'Cthulhu's Love Theme' - ngarjuna

ngarjuna
Published on Aug 1, 2017

'Cthulhu's Love Theme'
Sweet nothings from the edge of madness
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
Stereo West Coast Lead
Shuffled clock from Sequencer One to Rene
Rene sending PITCH to STO and Sputnik 2
Sputnik 2 SHAPE modulation from Octocontroller LFO
STO SHAPE modulation from Sequencer 1 LFO and dynamic FM from Sputnik 1 via uVCA
Sputnik 2 SHAPE into Optomix 1 enveloped by Maths
STO VAR into Optomix 2 enveloped by Maths
Selective STRIKE from Sequencer One

Motomouth Lead
PITCH from Sequencer One GATE from Rene getting shuffled clock from S1
Rubicon SIGMOID to Omsonic RNF
RNF getting pitch tracking and envelope from Dual ADSR 2
4-pole into uVCA 2 enveloped by Dual ADSR 1
Into Motomouth modulated by Octocontroller S&H SNAP gated by Sequencer One
Motomouth into uVCA 1 enveloped by Maths

Avalon Hybrid Lead
Avalon putting out PITCH and SAW
SAW to the .Mix
PITCH to the Cranial Saw VCO2 MOD from ACC Sweep to the .Mix
.Mix into STG Soundlabs Post Lawsuit Filter
Enveloped by both AJH Minimod Contour Generators and TRI from Pittsburgh Oscillator via AJH Minimod VCF
PLF into Classic VCA enveloped by Minimod CG

Drums
Rayzoon Jamstix & XLN Addictive Drums

Bass
Abstrakt Instruments Avalon

Generative Study 1

Published on Nov 10, 2016 voltlife

"An experiment in structured generative patching, bringing some larger-scale structure to a completely self-running patch. There are several distinct "movements" that have subtle differences between them, as well as the melodic and timbral variations that come from the interplay of random and sequenced elements.

The rhythmic and structural core of the track comes from an A143-4 and a Pittsburgh Sequencer. One A143-4 LFO acts as a clock, and another much slower one speeds the clock up and down, from low audio rates down to one beat every couple of seconds. The square out from that second LFO clocks the Sequencer, so that it gets a different value each time the main clock comes down from audio rates. The slow LFO outputs are multed to several other modules, allowing other parameters to depend on the speed of the clock.

The audio core of the patch is a Rubicon/Dixie II/uFold combo, acting as a classic Buchla-esque complex VCO. The Dixie sine FMs the Rubicon, the output of which goes through a VCA. One Maths envelope opens the VCA, with the fall time lengthening as the clock slows. Another exponential Maths envelope drives both the TZFM index and the Symmetry of the Rubicon: this allows the attack to make the most of the richer TZFM while sacrificing tuning, while the tail comes back into tune. The fall time of this envelope is modulated by yet another A143-4 LFO, and depending upon this and the pitch, the Rubicon's sounds vary from bells and chirps to deep drums and woody bass notes.

Dixie's triangle output goes through uFold into Optomix. A division of the main clock goes through Branches into the Optomix strike input, and Branches' probability is modulated by the main clock speed, so that in the slower passages we hear occasional plucks from the wavefolded Dixie. A ViLFO goes through a VCA into the Optomix Control input, and a Pitts Sequencer opens that VCA. This adds slower swells during some "movements": exactly the same audio source as the plucks, but these sound a bit like solo strings.

The melodic content comes from a Moskwa sequence through a VCA, which is CVed by a Verbos Multistage clocked at /8 of the main clock. This varies the range of the melodic CV. The CV is then quantised to a minor scale by an A156, then is distributed by an A185-2 to the Rubicon and Dixie to keep them in tune. Another clock division goes through Branches to Moskwa's direction input, bringing further melodic variation.

