MATRIXSYNTH


Wednesday, December 14, 2005

Alesis Fusion 1.2 OS Update

Via Harmony-Central News. Title link takes you there.



New Synthesis:
"With four types of synthesis, the Fusion’s sound capabilities have always been stellar, and now V1.20 up’s the ante once again with the addition of several new synthesis functions. The Fusion’s filter capabilities get a boost with the addition of the RP low pass filter derived from Alesis’ popular Ion synthesizer and three formant filters. The Fusion now facilitates up to four sample oscillator layers per Program as well as up to four insert effects per Program. There is also a new parameter that has been added to the oscillator to have it reset its sample in monophonic legato mode.

Also part of the V1.20 update, two new process functions have been added to Sampler Mode: “Quantize Region” and “Reverse Region”. These functions enable programmers to change the bit rates of samples from 1 to 15 bit (Quantize Region) and reverse samples (Reverse Region)."

Yamaha GS1

The Old Crow recently posted a link to a picture of his Yamaha DX1 and GS1 on the Yamaha CS80 group. I hadn't looked up the GS1 before, so I of course decided to check it out. I found a Sound on Sound article on the synth and the beginnings of FM synthesis. The GS1 was Yamaha's first FM synth and paved the road to the DX line of synths much like the GX1 was the precursor to the CS80, CS60, and CS80. It's a fascinating read. Title link takes you there.

Screaming Jupiter 4 Track

Title link takes you to a post on VSE by emage, with a link to 14.6M mp3 of his Jupiter 4. Takes a bit to dowload, but it's worth it. Nice track.

Tuesday, December 13, 2005

Yamaha Recalls S90 ES?

According to Synthtopia News, Yamaha is recalling the S980 ES as it may cause ear damage when turning it off and on under high temperature - white noise spike. Yikes! Title link takes you to the post, a quite funny one at that.

New Prophet 5 Soft Synth

Title link takes you to a post on VSE with a link to a Prophet 5 emulation. It does has that SCI sound over Oberheim, Roland, Moog, ARP, Yamaha, Korg etc.. Worth checking out.

Roland GR Synth Site

Found a cool site on the Roland Guitar Synths with samples. I always wanted to hear what these old analogs sounded like. Title link takes you there. Link via Legion on AH.

Kawaii K4 and HR-16 resurrected

Mickael from Quebec, Canada sent me a couple of shots from his Kawai K4 and HR-16. The buttons on each began to die, so he had them fitted with heavy duty switches. Interesting. Title link takes you to a bigger shot of the Kawaii K4 below and the Alesis HR-16. You can also check out his site for some more shots and samples of his music.

Sound Master Memory Rhythm SR-88

Interesting item popped up for auction. As usual, I have no affiliation with the seller or the auction. Just pulling the shots and info for posterity. Title link takes you to more shots.



"Produced in the early 80's - from the same era as the Roland Boss DR-55. Controversy still rages as to who copied who - Boss or Sound Master?

It's totally analogue and is in SUPERB condition, with it's original box, owners manual and sample-pattern book.

There are 6 x 16-step (4/4) patterns and 2 x 12-step (3/4 or 6/8) patterns, with A and B variations of each. You can play just A, just B, A followed by B or A then B every 4,8 or 16 bars (like a fill-in).

There are 4 totally analogue and groovy voices - Kick, Snare, Closed Hat and Cymbal (actually more like Open-Hat).

There is a foot-switch input for stop-start and, for you sequencer-heads, a Clock Out +5v trigger on every pulse or every Cymbal beat.

It runs on four Walkman batteries or an AC adaptor (not included)."

A Bit of Prophet 5 History

John Bowen recently posted the following on AH. I asked him if it would be ok for me to put it up as a post and he said yes. This is in regards to the the 1978 NAMM show and the birth of the Prophet 5 and 10. The Prophet 5 was the first fully programmable polyphonic synthesizer. Title link takes you to a shot of the Audities Foundation Prophet 10, which also came up on the thread (note the Prophet 10 label).

