4ms Company offers alternatives to traditional instruments with our poly-rhythmic clock modules that create evolving complex mathematical beat patterns, a resonator that can cast pop music into micro-tonal keys, a multi-channel wavetable oscillator, a routing matrix that's played like an instrument, and many more innovative devices. Rather than replicate concepts from the past, we strive to turn unique ideas into playable musical tools that expand the possibilities of music. We also offer Do-It-Yourself kits, and many of our designs are open-source.
Acid Rain Technology acidraintechnology.com
Acid Rain Technology is a manufacturer of music hardware out of Seattle, WA. We believe hardware instruments enable a unique connection between human and machine, and seek to improve this interaction through interface design for maximum playability.
After Later Audio afterlateraudio.com
After Later Audio is a boutique audio company located in Seattle, Washington. We make high quality Eurorack modules at accessible prices and we pride ourselves on responsive customer service. You can find our products for sale on our website, at various synth shops (Patchwerks, London Modular, Chuck Levin’s, and Modular 8), and on all of the major ecommerce sites.
"In this exploration of sound design and composition using the Werkstatt-01 analog synthesizer, Asheville-based electronic music producer and Moog Product Specialist Max Ravitz combines eight Werkstatt-01 synthesizers in a dynamic performance in the Moog Sound Lab.
Each of the eight Werkstatt-01 instruments provides a different element in the song ranging from booming kick drums to metallic hi-hats, and deep basses to wavering leads—many of which are based on the sounds found in the Werkstatt-01 Exploration Patchbook, which contains a variety of inspiring patches also designed by Ravitz. All eight Werkstatt-01 synthesizers in this performance are sequenced by the Winter Modular Eloquencer, with a touch of delay and reverb provided by the OTO Machines BIM and BAM to add dimension to the mix."
See the dealers on the right for availibility.
User videos:
Playlist:
1. Moog Werkstatt Overview and Demo by Patchwerks Seattle, available here: http://bit.ly/pw-werkstatt
2. A $199 Moog?! Moog Werkstatt-01 Analog Synth Demo & Build - Reverb
3. TOO Much Werk?? The Moog Werkstatt-01 & CV Expander - Noir Et Blanc Vie
4. Building + Playing Moog Werkstatt-01 + CV Expander Analog Synthesizer Kit - Lightbath
5. Moog Werkstatt-01 (From Build to ACID) - Red Means Recording
6. Moog Werkstatt-01 & CV Expander reissue 2020 build and review - Molten Music Technology
Werkstatt-01 is a patchable and compact analog synthesizer. A gateway to the expansive world of analog synthesis, the instrument is a must-have for anyone interested in exploring classic Moog sound and circuitry through the unique, hands-on experience of a DIY synthesizer project. This affordable, easy-to-assemble kit requires no prior electronics experience and is a perfect afternoon (or Christmas morning) project.
The straightforward simplicity of Werkstatt-01’s design makes it an ideal jumping-off point to discover a limitless new world of analog sound design, and the included 3.5mm CV Expander makes it a no-brainer for everyone wishing to integrate the iconic Moog sound into their music. The 9" by 6" musical machine may be small, but the raw power and spectrum of the sound it produces is immense.
From Musical Exploration to Experimental Education
First introduced at Moogfest 2014 as part of the event’s Engineering Workshop, the Werkstatt-01 analog synthesizer has been admired as an essential introductory synth, a powerful standalone instrument, and an enhancement to any integrated electronic music ecosystem. Based on classic Moog circuitry, Werkstatt-01 was created to provide a hands-on understanding of how analog synthesizers work and encourage experimentation with sound through patching and interconnectivity.
The research and design that went into Werkstatt-01’s circuits, and the demand for more semi-modular exploratory analog instruments after its initial release, ultimately led to the development of some of today’s most expressive sound design machines: Mother-32, DFAM, Grandmother, Matriarch, and Subharmonicon.
More than a musical instrument, Werkstatt-01 has also served as an interactive educational tool in STEM curricula. The compact, versatile synthesizer has been the heart of the Georgia Tech Hackathon, a weekend-long competition that takes place each February at the Atlanta university’s Center for Music Technology, for six years and counting. The 2021 Georgia Tech Hackathon will be held virtually; see details here.
The easily mod-able analog synth kit has also proven to be a perfect learning ground for DIY modifications and the science of sound. This page of our website features a series of instructional videos to walk you through how to expand your instrument through breadboarding and arduino integration.