Finally, there's a graunchy sci-fi noise that come in during the slowest parts of some movements. This is a Pittsburgh GenXpander's OE output through a Pittsburgh Filter in Bandpass mode into a VCA and then a Wow & Flutter. The VCA is only opened when the main pitch is mostly static, thus giving a textural counterpoint when the main sequence gets too boring. This works by feeding the main pitch CV into an Elby Slope Detector, whose output goes into Function with a slow rise time and sharp fall. The Function output then goes into a Z4000 envelope. Thus, the envelope is only triggered when the pitch has been static for long enough. This envelope then opens the VCA as well as driving the cutoff frequency to create a noisy sweep. Finally, the Pitts Sequencer also controls an A152 which sites between the Slope Detector and Function: when the Sequencer value is beyond a certain point, it cuts off the CV to Function. This means that the noise sweeps can only occur when the string-like Dixie swells are absent or quite, bringing further variation between the movements."

NAMM Pics from Control Voltage

Click on the pics to bring up the larger versions.

NAMM 2018 pics pt1: new designs & ideas from @qubitelectronix, @ArturiaOfficial Minibrute 2S patchbay closeup, and a super tasty prototype of VCO-2, a two voice CEM3340 based oscillator, coming late-2018 from @vintagesynthlab pic.twitter.com/RD9tF2z3Xs

— Control Voltage (@ControlVoltage_) January 27, 2018

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'Infatuation' - ngarjuna

Published on Apr 16, 2017 ngarjuna

"Modular Jam 74 - 'Infatuation'
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
Drums in Patterning

Acid Voices
Abstrakt Instruments Avalon
Proco Rat

S&H Filter Lead
Rubicon (Sigmoid and Pulse mix) out to Omsonic RNF
TZFM to Rubicon from Pittsburgh Oscillator (enveloped by Octocontroller SQR LFO)
Hard sync'd to Pittsburgh Oscillator SQR
Octocontroller S&H CV to Omsonic CV A
Maths envelope to Omsonic CV B (triggered by Sequencer One)
Octocontroller TRI LFO and Wogglebug STEPPED to Omsonic V/oct
to uVCA enveloped by Maths

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Jamming at Equinoxoz HQ with the CLOQ, Logoi, Stoicheia, TTA Drum modules, Rubicon and more!

Jamming at Equinoxoz HQ with the CLOQ, Logoi, Stoicheia, TTA Drum modules, Rubicon and more! from Equinoxoz music solutions on Vimeo.

http://equinoxoz.com/

"Just a quick and dirty jam I did with the new Promodular CLOQ module, the Rebel Tech Logoi and Stoichiea, TTA Drum modules and the Rubicon.

The CLOQ is controlling the whole patch and I am using it along with a Ustep and the two rebel tech modules to get the basic drum pattern of the track, the interplay between the two Hi-Hats was something that I really enjoyed in this jam.

The Rubicon was set up in a non FM patch, just using the Zig Zag out into a Sawtooth animator, the Sub out at 1octave down and running both of those into a Dual Index VCA/Mixer then Pittsburgh Filter, also using the Pittsburgh ADSR.

The WHOOOSH sound is just some white noise coming from the Quantum Rainbow noise module into a Manhattan MA35 filter in Highpass mode, there is a Synthwerks button module setup to turn on one channel of the Quadra to open the MA35's filter and on board VCA.

Summed it all to a Mutamix so I could mess around with the button settings, there was also a PressurePoints module set up to transpose the Rubicons sequence (which was a Synthwerks PGM4x4 into a Quantimator)

good fun :)"

Update:

Promodular CLOQ jam take 2

Promodular CLOQ jam take 2 from Equinoxoz music solutions on Vimeo.

"This is a variation on the jam I previously uploaded, same basic patch but just using the pressure points to transpose the bassline instead of an entire sequence, changed up the Logoi and Stoicheia settings and was really getting into the interplay between the two TipTop Hats as well as the Clap that they were controlling.

also patched up a basic kick from the self oscillating Dr Octature which was being whacked with an envelope from the Quadra for some "Uns Uns Uns Uns" action.

Just a casual jam for fun :) enjoy."

Modular Jam 54 "Ditto That"

Published on Jun 14, 2016 ngarjuna

"Drums in Sector (iOS): I tossed 4 reps of the drum loop (Jamstix-AD) into Sector and then setup a probabilistic grid with a fairly straight version of the loop on the bottom of the circle and various effects and glitches on the top of the circle. The grid lines determine whether the pattern will step to the next sector (clockwise starting from 3:00) or jump to one of its possible variant sectors on the top.

