Dirty Sounds with Gotharman's Tiny LD + Infernal Noise Machine Eurorack Synth #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"Gosh, I'm pretty tired from this week, but I still wanted to record ... something ... with my Gotharman TinyLD granular workstation synth and Flight of Harmony's Infernal Noise Machine INM-E Eurorack noise synth ... so here is ... something :D Have a nice weekend!

INM-E audio goes into the TinyLD, where it's processed by granular sound FX and side-chain compression. The TinyLD then plays some synthesized drums, a bass line and two metallic bleeps and bloop voices. There are also two additional INM-E noodle recordings with some FoH Sound of Shadows delay going on, where I just explore around the domains more or less audibly.

I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to:
➤ tuesdaynightmachines@gmail.com"

https://nightmachines.bandcamp.com
https://nightmachines.tv

Analog Audio Tube Mayhem // SpazeDrum + Infernal Noise Machine + Trogotronic 679 #TTNM

video upload by THE TUESDAY NIGHT MACHINES

"Just a little LOUD AND DISTORTED Trogotronic Infernal Noise Machine SpazeDrum Sound of Shadows SOUND DESTRUCTION! WAAAGH!!! Well ... so ... I wanted to use the Flight of Harmony INM-E to process the analog Gotharman SpazeDrum output. But then I thought: "Why not step it up a notch?". So I added the Trogotronic 679 vacuum tube ... THING ... and sent the result through Flight of Harmony's Sound of Shadows delay too.

I love to hear from you and talk about synths and stuff, so always feel welcome to post a comment or send me an e-mail to:
➤ tuesdaynightmachines@gmail.com

https://nightmachines.bandcamp.com
https://nightmachines.tv

Adeptus by Giorgio Sancristoforo

Neophitus (extract) - video upload by Giorgio Sancristoforo

From the album "Adeptus"
Visuals: Dr. Alberto Melappioni
Time-lapse footage of crystals growth under the microscope.
Observation in polarised light.

Full album available at
https://giorgiosancristoforo.bandcamp...

Rituals of passage, esoteric societies, initiation, are the leitmotif of this collection of sound meditations that immerse the listener in a place where time flows differently, where sound surfaces build filamentary mosaics of imperceptible passages. At each step, initiation is an ever deeper immersion into the Interiora Terrae cited by Basilio Valentino, implied in the iconology of the Mons Philosophorum. In order to welcome the light, the adept must first know the shadow, this is why the Greek μύστης were brought into the basement of the Eleusinian Temple before receiving the light of initiation: to die and resurrect. This shadows gradually thin out like a mist that evaporates, allowing us to perceive the details of an inner world that only silence can reveal.

Exhibited at the Wrong Biennale n°5 by the InAbsentia pavilion
credits
released January 28, 2022

Recorded with a (B)Arp2500.
Dedicated to the 90th of Eliane Radigue

Written and recorded by Giorgio Sancristoforo

https://giorgiosancristoforo.bandcamp.com/album/adeptus

Nonlinear Labs C15 - Studio Package Update - USB-MIDI and Internal Digital Recording

video by Nonlinear Labs

"The Nonlinear Labs C15 gets a major update that includes USB MIDI connectivity and an internal digital audio recorder.

The current implementation of a MIDI interface is now widening up the spectrum of applications for the C15 - especially in the studio environment. For connecting the C15 directly to a computer we are offering a new small hardware device called the MIDI Bridge.

The second feature included in this software release is an internal digital recorder. It automatically stores the audio output signal of the last hours in the C15.