"The original Prophet was a 5 voice. Dave Smith thought to add the second
board (which was just another standard 5 voice board mounted above the
first) as an option, but the synth shown at that 1978 NAMM was a 5
voice, which Dave had barely gotten working earlier that morning (after
working on it almost nonstop the days & nights leading up to the show).
I was at the booth at 10 am as we opened the show, and somehow word had
gotten out about the possibility of us having a programmable
polysynth...we had most all the major manufacturers represented there,
right when the show opened, asking about it. We didn't know what time
Dave was going to show up, and tried to stay mum about the product,
while more and more people showed up. Some time after noon, Dave arrived
with the Prophet under his arm, and we cleared a space for it. He had to
do some quick tweaks and checks, and when he powered it up, it worked
right away (but was pretty badly out-of-tune).

As Michael says, we had enough orders after the show ended to feel great
about the Prophet 5's future, and took those orders to the banks to get
some investment capital to build them.

There were a few persons who Dave had already been selling the Model 800
(sequencer) and Model 700 (programmer) to, one of them being Pat
Gleeson, and when he saw there was an option to have 10 voices, he
immediately order two in that configuration. Dave hadn't really tested
the heat issue with the boards layered, but the first several Prophet
10s made soon proved obvious that there was a tuning instability
problem. After Dave looked further into the situation, he decided it was
not going to be a viable option, so we did recall them. I seem to
remember there were 6 in total sent out, and I the one at Korg R&D was
the only semi-functional one still around (however, there is now someone
doing restoration work on a different single manual P-10 for a museum).

But there was no 'desperate measure' requiring removal of one of the
boards, nor a change of the name...it was always a Prophet 5, and if the
optional 5 voices were to be added, a different sticker was made for the
front panel. Simply an option that didn't work out.

regards,
John Bowen"

The Ultimate ARP Odyssey Page

Rob Williams recently posted an ARP Odyssey guitar patch on AH titled "Ted Nugent's Axxe." I decided to check out the patch and while there I checked out the site. If you haven't been there before it's worth a look. There are patch sheets, samples and more.

Quantum Wave

Can't find or afford a Waldorf Wave? Well, you might want to check out the Quantum Wave, John Bowen's most recent emulation. Title link takes you there.




Update: A little more info from the site: "originally a custom project for Hans Zimmer, it is based on the functional design of the Waldorf Wave, using the Creamware Waldorf oscillators and the LP filter from the Pro One emulation (with an additional 12 dB HP filter). It is structured as a 4-part synth, meaning there are 4 individual synths inside the device (this being my first multi-timbre synth project). Potential customers should note that the Creamware version of the Waldorf oscillator does not produce the same quality of aliasing as the original, and therefore you should not expect the Quantum Wave to produce a faithful emulation of the Wave's sound."

The Moog Cookbook

J-chot is on a mission to spread The Moog Cookbook goodness. He sent me a few good links below. If you haven't heard of them, and you are a synth fan, they are definitely worth checking out. They did a number of covers including modern and classic rock all with classic analogs and a couple of classic digitals including the DKS Synergy and... The Con Brio ADS200! To give perspective on this, according to the New England Synthesizer Museum there were only three Con Brio ADS200s manufactured and only one sold. Think about that... Move over GX1.

According to the last news (2000) posted on Moog Cookbook site (title link), the duo have been keeping busy doing some remixes for others, working with Beck and playing with AIR. Apparently they are in bits of a documentary titled, "Eating Sleeping Waiting Playing" featuring AIR. Pay attention folks, lots of nuggets worth checking out in this post and these sites.

J-chot's favorite shot of them (yep, that is one cool shot).


J-chot:
"can't BELIEVE you guys haven't done a piece on my favorite electronic band the moog cookbook! They were a two piece keyboard group band that did covers of songs in the late 90's with nothing but an array of beautiful vintage synthesizers. They made two AMAZING albums and then disappeared without a trace. Inside the cover booklet of each album was a list of all the synths they used on each song! I SUPER reccomend that you buy these albums. their live shows were supposed to be amazing as each of them were supposedly keyboard wizards. and guess what else? they were big in japan! I'm not surprised at all... It's sad that they disapeared though... they do an AMAZING cover/remix of Air's "Kelly watch the stars" if you can find it.. (oh trust me it's worth the search)

