MATRIXSYNTH: Symbolic Sound


Showing posts with label Symbolic Sound. Show all posts
Showing posts with label Symbolic Sound. Show all posts

Tuesday, October 26, 2010

kyma control for ipad

kyma control for ipad from kero on Vimeo.


"/////// controlling the pacarana with ipad. more infoz here :

symbolicsound.com/​cgi-bin/​bin/​view/​Products/​KymaControl"

More kyma control for ipad action.... from kero on Vimeo.




iPads on Ebay
iPads on Amazon

Friday, October 22, 2010

PRESS RELEASE: Kyma Control for iPad

"Kyma Control: the Swiss Army Knife of Controllers
New iPad app bundles four of the most popular Kyma controllers into one wireless multi-touch package

CHAMPAIGN IL-October 22, 2010-Symbolic Sound's new 'Kyma Control' app for the iPad gives sound designers, musicians, and researchers a new wireless multi-touch controller for the Kyma/Paca(rana) sound design workstation (http://www.symbolicsound.com/Products/KymaControl).

Features
'Kyma Control' bundles four of the most popular Kyma controller-types into one, wireless multi-touch package that includes:

* An auto-mapped, labelled, bi-directional controller/display that mirrors Kyma's Virtual Control Surface. All of the controls you see on the computer screen are also available on the iPad screen, including the Preset selection and Roll-the-dice options [top pic]

* A multi-touch pen/tablet-style controller, tracking as many as 11 fingers with identifying color trails to help you keep track of where your fingers are touching the screen

* A standard piano-style keyboard with discrete or continuous pitches and an extra dimension for !KeyTimbre control in Kyma

* A Tonnetz pitch-space keyboard with configurable vertical and horizontal intervals for experimenting with different pitch layouts;

* Plus accelerometer and compass-heading controls. Accelerometers supply both triggers and continuous controls based on acceleration in the X, Y, and Z directions, along with controls corresponding to Pitch, Roll and Yaw. A compass heading control corresponds to the current direction of the iPad and is useful for panning and other directional controls;

Here's a quick video demo of the Kyma Control app from Symbolic Sound.

And here are some videos from DJ Kero's studio.

Applications
For use in the studio, on stage, in a theatre or performance venue, in an installation, in the lab, at home, or in classroom, Kyma Control frees you from having to sit in front of your computer. Put yourself in the middle of the audience, inside the sound field, and perform your Sounds in an expressive, intuitive manner using multi-touch. Performers can have access to sound controls from the stage or in the recording studio, and voice talent can have access to a silent controller in the voice-over booth. In perception and speech experiments, subjects can use a wireless, silent controller with no mechanical parts, perfect for sound-isolation booths.

Requirements
* Apple iPad
* Symbolic Sound Kyma X.77 (or newer) running on Windows or Mac OS host computer
* Symbolic Sound Paca(rana) Sound Computation Engine
* WiFi connection to a network that is accessible to the Paca(rana) (OR contact Delora software for information on their PacaConnect application for creating an ad hoc network using the built-in Airport on a Macintosh)

Pricing & Availability
Available now from the app store. For more information, a video demonstration, and a link to the iTunes store, please visit: http://www.symbolicsound.com/Products/KymaControl

Kyma

Background on Kyma
Symbolic Sound's innovative Kyma X environment features a unique set of sound synthesis and processing algorithms and a powerful way to easily re-combine these algorithms to create sounds that have never been heard before."

iPads on Ebay
iPads on Amazon

Monday, July 19, 2010

Symbolic Sound Kyma X + Capybara 320 Basic System

via this auction
"Basic Capybara 320 system complete with firewire drive interface and Kyma X software CD (once installed you can update to the latest version off the symbolic sound website). It also comes with PDF versions of the Kyma X Revealed instruction manual as well as information on Prototypes and the Tau Editor.

This system has long been the secret weapon for professional sound designers and musicians such as BT, NIN, Aphex Twin, and many others. Specs below.

