Red Roland SH-101

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Note auction links are affiliate links. See the site's privacy policy for more info.

CLICK FOR MORE »

arp - impro 音乐即兴 2023年12月19日 (TR-909, JX-3P, SH-101, V-synth, Wavestation)

video upload by marine records

Roland TR-909, V-synth, SH-101, JX-3P
Korg Wavestation

composed, performed, recorded by SELLIER.Y
(arp)

marine records 2023

Corshagwen - impro 2023-09-06 (SH-101, TR-909, JX-3P)

video upload by marine records

"Roland : SH-101 / JX-3P / TR-909 / TR-626 / V-synth
Yamaha : Montage

composed, performed, recorded by SELLIER.Y
(Corshagwen)

marine records 2023"

Who becomes silverware first? - 10 minute LFO filter sweep and semi-generative Eurorack jam

video upload by thesrabbit

"This sonic experiment was inspired by the Dreadbox Erebus LFO having a whopping 10-minute long cycle time. Therefore, I thought it might be fun to run that LFO into every single filter I have with a CV input, including big analog polys with a VCF control input on the back intended for expression pedals. The honorary VCFs include: 2x Roland System-500 521, G-Storm Electro SH-2 and SH-5, Dreadbox Erebus, Oberheim OB-X8 (OB-X SEM LP mode), Sequential/Oberheim OB-6, Roland Juno-6.

Interestingly the filters on the big polys don't open all the way. I assume this has something to do with the inputs being calibrated for expression pedals rather than Eurorack CV. According to my oscilloscope, the Erebus LFO range is -5v and +5v. This is pretty typical for Eurorack. I set the cutoff at about 50% for all the filter modules. This seemed to work perfectly. But I was not able to do that with the polys. With the cutoff at 50%, the filters would open up all the way, but they wouldn't close nearly enough. I had to bring the cutoff completely down, and as a result, the filters on the polys wouldn't open up all the way. I did alternate takes where I walked around and tried to smoothly nudge each one up in order to get the filters fully open, but that was a disaster. In retrospect, I could have set up a one-shot MIDI LFO to do this and triggered it once at the right moment, but I already had enough things to worry about.

One of my audio interfaces is dead or dying, and it keeps ruining takes and sometimes crashes Logic. I finally turned it off and went with my lone Focusrite Scarlett 8i6, which has always been solid. But now I had an extra synth without an input and I wanted to have the polys on their own tracks so that I could blend them in with the Eurorack stuff to taste. And there's no possible way I could overdub since the whole point is to have one LFO sweeping all of the filters at the same time. I ended up resorting to an old 1989 JVC cassette deck to record the OB-6. So that shot at the opening of the video is legit. There's such a big wall of sound here that it's impossible to tell if it ended up adding any saturation. It definitely added some hiss and crackles but that's fine in this context. The cassette itself is ancient, cheap consumer grade, 60 minutes per side. I ended up recording over some 90's black metal that had been there since, well, the 90's.

To add to the grit and grime, I intentionally ran the filters from the Eurorack straight into the audio interface, bypassing the typical flow through VCAs. Ok, fine, I totally forgot about the VCAs, but it sounded extra dirty, so I didn't stress out too much. I certainly wasn't going to power everything back on, tune everything up and do another take because of it.

Obviously when the filters are closed or nearly closed for several minutes, there needs to be something to fill that gap. That's where the generative stuff comes in. There's 3 different sample and hold circuits feeding different things, including back into themselves in one case. Some voltage is running through different logic gates in conjunction with other, steady LFOs. Since I'm out of filters, the sound consists of pink noise through a VCA, triggered at random by a very short decay envelope. This runs into a recovery tape delay module, that gives sort of a slapback effect.Then there's a single oscillator, pitch controlled by another S/H circuit run through a quantizer and then running into the spring reverb tank. It's also triggered by the same random voltages triggering the noise hits. Then there's the Mutable Instruments Plaits, making the plinky plonky sounds, again everything triggered at random. It's running into the majestic Calsynth Typhoon.

