NAMM 2024 - Modal - Carbon 8

video upload by sonicstate

"Christian from Modal Electronics unveiled their latest synthesizer, the Carbon 8, at NAMM 2024. This synthesizer is the culmination of Modal's years of experience and knowledge in developing wavetable and virtual analog synthesizers. The Carbon 8 boasts a sound engine that is twice as powerful as their previous models, the Argon 8 and Cobalt 8. It features two distinctive oscillators that generate up to 56 digital core waveforms, allowing users to mix algorithms and wavetables in one synthesizer. The Carbon 8 is designed to cater to modern music styles with rough, edgy sounds, while still offering features like a sequencer, arpeggiator, and various effects.

For more information on the Carbon 8 and other Modal Electronics products, you can visit their website. Stay tuned for updates on future projects from Modal at events like Superbooth. And for existing customers, Modal will continue to provide customer support and their app, which will be updated with a Carbon 8 version upon release.

Carbon 8 Available: Summer 2024. Price 1,099 USD"

Additional Carbon 8 posts

Superbooth 2023: Modal Electronics - Carbon 8 & Limited Edition Cobalt And Argon 8

video upload by sonicstate

"Christian at Modal Electronics gave us a preview of the forthcoming 8 voice experimental digital synth Carbon 8.

Carbon 8 employs over 40 complex waveform algorithms, and is geared towards the more agressive and harsh modern spectrum of sounds. With two discrete oscillators, the Carbon 8 has a similar form factor to earlier Modal Synths, but has a new mixing stage with independent level controls for each oscillator. While the synth is in development, it already boasts a total of 33 filters to give total control over sound shaping, a 512 note sequencer, arpeggiator and 26 effect algorithms.

Available September 2023

Price: TBC"

Superbooth 2023: Modal - Limited Edition Cobalt And Argon 8


"At Superbooth 2023, Sonic State caught up with Christian from Modal Electronics who showcased the limited edition Argon 8 and Cobalt 8 synthesizers. In celebration of Modal Electronics' 10-year anniversary, the Argon 8 pays homage to the Modal 002 with its color scheme and comes with firmware version 3.0 and new features. The limited edition synthesizer will be available in stores in September and there will be only 100 units worldwide. It will be priced the same as the regular Argon 8, and it is only available in the 37 key version.

The Cobalt 8 synthesizer, which comes in the dark color scheme of the Modal 008, will be availablearound Christmas time. Modal Electronics is currently seeking customer feedback to decide if they will release the Cobalt 8 in a 37 key version, 61 key version, or as a module. If you want to get your hands on these limited edition Modals, keep an eye out for their release at the end of 2023."

Kilpatrick Audio CARBON Sequencer Crowdfunding Campaign

Published on Nov 5, 2015 KilpatrickAudio

"Learn about CARBON and our crowdfunding campaign to support the development of this exciting project!"

http://store.kilpatrickaudio.com/carbon

See the CARBON sneak peak video here.

Details for the archives because we all know they tend to disappear over time:

"Ever since the K4815 Pattern Generator module was released to great praise in 2010
we have been planning a follow-up product that would take the Pattern Generator concept to a whole new level.
After five years of planning and exploration we are proud to present: CARBON

CARBON offers several distinct and powerful functions that will change the way you compose and perform.
FEATURES

Sequencer, performance control system and USB interface.
Ever since the K4815 Pattern Generator module was released to great praise in 2010 we have been planning a follow-up product that would take the Pattern Generator concept to a whole new level. After five years of planning and exploration we are proud to present: CARBON

CARBON offers several distinct and powerful functions that will change the way you compose and perform.

Sequencer
CARBON is primarily designed as a pattern-based sequencer. It has six tracks which can each hold 64 steps. Steps can be generated randomly, edited interactively, or recorded from a MIDI keyboard one step at a time, or in realtime while the sequencer is running. Polyphony and CC recording is supported so each step can contain chords or other performance data.

The fun begins once you've got some notes playing back on a track. Choose a region to play back, say, the first 8 steps. The track will play those same 8 steps over and over. Now move to another track and record a new sequence. This sequence can be a different length, or play back at a different speed. It can even play backwards while the other sequence plays forwards.

