"Fine tuning the darkness of time. Or the light. Whichever is inclined to influence the clock. Theres a show this weekend you see. And I've got to get those beating clocks in order. And, here, the Richter OSC II is making an appearance as fascinating clock source.
thanks for listening :)"
via the seller: "Here we have an original early 70's Arp Odyssey mk1 (with Arp's 4035 moog filter) in good condition that has been professionally serviced and calibrated recently. It sounds and works just as good as if it was brand new. This is a big deal since cleaning the sliders on these instruments is very time consuming. You must disassemble the instrument to do this properly. I had an Arp expert go over every inch of the machine and it is ready for the stage or studio.
This machine is not mint but it has been pro owned it's entire life and looks great. It had two mods in the 80s that I had reversed back to original specs. Two small holes were left behind that were covered with small plastic Arp style plugs. The odyssey is one of those synths that is easily modified. I had it put back to 100 percent factory spec. One mod I did later was to have the machine upgraded to the more musical moog style filter of the mark II machine. All mods were performed and/or reversed by the top Arp tech of the day.
So what you are buying is a Mark 1 machine that has recently been serviced, cleaned, calibrated, and given a clean bill of health; with the moog style filter of the mark II machine (Arp's 4035 filter only found on the black and gold mkII machines). You can easily change the filter back but after owning all the Odyssey machines, the moog style filter sounds best to me, so I had the upgrade done to all my machines."
Note: Auction links are affiliate links for which the site may be compensated.
Formant Musik-Synthesizer #2 Demo-Tape 1978 (German)
Uploaded on Jul 27, 2011 MonoThyratron
Part 1 had embedding disabled. You can find it here. I found this video after seeing the auction listing for the tape below. I'm guessing this is the same, but of course I have no way of knowing for sure. If you know feel free to comment. Below is the video description in Googlish, followed by original German. It was massive so I opted to put it with the pics.
Cool little bit of obscure synth history you don't see everyday.
Googlish description for the video above (original German after the dotted line break below):
"For educational purpose only!
This demonstration was part of the band, published by the publishing house Elektor book "Formant music synthesizer" (1978) will be presented operation and sound examples of Formant -.. Part 2/2
"The synthesizer is even for many experienced musicians a difficult instrument whose musical dimensions are in contrast to the conventional instruments is often not readily recognizable.
That an intensive study of this unusual musical instrument worth, takes the reader to the formant series hardly proven to be. After the positive reactions to the formant by readers and also by the music trade press, the following setting examples and musical hints supplement the formant series into a single unit.
By the way can also be used in an appropriate form to play the other synthesizer most tips for the synthesis of realistic instrument sounds. Specifically, the highly detailed settings described the resonance filter that play a central role in generating credible timbres, can basically for any electronic musical instrument very use to the advantage of the sounds produced.
The setting examples are divided into two main parts: First, it is important to learn how to operate the individual formant modules properly and exhausts its possibilities. This saves the less experienced formant owners that first game attempts to exist alone. The given guidance, transporting the player in a relatively short time in the position of having independently over the sonic possibilities of his instrument.
The second main part describes combinations of basic settings that make it possible to create differentiated instrumental sounds with the formant. Thus, for example, describes the settings for the sound producing a wooden flute, a trumpet, a trombone, a tuba, a vibraphone, string instruments, a clarinet, a bassoon, an oboe, a flute, a piano and so on in detail and illustrated by Einstellskizzen. An important role is played by the resonance or formant filtering education that includes an important and, audible 'improving sound shaping. The numerous tips that are presented here, can be easily used for other synthesizer and in general all electronic musical instruments.
Finally, it is explained briefly what benefits eg a Miniformant and polyphonic playing mitsichbringen. Using the manual you get to know the formant better. The settings described contribute also the handwriting of the author '. They are therefore not to be regarded as the only true, but to fuel creative doing. About own sound discoveries the joy is greater than on predetermined settings. "
Source: C. Chapman, music with the synthesizer, setting examples and tips for playing music with Formant, in: Formant music synthesizer, Elektor Verlag Gangelt 1978, p 80
ISBN 3-921608-10-4"
"The very nice multi-functional 'Sewastopol' from XAOC Devices. You've got FX send and return, audio import, audio export (both with level adjustment) a very responsive envelope follower and a comparator with gate and trigger outputs.
Hit like and subscribe for more videos every week and check out the Patreon link below to see how you can support my YouTube channel.
Some good points in this one, both the video and the description.
"Novation KS Rack synth with extensive MIDI control via an Edirol PCR 300 midi keyboard controller.
With the ever increasing craze of the current modular scene, many electronic musicians and sound designers have been going mental buying tons of expensive and complex modular units.
After realising my budget would not stretch to accommodate enough units to accomplish generative soundscapes, random, glitchy noises and drones, I decided to create an alternative solution with my cheap and cheerful digital gear.