The last thing to note is that the Erebus LFO also acts like an automated fader to increase and decrease the level of the VCA where all the rhythmic sounds are running through. I simply inverted the signal of the LFO output to do this. As the filters open up, the VCA level diminishes. When the filters fully close, the VCA level increases to maximum.

Last last thing. That knob twisting near the beginning isn't for sci-fi FX, though that's an added bonus. I was simply trying to get the LFO back to its "starting position." I didn't quite succeed. I don't believe the Erebus has any sort of LFO triggering mechanism to help with this. All good though.

FX: Audiothingies DoctorA delay and reverb, Boss DM-101 delay

No post processing other than a 30Hz low cut and slight limiting on the master"

KORG MS-20 vs ROLAND SH-2: Live Battle of 70's Vintage Analog Monosynths

video upload by Vulture Culture

"Tonight we're shooting-out two iconic analog monosynths from the 70's, the revered Korg MS-20 and Roland SH-2 - which is similar in architecture to a SH-101 but with 2 VCO's per voice and a different filter."

The EML POLY-BOX

video upload by artoftravelogue

"This is a video to demonstrate the EML POLY-BOX. The POLY-BOX was created in the late 70's to allow polyphony and chords to the modular world. It takes an oscillator input and uses phase-lock loops and top octave divide down circuitry to give you all the notes of the western equal-tempered chromatic scale.

Using this as a processor for a Roland SH-101 is shown in this video. However, any synthesizer can be used, and one can even confuse it more when 2 or more oscillators are mixed into the input of the POLY-BOX."

Best of Roland SH-101 Synthesizer ~ RetroSound Demo

video upload by RetroSound

"(c)2007-23 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Best of Roland SH-101 Synthesizer
all synthesizer sounds: Roland SH-101Synthesizer (1981)
drums: Boss DR-55, Korg KR-55B, Roland TR-808, Roland TR-707, Linndrum, Simmons SDS-8

Setlist
0:06 Intro
0:14 Therapy
0:41 Red Devil
1:04 Gate Off
1:47 XOX
2:21 Sample/Hold
2:28 Meditation
2:51 Elektropolka
2:29 Filter Kaffee
3:40 Alarm
3:47 On Tour
3:54 On Video
4:04 Classic Sequences

The Roland SH-101 Synthesizer from the year 1981 is a classic monophonic analog synth. Here can you find the full SH-101 playlist with single sound demos and one synth demo tracks. Enjoy.
The SH-101 playlist :"

House 90 🎹 (Hapax sequencer // JD08 // 0Coast + Apocalypse + H9 // Nymphes + Julianna + Pill // S1)

video upload by 2-Minute Warning

"The Squarp Hapax is probably one of the most powerful hardware sequencer I've used 🤩 In this video it's at the heart of the setup, sequencing the Roland JD-08 (synth & piano chords), the Make Noise 0-Coast (tonal kick) and the Dreadbox Nymphes (pulsing bass). The Roland S-1 is being played in real-time on the bridge part.

I used a lot of features of the Hapax in this video:
- The Euclid and Swing midi effects for the synth and piano chords
- The conditional trigs to add fills etc., chance (probability for some notes to play or not) and roll
- CC automation, used to modulate the cutoff, noise oscillator on the bassline played by the Nymphes
- CV modulation on the 0-Coast (you can see the signals being sent by the red/green connectors at the back of the Hapax)
- The transpose within scale feature, where with one track (track 16), you can transpose in real time - or record the transpositions (I used both here) - all the patterns playing on the other tracks.

* Hardware used *

// SYNTH & PIANO CHORDS:
- Roland JD-08 (digital 128-voice, bi-timbral synth)

// TONAL KICK:
- Make Noise 0-Coast + Death by Audio Apocalypse (fuzz pedal) + Eventide H9 Max (bandpass delay)

// BASS:
- Dreadbox Nymphes (6-voice analog synth) + Walrus Audio Julianna (analog chorus/vibrato) + Pill (analog ducking pedal)

// LEAD:
- Roland S-1 (4-voice digital synth, inspired by the famous mono synth SH-101)

// SEQUENCER:
- Squarp Hapax (dual-project sequencer, 16 tracks per project, 8 patterns per track, 8 effects per track, algorithmic tools, MIDI, CV, etc.)"