Remix with Patterns and Scenes!
The real power of CARBON is how variations of sequences can be made. By simply turning the PATTERN control, different steps in the sequence can be enabled and disabled. The patterns will surprise and inspire you by creating new rhythms and motifs with a simple twist of a knob. These are all based on your original sequence and can be changed at any time.

Adding in the concept of scenes lets you quickly switch between different parts of a song or different variations. Scenes can store the range of steps to play, the pattern, track mute state and a number of other parameters. Switching back and forth between scenes offers endless performance potential without ever missing a beat.

The best part of the CARBON sequencer is that all the recording and editing can be done in real-time without ever stopping the sequencer.

CLICK FOR MORE »

Oberheim OB-8 with MIDI and Silver Side Panels

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

via the listing:
" Power Supply Rebuilt – Re-capped entire power supply with rare and awesome-sounding Samwha RD caps. Samwha caps, in general, are difficult to obtain here in the USA. However, many top notch OEM’s know how good they sound, which is why Marshall, Moog & Orange amps use them almost exclusively in their production. This alone, should speak volumes about their “tone”. However, as an OEM audio engineer, I have access to these wonderful caps and they are “sonic-sleepers” in my opinion. They sound awesome in quality analog synths too, of coarse, yielding big, fat, fluffy, smooth tone. Far superior to Illinois, Sprague and other brands. Try them for yourself, (if you can get them) and hear the difference!
Power Supply Rear-mount TO-3 regulators – were all replaced with custom gold electro-plated units. (Not available on open market, as these are custom plated parts).
Power Supply cable harness- rebuilt with thicker, high-quality copper strand wiring. This helps the power supply “breath” better due to reduced resistance.
Power Supply 723 regulator sockets- replaced; gold plated.
Power Supply 7815 (+15VDC)regulator – replaced; gold plated.
OB-8 Main processor board – Every IC, carefully removed, cleaned, tested and/or replaced as needed.
Power Supply trim pots - replaced with Bourns “plastic-conductive” type, The very best sounding trims available, since all pertinent power supplied to the OB-8’s specified pcb’s must pass through these pots. (Plastic conductive material has a superior “open” tone compared to carbon type pots).
OB-8 Voice Boards - were removed and cleaned. All CEM VCO & related chips were removed and cleaned and replaced with socket enhancement fluid. Both OB-8 voice boards also had all major capacitors replaced with Samwah RD caps.
OB-8 Panel Pot Boards - were removed and cleaned and all pots thoroughly cleaned, lubed and tested.
Special audiophile-grade solder -used on all replaced components for maximum sonic tone and transparency.
Midi Output Jacks -all replaced with Nuetrik/Rean brand.
Bend Lever Assembly -fully cleaned and lubed, All IC’s removed, cleaned, tested and/or replaced.
Keyboard assembly -was removed from chassis and disassembled. Rubber boot contact covers were removed and cleaned. Keypad contacts were all replaced with Sound Doctorin NASA type conductors. OB-8’s are notorious for key contact and misfire issues over time and this solution is the best yet.
Side-End Caps - were refinished/painted with special “stainless-steel” particle paint and then clear lacquered with many coats to achieve glass-like finish. Absolutely stunning and totally says; “I’m Special”!
Inner Chassis - was completely cleaned and new black colored end-cap fasteners were employed.
Fresh Data Dump - was re-loaded with Standard patches.
Midi & Arpeggiator Included! – This OB-8 has both midi and a fully functioning arpeggiator, which is not found on other Oberheim models such as Matrix 12, OBX-a etc.
Owners Manual & Technical/Schematics Manual - both included and bound & printed on high-quality gloss paper!

To top it off, the unit went through a full final check-up with Five Star Engineering in Mesa, AZ. (Dean there,is an ex-Oberheim employee/tech and extremely knowledgeable)! Unit is in full working condition."

CLICK FOR MORE »

NAMM 2024: Modal Carbon8 Sounds Only

video upload by sonicstate

"Jim Heywood from Earmonkey music responded to multiple requests via our Instagram comments to take a closer look at the Modal Electronics Carbon8.