Classic Moog Sound & Circuitry
Werkstatt-01’s 100% analog circuits deliver the classic soul and futuristic sound Moog synthesizers are known for. Featuring a full-range analog oscillator with selectable waveforms for powerful sound and the legendary Moog Ladder Filter for precision harmonic sculpting, this instrument covers a vast expanse of sonic territory. Adding movement and modulation is as simple as engaging Werkstatt-01’s analog LFO circuit to simulate the motion of gently breathing waves, or crank up the LFO speed and summon cosmic laser beams. A two-stage analog envelope generator with sustain gives you control to shape dynamics, dialing in everything from lush electronic string swells to punchy basslines and organic percussion hits—and everything in between.
The included CV Expander allows you to enter the endless realms of modular synthesis, where new connections can be made and original sounds are unlocked. Patching inputs and outputs together from the 12 jacks of the 3.5mm patch bay will reconfigure Werkstatt-01’s circuits to create new signal paths and empower new sonic explorations. The included CV Expander also makes it easy to connect Werkstatt-01 to other Moog semi-modular synthesizers, Eurorack systems, or drum machines, enhancing any configuration with powerful analog sound."
Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.
Sonic Explorer
Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.
Wave Traveller
The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.
Driven by Inspiration
Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.
Team Player
Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.
Family Member
Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.
Press Release follows:
Waldorf genuinely gets right to the heart of its Iridium synthesizer product line by introducing Iridium Core as small form factor variant
As many of you know, Richard Lainhart passed away on December 30, 2011. He was primarily known in his later days for his music composed with a Buchla 200e modular system and Haken Continuum. On July 7 & 8, 2012 he and Morton Subotnick's works will be featured in a concert and screening presented by Harvestworks, in association with ((audience)) and River-to-River Festival. A screening of the modular synthesizer documentary "I Dream of Wires" which features Richard will be held on July 8.
"A note from Caroline Meyers (Richard's wife). 'Richard would have been so honored to have his name linked to that of Morton Subotnick for this July 7th concert. He often spoke of his reverence and admiration for the composer's works and I believe Silver Apples of the Moon was the inspiration for Richard to begin his explorations in electronic music.
That he did not live to see this day pains my heart, but I hope that the occasion and the admission price will encourage you to mark your calendar and attend this concert in his name, and in celebration of electronic music from the master.'"
The events:
July 7, 2012, 7:30pm Works by Morton Subotnick and Richard Lainhart Michael Schimmel Center for the Arts Pace University 3 Spruce Street, NYC Admission: FREE
On July 7, Source of Uncertainty II presents a premiere performance of Energy Shapes by Morton Subotnick and excerpts from his legendary album Silver Apples of the Moon.
The July 7th concert's opening feature is The Orchestra of the Damned, by the late Richard Lainhart (1953-2011). The Orchestra of the Damned is a quadraphonic tape-work for the Buchla 200e analog modular synthesizer.
As Richard introduced the first audition of the piece on MatrixSynth (www.matrixsynth.com) in 2007, he said: "Friends: just in time for Halloween, a new piece for Buchla 200e and Continuum - The Orchestra Of The Damned...I played this live entirely with the Continuum - no sequencing or multitracking involved. I hope you enjoy it." [posted here]
In a review for Further Noise, Caleb Deupree says, "Orchestra of the Damned is cinematic with all of its texture changes, from sparse, quiet sounds to constant, siren drones, including a remarkable section reminiscent of the earliest electronic works from Cologne and Paris of the 1950s."
July 8, 2012, 6:00pm Film screening of I Dream of Wires including an interview with Richard Spectacle Theater 124 South 3rd Street, Brooklyn Admission: $5
On July 8, ((audience)) will present a special screening of selections from I Dream of Wires, a forthcoming documentary on the modular synthesizer featuring interviews with manufacturers, collectors, designers and musicians.
The I Dream of Wires, screening will include an interview with Richard Lainhart.
Directed by Robert Fantinatto, I Dream of Wiresis a journey into the obscure but highly influential world of modular synthesizers. Learn how it revolutionized music from the pioneers that were there, why it quickly became obsolete, and how it has become all the rage again.
The film is currently in production; the directors will present a selection of raw footage and interviews. For more information, visit http://idreamofwires.org/.
The evening will also include short films by Liz Wendelbo with soundtracks by her Brooklyn-based synthesizer band, Xeno & Oaklander."
"About Richard Lainhart Richard Lainhart was a composer, performer, and filmmaker based in New York. He studied composition and electronic music techniques with Joel Chadabe, a pioneer of electronic music and the designer of the Coordinated Electronic Music System at one time the largest integrated Moog synthesizer system in the world. From 1987-1990, Lainhart was the Technical Director for Intelligent Music, developers of innovative computer music software like M, Jam Factory, and UpBeat.
