ALM Introduces CIZZLE - Casio CZ Style Digital 'Phase Distortion' VCO Eurorack Module

video upload by ALM TV

Update: 3rd video, pics, and details added below. Check with the dealers on the right for availability.

"The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.

The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.

The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch."

Time Stamps:
0:00 - Intro
1:08 - Frequency Controls
4:20 - OSC A Controls
12:38 - OSC B Ring Mod
18:08 - OSC B Noise
23:30 - Chord Mode
28:57 - Patches - Acid Bassline
30:58 - Patches - Ambient Chords
32:46 - Patches - Beat
34:38 - Outro

Satoshi & Makoto Meet CIZZLE

video upload by ALM TV

"ALM / Busy Circuits invited artists Satoshi and Makoto, renowned Casio CZ synthesists, to the Clockface Modular shop and studio in Tokyo, Japan to try out the new ALM CIZZLE module. This short film documents the visit and provides a translated interview.

Satoshi and Makoto are a twin duo that received international acclaim in 2017 with the release of their debut album 'CZ-5000 Sounds and Sequences' on Safe Trip. In 2020, their follow up album "CZ-5000 Sounds and Sequences Vol. II” was released, solidifying their dedication to the Casio CZ synthesizer.

The new ALM CIZZLE is a dual digital 'phase distortion' VCO inspired by the classic Casio CZ series synthesizers. It brings the specifics of CZ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound. The CIZZLE is available now from fine ALM stockists worldwide.

Very specail thanks to Clockface Modular for hosting Satoshi & Makoto.
https://clockfacemodular.com

Satoshi & Makoto's Music:
https://nemutai.bandcamp.com"

Cizzle: a killer Casio CZ-style voice from ALM / Busy Circuits

video upload by Tom Churchill

"Cizzle is a Eurorack synth voice from ALM Busy Circuits based around Phase Distortion synthesis, which Casio pioneered in their CZ series back in the 1980s.

It contains two digital oscillators that would typically be combined and used as one voice, but you can also use them independently. Each oscillator can produce four-note chords and has its own VCA, so all you need is an envelope or two to start using this as a complete voice.

Buy at Signal Sounds:
https://www.signalsounds.com/ALM_Busy..."

Chapters:
00:00 Intro
00:43 Patch previews
02:10 What is phase distortion?
02:48 Cizzle overview
06:27 Deep house chords
09:34 Ring mod electro synth
12:34 Sweeping synth arpeggios
13:56 Jacking house loops
16:22 Two separate voices
18:12 Dual stepped modulation
20:16 Chord progression sequencing
23:06 Freaky techno loops



The ’CIZZLE’ is a dual digital ’phase distortion’ VCO inspired by the classic Casio ’CZ’ series synthesizers. It brings the specifics of ’CZ’ style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8-voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific ’end of chain’ ring modulation and noise modes that are key to the CZ sound.

The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.

The ’CIZZLE’ finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.

Feature List
→ Dual phase distortion VCO with direct and voltage controlled parameters.

→ Easy, quick and accurate tuning via an encoder control.

→ 9 morphing phase distortion ’Algorithms’ (Osc A) with direct and CV control.

→ PD Offset ’Shape’ with direct and CV control.

→ Unique CZ resonance waveform (Osc B) with direct and CV control.

→ Multiple Osc B modes; Rez, Ring Mod, and Noise based on classic CZ synthesis.

→ Mode switchable via direct and trigger control.

→ Optional Osc B frequency tracking of Osc A with offset.

→ Voltage controlled chord mode with inversion and up to 8 voices.

→ Dedicated oscillator output level VCAs.

→ Separate dual or mixed outputs with stereo widening effect.

→ Skiff friendly with reverse power protection.

→ 2 Year Warranty.

→ Made in England.

Ideal For

→ Flexible and precise primary digital voice duties in a Eurorack system.

→ Creating basslines, rich chords, drones, morphing tones, percussive hits etc.

→ Unique digital squelch.