Imagine the sound designer's dream machine...
• a machine that would let you graphically string together unlimited-length chains of processing and synthesis modules and run them with zero latency on a dedicated multiprocessor computer with little or no impact on your main computer's memory or processing capabilities...
• where you could expand the processing capabilities of your hardware transparently, simply by plugging in more processing cards, because the machine was designed from the outset with scalability and multiple processors in mind...
• where you'd never have to sacrifice sound quality just because you're trying to squeeze more real time processing out of your desktop or laptop computer...
• with FireWire, timecode, MIDI, and 8 channels of 24-bit 100 kHz audio...
• controlled by the award-winning Kyma software with cutting-edge algorithms like granular processing, real-time analysis/resynthesis, aggregate synthesis, and spectral morphing...
• an online community of colleagues at the leading edge of film, music, advertising, and game development...
• a tech support staff that is among the most dedicated and educated in the business,
• and a symbolic, blue LED on the front panel.
Hardware Specifications

Basic Configuration
• four processors installed on the motherboard
• 96 MB sample RAM
• 12 expansion slots
• I/O and external sync (see below)
• External desktop or rackmount case (protects the DSPs and converters from the electrically noisy environment inside your personal computer, and leaves valuable slot-space free to use for other cards on your host computer)

Expansion Card
• two processors installed on the expansion card
• 48 MB sample RAM (per card)
• Up to 12 expansion cards (for a total of 28 processors) can be added

Inputs and Outputs
• 4-8 channels
• 32-100 kHz sample rate
• 24-bit
• Balanced Analog and Digital (AES/EBU)

External Synchronization
• Word Clock input
• VITC & LTC Timecode input and output

Interface options
• FireWire for Macintosh OS X and OS 9, Windows XP, 2000, and ME desktop and laptop machines"

Thursday, June 24, 2010

Play Industries studio tour - Update

See the update in this post for just the synth walk-through.

PR: Kyma International Sound Symposium (KISS 2010)

Kyma International Sound Symposium (KISS 2010)
24 to 26 September 2010
Vienna, Austria
http://www.tonsalon.at

"Does Sound Have Meaning?
Sound Researchers & Practitioners Convene to Discuss 'symbolic sounds' at KISS 2010
Vienna, 24 June 2010: Can music and sound-effects be symbolic? Sound designers, composers, sound artists, film makers, researchers and others sharing an intense interest in sound will be convening in Vienna Austria from the 24th through 26th of September to discuss this and other, similarly controversial, issues at the annual Kyma International Sound Symposium (KISS2010): http://www.tonsalon.at.
[ PHOTO: View from the Stage at Casino Baumgarten ]

Lively discussions, electronic/computer music performances, interactive installations, demos, workshops, and paper sessions will be held in the newly renovated Casino Baumgarten, a spectacular ballroom built in 1890 (http://www.tonsalon.at/KISS2010/index.php/location), and the Rhiz Bar Modern, a showcase for experimental media in Vienna (http://rhiz.org/).

Join in the free on-line discussion
Anyone having an intense interest in sound is invited to join in the free on-line discussion at http://pphilosophyofsound.ning.com, a new forum created by symposium co-organizer, Peter Rantasa. Sign in and introduce yourself by sharing your earliest sonic memory. Discussions on sound, symbol, and meaning have already begun and will continue during and after the symposium. You can participate on line whether or not you are able to attend the symposium in Vienna.

To register for KISS2010:
The registration deadline for participating in KISS2010 is 13 September 2010. The participation fee of ¤ 90 (¤ 40 for students) includes the 3-day symposium, morning/afternoon refreshments, and 2 evening concerts. To register, please visit: http://www.tonsalon.at/KISS2010/index.php/registration/essentialreading before 13 September 2010.

Background
The Kyma International Sound Symposium (KISS) is an annual conclave of current and potential Kyma practitioners who come together to learn, to share, to meet, to discuss, and to enjoy a lively exchange of ideas, sounds, and music! Kyma is a sound design environment created by Symbolic Sound Corporation (http://www.symbolicsound.com). This year, the KISS symposium is being organized by Wiener Klangwerkstatt in cooperation with Symbolic Sound and with the support of Analog Audio Association Austria, Preiser Records, and the Austrian Federal Ministry of Science and Research.

Conference Contact Information:
Barbara Kopf
KISS 2010 Conference office
Email: office.KISS2010@tonsalon.at
Telephone: +43 (0)650 212 1646
Web: http://www.tonsalon.at/KISS2010"

Tuesday, June 22, 2010

Four Hands


YouTube via krakou2 — February 05, 2009 — "This piece was played on the Continuum using the new internal Eagan PluckString sound that is included in all Continuums. The internal sounds were prototyped using the Kyma system from Symbolic Sound, using the new Pacarana hardware. The internal sounds were then implemented in the Continuum's DSP by Lippold Haken. This piece was written for four hands and video layered for this performance.