It looks like after a period of uncertainty, that Modal will be back, and the Carbon8 will be in production.

Carbon 8 employs over 40 complex waveform algorithms, and is geared towards the more aggressive and modern spectrum of sounds. With two discrete oscillators, the Carbon 8 has a similar form factor to earlier Modal Synths, but has a new mixing stage with independent level controls for each oscillator."

The Casio XW-P1 Appreciation Video

Published on Dec 24, 2018 ProckGnosis

"This is just an appreciation video for the Casio XW-P1, which I decided to sell. Like a lot of Casio products, there is some really inventive and creative work that went into the synth that often goes unnoticed or underappreciated (by myself even).

I bought it mostly as a cheap keyboard option for gigging with a "classic rock" band, and though I was curious about the sequencer, arpeggiator (which I don't mention in the video at all, unfortunately), and phrase sequencer, I had little reason to use any of those features, and therefore I didn't explore them so much. And that's unfortunate, because I think they are some of the stronger features on the synth, and would likely be appealing for someone wanting to get started with some DAW-less sequencing for not much money. I'm just more of a DAW-full kind of guy.

Loose Timeline for the Video
Intro - 03:08
The Step Sequencer - 11:30
The Phrase Sequencer - 16:16
The Drawbar Organ - 18:00
The Hex Layer Synth - 20:16
The Solo Synth - 22:58
Some Final Thoughts - 27:06
Bonus - Alt versions of ProckGnosis Theme with the XW-P1 - 28:22

For folks even more curious about the keyboard, I've copied Casio's specs on the XW-P1 below, though the formatting was mostly lost.

CLICK FOR MORE »

Carbon Electra Expansion Pack: Emissions

via supporting MATRIXSYNTH Member, Adam Pietruszko of knobz.net).

You'll find the expansion pack at http://www.pluginboutique.com.

"The 'Emissions' expansion for Carbon Electra has been designed with warm sounds influenced from the natural world. The collection will suit all producers looking to add depth and mysticism to their work.

Containing 64 presets focusing on lush keys, rich bass timbres, smooth pads, beautiful leads and hypnotic sequences. Layering and fusing with processed beats will ensure emotive textural productions, reminiscent of Warp Records.

Utilising Carbon's built in sequencer, this pack lets you access complex sequences and bass rhythms at a single keystroke. Build harmonic layers with delicate keys and full bodied pads or inject energy into your compositions with crisp leads.

The collection is also suited to audio/visual composers wishing to bring thought provoking electronica to their scores.

Produced by Adam Pietruszko (knobz.net), specialising in avant-garde cinematic sound design. Audio demo produced by Kanigu.

Be sure to check out the audio demo located in the multimedia player!

CLICK FOR MORE »

VennDiagram - CARBON Sequencer Demo

Published on Dec 8, 2015 KilpatrickAudio

"Music by: VennDiagram
Video by: Kilpatrick Audio

Notes from VennDiagram:

Synth Used - Roland JDXA

3 x Analog Parts each for Kick / Snare / Hi-Hat run on Midi Channels 1,2 & 3
3 x Digital Synth Parts Mono bass / Lead / Poly Pad on Channel 5,6 & 9

Sequencer Carbon - using Midi only

Track 1 - Midi Channel 1 - Kick
Track 2 - Midi Channel 2 - Snare
Track 3 - Midi Channel 3 - Hi-Hat
Track 4 - Midi Channel 5 - Bass
Track 5 - Midi Channel 6 - Lead
Track 6 - Midi Channel 9 - Poly Pad

Carbon Initial Track Configuration

Track 1 Kick - 1/16 step resolution with the sequence using 32 steps total

CLICK FOR MORE »

Kilpatrick Audio Carbon Live Jam 1

Published on Feb 12, 2017 Jae Ryan

"First jam with the Kilpatrick Audio Carbon. It's sequencing the Prophet 6 (arpeggio), OB-6 (hi-pass bass) and the Model D (melodic arpeggio) and sending clock to the TR-8 but drums are sequenced from the TR-8! I haven't figured out nearly all this machine can do yet and this doesn't take advantage of the bias tracks or song mode. It's just a simple repeating sequence and hopefully in the next jam i'll explore the scenes function more deeply. A transposed version of the sequence at some point would have made it much better!

