Anthony Marinelli's Favorite Eurorack Module

video upload by Anthony Marinelli Music

"I have to tell you about joystick modules because they've changed my ability to perform expressively on synthesizers that don't have expressive keyboards or sophisticated built-in controllers. A joy stick allows the user to expressively send control voltage signals according to varying positions of a stick. You can also use it to mix up to 4 different audio signals to create morphing complex sounds from simple sources. I'm demonstrating this type of controller using the Intelijel Planar which is a relatively inexpensive Euroack solution that can be integrated into many types of setups. In this video, I've integrated it with my ARP 2600 and show you how to control filter brightness and vibrato at the same time with one hand movement. It would otherwise be impossible to simultaneously change these two parameters while playing the keyboard with your other hand (without the joy stick). I've added some efx pedals to the sound to achieve a vocal quality that pairs well with the joystick modulations. There are many more uses for this expression controller, so stay tuned for more advanced applications and musical examples in upcoming videos.

THRILLER SYNTH GIVEAWAY

Giveaway link : https://www.anthonymarinellimusic.com...

Want to win the same model synthesizer used on THRILLER to make the iconic FROGGIE BASS sound? Visit the above link to find out how to enter. Hurry because the giveaway ends Oct 30th!

00:00 - 00:23 - Musical Example
00:24 - 01:36 - Introduction to Demonstration
01:37 - 02:11 X-plane
02:12 - 03:12 Y-plane
03:13 - 04:08 VCA Envelope
04:09 - 05:33 Adding EFX Pedals
05:34 - 06:37 Summary

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"

Show & Tell – Opal 1.2

video upload by Fors

"Here we take a look at the new features in Opal 1.2, our drum synthesizer and rhythm machine.

Find out more about Opal at https://opal.fors.fm

00:00 Pre-show
09:30 Intro
11:17 New features rundown
12:26 Sequencer pages
17:18 Modulation locking
19:46 Output routing
22:23 Step preview
24:02 Randomization
40:17 Opal-Ctl intro
42:14 Mapping controls
44:24 Changing the look of controls
48:08 Chords
49:20 Modulation in Opal-Ctl
50:37 Note lengths
51:33 Opal-Ctl randomizer
53:37 Sequencing VSTs
56:36 Stacking devices
59:05 Questions & outro

Reminder: Knobcon Number Nine Set for Next Weekend, Sept 10-12

"Knobcon Number Nine is set to kick off this Friday, September 10 at the Hyatt Regency Schaumburg with two full days of synthesizer and pro-audio exhibits, informative lectures and workshops and live music throughout the weekend.

Two Days of Informative Workshops

The Littoral Myth: Dismantling a Coastal Metaphor with the undisputed king of YouTube Synthesizer videos, Marc Doty.

Sampling, Re-Sampling, and Generative Sequences with Circuit Rhythm & Tracks with Novation Technology Evangelist, Enrique Martinez.


Presenting Electronic Sound Naturally with synthpop polymath, Jon Sonnenberg.

Additive Synthesis with Synergy presented by long-time Synergist, Fred Becker.

Simplifying Complexity: Live Rig Breakdown, a show and tell by Suit & Tie Guy.

Learn the basics of Synth DIY and soldering with build workshops where you can build an EasyEi8ht Step Sequencer with Modular for the Masses, or a 2hp MiniAtt 2hp Utility module with Zlob Modular.

New this year is the Lecture Luncheon, an informal get together on Sunday afternoon where attendees can further interrogate any of our presenters about their ideas.

Door Prize Giveaway

On Sunday, attendees can enter the drawing for a chance to win one of over twenty door prizes including Nu:Tekt NTS-1 synthesizers from Korg USA, an Uno Drum from IK Multimedia and a gift box full of patch cables and accessories from Hosa Technology.

