Soniccouture Black Friday Sale & Hazel Mills: Harvest Shadows | Attic2 Sound Pack

video upload by Soniccouture

"Hazel Mills plays through Harvest Shadows - 128 sound design patches for Soniccouture's The Attic2 soft synth collection. https://www.soniccouture.com/en/produ...

Sound Packs are only available to existing users of the full The Attic 2 product."

And:

"Soniccouture Black Friday 50% Off All Products: https://www.soniccouture.com/en/products/

Sale runs from 13th - 19th November.

Featuring Classic instruments such as Pan Drums, Geosonics, Electro-Acoustic, Guzheng, Canterbury Suitcase and many more.

Stand-out Deal: Sun Drums + Moonkits Bundle for just €139 | $139"

A Conversation with Alan Howarth: A Halloween Watchparty!

video upload by Alan R. Pearlman Foundation

Note: "For those attending the watch party on Monday if you make a donation during the premiere, your name will be put into a drawing for a poster or tee shirt from our shop (don't forget to check out new merch!) The winner announced on Halloween."

"Right in time for Halloween! Join d'ARP (Dina Pearlman-Ifil) as she chats with Alan Howarth about his life and work as a Music Composer, Sound Designer and Producer!

Alan Howarth’s award–winning film work started on Star Trek–The Motion Picture, launching him as a sound designer for the following 6 Star Trek feature films. Next was 'Escape From New York', collaborating on music with director and composer, John Carpenter, and scoring for 'Halloween sequels 2–6″, 'Christine', 'Big Trouble in Little China', 'Prince of Darkness' and 'They Live'. He has since composed music for over 50 films with his most current score of “From the Shadows” set to release in this fall of 2023. (read more on his website: https://alanhowarth.com/)

Stick around after the Interview for a special Demonstration video with Alan discussing and makeing some of his sound-making techniques. Not to be missed! You'll have time for a short break, then go right to the video!"

Alan Howarth - Demonstration! (premiers at 3:30 PM after the above show)

video upload by

"After the initial visit with Alan Howarth, d'ARP (Dina Pearlman-Ifil) and Alan met once again where he shows how he created patches for his new and upcoming films! Celebrate Halloween and learn how to make some really cool sounds!"

"Other details...
The watch party is FREE, however, if you choose to donate during the watch party, your name will be put into a drawing for a poster or tee shirt from our shop (don't forget to check out new merch!)The winner will be announced on Halloween."

https://alanrpearlmanfoundation.org/

"Prize details:

For those attending the watch party on Monday if you make a donation during the premiere, your name will be put into a drawing for a poster or tee shirt from our shop (don't forget to check out new merch!) The winner announced on Halloween."

flightofharmony Dealers don’t wanna restock and I don’t wanna find a job yet 20% off everything sale

via flightofharmony where you'll find additional details on the sale.

"As the catchy title implies, I’m broke and need money. This means I need to get a job. I don’t want to just yet because I’d like to at least get the Facehugger control module out to beta testers before I put everything on hold for a bit, which means desperate sale time, yay! Also, it’s Summer, which means that, even though they’re largely sold out of most f(h) modules, it’s the slow time for Synthland, and dealers don’t like to restock until Fall, so this is a great chance to get some unavailable gear for a great price! Now, onwards, to the rules!

What’s covered?
Everything – which means all currently-active product lines, both modules and kits. Which means:

Facehugger – Function Generator, arpeggiator, etc. Preorder item, see note below.
Famine (1500 & 500) – Voltage-controlled power starvation module.
IMP – Noise source.
Desktop Infernal Noise Machine – Road-worthy version of the Infernal Noise Machine, see note below.
Parasite Antifilter – Hellacious distortion, fuzz, drone generator, ambience generator, drum tone source, I mean holy hell this things is fun and surprising.
Plague Bearer – Voltage-controlled Bandpass filter, distortion, the classic.
Sinner – Sine shaper and signal processor.
Sound of Shadows – Voltage controlled, chainable digital delay.
1-6-13 – Protected eurorack power distribution board
5×5 – Passthrough +5V power source, plug into any open spot on your power board and not lose the spot.

