Wingie SIG jam

video upload by UncertainMusicCorps

"Little jam session with SIG and Wingie.

SIG triggers are pinging both channels on Wingie. Upper manual is set to Bar mode, lower is set to Poly. SIG clock out is syncing the background drone modulations coming from the 4ms Ensemble Oscillator. Lead voice from Plaits also triggered by SIG."

Analogue Solutions Telemetry/Mini-Vostok Analog Rack Synth w/EMS Patching

via this auction

"Features:
Pure analogue voice circuitry
Patch points to allow more sound types, and to cross-patch with your modular synths
Mini Pin Matrix patch panel to eliminate the use of some patch cables
Plenty of modulation possibilities
Rugged steel construction
MIDI In for software sequencer / keyboard control

Specifications:
MIDI-CV converter: pitch, auxiliary CV outputs, and Gate.
VCO1: CV In, PW In, Sawtooth Out, Square Out.
VCO2: CV In, PW In, Sync In, Saw Out, Square Out, 3x Sub VCO Outs.
VCLPF: 2x Sig In, 2x CV In, VCA CV In, Sig Out. Moog style transistor ladder filter.
VC LFO1: Saw, Inverted Saw, Square, Triangle outs, Freq CV In.
LFO2: Triangle and Square Outs.
Sample And Hold: Sig In, Clock In, Sig Out.
White Noise
Envelope: Trig In, Normal and Inverted Outputs. EMS style repeat feature.
X/Y non-sprung Joystick
10×10 signal matrix Patch Panel
10 Shorting pins included"

Analogue Solutions Telemetry (Mini Vostok) Analogue Synthesizer

YouTube Uploaded by rezfilter on Jul 17, 2011

"Here's a look at the Analogue Solutions Telemetry (mini vostok) synthesizer.

http://analoguesolutions.org.uk/v2/telemetry-mini-vostok/

This video features various sound types from the Telemetry synthesizer, each within a musical context (beats added). All synthesizer sounds come from the Telemetry and all of the sounds were tweaked live in the video, and recorded direct.

Given the vast open-ended nature of Telemetry (pin matrix, patching), the sound possibilities are immense and virtually limitless. If you want to go nuts sonically, Telemetry is for you!

The video is roughly 10 minutes and barely scratches the surface.

Some sounds were sequenced or played live via MIDI, while others were triggered via the Uewerkuer "Ice Machine Sequencer" [ Oberkorn MK3 ].

As usual, all patches, music, and tunes are 100% original.

Enjoy.

SPECIFICATION

MIDI-CV converter: pitch, auxiliary CV outputs, and Gate.
VCO1: CV In, PW In, Sawtooth Out, Square Out.
VCO2: CV In, PW In, Sync In, Saw Out, Square Out, 3x Sub VCO Outs.
VCLPF: 2x Sig In, 2x CV In, VCA CV In, Sig Out. Moog style transistor ladder filter.
VC LFO1: Saw, Inverted Saw, Square, Triangle outs, Freq CV In.
LFO2: Triangle and Square Outs.
Sample And Hold: Sig In, Clock In, Sig Out.
White Noise
Envelope: Trig In, Normal and Inverted Outputs. EMS style repeat feature.
X/Y non-sprung Joystick
10×10 signal matrix Patch Panel
10 Shorting pins included"

Serge Creature TGO Demo

Published on May 12, 2013 pjoris2·28 videos

"As there didn't seem to be too many basic demo's of Serge modulars, I try here to document my discovery of Serge. I'll start with the most recommended "starter" M-class pannel: the Creature; and more specifically with the basic noisemaker in there: the Voltage-Controlled Timegen Oscillator (TGO). All noises are made with +/- only the TGO. X-Fader used as output, and sometimes the SSG als LFO. An overview of the video:

Basic Functions of the Left Oscillator (Osc 1)
(00:05) Saw wave output
(00:20) Square wave output
(00:30) Frequency modulation using variable CV input
(01:10) Audio-rate frequency modulation
(02:00) 1V/Oct CV input
Basic Functions of the Right Oscillator (Osc 2)
Trigger on (to the right)
(02:15) Triangular wave output with variable rise and fall
(03:00) Frequency modulation using variable CV input
(03:30) Pulse output, varying frequency and duty cycle
(04:30) Demonstrating trigger switch
Trigger off (to the left)
(04:45) Triggering Osc 2 with pulse out of Osc 1
(05:00) Depending on the relative settings of Osc 1 & 2, the frequency of Osc 2 is now controlled by Osc 1. We can vary now Rise & Fall without changing the pitch of the Osc 2 output.
(05:40) Now using the Pulse output of Osc 2: pulse width modulation.
Using Right Section as Filter
(06:00) Plug in saw of Osc 1 in the lower Sig In (black jack). The Rise pot changes filter cutoff. The Fall pot only makes signal more quiet.
(06:30) Filter cut-off modulation using the VC in of Osc 2.
(07:30) Audio-rate filter cut-off modulation
Saw of Osc 1 in Input of Osc 2 and Trigger On
(08:00) Filtering was with Trigger Off. Now see what happens with Trigger On for Osc 2. No idea what it does, but sounds interesting ...
(08:40) Adding frequency modulation of Osc 2.
Feedback on Osc 2
(10:00) Feedback the output in the CV In: that way you get exponential (+ modulation) and logarithmic (- modulation) slopes
(11:00) Feedback of the output in the Sig In. No idea what this is.
(11:30) Add an LFO to the CV in. Even more noise.
(12:00) Certainly if you take the modulation into audio frequencies !
And finally: some more feedback:
(12:45) Osc 1 out in Osc 2 Sig In, Osc 1 Pulse in Osc 2 Gate in, LFO in Osc 2 CV in."

Stochastic Inspiration Generator SIG and Prepared Piano

video upload by Friendly Noise

"Using the Befaco voltage to midi converter VCMC and Stochastic I struments SIG to play a VST piano plugin within the DAW. Some details included in the video.

Modules: Befaco VCMC, Stochastic Instruments SIG Stochastic Inspiration Generator."

SSF Propagate Videos by VoltageCtrlR

SSF Propagate 1st Patch from VoltageCtrlR on Vimeo.

"This is the first patch I made while experimenting with the SSF Propagate, a quad gate/trigger delay with cascaded/normaled stages and summed output.

This is the results of my first 10 minutes with the module.
The patch is driven by the Random Looping Sequencer and Pulses expansion module.
Pulses out 3 is going into Propagate gate/trigger input. Propagate pulse output 1 and 2 are going to Maths trig In 1 and 4. Propagate pulse output 3 and 4 are going into the gate in of 2 Envelators.

Maths ch.1 out to Anti OSC's wave env, Maths ch.3 out to Anti OSC's exp in. Oscillator sine out to Anti OSC's lin in.
Anti OSC's tri out to Triple Wave Folder in, Triple Wave Folder out 1 to Moddemix (VCA) sig in, Moddemix sum out to main mixer output. Anti OSC square out to Modemix sig in bottom.
Envelator 1 out to PTG in a, Envelator 2 out to PTG in b, PTG a + out to Moddemix top cv in, PTG b+ out to Moddemix cv in bottom.

Triple Wave Folder 2 out to EMS Synthi Filter in PTG out b- to EMS Filter cv in 2. EMS Filter sig out to main mix."

via Shiro Fujioka on The MATRIXSYNTH Lounge

Update: an image of the patch in via Shiro & second video below:

SSF Propagate 2 from VoltageCtrlR on Vimeo.

"This is the same patch from my first Steady State Fate Propagate video with the addition of some rhythmic noise from the SSF Quantum Rainbow and a *)* kick from the Tip Top Audio BD808 module."

“SIG 03 - Meet Chromaphone” by Friendly Noise

video upload by Friendly Noise

"The amazing Befaco Voltage Controlled Midi Converter (VCMC) allows you to convert analog signals like voltages and gates into midi messages with microscopic detail and programmability. I think that SIG and VCMC can be best friends, because with VCMC you can record the output of SIG as midi data in the DAW of your choice, for later editing, cut and paste, …

Modules: Stochastic Instruments Stochastic Inspiration Generator + Expander, Befaco VCMC.
VST: AAS Chromaphone."