I forgot to arm recording on the Juno so what you hear when I play it is strictly just the wet signal of it hitting the Strymons. It sounded ok that way and I was much to lazy to re-do! The Strymon pedals were the ONLY effects used and they were not used sparingly.

If anyone has any questions about Carbon or Suggestions/Tips if you're a user that would be fantastic! Otherwise, thanks for listening and send me some links to stuff if you think I'd dig it!"

ARP AXXE WITH ORIGINAL CASE SERVICED

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"Here's what was done to the Axxe:
-All sliders serviced, with carbon cleaned or replaced as needed,
-The original Decay slider was replaced with a new, dead-stock, slider.
-The internal power supply was completely replaced with a new New England Analog custom made power supply
which is sure to last another 30 years, this obviously will help the synth stay in tune as well.
-The synth was tuned and the filter calibrated.
-1/8" CV input jack added for control of cutoff frequency
-Switch installed to allow LFO to run free, (as opposed to restarting at every new note trigger.)
-1/8" Clock In jack to sync the S&H LFO rate to an analog arpeggio clock or whatever.
(This works best with +8 volt triggers or clock signals)
-New 1/4" High output jack installed
-The actual keys and connections were NOT serviced as it still plays pretty well"

Modal Carbon 8 Experimental Synth - Advanced Tutorial with Chris Martirano

video upload by Kraft Music

"Find exclusive Modal Carbon8 Bundles at Kraft Music:
https://www.kraftmusic.com/brands/mod...

Chris Martirano provides an in-depth tutorial on the Modal Carbon8

Want less talking and more playing? Check out our All Playing, No Talking video right here: [posted here]

Modal Electronics Carbon8 uses over 40 complex digital algorithms and advanced oscillator modifiers to produce contemporary and unusual sounds for modern music production and performance. With a massive array of 34 filter types, shapeable LFO waveforms, a powerful sequencer/arpeggiator section and extensive realtime control, Carbon8 is the dream of today's music producers and performers. Like every Modal instrument, it integrates seamlessly into every synth environment and works with the free ModalApp available for computers and mobile devices.

Get more for your money with an exclusive Modal Electronics Carbon8 Experimental Synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new polysynth, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

SUPERBOOTH 2024: Modal Electronics - Talking About The Future Of Modal

video upload by sonicstate

"At Superbooth 2024, *Christian Stahl*, representing *Modal Electronics*, sat down with *Paul Wright*, a business partner in the new Modal structure, to discuss the recent changes and exciting developments for the company. Stahl shared his journey within Modal Electronics, taking on more commercial roles and realizing the need for help to redefine the company's vision. With Wright's expertise, the team worked on restructuring the business model to ensure growth and sustainability.

The duo revealed that despite recent challenges, Modal Electronics is back on track with the upcoming release of the highly anticipated *Carbon 8*, set to hit stores by August or September. Partnering with a well-established contract manufacturer, Modal Electronics aims to not only deliver premium quality products but also collaborate with developers and innovators to create a thriving ecosystem for the future. The vision for the company includes expanding beyond synthesizers to provide a platform for individuals to share their ideas globally, creating a partnership based on shared intellectual values."

Roland SH-101 repair and Trigger with AIRA TR-8

Published on Jun 14, 2014 markusfuller·25 videos

"Roland SH-101 repair and Trigger it using the Aira TR-8. the 101 had dead keys with worn rubber carbon contacts. but after fix I had to try using the TR-8 as a trigger as there is no midi on the 101."

Oberheim EVS-1 Eight Voice Synthesizer w/ Extras

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Isla Instruments

via this listing

CLICK FOR MORE »

Roland Juno-106 & MXR Carbon Copy

Published on Jan 8, 2020 SynthMania

"Ambient ditty with Roland Juno-60 through MXR Carbon Copy"

Studio Electronics Modstar Sensei Analog Eurorack System

New image & complete specs for the Studio Electronics MODSTAR SENSEI.  The system will retail for $4995 and ships next week. Note the the brand plate at the bottom left in the image will be replaced by a 6hp dual slew limiter / muilt for glide purposes.

