DEMO CUTS ONE - Harmony Bloom VST by Mario Nieto

video upload by Isotonik Studios

"Harmony Bloom, revolutionizes music creation with polyrhythmic MIDI generation and stunning visuals. Compatible with Windows and MacOS, it offers unmatched creative freedom for musicians and producers. An essential tool for innovative musical exploration.

AVAILABLE HERE: https://isotonikstudios.com/product/h..."

Roland G-505 Guitar Synthesizer Controller, GR-300 Polyphonic Guitar Synth

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"Up for sale, a 1980s Roland G-505 Guitar Synthesizer Controller and GR-300 Polyphonic Guitar Synthesizer [SN 090427] in 100% original condition and in perfect working order, complete with the original 24-pin cable. First introduced in 1980 as a follow-up to the GR-500, the GR-300 is perhaps best known for its usage by Pat Metheny; produced at the venerable Fujigen factory in Japan, this versatile guitar synth can deliver a huge range of decidedly unique sounds, with a hexaphonic fuzz circuit, VCO synth, and combinations of the two. This GR-300 comes complete with the G-505 Guitar Controller, taking its design cues from a Strat with a sleek ash body, one-piece maple neck, and a trio of single coil pickups alongside the synth pickup.

The G-505 Guitar Controller guitar has plenty of natural sparkle and shimmer, and the Roland PU-134S pickups deliver a bevy of Strat-style tonalities via the five-way selector switch. Weighing 8lbs 12oz, the G-505 has been professionally setup here at Mike & Mike’s Guitar Bar with 10-46 strings, low action, and spot-on intonation.

The maple neck has a slender C-shaped profile carve with good shoulders, gaining appreciably more heft and roundness in the upper registers, measuring .810” deep at the 1st fret and 1.015” at the 12th. The fretboard exhibits light finger wear through the gloss, and the slender fretwire ostensibly benefits from a level and crown in this guitar’s lifetime, showing virtually no wear. This Roland plays cleanly up the 25 1/2“ scale with a straight neck and a responsive, optimally-adjusted truss rod, and the nut measures 1.650” (42mm) in width. The headstock features a bullet truss rod nut and gold “GR” logo, and the Gotoh tuning machines function reliably. The back of the headstock retains the silver foil serialized sticker.

The electronics on the guitar controller are untouched, with a control scheme including Master Volume, Guitar Tone, Guitar/EG Balance (Blend), VCF Cutoff Frequency, VCR Resonance, and LFO (Vibrato) Depth knobs. Additionally, the three-position Mode toggle enables on-the-fly switches between Hexaphonic Fuzz only (Mode 1), Fuzz and VCO synth tandem (Mode 2) and Synth only (mode 3). The controls are capped by the original sextet of knobs with ridged grips for easy adjustments, and the three-ply white pickguard rounds out the plastics.

Cosmetic wear on the gloss Metallic Blue finish includes a number of nicks and dings on the body as a whole, most prominent along the lower bout perimeter, with some finish chipping adjacent to the output jacks, and some very subtle texturing in the finish on the top. The neck profile retains its smooth gloss, with a handful of shallow marks that have no impact on playability.

CLICK FOR MORE »

Secrets of the Squarp Hapax

video upload by Signal Sounds

"Video game sound designer and composer Michael Manning returns to the Signal Sounds channel to present some tips for getting more out of the mighty Squarp Hapax sequencer.

Buy Hapax here:
https://www.signalsounds.com/squarp-h..."

revisiting (h)ours: full synth performance (Prophet 10)

video upload by shookmusic

"Here is a full synth recording of a song of mine called '(h)ours). It first appeared on my album Spectrum a few years ago. The original was made on a DX7 and a Prophet 08. Vinyl Re-press of Spectrum is available in my shop: https://bit.ly/3ODtrEm ❤

Today I thought it would be nice to revisit this one on my Prophet 10, it's a really nice piece to perform I think and I should play it more often haha.

This time I play it very expressive and soft on the prophet 10 synthesizer, with an alternate simple beat i programmed. This song is very emotional for me and playing this really calms me.