PreenFM2 Eurorack module, clean waveform, sine, square

video upload by VanDaalElectronics

"This video demonstrates how to get clean waveforms out of your PreenFM2.
In short: turn off your operators and keep one that will provide the needed shape.
In this video I show how to get nice simple clean waveforms out of your PreenFM2.
I am using a MIDI keyboard.
First part shows how to get 1 voice mono, no Velocity and no Glide. This is done only for the video as Oscilloscope doesnt show it that clear in poly settings.

Then I start turning off operators by switching the OP() button.
OP1 Shape: Sine. OP2 Shape: Off. OP3 Shape: Off and so on.
Once all the operator shapes are Off I can start playing only OP1 and hear its waveforms.
This is very handy if you start learning FM or want to have simple waves.

You still have the ADSR in action.

NB: PreenFM2 Eurorack module outputs eurorack levels, dial down the volume for line level use."

Kaivo: Granulator Module Overview

video upload by Madrona Labs

"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters:
00:00 Intro
00:24 Granulator Overview
02:53 Waveform Display Window
03:33 X & Y Sliders
04:59 Source Menu
05:16 Importing into Granulator
06:23 Pitch Control
07:03 Linear and Exponential Inputs
07:21: +/- Input
07:43 Patch Demonstration 1
09:21 Continuity Error Acknowledgment
09:31: Trigger Input
10:14 Follow Button
11:04 Overlap Control
11:49 Sync Button
13:01 Wrap Button
14:14 Patch Demonstration 2
15:40 Noise Button
16:17 Pan Control
16:40 Patch Demonstration 3
16:51 Outro"

Harmony Bloom Tips & Tricks

video upload by Waveform

"An exploration of Harmony Bloom looking at Chord & Soundscape creations, Tips & Tricks"

Prophet VS Synth: Sound Selection Showcase

video upload by Andy Whitmore

"Analog Synthesizers Rewind: Top 10 Classics!
S1:Ep1 - The first in a series of 11 videos!

Sequential Circuits Prophet VS – All the Best Sounds

Here's a very cool keyboard from Sequential. Notice the joystick for controlling your sound modeling. The Prophet VS uses Vector Synthesis as its revolutionary new means of sound creation. It uses a total of four oscillators per voice with 127 waveforms (32 user) and dynamic waveform crossfading via the joystick. This was Sequential's first digital synth, and it was also their final synth unfortunately. But after Sequential was gone, Vector Synthesis technology went into the popular Korg Wavestation and Yamaha's SY-22 and TG-33.

The Prophet VS is still a very sought after instrument because it has an incredible range of sounds! Its only problem is that there's practically nobody left that can fix it if something went wrong. It is used by Brian Eno, Trent Reznor, Apollo 440, Depeche Mode, Vince Clarke, Kraftwerk, Vangelis, Erasure and filmmaker/composer John Carpenter."

XFM Analog Waveform Pack - 50 Free Waveform Presets

video upload by ChrisLody

Download the free waveform pack from here:
https://www.sonicware.co.jp/DL/LIVEN_...

"I've been using the XFM in this Virtual Analog mode for quite a while but I've only recently thought of a good way of using a naming system that will fit into the X.X.X.X format available on the Livens that shows a decent amount of information about what the presets contain. It's a bit harder to read than I was originally hoping but it does contain all relevant information to show how all the analog style oscillators are setup across the different operators."

0:00 Intro
0:16 XFM as a virtual analog synth

Preset name code:
1:12 Envelopes types
3:17 Waveforms

4:27 Filtering
5:15 Acid example
5:42 Pulse example
6:49 Pad example
8:08 Sync waveforms
8:55 How to import presets
10:08 Outro

Casio FZ 1 Overview

video uploads by Synthdude

Playlist:
Casio FZ 1 Overview Part 1 of 5
Casio FZ 1 Overview Part 2 of 5
Casio FZ 1 Overview part 3 of 5 Sampling Rates
Casio FZ 1 Overview part 4 of 5 Wave Synthesis
Casio FZ 1 Overview part 5 of 5 Looping Single Cycle Waveform

Mutineer Synthesizer Demo - Tone Generator Span & Wavetable Editing

video upload by René Feuerlein

"In this demonstration of my synthesizer software programming project Mutineer, I am showing briefly showing a Tone Generator's capability to Span waveform over to the next Tone Generator, as in a Wavetable synth. Also I am briefly showing some of the wavetable waveform editing tools. I then add a lowpass resonance filter, a Chorus plus a Delay effect module, and later include a second Tone Generator, on which I also edit its waveform. The final result is a dreamy pad sound."