Acid Voices
Sequencer 1 driving Rubicon sigmoid
Into the VCF 303 enveloped by itself and modulated by PEG (both channels combined in Maths)
Into uVCA enveloped by VCF 303 (Gate and Accent)
Distortion from module (VCF 303), Angel Lofte Source Plus (tubes) with Klanghelm SDDR (fuzz), and guitar amp

FM Off Lead Voice
Rene driving the STO
STO dynamically LIN FM'd (via Optomix and Maths plus Wogglebug STEPPED OUT) via its own SUB
STO Vari SHAPE modulated by a ramp LFO from Sequencer 1
Into Optomix enveloped by Maths (FALL modulated by another ramp LFO from Sequencer 1) and damp modulated by Rene
Delay in DubStation

SMR Voice
Sequencer 1 giving off gates from: Gate, Accent, CV1, CV2, CV3 and Clock into the SMR CV ins for each channel
Custom scale (basically pent minor)
PEG (slower channel) rotating the scale in time

Robot Sex Voice
Sequencer 1 driving Sputnik 2 and Rubicon
Sputnik 2 FM'ing the Rubicon (dynamic via Maths ch4 being Fall modulated by Sequencer 1)
Maths ch1 (very slowly) cycling CV into the extra exponential input (with attenuverter part way up into positive)
Rubicon triangle out into the Timbre modulated by Sequencer 1

FM Hash Percussion Voices
Rene driving Sputniks and STO
258 FM'ing itself from SUB (dynamically via double PEG [OR] and Optomix or uVCA)
In one patch it's SQUARE from the Waveshape out (modulated by SMOOTH CV OUT from Wogglebug)
in the others it's SINE out into Timbre modulated by PEG envelope(s)
Into the Optomix where it either drones (damp modulated by Rene) or gets enveloped by Maths"

'Breakfast of Champions' - ngarjuna

Published on Apr 25, 2017 ngarjuna
What's your secret?

"Modular Jam 75 - 'Breakfast of Champions'
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
Live - the following were all put down live together
Drums
Olympia Noise Co. Patterning

SMR Patch
Two ten-step custom scales, one on each side of the ring
Sequencer One CV1 is providing the positional voltage which controls the rotation CV IN (and hence the main melody)
Into the Zvex Instant Lofi Junky modulated dynamically via uVCA (opened by SQR LFO from Octo) by PEG OR
*in this case I needed the SQR to turn on and off just before the beat divisions and learned what an AMAZING unquantized LFO the Octocontroller is as well

Modular Smooth Lead
Pitch CV and Gate from the Avalon sequencer
Pitch to Intellijel Rubicon and Pittsburgh Oscillator
PG VCO getting Octocontroller LFO to PWM and a bit of Rubicon TRI to FM
Rubicon getting sync modulation from Pittsburgh Oscillator
Rubicon Sigmoid and Pittsburgh Square Into the Omsonic RNF
Omsonic CV'd by Wogglebug STEPPED, Maths and an Octocontroller LFO (to V/oct)
Gate driving Make Noise Maths and AJH Minimod Contour Generator

Plucky Lead
2 channels of Ornament and Crime in Quantermain: Turing Mode
Handing out pitch to the STO and Sputnik 2
Sputnik2 going into Timbre modulated by PEG1 into Optomix1
STO shape modulated by Wogglebug SMOOTH into Optomix2
Maths ch4 triggered by Octo opening Optomix2
Dual ADSR ch1 triggered by a different Octo opening Optomix1
Octo gates also striking Optomix (both channels)

Bass
Abstrakt Instruments Avalon

Added later were:
Samples
Acid Voices
Other stuff"

Modular Jam 57 "Phantoms"

Published on Aug 22, 2016 ngarjuna


"Patch Notes:
Drums
Sequenced in Patterning then each track was overlaid in the video so that you can see them all at once

SMR Drone
Gates from Seq1 hitting the inputs
Custom scale tuned to two chords (more or less)
Seq1 static CV is used to move between the chords with a bit of morph