His compositions have been performed in the US, England, Sweden, Germany, Australia, and Japan. Recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, ExOvo and Airglow Music labels and are distributed online via MusicZeit. As an active performer, Lainhart has appeared in public approximately 2000 times. Besides performing his own work, he has worked and performed with John Cage, David Tudor, Steve Reich, Phill Niblock, David Berhman, and Jordan Rudess, among many others. He has composed over 100 electronic and acoustic works, and has been making music for forty years. In 2008, he was commissioned by the Electronic Music Foundation to contribute a work to New York Soundscape.
Lainhart's animations and short films have been shown in festivals in the US, Canada, Germany, and Korea, and online at ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. His film "A Haiku Setting" won awards in several categories at the 2002 International Festival of Cinema and Technology in Toronto. In 2008, he was awarded a Film & Media grant by the New York State Council on the Arts for "No Other Time", full-length intermedia performance designed for a large reverberant space, combining live analog electronics with four-channel playback, and high-definition computer-animated film projection."
"Pigments 5 is the latest edition of Arturia’s flagship modern software synth with the power to create any sound, from the best mix-ready presets to deep custom sound design. The 5th edition brings more ways than ever to design, sculpt, modulate and arpeggiate your sound."
"We explore the new features in version 5 of Arturia's flagship instrument Pigments, along with the newly released Liquid Explorations and Beats Explorations preset packs.
00:00 Introduction
00:27 External Audio Input
03:44 New wavetables
05:30 New Sequencer features (presets, random, lock)
07:02 Liquid Explorations presets
09:54 Beats Explorations presets
12:53 Conclusion"
Arturia Pigments 5: New Atmospheric Presets Demo. No Talking
"Arturia have just released the update to one of the most powerful synths - Pigments. Now it's version 5. They added new sequencer and oscillators features, more wavetables and samples, the ability to pass and process external audio, and other improvements.
This is a short video with some of my favorite presets from the new Pigments 5 collection.
Get the update and have fun with the new sounds.
A revolution in modern synthesis, Pigments’ approach to sound design is as intricate as it is accessible. Now with more ways than ever to craft those hard-hitting sounds.
CPU Pigments 5
Reduced CPU consumption
Pigments now utilizes multi-core processing for greater CPU efficiency, allowing more users to explore this powerful softsynth with ease.
Process any audio with Pigments
You can now process external audio in Pigments from the Utility engine, by routing the sound to the instrument through the track sidechain input. Additional FX routing options have also been integrated.
Compose in style
Pigment’s refreshed interface includes an improved play view, with new visualisers and other UX enhancements.
Melodize any sound in 1 click
Explore the new generative sequencer, featuring one-click sequence generation and new play modes, as well as saveable presets and sequence browsing. Make use of the sequencer lock to apply your sequence settings to any sound.
New curated content and sounds
Discover a selection of 100 new factory presets alongside new wavetables and samples in Pigments 5, comprising more than 1500 sounds.
New preset expansions
Explore an exclusive selection of sounds with Explorations; 3 new sound banks including 150 presets in each, showcasing a range of bold, colorful and expansive sounds that Pigments is renowned for.
"Arturia makes massive analogue splash with miniature MicroBrute
'I really love the sound of the original MiniBrute, and the MicroBrute’s got that character and can be even wilder. You can get all kinds of crazy and musical interactions going on with other analogue gear and drum machines. Combine the two together and you’re rocking!'
- Adrian Utley, 2013 (Portishead)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of the MicroBrute Analog Synthesizer — an amazingly compact and bijou, semi-modular analogue monosynth with inbuilt step sequencer, boasting MIDI, USB, and CV connectivity, together with a whole host of unique features — as of October 25...
Arturia’s award-winning MiniBrute Analog Synthesizer rapidly reset the price/performance ratio benchmark when soaring through the subtractive synthesis sound barrier last year to much critical acclaim and subsequent success. Today it is joined by its equally as big- sounding little brother, the MicroBrute Analog Synthesizer. Putting all the basic building blocks of an analogue synth classic into an even more compact and bijou package that’s pure hand-ons fun at an affordable price, the MicroBrute is guaranteed to bring big smiles to go with those big sounds!