My fav pic of them: http://members.aol.com/mellot/pic2.jpg

Home page: http://hometown.aol.com/mellot/mcb.html

ALbums: http://www.amazon.com/exec/obidos/tg/stores/artist/glance/-/82307/102-5163645-7448110

some of their GEAR: http://hometown.aol.com/mellot/brikeys.html

more gearand band pics: http://hometown.aol.com/mellot/photos.html

here's a little piece by the synth museum: http://www.synthmuseum.com/mc/

here's a music video: http://www.musicvideocodes.com/?artist=6559

there's other little bits and pieces floating around.... but you NEED to educate the world about The Moog Cookbook! [consider it done!] : )


J-chot"

Lostsignal825's "Skinmatic"

Nice! Anyone know what this is a schematic for?
Via this post on Moogulator's Machinesound.de.



Update via the comments. : )

"thats not a schematic, it's a circuit trace. If it is done in electricly conducting ink the tatoo just needs to have components attached to form a working circuit, except for the fact that the body is a conductor (no insulation between traces) so the circuit won't actualy work. wonder if this person has a MIDI jack in their ass.."

Monday, December 12, 2005

Euro-Rack Format Zeroscillator

Wow. This is absolutely stunning. Title link takes you to the Cynthia website with shots of all supported formats inlcuding MOTM, Blacet, DotCom, Modcan, and of course, this beauty, the Euro-Rack format.

Also check out the Cyndusties list for samples and more.

OB-Xa with Plexiglass Side Cheeks

Title link takes you to a bigger shot. Via this auction.

John Bowen Synth Design & Zarg Music


I was just checking out John Bowen's Zargmusic site and I thought I'd put up a post on it. I remembered reading about John Bowen being part of Sequential Circuits, but I had no idea how large the scope of his contributions to the synth world were.

He started as the first official Moog clinician in 1973 and later joined Dave Smith and Sequential Circuits in 1976. He is the man behind the original 40 Prophet 5 presets and he was SCI's Product Specialist creating 99% of factory sounds for nearly all of the SCI product line. He contributed to the design of SCI instruments. After SCI was bought out by Yamaha, he moved on to Korg where he became the Product Manager for the Wavestation synths, followed by the OASYS project the Z1, and the OASYS PCI. After Korg he joined Creamware and worked on a number of projects including Pulsar/SCOPE and the Pro One and Prophet 5 emulations. Via Zarg Music John has released number of synths including the acclaimed Solaris and the Red Dwarf synths.

An interesting tidbit of trivia according to the history page on Zarg Music is that John Bowen coined both the terms "wave sequencing" and "multitimbre." The basic concepts behind wave sequencing also come from John. Fascinating bit of synth history.

Title link takes you to the Zargmusic site with more. Be sure to check out the history page and samples of each synth. If you haven't checked out the Red Dwarf, make sure to do so. It's a semi-modular with a number of interesting modules including a CEM Oscs-Pair, Waldorf OSC, WaveTable Osc-Modular, CEM LP 24 dB Filter and much, much more.

Wearable Synthesis


Via Synthtopia News. Title link takes you there. "This conceptual model is similar to the analog synthesizer. In analog synthesizer, users can generate infinite original sound by connecting and tuning three modules, VCA, VCO and VCF. We have named our model “Wearable Synthesis” in the meaning of enabling original fashion expression by combining individual fashion items."

David Rogoff's CS-80 Gallery

Title link takes you to a set of Yamaha CS-80 pics, mainly of the inside. Enjoy.

Sunday, December 11, 2005

Excel Spreadsheet Based Drummachine

Music Thing has a post up on an Excel Spreadsheet Based Drummachine. Yap... Reminds me of the Excel Spreadsheet Synth also featured on Music Thing. Title link takes you there.