Check http://www.twelfthroot.com/"

Symbolic Sound Kyma Capybara Synthesizer w/extra DSPs

via this auction

"Basic Kyma systems (4 DSP, 2 per card) have been selling for between $1100-$1300 on Ebay recently. Basic systems are quite common and on Ebay once or twice a month. It is hard to find ones with extra cards though as new each extra card was $600 each... unit has 2 extra DSP cards so 8 DSPs total, so twice the processing power of a basic system. The cards are very expensive and very tough to find by themselves other than paying $300 EACH for used ones from Symbolic Sound."

Friday, June 04, 2010

Play Industries studio tour


YouTube via FutureMusicMagazine — June 04, 2010 —

"Back in 2007 FM got an exclusive tour of the Play Industries studio by owner/artist Ben Edwards. Check out this very impressive collection."
Synth spoting with Benge at 3:45. Click here for all posts mentioning Benge. He's the man behind all the It's Full of Stars posts. Catch his blog here, and DO NOT MISS his Twenty Systems for one of the best Synth CDs out there. See the post for more details.

Update: just the synth walkthrough (note the time delta is only about six minutes):

benge studio tour 2006.mov


YouTube via zackdagoba — April 05, 2010 — "see myblogitsfullofstars for more. tour of benge's studio back in 2006 conducted by future music magazine"
See this link for more posts featuring benge, this link for videos by zackdagoba (benge).

Saturday, May 01, 2010

Lainhart Live Online Audio/Video Performance Friday May 7


"Friends: Sponsored by the ImprovFriday group, I'll be performing a realtime audio/video set from my studio on Friday, May 7, at 9 PM EDST (GMT -4). In honor of ImprovFriday, I'll be playing structured improvisations for electric guitar and lapsteel processed with the Kyma System and laptop, and streaming live video and audio of the event with interactive chat on the ImprovFriday site:

http://improvfriday.ning.com/

To find your local time, go here

I hope you can tune in, and I encourage you to join the ImprovFriday group for more wonderful spontaneous music from around the world."

Richard Lainhart will also be performing Monday May 10 with Buchla and Haken Continuum along with Jessica Feldman and Michael V. Waller:

"LMAKseries - Live audiovisual performance event

Monday, May 10, 7:30 pm
Featuring: Jessica Feldman, Richard Lainhart and Michael V. Waller

Richard Lainhart is an award-winning composer, filmmaker, and author - a digital artisan who workswith sonic and visual data. Since childhood, he's been interested in natural processes such as waves, flames and clouds, in harmonics and harmony, and in creative interactions with machines, using them as compositional methods to present sounds and images that are as beautiful as he can make them. Lainhart studied composition and electronic music with Joel Chadabe at the State University of New York at Albany. He has composed music for film, television, CD-ROMs, interactive applications, and the Web. His compositions have been performed in the US, England, Sweden, Germany, Australia, and Japan. Recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, Infrequency, VICMOD, and ExOvo labels. He has worked and performed with John Cage, David Tudor, Steve Reich, Phill Niblock, David Berhman, and Jordan Rudess, among many others. In 2008, he was commissioned by the Electronic Music Fondation to contribute a work to New York Soundscape. Lainhart's animations and short films have been shown at festivals in the US, the UK, Canada, Portugal, Italy, France, Spain, Germany, and Korea, and online at Souvenirs From Earth, ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. In 2009, he was awarded a Film & Media grant by the New York State Council on the Arts. In January 2010, he performed as a featured Live Media audio-visual artist at Netmage 2010 in Bologna, Italy."

LMAKprojects
139 Eldridge Street
New York NY 10002

Tuesday, April 20, 2010

Symbolic Sound Kyma X Capybara 320 Basic System

via this auction
"Info and specs:
Kyma X is an incredibly flexible and powerful sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box. Extensive documentation, online knowledge bases and free email/phone support ensure that you'll be able to take Kyma anywhere your imagination inspires you to go! Read more... "


Thursday, April 15, 2010

Flamed Raw: Modular Synth Controlling KYMA

Flamed Raw: Modular Synth Controlling KYMA from bar|none on Vimeo.


"Controlling Effects over OSC via Modular Synth

Techy video but interesting for owners of modular synths.