Live Music Friday and Saturday

Welcome Reception (Friday Night) - Kri Samadhi, Moot Booxlé vs Cory Flanigan, Suit & Tie Guy vs Alexis Rogers, Also Special Guests

Knobcon Big Room (Saturday Night) - Trovarsi vs Nasty Nachos, Scott Danesi, Glacial 23, North Coast Modular Collective Relay Performance

Knobcon Chill-Out Room (Saturday Night) – Dysonant, Valcove, Meridian Alpha, Aaron Higgins, Witchbutter, R. Mann

Knobcon Number Nine is September 10th through the 12th, 2021, at the Hyatt Regency Schaumburg in Chicagoland. Tickets are $60 and are available for purchase at knobcon.com."

CZ Touch iOS, Connections & Basic Overview (Casio CZ-3000)

Published on Feb 2, 2020 Todd Smith Music

"CZ Touch brings new life to any classic synthesizer from the Casio CZ line. CZ Touch allows you to apply a modern touch based interface and break away from the old Casio CZ synthesizer menu dive. This video will tell you the basic connections needed to use CZ Touch with your favorite Casio CZ synth and show the basic features that make this app a "must have" for any Casio CZ owner with a iPad."

Synthesizer Show & Tell | Korg Delta

Published on Nov 11, 2019 Learson Peak

GEAR USED IN THIS EPISODE

Korg Delta
Vocals - Rode NT-1a

Computer - MacBook Pro 
My Music Software - Pro Tools 12
Audio Interface - Focusrite Clarett 8Pre-X
Vlogging Mic - EV RE-20
Vocal Mic preamp - Neve 500 Series 511
Vocal Mic Compressor - DBX 560A
Video Camera - iPhone 6+
Video Software - Final Cut X

Synthesizer Show & Tell | Korg Poly800 | Part 2

Part 2 added here.

Synthesizer Show & Tell | Korg Poly800

Published on Aug 19, 2019 Learson Peak

0:00 Intro
1:00 Specs
1:37 Keytar Madness!
2:00 Architecture
3:30 Poly, Hold, Chord Memory Modes
4:15 ADBSSR Filter Explanation
5:35 Filter Examples
7:40 Sequencer
8:55 Outro

🔥 CHECK OUT MY LATEST SINGLE 🔥
https://open.spotify.com/track/2pEsQZ...

Update:

Synthesizer Show & Tell | Korg Poly800 | Part 2

Published on Aug 26, 2019 Learson Peak

0:00 Intro
0:52 Bass
1:45 Stabs
3:40 Pads
4:43 Pan Flute
5:50 Walked Into A Zoo
9:47 Outro

Synthesizer Show & Tell | Korg Poly-Ensemble P | Part 2

Published on Jul 22, 2019 Learson Peak

Part 1 here

🔥 CHECK OUT MY LATEST SINGLE 🔥
https://open.spotify.com/track/7kEzsx...

GEAR USED IN THIS EPISODE

Korg Poly-Ensemble P
Computer - MacBook Pro 
Music Software - Pro Tools 12
Audio Interface - Focusrite Clarett 8Pre-X
Vlogging Mic - EV RE-20
Vocal Mic preamp - Neve 500 Series 511
Vocal Mic Compressor - DBX 560A
Video Camera - iPhone 6+
Video Software - Final Cut X

Synthesizer Show & Tell | Korg Poly-Ensemble P | Part 1

Published on Jul 15, 2019 Learson Peak

MIND Music Labs Builds Custom Fishman Guitar Synth w/ Arturia's Prophet V for MUSE

MIND Music Labs built MUSE's Matt Bellamy a custom Fishman TriplePlay MIDI Guitar Controller hosting their ELK MusicOS and Arturia's Prophet V for live use. This appears to be a one-off instrument - no word on whether it will be released to market.

The press release follows:

How Fishman, Arturia and MIND Music Labs Followed their MUSE to a State of the Art Synth Guitar in 30 Days

British mega band MUSE is currently on tour promoting their latest album Simulation Theory performing in sold out stadiums all over the world. Each night frontman and guitarist Matt Bellamy brings out a one of a kind guitar with a special history to play the song “The Dark Side.” While Bellamy is happy with the result, reporting that “the guitar works great!” the story of how this guitar was conceived and built is just a few short weeks is very interesting.