West Coast Melody
Rene sequence driving
STO SHAPE modulated by Maths ch4 (fall modulated by Woggle STEPPED) into
Optomix with trig to STRIKE and Maths ch1 enveloping

West Coast Harmony
Similar to above WC Melody
Rene is in a different snake pattern (the second) with the note in row 2 offset (from pos3 to pos2 since row 2 goes backwards in pattern 2)
Variation on the Woggle modulation including mixing it with a slow LFO

"303ish"
Standard VCF303 patch with some wiggling
Rubicon as VCO, uVCA as VCA
Cooked in tubes in the Source+Plus

Bandpass
Rubicon sigmoid to Polaris in BP
Modulated by PEG and ADSR2
uVCA enveloped by ADSR1

Strum
It's not up in the mix but during the breaks where the Bandpass is playing there's a sequence from the Rene running double speed through the STO shape modulated by Wogglebug STEPPED into the Optomix struck and opened by Maths

FM Hash
Sputnik 1 FM'ing Sputnik 2 into the Optomix (no strike no envelope) via Timbre modulated by Seq1 LFO
FM through uVCA enveloped by Seq1 LFO iirc (sorry spotty patch notes on this one)"

'Old Ways' - ngarjuna | 'Minor Harm' - ngarjuna

Published on Jan 1, 2017 ngarjuna

"Modular Jam 63 - 'Old Ways'
Produced by ngarjuna
© 2017 Acid Coast

Bass Patches
ABL3

Main Lead
Rene driving STO and Rubicon
Rubicon getting TZMF from STO SIN dynamically modulated by Octocontroller, Sym modulated by Octocontroller, hard SYNC to SUB of STO; SIN out to Optomix
STO VARI out to Optomix with SHAPE up (but not modulated)
Into Instant Lofi Junky getting external shape from Wogglebug SMOOTH

SMR
Sequencer 1 CVs (1&2) sequencing scale changes and note rotation respectively
Into Instant Lofi Junky getting some Octocontroller modulation to the C/Lofi circuit

Off Lead
Rene driving the STO getting dynamic FM (via uVCA modulated by Maths) DAMP modulated by PEG, FM by Rubicon
Rubicon is being cross modulated by STO (hard SYNC to STO SUB, FM'd by STO SIN)
to Optomix enveloped by Maths

Sync Lead
Rene driving Cranial Saw receiving Maths env to CV2 out to Optomix enveloped by Maths
To the Proco Rat for more dirt

Drums
iSpark & Cytomic The Drop"

'Minor Harm' - ngarjuna

Published on Jan 1, 2017

"Modular Jam 64 - 'Minor Harm'
Produced by ngarjuna
© 2017 Acid Coast

SMR
Octocontroller modulating ROTATE
SMR into Instant Lofi Junky modulated C/Lofi by Octocontroller
The wacky reaction during the bridge was from stopping the Octocontroller's clock

West Coast Pluck Chords
Polyrhythmic chord sequence using three tracks
Center:
16 step pattern Rene driving STO
STO SHAPE modulated by Wogglebug SMOOTH
STO into Optomix struck by trigger and enveloped by Maths
Output to Synthrotek Eko
Left:
10 step pattern
STO-Woggle-Optomix-Maths
Right:
5 step pattern
STO-Woggle-Optomix-Maths

West Coast Mayhem Lead
Sequencer 1 (Random Walk) driving Sputnik 2
Sputnik SIN FM'd by STO (driven by Rene) going into Timbre modulated by Octocontroller
Timbre to Optomix enveloped by Maths
Into Instant Lofi Junky with manual modulation (wiggling) to Wet/Dry

Angry Bees Patch
Wogglebug RING MOD to Polaris HPF
to Optomix enveloped by teh Maths
Wogglebug CLOCK MOD by Octocontroller, RING MOD IN from Sputnik 2 (driven by Rene) HEART IN from STO SIN (driven by Rene)
Into Instant Lofi Junky

Drums
iSpark and Cytomic The Drop
Fills in Jamstix/Jamcussion"

xCity Picture // Ambient Eurorack Rings Pluck Plaits Rubicon Bermuda Magneto

Published on Aug 31, 2018 Lost For Words

"Sound was recorded directly with no external effects.