But the MicroBrute Analog Synthesizer is actually anything but basic. For starters, just like its big brother, the OSCILLATOR that beats at its musical heart features SAW, TRIANGLE, and SQUARE waveforms that are all mixable to help shape the resulting sound without the limitations imposed by comparable contemporary and vintage synths alike. Additionally, the new Overtone oscillator generates additional harmonic content, ranging from one octave down to a fifth above the base OSCILLATOR pitch, while the Sub > Fifth control can continuously sweep spectrum. Moreover, Metalizer adds complex harmonics to the TRIANGLE waveform for creating harsh, harmonically-rich sounds, while Ultrasaw adds a lively and bright ensemble effect to the SAWTOOTH waveform — perfect for crafting sounds suited to dance anthems. And let’s not forget the all-important Pulse Width control for creating nasal-thin tones or rich square sounds. Simply speaking, never before has such a small, single-oscillator synth sounded so big!
Of course, filtering helps shape any analogue synth’s sound — be it big or small, and here the MicroBrute does not disappoint. Indeed, its distinctive-sounding Steiner-Parker FILTER plays a big part in helping give the MicroBrute a unique sound — again, just like its big brother. This filter design dates back to the Steiner-Parker Synthacon, an analogue monosynth built by the namesake Salt Lake City-based synth manufacturer between 1975 and 1979. Its HP (high-pass), BP (bandpass), and LP (lowpass) modes make for far more filtering flexibility than that found in synths many times the price! And that’s before factoring Arturia’s acclaimed Brute FactorTM into the equation, adding anything from subtle overdrive to full-blown intermodulation havoc — choose your settings, and let the fun begin!
Speaking of modulation, the easily accessible, front-panel mounted MOD MATRIX is a Volt per Octave-standard patchable system of modulation routing with ENV (envelope) out, LFO (low frequency oscillator) out, Ultrasaw modulator in, PWM (pulse width modulation) in, Metal (Metalizer) in, Overtone/Sub modulator in, Filter cutoff in, and Pitch in — meaning more in-depth, inbuilt sound-sculpting possibilities, as well as allowing Arturia’s own MicroBrute to be easily brought into the interfacing mix, or mixing and matching with third-party modular synth systems for far-out sonic explorations! Dig as deep as you need or dare to go with the MicroBrute!
Similarly, the new eight-Pattern step SEQUENCER is an almost endless source of inspiration and rhythmic creativity — step input notes and rests to create storable sequences that can be played back and switched between on the fly at a variable Rate or synchronised to external MIDI clock. Meanwhile, MIDI, USB, and CV GATE connectivity, of course, combine to ensure that the MicroBrute is ready and willing to talk to the outside electronic musical instrument world wherever it may find itself. It’s even blessed with an external audio Input with Input Level control, so why not use it to process whatever you feel like sticking into its 1/4-inch socket — within reason, of course!
With a space-saving 25-note mini-keyboard and weighing in at only 1.75kg, the MicroBrute Analog Synthesizer is truly compact and bijou, but punches well above its weight with a rip-roaring analogue sound spanning woofer-flapping bass, screaming leads, ear-opening effects, wave-folded growls, punchy drum sounds galore, and much in-between and beyond. Pick one up from an authorised Arturia dealer today!
If you are coming to this post directly from the interwebs, don't miss the previous overview video here with a link to the official intro teaser video from Arturia.
Moog One | Oscillator Compensation Calibration Moog Music Inc
"This video demonstrates how to run the Oscillator Compensation Calibration in Moog One's v1.4.0 firmware.
Oscillator Compensation is a new update to Moog One’s tuning algorithm that provides real-time tuning compensation across the range of the instrument. Even if your Moog One is well-tuned and calibrated, running the Oscillator Compensation will improve tuning perception and performance.
Learn how to update Moog One's firmware: https://youtu.be/s0oJAe3i95U"
"A Major Update & New Explorations
Moog One Firmware v1.4.0 plus more than 20 new patches are now available for Moog One registered owners.
This major firmware update adds Oscillator Compensation Calibration to Moog One’s tuning algorithm to provide real-time tuning compensation across the range of the instrument.
We are also proud to present a new set of compositions by Lisa Bella Donna documenting her continued explorations of Moog One's capabilities. These tracks were composed using 12 of the new presets designed for the v1.4.0 release.
This collection of tracks is also available for purchase. 100% of the proceeds will be donated to AFRORACK, an audio arts organization committed to providing children and young adults of color access to modular synthesizers and sound design tools. Moog Music will be matching all donations."
Listen to the Tracks Here:
"100% of the proceeds from album sales will be donated to AFRORACK, an audio arts organization committed to providing children and young adults of color access to modular synthesizers and sound design tools. Moog Music will be matching all donations.
This record is a collection of instant compositions implementing 12 new patches developed by Lisa Bella Donna for the latest Moog One firmware update.
Throughout this EP, Lisa demonstrates the synthesizer’s infinite modulation matrix, impressive envelope generator range and control, and more Moog One features that shine in these new Polymoog-style presets.