Matt Bellamy, being the perfectionist that he is, wants the sounds he created in the studio on stage as much as possible. One essential part of his sound is the Arturia Prophet V synthesizer. Being a user of Fishman’s TriplePlay MIDI guitar pickup & controller, both on stage and in the studio, he wanted to continue to use that to play the Arturia synth live, but without distance, range, cables and a computer getting in the way of his stage performance.

“When Matt told me he absolutely wanted to use the Prophet V softsynth live on tour” said Muse guitar tech Chris Whitemyer, ”but still be able to move around the stage without any restrictions, I knew we had to find a new kind of solution that would take the computer out of the picture.”

Chris Whitemyer was aware of Swedish music tech company MIND Music Labs and how their ELK MusicOS could run existing plugins and instruments on hardware. Thinking MIND might be the missing piece of the puzzle he approached them at the 2019 NAMM Show. Together with Fishman and Arturia, a first meeting was held in the MIND Music Labs booth on the show floor. That meeting, which took place just a few weeks before the start of Muse’s 2019 World Tour, kicked off several hectic weeks resulting in the three companies producing a new kind of guitar just in time for the tour’s first date in Houston, TX.

“Going to that first meeting at NAMM I didn’t know what to expect,” said Fishman founder and president Larry Fishman, “but as soon as we plugged in the guitar with our TriplePlay system in the Powered by ELK audio interface board, it was pretty clear that the Fishman and ELK systems would be compatible.”

What was clear after the first meeting was that the reliability of the Fishman TriplePlay MIDI Guitar Controller in combination with ELKs ability to run existing plugins inside the guitar could open up a new world for performers like Matt Bellamy. And with the tour just weeks away, a plan was hatched to get the system finalized and ready for use in the most demanding of conditions – a world tour of arenas and stadiums.

MIND Music Labs CEO Michele Benincaso commented “Getting three different companies to join forces on a special project like this does not happen very often, so this was truly special. To go from a first meeting at NAMM to a functioning system in just weeks was a mind-blowing achievement. It required the special expertise and focused efforts of all three companies to pull it off – I can still hardly believe we did.”

Only days after the closing of the NAMM Show, MIND Music Labs CTO Stefano Zambon flew to Fishman’s Andover, MA headquarters to figure out how to get a powered by ELK audio board inside a guitar, that not only plays well enough to satisfy a world class performer, but could also control the Arturia Prophet V at extremely low latency. In short, redefine the state of the art for synth guitars.

“To see one of our V Collection classic products like the Prophet V on Stage with Muse is very exciting,” said Arturia CEO Frédéric Brun, “The fact that it is that same plugin running in the guitar as you use in the studio really makes all the difference. I mean, Matt Bellamy even uses the same preset in the studio!”

On February 22nd, just 4 weeks after the first initial meeting at NAMM, MUSE went on stage in Houston in front of a jam-packed Toyota Center. Seven songs into the show Chris Whitemyer handed Matt Bellamy the new guitar for the song “The Dark Side”.

Chris added, “When all the guys got together to build this, we didn't tell Matt that a new guitar was going to be built or maybe not built. I just gave it to him for the first show and told him he could walk as far as he wanted on stage. He just said ‘Oh, Cool!’”
“I had no doubt in my mind it would work and it performed flawlessly. When I first got the guitar one week before the first show I tested it very thoroughly, leaving it on for four hours, turning it off and on fifty or more times, and jumping up and down with it and bouncing it off a mattress. It passed all the tests. The guitar is rock solid! Matt and I couldn’t be happier. It does everything I hoped it would and it’s on stage every night”

If you want to see this unique guitar in action it will be on MUSE’s Simulation Theory World Tour in the U.S. through May, then in Europe all summer and in South and Central America this fall.


Fishman - Industry leader in amplification, effects, and MIDI pickups for acoustic and electric instruments. Makers of the TriplePlay MIDI Guitar Controller.

Arturia - Specialist in the development of music software and hardware for professional and amateur musicians. Makers of the Prophet V synthesizer part of the V Collection.

MIND Music Labs - Develops technologies enabling a new generation of connected musical instruments. Makers of the ELK MusicOS.