Analogue Systems rs430 Distortion module for Eurorack synth

YouTube via bigcitymusic
"Here is the new Analogue Systems rs430 Distortion module. Controls include: Drive, Mix, Signal 1, Signal 2 and Output level. Sockets: Drive CV-IN, Mix CV-In, Sig-IN 1, Sig-IN 2, and Output. There is a switch for Inverse and Non-Inverse. Its available in the U.S. at bigcitymusic.com and anloguesystems.com for everywhere else."

Analog Solutions EMS Synthi Clone

Title link takes you to shots pulled via this auction.

Details:

"EMS Synthi Clone in Doepfer Case with Analog Systems modules
-1x Doepfer Koffer
-20 x 20 Ghielmetti Matrix
-22x Pins (2,7 kOhm) like the EMS white Pins.

Analog Systems Modules:
-1x RS95e: The new RS95e VCO is identical to the RS95 but has a fine tuning frequency control.
-1x RS500e: Genuine Ems synthi filter. This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS.
-1x RS510e: Genuine Ems trapezoid generator featuring Attack, On, Decay, Off and Trapezoid output level. With v.c of Decay time, status led, Sig in and Sig out, Gate in and Outputs A and B this classic timing generator when used with Rs500e captures the essence of the VCS3 and Synthi A. This module is made under license from EMS.
-1x RS220: Joystick. High quality unit.
-1x RS380: Modulation controller useful for Sorcerer and Leviathan systems. VC-LFO, Noise, Random Generator and VCA!"

ANALOGUE SYSTEMS RS510E EMS SYNTHI TRAPEZOID GENERATOR

Note: Auction links are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here
See the seller's other items for more.

"Genuine Ems trapezoid generator featuring Attack, On, Decay, Off and Trapezoid output level. With v.c of Decay time, status led, Sig in and Sig out, Gate in and Outputs A and B this classic timing generator when used with Rs500e captures the essence of the VCS3
and Synthi A.

This module is made under license from Ems"

You can see a video of it here.

Analogue Systems - rs360 Vocal/Phase Filter Bank

Note: Auction links are affiliate links for which the site may be compensated. via this auction
You can find video of one posted here.

"Controls:
•Sig In Level (VCF1/2/3) The RS360 has one audio signal input, individual LEVEL controls determine how much of the input signal is fed to each of the filters.

•Frequency (VCF1/2/3) You may control the cut-off frequencies of each of the filters individually using the FREQUENCY controls provided. When a given Frequency knob is in its fully anticlockwise position, the cut-off frequency it controls is approximately 30Hz. As you rotate that knob clockwise, cut-off frequency increases until, it its fully clockwise position, it exceeds 15kHz.

•Resonance (VCF1/2/3) Each filter offers resonance, or ‘Q’, that you control using its RESONANCE knob. In the fully anticlockwise position, Q is approximately zero, and there is no emphasis of the signal at cut-off frequency. As you rotate the knob clockwise, Q increases, whereupon every mode of that filter will accentuate the harmonics that lie close to the cut-off frequency. Increasing Q further, the filters will exhibit ringing, and will severely colour the signals passed through them. If you continue to increase the resonance beyond a certain point, the filter will begin to oscillate, and each mode will produce a sine wave at the cutoff frequency determined by the various controls. This oscillation is produced by all four audio outputs. The exact nature of the wave varies from mode to mode, and you can use these differences to create tonal variations when using the RS360 as an oscillator bank.

•CV-In Vary Depth controls how much the CV-In Vary input influences the cut-off frequency.

•Master Frequency modifies the cut-off frequencies for all three filters simultaneously. This knob and its associated cv input control all three filter cut-off frequencies simultaneously within the range ∞V/oct to approximately 0.4V/Oct. The former of these makes the input invariant to incoming CVs, while the latter makes it oversensitive compared to the CV-IN 1V/OCT input.