This even includes the last of the desktop Infernal Noise Machine Blood Boxes/Minimal Cases and even the Facehugger preorder, but please note the longer lead times involved on those items."

8Dio Hybrid Voices Designs Walkthrough

video upload by 8dioproductions

"Introducing a brand new addition to our Hybrid Cinema. The 8Dio Hybrid Tools Series has established itself as the go-to source for top-quality cinematic scoring tools, and has been featured in numerous Blockbusters, TV-Shows, AAA Video Games, Trailers, and more. Now presenting the newest member of the Hybrid Tools series: Hybrid Voices Designs

Hybrid Voices Designs is an all-new collection of effects, percussion, rhythmic 808’s, whispers, moans, and more - all created from the human voice and body. Hybrid Voices is unlike anything you've ever heard before. It combines stunning vocal recordings, cutting-edge sound design, and a smooth, familiar workflow to create a sonic palette that will inspire your creativity and enhance your productions.

Available for $50

https://8dio.com/products/hybrid-voic...

CLICK FOR MORE »

Facehugger - The Muffin Man

video upload by flightofharmony

"Using the Facehugger function generator to control multiple instruments simultaneously.

• Facehugger Out is sent through a buffered multiple to the desktop Infernal Noise Machine VCO Tune CV input for the lead, and to the Choices joystick Y-axis In,
• Choices Y Out to Parasite Antifilter Low Q CV input for the bassline and squealing.
• Choices X Out to Facehugger Root CV input, shifting the patterns up or down.
• Finally, INM Out through Sound of Shadows PT2399 delay.

The Facehugger Kickstarter is in the final stretch - Early Bird deep discounts have been extended until April 21st, grab yours while you can! https://www.kickstarter.com/projects/..."

Facehugger Alpha R02 Sound of Shadows digital delay test

video upload by flightofharmony

"Requested demonstration of using the Facehugger to control a Sound of Shadows PT2399 delay module. Again, a lot of noodling and experimenting.
I have to say, that I honestly wasn't expecting much with this ne but oh boy, was I wrong. This was a LOT of fun. I really wasn't expecting a lot of what came out of this.

Some random points of interest:
1:46 Bees
2:00 They'll laugh at you
2:55 Beep boop clang
4:22 Scratch
4:42 Beat
5:30 Whales in space
6:29 Secret pulse (no audio input)
7:43 I broke it
10:00 Roar
10:55 Bringing it back in
11:38 Okay, that's cool.

The Facehugger Kickstarter runs until April 22nd - please help make the Facehugger a reality! https://www.kickstarter.com/projects/..."

Moog Sound Studio: 50 Patches for DFAM, Mother-32, Subharmonicon. + Samples. Presets Demo. No talk

video upload by Anton Anru

"Welcome to the soundset for a semi-modular system Moog Sound Studio: DFAM + Mother-32 + Subharmonicon. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, textures, FXs. There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, straight and polymetric patterns.

🔮 Get the soundset: https://antonanru.sellfy.store/moog/

Highlights:
✅ high level of interconnection of the synths
✅ thoroughly set parameters
✅ detailed notes for patches full of tips and tricks
✅ audio examples in 4 versions: DFAM only, M-32 only, Subharmonicon only, all together
✅ to recreate these patches, you need up to 17 patch cables + splitter/multiplier («star») or a stackable cable.
✅ one of my hardest work ever, I spent up to 2,5 hours for each patch
✅ FREE BONUS: 200 samples with Scale and BPM (95-128 BPM), Wav 24/44100

The main point of the soundset is the high level of interconnection, not just syncing the synths with independent timbres (individual patches for DFAM, Mother-32, and Subharmonicon are also available on my website). In this patchbook, the timbres of the synths are soldered and can’t exist separately:
🔸 they modulate each other with LFO and Envelopes
🔸 a sequence from one synth may change parameters on others
🔸 triggers interaction, clock/rhythm, run/stop modulations break predictable patterns
🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones
🔸 or they may be used just as audio sources that go to another synth to be processed with its (different) filter and envelope and get the «second life».
DFAM, M32, and SUBH play different and clear roles, it’s not a sound mess, but the synths working in close cooperation.