Sensei Analog Specifications

MODSTAR SENSEI ANALOG 210hp

Top Row: OSCILLATION (x3) 48hp, MULTIPLE 2hp, SEM 12hp, 4075 12hp, 5089 12hp, SE88 20hp

Bottom Row: BRAND PLATE 6hp, MIDI 3 6hp, MULT 2hp, LEVELS 10hp, SHAPERS 12hp, AMP 8hp, LFO2 6hp, MULT 2hp, SCI FI 10hp, MULT 2hp, LEVELS 10hp, SHAPERS 12hp, AMP 8hp, LFO2 6hp, OUTS 6hp.


Housed in a sleek ‘n sturdy, carbon fibre black MONOROCKET M6104: a superbly well powered (ensuring gorgeous sound and stability) and constructed Eurorack enclosure.

• OSCILLATION: Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator

• SEM: Obi-flavored, 12 Db voltage controlled state variable filter and “Pendulum Chaos Generator”—damping/stabilzing overide feature

• 4075: Arp-flavored Discrete, voltage controlled, 24/db/oct cascaded transconductance low-pass filter—six pairs of hand-matched transistors—Really a 4-pole ARP 4072 (better: more parts and trims) • 5089: Mini-flavored voltage controlled, discrete analog, 24 db/oct transistor ladder, low-pass filter (hand-matched transistors)

• SE88: Dual mode: High Pass/Band Reject, Low Pass/BandPass dual resonant, 12Db CS80 filter with stereo “Pendulum Chaos Generation” • MIDI 3: Third generation extremely full-featured MIDI to CV converter

• LEVELS: Versatile, low-noise six channel summing mixer/attenuator for audio and CV—pots are wired with logarithmic volume curves

• SHAPERS: Dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages

• AMP: 2 stage Class A discrete design, using 3 pairs of hand matched transistors; Drive—‘70s era distortion and Drone control

• LFO2: Potent all analog dual LFO module—two different low frequency oscillator circuits provide a variety of modulation options • SCI FI: Ring Mod, White and Pink Noise, Sample and Hold “Classic Synth Toolbox,” with LFO and slewing control of S&H

• OUTS: Dual independent output module featuring a stereo 1/4" headphone amplifier output and dual mono 1/4" line level outputs

M6104 Case Specifications

Dimensions:
2 rows / 104hp each
Internal depth 4.5 inches (except area over PSU which is 2 7/8)
External Dimensions with lid attached (H x W x D): 11.5 x 22.5 x 8
Unit stands vertical or lays on its back
Stackable if you detach the handle (4 pan head screws)

Power:
3.5a on the +/-12v rails
500ma of +5v per row installed
15 Doepfer compatible power connections per row (shrouded and keyed) 5 Analogue Solutions power connections per row
120v and 240v Power Supply Unit

Hardware:
'Sliding Nuts' mounting system

Roland RS-202

images via this auction
"The Roland RS202 string synth was the successor to the largely unsuccessful RS101.

It used the standard method for creating lush, swirling string sounds of the time - take a simple organ 'divide down' sawtooth oscillator as the basic sound source for unrestricted polyphony and throw the whole thing through a chorus unit. Add simple vibrato, a choice of registers and and a simple attack/release envelope shaper and you have the perfect recipe for rich strings.

That the Roland RS202 could deliver silky string sounds is undisputed - it sounded gorgeous and I remember being full of envy when a friend of mine bought one and let me play it (and I borrowed it whenever I could!). It was simple to operate, a joy to use and as soon as you played it, a unique sound just dribbled out through those rear panel jacks! The RS202 wan't quite as 'mushy' as other, competing string synths of the time and it had its own sonic identity.

The RS202 came in its own flight case (the principle reason for my friend buying it... he was gigging and touring extensively at the time) and it had a simple front panel. It had controls for tuning and master volume and various large rocker switches that allowed you to select different string sounds: Strings I and Strings II (an octave up from Strings I). Like other string synths of the era, there was also a brass sound that could be selected and, like other string synths of the era, it was next to useless! No.... it was the string sound(s) that defined the RS202.

