Ultravox Vienna ~ Vintage Synthesizer Recreation ~ RetroSound

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

One of my favorite tracks from the early 80s.
Vienna by Ultravox (1981)
Written by Midge Ure, Billy Currie, Chris Cross and Warren Cann

featured: Moog Minimoog from the year 1978, Logan String Melody2 and the Linndrum

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers.
Check out the original songs with the original artists here on YouTube.
Thank you.

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music.
Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/album..."

Cherry Audio Introduces Virtual CR-78 Drum Machine

video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth



via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

GForce Oberheim OB-X Mini Demos

video upload by GForce Software

"GForce’s Oberheim OB-X is the world’s first officially endorsed emulation of this famous 80s synth. Yet it sounds modern and lends itself superbly to Electronica, EDM, Drum and Bass, Ambient, Rock, Prog Rock, Hip Hop and more. The original synth was used by immense artists and groups such as Japan, Ultravox, BBC Radiophonic Workshop, Chick Corea, Herbie Hancock, Depeche Mode, Queen, Larry Dunn, Youth, Chris Franke, Styx and many more. GForce’s OB-X preserves the sound everybody loves and has been upgraded to offer new sonic possibilities."

Introducing GForce Oberheim OB-X

video upload by GForce Software

"Beautifully classic, yet resolutely modern. Alex Ball introduces the official GForce Oberheim OB-X virtual instrument.

OB-X and Oberheim are Registered Trademarks of Tom Oberheim."

GForce’s Oberheim OB-X is the world’s first officially endorsed emulation of this famous 80s synth. Yet it sounds modern and lends itself superbly to Electronica, EDM, Drum and Bass, Ambient, Rock, Prog Rock, Hip Hop and more. The original synth was used by immense artists and groups such as Japan, Ultravox, BBC Radiophonic Workshop, Chick Corea, Herbie Hancock, Depeche Mode, Queen, Larry Dunn, Youth, Chris Franke, Styx and many more. GForce’s OB-X preserves the sound everybody loves and has been upgraded to offer new sonic possibilities.

AN AUTHENTIC OB-X WITH VAST SOUND DESIGN POSSIBILITIES

Oberheim OB-X provides an authentic experience but has been enhanced with powerful features designed for the modern setup. GForce’s OB-X features up to 16 voice polyphony, a vintage control for adding subtle analogue imperfections, four programmable Macros, new intro, retrigger, phase and smoothing features for the LFO, new level destination for the LFO, separate PWM1 and 2, discrete levels, discreet tracking, an arpeggiator, a chord mode with scaler, Chorus, Stereo Delay and Reverb effects, and more. Finally, the GForce’s OB-X has been augmented with X-Modifiers, dedicated LFOs and ADSRs for almost all parameters that take OB-X to the next level of sound design.

CREATE HUGELY COMPLEX, YET MUSICAL, SOUNDS WITH X-MODIFIER TECHNOLOGY

Using our unique X-Modifier technology, the scope of sound modulation possibilities is immense. The intuitive X-LFO and X-ADSR section enables you to work faster without having to set up modulation paths; they’re already set up for you. X-Mods provide you with the ability to create extensive modulations of almost every parameter, allowing you to create hugely complex, yet musical, sounds. So, while the tone and character at the heart of the synth remain authentic to the original, the additional features turn it into a true sonic canvas.

BEYOND THE ORIGINAL

INSPIRATION AT THE SPEED OF SOUND

OB-X, with its fully resizable UI, a powerful new Preset Browser, and over 400 brand new production-ready presets from top-level sound designers, is fully ready for modern production.

Oberheim OB-X features our new, highly flexible preset browser, giving you the power to organise your sounds in a way that suits your workflow. With extensive tagging, sorting and search possibilities, it’s quick and easy to find the presets you want. We’ve included more than 400+ brand new production-ready presets. We’ve enlisted an array of diverse sound designers and artists including Light Bath, GEOsynth, Christian Lafitte, Richard Veenstra and Ramon Kerstens (K/V), Tontario, Stuart Thomas, Zardonic, Drew Schlesinger, Drew Neumann, Noyzlab, Dave Spiers, Tom Wolfe, Graeme Rawson and more. The patches range from resolutely modern to passionately classic with a lot of recreation you might have heard on more than one hit.

https://www.gforcesoftware.com/products/ob-x/

Best of PPG wave Synthesizer

video upload by RetroSound

"(c)2007-23 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Best of PPG wave 2.2 Synthesizer
all synthesizer sounds: PPG wave 2.2 Synthesizer (1982)
drums: Roland TR-808 , Roland TR-707, Linndrum, Simmons SDS-8