The majority of these tracks are mixed right on board without using a DAW. Other than two pieces with added percussion, all sounds you hear throughout this EP are from Moog One. Observe how the new patches unfold to create beautifully complex and rich sounds in an improvisational environment.
"Moog Minitaur Toxic Edition Analog Explorations
Bass Synthesizer Synth by Rik Marston
***Watch In HD*** 100% NO TALKING!
Please Watch Your VOLUME LEVELS!!!
I love the Moog Minitaur, it just sounds so clean & PHAT!!!
I am just tweaking late night & having fun
with the Filter, LFO, Glide & VCO 2!!!
This synthesizer is more than just a BASS synth!!
It is a great synth on it's own (Plus the editor is fun)
and you can come up with some great sounds.
I am using a Roland JP-8000 as a MIDI controller
for this synthesizer video demonstration.
This Minitaur has GREEN stencil & Moog Wood Ends.
Very collectable! It's in great shape!
Get one if you can!!
Introduction Published on Jan 8, 2020 Audio Damage, Inc.
"A brief overview of Continua, a virtual analog synthesizer for your Windows, macOS, or iPadOS music-making. Continua bucks the current trend of Robocop wavetable synths to bring you a somewhat more chill environment. Morphing oscillators and filters ease your sonic environment in to place, while custom chorus, delay, and reverb algorithms blend it in to a huge and complex soundspace.
Full MPE implementation and modulation routing for days make Continua an incredibly expressive synthesizer, while TUN file loading allows explorations outside equal temperament. A true player's synth, Continua is both bedrock and atmosphere. Try the demo at http://www.audiodamage.com today!"
Audio Damage Continua: A Wavetable Synth with RMR Presets
Published on Jan 8, 2020 Red Means Recording
"Audio Damage Continua is a wavetable synthesizer for Windows, OSX, and iOS. I made some presets for it. Let's check it out!"
Continua - Audio Damage - Red Sky Lullaby presets demo
Published on Jan 8, 2020 redskylullaby
"Demo of my presets included in Continua a new 3 osc virtual analog synth from Audio Damage for iPad and desktop
Loads of really deep modulation options in Continua and MPE too."
"Forbin Accenta Electronica is an entirely electronically-produced experimental composition using the KX-Synth X16software synthesizer. The KX-Synth X16 is a successful and extremely flexible software re-creation of the famous EMS VCS3 Putney or various Synthi models, using a virtual pin matrix to inter-connect the various oscillators, filters and modulation effects together. For this work, twin KX-Synth X16 synthesizers were connected in parallel within the VST host. Both synthesizers responded to playing, making the sounds truely bi-timbral, with both outputs able to be recorded by the host software for later integration into a multi-track environment. Various presets were used and modified to create etheral tones. Most of the patches employ ring modulation , or were configured by the virtual pin matrix to add ring modulation and extra feedback delay to create metallic and etheral melody lines. Those who every wanted to play an EMS VCS3 or Synthi synthesizer can have a feel for what it is like playing a KX-Synth X16 VST synthesizer on their own computer. The experience is extremely satisfying and open for much exploration and experimentation. The first mix comprised a reverberant tonal line with two tracks of a lone reverberant synthesizer line with heavy short feedback delay. These tracks were mixed down to one stereo track and slowed down significantly to create a more dreamy combination. Added to this was a metallic vibration tone with very short delay and heavy feedback. This was faded in and out as appropriate to the first mix. At the end are two time-shifted tracks of a sample of the ending, looped, then progressively slowed down until a very low frequency combination is heard receding into the distance. This then concluded the composition. The final mix was twice-compressed to level out the dynamics, then this version was used for the video. The visuals comprise vintage digital and analogue computers from the last 50 years - including UNIVAC, ORACLE and other systems, including SketchPad by Ivan Sutherland and various radar systems such as SAGE. These images were colourised with painting software, then keyed over modulating derivatives of a striped pattern, or motion-tracked versions of other images. The music reminded one of the feel of the music score in the film The Forbin Project; so the title of the work pays homage to this science fiction classic. The vintage computer images help to connect the music to previous generations when the technological landscape of computer science was of a different order."
Moog Matriarch Synthesizer Demo with Mikael Jorgensen - All Playing, No Talking Published on Apr 25, 2019 Musician's Friend
"Moog Matriarch is a semi-modular, 4-note paraphonic synthesizer and the newest member of the Mother family of synths.