Studio Electronics MIDIMOOG w/ Original MiniMoog OSC Board SN 1123

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"Original model MidiMoog.. Not very many of these made. This was one of SE's first builds. These few MidiMoog's had an original vintage Moog MiniMoog OSC board.. this is one of those.

It all works great.. Thesis Audio completely went through it a couple of years ago.. It is working and sounding great.. just like a vintage minimoog!

In many ways its better than a vintage minimoog.. it has MIDI, it has LFO and Filter Aftertouch!!! And is very portable.. all with the Mini sound.

A couple of things to note. There are scuffs and scratches around the body, The first WAVEFORM knob is a little loose from its post.. NOT THE POT.. just the plastic knob over the metal pot post.. needs a new set screw. And.. while its perfectly scaled and in tune across many octaves.. you may have to scale and tune it after transit.. takes 5-10 min and super easy.. tuning / scaling pots are accessed via the back panel with a mini flat head screwdriver. Might not need tuning when you get it, just stating for full disclosure."

CLICK FOR MORE »

Exploring EarthQuaker Devices' Wave Transformer

video upload by Reverb

"This analog oscillator features a unique Transform knob that allows you to morph a simple waveform into a complex mass of audio mutations. Fess gives us an in-depth demonstration of the Wave Transformer's capabilities and explores its potential for creating unique patches.

For more about Wave Transformer check it out on Reverb"

Liquid Sky D-Vices - V4CO + Expander

video upload by NOISEBUG

"This is the Liquid Sky D-Vices V4CO, a truly crazy sounding 8-bit dual wavetable oscillator.

dual 8 bit wavetable oscillator, each with separate subbass
- hard sync
- 16 x 16 x 4 Waveforms - different for each OSC
- Each module has a base (16 x 6) set and the rest is an uUNIQUE set of waveforms
- Single outputs for each OSC / SUBOSC and mix output (w/o SUBOSC)
- Analog VCA for each oscillator
- Analog overdrive controllable via VCA
- Audio / LFO Mode for each OSC
- Waveform shuffle
- REAL 8 BIT Sound
- Detuning Function
- 8 Oktaven
- incl. Quantizer (Chromatic)
- complex Waveform-LFO

V4CO is a bad ass unique 8bit wavetable oscillator plus subbass plus overdrive plus vca
The Glitch expander, or Glithc Expender eneables:
MIDI implementation:
Switching the waves/banks
Switching the modes for LFO, TRP and V/OKT
MIDI notes, pitch bend and vibrato on CC1
Random selection of two wavetables from the active bank.
The MIDI interface is placed on GLITHc and works exclusively with
the V4CO"

https://www.noisebug.net/

DB-01 does the DFAM

video upload by Richard DeHove

"What do you get with a full parameter randomization and an LFO modulating FM? Played in the usual way you're almost certain to get a dog's breakfast. But with some careful step arpeggiation it can start to come together in a very DFAM-like way. If you're particularly lucky you may even be able to get the equivalent of four or five progressive sections from a single pattern.

The setup is a little bit involved so if you're impatient to see whether the DFAM sound is achieved just skip to the demo chunks at the end. My favorite is the DAF demo. These were named after creating them - don't think for a moment you can decide what you want ahead of time :D As usual the Gods will deliver to you what they see fit.

