MATRIXSYNTH: Search results for INHALTVIDEO


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Showing posts sorted by date for query INHALTVIDEO. Sort by relevance Show all posts

Tuesday, May 10, 2022

THE OBERHEIM OB-X8 HAS ARRIVED


video upload by Oberheim Official

"For the first time in over 40 years, a legendary analog synth sound returns.

The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.

Oberheim is BACK!"

Oberheim OB-X8 INHALT Sound Design Demo No Talking

video upload by INHALTVIDEO

https://inhalt.bigcartel.com

"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.

When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.

I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.

This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.

Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."

The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]

video upload by J3PO

"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.

In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.

It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."

Update: Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

And the press release:



Oberheim Returns to Operations and Releases Its First New Synth in 35 Years

San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.

Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.

“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”

Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.

Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.

“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.

The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”

Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”

For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.” Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”

The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.

For more details visit www.oberheim.com.

About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."



OBERHEIM OB-X8 SPECIFICATIONS

• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise
• Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone
• Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence
• Genuine Curtis filters add bold OB-Xa/OB-8 character
• Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8
• The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness
• Bi-timbral capability allows two presets simultaneously for splits and doubles
• 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8
• Integral, fanless, heatsink-free power supply
• Real walnut end cheeks
• High-resolution OLED display enables patch management and easy access to advanced features
• Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions

ENHANCEMENTS
• Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter
• Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments 
• Velocity sensitivity adds expressiveness to volume and filter 
• Channel Aftertouch adds real-time performance-based modulation
• Enhanced unison allows variable voice stacking from 1-8 voices
• Variable triangle wave cross-modulation
• Over 600 user-programmable preset locations
• Programmable per-program pan allows wider stereo presence
• Variable oscillator and noise levels

INS & OUTS
• Stereo and Mono outputs
• Volume, Sustain, and Filter inputs
• Arpeggiator clock input
• MIDI In, Out, Thru
• USB
• Dimensions:
• Weight: 32.5 lbs
• Dimensions: 40.5” L x 16.67” W x 5.87” H

Tuesday, November 23, 2021

Sequential Synth Tips #27 With INHALT: Prophet-5 And Prophet-10 PWM


video upload by Sequential

"As the founding member of INHALT and Infinite Power Studios, Matia Simovich’s productions and sound design have questioned the line between forward-thinking, avant pop and the depths of the underground. Never one to shy from the dark or the unorthodox, his production style is equally inclusive: hardware-centric and exudes the decadence and lushness of the past while integrating the precision and speed of today’s studio process.

This synth tips episode features Matia building a patch with PWM that changes rate as you play up and down the Prophet-10.

Follow INHALT here:
https://linktr.ee/inhaltIPS
http://www.inhalt.us/
https://www.facebook.com/INHALT.US/
https://www.instagram.com/inhalt.us/
https://inhalt.bandcamp.com/
https://www.youtube.com/user/INHALTVIDEO

For more information on the Prophet-10: https://www.sequential.com/product/pr..."
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Additional INHALTVIDEO posts

Tuesday, August 31, 2021

Norand Mono INHALT Multitrack Demo


video upload by INHALTVIDEO

"Norand is a new French synthesizer manufacturer. Mono is their debut synth that I've been commissioned to do a sound library for. In the process of doing so, I put together a demo song wherein every sound is sequenced and generated on the Mono entirely. Every single sequence and sound, including drums was made on the Mono (yes the chords too). Pretty impressive stuff for a "compact" 303 inspired synth ...

And while it may appear to be inspired by the 303 it's actually an amalgamation of "things". Working on this synth, took me back the the 90s, when I read Future Music magazine. During that 303 clone craze time, the king was the Future Retro 777, and in many regards the Mono brings up a bit of a design vibe from that. While the 777 was, to my ears a cross between a Sequential Pro One and 303 there is something about it that the Mono spiritually continues. Similarly, the Mono does have all the provisions that a 303 has (especially on the sequencer front) but then it updates it with pretty much all the modern facilities an Elektron box would have.

