"This listing is for a rare & vintage Synclavier PSMT Synthesizer keyboard workstation. The workstation includes everything photographed. There are multiple different units and 7 tubs full of different cords. All of the items photographed were kept together, so I assumed it all belongs to this unit, but I am not 100% sure.
***This unit is being sold untested in as is condition without returns. I have no idea how to even begin setting it up to test its functionality. It came from a storage estate that had a wide variety of musical recording equipment.***
Due to how much comes with this unit, this listing is for local pick up only. The item is located in Orange County, California. If an out-of-state buyer is interested, the shipping must be arranged and paid for by the buyer."
"playing some factory patches from my Synclavier PSMT system (power supply is a bit busy, sound is usually supposed to be even better and cleaner)
consider that there is a big loss while recording it (96khz), and even more when converting to mp3 format, but still, it makes realize how good sound quality can be
Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016
Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:
"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.
- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.
- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based
- the partials/timbre frame functionality was vastly expanded"
Video description:
"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.
Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"
Arturia announces the Synclavier V
Published on May 19, 2016 ARTURIA
Update:It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.
"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.
The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.
While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.
Update: some details on the synth engine:
Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.
Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.
Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.
Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.
With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!
Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.
Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."
Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:
"Arturia advances industry-standard V Collection of virtual classic keyboards
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…
With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.
B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!
Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).
Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"
The Analog Lab press release:
"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...
Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.
Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.
Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.
For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.
Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).
Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.
Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"
Arturia B-3 V Tutorial
Published on May 19, 2016
"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."
"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...
B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.
Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.
One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!
Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.
Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!
B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.
Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.
All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"
Arturia Stage-73 V Tutorial
Published on May 19, 2016
"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."
Update: And the official press release for the new Farfisa-V:
"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...
Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.
Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!
Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.
As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.
Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!
"New England Digital Synclavier keyboard only. This is the extra (backup) keyboard for the Synclavier II system, Keyboard is in great physical condition and has few minor scuffs and scratches. All the keys work good and are not damage."
Some synth spotting with The Passenger aka Jesse Creed who has been known to sport some MATRIXSYNTH swag over the years.
"Vancouver based artist, The Passenger, joins the RF label. This DIY vid peeks into his studio hide-out full of vintage gear, from every era, many pieces restored on site.
"Behind-the-scenes look at the making of the Official Deadpool Soundtrack by Tom Holkenborg aka Junkie XL - video by Will Knapp of Napptime Digital Video. Soundtrack available here: http://bit.ly/DeadpoolOST"
Pretty cool to see the synths used in the film: TTSH (ARP 2600 clone), Roland JD-800, Oberheim OB-Xa, NED Synclavier in software, and Yamaha DX5. Plenty of other synth spotting as well.
Update:
Synths of Deadpool - Studio Time with Junkie XL
Published on Mar 8, 2016 junkiexlofficial
"A walkthrough of the synths of Deadpool and a taste of the Studio Time with Junkie XL to come! More info coming soon!"
"Synclavier II Vintage System - Digital Synthesizer, Control Unit, VT100 Monitor, 73 Disks, 3 Disk Drives, Keyboard, Cords, Button Summary Index and Manuals
Great piece of audio engineering history. The Synclavier system is the Rolls Royce of vintage synthesizers. They're prized still today by successful sound engineers, composers and musicians.
This system comes from a professional working studio. While it has not been tested recently, it has been kept in safe storage in a smoke-free environment. Everything will be shipped via freight carrier. Also available for local pickup in the Fort Wayne, IN area.
Don't let this one pass you by. You won't see too many of these listed!"
"California State University, Long Beach is auctioning off their Synclavier 9600 System [SN 001170V/PK]. This includes the Keyboard, 2 Towers, Computer, Lazer Dics, MIDI Interface & Accessories. This system was working 10 years ago when it was taken apart but is being auctioned 'As is'.
Also the buyer must pick it up.
The minimum bid is set at $1.000.00 with a reserve of $3.000.00. Here's the link"
"This is an extremely rare music production system, that to my knowledge is the only one of its kind in the country [Australia]. It has done minimal work and is overall in excellent condition. The spec of the machine is as follows:
16 PSV Voices
50 kHz stereo sampling
15mb of sampling RAM.
16 Multichannel audio outputs: These allow any of the voices to be routed to any outputs.
MIDI: 1 In 8 Out, in addition to the extremely rare Midinet option (16 in & 16 out) and supporting software interface. This allows the graphical assignment of the MIDI matrix (similar to an Opcode Studio 5) and the ability to use the Synclavier's digital sequencer (memory recorder) to run numerous midi gear.
5 ¼ inch floppy drive: The system uses this only to run the boot program at start up.
Sound library - The system comes with 2 x 9 GB drives full of some of the best samples ever recorded of a large range of instruments, from orchestral, synthesizers, vocals, percussion and foley sounds.
Software: The machine can also be operated via an interactive screen display of all the VPK functions. In addition, there is also an EditView program that allows graphical editing of arrangements, similar to early versions of Cubase.
Computer: The machine is interfaced using an Apple PowerMac 7100/66 in excellent condition. This computer is the last of the NUBUS Macs and is required to run the Midinet NUBUS interface card and all the original NED supporting software. The unit also comes with a modern LCD monitor and rare mouse.
Velocity Pressure Keyboard: The VPK is in excellent condition aside from some slight wear in the yellow screen printed strip above the memory recorder panel. There is also a small cosmetic crack in the piano finish next to the ribbon controller; however this in no way affects the function of the unit. The keyboard does however have a problem with the rotary encoder dial. At the moment it will only allow parameter changes in one direction. From what i understand the fault is most likely in the potentiometer and i am currently in the process of trying to get it fixed before the end of the auction. Besides this, all other aspects of the system are fully functional and the dial can be adjusted on screen with the mouse, along with all the other keyboard functions.