Pad is from my Yamaha SY77
SSL Six for all inputs with some compression

I hope you all enjoy! much love all,

-Jasper"

DAY OF THE SUN (The Lost Equinox): Jupiter Xm | Roland Sh-4d | Sequential PRO 3

video upload by Alba Ecstasy

"Arturia MiniFreak #ambient patches 👉🏻 https://www.albaecstasy.ro/arturia-mi...

Roland Sh-4d (leads)
Sequential Pro 3 (main sequence)
Roland Jupiter-Xm (bass and drums)
Lewitt LCT 240 PRO microphone (vocals, claps and vocal effects)

Additional virtual effects:
Waves H-Delay
Eventide Blackhole
Arturia Refract
Arturia M12
DS Tantra 2"

CONDOR RSM WIND SYNTHESIZER SN 2422

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"CONDOR RSM WIND SYNTHESIZER RARE! By INNOVEX Hammond Corp Amps .06 W: 18” D: 13” H: 38” A/C Power has been tested and in working condition. Wear to metal and storage box from use."

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Sequential Circuits Prophet 2000 owned by H. Hancock?

Note: Auction links are affiliate links for which the site may be compensated.
video upload by

via this listing

"This one was used by the great Herbie Hancock for a concert in Rome in the late 80.

(It was Signed by Mr.Hancock on the front panel...unfortunately a little faded after all over 30 years)

8x analog VCF, 8x analog VCA, extended memory,

unusual for the keyboard version - 8 individual outs are installed.

Everything works great except for one of the eight individual outputs,

which does not play, however the main outputs Left, Right work perfectly.

Anyway, it plays beautifully. The instrument comes with a hard case.

The original Italian owner made a video - demo, which is in the link below."

CLICK FOR MORE »

Harmony Bloom VST by Mario Nieto

video uploads by Isotonik Studios

"Harmony Bloom, revolutionizes music creation with polyrhythmic MIDI generation and stunning visuals. Compatible with Windows and MacOS, it offers unmatched creative freedom for musicians and producers. An essential tool for innovative musical exploration.

AVAILABLE HERE: https://isotonikstudios.com/product/h..."

"Harmony Bloom, crafted by Mario Nieto, is a groundbreaking MIDI generator that seamlessly integrates polyrhythmic patterns with stunning visuals. Compatible with Windows and MacOS as a VST3, AU plugin, and standalone app, it revolutionizes musical creativity by enabling MIDI data transmission to compatible devices, enhanced by its visual experience.

Distinct from typical MIDI generators, Harmony Bloom offers unique functionalities. The standalone version’s ability to generate audio, with five selectable sounds, broadens its usability. It features a comprehensive control set for musical creation, including a Scale Selector with 57 options for melodic consistency, and various offset controls for sequence customization.

The software’s visual component, the Sequencer Visualizer, displays intricate patterns of notes, enhancing the creative process. Key features like MIDI Capture and Export simplify the integration of sequences into digital audio workstations, making Harmony Bloom a valuable tool for music production.

Its adaptability is a core strength, with features like ‘Use Input Notes’ and ‘Root Mode’ ensuring dynamic musical responses and coherence. ‘Global Randomization’ allows for exploratory creativity, offering a blend of technical control and artistic freedom.

Harmony Bloom emphasizes user experience, providing easy installation, intuitive preset management, and up to three activations per purchase. This focus on accessibility and flexibility makes it an ideal choice for musicians, producers, and composers eager to explore new musical dimensions.

In essence, Harmony Bloom is not just a MIDI generator but a comprehensive tool for musical exploration and creation. Its combination of polyrhythmic generation, visual feedback, and detailed musical control positions it as a standout instrument for creative and professional applications."

Asm Hydrasynth Explorer - "Imaginarium" Vol.2 40 Presets

video upload by LFOstore

"Lfo.store presents 'Imaginarium Vol.2' the soundset for ASM Hydrasynth Explorer.

Buy: https://lfostore.sellfy.store/p/asm-h...
More Hydrasynth presets: https://lfostore.sellfy.store/search/...