Demoed here by Mikael Jorgensen of Wilco, Matriarch's design is based on some of Bob Moog's most revered circuits. The all-analog signal path features 4 powerful VCOs, dual ladder filters, stereo delay, an arpeggiator and a performance friendly 256-note sequencer.
The 4 VCO design can be played in three distinct modes: 4-note paraphonic, 2-note paraphonic and monophonic. Each oscillator can select from a variety of waveshapes and octaves, allowing you to create incredibly rich and harmonically complex sounds. As mentioned, Matriarch features two classic Moog Ladder Filters that can be used in three distinct modes: parallel (High Pass/Low Pass), stereo (Low Pass/Low Pass), and series (HP/LP).
Where Grandmother featured an analog spring reverb, Matriarch features a dual analog delay inspired by the MF-104M Moogerfooger circuit. This delay module offers up to 700ms of stereo or ping-pong style repeats.
Although Matriarch has 90 patch points, enough to satisfy even the most adventurous of sound designers, it can be played right out of the box thanks to its intuitive layout and signal flow."
Moog Matriarch | Sound Explorations with Philip Cornish
Published on Apr 25, 2019 Guitar Center
"Musical Director for Kanye West and 7-time Grammy-nominated producer/writer, Philip Cornish, explores the sounds of the new Moog Matriarch Semi-Modular Analog Synthesizer, a 4-note paraphonic synth with built-in Sequencer, Arpeggiator, stereo Ladder Filters and Stereo Analog Delay.
The pinnacle of Moog's semi-modular family of synths, the Matriarch's 90 modular patch points and vintage Moog circuits provide endless sonic possibilities and unparalleled analog sound."
"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More"
Full press release further below.
Playlist:
Roland FANTOM EX Upgrade Josh Blair Interview
Roland FANTOM EX Upgrade Sound Demos
Roland FANTOM EX Upgrade Install Guide
User demo video from Gattobus:
FANTOM EX - ACB JUPITER-8 Tone Programming Experience
"In this video I wanted to make you feel the Analog Circuit Behavior of the JP-8 on the new FANTOM-EX update.
A hands on programming experience starting from scratch!
WARNING:
Mind your volume levels, there are some serious filter sweeping frequencies that may caught you unprepared!!! :D
Enjoy!"
Press release follows:
"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More
Los Angeles, CA, Nov. 7, 2023 — Roland announces the FANTOM EX Upgrade, a powerful new system expansion for the company’s FANTOM 6, 7, and 8 synthesizer models. Bounding with exciting new features and workflow enhancements, the user-installable FANTOM EX Upgrade supercharges Roland’s premier synthesizer series with even more creative firepower. The most significant update in FANTOM’s history expands and enriches the core platform with powerful Analog Circuit Behavior technology, two new grand pianos, JD-800 and n/zyme Model Expansions, studio-grade reverb effects, and more. Available for purchase on Roland Cloud, this value-packed upgrade is a must-have for current and future FANTOM owners.
Introduced in 2019, FANTOM was designed as an evolving creative hub that continually grows through sound expansion, software integration, and user-requested features. The FANTOM EX Upgrade integrates a host of sound engine and system enhancements, launching the FANTOM platform far beyond the impressive capabilities of previous versions. In development for many months, this important upgrade embodies Roland’s ongoing dedication to its flagship synth and the worldwide FANTOM community.
JUPITER-8 and SH-101 ACB Expansions Roland’s acclaimed Analog Circuit Behavior (ACB) is the core technology behind AIRA products such as the TR-8S and SYSTEM-8, as well as the extensive Legendary series of software instruments on Roland Cloud. ACB brings an authentic analog sound experience to life in the digital realm, faithfully recreating analog circuitry and all their interactive behaviors at a deep component level.
Realized through new engineering breakthroughs, the processor-intensive ACB architecture is now available to FANTOM owners with the JUPITER-8 ACB and SH-101 ACB Expansions in the FANTOM EX Upgrade. These circuit-level recreations of influential Roland synths offer all the latest ACB advancements, including Circuit Mod and Condition functions for dialing in varying degrees of vintage character.
Two Concert-Class Acoustic Pianos The FANTOM EX Upgrade features two deeply expressive grands primed to elevate stage and studio endeavors with Roland’s renowned piano performance. Additionally, FANTOM’s V-Piano interface has been refreshed with an attractive new graphical design.
Originally developed for the flagship RD-2000 stage piano, the German Concert V-Piano Expansion 01 is a versatile and inspiring instrument with a rich, powerful, and detailed voice. The SuperNATURAL Acoustic Piano 3 Expansion offers 15 distinctive sounds, from bright, dynamic tones for stage playing to dark, moody variations for ambient explorations.