Roland Announces FANTOM EX Upgrade

video uploads by RolandChannel

"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More"
Full press release further below.

Playlist:
Roland FANTOM EX Upgrade Josh Blair Interview
Roland FANTOM EX Upgrade Sound Demos
Roland FANTOM EX Upgrade Install Guide

User demo video from Gattobus:

FANTOM EX - ACB JUPITER-8 Tone Programming Experience

video upload by gattobus

"In this video I wanted to make you feel the Analog Circuit Behavior of the JP-8 on the new FANTOM-EX update. A hands on programming experience starting from scratch!

WARNING:
Mind your volume levels, there are some serious filter sweeping frequencies that may caught you unprepared!!! :D

Enjoy!"

Press release follows:

"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More

Los Angeles, CA, Nov. 7, 2023 — Roland announces the FANTOM EX Upgrade, a powerful new system expansion for the company’s FANTOM 6, 7, and 8 synthesizer models. Bounding with exciting new features and workflow enhancements, the user-installable FANTOM EX Upgrade supercharges Roland’s premier synthesizer series with even more creative firepower. The most significant update in FANTOM’s history expands and enriches the core platform with powerful Analog Circuit Behavior technology, two new grand pianos, JD-800 and n/zyme Model Expansions, studio-grade reverb effects, and more. Available for purchase on Roland Cloud, this value-packed upgrade is a must-have for current and future FANTOM owners.

Introduced in 2019, FANTOM was designed as an evolving creative hub that continually grows through sound expansion, software integration, and user-requested features. The FANTOM EX Upgrade integrates a host of sound engine and system enhancements, launching the FANTOM platform far beyond the impressive capabilities of previous versions. In development for many months, this important upgrade embodies Roland’s ongoing dedication to its flagship synth and the worldwide FANTOM community.

JUPITER-8 and SH-101 ACB Expansions
Roland’s acclaimed Analog Circuit Behavior (ACB) is the core technology behind AIRA products such as the TR-8S and SYSTEM-8, as well as the extensive Legendary series of software instruments on Roland Cloud. ACB brings an authentic analog sound experience to life in the digital realm, faithfully recreating analog circuitry and all their interactive behaviors at a deep component level.

Realized through new engineering breakthroughs, the processor-intensive ACB architecture is now available to FANTOM owners with the JUPITER-8 ACB and SH-101 ACB Expansions in the FANTOM EX Upgrade. These circuit-level recreations of influential Roland synths offer all the latest ACB advancements, including Circuit Mod and Condition functions for dialing in varying degrees of vintage character.

Two Concert-Class Acoustic Pianos
The FANTOM EX Upgrade features two deeply expressive grands primed to elevate stage and studio endeavors with Roland’s renowned piano performance. Additionally, FANTOM’s V-Piano interface has been refreshed with an attractive new graphical design.

Originally developed for the flagship RD-2000 stage piano, the German Concert V-Piano Expansion 01 is a versatile and inspiring instrument with a rich, powerful, and detailed voice. The SuperNATURAL Acoustic Piano 3 Expansion offers 15 distinctive sounds, from bright, dynamic tones for stage playing to dark, moody variations for ambient explorations.

JD-800 and n/zyme Model Expansions
The FANTOM EX Upgrade also includes two of Roland’s most recent Model Expansion titles, driven by the ZEN-Core engine for advanced sonic range and performance versatility.
Combining the original JD-800 waveforms with advanced modeling techniques, the JD-800 Model Expansion puts the gleaming tone and monster sound-shaping potential of this vintage digital icon inside FANTOM.

The n/zyme Model Expansion is a thoroughly modern instrument with an all-new synth engine developed for the FANTOM environment. Combining wavetable oscillator layers, phase and shape modulation, resonant filters, and two powerful Step LFOs, n/zyme is a highly interactive music tool that sparks endless creative explorations.

Effect and Workflow Enhancements
The FANTOM EX Upgrade further enhances the synthesizer’s smooth workflow and deep feature set. New Shimmer Reverb and Modulation Reverb algorithms instantly infuse any sound with spaciousness and intense harmonic color. FANTOM’s DAW control has been expanded with profiles for Steinberg Cubase and PreSonus Studio One. Additionally, the Master FX processor includes new preset templates for faster workflow and refreshed graphical interfaces for the Mastering Comp and Mastering EQ sections.