The Mono is a kind of 21st century bridge between the best of the past and the best of the now. The sound of the actual machine is much more vintage in character than most modern synths but the way you play and manipulate and sequence that sound is firmly 21st century with the vibe and some charming idiosyncrasies of the 303 sequencer. Don't sleep on this one, it's an absolute winner.

Multi-tracked and mixed entirely on an AMS Neve 8424 console with some fx processing (light reverb and delay) from a Lexicon 480l. Filmed and produced at Infinite Power Studios, Los Angeles, CA."

Monday, August 23, 2021

Sequential Introduces Take 5® Compact, Five-Voice Poly Synth


video upload by Sequential



And a demo by INHALT:

Sequential Take 5 INHALT Sound Design Demo

video upload by INHALTVIDEO

"I had the great pleasure of working on yet another Sequential modern masterpiece, the Take 5. This is a long recording of the patches I made for the Factory Bank of sounds that ship with the synth. I think the Take 5 captures the essence of a rev 2 Prophet 5 with its SSM/SSI oscillators, filters and vca but it transposes it into the future with the sophisticated FX engine and mod matrix! What's on offer is a lovely and timeless sound with many of the modern trimmings musicians will need today. Its' compact form factor also makes it possible to easily get this first class sound in a package that's easy to gig and travel with. Please note all of the recordings are from a pre-production unit running a pre-release firmware. No additional FX or processing were added to this recording, everything you hear came straight off the Take 5."

Follow-up to this post.


via Seqeuntial

New Instrument Puts Powerful, Affordable VCO/VCF-based Synthesis Within Easy Reach of Newcomers and Pros Alike

San Francisco, CA—August 23, 2021—Sequential today introduced the Take 5®, an all-new, compact and portable five-voice VCO/VCF-based poly synth designed with both synth newcomers and space-conscious pros in mind.

A full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern.

“The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able to experience it before,” said Dave Smith, Sequential founder and lead product designer. “Packing this much performance power into such a small footprint was the kind of challenge we love. Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. It was a joy to work on and I’m looking forward to hearing what our customers create with it.”

This versatility comes from the Take 5’s sound engine. Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice.

The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. A 64-step polyphonic sequencer and multimode arpeggiator complete the picture.

Sequential CEO David Gibbons summed up the Take 5 this way: “For players that have wanted to get into analog poly synths but have been put off by price or complexity, the Take 5 is the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths. It is pure Sequential sound and quality at a price that’s within reach of almost anyone. Portability is also a huge plus — you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind.”

The Take 5 is available now at a US MAP of $1,299.

https://www.sequential.com/product/take-5-compact-poly-synth/

Hi-res pics (click them for the full size shots):

Friday, January 29, 2021

Moog Subsequent 25 INHALT Artist Bank Demo


video by INHALTVIDEO

"Download this bank at:
http://inhalt.bigcartel.com

Custom sound bank of 64 patches for the Moog Subsequent 25 analog synthesizer programmed by professional sound designer Matia Simovich / INHALT (Sequential, Elektron, Roland, Novation, Akai Pro ...).

This Artist Bank traverses 64 classic sounds intrinsic to the Moog history. Basses that reference the Moog Source and Model D, sequences and modulations that hint at Moog Modulars, and even sounds that buzz and breath like the Oberheim SEM (thanks to the 12dB filter mode).

Meticulously sound designed and programmed to exude the vintage mood and playability of analog mono synths, this library is full of patches that will give you all the core sounds you expect from the Moog name."

Tuesday, March 17, 2020

Akai Introduces MPC Jupiter Rising Synth Expansion by INHALT


Published on Mar 16, 2020 INHALTVIDEO

"I'm very pleased to announce the release of Jupiter Rising, the first INHALT Sample Library exclusively for the Akai MPC and Force range. This library is available directly through Akai Professional:

https://mpcsoftware.akaipro.com/#cbp=...

When I first got the MPC X I was taken aback by the sheer sound quality of the new audio engine. The filters, in particular, sounded warm and very analog like. After putting the machine through several productions, I quickly realized that the X is essentially a modern day Fairlight. It soon became my go to production center piece and my older MPCs (3000 and the ASQ10 sequencer) were quickly sold. Yes, it's that good. After some more time of working with the machine passed, I wanted to develop a comprehensive set of synthesizer oriented patches that could be quickly recalled for fast production access but with no compromise in sound quality. One of the most useful synths in a production context, to my ears and experience, is the Jupiter 8. While not a particularly showy synth, its tone and range of sounds makes it possible to slot into any production. As such, I thought this would be a great candidate for a deep sampling.