CLICK FOR MORE »

Synthesizer Show and Tell: OB-6 (DSI/Oberheim)

Published on Dec 17, 2018 Learson Peak

"Synthesizer Show & Tell EP: 7 covers the OB-6 (Tom Oberheim/Dave Smith)

0:00 - Introduction
1:05 - Track Preview
1:34 - But Can It Do 80’s?
2:57 - Bass
4:50 - Get Plucky
6:12 - Portamento Mushrooms
6:36 - Sound Effects
7:22 - Take Me To Your Leader
9:34 - Filter
10:44 - Outro
11:24 - Original Track

*GEAR I’M USING ON THIS EPISODE*

DSI/Oberheim OB-6 Desktop
Roland JX-8P (as a MIDI controller)
Moog Expression Pedal
EV RE-20 Vocal Microphone
Neve 500 Series 511 (Mic preamp)
Focusrite Clarett 8Pre-X
Pro Tools 12
Video Recoded with iPhone 6+"

Synthesizer Show & Tell: ARP Odyssey (Korg)

Published on Nov 9, 2018 Learson Peak

"Synthesizer Show & Tell EP: 6 covers the ARP Odyssey re-boot by Korg"

Synthesizer Show & Tell: Crumar Orchestrator/Multiman-S

Published on Sep 14, 2018 Learson Peak

"Synthesizer Show & Tell EP: 5 covers the Crumar Orchestrator/Multiman-S

Each week I challenge myself to write a piece of music using only one synth from my collection, and share some tips and tricks on how to use the instrument.

The Crumar Performer/Multiman-S is an analog synth from 1977"

Learson Peak Synthesizer Show & Tell

Synthesizer Show & Tell: Korg MS-20 Mini

Published on Jul 13, 2018 Steve Learson

"Synthesizer Show & Tell EP: 4 Covers the Korg MS-20 Mini.

Each week I challenge myself to write a piece of music using only one synth from my collection, and share some tips and tricks on how to use the instrument.

The Korg MS-20 Mini is a fully analog monophonic synth and is a clone of the 1978 classic.

00:00 - Intro
1:20 - Total Control Overview
1:40 - Frequency Control Overview and Example
2:00 - HPF & LPF Overview and Example
2:55 - Total Patch Overview and Example
3:20 - Frequency Patch ideas
4:00 - Sample & Hold Overview and Example
4:46 - External Audio Overview and Example
6:28 - EG1 Overview and Example
7:13 - Kick Drum Sounds
7:43 - Snare Drum Sounds
8:43 - HiHat Sounds
9:32 - Tom Sounds
10:22 - Bass
11:00 - I Yeah Sound
11:44 - Final Notes
12:22 - Original Track"

Synthesizer Show & Tell - Roland Juno-60

Published on May 22, 2018 Steve Learson

Synthesizer Show & Tell EP: 3 Covers the Roland Juno-60.

Each week I challenge myself to write a piece of music using only one synth from my collection, and share some tips and tricks on how to use the instrument.

The Juno 60 is a 6 note DCO polyphonic synth from 1982 with memory storage, designated slider controls, and an arpeggiator. It has been used in many recordings from the 80’s to today.

00:00 - Noodling
00:24 - Introduction
1:14 - Track Intro
1:30 - Arpeggiator Sync
2:07 - Drum Sounds
2:26 - Chord Memory
2:52 - Mono Mode
4:38 - Hidden Patch Banks
5:25 - Saving Patches To An External Device
6:32 - Chorus
8:13 - PWM
9:30 - Original Track, “None Of This Is Really Happening”

Synthesizer Show & Tell

Synthesizer Show & Tell - Behringer Model D (Minimoog Clone)

Published on Apr 30, 2018

"This video contains a short piece of music I wrote the first day I obtained this synth. This video highlights some sounds I made along with tips and tricks for the Behringer Model D Analog Synthesizer.

One issue I addressed is how to change the "Low Note Priority" from "Low," to "High," to "Last," which is a problem I could not find the solution to on the internet.