Availability & Pricing
The Roland FANTOM series, including the FANTOM 6, FANTOM 7, and FANTOM 8, are available in the U.S. for: $3,499, $3,899, and $4,199, respectively. The Roland FANTOM EX Upgrade is now available for $199."

Hypnotic jam with Sequential Take 5, Midicake ARP, Dreadbox Nymphes, Roland SH-101, DrumBrute Impact

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.

I'm lucky enough to have access to a new studio space, and am now in the process of moving over there. That means the days and nights have been long. One evening I was casually noodling on the Take 5 and came up with a patch and arpeggio I liked, but didn't feel I had time and capacity to do a full sequence and arrangement with other devices.

That's where the Midicake ARP comes in to save the day. Rather than sequence anything, I simply sent my MIDI data out of the Take 5 and into the ARP. The ARP then recontextualized the notes and can send them out to up to four other devices (here, I used three, plus MIDI clock to the DrumBrute Impact). Thanks to the ARP, I could explore chords and improvisation without having to write a single note in a sequencer. The ARP really is a great solution to a classic songwriting problem: being able to find the song with all the parts at once, rather than imagine all the parts and then write them.

From there, it was a matter of laying down some instruments and effects I liked the sound of. No surprises here, other than the Boss DM-101, which I got recently. It doesn't quite have the personality of the Matriarch delay, but it's a great and more versatile analog delay that I look forward to using more.

All in all, a really fun jam, and I was extremely grateful to have the tools I needed to write the song on the fly across multiple instruments.

Thanks for listening.

Sequential Take 5 - main arpeggio, MIDI controller/data out
Midicake ARP - "sequencer" (note recontextualizer? arpeggiator?)
Arturia DrumBrute Impact - drums
Dreadbox Nymphes through Strymon BigSky - arpeggio two
Blackout Model D through Boss DM-101 - bass synth
Roland SH-101 through Walrus Sloër - arpeggio three (the slow high one)
Kenton Pro-Solo Mk3 - MIDI to CV for SH-101
Kenton MIDI Thru - MIDI through to all devices

Performed and recorded live, with eq, compression, and limiting in the box.

https://jayhosking.bandcamp.com"

rare birds: Technics SY-1010 analog mono synth

video upload by ohm_studi_ohm

"Demo of a recently serviced (and converted to 230v) Technics SY-1010 analog mono synth.
Only produced for the japanese market you don't find many out of there.
Very simple design but very nice sounding, a bit like Roland SH-101.
The VCA initial gain control, continuous oscillator pitch adjustement and fast LFO give this little synth a lot more possibilities that you would first think of.
Extremely compact and lightweight too.

Get in touch if interested: sales.ohmstudiohm@gmx.fr"

Roland GAIA 2 (Bad Gear)

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland GAIA 2. Is this virtual analog and wavetable synth, successor to the controversial Roland Gaia SH-01 and Korg Minilogue lookalike truly bad or just mediocre? Are The Horrors of Mediocrity of the Roland Gaia 2023 enough for a Halloween episode?"

Chapters:
00:00 Intro tune
00:53 Overview Roland GAIA2
01:29 Wavetable Oscillator, Phase & Shape Modulation
02:00 VA Oscillators
02:22 Filter, Tone Knob
02:37 LFO Routing, Lack of Mod Matrix
02:47 XMOD, Ring Modulation, Sync
03:01 Amp & Filter Envelopes
03:08 Menu Diving, UI, Oscillator Envelope
03:36 FX Section
04:05 Patches
04:28 Models (or lack thereof), SH-101 Emulation
04:48 Motional Pad
05:10 Sequencer, Chord, Arpeggiator
05:23 What else??? (Integration, Build Quality, Pricing, Thanks)
05:48 Hate
06:10 Jam 1 (Electro)
07:04 Jam 2 (80s Stuff)
08:06 Finale (Danceable 80s Stuff)
08:36 Verdict
09:35 Patreon Vocoder Shoutout

Roland GAIA 2 vs SH-101 Challenge - Can You Tell the Difference?

video upload by Scott's Synth Stuff

"The GAIA 2 comes with the ability to run simple model expansions from Roland, and it comes loaded with an SH-101 model expansion. How accurate is this model expansion compared to the real thing? Take this challenge and see if you can tell them apart!"