CLICK FOR MORE »

New England Synth Fest - Bill T Miller Synthesizer Performance @ Museum of Science Boston - 08.11.22

video upload by Bill T Miller

"Bill T Miller Synthesizer Performance @ New England Synth Fest @ Museum of Science Boston - 08.11.22. This BTM stereophonic improv performance features a CLASSIC SYNTH array... Buchla Easel Command 208-C, Korg ARP 2600, Moog Mother-32, Make Noise O-Coast and 4MS STS Sampler & Toppobrillo MiniMix.

Video Produced/Directed/Edited by Bill T Miller
Cameras: BTM & Sheri Hausey & Beth Moguel

BILL T MILLER, a chameleon of sonic exploration, is a multi-instrumentalist musician, composer, recording engineer, producer, filmmaker, photographer, artist, instrument builder and cat lover. From toy piano at two years old to starting a "band" with tennis racket guitar and trash can drums in the 60s to becoming a professional recording engineer / producer / live sound tech after graduating from College for the Recording Arts in San Francisco in 1976, his paths are always unfolding and looping. At recording college he took synthesizer courses with ARP 2600 and Emu synths and then worked (as live sound and recording engineer) in California until 1980.

Eventually ending up in Boston working as a freelance recording engineer and live sound engineer and then starting his own Headroom Recording Studios. While much of his "professional career" was devoted to recording and photographing OTHER artists, he was always working on his own weirdo music bands in the shadows. Some of these adventures include Out of Band Experience (OBE), Kings Of Feedback, Drum Army, Kings Of Slack, Zonkulator, and Orgy Of Noise with over 25 full album releases on his own DIY labels as an artist.

BTM's quest has looped back around to a nostalgic look forward incorporating ALL of the past adventures while moving sideways in time in to an unknown future think void. Living in Boston for 37 years and giving every moment to this insatiable desire to CREATE and SHARE is focus of his true path.

SEE: http://btmtv.com (this youtube channel)
HEAR: http://billtmiller.bandcamp.com
MORE: http://billtmiller.com/

On the Second Thursday of every month of summer 2022, the Museum of Science teamed up with New England Synth Fest for an incredible fusion of live synthesizer performances that took over the Charles Hayden Planetarium. Experience some of the best synth musicians and visualizers from New England like never before in the immersive full dome environment of the Planetarium.

LOBBY MUSIC 7pm
BILL T MILLER = outer space trip out synths
20 minute set - PLEASE LISTEN CAREFULLY.

LOBBY SYNTHFEST VENDORS
ARP Foundation (Alan R. Pearman's daughter DINA will be there) & SynthCube & Stompbox Sonic & coolpix and MORE

7:30pm in the DOME three were 20 minute sets back to back for first show...

introduced by the host of MOS SUMMER THURSDAY SERIES... JAMES MONROE ! - Asha Tamirisa
- LIMBC with visuals by Solid State Entity - Bob Familiar with visuals by cskonopka

+ following 1st dome show were two 20 minute LOBBY sets...
- Vizzie / Oxalis (Ed Guild & Richard Tarantio)
- Build (Nick Solarz)

The three lobby sets are hosted by Richard Tarantio in conjunction with Modular On The Spot Boston. Richard provided LIVE SOUND for all three lobby sets and played in a duo for the middle set.