Rhodes Chroma Tapper

Update from Chris in the comments section:
"If you do a search for "tapper" or "thunker" from the home page of rhodeschroma.com, you'll find a number of mentions of this feature of the Chroma. It can also be turned off. In the interview I did with Phil Dodds and Tony Williams, I asked how the "thunker" came about: http://www.rhodeschroma.com/?id=doddswilliams#thunker"



When I recently played a Rhodes Chroma for the first time I was astonished by the feel of the keyboard and the sound it produced. I had no idea what to expect, would this be a somewhat thinned down polysynth or would it have the brawn of the mighty poly analogs like the Oberheim OBXa, SCI Prophet 5, or Roland Jupiter 8. Well let's say it pretty much holds its own against these classics and actually outdoes them in some ways. The sound is absolutely full, thick analog, and the flexibility of routing and modulation options out does the above. But... this is not the point of this post. When I was playing with the Chroma I noticed a sort of thick clunk when pressing its membrane switches and for some parameters I heard this when moving its one editing slider. It through me off and I actually thought it was broken! I was actually a little relieved as at that point I figured there was no way I'd be tempted to buy this particular unit. But then it occurred to me that this might actually be by design. I played with a bit more and sure enough it was clear that this was on purpose. After using it a bit I began to appreciate the thudded tap - it added a certain weight and tactile response to editing the synth which would be missing without it. I find it fascinating that they took the time out to implement this and I'm left wondering if there are any other synths with it. At this point there is none that I know of. Title link takes you to more on this unique feature on the Rhodes Chroma site. BTW, I'm still blown away by the resources and support available on the Rhodes Chroma site. If there was ever a synth resource award, Chris Ryan would be on the top of my list. Links via Chris Ryan on AH.

Two links on the tapper:
http://www.rhodeschroma.com/?id=emm#shapingthesystem (picture)
http://www.rhodeschroma.com/?id=diagnostics#tapper

Linplug Octopus - 8 Op Dual Matrix Synth

8 Op FM synthesizer for OSX and XP. Title link takes you there. Via Moogulator's Machinesound.de blog. BTW, Machinessound is a great synth blog, well worth checking out and subbing to.

The Synth Elf - New Flickr Shots

Yep.... Some more after the hop.

Scaffbeat Studio 1 - New Flickr Set

Title link takes you to a nice synth Flickr-fest. Via Moogulator of Sequencer.de, via http://maschinensound.de/blog/?p=254. Note: There is a video link on this last link but I had a bit of trouble getting to myself and had to head out. I will probably try again later, but I did want to call it out in case you wanted to give it a try.

Update: Click here to go to the movie. When you are there, scroll to the bottom of the page. You should see a FREE link. Click on it to get to the movie dowload.

SCI Six Trak Service Manual

Title link takes you to the 4.06M PDF of the SCI Six Trak Service Manual. Via Midi Mike of http://www.geocities.com/SoHo/2163. Thanks Mike!

Update: also here

Microns & Ion - New Flickr Shot

Title link takes you to a bigger shot.

Saturday, December 10, 2005

The Screamers - Synthesizer Punk Rock

There is an intersting thread going on AH titled, "Best punk use of synth." A number of bands were called out, some of which were questioned as far as whether or not they were punk in the classic sense of punk. Well, the Screamers definitely were classic punk. They had a small stint in the late 70s in Los Angeles. They were a four piece band with Tomata Du Plenty - Vocals (R.I.P.), Tommy Gear - ARP Odyssey, David Braun - Fender Rhodes electric piano, and KK Barett - Drums. The Screamers were a band from 1977 - 1981. Notice no guitar or bass guitar, just the ARP Odyssey, Fender Rhodes and drums. Title link takes you to the Screamers page on http://www.punkrockers.com with some audio links (just above the pictures). Listen to them. What's crazy is that there are no guitars - this is not a bleepy synth experience, this is classic punk rock.



Other links worth checking out:

http://www.synthpunk.org/screamers
http://www.dvdmaniacs.net/Reviews/Q-T/screamers.html
http://www.mp3.com/the-screamers/artists/334431/biography.html
http://www.synthpunk.org/

Inside a Prophet 10 - New Flickr Set

New Flickr set via Brandon Daniel on AH.

Update via Brandon in the comments: "note that this is a special kind of prophet 10, most of them had dual keyboards on them, only very early ones had a single keyboard"

The original Prophet 10 was essentially two Prophet 5s in a Prophet 5 case. It suffered from tuning instabilities due to tempature issues in the small case. A larger cased dual manual keyboard followed to take care of this problem. These shots as Brandon calls out is of the older single model.