Using the modular to control KYMA effects via control voltages over OSC (Open Sound Control)

Why? Cause it's AWESOME!"

Saturday, March 13, 2010

Didgeridoo

Didgeridoo from bar|none on Vimeo.


"My first Kyma X patch for the Pacarana. Kyma is unreal and let's you do almost anything in Sound Design. I took a concept of a didgeridoo patch on my modular and built it back in Kyma but with even more expression. This is still a work in progress.

The touchplate is a Snyderphonics MANTA. I spent some time coding some algorithms in MAX to enhance the performance control of the patch using velocity, aftertouch and polyphonic aftertouch + controls using OSC to Kyma.

The Manta is a fantastically wonderful controller. It shows it's flexibility and feel here.

The patch is microtonal meaning pitches are in divisions of the western concept of half and whole tones."

Wednesday, March 03, 2010

Eigenharp Alpha meets Kyma

Eigenharp Alpha meets Kyma from bar|none on Vimeo.


"Ever since I saw the Alpha I wanted these two to meet but technical limitations in both eigenD and Kyma made it not ideal and there was more latency than I wanted. The latest version of eigenD and the latest Kyma support virtualized midi drivers and Kyma now sends Midi over OSC via an ethernet connection.

This is a test of how responsive it is. I would say it's a resounding success! This is going to be too much fun.

And it's extremely easy to setup as well. Turn them both on and go.

This was recorded with the built in camera mic. The actual sound coming from Kyma is so realistic."
http://www.eigenlabs.com
http://www.symbolicsound.com

Tuesday, March 02, 2010

Dr. Brian Belet performs live at San Jose State University


YouTube via onephatcat. via http://twitter.com/joelbrave

Monday, March 01, 2010

Open Sound Control (OSC) for Kyma

"Bidirectional communication between Kyma, iPad, Lemur, and other OSC-enabled devices & software

CHAMPAIGN IL-March 2, 2010-Symbolic Sound Corporation has expanded the list of real-time controllers and software that can communicate with its Kyma sound design environment by adding support for Open Sound Control (OSC) to its Paca(rana) sound engine.

By connecting a Paca or Pacarana to the Ethernet, sound designers, musicians, and researchers using Kyma on Windows or Macintosh computers can establish bi-directional communication with OSC-enabled devices and software on the network to control parameters of Kyma sound synthesis and processing algorithms. Open Sound Control is an open communications protocol that delivers higher speeds, greater resolution, and more flexibility than is afforded by the standard MIDI protocol. (For a partial list of software and hardware currently supporting the OSC protocol, please see http://opensoundcontrol.org/implementations).

Doug Kraul, CEO of Harmony Systems, Inc. is enthusiastic about Kyma's new OSC technology. "OSC is a brilliant addition to the already stellar Kyma sound design workstation", said Kraul. "It immediately enables exciting new ways to use Kyma on stage or in the studio. But the true impact of this forward looking technology is the new, innovative controllers and applications that OSC makes possible for the Kyma platform".

Plus Bidirectional MIDI Streams Over OSC
Don't have any OSC-enabled devices or software yet? Not to worry! You, too, can benefit from the faster speeds, higher resolution, and reduced cable-count of OSC by using Symbolic Sound's protocol for sending bi-directional MIDI streams over OSC. Symbolic Sound is happy to announce that several third-party development partners are concurrently announcing new software that supports bi-directional communication with Kyma over OSC:

OSCulator: Known as the Rosetta Stone of music controllers, Camille Troillard's Mac OS X application OSCulator (http://osculator.net) is already familiar to Kyma users who utilize it for sending individual MIDI controls, OSC, and HID control data over FireWire to Kyma. Now, in OSCulator 2.9.2, you can also send OSC messages directly to the Paca(rana) over the network. OSCulator 2.9.2 also implements Symbolic Sound's Bi-Directional-MIDI-streams-over-OSC protocol, enabling you to send streams of MIDI events from your software directly to Kyma without need for a MIDI interface on your computer and without having to map each controller individually in OSCulator.

vM2 and PacaMidi: Harmony Systems, Inc. is offering two new Mac OS X applications in its Delora product line, vM2 and PacaMidi, that incorporate Kyma's new "MIDI-over-OSC" technology to further enhance and facilitate real-time interaction with Kyma. vM2, a "virtual MotorMix", enables JazzMutant Lemur owners to enjoy automatic, fully integrated tactile control over Kyma's Virtual Control Surface. Recently updated to include several exciting new features, vM2 2.0 employs "MIDI-over-OSC" to eliminate the complication of physical MIDI cables and interfaces. PacaMidi, Harmony's newest product, uses "MIDI-over-OSC" to create a "virtual MIDI interface and patchbay" that adds three merged MIDI inputs and one MIDI output to a Paca(rana). This expands Kyma's connectivity options, while saving you the expense and complexity of using physical MIDI interfaces, hardware mergers, and numerous cables. For more information see http://www.delora.com.