+ 9:30pm in the DOME there was a repeat of the hree 20 minute sets back to back for second show. (see above.)

Boston Museum of Science Polage Art by Austine Wood Comarow !!!!!

Mega Thanx to NEW ENGLAND SYNTH FEST HOST... KENT LUNDBERT !
Super Thanx to MOS SUMMER THURSDAY SERIES HOST... JAMES MONROE !

Ultra Thanx to BUCHLA GURU TODD BARTON for KRELL WISDOM & FLUTE APPEARANCE via morphagene sampler.

Super THANX to BETH MOGUEL for footage.
Eternal THANX as always to SHERI HAUSEY & Tippi Cat & Ziggy Cat & Mel the Cat !!!!"

Forge TME - VHIKK multi oscillator voice

video upload by Forge TME

"The vhikk is a multi-algorithm experimental synth voice for eurorack. It combines wavetable oscillators, filters and delay-based effects into one module with 9 different modes."


video upload by John Schussler

"The name of the company is Forge-TME. The module is VHIKK. No, I don't know what any of that means.

The module at its most basic is an oscillator. Several, actually, merged with a variety of self modulation, feedback, and delay connections that make it look, at first glance, like an all-in-one drone.

It ends up being more than that. It tracks 1v/oct just fine, so can be a melodic, even lead oscillator voice. I start this video with the basic drone side of things, but then move over to the sequenced pattern side, which is equally interesting.

I'm not going to try to explain the module in any detail, as its structure is too complicated. You're gonna have to RTFM for that (https://forge-tme.com/vhikk/). On the upside, that complexity doesn't make it hard to use. Wiggle the knobs and lots of great stuff comes out.

Sequencer: Stochastic IG. Envelope: Zadar

00:00 Intro
00:20 Drone - no pitch
04:45 Drone - pitch up
18:28 Slow sequence
23:00 Fast sequence"

"The vhikk twists, convulses and wails in a vortex haunted, spitting dirt and dust and time and raw energy. Rapid shadows, alien physics, pulsating artefacts, sometimes ridiculous, sometimes possessed.

The vhikk is a multi-algorithm sound source capable of traversing sonic planes complex, raw, dense, electric, erratic, dynamic.

The vhikk trades total control/comprehension/repeatability for a [hopefully fertile] dialogical experience and breadth of sonic palette. It is intrinsically ephemeral and is designed to encourage exploration and presence - with low cognitive overhead.

The vhikk is happy alone but thirsty for voltages. The produced output can be quite spectrally and temporally full and doesn't necessarily require [but definitely appreciates] further processing to synthesise musically useful material.

The Vhikk is a multi-algorithm experimental synth voice specialising in [but not limited to] complex drones and basses, rich textures, and dynamic sfx. It combines sound generation and effects processing into one module with 9 different modes.

The nature of the Vhikk makes it suitable for situations where a compact, ergonomic, and self-contained sound source would be welcome - for example smaller modular systems, or large systems where a strange sound source with minimised cognitive overhead would be desirable.

The general architecture consists of a bank of wavetable oscillators [the generator] sent through a filter section which then passes into a delay-based structure [the processor] - with the specific architecture and character of these sections dependent on the selected mode.

Some of the modes implement what is referred to here as 'cluster scanning' - a smooth crossfading scan through sets of frequency/wave pairs. Imagine a wavetable scan parameter but each distinct wave position also has an associated frequency offset. In the modes implementing cluster scanning these wave/frequency offsets are different for every oscillator.

The processor in general consists of a delay-based structure which can be smoothly transformed from something resembling a delay [distinct [albeit processed] repeats] to something resembling a reverb [diffused repeats, increasing echo density, modulation].

There is a frequency shifter integrated into the processor, either post delay-structure or in the feedback loop depending on mode and FEED position.

The X jack is a signal input which is merged with the generator pre-filter and passed into the processor. The graphic in the upper middle of the panel is a level indicator for the X input."