Main modules used :
Rings (plinks)
Pluck (more plinks)
Plaits (warbled and filtered)
Rubicon 2 (through-zero siren)
Bermuda (bass drone)
Magneto (echo delay)
2hp Verb (reverb)
Ornament & Crime (main sequence - analog shift register)
Hermod (sequencer - mainly clocks and the plaits notes)

1973 footage of Manhattan New York City. Remember 9/11 this month."

NAMM 2018 Intellijel Morgasmatron, Rubicon 2 and Planar 2 Walkthrough

Published on Jan 25, 2018 Analogue Zone Showroom / Synths and Studio

AnalogueZone ► http://www.analoguezone.com

Planar Audio Morphing eurorack performance patch

Published on Jan 30, 2015 bigcitymusic

"This patch utilizes the Intellijel Planar as a performance joystick audio mixing quad-mixer.

Moving the joystick across x and y morphs between 4 sources:
*Intellijel Shapeshifter Oscillator 1
*Shapeshifter Oscillator 2
*Rubicon Double Sigmoid through Korgasmatron II Ch. A set to band-reject
*Rubicon Sawtooth through Korgasmatron II Ch. B set to band-pass

Planar’s x-axis controls pitch (scaled by the Triatt) through the Toppobrillo Quantimator and Shape 1 of the the Shapeshifter.

The y-axis controls INT FM of the shapeshifter (OSC 1), Korgasmatron cutoff modulation of the Rubicon, and Shape 2 of the Shapeshifter."

The NAMM Show 2018 - New Modules From Intellijel

Published on Jan 26, 2018 Animato Audio

"Danjel demonstrates three new modules announced at NAMM 2018. Watch the video to see what's new with Planar 2, Rubicon 2 and Morgasmatron."

mutable instrument grid euclidean rhythm

Published on Oct 16, 2013 heodesalciphron·135 videos

"+ optomix, noise, takling synth, osc303...
quick and dirty video, i just get the module"

Update:

mutable instruments GRIDS topigraphic drum sequence 1/2
Published on Oct 16, 2013 heodesalciphron·136 videos

"sem20 filter as bassdrum
noise as snare
rubicon+malekko richter osc as claves
into optomix

+ DPO into QMMG / all mix to QMMG"


mutable instruments GRIDS topigraphic drum sequence 2/2
Published on Oct 16, 2013

"sem20 filter as bassdrum
noise as snare
rubicon+malekko richter osc as claves
into optomix

+ DPO into QMMG / all mix to QMMG"

Stoicism //SIG+/XPO/QPAS/Mimeophon//

video upload by Aleatoric Machine

"A self-playing Eurorack modular synthesizer patch featuring Make Noise’s XPO, QPAS & Mimeophon, and Stochastic Instruments’ Stochastic Inspiration Generator (SIG+). Plus many more modules described below.

Everything you hear in this is coming from a single monophonic sequence from the SIG+ and a single Make Noise XPO. I’m pretty amazed by how much variety of tone and texture can come from this single oscillator, all at the same time. The different waveform outputs are each running through their own VCAs, filters, triggers, and effects, but the melodic content is all the same. I’ll go through the sequencing in a minute, but first I’m going to focus on the audio signal paths.

Overall, the XPO’s L & R modulation are controlled by a triangle LFO coming from Acid Rain’s Maestro.

The first output is the stereo square wave, which goes through QPAS and Mimeophon, then into the mixer. QPAS’s L & R rotation and Q are modulated by two different smooth random waves from ALM’s Pamela’s Pro Workout. Mimeophon’s repeats are modulated by a smooth random wave coming from Maestro. This voice is triggered by a bouncing ball coming from Make Noise’s Maths.

The second output is the mono triangle wave, which first goes through an Intellijel 1U VCA, then uses Intellijel’s 1U pedal I/O to go through a Chase Bliss Mood (repeats tuned up a 5th) and Chase Bliss Dark World, then into the mixer. This voice is triggered by another bouncing ball from another Maths.