This library is the culmination of many months of work doing exactly that. Some patches are multi-sampled classic JP8 patches, and while those sound absolutely exceptional, the real stars are the short cycle samples. I employed the power of the MPC Engine to play back a different short-cycle sample per key press, per zone, randomly. This creates the feeling of playing the real JP8 as every key press is slightly different than the previous. When combined with the vast set of filters, an incredibly convincing analog-like sound is the end result. There are many patches of various combinations of samples included to cover every possible oscillator combination like on the real synth (i.e. 1 vco saw, 2 vco saw+saw, 2 vco saw+square ...) which leads to the most convincing sample based emulation of the classic synth. These raw patches serve as a starting point for your own sound design, however there are also many characteristic INHALT patches that are ready to go for your own music making.

In short, once the library was done, I was absolutely floored by how accurate and convincing this sample library really is at getting the mood, vibe, feel, and exact sound of the JP8. I think you will find the same. I had a really fantastic time working with all at Akai Professional on this and out of the many projects I've taken on, I'm probably the most pleased with how the end result came out on this one. All of the sounds (including drums) that you hear are 100 percent the Jupiter Rising Library recorded directly from the MPC X stereo output."




"Introducing Jupiter Rising, the latest expansion instrument offering from Akai Professional. Jupiter Rising re-creates the legendary sounds of one of the world's most iconic synthesizer. The highly sought after sonic palette is now available for your MPC X, MPC Live, MPC One and Force."

Wednesday, January 22, 2020

ASM Hydrasynth INHALT Artist Bank Demo


Published on Jan 22, 2020 INHALTVIDEO

"This is a recording of sounds from an upcoming 128 patch INHALT Artist Bank for the Hydrasynth that was commissioned by ASM. It will be directly available from http://ashunsoundmachines.com All sounds were recorded directly from the Hydrasynth into Pro Tools HD with no further processing. All FX were done on the Hydrasynth itself. For other full INHALT Artist Banks, please visit:

http://inhalt.bigcartel.com"

Tuesday, January 14, 2020

Sequential Debuts the Pro 3 - Multi-Filter Mono Synth


Sequential Pro 3 INHALT Sound Design Demo Published on Jan 14, 2020 INHALTVIDEO

Update: some audio demos added below.

"Some time ago, I put together a video demonstrating the remarkable ability of the AS-1 synthesizer to mimic the classic Sequential Circuits Pro One. I sent the video to my friends at Sequential and expressed a great desire for a fully fledged, keyboard version of the synth. Flash forward to the tail end of 2019, and I’m sitting in front of the Sequential Pro 3. While the inspiration might have come from some aspects of the AS-1, the Pro 3 is so far and above, it truly deserves the title of FLAGSHIP.

To me, the central point of the Pro 3 isn’t necessarily the feature set, which is VAST, but the raw sound. This synth is a production workhorse that sounds proper. It has a kind of aggression, bigness, and elegance that is typically associated with some of the finest vintage synthesizers; the low end is massive and the top end can cut through but it’s that all important midrange that is the most impressive. That midrange synthesizer bass sound, that many other synths fail at (by over compensating lows and highs) isn’t an issue here and it’s that aspect that allows the Pro 3 to link the vintage to the modern. Simply put, any working producer looking for a flagship mono that can handle the rigor of modern production and can make as many classic vintage sounds as futuristic ones should not sleep on this.

The three filters on offer here all have their unique personalities and allow you to cover a vast array of sounds. The OB6 filter in particular is a favorite and combined with the sheer physicality of the analog vco’s used here, allowed me to get into a kind of Xpander territory. The ladder filter pounds and moves like a vintage synth. And the Prophet 6/AS1 filter is exactly what you expect.

No external sequencing or multitracking was used on this recording. Everything was made 100 percent on the Pro 3. This is a recording of all of the patches I submitted to Sequential for the Pro 3’s factory bank. A big thanks to the whole Sequential family and a massive congratulations from INHALT on this stunning new synth!"