Setlist
0:06 Intro
0:31 1982
1:09 Wave Choir
1:34 Riding the Blue Wave
1:50 Rush 1
2:02 Wave Church
2:16 Wave Beat
2:39 Snowfall
2:49 Psycho
3:23 Melancholy
3:48 Daydream
4:08 Arpeggiator Games
4:22 20000Volt Trafo Station
4:35 Dark Waves
5:12 Blue Motion
5:32 Dancing Waves
5:55 Break The Rule
6:06 Upper Wavetable
6:35 Wave Strings
6:45 Elektroplankton
7:10 Wave Sweep
7:27 Wave Detector
7:48 Wave Steps
7:57 Sunday Afternoon
8:32 Blue Hole
8:40 Fast Driving
9:04 Wavetable Playing
9:21 Rush 2
9:30 Permafrost
9:48 Fukushima
10:16 Fundamental Wave
10:54 First Record
11:04 Miami Nights
12:01 ADHS
12:13 Monotony
12:37 Wave Piano
12:50 Oldschool Day
13:14 Wavetable 27
13:25 Retrolink
13:42 60Parallel
14:21 Hit The Wave
14:41 Self Control
14:58 Ti Sento
15:12 Touch In The Night
15:24 Tangerine Dream
15:45 Overture
15:55 Spatzili (Waveterm Sample)

The PPG Wave Synthesizer from the year 1982 is one of the most fascinatic synths ever. Used by Trevor Horn, Rush, Ultravox, Gary Numan Tangerine Dream, Depeche Mode, Propaganda, Tears For Fears, Robert Palmer and many others. Here can you find the full PPG wave playlist with a lot single sound demos, wavetable demos, PPG Waveterm demos and one synth demo tracks. Enjoy.
The PPG playlist:"

EMS Synthi AKS

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Outer space in a briefcase. That is the gist of the legendary Synthi series. The Synthi is capable of soft drifting lead lines, abstract snarling modulation, clean warm textures and anything in between. This is the real deal. Brian Eno, Pink Floyd, Stereolab, Yes, Aphex Twin, Autechre, Jean-Michel Jarre, Astral Projection, Vince Clarke, The Who, Todd Rundgren, Recoil, Freddy Fresh and Ultravox are some artist known for using the Synthi series just to name a few."

CLICK FOR MORE »

EMU Emulator II - Shining Moments 80's

video upload by Jason Never Sleeps

"The legendary sampling synthesizer keyboard that defined pop music of the 1980's to present.
0:00 - Intro
0:08 - Ferris Bueller
0:40 - Depeche Mode
2:49 - Paul McCartney
3:01 - Tears For Fears
3:12 - Pet Shop Boys
4:35 - New Order
5:00 - Mr. Mister
5:22 - Front 242
5:54 - OMD (Orchestral Manoeuvres in the Dark)
6:07 - Laura Branigan
6:14 - Michael Cretu (Enigma)
6:53 - Midge Ure / Ultravox
7:28 - Jason Mysteria (formerly Adrian Star)
8:51 - Alan Wilder of Depeche Mode Demonstration
* Sorry I forgot Tony Banks of Genesis, Herbie Hancock, Rush, and lots more."

Yamaha Synth Space History | CS40M | Dom Sigalas

video upload by Yamaha Synths Official

"In this episode Dom Sigalas takes a look at the CS40M, a duophonic analogue synthesizer designed as a smaller sibling of the CS80. Sound-wise this instrument is more related to the monophonic CS20M, but also shares some of the technology found in the CS80. It was used by bands such as Ultravox, Duran Duran & Front 242."

Alan R. Pearlman Foundation Interview with Billy Currie

video upload by Alan R. Pearlman Foundation

"Join d'ARP as she interviews Billy Currie, multi-instrumentalist and keyboard/string player for Ultravox about the early days of using ARP Odysseys."

https://alanrpearlmanfoundation.org/

2022: A Fifty-Year ARP Odyssey Odyssey Synthposium

video upload by Alan R. Pearlman Foundation

"November 5 we'll be having our annual Synthposium! Check out bit.ly/2022-Odyssey to learn more. Get your tickets now!