The Zen delay is proving a little "smoothing" and rhythmic coherence but other wise what you see is what you get. There's no further processing. Some of the demo tracks are slightly chopped since it's very easy to wander off the path into techno-Gristle land. Visually there's a few sections where the waveform display is missing, so my apologies, in the excitement of twiddling I forgot to switch it on :(

0:00 A mild example
0:42 LFO setup
1:56 Randomizer
2:40 Arp settings
3:42 Set scale
4:25 Roll the dice!
5:45 FM LFO issue
7:11 Demo 1: Warm Featherette
8:00 Demo 2: Funky Gabber
8:34 Demo 3: Bandpassed
10:10 Demo 4: DAF
10:42 Demo 5: Noisetown

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Roland Jupiter 6 With Tauntek Mod SN 280707

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"- Outstanding cosmetic condition

- All functions work ( see embedded YouTube video for a quick playthrough )

- Includes Tauntek Mod, which offers loads of new features:

1) MIDI Sysex patch and patch preset save and restore - saves or restores entire tone RAM (all 48 patches and 31 patch presets) in one operation (tape save/load works as before)

2) MIDI CC parameter changes are now supported. Separate control of upper and lower voices in split mode for most parameters. (No CC's are transmitted)

Maximum rate for CC reception is two per 19 mSec period, which is approximately 105 CC's per second. If CC's are sent faster than this, some will be dropped.

3) Non-volatile storage of MIDI channel and user settings

4) User settings for the following:

a) Mod wheel CC destination can be any one of the following:

VCO mod by LFO1 amount
VCF cutoff mod by LFO1 amount
VCA mod by LFO1 amount
LFO1 rate
XMOD manual amount
Pulse width
VCF cutoff
VCF resonance
b) Arp can be clocked by MIDI instead of internal clock, with five divider settings

Can be configured to require Start/Stop, or just free-run

c) Factory patches and patch presets can be read from the EPROM instead of user patches in RAM.

(User patches are not changed)

d) "All notes off" MIDI messages sent by original code every time the last key was released can be disabled.

5) Arpeggiator "Down then up" mode has been changed to a random arpeggiator mode.

6) VCO waveform buttons now toggle, making it easier to enable multiple ones. They can all be turned off.

7) VCO sync can now be set to "both ways" although this doesn't seem particularly useful

As noted above, MIDI CC reception is now supported for controlling patch parameters."

CLICK FOR MORE »

Feedback Modules LFO100 - VCF2600 modulations

video upload by Feedback Modules

"VCF2600 is set in resonance mode and modulated by the LFO100.
All the waveforms and functions are tested one by one."

LFO 100

Complex analogue LFO from a vintage Japanese modular system!

We injected some steroids in this LFO and the results are lot of features.
Not only you can use individually the 8 waveform outputs, but you can use the
alternative two linked outputs for which you can select any of the waveforms.

This alternative output has a VCA so you can fade in the LFO signal in a

defined duration with a potentiometer.

The stairs like waveforms can be changed from 16steps, 8steps, 4steps or mangled.
All of these are seasoned with cv control and waveform reset.

2600 VCF

This filter is based on the classic 2600 from the seventies and uses the LM3900 Norton opamp chip.

It has an audio inputs, two CV ins and an audio out.

You can control audio input level, CV levels, frequency cutoff and resonance.

It has a beautiful sound and it can go from relatively clean to dirty and screamy depending on audio signal level and resonance.

Feedback Modules VCZIII EMS SYNTHI Based Voltage Controlled Oscillator Modules

VCZIII - Bass Sequence video upload by Feedback Modules

"VCZIIIA SAW is mixed with VCZIIIB SQUARE and with SUB modules.
All three are mixed to the VCF2600. The end of the patch is VCA2600 controlled by the ENV100.
You can hear the bubbly sound of the VCOs, these VCOs made with transistors are not so linear as other VCOs."

VCZIII - FM Modulation

video upload by Feedback Modules

"VCZIII VCOs modulating each other. The shape of the waveform is changed by the 4 slow sine LFOs combos of CMS SLOSINES. You can hear how the FM timbre is affected by the waveform nature."

via https://feedback-modules.myshopify.com

"The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analog instruments, the famous British pin matrix synth released in 1969. The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms. Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer."

