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Showing posts sorted by date for query Future Music Magazine. Sort by relevance Show all posts
Showing posts sorted by date for query Future Music Magazine. Sort by relevance Show all posts

Friday, May 10, 2019

Superbooth: Make Noise Mimeophon & X PAN & XOH Sound Demo


Published on May 10, 2019 Future Music Magazine

Mimeophon

Superbooth 2019 Make Pro Audio Networked Controllers


Published on May 10, 2019 sonicstate

Previous posts.

New eurorack module:


"We all love Eurorack for all the infinite possibilities it presents to create new sound machines. However, when you aspire for more voices and more timbres within Eurorack, that usually requires a significant amount of space and budget outlay. That leaves you no viable options, other than to leave your Eurorack and attempt to connect with outboard gear that does not easily integrate. Now – with Dino Park – you gain access to a world of infinite sonic possibilities, while staying within your Eurorack!

Dino Park is not fixed synthesis architecture – it is as flexible as your Eurorack. It can load different “synth models” which feature radically different forms of synthesis – including vintage subtractive, additive, wavetable and FM – providing infinitely expandable and exciting sonic capabilities in every Eurorack.

Now increasing the sonic potential of your Eurorack has never been easier, or more affordable! . For newbies, Dino Park offers an easy, cost effective and gratifying way to start off their rack journey with a big sound foundation. For Eurorack veterans, Dino Park can close a lot of gaps and enrich any Eurorack performance. True “ best of” utility in big analog sound with the recall-reliability of digital.

We offer three Dino Park kits for the Eurorack"

Superbooth 2019: IK Multimedia UNO Drum


Published on May 10, 2019 Future Music Magazine

Superbooth 2019: Novation Summit


Published on May 10, 2019 Future Music Magazine

Novation Summit

Superbooth 2019: Superlative Instruments SB 1


Published on May 10, 2019 Future Music Magazine

First analog synth with a rechargeable battery. I am curious how easily it will be able to replace the battery if it goes out over time. Also curious how long the charge will last (update: user replaceable, 10 hours). And yes, you can pop rechargeable batteries into an original SH-101.

Superlative SB 1

Superbooth 2019: Mind Music Labs Steinberg Retrologue


Published on May 10, 2019 Future Music Magazine

Retrologue

Superbooth 2019: Dreadbox NYX v2


Published on May 10, 2019 Future Music Magazine

Superbooth 2019: Behringer 808 SOUND DEMO


Published on May 10, 2019 Future Music Magazine

Superbooth 2019: Teenage Engineering


Published on May 10, 2019 Future Music Magazine

Thursday, May 09, 2019

Superbooth 2019: Polyend Medusa v2


Published on May 9, 2019 Future Music Magazine

Polyend team is glad to announce its participation in Berlin’s Superbooth convention at FEZ between 9th and 11th of May 2019.

At this year’s edition we'll be showcasing three new Eurorack modules, a major firmware update for the Medusa synth and reveal some nice pricing changes.

Polyend Anywhere sets your Eurorack system free.
- Power up your setup from any power bank.
- An inexpensive 20 000 mAh battery will power up several modules for a couple of hours.
- Take a walk to the nearby forest for the inspiration and bring your case with you.

Polyend Poly 2 your ultimate MIDI to CV converter. Also available in the standalone version.
- Control your modular setup with any MIDI hardware or software device.
- Set, save and recall your parameter presets using simple menu displayed on an OLED screen.
- Trigger up to 8 voices with different settings: first/next/midi channel/midi notes.
- Twelve configurable outputs: Gate (5 or 10V), Pitch (V/Oct or Hz/V), Velocity, CC and Clock with tempo divisions. - Using Smart Thru you can daisy chain multiple units to get more voices.
- Musical scales filter onboard.
- MPE compatibility.

Polyend Preset allows you to create, recall and sequence multiple output parameters and much more.

- A single press of a button immediately recalls up to 9 different CV output values.
- Variable values per output: notes (1V/Oct), Gates, constant values (0-10V), recorded CV automation. - 32 banks of 32 presets (1024 presets in total).
- An instant preset recall will allow you to create a custom grid controller. - Sequence your preset banks with CV input (use Gates or 0-10V).
- Record and send out voltage changes up to 30 seconds per output.
- 32 musical scales onboard.