MIDI features at a glance:

➤ Transmits and receives notes, positions of the Hardware Controls, Program Changes
➤ Up to 90 parameters can be modulated via the Macro Controls
➤ 14-bit resolution (16384 steps) for Note Velocities and for Controls available
➤ Separate MIDI Channels for Split zones and Parts of the synth engine available
➤ Local On/Off


Internal Digital Recording - features at a glance:

➤ Loss-free digital recording of the stereo output signal
➤ FLAC-compressed storage of the last hours (at least 80 min) of playing
➤ Auto-start when the C15 is booted (optional)
➤ Visualization in the browser and play-back controls
➤ Download of the selected segment as FLAC or WAV file
➤ The sound parameters at any point of the time line can be restored
➤ Complete information about the presets used in the session


All parts arranged and played by Tim Sund. Thank you, Tim!

http://www.timsund.com/

The music is an arrangement of Herbie Hancock's "Hidden Shadows".
The original song was released on his album "Sextant" (Columbia Records, 1973).

All audio material generated with the C15.

Filmed at Blackbird Music Studio
https://www.blackbird-music-studio.de"

Synth Tips With Alex Bornstein: Prophet 10 Cinematic Sound Design

video by Sequential

"Welcome back to “Sequential Synth Tips,” where some of our favorite artists share their tips, tricks, and techniques on a Sequential synth. In this episode, we feature composer Alexander Bornstein creating cinematic patches on the Prophet-10.

Alexander Bornstein is an award-winning composer currently based in Los Angeles. His music has been heard on television, independent films, feature films, web series, documentaries in the festival circuit, and concert halls around the U.S. Alexander has also been at the forefront of new multimedia platforms, composing music for one of the first VR television series.

Recent works include the Nickelodeon series ‘ARE YOU AFRAID OF THE DARK: CURSE OF THE SHADOWS’, ’TRANSFORMERS: WAR FOR CYBERTRON TRILOGY’ on Netflix, and was co-composer on several episodes of ‘SUPERNATURAL’ with Christopher Lennertz. SCHEMATIC, Alexander's debut album, launched in the Summer of 2017 and is available on all music platforms. The final chapter of TRANSFORMERS: WAR FOR CYBERTRON TRILOGY’ premieres later this year on Netflix.

His work has brought him through major music studios including Abbey Road Studios, Remote Control Productions and Sonic Fuel Studios. In addition to his own music, he has worked with composers such as Danny Elfman, Brandon Roberts, Marco Beltrami, Mark Isham, and Tony Morales on everything from sound design to additional music on various projects.

Follow Alexander here:
http://www.alexanderbornstein.com/

More info on the Prophet-10:

https://www.sequential.com/product/pr..."

PAiA August 1983 & 1991 Catalog Brochures

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The August 1983 catalog is 16-pages of brand new PAiA products: guitar stomp boxes, speech synthesizers, velocity/after-touch controller, Shephard function generator and more. And, of course, the enire line up of PAiA keyboards, synths and modules, books, tapes, studio gear, analog drums and even their old original products such as wind, wind chimes and surf sound effect boxes."

"With the advent of PCs, cheap keyboards from Asia and digital synthesizers, analog was out and DX7s were in. This is often refereed to as the Dark Ages of Synthesis. This affected PAiA greatly and they went into a period of inactivity. No new products were designed from 1983-1991. When interest in vintage analog synths started to happen, PAiA started to emerge from the shadows and started to introduce new products such as the MIDI-CV PROCESSOR, PC-MIDI Interface, along with a Neural Network Analog to Digital Converter. They were still selling their Studio Series line, Guitar Effects, Curtis chips and their CEM based analog synth cards, along with books and tapes.

The 1991 catalog chronicles all of those changes and is fascinating to see what was happening as analog and DIY started to rise from the ashes, like the Phoenix. The catalog is 12-pages and isn't slick looking like previous ones."

CLICK FOR MORE »

Moog Taurus bass pedal (1976) The bass sound of Steve Hackett (Clocks, Shadows..) part10

Published on Mar 23, 2020 RetroSound

"(c)2007-20 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

Part 10 from 10 and the last one of the series.
The deep bass sound of Steve Hackett - Clocks, Shadows Of The Hierophant

Moog Taurus analog bass synthesizer pedals from the year 1976
3 presets: Taurus, Bass, Tuba
1 variable and full programmed sound

Used by Genesis, Rush, Asia, Genesis, Police, The Cure, Marillion, Saga, Dream Theater, Pink Floy, Motley Crue, Led Zeppelin, Jean Michel Jarre and more

The Taurus 1 use linear VCOs. The Minimoog and the later Taurus 2 and 3 use exponential VCOs. Linear VCOs are the secret for the stable bass sound of the Taurus 1.

more pictures:

RetroSound synthesizer demo videos since january 2007.
All is for free. If you like my work, so can you support me with a donation or a purchase of my music albums. Thank you!