NIN Gear Page for The Fragile

Title link via Kieth Seaman. < Old Man Voice> "Yap, I remember seein' NIN back in the day... a lil ole club called Helter Skelter. He had dreads and performed in a cage back then... Yap.... " < /Old Man Voice> At least I think it was Helter Skelter. It's all kind of fuzzy now. It was off of Sunset Blvd in LA if I remember correctly, so if you know please refresh my memory. But... I do remember seeing K.C. And the Sunshine band reunion at club 70s. Now that was a suprisingly good show... To be fair, NIN put on a hell of a show back then, amazing. But... Let's all remember, Skinny Puppy "taught the killing game first." Well before the likes of Madonna, oops I mean Marilyn Manson. Same thing right?

Carbon111 Site Update

Title link takes you there. If you haven't checked out Carbon111's site yet, you should. The site includes pages on the DSI Evolver, Waldorf Microwave XT, Serge, and Roland Juno-60. These are in depth pages including wavetable charts for both the Waldorf Microwave and DSI Evolver. There are some nice shots of his Rusty Insects studio and more including some of his visual art and of course his music. Enjoy.

Korg Polysix - New Flickr Shots

Title link takes you to a couple of nice Korg Polysix pics.

ARP 2600 Site

Nice ARP 2600 site I haven't seen before. Includes a photo gallery, mods, links, owners and service manuals, brochures and more. Title link takes you there.

Friday, December 09, 2005

Novachord Restoration Project


I previously posted on the Novachord Restoration project back on 10/03/05. Looks like the project is finished! There are some amazing samples up. Title link takes you there. Phil Cirocco of EMS did a fantastic job in this. Listen to the samples and realize that this synth is from 1939. This is absolutely astonishing. This really is about as awe inspiring as it gets in the synth world.

Update: Via Michael E Calaroso on AH:
"John Hanert was the designer of the Novachord, who also brought us spring reverb and the scanner vibrato and percussion of B3 fame. Vail's Hammond book has an entire chapter devoted to the Novachord. Apparently the prototype was velocity sensitive, but that feature was omitted from production models following a demo to a Hammond executive where he decided he heard no difference whether velocity sensing was on or off. Now I would've like to seen how Hanert implemented velocity sensing in 1939 :)

Some info from Dave Kean here:

http://www.ffwdweekly.com/Issues/2002/0801/mus4.htm

MC"

Red Dragon - Free Virtual Synth

Intwesting.... Title link takes you to the news on Synthtopia.

Synth Overdose - New Flickr Set

Click here for a new Flickr set from WC Olo Garb. Nice!

Jessica Rylan - New Flickr Shots

Title link takes you to some more shots.

MAM RS3

Title link takes you to Chris Strellis' page on the MAM RS3 Resonator with samples and more.

More x0xb0x from Jiggity

Title link takes you to more samples on Jiggity's soundclick page. Via Colin Chung on AH.

Alesis Andromeda A6 CS80 Sample

In via Tom Remi Flygel on the A6 alias. Great sample of the A6 imitating that Yamaha CS80 patch. It's amazing that the A6 filters model the Moog and Oberheim, yet aside from maybe a Yamaha AN1X, it's the closest sounding synth I've heard to a Yamaha CS50, CS60, or CS80. It captures that amazing sound.

Thursday, December 08, 2005

Zeroscillator FM VCO from Cynthia


Via Cynthia on AH.

"Announcing...

The revolutionary new ~Zeroscillator~ FM VCO from Cynthia.
Available now in a variety of popular modular synthesizer formats!

http://www.cyndustries.com/

***** PRESS RELEASE 12/08/05 *****

They said it couldn't be done...
but Team Cynthia went and figured it out anyway!

Cyndustries.Com announces

The Amazing New Zeroscillator!

A Liquid Smooth All Analog Through-Zero FM Oscillator for Modular Synthesizers. For the first time traditional digital FM synthesis is possible in an all analog signal path. http://www.cyndustries.com/

Features Include:

Through-zero Linear FM Operation.
AC & DC Linear FM Inputs with 4-Quadrant Dynamic Depth VCA.
Separate Outputs for All Traditional Waveforms.
Voltage Controlled Bi-Phasic Waveform Morphing in Four-Phase Quadrature.
Variable Synch.
Precision Ten-Turn Tuning Knob
Switchable Linear Bias
Modulation Depth and Polarity LEDs.
Unique Time Reversal Input!