At the heart of the RS202's string sound was Roland's 'ensemble' or chorus effect. For whatever reason, Roland got this just right not only on the RS202 but also in the chorus effects pedals that they (and their subsequent subsidiary company, Boss) were to release. This rich ensemble effect was enough to guarantee the RS202's success.

However, unlike the competition of the time, each key also had its own envelope shaper so that each note articulated properly. This was a huge improvement on other such string synths at the time and made the RS202 far more playable and expressive - it's just a shame that the sound's attack was limited to just two preset values determined by the setting of a single grey rocker switch labelled 'SOFT ATTACK'. By way of compensation, there was at least a totally variable 'SUSTAIN' (i.e. release) control so all was not lost. The other grey 'TONE' rocker switch allowed you to select two different timbres for the string or brass sound.

The RS202 was also 'bi-timbral' with different sounds for the bottom two and top three octaves respectively and flexibility was enhanced by the fact that the lower and upper sections were (almost) completely independent of each other thus you could have solo 'cello in the bottom half of the keyboard and a lush string ensemble in the upper half of the keyboard. Or you could have combinations of lower and upper brass and strings and so on according to the settings of the five identical rocker switches for each lower / upper section. Two sliders allowed you to balance the two sections. However, whilst being flexible for the 'power player', for someone who just wanted a uniform sound across the RS202's 5-octave keyboard range meant setting the separate lower and upper sections identically which was potentially a problem for live use. That said, the layout of the controls was such that this was not difficult to achieve.

On the surface, then, the Roland RS202 was unique in the market at the time and potentially looked unstoppable.

Except that the Roland RS202 did have some serious competition in the unlikely form of the MX202 from American manufacturer, Multivox. However....

Not only did the RS202 and MX202 share almost indentical numeric product names, it would appear that the resemblance didn't end there. Apart from a few minor differences, the front panel layout was almost identical in every respect and was only differentiated with the use of slightly different switches and control caps. Furthermore, the underlying circuitry in the MX202 was also almost identical to the Roland RS202's. In short, the Multivox MX202 was pretty much a carbon copy clone of the RS202 and Multivox had ripped off the design almost component-for-component! However, somehow the two managed to have a different sound.

Roland, of course, won out in the end and are still here to tell the tale. But Multivox... who?

What's on offer here is the genuine article. Hollow Sun contributor, Paul Marshall has (once again!) gone to extreme lengths to provide detailed multi-samples of this Roland classic. With long, luxurious samples taken every major third across the original's F-F 5-octave range, what we have here is a truly authentic representation of what is arguably Roland's finest string synth. There are two sounds - straight 8' Strings 1 and the two registers Strings 1+2 (16' and 8') layered in octaves."

Abstrakt Instruments Avalon Bassline Synthesizer Details & Specs

Additional details on the upcoming Avalon Bassline via Abstrakt Instruments are in:

"The avalon bassline is a high quality analog bassline synthesizer and sequencer. The core circuitry of the avalon is based on the revered Roland? TB-303 bassline synthesizer, to which a new layer of analog and digital circuitry has been added to position the avalon as the premier bassline synthesizer.

• Core analog and digital circuitry based on TB-303
Incorporates layout and parts from the original bassline, including carbon film resistors, united chemi-con electrolytic capacitors, poly foil film capacitors, original IC's, and sanyo/on semi & mitsubishi transistors.

• Synth Cartridge System™
Compatible with the cartridge system in the form of filter plugin carts.

• Extensive Analog Control
In addition to the six analog controls of the original bassline, the avalon includes controls for sub osc/ext input level, filter tracking, accent decay time, vca decay (normal to full off), utility envelope attack & decay time, utility envelope to vfc and vca modulation depths, frequency response select (normal and full range.

• Extensive Digital Control
In addition to backwards compatibility with the TB-303 pattern write pitch & time modes the avalon incorporates new progamming modes making extensive use of (16) step LED switches. Patterns can be up to 64 steps in length (up to 4 sections x 16 steps) and each pattern can have numerous scales including triplet modes. Real-time editing includes slide time select, utility envelope trigger mode, pattern step skipping, pattern reverse, rotate, random, & shuffle. There is also an arpeggiator that can be performed real-time or recorded directly into a pattern.