Update: audio demos by Paul Dither:




And the press release: (side note: I believe this is the first solely Sequential branded synth after rebranding from DSI)


"Sequential Debuts Pro 3, Multi-filter Mono Synth Featuring VCOs, Wavetables

San Francisco, CA—January 14, 2020—Sequential today announced the Pro 3, a new flagship mono/paraphonic synthesizer. A hybrid instrument, the Pro 3 features three classic analog filters (Prophet-6, OB-6, and ladder) and three oscillators (two VCOs and one wavetable oscillator) along with a powerful new 16-track sequencer, and the ability to connect with modular synths through its four control voltage ins/outs.

“In many ways the Pro 3 is the evolution of a concept that started with the classic Sequential Circuits Pro-One,” said Sequential founder Dave Smith: “Pack as much power as possible into a compact footprint and make it sound awesome. To do that, we built on the strengths of its modern-day counterpart, the Pro 2, and created a worthy successor to both that sets a new benchmark for raw power and versatility.”

Part of this sonic versatility comes from the Pro 3’s oscillators: Two voltage controlled oscillators provide traditional triangle, saw, and pulse waves with waveshaping, while a third digital wavetable oscillator provides 32 tables of 16 waves each with wave morphing. Three vintage-style filters shape the sound of these oscillators. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. A Drive control provides additional punch to all three filters.

The feature set of the Pro 3 is rounded out with a multimode arpeggiator, three LFOs, four loopable ADSR+delay envelopes, dual digital effects (delays, reverbs, and various time-based effects), tuned feedback, analog distortion, and extensive modulation possibilities. The LFOs, delay, and arpeggiator can be synced to either the internal clock or an external MIDI clock. A programmable position-sensitive touch slider and pitch and mod wheels provide nuanced control over live performance. The synth is also capable of 3-voice paraphonic operation. This makes it possible to play 3-note chords where the three individual oscillators share a common filter and envelopes.

The full-featured sequencer provides 16-track sequences of up to 64 steps, with ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 32-slot, 171-destination modulation matrix.

Another key feature of the Pro 3 is its four scalable rear-panel control voltage inputs and outputs, which allow compatibility with modular synths. Control voltages are routed from within the modulation matrix and run at audio rates for extreme modulation effects. “We wanted to make the Pro 3 as flexible as possible,” said Smith. “The CVs and deep mod matrix make it a mini modular in its own right — without all the patch cables.”

Sequential is also offering the Pro 3 SE, a special edition version of the synthesizer that puts the same synthesis power into a collector-worthy design that features a tilt-up control panel and full, premium-grade walnut trim.

The Pro 3 standard edition will be available at the end of January with a US MAP of $1,599.

The Pro 3 SE will be available in February with a US MAP of $2,099."

https://www.sequential.com/product/pro-3/


Friday, September 28, 2018

Roland D05 / D50 INHALT Artist Bank Demo


Published on Sep 28, 2018 INHALTVIDEO

"Download the bank at:
http://inhalt.bigcartel.com

64 patches for the Roland Boutique D-05 and vintage D-50 that traverse both classic and modern sounds not typically associated with the D-05/D-50. Meticulously sound designed and programmed to exude the clandestine and ethereal mood of L.A. Synthesis as well as a selection of drum, percussion, lead and bass sounds perfect for many styles of electronic music.

Conveniently loads into any User Bank on the Boutique D-05. Please note on a vintage D-50, this will overwrite any pre-existing User Bank patches. This is a raw demo showcasing only what's available on the D-05 / absolutely no additional post processing was used / all of the FX that you hear are directly from the built in D-05 FX engine."

Wednesday, May 02, 2018

Sequential/Dave Smith Prophet X Sound Design Demo by INHALT


Published on May 2, 2018 INHALTVIDEO

"Well, there's too much possible to say about this one so I'll say this much: stereo field, stereo everything, lfo's to sample start, sample loop length ... this is a massive instrument and quiet honestly, on first glance, was quiet the grand undertaking from a sound design standpoint. Presented here are some of the patches we completed for the Factory Bank that will ship with the Prophet X synthesizer. No additional post processing, no additional fx, no external sequencing. Pure Prophet X."