What does all this mean?
It means incredibly rich and alive sonic textures are now available to you!
It means that brass, woodwinds, percussion and exotic electronic mayhem are just a
knob-twist away without need of filtering or other spectral post-processing!
It means a whole new, exciting way of synthesizing sound on your modular!

Advanced engineering and the very latest in exotic semiconductors enable the amazing
Zeroscillator to create classic (digital) Linear FM Synthesis on your modular with
reliable, all-analog ("Look Ma, no aliasing!") circuitry.

Physically, the Zeroscillator's design and build quality are stratospheric.
The finest components are employed using high-quality 4-layer circuit boards, NKK
Switches and Switchcraft connectors. All chips are in military-grade type gold
sockets, and gold connectors are used internally for years of trouble-free maintainance.

Sonically, Zeroscillators produce crystaline FM textures without the assorted noises and grit of digital. Zeroscillators increase the sophistication of your music because each use is a delightful journey into undiscovered, exciting new dimensions!

Learn for yourself what the "Through-Zero" & "Dynamic Linear FM"
buzz is all about using actual analog synthesizers. Sieze this opportunity
to invigorate your music with this breakthrough in electronic technology
by equipping yourself with exciting new Zeroscillators today!

- 30 -

Join the new Cyndustries List at Yahoo!

http://launch.groups.yahoo.com/group/The_Cyndustries_List/"

Mode Zero

Title link takes you to Modezero, a site dedicated to vintage audio effects including pics and samples. Via Ivan on AH.

This Blog

Thought I'd put up a post on what this blog is and what it is not. Why? I always find things a bit more enjoyable when I know what they are about, and I've noticed from a few comments that some might not know what this site is about.

What it is: A repository for synth stuff I come across on the web.
What it is not: a "News" blog.

Will there be news now and then? Yep. If I come across it and post it. Will I be the first to post stuff? Depends. If stuff is sent to me that's not currently on the web, or I come across it before others then yes, otherwise all of this stuff is already out there, even when I come across it first. What might be "news-like" is any additional information I might add and/or a different perspective. What is also news is anything someone might add to the post. It just depends. I'm not trying to be a news blog, but what's interesting is a lot of this can come across as news. What's really interesting is if it is news to you then it's just that, news to you. A lot of this stuff like Vogelscheiss' site or Tapelab.org have been around for some time, but I had no idea until I visited them. I'm not on all the lists and my guess is neither are most of you as we only have so much time in the day to explore the synth universe. So, I use this blog to track all of that. It's my pulse on the synth world and I hope you find some if not all of it worthwhile. Will there be posts you brush over? Of course! We all have different interests; some will overlap, some won't. You might be on some of the same lists as me and you might not. If you saw a particular post already, think of the others that haven't. What also fascinates me is that in the synth world, old news can be new news. Think of all the history that fascinates us. For example, recently someone on the Synth Sights list was trying to find the infamous OBMx and Gibson story. People remembered seeing it but didn't remember where to find it. Well, it so happened that I put up a post with a link to it a while back, so I was able to find it and send it quickly.

So what is this blog to you? A place where you can see stuff about synths, old and new. Every now and then I hope you find a nugget or two worth your wile. : )

OMG - New Flickr Shot

Yeah, I would say that's an appropriately titled shot.

Update: More info on the shot via Analog Industries.

Vogelscheiss

I've been listening to various bits of vogelscheiss coming in on the lists lately, including the sample I put up on my last post and some previous posts. Well, I finally took the time to visit the root of his site. Wow. This was another one of those how did I miss this for so long moments. There is a seemingly endless amount of mp3s on his site, studio photos, equipment list and more. On the MP3 page there is a News section pointing out his music has been featured in Chris Romero's "Patch" and the "Ultimate Matrix Collection" DVD box set. Pretty impressive. Title link takes you there.

Vermona Perfourmer Sample

Another in via Vogelscheiss on AH. Enjoy.