JD-800 and n/zyme Model Expansions The FANTOM EX Upgrade also includes two of Roland’s most recent Model Expansion titles, driven by the ZEN-Core engine for advanced sonic range and performance versatility. Combining the original JD-800 waveforms with advanced modeling techniques, the JD-800 Model Expansion puts the gleaming tone and monster sound-shaping potential of this vintage digital icon inside FANTOM.
The n/zyme Model Expansion is a thoroughly modern instrument with an all-new synth engine developed for the FANTOM environment. Combining wavetable oscillator layers, phase and shape modulation, resonant filters, and two powerful Step LFOs, n/zyme is a highly interactive music tool that sparks endless creative explorations.
Effect and Workflow Enhancements The FANTOM EX Upgrade further enhances the synthesizer’s smooth workflow and deep feature set. New Shimmer Reverb and Modulation Reverb algorithms instantly infuse any sound with spaciousness and intense harmonic color. FANTOM’s DAW control has been expanded with profiles for Steinberg Cubase and PreSonus Studio One. Additionally, the Master FX processor includes new preset templates for faster workflow and refreshed graphical interfaces for the Mastering Comp and Mastering EQ sections.
Availability & Pricing The Roland FANTOM series, including the FANTOM 6, FANTOM 7, and FANTOM 8, are available in the U.S. for: $3,499, $3,899, and $4,199, respectively. The Roland FANTOM EX Upgrade is now available for $199."
"I was asked to compose/perform a modular synthesizer piece for a 50th-year celebration of the film 2001 a Space Oddessy to take place in Santa Cruz CA. It was a sound representation of astronaut Dave Bowman piloting a shuttle through the Stargate to Jupiter. It was done by controlling feedback through an analog modular synthesizer. It is intended to evoke the nearly out of control energy involved in space flight. These are nine related feedback explorations developed in preparation.
"'Mystic Explorations' is a collection of songs written and recorded around the Mystic desktop synthesizer, which I designed for Recovery Effects. Each track was recorded in the early evenings of February, 2024, where I would start by going for a walk with my dog, Jackson, looking for inspiration. These cold, night-time walks centered around a cemetary in our neighborhood, known as a home and hunting spot for coyotes. I would record audio from these walks and use it as the backdrop for each track as I worked on it.
The Mystic is used as the main sound source for these songs, while accompanied by drum machines such as the MPC One, Syncussion SY-1 (built by myself), Roland T-8, and Roland Drumatix TR-06. I used modulation sources from my Eurorack synthesizer, MPC One, and Korg SQ-1. I used effects devices such as the Vongon Polyphrase, Chase Bliss Habit, and Strymon Magneto. All of these effects were synced via MIDI and / or CV and used in tandem with the CV controls on the Mystic to further modulate and enhance the compositions. I recorded bass guitar on the opening track, 'Dream or Memory'.
This was an exciting project to showcase the many sounds the Mystic can achieve, as well as challenging myself to create an entire record with one primary sound source. I hope you enjoy it as much as I had fun making it.
released March 13, 2024
Written, performed, recorded, and mastered by Graig Markel."
"#mooggrandmother #mooganalogsynthesizer #rikmarston
Moog Grandmother Analog Explorations + Final Review
Analog Synthesizer Demo by Rik Marston
**Watch in HD!!** **Turn it UP!!**
Here it is right out of the box, no patching.
Super awesome MOOG GRANDMOTHER semi-modular
analog synthesizer, almost perfection I'd say (minus the
Ultimate Support Stand issue). I would recommend this
synth to anyone interested in the Classic Moog Vibe,
funky basses, epic leads.... I can go on! Very fun to play!
It's super solid, built like a tank, knobs are sweet to twist!
Final Rating: 8.9 out of 10. Just wish we can have this
in a 49 key and fix the issues underneath so Ultimate
Support Stand users don't have to put something under
the Grandmother to keep it from bouncing up & down.
There are some sounds in this demo that are very LOW
so watch your speakers & headphones! It's earthshaking!
I LOVE THE MOOG GRANDMOTHER!!! WIN! WIN! WIN!!!!!!!!!
"For your consideration is a very rare Swarmatron 8 Oscillator FM Modulation Analog Ribbon Synthesizer. It is in excellent physical, and 100% operational condition. Please refer to the specs and description below. Payment via paypal to include $ 85.00 shipping in the Continental U.S. within 48 hours of auction end. Overseas or International shipping is set at $ 250.00
This is a synth like no other, eschewing conventional controls, nomenclature and even an ordinary on/off switch. Is it destined to become a cult classic?