Pittsburgh Modular Local Parks Oscillator Demo

video upload by Pittsburgh Modular Synthesizers

"Deep dive into the Local Parks oscillator."

Local Parks got its first mention back in May of 2023 during SUPERBOOTH23.

via Pittsburgh Modular

"The Pittsburgh Modular Local Parks is drawn from our waveform manipulation research where advanced approaches to wave shaping throughout the oscillator showcase new sounds and unique waveforms. A full compliment of robust waveforms and modulation options paired with unmatched waveshaping creates a truly modern analog oscillator.

Our in-depth experimentation has created pulse waves which can be manipulated in multiple dimensions utilizing both Pulse Width and Pulse Shift. Pulse Shift creates an adjustable “step” within the pulse wave to further enhance the harmonic content of the wave. The wave used to create the pulse can be switched between sine and saw for additional sonic variation.

The Blade Wave is a morphing saw wave pitched one octave above the core frequency of the oscillator that smoothly shifts back to the core frequency as it changes shape. This creates a chorus-like effect on the sound of the Blade Wave without ever falling out of tune.

A Binary Logic waveform further expand the distinct sonic palette of the Local Parks. First utilized in our Narwhal Cymbal module, this waveshaper uses analog binary logic to create everything from gate effects to atonal bell like tones. The pulse and blade waves can be summed with the binary output for even more complex results.

Local Parks includes a built-in voltage controlled modulator to handle the bulk of modulation needs. This ensures that Local Parks can be a dynamic oscillator that produces evolving, high harmonic sounds within any eurorack setup."

TAL Software Introduces TAL-Pha Roland MKS 50 / Alpha Juno II Emulator & Software Editor

video upload by TAL Software

"All synthesizer sounds were created with TAL-Pha"

TAL Pha vs MKS 50 / Alpha Juno II

video upload by

"This video compares our hardware MKS 50 with the TAL-Pha audio plug-in, which emulates the sound of the hardware device.

The videos try to capture the essence of some sounds. You will not hear beautiful melodies, just some raw hardware factory presets. I'm also a bad piano player. Probably someone else can make a better video.

The tests are carried out with the factory presets of the hardware. Both synthesizers play at the same time. We alternate the output every few seconds. The sequencer shows the volume curves; the first channel is the software and the second is the hardware.

The first row of the spectrum analyzer shows the software synthesizer. The second row is the hardware. The oscilloscope on the top shows the master channel with the waveform of the final output.

The MKS 50 is an analog device. Things will never match exactly. LFOs and DCO phases are free-running and never match. Volume, resonance intensity, and hardware envelopes are slightly different for each voice.

The intro is done with the software emulation and it's internal FX.

Notes:
We improved some things like the envelope, the chorus, and also the bass boost after we made this video."



via TAL Software

TAL-Pha is an instrument plug-in that emulates the sound of the analog 80's synthesizer Alpha Juno II (MKS-50 is the rack version).

The plug-in produces the classic analog sound, combined with modern flexibility and many additional functions. The plug-in can read and convert sysex information from the hardware and can also be used as a controller.

Authentic emulation of the 80's hardware synthesizer.

Resonance boost for filter self-oscillation.

The possibility to detune, modulate, and sync the pulse part of the DCO.

Simple but powerful FX section with delay, reverb, and a bell-eq.

Arpeggiator with different modes.

Stereo UNISON mode with up to seven voices.

Aftertouch and MPE support.

Microtuning support (tun file import and MTS Client).

Original factory banks included.

More than 380 fresh presets by Electric Himalaya, The Unfinished, Saif Sameer, emptyvessel and TAL.

Individual tuning for every voice converts the synths DCO into a VCO.

Reads Sysex files and Sysex MIDI from the hardware device.

Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW).

Buchla Format 200 Series Analog modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Custom Buchla format analog modular synthesizer, inside a birch plywood carrying case with closable-patched lid in great working shape.

Includes 12 professionally built and calibrated modules. 18 stackable Pomona banana cables of various size, 8 Pamona MDP-S banana jumpers, 16 tini jack cables in three sizes and power supply with IEC cable.