Sunday, March 18, 2018

INHALT Pioneer DSI Toraiz AS 1 Artist Bank


Published on Mar 18, 2018 INHALTVIDEO

"Instant download of 99 patches and sequences here:
http://bit.ly/INHALTas1

A demonstration of some of the 99 patches and sequences we've created for this very special INHALT Artist Sound Bank for the Dave Smith Instruments Pioneer DJ Toraiz AS-1 Analog Synth. Absolutely no additional FX were used, what you hear are the raw patches on the AS-1. The patch bank is a direct download from our Big Cartel store (link above)."

Saturday, October 21, 2017

INHALT Prophet 6 Artist Bank Demo


Published on Oct 21, 2017 INHALTVIDEO

Anyone recognize the intro? :)

"Instant download here:
http://bit.ly/Prophet6

A demonstration of some of the 100 patches and sequences we've created for this very special INHALT Artist Sound Bank for the Dave Smith Instruments / Sequential Prophet 6 Analog Synth. Absolutely no additional FX were used, what you hear are the raw patches on the Prophet 6. These are brand new sounds and not the ones that were used on the factory bank for the Prophet 6. The patch bank is a direct download from our Big Cartel store (link above)."

Friday, September 22, 2017

Roland SH 01a INHALT Artist Bank Demo


Published on Sep 22, 2017 INHALTVIDEO

"Download the bank at:
http://inhalt.bigcartel.com

64 patches and 64 sequences that completely take over your SH-01a into INHALT approved territory. We scrutinized every parameter in Roland's new Boutique and tamed the digital nature (when necessary) towards the genuine 101 tone, and played it up when taking advantage of the new features like polyphony. The SH-01a definitely delivers the goods when it comes to those famous flat 101 bass lines but, in the 4 voice polyphonic mode, leads to results that remind us of our beloved Jupiter 4 and Juno 60. That was shocking at first, but with the added fast LFO mode, it lead to the groundwork of the many famous klangy and FM-like Jupiter 4 sounds.

This download kidnaps the Boutique and will overwrite all of the internal factory patches and sequneces but because Roland have made patch dumps super easy to back up (copy to your desktop n done), it's easy to pick and choose what you want loaded on the SH-01a. We've done our best to provide a wide assortment of sounds and sequences that we hope will inspire and lead to finished songs that embody that classic Roland sound. In our studio it definitely has from the moment it got the Tr 808 trigger input ..."

Roland SH-01As on eBay

Wednesday, September 20, 2017

Sequential Circuits Pro One vs Pioneer/DSI Toraiz AS-1 by INHALT


Published on Sep 20, 2017 INHALTVIDEO

http://inhalt.bigcartel.com/

"Ever since working on the factory bank patches for the Pioneer AS-1, we always felt that the sound hit close to home. And that home, for INHALT, is the Sequential Circuits Pro One. Now, in this video we put both units head to head to hear which one can out do the body music bass line. Both synths were recorded straight to Pro Tools HD via a Focusrite 2802 (Audient Mic Pres) and absolutely no fx or post processing was applied. What you are hearing is the dry signal playing back to 2 discrete channels on the desk. When the cut light is lit, that channel is muted. The similarities are so remarkable between the two synths, that often times we weren't sure which one we were hearing before we put the board tape on the desk. The characteristic is so strong between these two bass monsters that we are now developing an INHALT Pro One Sound Bank for the Toraiz AS-1 which will be available for download through our Big Cartel Shop. We hope you enjoy this comparison and find it useful. The AS-1 is a monster!!"

Wednesday, September 13, 2017

Oberheim Dave Smith OB6 Artist Sound Bank by INHALT


Published on Sep 12, 2017 INHALTVIDEO

http://inhalt.bigcartel.com/product/i...

A demonstration of some of the 100 patches and sequences we've created for this very special INHALT Artist Sound Bank for the Oberheim OB6 Analog Synth. Absolutely no additional FX were used, what you hear are the raw patches on the OB6. The patch bank is a direct download from our Big Cartel store (link above)."