You can find additional details at https://forge-tme.com/vhikk/.

Dirty Sounds with Gotharman's Tiny LD + Infernal Noise Machine Eurorack Synth #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"Gosh, I'm pretty tired from this week, but I still wanted to record ... something ... with my Gotharman TinyLD granular workstation synth and Flight of Harmony's Infernal Noise Machine INM-E Eurorack noise synth ... so here is ... something :D Have a nice weekend!

INM-E audio goes into the TinyLD, where it's processed by granular sound FX and side-chain compression. The TinyLD then plays some synthesized drums, a bass line and two metallic bleeps and bloop voices. There are also two additional INM-E noodle recordings with some FoH Sound of Shadows delay going on, where I just explore around the domains more or less audibly.

I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to:
➤ tuesdaynightmachines@gmail.com"

https://nightmachines.bandcamp.com
https://nightmachines.tv

Analog Audio Tube Mayhem // SpazeDrum + Infernal Noise Machine + Trogotronic 679 #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"Just a little LOUD AND DISTORTED Trogotronic Infernal Noise Machine SpazeDrum Sound of Shadows SOUND DESTRUCTION! WAAAGH!!! Well ... so ... I wanted to use the Flight of Harmony INM-E to process the analog Gotharman SpazeDrum output. But then I thought: "Why not step it up a notch?". So I added the Trogotronic 679 vacuum tube ... THING ... and sent the result through Flight of Harmony's Sound of Shadows delay too.

I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to:
➤ tuesdaynightmachines@gmail.com

https://nightmachines.bandcamp.com
https://nightmachines.tv

Adeptus by Giorgio Sancristoforo

Neophitus (extract) - video upload by Giorgio Sancristoforo

From the album "Adeptus"
Visuals: Dr. Alberto Melappioni
Time-lapse footage of crystals growth under the microscope.
Observation in polarised light.

Full album available at
https://giorgiosancristoforo.bandcamp...

Rituals of passage, esoteric societies, initiation, are the leitmotif of this collection of sound meditations that immerse the listener in a place where time flows differently, where sound surfaces build filamentary mosaics of imperceptible passages. At each step, initiation is an ever deeper immersion into the Interiora Terrae cited by Basilio Valentino, implied in the iconology of the Mons Philosophorum. In order to welcome the light, the adept must first know the shadow, this is why the Greek μύστης were brought into the basement of the Eleusinian Temple before receiving the light of initiation: to die and resurrect. This shadows gradually thin out like a mist that evaporates, allowing us to perceive the details of an inner world that only silence can reveal.

Exhibited at the Wrong Biennale n°5 by the InAbsentia pavilion
credits
released January 28, 2022

Recorded with a (B)Arp2500.
Dedicated to the 90th of Eliane Radigue

Written and recorded by Giorgio Sancristoforo

https://giorgiosancristoforo.bandcamp.com/album/adeptus

Nonlinear Labs C15 - Studio Package Update - USB-MIDI and Internal Digital Recording

video by Nonlinear Labs

"The Nonlinear Labs C15 gets a major update that includes USB MIDI connectivity and an internal digital audio recorder.

The current implementation of a MIDI interface is now widening up the spectrum of applications for the C15 - especially in the studio environment. For connecting the C15 directly to a computer we are offering a new small hardware device called the MIDI Bridge.

The second feature included in this software release is an internal digital recorder. It automatically stores the audio output signal of the last hours in the C15.