I couldn't give two shits whether it's digital or analogue, if it sounds good (or disgusting), that's all that matters. I consider the KS Rack an extremely capable and very underrated synth that I will never part company with. It's strongest feature is the non-destructive editing of programs whilst in Performance mode, as the performances store the parameter settings for programs independently from the originals - what's more, it cost me £140 off Gumtree 3 years back.
The KS Rack's CCs and NRPNs were mapped in a logical fashion, primarily for each oscillator.
The sliders, knobs, mod wheel, crossfader and pads provide additional control over multiple external and internal parameters, using the PCRs editor application.
Very simple to use and very effective.
The results of this extended control are far more interesting than manually menu diving to modify them. You can basically mould' the sound on the fly, rather than modifying it step by step, thus loosing your creative flow by getting caught up in menus and button pushing.
Mapped controls are:
R1 - CC 72(48) - OSC 1 Level
R2 - CC 73(49) - OSC 2 Level
R3 - CC 74(4A) - OSC 3 Level
R4 - CC 40(28) - OSC 1 Semitone
R5 - CC 48(30) - OSC 2 Semitone
R6 - CC 56(38) - OSC 3 Semitone
R7 - CC 43(2B) - OSC 1 Pitch Mod Amt
R8 - CC 51(33) - OSC 2 Pitch Mod Amt
R9 - CC 59(3B) - OSC 3 Pitch Mod Amt
S1 - NRPN 50 - OSC 1 Wave
S2 - NRPN 51 - OSC 2 Wave
S3 - NRPN 52 - OSC 3 Wave
S4 - CC 80(50) - LFO 1 Non-Sync Speed
S5 - NRPN 53 - LFO 1 Waveform
S6 - CC 83(53) - LFO 2 Non Sync Speed
S7 - NRPN 54 - LFO 2 Waveform
S8 - NRPN 0 - FM Fixed Level
S9 - CC 71 - OSC 1/2/3 Octave
A1 - NOTE 64 - Triggers a sustained/infinite note
BEND - CC 19 - Non Sync Delay Time (left / right)
MOD - CC 92 - Delay Amount (up / down)"
"a simple demonstration using the Buchla Music Easel's Preset Voltage Source to vary the quadraphonic rate and which sound moves among the 4 speakers. Pad 1=slow to Pad 4=fast. of course you will be hearing this in stereo but the effect is audible.
Better audio here: http://soundcloud.com/user7621213/easel-pvs-space"
The price is lower. If you do a quick eBay search for other FS1Rs you'll find that some go for astronomical prices. The reason likely is because the FS1R in incredibly deep offering Yamaha's unique Formant synthesis as well as an 8-Op FM engine. The DX-7 only had 6 Operators. The FS1R can load DX7 patches but it is capable of far more complex sounds. There is also an iPad editor for the FS1R created by yours truly.
"This vintage Casio SK-1 was diabolically modified and circuit-bent by Diabolical Devices, right here in the USA! RCA jack patch-bay with 1/4 in output"
"Unique creation by GlitchMachines.
Originally a vintage Texas Instruments Touch & Tell learning toy.
Now it has a 3 color unique paint job, a bunch of switches, a knob and has been rechristened "Syntax Cataract".
100% fully functional. Runs on 2 "D" batteries (included, but not new).
Features:
- 20 glitch switches
- Pitch dial knob
- Reset and Speaker Cut switches
- Standard 1/4" output jack
"2X TipTopAudio Z3000 Oscillators into The Harvestman Maglorithm being enveloped by Intellijel Dual ADSR into Malekko Borg Dual stereo. Synthesis Technology E350 into wave shaper FM on Z3000's. Notes and envelopes controlled by Make Noise Pressure Points."
"The Analogue Synthesizer SX-150 MK2 is quite an advanced little synth. With multiple controllable parameters, line in and out and a four octave range, it’s an amazing piece of kit. The Analog Synthesizer SX-150 Mark II uses an electrode stylus to play tones, is battery powered and is a quality piece of kit.
Also this auction includes a MIDI-IF controller, this means you can plus the Gakken in and play this with a midi keyboard. This adds features of tune, modulation rate and glide to the Gakken and like the Gakkken is battery powered."
According to the QA in the listing, the MIDI-IF "was custom made by beatnic.jp in Japan, the model of this controller is a MIDI-IF for the Gakken SX-150 mk2."
"As a record producer, I have used this keyboard in countless productions over the years, including three singles for the mega group KORN.
Cosmetically, I would almost dare say she may be in near perfect condition. The only place that I can find a small scratch or two, is on the bottom underside of the keyboard. (See pictures). All nameplates are perfectly intact without a scratch. No scratches whatsoever anywhere on the top faceplate or keys.
This Pro One is also in excellent working order and sounds and plays amazing. I guess if you wanted to get extremely picky, you may be able to find a knob or two on the front that are a bit scratchy sounding when turning them. Feel free to message me, I could even text message you a video of me playing it. Showing that all keys work and it sounds amazing.
The only reason I am selling it, is because I have not been producing much dance electronica oriented music the past few years. I am primarily producing acoustic music."
Again, more interesting bits of individual synth history. Not sure how you would confirm this though.