The third output is the mono sawtooth wave, which goes through channel one of a Make Noise ModDemix, an Intellijel Morgasmatron (with panning controlled by separate LFOs going to the L & R FM1 inputs - LFO 1 coming from Mutable Instruments’ Tides and LFO 2 coming from Intellijel’s Rubicon 2), then a Happy Nerding FX Aid XL running a flanger algorithm, then into the mixer. This voice is triggered by a repetitive Euclidian rhythm coming from Acid Rain Constellation and Doepfer Dual ADSR.

The last output is the spike wave going through channel two of the ModDemix, a Doepfer Multimode VCF, and Strymon’s Magneto in shift mode, then into the mixer. Magneto’s repeats are modulated by another smooth random wave coming from Maestro. This voice is triggered by a slower Euclidean rhythm coming from Constellation and Make Noise’s Contour.

Each voice goes into Doepfer’s VC Stereo Mixer, which has a built in VCA on each channel. The level of each voice is independently controlled by a separate smooth random wave from Pam, so the mix is constantly evolving. The voltages coming from Pam are further slewed by Mutable Instruments’ Stages, since the smooth random wave from Pam can still have some sharp edges. Then the whole mix goes through a 2HP Verb, with the reverb mix modulated by another smooth random wave from Pam, and finally through Endorphines’ Golden Master, which connects directly to the Intellijel 7U Performance Case’s built in audio outputs.

Now for the melodic content and harmonic structure. This is all driven by Stochastic Instruments’ Stochastic Inspiration Generator (my first patch with it!). This is an incredible module. I won’t go into everything it does, as there are already a couple very helpful videos out there on that, but suffice it to say that it lives up to its name! I’m using multiple channels, each with its own tonality, then cycling through those via an ALM Boss Bow Two switch to determine which channel will control the v/oct pitch of the XPO. The Boss Bow’s channel is control by a sequence coming from another Stages. Channel one is just a low C, to establish the primary key. Channel two randomly selects pitches from a C major chord, with low C in the bass. Channel three selects pitches from an F minor chord, with an occasional 2nd and 4th and a low F in the bass. Channel 4 selects pitches from a D flat major chord, with an occasional 6th and a low D flat in the bass.

I’m not sure if this is indeterminate enough to be considered generative, since the harmonic content is fairly structured, even if the melody, rhythm, and balance of the parts are all random. It’s more, well, aleatoric. I hope you enjoy it (although I realize than if you are into this sort of thing, you are born of a special breed!)."

NAMM 2018: Intellijel Rubicon 2, Planar 2 and Morgasmatron

Published on Jan 25, 2018 sonicstate

See this post for intellijel' new eurorack modules.

'Get Dirty' - ngarjuna

Published on Oct 24, 2016 ngarjuna

"Modular Jam 61 - 'Get Dirty'
Produced by ngarjuna and Deborah Sherman
© 2016 Acid Coast

Patch Notes:
All Seeing Drums in Patterning (composited)

SMR Pips
Sequencer 1 Gate, Accent, Clock, CV1, CV2, Wogglebug Burst
are each hitting one of the six channels of the SMR
Left and Right inputs being fed by Sputnik 1 and Sputnik 2 respectively each cross FM’ing one another with Maths SUM (double cycling) adding to the EXP input on Sputnik 2, Wogglebug Stepped modulating CV input on Sputnik 1 with a Rubicon LFO further hitting the EXP input on Sputnik 1
CV3 on Seq1 is what’s moving the rotation along the dial

Lead Voice
Sequencer 1 pushing the Cranial Saw (Saw/Square/Sub mix) into the Polaris VCF in Bandpass A
FM1 is being fed by Maths SUM getting signal from Minimod Envelope and Rene (CV sequence to Unquantized OUT)
FM2 full positive fed by uVCA 2 which is dynamically sending Rubicon audio rate triangle wave modulated by a mixture of a Seq1 LFO, some random from the Wogglebug Stepped and OR out from PEG
Much of the movement including the longer sweeps is accomplished via manual wiggling on the Polaris cutoff