Umm, sounds pretty special to me. : )
"This demo's nothing special but it shows some of what's so kewl about the
Perfourmer. The Perfourmer's set to Poly mode, with voices 1-3 set to MIDI
channel 1 and set to different patches (and pannings), one an octave up,
taking turns playing arpeggiated notes or occasionally combining in chords,
while voice 4 is set to MIDI channel 4 and playing a bassline. Drums are
Stylus RMX."

G2 Minimoog Samples

Title link takes you to some samples created by Jose Sogo Flores of a Minimoog and a Clavia G2. In each sample he goes back and forth between the two. These are pretty amazing. Note that Jose calls out below that this is not meant to be a comparison in sound quality but rather an excersize in programming. Enjoy. BTW, please right click and download a file before listening to each. : )

Some notes from Jose:

- You hear always the Mini and then the Clavia G2.
- On every mp3 files, there is many comparisons. Sometimes only an isolate
note on both instruments, sometimes a group of notes. Because of the many
examples and very similar sound, you'll have to listening carefully to the
mp3 or you won't know if you are listening to the Mini or G2.
- This is silly hand playing and there is timing differences between the
Mini and the G2. So don't take timing differences for sound differences!
- I made the G2 patch in a couple of minutes, using simple modules
and -lacking programming skills- without taking into account important sound
features of the Mini like filter saturation or different resonance response
depending on input frecuencies. That means, the G2 patch can be even
improved with some more effort.
- I stopped programming the G2 patch as soon as I thought the sound was
interesting enough to record some examples. Because of my lazyness, filter
tracking on the G2 was not matching perfectly the one in the Mini. On some
examples, where you listen to the same sound spread across several keyboard
octaves, differences in sound are mostly only slight differences in filter
cutoff due on different filter tracking. Our ear is very sensitive to cutoff
differences.
- Please don't understand the A/B comparison as a sound quality question.
Instrument and sound emulation is a way to learn your gear and expand your
programming capabilities. No winner here. Also no loser.

If you want to host the files and make them available for all people, please
feel free to copy and post the considerations above to AH.

Best Regards

Jose

Wednesday, December 07, 2005

Zebra 2

I first saw the Zebra 2 on Moogulator's site. I glossed over it as another soft synth and never got back to it. Now it's up on Create Digital Music. I finally made time to take a look and it does look interesting. It actually looks a bit like Ableton Live, which is a good thing. What's great about Ableton Live is it's ease of use. It looks like Zebra 2 has a bit in this in that it packs a powerful synth hidden behind an elegant and simple to use UI. What's interesting is their concept of "The Grid" and a "wireless modular synthesizer." Not sure how much of this is the UI vs. the synth mechanics itself, but it does look interesting. You be the judge. Title link takes you to there.



"In terms of synthesis you'll hardly find anything that you can't do. In many hybrid approaches different synthesis concepts live side by side - in Zebra everything integrates seamlessly. This is owed to Zebra's renowned concept of modularity, called The Grid. Use an oscillator to build wavetables in an additive fashion, mangle these with some phase distortion effect, send that through a comb filter that in turn frequency modulates a sine oscillator. Sounds too harsh? - Put a warm sounding lowpass filter behind it! "

P*rn for Synth Geeks - New Flickr Shot

Juno 60 in bed

A Juno 60 pic via another cl post for sale.

Hold onto that Synthi! - TapeLab.org

Title link takes you to TapeLab.org. Another one of those amazing sites where I wonder how the heck did I miss this until now. They have an EMS Synthi 100 Modular and more. Like the shot below? There's tons more after the hop including samples. Had a really hard time picking one for this post actually. Keith Seaman sent this one my way. Thank you Keith! P.S. This is MBM/Jack Dangers site.

Electronic Musician Spotlights

Title link takes you to Electronic Musician's Spotlights page. EM Spotlights are articles on featured people. There's a bit of synth content worth checking out including analog conent on Steve Roach and Wendy Carlos. Via Peter Grenader of Buzzclick Music on AH.


The list includes:

Steve Roach
Wendy Carlos
Negativland
Malcolm Burn (String Cheese Incident)
Yoko Ono
Pierre Shaeffer & Pierre Henry - pioneers in sampling
Toby Marks (Banco de Gaia)
Tim Pagnotta
Roger McGuinn
Laurie Anderson
John Cage
Phillip Glass
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