buchla Eurorack 200 Series
video upload by sonicstate


Update: press release followed by pics:

Planet Earth, Solar System September 2021

Buchla Announces collaboration with Tiptop Audio on Eurorack versions of classic 200 series modules.

Buchla has chosen to partner with Gur Milstein and his Tiptop Audio team to lead a reissue of Don Buchla’s legendary 200 Series modular synthesizer system in Eurorack format. The two companies have been working together closely on bringing Don’s 70’s synthesizer modules back to life while making the previously rare circuits affordable and accessible to the current generation of musicians and artists.

Eric Fox the CEO and co-owner of Buchla says “When the opportunity presented itself to work with such a reputable company as Tiptop Audio to help reimagine the original 200 series in a new form factor, I jumped at the chance. I knew they had the talent and infrastructure to bring eurorack users for the first time ever an official and genuine sense of the classic Buchla experience at a price anyone could afford. Gur’s enthusiasm and passion towards these designs is very infectious and clearly points to a long and creative partnership for years to come.”

Gur Milstein the head designer and CEO of Tiptop Audio states: “ I’m excited about the collaboration with Buchla. Working with Eric, Joel and the rest of their team gives us additional access to original documents and knowhow that Don shared with his close colleagues who worked with him in the 70s and recent years before he passed away. These designs require a full understanding of the how and why the circuits should work in order to reach that specific sound and workflow. My team and I are excited to bring Don’s work from those early days of synthesis back to life knowing we are doing it as accurately as it can be done. Our goal is to recreate as much of the original 200 series as possible and have the full line available through our dealer network with the full customer support Tiptop has built for over a decade.”

The modules will be branded as Buchla & Tiptop Audio, and the series will be called the 200t. Information and prices on each module will become available close to their release dates.

*The corona pandemic is causing severe damage to the supply of electronic parts and is currently delaying parts for the project. However, the current timeline is for the first set of modules to be available by the end of 2021.

Buchla & Tiptop Audio
www.tiptopaudio.com/buchla/


Thursday, April 04, 2019

Softube Buchla 296e Demos by Todd Barton


Published on Apr 4, 2019 SoftubeStudios

✮ When looking for an expert in Buchla modules for modular synthesis, there's only one man you can really end up with: Todd Barton. In this series, Todd walks you through the ins and outs of our Buchla 296e module in ten short videos. ✮

Buchla 296e Demo w. Todd Barton pt. 1/10 – As a 16-band EQ – Softube
Buchla 296e Demo w. Todd Barton pt. 2/10 – All things envelope – Softube
Buchla 296e Demo w. Todd Barton pt. 3/10 – The attenuated outputs – Softube
Buchla 296e Demo w. Todd Barton pt. 4/10 – Envelope freeze mode – Softube
Buchla 296e Demo w. Todd Barton pt. 5/10 – Midi control – Softube
Buchla 296e Demo w. Todd Barton pt. 6/10 – The unattenuated outputs – Softube
Buchla 296e Demo w. Todd Barton pt. 7/10 – The kaleidoscopic range – Softube
Buchla 296e Demo w. Todd Barton pt. 8/10 – Physical modeling effects – Softube
Buchla 296e Demo w. Todd Barton pt. 9/10 – A Krell patch – Softube
Buchla 296e Demo w. Todd Barton pt. 10/10 – Presets – Softube

Wednesday, March 09, 2022

Buchla 200 Classic Reissue Series


video upload by Buchla

"Buchla is very excited to announce the return of the Buchla & Associates 200 series in the form of the Buchla 200 Classic Reissue series of electronic music instrument modules, the very modules that defined West Coast synthesis.

The first wave of 7 modules are available now at https://buchla.com and through authorized dealers. [see the dealers on the right]

Initial quantities are limited. Get yours now.

Another wave coming very soon..."

"For the first time in over 40 years - Buchla has reissued classic 200 series modules - the very modules that defined West Coast synthesis."

The Modules:



Dual Oscillator Model 258 (two knob choices) - $999.00

The Buchla Classic Reissue of the Dual Oscillator Model 258 is comprised of two independent voltage-controlled oscillators, each continuously tunable from 5 Hz to 20 kHz with two frequency CV inputs, waveshape CV input, and an FM input – each parameter with an offset control.

The top oscillator waveshape can be shifted from sine to saw and the bottom oscillator waveshape can be shifted from sine to square, allowing for a great range of timbre."

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