Thursday, January 26, 2017

Pioneer DSI Toraiz AS1 Demo by INHALT


Published on Jan 26, 2017 INHALTVIDEO

"When Dave Smith Instruments approached us to do sound design for a new compact synthesizer, we weren't really sure what to expect. It had been several years since the Mopho had come out, and we had used one to full effect as a touring bass machine, so we need it was going to be loud, fully functional, and easy to gig with. However, we did not expect the varied sonic palette that comes with the Toraiz AS-1. During our time working on the factory banks and sequences, we had a chance to listen to the synth on many different sound systems, and the constant descriptor that came to mind was "Pro One". We've essentially concluded that the AS1 is the modern day Pro One. It has the distinct drive and loudness associated with the high headroom of the mono synth and the tone colour has that charismatic dryness associated with the "One".

The sequencer present here is far more comprehensive than that of the Pro One, but nonetheless, just like the older, bigger brother, it oozes Electronic Body Music unlike anything else. The feel and movement present with straight 16ths playing back on the low end gives the speakers an expected workout but without sacrificing that all important low mid. Far too many modern synthesizers accentuate the low bass and the top end but usually leave the mid range (especially the low mids) either thin or almost nonexistent. Not so with the AS1. The mid range is completely present and this midrange is critical to achieving the signature bass line sounds that the Pro One does so effortlessly.

From a feature standpoint, the little metal box is fully stacked. Everything architecturally from the flagship Prophet 6 has been ported over and the only exception is a slimmer fx section. However, considering that the preoccupation with the AS1 will be basslines and sequences, we didn't feel left out despite the fact that the FX engine is slimmer.

Please take a listen on a quality set of headphones or studio monitors. The low end is very present here and many of the sounds in the demo emphasize basslines, so you'll need something that can transmit the low end. Computer speakers just don't do this synth justice. We definitely feel like Pioneer has an absolute winner with this little box and after wrapping the sound design, we gave the unit back with much hesitation as it was leading to song ideas and inspiration non-stop!"

Wednesday, June 01, 2016

Roland System 500 Basslines & Sequences Demo by INHALT


Published on Jun 1, 2016 INHALTVIDEO

"We were very excited at the prospect of a brand new analogue modular synth from Roland, so when the collaboration between Malekko and Roland was announced, we were keen to grab our hands on the System 500. As long time users of the Roland System 100m and various other Roland monosynths, to our ears, the System 500 had a lot to live up to. However, we were very pleasantly surprised upon first patching. While far more aggressive than the vintage units, the new System 500 brings that familiar Roland mid range and those super snappy envelopes back to the fold. What you hear are excerpts from a stereo recording of the System 500 with a Korg SQ1 sequencer. It was initially recorded to a Sony PCM field recorder and then transferred to Pro Tools HD for editing. We've added a bit of reverb from an Eventide H7600, but what you're predominantly hearing is the raw System 500 sound. No post processing was performed to the audio track itself and it is largely the direct output of the System 500 into the Sony PCM."

Thursday, January 21, 2016

Introducing the Tom Oberheim & Dave Smith OB-6 Polyphonic Analog Synthesizer


Uploaded on Jan 20, 2016 Dave Smith Instruments - "Tom Oberheim & Dave Smith Introduce the OB-6"

Update: new demo video from INHALT in via Soviet Space Child below!
Update2: DSI / Tom Oberheim - OB6 - live looping demonstration by Daniel Davis added below.


Awesome video! You'll find an audio demo at the bottom of this post. So, if you weren't sure NAMM had any big surprises coming, well here you go. A brand new six voice polyphonic Oberheim synth based on the original SEM's discrete VCOs and filters, complete with trademark blue pin strips, and a few extras. This is not a CEM based Oberheim. This is discrete analog with some modern capabilities. Think closer to the original Oberheim FVS and classic OB-X (CEM VCOs & VCFs came with the OB-Xa). A new Tom Oberheim six voice polysynth has arrived!