Sockets:
•VCF1 CV-In 1V/Oct
VCF2 CV-In 1V/Oct
VCF3 CV-In 1V/Oct You may also control a given cut-off frequency using the associated CV-IN 1V/OCT input. If you apply a CV conforming to the 1V/Oct standard, cut-off frequency will track the CV in exactly the same way as a standard VCO. If the CV is supplied from a keyboard then, in common parlance, the filter tracks the keyboard at 100% and, with the resonance at maximum, you can ‘play’ the filter as if it were a conventional oscillator.

•CV-In Vary modifies the cut-off frequencies for all three filters simultaneously. This socket and its associated DEPTH knob control all three filter cut-off frequencies simultaneously within the range ∞V/oct to approximately 0.4V/Oct. The former of these makes the input invariant to incoming CVs, while the latter makes it oversensitive compared to the CV-IN 1V/OCT input.

•Sig-In audio input, accepts signals in the range ±10V.
•Low Output low-pass filter output
•High Output high-pass filter output
•Notch Output notch filter output
•Band Output band-pass filter output"

Roland System-100M D Set 181 Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Case SN 760229
120 SN 760260

"・ 112 [ SN 760254 ]
Check the output from each oscillator
Confirm that the pitch changes with the RANGE / PITCH knob
Confirm that the waveform switches with the waveform switch
Input a signal to the EXT PW MOD and check that the pitch has changed.
Connect the SYNC terminal and confirm that both oscillators are carriers

・ 121 [ SN 760267 ]
Check signal input from 112 VCO OUT (SIG IN 1,2,3) Both VCF1,2
Check that the signal is filtered with the CUTOFF / RES slider
MOD IN (1,2,3) Confirm that the filter changes with the LFO signal from 140,150 and the signal from 140 ENV for both VCF1,2
Jack of VCA SIG IN 1 is loose

・ 140 [ SN 760455 ]
Connect each OUT of ENV1 / ENV2 to MOD IN1 of 121 and MOD IN1 of 130, and press each MANUAL GATE button.
Confirm that sound changes on the time axis of VCF and VCA

・ 150 [ SN 760494 ]
Connect the CLOCK OUT / S & H OUT to the MOD IN of the 112 VCO and check that the tone changes
Confirm that signals are output from each noise (WHITE & PINK) from NOISE GEN
* Terminal jack of PINK NOISE 2 is quite loose

・ 181 [ SN 770253 ]
There is some gully at the contact point of the keyboard
Vendor top is broken
There are large scratches on the bottom
One key has a burn mark (?)
Portamento On / Off switch knob is broken (moving inside with an elongated object, On / Off confirmed)"

CLICK FOR MORE »

SIG/EX fingerpick (Bronn Wennili Stomp)

video upload by UncertainMusicCorps

"Replaced the SIG front panel for the more informative version and updated Disting EX to the latest firmware which includes a port of Mutable Instruments Rings.

So it would have been rude not to pair them for a little play around, this time as a pseudo fingerpicking combination.

Joystick controlling Rings structure parameter (in sympathetic string mode) and Plaits adds a simple kick anchor."

Stoicism //SIG+/XPO/QPAS/Mimeophon//

video upload by Aleatoric Machine

"A self-playing Eurorack modular synthesizer patch featuring Make Noise’s XPO, QPAS & Mimeophon, and Stochastic Instruments’ Stochastic Inspiration Generator (SIG+). Plus many more modules described below.

Everything you hear in this is coming from a single monophonic sequence from the SIG+ and a single Make Noise XPO. I’m pretty amazed by how much variety of tone and texture can come from this single oscillator, all at the same time. The different waveform outputs are each running through their own VCAs, filters, triggers, and effects, but the melodic content is all the same. I’ll go through the sequencing in a minute, but first I’m going to focus on the audio signal paths.

Overall, the XPO’s L & R modulation are controlled by a triangle LFO coming from Acid Rain’s Maestro.

The first output is the stereo square wave, which goes through QPAS and Mimeophon, then into the mixer. QPAS’s L & R rotation and Q are modulated by two different smooth random waves from ALM’s Pamela’s Pro Workout. Mimeophon’s repeats are modulated by a smooth random wave coming from Maestro. This voice is triggered by a bouncing ball coming from Make Noise’s Maths.