Music by Alex Ball
Video by Mary Lock
Artwork by Sharon Wasko (with art from original ARP artist Margaret Shepherd)"

ABOUT THE 2022: A 50 YEAR ARP ODYSSEY SYNTHPOSIUM

Location: Online, streaming from David Friend Recital Hall, Boston, MA

Date: November 5th, 2022 10:00am – 2:00pm (East Coast USA time)

*Please adjust your time zones accordingly*

Hosted by: The Berklee College of Music's Electronic Production and Design Department

CLICK FOR MORE »

2022: ARP ODYSSEY SYNTHPOSIUM Coming November 5th

via The Alan R Pearlman Foundation

"COME HELP US CELEBRATE 50 YEARS OF THE ARP ODYSSEY!

Join us on November 5th at 10:00am (EST) for an in-person/online event and fundraiser celebrating 50 years of the ARP Odyssey, one of the most popular synthesizers of all time- played by everyone from Herbie Hancock, Deep Purple (John Lord), The Fixx, P-Funk, UltraVox, Billy Preston, George Duke and many many more. Hosted by the Berklee College of Music's Electronic Production & Design Department, the day will feature live performances, panel discussions, special guests, and more! The in-person performances of the SYNTHPOSIUM and fundraiser will take place at David Friend Recital Hall at The Berklee College of Music in Boston. The event will be streamed live via several different sources.

Our concert highlights include:
Streaming interview with Herbie Hancock
Live in-person concert with Lisa Bella Donna (fully streamed for all virtual attendees)
Our confirmed artists, panelists, content creators and guests include: Herbie Hancock, Lisa Bella Donna, Rupert Greenall (The Fixx), David Friend, Mark Vail, DJ Cherish the Luv, Danz (Synth History), Drew Schlesinger, Ian Staer, Jamie Billings, Mike Metlay, Alex Ball, David Frederick, Tom Piggot, Alison Cassidy, Bill T. Miller, the Berklee Synthesizer Ensemble, Greg Phillinganes, the Jennifer Hruska group, BØLT and many more!

Tickets and Information
Tickets are available to purchase. Please visit our Eventbrite page for more information. Limited seating available for in-person attendees.

Visit our Facebook & Eventbrite page regularly for updates.

This Synthposium would not be possible without the generous support of the Berklee College of Music Electronic Production and Design Department, who is graciously hosting this event.

Anyone who is able to join us at the David Friend Recital Hall in person can attend the event for free, with donations encouraged for preferred seating.

We have some truly amazing performances, panels, and artist interviews that we can't wait to share with you all. We look forward to seeing you on November 5th!

NOTE: For those joining us from time zones that are not practical for live-streaming, playback will be available for the entire weekend.

Our concert highlights include:
Streaming interview with Herbie Hancock
Live in-person concert with Lisa Bella Donna (fully streamed for all virtual attendees)
Our confirmed artists, panelists, content creators and guests include: Herbie Hancock, Lisa Bella Donna, Rupert Greenall (The Fixx), David Friend, Mark Vail, DJ Cherish the Luv, Danz (Synth History), Drew Schlesinger, Ian Staer, Jamie Billings, Mike Metlay, Alex Ball, David Frederick, Tom Piggot, Alison Cassidy, Bill T. Miller, the Berklee Synthesizer Ensemble, Greg Phillinganes, the Jennifer Hruska group, BØLT and many more!

Tickets and Information
Tickets for the streaming event are available our Eventbrite page for more information. Limited seating available for in-person attendees.

To make a donation for VIP seating, please visit the Event Page on the website.

All proceeds will benefit the Alan R. Pearlman Foundation. & our ARP's for all program. The Foundation's mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman by making his innovative inventions publicly accessible, and inspiring future generations to imagine and create."

THE ARP ODYSSEY...

"The Odyssey was ARP's primary lead/solo synthesizer. It was designed for musicians who wanted more control than the preset-oriented Soloist could provide, but didn't want the large size and patch cables of the 2600. Over its 8-year lifespan, the Odyssey went through three versions. The changes between them were sonic, cosmetic, and functional – to the point where musicians of today often consider the Odyssey to have existed as three distinct instruments."

To learn more about the ARP Odyssey, please visit our Music Makers & Machines page on Google Arts & Culture. Story by Mike Metlay with editorial contributions from Rich Formidoni, Mary Lock, & Dina Pearlman.

FOR MORE INFORMATION ON THE ARP ODYSSEY SYNTHPOSIUM
VISIT: alanrpearlmanfoundation.org

You like ItaloPop? Matia Bazar - Ti Sento with the PPG wave 2.2 Synthesizer

video upload by RetroSound

"(c)2007-22 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: retrosound.creator-spring.com

The song was on an old ORWO music cassette that I had recorded at RIAS Berlin sometime in the mid-80s. The ending was stalled because the moderator had babbled into the recording again. As so often. 😃 I loved the song because I liked those metallic PPG synthesizer sounds. Without even knowing at the time that it was a PPG or how look a PPG synthesizer. 😉 It didn't matter either, because that was all unattainable at the time anyway.