The following is the official press release:

"Tom Oberheim and Dave Smith Unveil OB-6 Analog Synthesizer

Legendary Poly Synth Creators Team Up on New Instrument with Discrete VCOs and Filters

Anaheim, CA—January 21, 2016—Dave Smith Instruments today announced the OB-6, a new 6-voice synthesizer with an all-analog signal path and discrete VCOs and filters developed in collaboration with Tom Oberheim. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and exibility of modern technology.

Said Smith: 'Tom and I have been friends and friendly competitors since the late 1970’s. Back in the day, people were typically in either the Prophet or the Oberheim camp. Now, with the Prophet-6 out and doing so well, we thought it would be fun to combine our strengths and bring back Tom’s classic polyphonic sound, too — in a modern format.' Added Oberheim: 'A lot of people, myself included, have always felt that the SEMs had a certain uniquely big, organic sound unlike anything else. Working with Dave to make that sound widely available again with some modern touches and full programmability has been real a pleasure.'

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM- inspired state-variable lter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled ampli ers complete the all-analog signal path. 'The classic, bold SEM sound is all there,' said Oberheim.

Present also is X-Mod, with lter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, lter cutoff, and lter mode. The knob-per-function front panel puts virtually all parameters at a user’s ngertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, 'As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it ts right in on-stage or in the studio.' Added Oberheim, 'And of course, it’s got that unmistakable SEM sound that’s going to turn a lot of heads. '

The OB-6 is manufactured and sold by Dave Smith Instruments. It will be available in March, with a projected MAP of $2,999."



Update: new demo from INHALT in via Soviet Space Child.

Oberheim Dave Smith OB 6 Demo by INHALT

Published on Jan 21, 2016 INHALTVIDEO

This sounds like an Oberheim.

"As long time users of the Oberheim OB8 and 2 Voice (take a listen to our "Occupations" EP as both are on it all over the place) we were pleasantly surprised when Dave Smith Instruments showed us their new analog workhorse and collaboration with the inimitable Tom Oberheim— the OB6. The allure for the Oberheim polyphonic sound, for us, has always been it's unique melancholic tone colour. No matter what kind of sounds are programmed, Oberheim's tend to have this wonderful midnight music vibe, like driving in a car late at night circa 1983. We're pleased to report that the OB6 captures this sound quality effortlessly and in spades.

Our approach to the design of the factory bank patches we submitted (most of which you hear in the demo) was rather simple: we made the same kinds of sounds we would program on our Oberheims, and barring a couple, largely ones we would find useful in a production context. Though we don't typically record synthesizers with FX printed on the same track, the FX engine is so wonderful sounding on the OB6, and highly controllable, that it made us reconsider. In short, the FX engine is no slouch, and for the many decades spent dismissing the on board FX of most 'modern' synths, this is the first time that we've heard an FX engine exude the same quality as the top end hardware units from Lexicon, Eventide, or AMS that we tend to use in the production process.

Everything you hear on the demo was done entirely on the OB6. Absolutely NO additional FX or sequencers were used. We simply ran the stereo output from the OB6 into a DI and a stereo mic pre amp directly into Pro Tools HD and tracked it in."

DSI / Tom Oberheim - OB6 - live looping demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - live looping demonstration

Live looping demonstration of the new OB6 analog synthesizer. Only used the OB6 and Pigtronix Infinity looper."

I own an OB-Xa and the two videos above nail the sound and then some.

Update2:

NAMM2016 Introducing the New Dave Smith OB 6 Desktop Synth

Published on Jan 21, 2016 Analogue Zone Showroom / Synths and Studio

"Introducing the New Dave Smith OB 6 Desktop Synth
@dsiSequential

Available soon from
http://www.analoguezone.com/"

NAMM2016: Dave Smith Instruments OB6

Published on Jan 21, 2016 sonicstate

"NAMM2016: Dave Smith Instruments OB6 Dave Smith shows us the new OB6"

DSI / Tom Oberheim - OB6 - Patch Demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - Patch Demonstration

Some patches I made on the new OB-6.

All effects are from the OB-6. No post processing or production."

[NAMM] Dave Smith Instruments OB-6 NAMM Floor Video with Dave Smith & Tom Oberheim

Published on Jan 21, 2016 Audiofanzine in English

"Here's a presentation of Dave Smith Instruments and Tom Oberheim's OB-6 at the NAMM Show 2016."