Max & M4L: If you are one of the many artists using Kyma in conjunction with Ableton's Live and/or Cycling74's Max, you'll be happy to hear that Andrew Capon has written a Max external for bidirectional MIDI communication over OSC that works with both Max and Max For Live. For more details, please see: http://www.symbolicsound.com/Learn/AndyCaponMaxExternalOSC

For software and hardware developers
Starting from the Open Sound Control definition of a MIDI data type, Symbolic Sound has published additional details that make it possible to define a bidirectional stream of MIDI events sent as OSC messages over a network. Software and hardware developers planning to add MIDI-over-OSC capabilities to their applications or devices are invited to utilize this protocol to ensure compatibility with Kyma and Symbolic Sound's development partners: http://www.symbolicsound.com/Learn/BidirectionalMIDIStreamsOverOSC.

For developers utilizing pure OSC who would like to ensure compatibility with Kyma, please see:
http://www.symbolicsound.com/Learn/OSCSoftwareDevelopers

Who can use OSC with Kyma?
Anyone using Kyma on a Windows or Macintosh computer with either the Paca or Pacarana sound engine can utilize the new OSC features.

Sound artists will find this new feature of interest primarily due to the new opportunities it affords for controlling Kyma using OSC-enabled software running on devices such as the newly announced Apple iPad (and compatible iPhone and iPod Touch), the award-winning JazzMutant Lemur multi-touch surface, and numerous other OSC controllers and software.

This new feature may also be of particular interest to research labs and researchers developing data-driven virtual environments. Using the Open Sound Control protocol, researchers can write their own software for updating sound parameters while running experiments or for streaming data from networked computers to the Paca(rana) to update sound synthesis parameters in real time in response to external controllers, experimentally generated data, streams of data from remote sensors, or synthetically generated data based on computer models.

Pricing & Availability
OSC-enabled Kyma X.74 is a free software update for registered Kyma X owners. OSC communication requires the Paca or Pacarana sound engine. Kyma X.74 also comes with additional features, including an 11-times speedup in the Virtual Control Surface, support for the MOTU UltraLite Hybrid mk3, TC Electronic Impact Twin, and Prism Audio Orpheus converters, track-pad compatible menus, refinements to the Tau resynthesis, and more.

Symbolic Sound's innovative Kyma X environment features a unique set of sound synthesis and processing algorithms and a powerful way to easily re-combine these algorithms to create sounds that have never been heard before."

Saturday, February 20, 2010

deep space events

deep space events from kero on Vimeo.


"messing around with the deep space events kyma patch and some other goodies!!!!!!!"

Friday, August 28, 2009

Kyma/Pacarana Expansion

"Infinitely Expandable Sound Computation Engine
Symbolic Sound Releases Software for Chaining Together Two or More Paca(rana) Sound Computers Under Control of Kyma Sound Design Software

CHAMPAIGN IL-August 27, 2009-Symbolic Sound Corporation has expanded the real-time sound-computing power of its Paca(rana) sound engine by making it possible for Kyma sound designers to chain two or more multiprocessor Paca(rana)s together via the built-in A/B Expansion ports. To the Kyma software, a network of Paca(rana)s appears as a single sound computation engine with multiple processors. Kyma automatically detects the number of available processors and schedules the execution of DSP-intensive signal processing and synthesis algorithms across multiple processors.

"One of the most frequently asked questions we were asked when we announced the new Paca and Pacarana sound engines back in January was 'Is it expandable?'" recalls Symbolic Sound president Carla Scaletti. "Now we can answer with an unequivocal, YES!" She adds that, "...while not everyone needs that much sound computing power, it's nice to know it's available should you ever need it, even if only on a temporary basis."