MIDI features at a glance:

➤ Transmits and receives notes, positions of the Hardware Controls, Program Changes
➤ Up to 90 parameters can be modulated via the Macro Controls
➤ 14-bit resolution (16384 steps) for Note Velocities and for Controls available
➤ Separate MIDI Channels for Split zones and Parts of the synth engine available
➤ Local On/Off


Internal Digital Recording - features at a glance:

➤ Loss-free digital recording of the stereo output signal
➤ FLAC-compressed storage of the last hours (at least 80 min) of playing
➤ Auto-start when the C15 is booted (optional)
➤ Visualization in the browser and play-back controls
➤ Download of the selected segment as FLAC or WAV file
➤ The sound parameters at any point of the time line can be restored
➤ Complete information about the presets used in the session


All parts arranged and played by Tim Sund. Thank you, Tim!

http://www.timsund.com/

The music is an arrangement of Herbie Hancock's "Hidden Shadows".
The original song was released on his album "Sextant" (Columbia Records, 1973).

All audio material generated with the C15.

Filmed at Blackbird Music Studio
https://www.blackbird-music-studio.de"

Synth Tips With Alex Bornstein: Prophet 10 Cinematic Sound Design

video by Sequential

"Welcome back to “Sequential Synth Tips,” where some of our favorite artists share their tips, tricks, and techniques on a Sequential synth. In this episode, we feature composer Alexander Bornstein creating cinematic patches on the Prophet-10.

Alexander Bornstein is an award-winning composer currently based in Los Angeles. His music has been heard on television, independent films, feature films, web series, documentaries in the festival circuit, and concert halls around the U.S. Alexander has also been at the forefront of new multimedia platforms, composing music for one of the first VR television series.

Recent works include the Nickelodeon series ‘ARE YOU AFRAID OF THE DARK: CURSE OF THE SHADOWS’, ’TRANSFORMERS: WAR FOR CYBERTRON TRILOGY’ on Netflix, and was co-composer on several episodes of ‘SUPERNATURAL’ with Christopher Lennertz. SCHEMATIC, Alexander's debut album, launched in the Summer of 2017 and is available on all music platforms. The final chapter of TRANSFORMERS: WAR FOR CYBERTRON TRILOGY’ premieres later this year on Netflix.

His work has brought him through major music studios including Abbey Road Studios, Remote Control Productions and Sonic Fuel Studios. In addition to his own music, he has worked with composers such as Danny Elfman, Brandon Roberts, Marco Beltrami, Mark Isham, and Tony Morales on everything from sound design to additional music on various projects.

Follow Alexander here:
http://www.alexanderbornstein.com/

More info on the Prophet-10:

https://www.sequential.com/product/pr..."

PAiA August 1983 & 1991 Catalog Brochures

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The August 1983 catalog is 16-pages of brand new PAiA products: guitar stomp boxes, speech synthesizers, velocity/after-touch controller, Shephard function generator and more. And, of course, the enire line up of PAiA keyboards, synths and modules, books, tapes, studio gear, analog drums and even their old original products such as wind, wind chimes and surf sound effect boxes."

"With the advent of PCs, cheap keyboards from Asia and digital synthesizers, analog was out and DX7s were in. This is often refereed to as the Dark Ages of Synthesis. This affected PAiA greatly and they went into a period of inactivity. No new products were designed from 1983-1991. When interest in vintage analog synths started to happen, PAiA started to emerge from the shadows and started to introduce new products such as the MIDI-CV PROCESSOR, PC-MIDI Interface, along with a Neural Network Analog to Digital Converter. They were still selling their Studio Series line, Guitar Effects, Curtis chips and their CEM based analog synth cards, along with books and tapes.

The 1991 catalog chronicles all of those changes and is fascinating to see what was happening as analog and DIY started to rise from the ashes, like the Phoenix. The catalog is 12-pages and isn't slick looking like previous ones."