Donations: https://www.paypal.com/cgi-bin/webscr...

RetroSound Moog Taurus posts

Flight of Harmony Sound of Shadows Kit Prototype Demo

Published on Nov 1, 2019 flightofharmony

Sound of Shadows

"While testing a final prototype of the upcoming Sound of Shadows eurorack module Kit I found some really good examples of what the SoS can do, so I grabbed my phone and recorded a few minutes.

Connections:
Input is a ±5Vp-p (ish) triangle wave from my ancient Function Generator. The frequency is swept by the FG's internal ramp oscillator.
Output goes directly to studio monitors.
The blue CV input cable is from the aforementioned ramp oscillator in the FG.
Audio and video captured by my ancient Samsung Note 3.
No other equipment involved.

Apologies for the shaky video and general haphazardness, this was spur-of-the-moment.

The SoS is *not* a clean delay; that's not the point. : )"

TEST SERIES Flight of Harmony Sound of Shadows and IMP Eurorack Sound Design

Published on Dec 11, 2018 Outsider Sound Design

"Sound design experiments with Flight of Harmony Sound of Shadows and IMP Eurorack modules.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

Korg Monologue "MonoVibes" - 100 Massive Presets

Published on Oct 27, 2018 chronosproject

"Finally you can get your hands on a hundred hand crafted presets - Mono Sounds & Sequences!
Korg Monologue offers extended sequencer possibilities,great sound & easy to use.

"MonoVibes" made by Nick Klimenko aka.Chronos & Leonid - young & very tallented synth enthuziast - now a part of LFO Team.

Get ready for 50 powerfull, experimental, beautifull & distorted, complex sequences.
Tune in with 50 powerfull analog leads, basses, drones, fx & sequenced mono's!

Explore new possibilities of Mono Guy with our sounds!

Buy: https://sellfy.com/p/9qjc/

Patches in this video:

CLICK FOR MORE »

Lost In The Shadows 11-08-17 v1

Published on Nov 8, 2017 Marc S. Langelier

"Video Etude #1 - 'Lost In The Shadows' - Yeah, I know, I'm a week late on this one, but life is like that sometimes. What started out as an exploration of iOS 11's new screen record function, grew into a larger exploration of VegasPro 14, my own sound & video library and various audio software including AudioThing's Fog Convolver and Apps4iDevices' iPulsaret.

Featured Instruments/software: Borderlands, BoardWeevil 2015, iPulsaret, Animoog, Oscarizor, GRM Tools Evolution

Other instruments and effects: Fog Convolver, Reaktor, iDensity, Paul's Extreme Sound Stretch...

Other important software for this project: AudioShare, iFunBox, AudioBus, Aum, Sony Soundforge 11

Video sources: DJI Phantom 4, Sony NX70U, iPhone & of course an iPad

Video creation & editing software: Magix VegasPro 14

***Very importantly I must say many, many thanks to dancer Monte Jones who graciously allowed me to video him with the Phantom4 on a sunny day, some time ago.***

Note that I had also wanted to add some EWI phrases to this video sound track. As of yet I haven't recorded anything I like, so I'll post this as is for now. I'll hope to upload an updated version with some EWI soon.
It's easy to forget (I know I'm guilty of it), but if you like this video please press the like button. Thanks for taking the time to watch & listen."

Final Run of Flight of Harmony Quad Plague Bearer

via Flight of Harmony

"Flight of Harmony is taking pre-orders for the last ten Quad Plague Bearer stand-alone units. These units are based on the v3.3 circuit boards and will feature inverted graphics (aluminum on black, like the Sound of Shadows module)."