"This is a great package, and a rare opportunity to own a legendary pair of vintage synth heavyweights in excellent condition. Both the MS-20 and the SQ-10 are in good working order and function correctly. The MS-20 comes with plastic Japanese overlay (see pictures) and a world-class R&R custom flight case. Original box and manual for SQ-10. Comes with 8 hosa patch cables. The MS-20 will ship in the green case; the SQ-10 will be double-boxed so the original box remains in its present condition."
"This is an Oberheim OBX-a as the ad clearly states. If you're here browsing chances are you already know the specifics of this beauty so, no need to list all the stats. Needless to say, it's big, it's heavy and it's lovely!! The story on this gem is, I was gigging with some cats who wanted to do a tribute to the 80's and me being the obsessive freak that I am, I had to have this board. Besides that, I've always loved Van Halen and Rush so, it was a no brainer. I bought this one on EBay from John Leimseider (look him up) who is the curator at the National Music Centre (look it up) in Calgary, Alberta. As fate would have it the tribute to the 80's never did happen for us and so, the board has been in my studio for the last number of years. Up until a short time ago when I decided to prepare it to be sold. I shipped it back to John who has gone over it thoroughly and has assured me it's ready to rock. When it's time to ship it will be well packaged and protected. Obviously, this item has been used. Consequently, there are signs of wear. However, the wooden sides are in perfect shape as are the keys. Everything works and it is completely functional. However, I would be remiss if I didn't mention that cosmetically it does have blemishes. There are a number of visible scratches on the top and what appears to be scrapes. I would say for it's age it's a 7/10 cosmetically speaking. Thankfully, this does not affect playability. This board is all original but John is able to install midi for a fee of course. Cheers!"
Little bits of individual synth history. Of course you would have to verify it to be sure.
"The box plugs into the Sub-D connection socket on the back of the synth and allows connections to be made to the synths parameters via control voltage. This allows interactions with other synths and soundmodules, for example the Arturia Microbrute's patchbay or a Eurorack modular synth. As well as the CV inputs and outputs the box also includes independent audio outs for the two oscillators and a dedicated noise output.
The patchbay offers many of the same functions as the official modular dock and although it omits a few (For example external audio cannot be routed through the filter with this patchbay) it does offer LFO and envelope outputs which the official modular dock does not.
The patchbay is handmade using high quality components and has been thoroughly tested. It is sold as new but does have a few light scratches on the case which occurred during construction. They are very faint and only show up in bright light.
The patchbay comes with the necessary connection cable built in.
PLEASE NOTE this is a listing for the PATCHBAY ONLY. You need to buy the Vermona Mono Lancet separately."
"This here is a mode machines sid, a synthesizer for creating 8 bit chiptunes type sounds, has an imitation sid chip in it (that's the soundchip that the original c64's used), a 303 style sequencer, midi in/out. there's better sources of info on this than this description. it's basically new it's barely been used. comes with Australian power supply and a midi cable..."
"Vintage used Arp Axxe synthesizer from around 1980-82. Has been professionally restored to its full musical function. Keyboard is totally even and original. This unit is the little brother to the Arp Odyssey and quite rare to find in any working order. It has all its original switches and slider knobs which are color coded. The original power cord was replaced some years ago, now it has the three prong receptacle in the back which makes the cord detachable for better wear and tear. This unit has one oscillator with the conventional ADSR envelope generator. This unit is unique in its sounds that make it so attractive to people who love the 1970's-80's art-progressive rock period. At some point in its life an attractive wooden chasiy was added to its body which adds to its look and does not restrict obtaining access for internal repairs..."
"EB.TV #58 - 05.05.15
Electronic Beats TV presents a special Slices feature that presents the story behind R IS FOR ROLAND. Michal Matlak (aka Analog Roland Orchestra) served as the book’s central author, and alongside illustrator and photographer Tabita Hub he created an epic book dedicated to some of the classic Roland instruments that have played an integral role in shaping electronic music. Its collection of exclusive descriptions and photos, plus interviews and stories from the likes of Legowelt, Egyptian Lover, Jeff Mills, Mark Ernestus, Modeselektor, Lee Scratch Perry, Moby, Robert Hood, Mathew Jonson, make it clear that these machines can create emotional connections.
"Another improvisational demo utilizing the ARP's Duophonic ability, The oscillators are slightly detuned and I've added a bit of FM to VCO#1. This gives the oscillators that rich "phased out" sound, where the harmonic contents of each phase against each other. The Korg MS-20 Mini is pulling bass duties again. This time the SQ-1(acting as a master clock to the TR-707) GATE OUT is going to the MS trigger IN. The CV to the VCO's are manually being played via the keyboard for that 80's arpeggiator effect."
"The DinSync 303 brings a Roland TB-303 to your modular.
Other modules used include the I dream of Wires battery acid,
the Tabula Rasa, the Koma Elektronik vactrol SVF-201, the Klee sequencer, Model 15 Complex Voltage Controlled Oscillator & Maths.
Drums are from a Roland 808"