(Bank supported by all Hydrasynths)

The journey into the world of sound continues!

Hydrasynth Explorer is a powerful synthesizer with huge potential and an incredible variety of sounds, this time we will dive into the world of pulsations, neon lights and cosmic space with "Imaginarium Vol.2".

In the bank you will find: leads, plucks, poly, arpeggios, pads and basses.

"Imaginarium Vol.2" brought together the warmth of retrowave, pulsing movements and the depth of space.

40 amazing presets are waiting for you and ready to fill your compositions with new colors and inspire creativity.

Suited for all modern genres of electronic music: retrowave, ambient, trance, house, classic electronica, downtempo.

We put all our effort & inspiration to make this patches suited for many genres & styles of electronic music.

Every patch of our soundset is musical & can be immediately used in your tracks & production."

Roland JP-8000 SN ZJ32449

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"SN: ZJ32449-H (DEC 1996)

A classic synth from Roland. This synth had its audio restored to factory quality and sounds great. This is a used piece of gear with a few small cosmetic scuffs, but the overall condition is very good. The keybed feels and plays great, the ribbon controller is responsive, the joystick has a good feeling with a nice spring back. No issues with buttons, knobs, sliders, or LCD."

CLICK FOR MORE »

rare birds: Powertran Transcendent 2000 with sub oscillator mod

video upload by ohm_studi_ohm

"Here is a Powertran Transcendent analog synth I just serviced.
I took the opportunity to make some modifications, mainly adding a sub oscillator circuit.
I used a simple 4024 chipset and routed the -1 and -2 octave outputs to the "noise" volume pot with a 3 positions switch so that I can chose either octave sub or the Noise generator as the source for that pot.
I also made modification to the CV and gate circuit which originally are not the common 1v/octave V-trigger kind.
Now it can be used with any standard CV / gate interface.
And last modification was a lighter one: adding a LFO rate blinking led.
Very nice synth, capable of quite a wide range of sound thanks to dual resonant filter mode (Low Pass / Band Pass), S+H, repeating enveloppe, PWM etc … and now with a sub oscillator :-)

PS: this synth is not unstable in pitch. If you look carrefully you'll notice there is a slight amount of lfo (saw) modulation applied to the OSC pitch almost all the time"

ASM Hydrasynth - Crazy Machine [SOUNDSET] • Custom Presets

video upload by Mr. Card

"My private collection of crazy sounds (Arpeggio, Sequence) dedicated to ASM Hydrasynth. I’ve always loved fat, twisted sequences and deep, hypothetical arpeggios. I decided to create them using one of my favorite synthesizers. I really like Hydrasynth for its functionality and sound. With this soundset, you can take your instrument to the next level. Check out my soundset: https://www.mrcardmusic.com/product/h... 🎵"

ASM Hydrasynth - Bass Machine [SOUNDSET] • Custom Presets

video upload by Mr. Card

"My private collection of favourite bass sounds dedicated to ASM Hydrasynth (Bright Bass, Res Bass, Res Lead, Soft Bass, Sub Bass). I’ve always loved fat bass sounds. ASM Hydrasynth is a true Bass Machine. I love this synth for its functionality and sound. With this soundset, you can take your instrument to the next level. Check out my soundset: https://www.mrcardmusic.com/product/h... 🎵"

San Bias Synth Explosion Event Set for January 28th

||| Synth & Food |||

On this Sunday at the beginning of the year, analogue synth enthusiasts will meet at the Trattoria San Biagio to share polenta and synths.

During the day, Lombard producers will exhibit and illustrate their creations. The following will be present at this synth meeting:

LepLoop
NONO Modular
Jolin

The event is supported by Milano Modulare (community of modular pickers) and 51beats independent record label

https://linktr.ee/milanomodulare
https://www.51beats.net

The event will begin with the classic Sunday lunch within the walls of San Biagio, we recommend booking your table on 031 631047.

From h. 4.00 pm it will be possible to visit small exhibition tables with the instruments and attend the presentation of the various manufacturers with descriptions of them.

Around aperitif time, a spontaneous and improvised performance will come to life. We are waiting for you! Enjoy your Synth Experience!"