USD$350.00+ Shipping & Handling

For those not familiar with the Quad Plague Bearer:

"What is the Quad Plague Bearer Desktop Unit?

It is four independent Plague Bearers housed together to infect, corrupt and pervert a signal beyond recognition.

It contains four Voltage-Controlled Resonant Bandpass filters that were designed with the goals of maximum signal alteration and maximum parameter control. Each filter has controls for varying the high and low corner frequencies of the pass band, as well as variable gain and an input attenuator. Each section of the Plague Bearer can be used as a filter, an oscillator, a noise generator, or even as a resonance oscillator!

Depending on the settings, the filter can be a lowpass, highpass, single-bandpass, or multiple-bandpass. Adjusting the resonance point can cause the filter to self-oscillate in many ways: By adjusting the controls to just below the point of oscillation, and then applying a pulse, square, or other abrupt-edged input signal waveform will “ring” the filter. A simple “click” on the input can give a percussive output sound – from bass drum to bell to a harsh metallic clang; Crank the controls up and this beast will scream like a banshee! The oscillation can be damped or continuous. Chain a couple in series and get accumulating feedback – the build-up can be slow, fast or instantaneous. White Noise is easy to do – you don’t even need an input signal! Turn the input all the way down, and then slowly turn the gain up. You can adjust the “color” of the noise with the frequency controls. Daisy-chaining multiple filters can give a “comb” or multi-phase noise. About phase-shift characteristics: A single filter can give a STRONG chorus effect if so desired, useful as a sub-oscillator or just to 'fatten' a sound."

You can find additional details and samples on the Flight of Harmony website here.

CLICK FOR MORE »

The blind masseur (Volca FM x2, Keys, Beats)

Published on May 10, 2016 Metatron's Cube

"It seems my video editing software can't handle a bunch of stuff happening at once, I tried re-rendering this several times and they all have a stutter near the beginning. But, it was too cool not to upload even if it's janky for a few seconds. Anyhoo, Zatoichi the blind masseur/swordsman whistles us in on this jam. His sword skills are so powerful the computer shudders in fear and mis-renders the action(lol). The Korg FM's are set up like a guitar, and the other like a plucked string like sound(and clashing blades in one part). It's a drone to wander the landscape to. Also a big thanks to all the recent subscribers. We have been working quite a bit lately, but when it calms down some more, bigger jams will happen. There are things slowly happening in the shadows(as well as a full Volca Series(all five volcas) random give-away at, or just after our 1000th subscriber, because why not?). Have great week everyone, and thank you for listening and watching!
download@ https://soundcloud.com/miles-baskett/...
Gears used:
Korg Volca FM
Korg Volca FM + Kp3 LCR delay
Korg Volca Keys + TC Electronics T2 reverb
Korg Volca Beats + TC Electronics HoF reverb
Zoom R24 (recording)
Presonus Studio One (final touches)
Kdenlive (freeware video editor)"

KORG Volcas on eBay | KORG Volcas on Amazon

Scanner - Valbor

Scanner - Valbor from Tiptop Film on Vimeo.

www.tiptoprec.com

Artist: SCANNER

Title: Valbor

Title Album: TTAR VA 0002

Directed by: Lorenzo Marchi

Release Date: 09.02.2016

Label: Tiptop Audio Records

Genre: Electronic, cinematic

Mastering by Tommy Bianchi @ White Sound Mastering Studio

Distribuited by Wordandsound

An imaginary character, here presented as a top hat, rides a bicycle, crossing landscapes taken from English prints of the eighteenth century, persevered in the British Library. In the background we see St John’s College, St Saviours Church and Cambridge, animated and resonating with light and shadows, offering up a playful tale between abstraction and reality.