Photos

How it works
Two or more Pacas, Pacaranas, or combinations of both can be connected by plugging the orange cables, provided by Symbolic Sound, into the Expansion A and B ports on the backs of the units. A combination of audio and control signals is transmitted over the orange wires from each Paca(rana) to its neighbor. One of the Paca(rana)s is connected to a Macintosh or Windows computer (running the Kyma sound design software) via FireWire 800 (or 400). A single FireWire audio interface on the same bus handles all of the analog and digital audio inputs and outputs and, depending on the audio interface, MIDI. (A list of compatible converters can be found here). The composite super-Pacarana shows up in Kyma as a single sound computation engine with extra processors. To the sound designer or musician, the expansion is completely transparent; Kyma automatically takes advantage of the additional real-time processing power and memory.

Video
Link to a hand-held video with a Kyma-synthesized sound track showing the connection of 3 Pacas and 3 Pacaranas to create an 18-processor sound computer.

Who can use it
Anyone, from large sound design studios (which may set up a rack of Pacaranas as an audio compute-farm for intensive sound modelling operations) to friends getting together and temporarily hooking their Pacas together for some sound tweaking fun, can enjoy the benefits of the newly enabled expansion ports and orange connector cables. Audio engineers or sound designers managing complex signal processing and sound design requirements for live shows or theatre productions can assemble a rack of Pacaranas, all controlled and sequenced from a single computer. Supercomputing centers can offer scalable real-time sound computation and data sonification as an adjunct to the computer graphics rendering and dynamic simulation modelling already being offered to researchers and artists. Game design studios can set up a sound-design rendering farm for creating special sound effects for cinematics and voice processing for game characters. Anyone who ever finds themselves running out of real-time sound computation power could benefit from this new technology.

Early adopters
Beta testers for the new technology include Hollywood film composer Tobias Enhus (Photos of 3-Pacarana Rack in Tobias Enhus' Studio), who has already been using his rack of three interconnected Pacaranas to generate disturbingly bizarre sound tracks for Alan Rifkin's upcoming Showtime series Look, and organist/composer Franz Danksagmüller who recently used his 2-Pacarana system to accurately simulate the sounds of a cathedral organ on a portable keyboard to accompany a showing of Fritz Lang's silent film masterpiece Metropolis at the Göteborg International Film Festival.

Pricing & Availability
The Paca, Pacarana, and "orange wires" for connecting two or more of them together are now available at the Symbolic Sound Store (www.symbolicsound.com). Current multiple-Paca(rana) owners can request a free set of cables from Symbolic Sound. Every Paca or Pacarana comes with Symbolic Sound's innovative Kyma X environment featuring its unique set of sound synthesis and processing algorithms and a powerful way to easily re-combine these algorithms to create sounds that have never been heard before. For more information:

Symbolic Sound Corporation
+1-217-355-6273
info-kyma@symbolicsound.com
http://www.symbolicsound.com
Summary
Symbolic Sound's Paca(rana), sound engine for the award-winning Kyma sound design environment, can now be expanded by connecting 2 or more Paca(rana)s together via the built-in expansion ports.

Background
Symbolic Sound ignited the software synthesis and effects revolution in the 1990s with the Capybara and reinvented the portable sound computation engine earlier this year with the introduction of the Paca(rana). Symbolic Sound continues to lead the industry in innovation with its award-winning Kyma sound design environment, favored by sound designers for film, games, advertising, music production, and live performances.
Symbolic Sound, the Symbolic Sound logo, Kyma, Pacarana, Paca, and Capybara and their logos are trademarks of Symbolic Sound Corporation. Other company and product names may be trademarks of their respective owners."

Tuesday, January 27, 2009

Lainhart Films At L.A. Festival

"Films "One Year" and "drift" to be screened at L.A. International Festival of Cinema and Technology

Richard Lainhart, award-winning composer, filmmaker, and author, is pleased to announce that two of his short films, "One Year" and "drift", have been accepted for screening at the International Festival of Cinema and Technology's Visions of Movement, Art and Sound, Saturday February 7th in Los Angeles.

'One Year' is a year-long timescape of a maple tree in Lainhart's backyard, photographed daily with a digital still camera under computer control and assembled and processed in Adobe After Effects. The soundtrack is computer-processed bowed vibraphone, played and recorded live. 'drift' is an abstact HD film created entirely in Adobe After Effects. The soundtrack is an improvisation for lapsteel guitar processed with the Symbolic Sound Kyma System.