0:00 - Noodling with Delay and Reverb
1:03 - Introduction
2:25 - Reprogramming "Low Not Priority"
3:41 - More Noodling
4:00 - Original Track Intro
4:30 - Hi-hat design
5:50 - Kick and Snare design
7:00 - Bubble design
7:45 - Bass design
8:28 - Telephone design
9:00 - Question: how do I hook up an expression pedal to the cutoff filter?
9:41 - Full Song

Intro recorded through a Boss DD-7 delay and a Hall of Fame reverb"

Synthesizer Show & Tell

Synthesizer Show & Tell - Roland JX-8P & iPG-800

Published on May 6, 2018 Steve Learson

"Synthesizer Show & Tell, EP: 2 covers the Roland JX-8P and the iPG-800 App for iPad.

Each week I challenge myself to write a piece of music using only one synthesizer, and share some tips and tricks on how to use the instrument.

The JX-8P is an analog 6 note polyphonic synth made in 1985. It is well built with a solid metal casing, stable DCO’s, and 64 programmable patches.

0:00 - Noodling
0:25 - Introduction
1:30 - Track intro
1:51 - Drum sounds
3:08 - Leads
3:40 - Bass
4:35 - Stabs and clicks
5:02 - Ear candy and twinkles
5:38 - Pads and strings
7:35 - Juno 60/106 comparison
8:08 - Chorus
8:55 - iPG-800 Live application
9:40 - All Because of a Girl: song made using the JX-8P and vocals.

To connect the iPad to the JX-8P I use the IK Multimedia iRig MIDI 2, via MIDI IN & OUT.

iPG-800 is developed by Kentai and can be found in the App Store."

Oxford Synthesizer Company OSCar SN 0177

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Unlocking Dockstader by Justin H Brierley

Seeking funding on Kickstarter here.

This one in via Atomic Starter

"Electronic composer, filmmaker, cartoonist, writer, Alzheimer's patient. This film will explore the life and work of Tod Dockstader.

Tod's story: a brief introduction

Tod Dockstader is a multi-talented creator whose work remains largely unrecognized. He is perhaps most well known as a composer of electronic music and as a cartoon sound effects artist. While working at Terrytoons in the early 1960s he provided sounds for Tom & Jerry and other cartoons directed by Gene Deitch. Around the same time he also worked as a sound engineer for a studio in NYC that mostly did commercial work. He used these resources during his off hours to create several albums startling electronic music that influenced artists like Frank Zappa, Pete Townshend, and Aphex Twin. Some of this music was even used by Fellini as part of the Satyricon soundtrack.

Tod's creativity ranges far beyond music and sound effects. He was an avid writer (poetry, short stories, plays, music reviews, etc..) and evidence suggests that he very much desired a writing career long before he started making music. He was also a filmmaker whose company Westport Communications Group produced educational films that were distributed by McGraw Hill as part of their American Heritage series. Tod did most of the creative work on these films: writing, producing, and directing. One of the goals of my film is to show Tod for the true Renaissance man that he is.

Backstory

Like many great documentaries this project has changed and evolved over time. My original idea was simply to do a phone interview with Dockstader for my radio show. Then I learned about Tod's dementia and I set out to film interviews while he could still remember some of his past. At that time, Tod's daughter Tina entrusted me to his old computer which is filled with unreleased music that he was working on during the early stages of his dementia. I tried playing him his own music to see if he could remember anything about how he created it. He couldn't, however I noticed that he very much enjoyed the listening and would sometimes tell other stories about his life. As time went on his physical health deteriorated, including his hearing, and the positive effects of listening to music also lessened.

Now

And then I got an iPad. I started bringing that along and showing Tod different music making apps. The result is amazing. He's particularly fond of the official John Cage Prepared Piano app and the amazing multi-touch synthesizer TC-11, which was generously donated by its developer, Bit Shape Software. Seeing Tod not only light up with delight, but also engaging his creativity has given me a new idea and direction for this film.

Future

The first major change is that I will be enlisting the help of a certified Music Therapist. I want to see if by engaging his creativity I can help him access memories that have been lost to him. Up until now I have been able to visit Tod an average of once or twice per month. I will be increasing those visits to near daily, occasionally accompanied by a professional Music Therapist. These session will form the foundation upon which I tell Tod's amazing life story."