Un cappello a cilindro, che sottintende la presenza di un personaggio immaginario alla guida di una bicicletta, attraversa paesaggi tratti da stampe inglesi del XVIII secolo della British Library. Sullo sfondo sfilano tra gli altri il St. John’s college, la St. Saviours Church e Cambridge animati da variazioni prospettiche e cambiamenti atmosferici in un alternarsi di luci e ombre: astrazione e realtà.

An Interview with Barry Schrader

Hi everyone! As you know Barry Schrader will be giving his farewell concert at CalArts on September 26. The following is the beginning of my interview with him. I opted to post the questions and answers as they come in.  New QAs will get a new post so you do not miss them and they will be added to this post so we have one central post for the full interview. This should make it easier for all of us to consume in our busy lives, and it will allow you to send in any questions that may come to mind during the interview process.  If you have anything you'd like to ask Barry, feel free to send it in to matrixsynth@gmail.com.  This is a rare opportunity for us to get insight on a significant bit of synthesizer history, specifically with early Buchla systems, and I'd like to thank Barry for this opportunity. Thank you Barry!

CLICK FOR MORE »

Euroack 'n' ROMpler Modular Synth Jam (w/ JV1010 & Vermona DRM-1) #TTNM

Published on Mar 31, 2015 The Tuesday Night Machines

"This is a previously unreleased jam session video from May 2014, with rhythmic pings and pops, bright synth sounds and ROMpler guitar strings.

Gear used in this video:
- Eurorack Modular Synthesizer (with Vermona qMi, Malekko Wiard Anti-Oscillator, Intellijel, Klangbau Wavetable VCO, Klangbau 3D VCF, Sound of Shadows, Plague Bearer, Ataraxic Translatron, Voice of Saturn VCF, etc)
- Anyware Tinysizer (modular synth)
- Arturia MicroBrute (analog synthesizer)
- Roland JV-1010 (ROMpler guitar through EHX Memory Boy delay pedal)
- Vermona DRM-1 mkIII (drum synth)
- Akai MPC 1000 (sequencer)
- Zoom R16 (recording & mastering)

Filmed with a Canon EOS 550D (Rebel t2i)."

RIP Leonard Nimoy

Spock's Logic - Modular Synth Jam (w/ MicroBrute) #TTNM

Published on May 13, 2014 The Tuesday Night Machines

RIP Leonard Nimoy. Your influence is everywhere.

"Mr. intellijel Spock and his helpers generate patterns and the Turing Machine does random melodies through a uScale.

Everything apart from the drums is sequenced by the self-playing modular synth patch (even the MicroBrute), which is only clock-synced to the MPC.

Questions or comments? Go ahead and post them below! :) Thanks for watching!

MORE INFO:

Gear used in this video:
- Eurorack Modular Synthesizer (with Vermona qMi, Malekko Wiard Anti-Oscillator, Intellijel, Koma Kommander, Sound of Shadows, Plague Bearer, Spock, RYO Optodist, Voice of Saturn VCF, etc. see: http://www.modulargrid.net/e/racks/vi...)
- Arturia MicroBrute (analog synthesizer)
- Vermona DRM-1 mkIII (drum synth)
- Akai MPC 1000 (clock & drum sequencer)
- Zoom R16 (recording & mastering)

Filmed with a Canon EOS 550D (Rebel t2i)."

Peter Vogel - The Sound of Shadows (2011)

Peter Vogel - The Sound of Shadows (2011) from Jean Martin on Vimeo.

"Pre-published part of the documentary about Peter Vogel explaining his work in his atelier in Freiburg i.B., South-West Germany, by Jean Martin and Conall Gleeson."

T-t-talk to me - An Echophon, Planar and Ribbonz demo

Published on Feb 8, 2014 HardScienceAV

"I just got the Make Noise Echophon and decided to give it a go. This is the result of my first patch. Thought I'd make a video of my experience :)

Here's a basic breakdown: The Flame Talking Synth is going into the Echophon input. I took the aux out of the Echophon into the FoH Sound of Shadows and fed both Echophon and SOS outputs into the Fontronik MH01. There's a lot of modulation going on. The Talking Synth has all of its parameters controlled by the Monde Ribbonz (the ribbon controller at the bottom that you've never seen before) and the Echophon has most of it's parameters controlled by the Intellijel Planar joystick and the ZBK (the big knob in the middle!).