Bass
STO VARI OUT to Optomix
FM’d by its own SIN OUT (tuned to a pretty low octave)
Sputnik VARI OUT (Square) to Optomix
Maths enveloping Optomix and Sputnik VARI CV (ch1) and providing Accent (ch4)

Zaps
Pittsburgh Oscillators into STG Soundlabs Post Lawsuit Filter
Modulated by Sequencer 1 LFO

All Acid lines in Audiorealism ABL3

Male vocals made with the TransVocal Discombobulator (Uhe Diva/Zynaptiq Morph/Cytomic The Drop)

Female robot vocals processed with Audio Damage Replicant"

TT-303 Controlling Modular

TT-303 Controlling mMdular Part 1

Published on Feb 2, 2013 kuxaan sum·123 videos

"Machinedrum is master midi clock to TT-303 which sends CV to Intellijel Rubicon.
Gate is sent to Quadra."

TT-303 Controlling Modular Part 2
Published on Feb 2, 2013

"Machinedrum is master midi clock to TT-303 which sends CV to Intellijel Rubicon.
Gate is sent to Quadra."

TT-303 Controlling Modular Part 3


Bass Bot TT-303's on eBay

Modular Jam 49

Published on Mar 19, 2016 ngarjuna

"Bass Patch
STO - Optomix being Damp modulated by
Wogglebug Stepped out(2x clocked and fed pitch)
enveloped by Maths
Sputnik 2 (lightly FM'd by Sputnik 1) - Timbre (modulated by PEG) - Optomix
Pitch sequence from Rene

Balanced Modulator Patch
(several sounds were derived from this patch by changing Rene's Gate outs, wiggling octaves, FM depth, etc.)
Sequencer 1 driving the pitch
Maths enveloping the Optimixes
which receive the signal from the balanced mod setup:
2 Sputniks going into the uVCAs with inversions
(Sputnik 1 is also lightly FM'ing Sputnik 2)
PEG is controlling the FM depth (via Classic VCA) and
modulating Expo/Pitch on Sputnik 1

Machine Noise Patch
(these are the loud whirring sounds from around 4:05)
Rene (getting Glide data from Sequencer 1) driving
the STO and the Rubicon
STO putting out Vari Shape (modulated by PEG)
and Sine out to Timbre (modulated by PEG at 180 deg phase)
Optomix enveloped by Maths
Rubicon square out (PWM'd by Seq 1 LFO, Symmetry modulated by Maths), some QR noise and Timbre output are mixed
and sent to Optomix enveloped by Maths

Drums in Spark (electronic) Jamstix (hand percussion) and modular (bleep bloops)
Acid lead cleansed in the fire of Angel Lofte Audio Source Plus
One of the Bal Mod Patch sounds was sequenced through Array

and of course my trusty Tektronix 422 scope providing the trippy light show."

Mrseri uO_c Micro Ornament & Crime

Published on Nov 26, 2018 Perfect Circuit

"The mrseri uO_c is a micro 8hp version of the Ornament & Crime multi function module. This module has many modes including sequencers, shift registers, quantizers, envelope generators and more. We used four of the modes in this video.

The Intellijel Planar is used for sequencing, the Dixie II and Rubicon 2 as oscillators, for filters we used the Morgasmatron and Joranalogue Filter 8, and the Strymon Magneto adds delay and reverb.

uO_c available here: https://www.perfectcircuit.com/mrseri..."

---
Supporters of MATRIXSYNTH get %10 off at Perfect Circuit!

"The mrseri uO_c is a compact, and stylish take on the open-source Ornament & Crime multi-function module. Using just four trigger/gate inputs, four CV inputs, two encoders and menu up/down buttons, the uO_c accomplishes a huge number of complex modulation tasks. Using its simple menu, a user can easily get the uO_c to function as a quantized shift register, quad envelope generator, quadrature LFO, quad 16-step sequencer, chord sequencer, and even an 8-bit sound source! From a utility standpoint, the uO_c is also invaluable for its precision voltage generation mode, which is essential when calibrating other modules. Ornament & Crime truly is a module which amplifies the capabilities of every module around it, leaving many users to wonder how they ever patched without one.

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