The Medusa firmware update v2.0 will bring interesting enhancements. Just to name a few:

- Refined Grid workflow allows you to randomise notes/chords per step and set the TIE note length. Record your sequences in the live mode and transpose them on the fly.

- The new modulation options with enhanced Drone mode for uncanny ambiences.

- Improved randomisation algorithm will generate synth presets and impressive sequences with a press of one button.

- Grid pads now work as long as you hold a modulator pad pressed which is excellent for performance.

- The new set of Wavetables and Presets.


Superbooth 2019: Polyend Poly 2 & Preset & Anywhere


Published on May 9, 2019 Future Music Magazine

Thursday, April 04, 2019

Processing drums with Eurorack effects – Modular Monthly


Published on Apr 4, 2019 Future Music Magazine

"Let's look at processing drum sounds and beats with Eurorack modules. There’s a huge range of potential from distortion, filtering, audio rate effects, delays, granular processing, resampling and more. We’re focusing on four key areas, going from some basic applications of processing to some more advanced techniques to really push your drum sounds further."

Friday, February 22, 2019

Throwing Snow breaks down Simmer – The Track


Published on Feb 22, 2019 Future Music Magazine

"Electronic music polymath Ross Tones – aka Throwing Snow – invites us into his impressive studio to break down the creation of Simmer, a dance floor ready cut from his latest album.

Keep up with Throwing Snow news and releases: http://www.throwingsnow.com/"

Elektron Octatrack Mk2, Samplr on iOS, MFB Dominion Club, and Novation Circuit.

Friday, February 15, 2019

How to create a multi-layered pad sound with the Korg Minilogue XD – Producer's Guide


Published on Feb 15, 2019 Future Music Magazine

"With an added customisable digital oscillator, enhanced effects and much more, Korg's updated Minilogue is set to be one of the most exciting synths of 2019. Here we show you how to use the new features to create a rich, multi-layered pad sound. Get loads more Minilogue XD tutorials and the full FM review with issue 341 of Future Music, out in print and digit formats now: http://bit.ly/FM341"

Tuesday, February 12, 2019

Embrace chaos with Touellskouarn Strakal Orsel & Skorn da Bask – Modular Monthly


Published on Feb 12, 2019 Future Music Magazine

"Boutique pedal makers Touellskouarn bring chaotic fuzz and distortion to the Eurorack world with their feedback and tube-centric modules. Let's embrace the chaos and create some abstract sounds..."

Thursday, February 07, 2019

Creative reverb with the Make Noise Erbe-Verb – Modular Monthly


Published on Feb 7, 2019 Future Music Magazine

"Created in partnership with Soundhack's Tom Erbe, the Make Noise Erbe-Verb can do everything from coffin-sized spaces to wide-open chambers. Let's connect up some modulation sources and see what it's capable of..."

Sunday, January 27, 2019

NAMM 2019: Sensel Morph - Buchla Thunder Overlay


Published on Jan 27, 2019 Future Music Magazine

Saturday, January 26, 2019

NAMM 2019: Novation Launchpad Pong


Published on Jan 26, 2019 Future Music Magazine

NAMM 2019: Novation SL Mk III


Published on Jan 26, 2019 Future Music Magazine

NAMM 2019: Second Sound: Pitch to Synth


Published on Jan 26, 2019 Future Music Magazine

Note this is the first post to feature Second Sound. Their ACO100 audio-controlled oscillator is used by Sonicsmith in their audio-controlled synthesizer products, the ConVertor and the Squaver P1.

via: https://secondsound.com:

The Story Behind Second Sound

We consider Second Sound to represent a “new revolution in synthesized sound” quite simply because we are redefining the way sound synthesis is done. Rather than generating sound waveforms electronically “from nothing” as both traditional analog and digital synthesizers do, our synthesizer transforms existing sounds based on fundamental characteristics of the sounds played by musicians on real instruments, such as their frequency and amplitude.

The human voice, a note played on a violin, piano, trumpet, or any of a wide class of musical instruments, all can be used as the source signal for our music synthesis technology, which converts these sounds into either Control Voltage (CV) for controlling analog synthesizers or MIDI for controlling digital synths.

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