The second output is the mono triangle wave, which first goes through an Intellijel 1U VCA, then uses Intellijel’s 1U pedal I/O to go through a Chase Bliss Mood (repeats tuned up a 5th) and Chase Bliss Dark World, then into the mixer. This voice is triggered by another bouncing ball from another Maths.

The third output is the mono sawtooth wave, which goes through channel one of a Make Noise ModDemix, an Intellijel Morgasmatron (with panning controlled by separate LFOs going to the L & R FM1 inputs - LFO 1 coming from Mutable Instruments’ Tides and LFO 2 coming from Intellijel’s Rubicon 2), then a Happy Nerding FX Aid XL running a flanger algorithm, then into the mixer. This voice is triggered by a repetitive Euclidian rhythm coming from Acid Rain Constellation and Doepfer Dual ADSR.

The last output is the spike wave going through channel two of the ModDemix, a Doepfer Multimode VCF, and Strymon’s Magneto in shift mode, then into the mixer. Magneto’s repeats are modulated by another smooth random wave coming from Maestro. This voice is triggered by a slower Euclidean rhythm coming from Constellation and Make Noise’s Contour.

Each voice goes into Doepfer’s VC Stereo Mixer, which has a built in VCA on each channel. The level of each voice is independently controlled by a separate smooth random wave from Pam, so the mix is constantly evolving. The voltages coming from Pam are further slewed by Mutable Instruments’ Stages, since the smooth random wave from Pam can still have some sharp edges. Then the whole mix goes through a 2HP Verb, with the reverb mix modulated by another smooth random wave from Pam, and finally through Endorphines’ Golden Master, which connects directly to the Intellijel 7U Performance Case’s built in audio outputs.

Now for the melodic content and harmonic structure. This is all driven by Stochastic Instruments’ Stochastic Inspiration Generator (my first patch with it!). This is an incredible module. I won’t go into everything it does, as there are already a couple very helpful videos out there on that, but suffice it to say that it lives up to its name! I’m using multiple channels, each with its own tonality, then cycling through those via an ALM Boss Bow Two switch to determine which channel will control the v/oct pitch of the XPO. The Boss Bow’s channel is control by a sequence coming from another Stages. Channel one is just a low C, to establish the primary key. Channel two randomly selects pitches from a C major chord, with low C in the bass. Channel three selects pitches from an F minor chord, with an occasional 2nd and 4th and a low F in the bass. Channel 4 selects pitches from a D flat major chord, with an occasional 6th and a low D flat in the bass.

I’m not sure if this is indeterminate enough to be considered generative, since the harmonic content is fairly structured, even if the melody, rhythm, and balance of the parts are all random. It’s more, well, aleatoric. I hope you enjoy it (although I realize than if you are into this sort of thing, you are born of a special breed!)."

New Synth Gear and Makers in January 2015

After this year's massive New Years post, I thought it might be interesting to see how many new makers and new gear announcements we received in a single month.

This may or may not become a monthly theme on the site depending on interest.  If you think it's worth while, leave a comment.

At a high level we had 12 new makers, one new old maker previously never featured on the site, and a whopping 193 new synth related products. Check out the module list below.  The list is a combination of what was either announced or released this month.

The list in order of appearance:

CLICK FOR MORE »

Setonix Synth and Bastl Dual Filters

video upload by John Schussler

"I've already looked at the Setonix Synth Marsupial. Really liked it, and was accordingly quick to order the Macropod when it became available. At about the same time I got ahold of an Ikarie from Bastl.

Between the three of them, I have a hard time choosing a favorite, and all are definitely keepers.

This is a short comparison to get a feel for their respective sounds. I'm not spending a lot of time on the Marsupial since I already covered it (see link in description/above), but do want it here so I can have a clear ear on how it differs from Macropod.

Source VCO is a Dannysound Cali Osc. Envelope from Zadar. Sequence from Stochastic IG. And a touch of Valhalla reverb at the end.