DEMO - House Grooves - Elektron Digtakt Pack by Dhaze

video upload by Isotonik Studios

"Immerse yourself in the analog warmth and organic textures of House Grooves by DHaze with our Elektron Digitakt Sample Pack. From classic 90’s house vibes to the contemporary shuffled beats, this collection encapsulates the essence of authentic house music, providing a rich palette of sounds for your Digitakt.

Key Features:

Analog and Organic House Grooves: Experience the distinctive analog warmth and organic textures that define House Grooves by DHaze. Each sound is carefully crafted to bring the authenticity of analog production to your Digitakt, creating a unique sonic landscape for your music.

Versatility for Live Sets and Studio Sessions: Whether you're preparing for a live set or delving into studio sessions, this pack is your essential toolkit. With a diverse range of sounds, including analog kicks, crisp claps, snappy snares, and more, the possibilities are endless for crafting your signature house grooves.

Pre-Programmed Patterns: Jumpstart your creativity with 16 meticulously crafted patterns. From the classic to the contemporary, these patterns offer a foundation for your tracks that's both dynamic and groove-worthy.

Comprehensive Sample Library: Explore a vast collection of 127 samples, featuring analog kicks, organic percussion, vocal chains, stabs, and chords in various keys. The analog touch adds a unique character to your productions, ensuring a sound that stands out in the crowded world of electronic music.

Snare Rolls and Fills for Dynamic Movement: Elevate your beats with programmed snare rolls and fills. Simply hold down the "page buttons" on your Digitakt to inject dynamic movement into your patterns, adding that extra touch of authenticity to your music.

Technical Details:

Format: WAV
Compatibility: Elektron Digitakt and other samplers
Total Samples: 127
Patterns: 16
File Size: [File Size]
Craft Your Analog Sound:

Inspired by the soulful spirit of House Grooves by DHaze, our Elektron Digitakt Sample Pack is your gateway to crafting analog and organic house grooves. Whether you're a seasoned producer or just starting your musical journey, let this pack be your companion in shaping a sound that is unmistakably yours.

Let the beats flow, have fun, and let’s create unforgettable analog house grooves with House Grooves by DHaze!


AVAILABLE HERE: https://isotonikstudios.com/product/h..."

SONICWARE Introduces LIVEN "MEGA SYNTHESIS"

video upload by SONICWARE

Yuzo Koshiro Preset Patterns on LIVEN "MEGA SYNTHESIS"

video upload by SONICWARE



via SONICWARE

Fully Recreate the Legendary Sound of the World's First 16-bit Video Game Console from the Late '80s

You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic YM2612 sound chip, a legacy that endures even today.

The MEGA SYNTHESIS has resurrected the sound engine of this chip. We've faithfully recreated the 4-operator & 8-algorithm FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.

CLICK FOR MORE »

ASM Hydrasynth - Ambient Machine [SOUNDSET] • Custom Presets

video upload by Mr. Card

"My private collection of ambient sounds dedicated to ASM Hydrasynth. I’ve always loved long spatial sounds and deep textures or drones. ASM Hydrasynth is a true Ambient Machine. I decided to create the most beautiful ambient sounds using its huge possibilities.Check out my soundset: https://www.mrcardmusic.com/product/h... 🎵"

Who becomes silverware first? - 10 minute LFO filter sweep and semi-generative Eurorack jam

video upload by thesrabbit

"This sonic experiment was inspired by the Dreadbox Erebus LFO having a whopping 10-minute long cycle time. Therefore, I thought it might be fun to run that LFO into every single filter I have with a CV input, including big analog polys with a VCF control input on the back intended for expression pedals. The honorary VCFs include: 2x Roland System-500 521, G-Storm Electro SH-2 and SH-5, Dreadbox Erebus, Oberheim OB-X8 (OB-X SEM LP mode), Sequential/Oberheim OB-6, Roland Juno-6.