CLICK FOR MORE »

Moog Taurus bass pedal (1976) The bass sound of Steve Hackett (Clocks, Shadows..) part10

Published on Mar 23, 2020 RetroSound

"(c)2007-20 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

Part 10 from 10 and the last one of the series.
The deep bass sound of Steve Hackett - Clocks, Shadows Of The Hierophant

Moog Taurus analog bass synthesizer pedals from the year 1976
3 presets: Taurus, Bass, Tuba
1 variable and full programmed sound

Used by Genesis, Rush, Asia, Genesis, Police, The Cure, Marillion, Saga, Dream Theater, Pink Floy, Motley Crue, Led Zeppelin, Jean Michel Jarre and more

The Taurus 1 use linear VCOs. The Minimoog and the later Taurus 2 and 3 use exponential VCOs. Linear VCOs are the secret for the stable bass sound of the Taurus 1.

more pictures:

RetroSound synthesizer demo videos since january 2007.
All is for free. If you like my work, so can you support me with a donation or a purchase of my music albums. Thank you!

Donations: https://www.paypal.com/cgi-bin/webscr...

RetroSound Moog Taurus posts

Flight of Harmony Sound of Shadows Kit Prototype Demo

Published on Nov 1, 2019 flightofharmony

Sound of Shadows

"While testing a final prototype of the upcoming Sound of Shadows eurorack module Kit I found some really good examples of what the SoS can do, so I grabbed my phone and recorded a few minutes.

Connections:
Input is a ±5Vp-p (ish) triangle wave from my ancient Function Generator. The frequency is swept by the FG's internal ramp oscillator.
Output goes directly to studio monitors.
The blue CV input cable is from the aforementioned ramp oscillator in the FG.
Audio and video captured by my ancient Samsung Note 3.
No other equipment involved.

Apologies for the shaky video and general haphazardness, this was spur-of-the-moment.

The SoS is *not* a clean delay; that's not the point. : )"

TEST SERIES Flight of Harmony Sound of Shadows and IMP Eurorack Sound Design

Published on Dec 11, 2018 Outsider Sound Design

"Sound design experiments with Flight of Harmony Sound of Shadows and IMP Eurorack modules.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

Korg Monologue "MonoVibes" - 100 Massive Presets

Published on Oct 27, 2018 chronosproject

"Finally you can get your hands on a hundred hand crafted presets - Mono Sounds & Sequences!
Korg Monologue offers extended sequencer possibilities,great sound & easy to use.

"MonoVibes" made by Nick Klimenko aka.Chronos & Leonid - young & very tallented synth enthuziast - now a part of LFO Team.

Get ready for 50 powerfull, experimental, beautifull & distorted, complex sequences.
Tune in with 50 powerfull analog leads, basses, drones, fx & sequenced mono's!

Explore new possibilities of Mono Guy with our sounds!

Buy: https://sellfy.com/p/9qjc/

Patches in this video:

CLICK FOR MORE »

Lost In The Shadows 11-08-17 v1

Published on Nov 8, 2017 Marc S. Langelier

"Video Etude #1 - 'Lost In The Shadows' - Yeah, I know, I'm a week late on this one, but life is like that sometimes. What started out as an exploration of iOS 11's new screen record function, grew into a larger exploration of VegasPro 14, my own sound & video library and various audio software including AudioThing's Fog Convolver and Apps4iDevices' iPulsaret.

Featured Instruments/software: Borderlands, BoardWeevil 2015, iPulsaret, Animoog, Oscarizor, GRM Tools Evolution

Other instruments and effects: Fog Convolver, Reaktor, iDensity, Paul's Extreme Sound Stretch...

Other important software for this project: AudioShare, iFunBox, AudioBus, Aum, Sony Soundforge 11

Video sources: DJI Phantom 4, Sony NX70U, iPhone & of course an iPad

Video creation & editing software: Magix VegasPro 14

***Very importantly I must say many, many thanks to dancer Monte Jones who graciously allowed me to video him with the Phantom4 on a sunny day, some time ago.***

Note that I had also wanted to add some EWI phrases to this video sound track. As of yet I haven't recorded anything I like, so I'll post this as is for now. I'll hope to upload an updated version with some EWI soon.
It's easy to forget (I know I'm guilty of it), but if you like this video please press the like button. Thanks for taking the time to watch & listen."