New Waldorf 2 Pole Filter & Moog Theremini

via Create Digital Music

"Waldorf’s mystery knob is the filter control from a big filter in a box.
That’s right, Waldorf is introducing a 2-pole filter. And one heck of a 2-pole filter it is:
Filter with cutoff and resonance, but also a Drive setting, Rectify, and switchable between low-pass, band-pass, and high-pass
LFO with Depth and Speed
LFO set to Fast, Slow, and (hilariously) Gemütlich (kinda hard to translate, actually easy-going and slower than slow)
Envelope controls: Attack/Decay/Hold, threshold, a source (hard to tell what that does), and trigger.
And it takes CV for envelope, cutoff, and gate, with jack plugs for input and output."

"Then there’s Moog, who are introducing, as rumored, a new Theremin. And this isn’t just any Theremin: it’s a Theremin that can assist you in keeping things in tune, all whilst looking like a space-age egg from Woody Allen’s Sleeper.
It’s a Theremin with presets. Crazy presets.
It’s a digital instrument with Theremin-style controls. (Readers who speculated, you guessed right.) It’ll upset purists, perhaps, but this is rather cool: it’s based on the unique-sounding Animoog sound engine.
The synth is digital, but the input is analog: classic heterodyning style, then digitized as control signal for the engine. Onboard MIDI, CV output (presumably pre-digitization, in fact), and USB. But that engine gives you more different ways to play.
Yes, there’s a display, scale and root controls, a Presets knob, plus built-in delay. There’s a built-in speaker and headphone jack, as well, for convenience.
Price: US$299 estimated is what we heard on the floor..."

Full post with additional details at CDM here.

Update Image & details via Moog Music, also via radiate sky in the comments:

"The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog’s first love – the theremin. Its design fuses the experience of performing with an instrument you don’t actually touch, with a powerful sound engine derived from Moog’s award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.

A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.

The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.

For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.

FEATURES

• Pitch correction w/ selectable scales and root note

• Built in tuner allows you to learn pitch and scales

• 32 Wavetable based presets

• Built in speaker

• Headphone output

• Two 1/4" audio outputs

• Single Pitch CV output w/ selectable range

• User selectable scale and root note (stored per preset)

• User selectable range: highest note and lowest note (stored per preset)

• Adjustable Stereo Ping-Pong Delay

• Removable pitch antenna - built in storage compartment on bottom-side

• Built in 3/8” Mic stand and Camera stand adaptor

• High quality rubberized feet

FRONT PANEL

LCD SCREEN: 128 X 64 pixel LCD with white backlight.

HEADPHONE JACK: 1/8” (3.5mm) TRS headphone jack. Inserting a headphone plug will disable the internal speaker

VOLUME KNOB: Controls headphone volume and built in speaker volume.

PITCH BIAS KNOB: Determines the amount of pitch correction from 0% to 100%

SCALE BUTTON: Select from a list of built in scales

ROOT BUTTON: Select the root note to be used by the scale

SETUP BUTTON: Provides access the setup and calibration functions - also acts as a shift key.

DELAY LENGTH BUTTON: Selects the length of delay: SHORT, MEDIUM, LONG, or OFF

DELAY AMOUNT KNOB: Controls the amount of delay mixed with the dry signal.

PRESET KNOB: Selects the preset played from a built in list of 32 presets

REAR PANEL

LEFT OUTPUT: Line Level ¼” unbalanced TS

RIGHT OUTPUT:Line Level ¼” unbalanced TS

CV OUTPUT: ¼” TS – 0-5V or 0-10V selectable

USB: MiniB USB2.0 High Speed for USB MIDI

KENSINGTON LOCK SLOT

POWER SWITCH: Push ON / Push OFF

POWER JACK: 12VDC/1.2A from 100–240VAC external supply(included)

DIMENSIONS:22.75”L x 6.5”D x 15”H w/antenna (4”H without)

WEIGHT: 3lbs"

Udpate2: NAMM floor video:

Guitar Center New from NAMM - Moog Theremini

Published on Jan 23, 2014 Guitar Center·1,139 videos

"Moog makes some wild sounds with their new take on the Theremin, the Theremini, at the 2014 NAMM Show.
For more New from NAMM products, visit http://bit.ly/1d05EW3"