Modules are as follows:

258 Dual Oscillator
285 Frequency Shifter
266 Source Of Uncertainty
281 Quad Function Generator
292C Quad Lopass Gate
207 Mixer/Preamplifier
259 Programmable Complex Waveform Generator
291 Dual Voltage Controlled Filter
257 Dual Voltage Processor
256 Dual Control Voltage Adder
277 Signal Delay Unit
294 Four Channel Comb Filter

This synth sounds amazing and has included some hard to find chips as parts of the circuits including the original Buchla spec microphone preamp and some very hard to find SSM chips in the 258. It’s been a joy to put together and use and I hope it will go to a home where it’s appreciated. Thanks for looking!"

CLICK FOR MORE »

Full Blotter by Giorgio Sancristoforo

demo tutorial video upload by Giorgio Sancristoforo

"Full Blotter is a ticket to infinity!
It’s a smart little software that can turn any audio file (or song!) into an immense psychedelic, mesmerizing ambient drone.

Discover it at giorgiosancristoforo.net

(Windows version will be released in about 20 days)"

SINSTANT SPACE TRAVEL!
Full Blotter is a ticket to infinity!
It’s a smart little software that can turn any audio file (or song!) into an immense psychedelic, mesmerizing ambient drone.
Simply drag and drop a file into the waveform window and prepare to reach the limits of the galaxy, in no time.

DRONE HEAVEN
Granular synthesis often works using many small grains, Full Blotter instead use a few (ten) very large grains which have sizes of several seconds.
The algorithm disintegrates transients and time and transform any audio file into a luscious stream of hypnotic frequencies.

REMIX YOURSELF OR…
Remixing your music into an ambient megadrone version has never been easier and fun and using the random functions you can let it go alone for hours.
You can use FullBlotter to meditate, sleep or well… take a bicycle travel…
Use it wisely!

Blokas Midihub 1.15 Update: Practical MIDI Workflow Enhancements

Press release follows:

Lithuanian music technology company Blokas has recently released a significant update for their standalone MIDI router and processor, the Midihub.

At the heart of Midihub lies the concept of "pipes", sort of MIDI effects. These pipes can be seamlessly utilized using Midihub’s dedicated software editor, which boasts a versatile drag-and-drop interface for input/output configurations.

Version 1.15 introduces a suite of pipe enhancements and new features aimed at refining the MIDI processing experience. This update focuses on practical improvements that expand the device's utility and ease of use for producers and live performers, with each new feature aimed at solving common MIDI challenges.

Key Features of the Midihub 1.15 Update

Enhanced MIDI Mapping Capabilities

In this update, users gain the capability to control pipe parameters using MIDI messages generated within the Midihub itself, eliminating the necessity for physical loopbacks. This opens up a realm of intriguing possibilities for internal modifiers and self-modulation techniques. Moreover, the update allows for more detailed and precise manual MIDI mapping, enhancing control and customization.

Revamped Clock Pipe

The clock pipe, essential for tempo management, has been improved to offer more flexibility in its placement within the signal chain. New features like mappable tap-tempo and tempo nudge buttons have been added to simplify syncing with external equipment.

Precision Modulation with 14-bit LFO

A 14-bit LFO mode has been introduced, allowing for finer MIDI modulation depth and control. The addition of a Sample & Hold waveform for LFOs enables more complex and textured sound design possibilities.

New Dispatcher and Arpeggiator Algorithms

The update brings 7 fresh algorithms to the Dispatcher and Arpeggiator pipes, including "Entirely Up Then Down" and "Entirely Down Then Up" patterns. These additions provide users with more creative options for note sequencing and pattern generation.

By valuing community feedback and prioritizing the practical aspects of music creation, with the 1.15 update, Blokas ensures the Midihub remains an integral part of the creative process, simplifying MIDI workflows and sparking new creative possibilities.

More info on Midihub - https://blokas.io/midihub
Full update changelog - https://blokas.io/reads/enormous-midihub-1-15-update/