The video was then processed with the LZX Industries video synth.


For more videos and stuff by me, go to: Hardscience.ca (or vimeo.com/hardscience)

For more info on the Monde Ribbonz, and other Monde modules, go here: http://www.mondesynthesizer.com/"

Swinth Commodore 64 compilation in HD - C64 SID chip

Published on Jul 18, 2014 MrCaliforniaD

"Played on a REAL Commodore 64 with the 6581 SID chip.

I did not compose this and can't find out who did it. Sorry!

Songs:
- Theme from Stationnary Ark
- Saturdays in Silesia
- Excerpt from Vangelis's 'Spiral'
- Mike Oldfield's 'Tubular Bells'
- Theme song from Magic Shadows
- ???
- Oxygene II
- Pachelbel's Canon in D minor
- ???

From the program 'Swinth'."

Update via yeryry in the comments:

"Probably by Georg Feil:

COMMENT: All comments for this file are by Georg Feil himself and are denoted
by (GF).
"I wrote it around '84 or '85 as a demo for my music editor called
'Synth'. I was going to University of Waterloo at the time and just
gave it to a friend of mine... didn't even bother to put my name on
the thing. Anyway it soon started cropping up all over the place.
I never made any sequels with music, although there was something with
annoying sound effects done in the same style as Synth Sample that I
posted in the beginning of 1994. So any music you see that looks like
a sequel or has graphics added was done by someone else.
Anyway the computer bust of 85/86(?) hit and Synth was never marketed.
I had been negotiating with a software company but they went out of
business. By that time I was working on a new version of Synth that
was a sequencer program for Midi instruments (called MSS), and had
joined my first band. I've been in a couple other bands since then,
the last one was called SugarPush and we came close to getting signed
(but then broke up [...]). So I guess you can credit that little
program with launching my musical career..." (GF)
(#1)
TITLE: Stationary Ark
ARTIST: John Mills-Cockell
COMMENT: "Theme from Stationary Ark, a nature show on PBS. [...] It appears on
Synth Sample as interpreted by a friend of mine. I didn't know what it
was myself until I happened to see Stationary Ark one time. This song
does not play properly on some C-64's where the SID chip filter is
calibrated differently." (GF)
(#2)
TITLE: Saturdays in Silezia
ARTIST: Rational Youth
COMMENT: "A fluffy pop song I taped off the radio. Seemed simple enough to
render on the C-64." (GF)
Also used in the game Shocker.
(#3)
TITLE: Spiral [from Spiral]
ARTIST: Vangelis
(#4)
TITLE: Tubular Bells, Part 1 [from Tubular Bells]
ARTIST: Mike Oldfield
COMMENT: A little free-hand adaptation.
"I just thought this was ultra cool. Used as the music to The
Exorcist, unfortunately." (GF)
(#5)
TITLE: Magic Shadows, closing theme
ARTIST: Harry Forbes
COMMENT: "Magic Shadows was a half-hour movie show on TV Ontario, sort of the
Canadian equivalent of PBS. They'd show old movies in half-hour
installments. I have no idea if there's an album. I taped it off the
TV." (GF)
(#6)
TITLE: Funeral Music for Queen Mary
ARTIST: Henry Purcell
(#7)
TITLE: Oxygene 2 [from Oxygene]
ARTIST: Jean Michel Jarre
(#8)
TITLE: Canon in D major
ARTIST: Johann Pachelbel
COMMENT: "This is a very popular classical hit. I transcribed the notes from a
Transactor or Compute! article (this is the only Synth Sample piece
not transcribed by ear)." (GF)
(#9)
TITLE: Enola Gay [from Organisation]
ARTIST: Orchestral Manoeuvres in the Dark (OMD)"