00:00 Intro
00:20 Marsupial
03:44 Macropod
11:28 Ikarie"

8hp Eurorack Filters

video upload by

"So you have 8hp available, and want to fill it with a filter. Here are some options. They aren't all the options, there are many, many more. But a few new 8hp filters have arrived recently (the XAOC, CCTV, and SetonixSynth), so it seemed like a good time to compare them with some other 8hp filters I have close at hand. For the most part I'll be listening to low pass outputs only.

Source audio is an Intellijel Dixie II+, with a mix of several waves. Envelope is from Zadar. Sequence from Stochastic SIG. A touch of Halls of Vallhalla reverb at the end.

00:00 Intro
00:20 Zagrzeb
09:52 Filther
17:14 Marsupial
24:30 Vorg
32:02 Coiler
40:42 Ripples"

Roland RS-09 vintage analog organ string synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Cat pillow.

"Vintage Roland string machine from the 70's. It features a string and organ voice with divide down oscillators that excel at chorusing polyphony.

Volume, tone (low pass filter), vibrato controls, and octave transpose all function perfectly.

"Drawbars" control the 4 tone characteristics of the organ sound and there is a dual octave/tone switch next to the drawbars, along with Roland's famous ensemble chorus mode on a switchable push button.
The strings section is more aggressive when solo'd but still very pleasing mixed into the organ sound! It features two octave/tone buttons, it's own ensemble chorus, and a slider for slow or fast attack of the envelope.

Beyond that, an envelope section with release mode via flip switch and ensemble mode via flip switch. Both switches only work in 1 of the 2 positions. This is due to the age of the unit itself. The replacement switches are still available on Ebay as New Old Stock (nos) toggle flip switches. The unit functions flawlessly besides these two position switches only having 1 available setting. This is a quick repair for anybody handy with a screw driver and a soldering iron.

Finally a tuning control is on the final potentiometer.
The colored buttons need to be pressed on the bottom of their finger indent, not above them. It confused me at first because i was pressing the LED Intead of the giant ergonomic button... I never owned a Jupiter synthesizer but this is supposedly the organ and strings section from that legendary synth, so lots of history in this unit's circuitry. This is the warmest organ sound I've heard from solid state electronics, and certainly one of the most musical.

Cosmetically it's an 8.5/10 due to slight front right corner housing damage and very subtle and tiny discoloration on a few of the black keys. Probably will wash off, just didn't have it in me to use a cleaner on a vintage synth. It is evidenced in the photos. Neither affect the sound and are unoticable while in use or on stage.

Back panel has audio input for chorus use in Low, Medium, and High volume, sustain input, gate output, organ raw sig output, headphone output and stereo/mono output also with a selectable Low, Medium, and High output.

Only reason I am selling is my gf keeps complaining that I cant keep storing synths in the apartment... I see vintage synths as an investment. They keep going up in value and always bring immense joy to their user, but happy wife happy life, blah blah, so on the bay it goes!"

CLICK FOR MORE »

Phase modulation - 4 examples

video upload by John Schussler

Update: new video with 4 examples.

"Here are four VCOs that all offer phase modulation in one form or another:

Weston Precision Audio: PAO Phase Animated Oscillator
Patching Panda: Operat
WMD: Phase Displacement Oscillator
Joranalogue: Generate 3

I'm trying to get my head around how their implementations differ, and what the ultimate effects of those implementations are on the sound.

There's one more phase modulation VCO I have that I didn't include: the Mindphaser. It's a complex oscillator with a very different architecture, so didn't seem like a good fit. I did a couple videos on that a while back, if you want to hear some of its phasing.

Sequencer: Stochastic SIG. Modulating VCO: Intellijel Dixie II+

00:00 Intro
00:20 Weston Audio PAO
07:40 Patching Panda Operat
13:22 WMD PDO
22:48 Joranalogue Generate 3"

STS Serge Modular (5 panels) Plus Accessories For Sale on MATRIXSYNTH CLASSIFIEDS

Note: Auction links are affiliate links for which the site may be compensated.

via MATRIXSYNTH CLASSIFIEDS

"#1 Animal (Oakland)
New Timbral Oscillator, Precision Oscillator, Wave Multiplier, Audio Mixer with phase reverse switch, noise source with mod to bring S/H Source out, SSG, Dual Transient Generator with signal in mods, Variable Q VCF, Universal Audio Processor

Panel was tuned and upgraded by Rex shortly after M-Class line released to meet or exceed latest specifications.