NAMM 2016 Dave Smith Instruments OB-6

Published on Jan 22, 2016 Kraft Music

"Great deals on Dave Smith Instruments at Kraft Music:
http://www.kraftmusic.com/brands/dave...

Mark from Dave Smith Instruments presents the OB-6 at the 2016 Winter NAMM Show."

Dave Smith OB 6

Published on Jan 21, 2016 musicianews

"Dave Smith and Tom Oberheim team up to create a fantastic sounding new instrument. OB-6 has arrived. Check out the video."

Tom Oberheim OB 6 SEM

Published on Jan 21, 2016 musicianews

"Wow great to see Tom Oberheim and his take on the OB-6, Eurorack SEM and the world of Analog design in the 21st Century!"

Monday, April 27, 2015

Sequential Prophet 6 Demo by INHALT


Published on Apr 27, 2015 INHALTVIDEO

"When the team at Dave Smith Instruments called us to take a look at their new synth, we had no idea that the words 'Sequential' and 'Prophet' were going to be proudly displayed. One note later through the Meyer Sound rig at the DSI Office and we knew that there was no doubt that the Prophet 6 was the most genuine and true successor to the Prophet 5.

The Prophet 5 has a very important place in our gear arsenal. It’s heavily featured on our EP 'Occupations' and is one of the few synths we have that simply doesn’t need much post processing. It takes to multitracking effortlessly and exudes pure analog 'aliveness'. Not to mention the fact that it doesn’t take much to get it into the moody and dark John Carpenter film score sound. In short, the Prophet 6 had a lot to live up to. Fortunately, it does so in spades, going beyond what the Prophet 5 could do both in sound and programmability.

From the Prophet 5 rev 2 style SSM filter (it’s a discrete take on this design) to the brand new, discrete voltage controlled oscillators, the new high pass filter, dual fx engine, and output distortion, the Prophet 6 builds upon everything good from the 5 and then goes much, much further. Coupled with a fully polyphonic step sequencer and standard issue arpeggiator, the Prophet 6 is the perfect, discretely analog, polyphonic synthesizer. And it’s as much at home on a stage as it is in the studio.

The sounds that you hear are from the factory bank patches we’ve submitted to Dave Smith Instruments/Sequential. We intentionally focused on more standard, instantly usable sounds, rather than ones that showcase some fancy programming trickery. Reason being is that the Prophet 6 is all about immense raw sound quality and immediate, tactile programmability. Everything you are hearing was performed using the onboard facilities of the Prophet 6. There are absolutely no external FX or sequencers used. If you hear a reverb or a delay, it’s coming from the built in dual FX engine on the 6. We simply recorded the stereo output via a Precision 8 mic pre amp into Pro Tools HD, normalized the clips and bounced the track."

Friday, January 30, 2015

Arp Odyssey by Korg INHALT Line Level NAMM Recording


Published on Jan 30, 2015 INHALTVIDEO

"At NAMM 2015 we had the wonderful opportunity to play the new Arp Odyssey by Korg. Though smaller than the original it is just as much playable and the sound instantly reminded us of the pure analog Arp punch, grit, and weirdness. Nothing says minimal synth like the Arp Odyssey. Wether in the hands of Billy Currie, John Foxx, or D.A.F., the Odyssey has been a part of some of the most cutting edge and culturally important music.

While, admittedly, it was very difficult to play the synth with lot's of people bumping into us and various onlookers gazing over our shoulders, we did manage to record some raw sounds of the new Arp Odyssey. You can immediately tell that this is a genuine analog synthesizer and that it has THAT Arp sound we know and love. We hope this demo gives you just a little taste of what the Odyssey can do. Once we take delivery of our own, we will do a much more detailed recording especially utilizing analog sequencers (which the Odyssey was begging for). A massive thanks to Rich at Korg USA. We're looking forward to a White Face ;-)

The occasional clicking that you hear is the switching of the three different filter types. On the new Odyssey all three filters are available and a switch allows you to choose the different low pass types. Two are 24db and one is 12db. This was recorded direct to a Sony PCM M10 at 96k/24 bit and edited in Pro Tools HD."
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