Matia Bazar - Ti Sento (1985)

I used here the PPG wave 2.2 synthesizer for the most sounds. Layered with the E-MU Emulator II (strings, choir layer, percussion and some fx sounds)

The PPG Wave Synthesizer from the year 1982 is one of the most fascinatic synths ever. Used by Trevor Horn, Rush, Ultravox, Gary Numan Tangerine Dream, Depeche Mode, Propaganda, Tears For Fears, Robert Palmer and many others. Here can you find the full PPG wave playlist with a lot single sound demos, wavetable demos, PPG Waveterm demos and one synth demo tracks. Enjoy.
The PPG playlist:"

Oberheim OB-X - The Sound of 99 Red Balloons (Nena 99 Luftballons)

video upload by RetroSound

"The intro sound of 99 Red Ballons was always one my favorite Oberheim sounds ever. The warm pad sound at the beginning and than the powerful synth riff. Wonderful. At the end of the video can you find the patch sheet.

The Oberheim OB-X Synthesizer from 1978 is one of the legendary synths in music history. Used by Ultravox, Japan, Killing Joke, J.-M. Jarre, Rush, Barcley James Harvest and others. Here can you find the full OB-X playlist with a lot single sound demos, synth comparisions and one synth demo tracks. Enjoy."

PPG wave 2.2 Wavetable Synthesizer (1982) The Pure Sound (no fx)

video upload by RetroSound

"(c)2007-21 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

PPG wave 2.2 Synthesizer from the year 1982
8 minutes across the wavetables with the Wave.
A single sound program that I continuously change with the help of the wave envelope, wavetable, wave amount, upper wave, sub wave, aftertouch etc. So there are always new timbres.

Recorded directly in stereo without any external effects, EQ or anything else.
The pure sound. And a lot of digital dirt.

The PPG Wave 2.2 is the direct successor of the Wave 2 but with 2 oscillators. Only 500 Wave 2.2 were manufactured.
The sound character is different to the later Waldorf Microwave synths and different to the Wave 2.3.

- 8 Voices
- 2 to 16 Oscillators per voice
- 30 Wavetables with 64 waves per wavetable
- analog 24 dB/oct lowpass SSM 2044 VCF
- Curtis CEM 3360 VCAs
- micro processor (6809)
- 8Bit DACs

Used by: Trevor Horn (Propaganda, Art Of Noise, Frankie Goes To Hollywood, Grace Jones), Ultravox, Depeche Mode, Robert Palmer, Talk Talk, Tears For Fears, Thomas Dolby, The Fixx, Thompson Twins, Tangerine Dream, Gary Numan and much more."

How does a synthesizer make sounds?

video upload by Are Sounds Electrik?

Midge Ure of Ultravox clip previously posted here.

Altered Memory

video by Time_Controlled_Organism

"Quick vid made with clips I uploaded on another media website, just to tell that I'm still alive and working on new material with some cool new synths
#moog​ #mooggrandmother​ #ob6​ #davesmithinstruments​ #oberheim​ #elektron​ #sequential​ #hologrammicrocosm​ #synth​ #vintagesynth​ #analogsynth​
Track is made with the gear shown in the vid and Ableton, I'm thinking about a subscription system where I would upload the separate tracks as I've properly edited loops
Thx for watching"

--- This one reminded me of Ultravox's Keep Talking.

Programmed sounds for Roland V Synth & V Synth XT

JMPSynth

"A demo of programmed and modified sounds from the Roland V Synth & V Synth XT. Mainly pads and effects that hopefully demonstrate how unique this instrument is.

Basic names for reference:

0:20 - JP String
0:50 - Cavin
1:08 - Dream
1:35 - Vocoder
2:05 - Wailing
2:30 - Frequency Lead
2:52 - JP String 2
3:17 - Moto Fade
3:41 - JP Padding
4:19 - Madness
4:36 - Wave
4:58 - Quiet Pad
5:29 - Glass Pad
6:08 - JP LMPray
6:47 - Effect
7:07 - JP Padding 2
7:44 - Narnia
8:15 - M Circle
8:32 - Ultravox
8:56 - JMJ Lead

jmp701@sky.com"

Legendary Synth Designer Chris Hugget of EDP, OSC, and Novation has Passed Away

I'm hearing news that Novation's Chris Hugget passed away on Friday. Anyone coming to this site, likely knows he designed the original EDP WASP series of synths, the Oxford Synthesizer Company's OSCar, and more recently, various synths for Novation. Novation has a timeline of his creations here.