Very clean and gently used.

Note: VCM bottom VC IN jack is loose. Functionality is not affected. These are easy to replace and I have an extra new jack to throw in with the order.

4.5" boat

#2 Custom (Hartland)
Scaling Buffers, Scaling Processor, Active Processor, Extended ADSR, Extended ADSR, Variable Bandwidth VC Filter, Dual Audio Mixer, Variable Q VCF, Resonant EQ

2.5" boat

#3 Custom (Oakland)
New Timbral Oscillator, Triple Waveshaper, Ring Modulator, /NCOM, Active Processor, Dual Random Voltage Generator, Dual Transient Generator with mod to one half for signal in and Rise/Fall/Both switch, Variable Slope VCF, Dual Phaser

Panel was tuned and upgraded shortly after M-Class line released to meet or exceed latest specifications.

Very clean and gently used.

Note: RING SIG IN jack is loose and VCFS HI output jack needs replacement. These are easy to replace and I have a couple of extra new jacks (from Rex) which I'll include.

4.5" boat

#4 Custom (Hartland)
Preamp/Envelope Detector, Dual Schmitt Triggers, Precision Oscillator, Frequency Shifter (External Carrier Input), Control Module, Wilson Analog Delay, Audio Mixer with phase reverse switch, Quadrature Oscillator, Dual Channel Stereo Mixer

Very clean and gently used.

4.5" boat

#5 Custom (pre-STS)
New Timbral Oscillator, Wave Multipliers, Variable Q VCF, Dual Universal Slope Generator, Phaser, Dual VCA, Dual VCA, Control Module, Control Module

1980 Serge panel re-panelled and serviced in Oakland. After I purchased this panel I sent it to Kevin Braheny Fortune who completely overhauled and upgraded many aspects bringing it up to STS specs wheverever possible but leaving certain aspects relatively untouched to maintain the uniqueness and flavor of the pre-STS circuits.

This panel has some minor cosmetic defects near one of the corner screw holes. Otherwise it is in clean and nice condition.

4.5" boat
- Wiard 1206B Joystick with 9v battery power and banana jacks in faux-granite veneer
- 3 panel cabinet in faux-granite veneer (the cabinet is optional if you don't want to incur the shipping charges)
- 2 x PS4 (power supplies)
- 2 x PSD (power distribution)

$15,995 + shipping and PayPal fees (if used)"

CLICK FOR MORE »

Waldorf Microwave XT, Used 4 "music" signed by Madonna

via this auction
"The synth is a Waldorf Microwave XT Ltd Edition, which was a limited edition "grey" version of the normal orange synth and only manufactured in limited edition. It got Madonna's signature on the back, and is in very good condition (only been used in the studio). It comes with manual and power supply (euro), but I don't have the original box anymore. The synth was borrowed to Mirwais during the recording of Madonna's album "Music" at Sarm West in London, and was used on the tracks produced by Mirwais including the no1 single "Music" for the album.

Here's the story

I used to be in a band and we were at the time signed to Sony. Our manager and his wife used to be the studio manager for Sarm West in London (as well as our band) and took care and organized everything for all the artists recording there. Madonna came to record her "Music" album there and she organized everything and took care of her and the producers. When Mirwais came to record his tracks for the album he needed a Waldorf Microwave synth but none of the rental companies had one stock. I happened to have one in the studio across the road, so he borrowed it and they had it in the studio until the tracks were finished for the album. I asked my managers if Madonna could sign it as a "thanks" and she did before they returned it.

I guarantee that this item is 100% authentic, and my managers got their names in the record sleeve "thank you's" to confirm my story. The story was also featured briefly in a couple of Music magazines in connection with our band."

For those interested in the Madonna connection, you can find her sig on Google.