Interestingly the filters on the big polys don't open all the way. I assume this has something to do with the inputs being calibrated for expression pedals rather than Eurorack CV. According to my oscilloscope, the Erebus LFO range is -5v and +5v. This is pretty typical for Eurorack. I set the cutoff at about 50% for all the filter modules. This seemed to work perfectly. But I was not able to do that with the polys. With the cutoff at 50%, the filters would open up all the way, but they wouldn't close nearly enough. I had to bring the cutoff completely down, and as a result, the filters on the polys wouldn't open up all the way. I did alternate takes where I walked around and tried to smoothly nudge each one up in order to get the filters fully open, but that was a disaster. In retrospect, I could have set up a one-shot MIDI LFO to do this and triggered it once at the right moment, but I already had enough things to worry about.

One of my audio interfaces is dead or dying, and it keeps ruining takes and sometimes crashes Logic. I finally turned it off and went with my lone Focusrite Scarlett 8i6, which has always been solid. But now I had an extra synth without an input and I wanted to have the polys on their own tracks so that I could blend them in with the Eurorack stuff to taste. And there's no possible way I could overdub since the whole point is to have one LFO sweeping all of the filters at the same time. I ended up resorting to an old 1989 JVC cassette deck to record the OB-6. So that shot at the opening of the video is legit. There's such a big wall of sound here that it's impossible to tell if it ended up adding any saturation. It definitely added some hiss and crackles but that's fine in this context. The cassette itself is ancient, cheap consumer grade, 60 minutes per side. I ended up recording over some 90's black metal that had been there since, well, the 90's.

To add to the grit and grime, I intentionally ran the filters from the Eurorack straight into the audio interface, bypassing the typical flow through VCAs. Ok, fine, I totally forgot about the VCAs, but it sounded extra dirty, so I didn't stress out too much. I certainly wasn't going to power everything back on, tune everything up and do another take because of it.

Obviously when the filters are closed or nearly closed for several minutes, there needs to be something to fill that gap. That's where the generative stuff comes in. There's 3 different sample and hold circuits feeding different things, including back into themselves in one case. Some voltage is running through different logic gates in conjunction with other, steady LFOs. Since I'm out of filters, the sound consists of pink noise through a VCA, triggered at random by a very short decay envelope. This runs into a recovery tape delay module, that gives sort of a slapback effect.Then there's a single oscillator, pitch controlled by another S/H circuit run through a quantizer and then running into the spring reverb tank. It's also triggered by the same random voltages triggering the noise hits. Then there's the Mutable Instruments Plaits, making the plinky plonky sounds, again everything triggered at random. It's running into the majestic Calsynth Typhoon.

The last thing to note is that the Erebus LFO also acts like an automated fader to increase and decrease the level of the VCA where all the rhythmic sounds are running through. I simply inverted the signal of the LFO output to do this. As the filters open up, the VCA level diminishes. When the filters fully close, the VCA level increases to maximum.

Last last thing. That knob twisting near the beginning isn't for sci-fi FX, though that's an added bonus. I was simply trying to get the LFO back to its "starting position." I didn't quite succeed. I don't believe the Erebus has any sort of LFO triggering mechanism to help with this. All good though.

FX: Audiothingies DoctorA delay and reverb, Boss DM-101 delay

No post processing other than a 30Hz low cut and slight limiting on the master"

Introducing Mariana | A New Bass Synthesizer from Moog Music

video upload by Moog Music Inc

"From the iconic Minimoog Model D to the Taurus Bass Pedals, Sub Phatty, and Minitaur, bass has been the foundation for the sound and power of Moog instruments for decades. With Mariana, we are proud to continue this tradition.

In a new video narrated by actor, writer, producer, and comedian H. Jon Benjamin, we invite you to journey through moments of the past and into the future of bass with a soundtrack built using all sounds from Mariana."