• MIDI & DIN Sync
Sync source can be selected as internal, MIDI, or Din Sync, and the avalon sends both MIDI & Din Sync.

• Audio inputs & Outputs
Includes main & headphone outputs, saw and square outputs (+/-5V), external input, and filter and vca outputs.

• CV Inputs & Outputs
Includes cv & gate input and output, filter cv Input, & accent sweep output.

Filter Plugin Cartridges
The avalon bassline is a high quality analog bassline synthesizer and sequencer. The core circuitry of the avalon is based on the revered Roland? TB-303 bassline synthesizer, to which a new layer of analog and digital circuitry has been added to position the avalon as the premier bassline synthesizer.

• Transistor Ladder Filter
This filter is based on the Minimoog ladder filter and includes 12dB & 24dB modes.

• SEM State Variable Filter
True to the orginal design of the beloved Oberheim SEM filter. It is designed using SMD parts in a similar manner to the current Tom Oberheim SEM modules. Includes low-pass & high-pass modes.

• JP Low Pass Filter
Based on the original jupiter 8 & juno 6/60 low pass filter. Includes both 12dB & 24dB modes.

• 4075 Low Pass Filter
This filter is true to the design of the Arp 4075 low pass filter and includes 12dB & 24dB modes.

• Wasp Multimode Filter
An accurate surface mount version of the Wasp 12dB multimode filter."

Moog Mavis: Modular Mood (50 custom patches). Sound Demo

video upload by Anton Anru

"Welcome to the soundset for a semi-modular synth Moog Mavis.
It is a collection of 50 patches: 15 Leads, 14 Plucks, 12 Basses, 9 Drones. There is a wide range of timbres inside the pack: simple and complex, dark and aggressive, vintage and modern, noisy/distorted and soft, musical and experimental, harmonic and inharmonic.
📗 Get the soundset: https://antonanru.sellfy.store/moog/

The patches are suitable for many genres: Techno, Ambient, House, Deep, Progressive, Trance, Minimal, IDM, Downtempo, Lounge Chill Out, Electronica, Dark/Noise, Industrial, Breakbeat, Drum and Bass, and others.

The soundset is presented in the form of a PDF-Document, A4 format. Each page contains notes that explain how the patch works, what parameters worth tweaking during the playback, how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn many things about the synth and discover its true depth.

Each patch has an audio example, it helps to understand how the timbre is supposed to sound.

To recreate these patches, you need up to 8 patch cables. If you are going to use an external keyboard/sequencer, you will also need a stackable cable or a splitter/multiplier. The document includes detailed information about using an external keyboard with CV/Gate outputs.

CLICK FOR MORE »

Mono Lake

Published on Jun 1, 2020 CatSynth TV

"Scenes from Mono Lake in California, set to original electronic music by Amanda Chaudhary.

'Mono Lake is a saline soda lake in Mono County, California, formed at least 760,000 years ago as a terminal lake in an endorheic basin. The lack of an outlet causes high levels of salts to accumulate in the lake. These salts also make the lake water alkaline...
...Mono Lake is a highly alkaline lake, or soda lake. Alkalinity is a measure of how many bases are in a solution, and how well the solution can neutralize acids. Carbonate (CO32-) and bicarbonate (HCO3−) are both bases. Hence, Mono Lake has a very high content of dissolved inorganic carbon. Through supply of calcium ions (Ca2+), the water will precipitate carbonate-minerals such as calcite (CaCO3). Subsurface waters enter the bottom of Mono Lake through small springs. High concentrations of dissolved calcium ions in these subsurface waters cause huge amounts of calcite to precipitate around the spring orifices.[8] The tufa originally formed at the bottom of the lake. It took many decades or even centuries to form the well-recognized tufa towers. When lake levels fell, the tufa towers came to rise above the water surface and stand as the majestic pillars seen today'

Synthesizers used:
Arturia CMI V
Arturia Pigments
Vintage Minimoog Model D
MOK Waverazor
EastWest RA"