Full review and comparison between the GAIA & GAIA 2 posted here.

A spooky session (Halloween is coming)

video upload by t. noise

"A little jam with some of my favorite toys
- Moog Grandmother
- Roland SH-101
- Novation Summit"

Roland GAIA 2 / SH-101 Model - APHEX TWIN style sequence from scratch!

video upload by gattobus

"The SH-101 is my absolute favorite synthesizer for bass lines.
Thanks to GAIA 2 full size keys, knobs and faders, you get the same feel as the original with all the controls where you expect to find them...
...and it sounds amazing thanks to the new integrated SHIMMER REVERB.

No external FX added. Recorded straight from USB-C to computer.
Enjoy! :D"

Roland SH 101 meets Chase Bliss MOOD MK1

video upload by Nicolas Melis

0:00 - 1:22. 1
1:23 - 1:55. 2
1:56 - 3:26. 3
3:27 - 4:39. 4

Bad Gear - It's really Bad?

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland SH-4d. Is this groovebox and multitimbral synthesizer based on subtractive synthesis, wavetable, FM synthesis, ring modulation and vintage synths like the Roland SH-101 or Roland Juno-106 the missing link between synth and drum machine. Can it keep up with competitors like the Elektron Syntakt or Teenage Engineering OP-1? Does it play in the same league like the new Roland Jupiter-X or even its conceptual predecessor, the Roland SH-32? It's really Bad?

Chapters:
00:00 Intro tune
00:59 Overview Roland SH4d
02:15 Synth Engines, 4D, Fat, 3D, Sync
02:47 Vintage Emulations (Roland SH101, Roland Juno106)
02:56 FM/Cross Mod, Ring Mod, Wavetables, Chord, Draw
03:18 Sample Player & Limitations
03:30 Filter, Envelopes, LFO
03:46 Drum Section
04:08 Tone Parameters (Analog Feel,...), Mod Matrix
04:26 FX (EQ, Reverb, Delay, Modulation, Multi FX)
04:48 Groovebox Functionality, Sequencer
05:12 Arpeggiator, D-Motion, Visual Arpeggiator
05:45 Limitations (many, many Limitations)
06:27 What Else??? (Features, Pricing, Thanks)
06:52 Hate
07:17 Jam 1 (Tech House)
08:17 Jam 2 (Downtempo)
09:20 Finale (Epic Synthwave)
09:50 Verdict"

Analog synth jam with the Roland SH-101, Moog Subsequent 37, Walrus Sloër, Source Audio Ventris

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.

I got an SH-101. Yes, it's simple. But I love its particular sound and find it endlessly deep and soothing. Thinking of it that way made me think to pair it with the Subsequent 37, another synth that provokes exactly the same feeling. Turns out the two make a good team.

Roland SH-101 into Source Audio Ventris - Bass / melody synth sequence
Moog Subsequent 37 into Walrus Sloër - Lead synth

Performed and recorded live, with EQ, compression, and limiting on the master.

Thanks for listening.

https://jayhosking.bandcamp.com"

Roland Announces GAIA 2 Synthesizer

video upload by RolandChannel

Roland GAIA 2 Synthesizer Overview


User videos:

Playlist:

1. Roland GAIA2 Demo & Review - musictrackjp
2. New Roland GAIA 2 - "Skywards" - demo by gattobus
3. ROLAND GAIA 2 Review, tutorial, and all 250+ presets - loopop
4. Roland GAIA2 - 1st LOOK Sonic Lab Presentation - sonicstate
5. Roland GAIA 2 Sound Demo (no talking) - Bonedo Synthesizers
6. Roland GAIA 2 Sound Demo (no talking) - Limbic Bits

Press release follows.