"Most people know him as the genius behind Wasp and OSCar, the legendary monosynth from Ultravox's Love's Great Adventure, Stevie Wonder's Skeletons, and Jean-Michel Jarre's Revolutions Overture.

Chris' synths have been used by everybody: Orbital, Ultravox, Tom Yorke, Trent Reznor, Dire Straits, Pink Floyd, Genesis, Stevie Wonder, Jean Michel Jarre, Keith Emerson- the list is endless. His heritage synths are sought across the world, and sell for upwards of £5000.

He is a true synth legend. He is also our synth designer. Every Novation synth has been conceived, shaped and refined by his passion and expertise, which spans five decades."

Below are a few videos that pay tribute to his work. You can find additional posts mentioning Chris Hugget here.




Novation // Innovation Since 1992

Inside: Novation's Innovative Instrument Laboratory (Electronic Beats TV)




The WASP - A Very British Synthesizer


Alex Ball

"The WASP is an iconic British synthesizer designed by Electronic Dream Plant in 1978.

EDP were Adrian Wagner (yes he was a relation), Chris Huggett and Steven Evans. They only traded until around 1982, but that wasn't the end of their synth story. Chris Huggett in particular has had a prolific career in the industry, founding the Oxford Synthesizer Company in 1983 and releasing the (also iconic) OSCar and subsequently (after work with Akai), he joined Novation, who are still trading to this very day.

Back to 1978, the concept of the WASP was to build a powerful, low cost synthesizer. That seemed to have worked as one of the original reviews I found uses the headline "The Synth we can all afford" but still dubs it a professional instrument.

I also found a Moog price list dated June 15th 1978 and it lists the Minimoog as $1,995, the Multimoog as $1,495 and the Micromoog as $895. Assuming they sold for about the same in the UK, the equivalent prices would be approximately £1,090, £820 and £490 respectively. The aforementioned WASP review also states that an Odyssey is still over £1,000 in 1978, so with the WASP priced at £199 this demonstrates what a bargain it was at the time.

In fact, I had a brief conversation with a friend who remembers running out to buy it the moment he heard about it in 1978 and he still has his. It was also the first synth of Dave Stewart and Nick Rhodes among others."

E-MU EMULATOR II Sampling Synthesizer (1984) Back in 1984 - Retro SynthWave

RetroSound

(c)2007-20 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

"Back in 1984" show the spirit of the mid 80s. The music that influenced me the most. I heard the music of Human League, Depeche Mode, Ultravox, Frankie Goes To Hollywood and others from the forbidden westgerman radio stations. I dreamed naive dreams as a child who lived behind the iron curtain. All these beautiful machines. Out of reach for me.
But sometimes everything comes at the right time.

all synthesizer sounds and drums: E-MU EMULATOR II Sampling Synthesizer from the year 1984
I used the internal sequencer for track sequencing
recording: multi-track played by hand
fx: reverb and delay

RetroSound synthesizer demo videos since january 2007.
All is for free. If you like my work, so can you support me with a donation or a purchase of my synth shirts or music albums. Thank you!

RetroSound Merch Shop: teespring.com/de/stores/retrosound
RetroSound Home: https://retrosound72.wixsite.com/home

Bob Moog Foundation 2020 Trifecta Raffle: The Moog Source

moogfoundation

"The Moog Source: Grand Prize of our 2020 Trifecta Raffle!

The Source was first Moog to offer patch memory storage and a data wheel to edit the parameters. The Source's rich sound has been used by Tangerine Dream, Jan Hammer, Depeche Mode, Devo, Vince Clarke, New Order (especially on the track “Blue Monday” for which provides the throbbing bassline throughout the song), Ultravox, Josh Wink, Front Line Assembly, Moog Cookbook, Kitaro, Imperial Drag, The Cars, Phish, The Rentals, King Crimson, Blur, Gary Numan, and Toby Smith (of Jamiroquai)

Read more about this synthesizer, as well as the Rogue and Source being offered in our Trifecta Raffle, and purchase your tickets here: http://bit.ly/2020TrifectaRaffle

All three synthesizers have been expertly restored and are in excellent technical and physical condition.

The raffle is a fundraiser for the important work of the Bob Moog Foundation. Proceeds benefit our hallmark educational project, Dr. Bob's SoundSchool, the Bob Moog Foundation Archives, and the Moogseum. Find out more here: www.moogfoundation.org.

The raffle is open internationally.

Big Moog Love to @MaryFrances-MamaFunk for exploring these synths with us!"