Playlist:
"W" - Part 1 of 3 of WAD: A Trio For Richard Driskell.
"A" - Part 2 of 3 of WAD: A Trio For Richard Driskell.
"D" - Part 3 of 3 of WAD: A Trio For Richard Driskell.
"'I Am Because We Are'
An Announcement of New Explorations and a New Composition Project
Here is 'WAD: A Trio For Richard Driskell.'
It is composed of three improvisations where I explore, for the first time, the Wilson Analog Delay (WAD.) Even though it is not a fully operating module (no input 2, for the moment) it is still remarkable and something that I’ve had few chances to play with.
So here I am, using the WAD from Richard’s Serge with patch elements from the Mystery Serge, combining them for new explorations.
While I hope that these Improvisations are interesting in themselves, I know that the videos will raise some questions about Richard and his Serge system.
I have known Richard as a friend for about a decade. We met at one of my early (I think the first) Church of the Super Serge concerts at Robotspeak in San Francisco. I quickly came to know him as a wonderful photo documenter of the San Francisco experimental music scene. You have seen me represent myself and my music here many times using his beautiful images.
Over time I learned that Richard was also a member (the drummer) of the important early synth punk group, The Units. Eventually, as our friendship developed, I learned that Richard went on to pursue synthesis directly and had a Serge system. One I was familiar with, in fact, because it was used by LX Rudis in his performances and we had shared the stage several times and had even performed together at the Outsound New Music Summit (with Dmitri Bronson) using that same system.
Richard’s Serge is now in my hands.
When I asked Richard how I could talk about how and why his Serge is in my hands, he said that he and these circumstances are an open book.
Richard is in the end stages of cancer. It is his second such fight over the years and while he has persistently fought it and continues to at this time, everyone who is close to him appreciates every day that he is still with us.
When Richard thought about the future of his synth, he decided that it was most important that it remain active in the Bay Area modular music scene. With this in mind, he contacted me and we discussed how, in my hands, the system could continue to be heard and seen, and how it could also take on a community-building role through efforts that I could put forward using it.
Richard’s thoughtful stewardship of his synthesizer and its future is a remarkable sign of the maturity of the Serge world both in terms of age, and more importantly, in terms of the continuity and continuation of our community as an important artistic and technological entity.
As you can see, this trio of improvisations unpacks a lot more than just new music or sonic explorations. It unpacks the whole of what we are as artists, as a community, and as people who support each other because we know each others’ value to what we all are.
With this, I announce a longterm composition project to be conducted at my studio, where composers contribute using the Driskell Serge. The project, being developed to start soon, is called, “I Am Because We Are” and is dedicated to the wonderful artist, musician and community builder, Richard Driskell, to benefit experimental music and the Bay Area modular music scene.
Creating Mind-Blowing Sounds with Prophet 5's Poly Mod Section, Wind & FX
"Unveiling the Sonic Depths of Prophet 5 Synth: From Enchanting Winds to Dark Mysteries and Funky Leads!"
Dive into the mesmerizing world of the Prophet 5 Synth with our demo video! 🎹 Explore a sonic journey featuring ethereal wind sounds, low drones, percussive beats, use of the “poly mod” section, dark mysterious pads, filter explorations, and more. We've even thrown in some iconic presets, showcasing the synth's versatility with tweaking options. Don't miss the atmospheric sounds from 'She's Strange' - Cameo and groove to the funky lead sound inspired by 'You're the One for Me' by D Train. Whether it's glistening tones, brass swells, or sweet organ vibes, the Prophet 5 delivers an extraordinary range of sounds. 🌌✨ Press play and let the synth enchant your ears!"
Drama and Fear: Prophet 5 Synthesizer Sounds
00:00 Prophet 5 Intro 00:24 Drama and Fear: Prophet 5 Synthesizer Sounds"
"Kaitlyn Aurelia Smith will release EARS, her newest album of vibrant synthesizer explorations mixed with orchestral instruments and vocals, April 1st on Western Vinyl.
'In recording Ears, my intention is to take listeners on a sonic motion ride through a futuristic jungle. I am inspired by the works of Moebius and Miyazaki - in particular the film Nausicaä of the Valley of the Wind – and I wanted to play with visceral sounds that pull one between feelings of beauty and dissonance, chaos and order. My hope is that, on a straight through listen, in a darkened room, on a loud stereo, Ears will inspire a rich visual narrative in listeners' minds.'
You might remember Kaitlyn Aurelia Smith from previous posts here on MATRIXSYNTH. According to Kaitlyn, "My primary instrument is the buchla music easel, I also used on that track - an arp 2600, synthi, OSCar."