Advanced Synthesizer with Wavetable and Virtual Analog Engines, an Intuitive Sound Design Workflow, Expressive Hands-On Controls, Model Expansion Support, and More

Los Angeles, CA, Sept. 28, 2023 — Roland announces GAIA 2, an advanced synthesizer with a newly developed hybrid sound engine and a friendly panel layout that makes learning synthesis and exploring sound design easy and fun. Equipped with wavetable and virtual analog oscillators, interactive controls, 37 full-size keys, Model Expansion support, and other powerful features, GAIA 2 opens the door to an infinite universe of inspired creation.

GAIA 2’s diverse synthesis tools allow users to build familiar sounds and craft new voices never heard before. Reaching beyond previous designs, the wavetable oscillator can morph between multiple waveforms for everything from dramatic shifts to slowly evolving textures. Unique phase and shape modulation options are also available to distort waveforms and unleash cutting-edge textures with complex overtones. Complementing the wavetable oscillator are twin virtual analog oscillators, ready to reimagine past classics or sculpt the sounds of the future. From smooth tones reminiscent of vintage synths to edgy, biting leads to sci-fi soundscapes, GAIA 2 can do it.

GAIA 2 also supports Roland Model Expansions, which faithfully recreate iconic synthesizers from the company’s long history. With a dedicated button, users can instantly swap between the built-in sound engine and classics like the JUPITER-8 or JUNO-106. The SH-101 Model Expansion comes pre-installed, and many additional titles and accompanying Sound Packs are available on Roland Cloud.

GAIA 2’s logically organized panel encourages hands-on exploration and sonic discovery. The one-control-per-function layout and informative display enable instant programming without having to resort to creativity-killing menu diving. And with the streamlined knobs and white anodized aluminum panel, even the look is inspiring.

GAIA 2 features a touch-controlled Motional Pad that brings static sounds to life. Users can assign nearly any synth or effect parameter to each of the X/Y points and then morph between them by moving a finger on the pad. It’s also possible to record movements to create complex, modulated transformations.

The free-flowing sequencer in GAIA 2 lets users instantly capture their inspiration and realize their wildest visions. There’s also a cool Random Pattern feature to spark new ideas with spontaneous pattern creation.

GAIA 2 comes loaded with classic Roland effects to take sonic creations to the next level. Over 50 unique MFX types are available, plus a dedicated Chorus section for adding width and dimension. A powerful Reverb/Delay section features a new studio-grade Shimmer Reverb and many other high-quality effect types.

Via USB-C, GAIA 2 functions as an audio/MIDI interface for music production apps on a computer, smartphone, or tablet. The class-compliant connection is plug-and-play, with no driver installation needed. A USB Type-A port is also available for connecting a USB flash drive for data backup or a standard USB MIDI controller for extended operation.

GAIA 2 supports Roland Cloud Connect, an optional wireless adapter for browsing and downloading Roland Cloud content using a mobile device. A Roland Cloud Connect purchase also includes a year of Roland Cloud Pro membership with unlimited use of thousands of sounds, Model Expansions, and much more.

The optional CB-B37 Keyboard Bag for GAIA 2 provides durable, high-quality protection for the synthesizer while traveling and making music around town. This versatile bag also works with the JUPITER-Xm, legacy GAIA SH-01, and other 37-note keyboards.

Availability & Pricing

The Roland GAIA 2 is now available in the U.S. for $899.99.

Click the pics for the full size shots.

CLICK FOR MORE »

Roland SH-101 ► Sound Demo [1 HOUR]

video upload by Mr. Card

Looks good in black.


"Check out my free Roland SH-101 sample pack: https://bit.ly/sh101samples 🎵"

Contents: Contents:
00:00 Bass-lead sound
05:38 Pure sound of Roland SH-101
10:09 1/8 sequence
14:38 Strange sounds
18:43 1/16 sequence
22:12 Ambient jam sesion
26:30 Sequences
30:01 Roland SH-101 + Soundtoys Effects
33:34 Modulation LFO
37:29 Jam session
42:34 Spacey delay
46:44 Roland SH-101 + Valhalla Supermassive
51:04 Roland SH-101 + UAD-2 Plugins
55:09 Roland SH-101 + Valhalla DSP