Update: playlist with new videos added to the player above with the following videos:

1. Introducing Mariana | A New Bass Synthesizer from Moog Music
2. Mariana | Gain Staging Overview
3. Mariana | Using Virtual Control Voltage
4. Mariana | Modulation Editor
5. Sound Design with Mariana | Bass Patch | Thavius Beck
6. Sound Design with Mariana | Drum Synth | Thavius Beck
7. Sound Design with Mariana | Synth Pad | Thavius Beck

"Made for Your Studio: Mariana's Key Sound Design Features

Mariana includes all the tools necessary for creating deep, pulsating, professional bass sounds and more. Tone layering, parallel filtering, cross-over control, doubling and detune, compression, dynamic saturation, and surgical stereo placement are all built into Mariana for streamlined, recallable access to your favorite bass chain—without needing to load up additional processors.

Powerful, modern Moog bass sound in an accessible format

Dual layers for complementary sound stacks or independent duophonic playing

Deep, complex modulation sources, destinations, controllers, and functions

A beautiful, resizable, and user-friendly interface for effortless control

Built-in effects, compression, and metering

Seamless interconnectivity with Moogerfooger Effects Plug-ins via virtual CV

Flexibility as a plug-in within your DAW or standalone use via MIDI

More than 200 professionally designed presets covering a wide range of musical styles and genres"

https://software.moogmusic.com/store/mariana

KORG Introduces the MPS-10 Drum, Percussion & Sampler Pad

video upload by Korg

"The Korg MPS-10 is a cutting-edge drum pad, sampler, and looper designed for expressive percussion performances. Its 10 responsive drum pads, versatile sampler with 3,000+ samples, 32GB internal storage, and powerful 4-track looper offer endless creative possibilities. With real-time effects, modulation capabilities, and seamless kit transitions, it empowers musicians to shape their sound on the fly. Plus, its flexible connectivity options make integration into any setup a breeze."

MPS-10 Overview and Demo

video upload by Korg

"The Korg MPS-10 is an innovative drum pad, sampler, and looper that empowers musicians to craft expressive percussion performances. Its durable yet refined design caters to the diverse needs of drummers and percussionists, enabling creative and versatile performances.

Drummer Greg Fox highlights the Korg MPS-10's key features showcasing the 10 responsive drum pads, the versatile sampler with 3,000+ samples and 32GB internal storage, its robust 4-track looper, and real-time effects with modulation capabilities.

Musicians can shape their sound in real time using the four Continuous Control pads (CC pads) and experience seamless kit transitions through Smooth Sound Transition (SST). Additionally, its flexible connectivity options, including USB, MIDI, external trigger in, foot switch, and expression jack, simplify integration into any existing setup.

More details: https://www.korg.com/us/products/drums/mps10/

Check out Greg Fox here: https://gregfox.space/

Chapters:

00:00 Intro
00:16 10 Drum Pads
01:16 Four-Track Looper
03:11 Versatile Sound Presets
04:12 Sampler & Connectivity
05:09 Looping & Triggering"



Specifications

Maximum polyphony 48 voices Kits 200 (including user KITs) INST 2350 SAMPLE 3002 Effects 77 Input/output jacks and ports Headphones (6.3 mm TRS phone jack)

Audio outputs: MAIN OUT L (MONO), MAIN OUT R, SUB OUT 1, SUB OUT 2 (6.3 mm TRS phone jacks)

Audio inputs: LINE IN L/R, MIC IN (6.3 mm TRS phone jacks)

Trigger input: CH A/B, C/D (6.3 mm stereo phone jacks)

Foot pedals 1, 2 (6.3 mm TRS phone jacks)

Expression pedal (6.3 mm TRS phone jack)

MIDI OUT

USB-A (Type-A) USB standard ver. 2.0, Hi-Speed compliant (480 Mbps)

USB-B (Type-B) USB standard ver. 2.0, Hi-Speed compliant (480 Mbps) Internal memory 32 GB (including preset data) Playable data formats WAV, 44.1 kHz/48 kHz, 16-bit (up to 60 minutes long)

AIFF, 44.1 kHz/48 kHz, 16-bit (up to 60 minutes long) Display 320 × 240 dots (backlit color LCD) Operating temperature 0 to +40°C (avoid condensation) Power supply AC adapter (DC 9 V) Dimensions (W × D × H) 424 × 264 × 75 mm/16.69" × 10.39" × 2.95" Weight 2.3 kg/5.07 lb Included items AC adapter, Quick Start Guide