Manuals: Included also are 3 printed manuals which provide a comprehensive overview of all the machines functions and capabilities.
Power: Being built for the US market the system also comes with a large 3000 watt step down 240 to 115 volt power supply.
Support: As mentioned earlier I purchased this system from Synhouse Multimedia in the US. Synhouse not only has a huge inventory of Synclavier spare parts, but also a vast amount of technical knowledge regarding the operation, repair and maintenance of these systems. As such, this system can be expanded well beyond its current specification.
The system also comes with the original NED road cases. For those interstate, i am willing to assist with the pickup of the system, but you will need to arrange freight and insurance etc."
"ALL SOUNDS IN THIS VIDEO (except the music) ARE FROM THE CINEMATIC DARKNESS SFX library - available end of March 2015 on www.boomlibrary.com. The fourth sound effect pack from our Cinematic Series is ready to blow you away. More than 15GB of high-quality trailer sound fx, perfect for movie trailers, game trailers, teasers or any production that is in need of some high-end trailer SFX."
Some synth spotting: NED Synclavier, Rhodes Chroma, genoQs Octopus
"Here's the moment you've been waiting for, a fully restored fully functional Synergy keyboards with lots of extras. This might be one of the most complete packages you'll find for a Synergy these days. An extremely rare synth & impossible to find in these final versions in fully functioning condition with midi. It's in excellent cosmetic shape & even includes a Kaypro, Wendy Carlos cartridge & more. See below for all the info. The sound on this Synergy is really surprising for a digital keyboard - it's rich, lush, organic, warm. An awesome keyboard to say the least, and an incredible piece of synthesizer history. According to VintageSynthExplorer, " it is estimated that less than 100 may still be in operation today....A working Synergy is a great and rare find. A working Synergy with some tone cartridges and a working Kaypro II computer is an even greater (and rarer) find!"
In this auction you'll be receiving
1) Synergy keyboard latest model II+ with WORKING midi
2) Printed bound manuals (owner's manual, operation manual w/ computer,synergy host programmer reference manual)
3) Wendy Carlos WD-02 Cartridge (rare, provides a second set of operating banks)
4) DIY Cartridge - this is the best part, a DIY built fully functional cartridge that has 8 banks burned to an EPROM of original Wendy Carlos programs, allowing for easy switching to new sound sets.
5) Two EPROMs with 8 banks each for the DIY cartridge card, loaded with 16 total banks of the original Wendy Carlos programs (so you now have 32+32 + (32 x 8 x 8) programs = 608 preset patches sounds!
6) Kaypro 10 Computer with keyboard
7) Box full of manuals & discs for the Kaypro
8) EPROM with the old 3.20 software
Recently fully serviced & lovingly restored by a top bay area tech, Chris @ www.thisoldsynth.com
Servicing details:
1) Newly burnt EPROMS with OS 3.21. EPROMS will only last 20 years or so. Since these were newly burnt & installed, now you know these will last you another 20 years
2) New Battery
3) Pots & switches cleaned
4) Entire cleaning of the unit
5) Key contacts & buss-bars cleaned
6) Replaced tantalum and electrolytic caps ont he circuit boards
7) Replace power fan with silent PC type (previous fan sounded like an airplane taking off)
While everything is functional, the only thing to mention is the Kaypro is missing some essential software to properly communicate with the Synergy. We've tried finding the files & loading them on, but have yet to find the correct functioning files. If we find them in time we will definitely upload them & update this listing accordingly. The kaypro is being recognized by the keyboard via the serial port, so serial port & kaypro are both working. The last step is to get the proper software on the kaypro & it will be fully there. Otherwise the remainder of the items listed & the entire system is functioning as it should. You can still easily use the keyboard without the Kaypro & enjoy the huge selection of patch presets."
"A newly restored and beautiful FM/Additive Synclavier II System. The complete System has been converted to 220V Power. The ORK Keyboard is as close to mint as they come and the rest of the system looks very very good. Only technical issue is with the Winchester Hard Drive that has stopped working. The Mac I had it hooked up with showed the Winchester but can't read/write from/to it. So you will need someone to restore/reformat the HDD. System can be booted - and used - with no problems at all as long as you boot from the Superfloppy Drive. Included in the sale are the following components: ORK Keyboard. 16 Voices Control Unit. M512K (External RAM). D16 Scientific Timer Module. 2 x M32K Cards. FPRM. FPSM. MFC1. D100A (Superfloppy Controller Card). D40 Serial Card with VERY rare Manual. D107 IMI Winchester Controller card (drive not included). All the cables you need to get it running. 5.25 inch Boot Floppies. 3.5 inch Floppy with application for Mac. And of course the Control Unit. System can be shipped but I will definitely recommend a pick up due to weight and size."
"We are Anewed, a designated 501(c)(3) nonprofit recycling center based in El Segundo, California. All of our profits benefit Ed!, the El Segundo Education Foundation. We also provide material and in-kind assistance to Habitat for Humanity and Goodwill Industries.
New England Digital Synclavier PSMT synthesizer with "Velocity Pressure Keyboard" or VPK. Unit powers on, but unfortunately we are unable to test further. Missing top piece, otherwise in fair cosmetic condition with minor overall wear to the cabinet. Due to the nature of this item it is being sold AS IS with no warranty or returns. Local pickup only."
"This listing is for a rare & vintage Synclavier PSMT Synthesizer keyboard workstation. The workstation includes everything photographed. There are multiple different units and 7 tubs full of different cords. All of the items photographed were kept together, so I assumed it all belongs to this unit, but I am not 100% sure.