The International Fest of Cinema and Technology (IFCT) takes place at the Downtown Independent Theatre at 251 S. Main Street in downtown Los Angeles. This festival will be screening films from filmmakers around the world. The IFCT, (www.ifct.org) now in its 6th year, specializes in screening new animation and experimental film. The festival line-up also includes an array of exceptional narrative and documentary features and shorts.

The IFCT is designed to give exposure to independent films, many of which previously had been underexposed to the public. The festival's motto is it seeks to "discover the undiscovered film." The "technology" in the festival's name occurs both in the content of the festival, which tends to focus on themes of technology or feature unique creation techniques, as well as in the method of showcasing content at the events.

Richard Lainhart's "drift" and "One Year" will receive their L.A. premieres at the Festival's Visions of Movement, Art and Sound, Saturday February 7th. This showcase features cutting edge films with an intense focus on music and equally dynamic visuals. Along with Lainhart, presentations include 10 new and innovative music videos including Katy Davis' "Stay in My Memory" video for Bimm, SHTIL Music Video for Infectzia, and Hillside Music Video directed by Nir Ben Jacob for the band Sidewalk Fiction, among others. Other films in this screening sequence focusing on strong sounds and mesmerizing visuals include "Himalyanwalk" directed by Jeanet Snijders, "Motion" directed by John Osborne.

• For more information about Visions of Movement, Art and Sound http://www.ifct.org/ifctshortsdancemusicsound.html
• The festival website is http://www.ifct.org
• A schedule of festival screenings and directions to the venues can be found at http://www.ifct.org/ifctschedulelosangeles09.html
• For information on tickets or schedule contact admin@ifct.org.

For more about information about Richard Lainhart, visit http://www.otownmedia.com"

Monday, January 12, 2009

NAMM: Pacarana—Supercomputer for Sound

The Symbolic Sound Pacarana is here.
"Most powerful sound design workstation on the planet
That’s what Electronic Musician magazine calls the Kyma sound design environment. Future Music calls it the Holy Grail of sound design. Kyma's strength arises from its unique set of algorithms, the ease with which you can create endless combinations of those algorithms, and the unprecedented degree of real-time responsive control over the sound parameters.

You’ve already heard the sounds of Kyma in films like WALL•E, The Dark Knight, Master and Commander, Finding Nemo. And you've heard the interactive musical sounds of Kyma both on albums and in live sets by legendary musicians and producers like John Paul Jones, A.R. Rahman, Rich Costey, BT, and many others.

In 1990, Symbolic Sound revolutionized the sound design and music software industry with the introduction of Kyma, a graphical modular software sound design environment accelerated by the software-reconfigurable Capybara multi-processor sound computation engine. Symbolic Sound is committed to bringing the most advanced and flexible sound design technology to sound designers, musicians, educators, researchers, and creative professionals through its innovative hardware and software offerings.

What comes next?

A supercomputer designed for sound"

The flagship model Pacarana is 150% the power of a fully-loaded Capybara-320 for less than half the price. The entry-level Paca costs less than a Basic Capybara-320, but the new entry-level model is 5 times more powerful.

Falling in love with Kyma
What is it that people love about Kyma? For some people it’s having an unbounded environment for creating sounds that have never been heard before. Others cite outstanding technical support and the super-stability and reliability of the Kyma software during live performances. Still others rave about the continuous stream of free software updates full of new features and synthesis/processing algorithms. And everyone loves the legendary Kyma sound.

What’s the secret behind the ‘Kyma sound’? The secret is in the software. When you have a supercomputer dedicated entirely to capturing, processing, and synthesizing sound, you have the luxury of being able to do things right. We don’t cut corners, and you can hear the difference."


"On the back of the Pacarana—all the high-speed connectivity you want and need for digital audio production: two FireWire 800 ports, 2 USB ports, 100-base T Ethernet jack, and more…

A DC power plug connects the Pacarana to an external power supply that auto-senses voltage and frequency of the AC power source no matter where in the world you travel.

The Pacarana communicates with the Kyma X software running under Mac OS or Windows via FireWire 800 (IEEE1394B) or an 800-to-400 adapter cable.

Audio and MIDI input and output is handled via an external FireWire or USB converter or, for current Kyma owners, through a Capybara-320 with Flame FireWire I/O. Connect additional USB MIDI controllers like keyboards or fader boxes via the second USB port."

The above is just an excerpt. You can find more on the Symbolic Sound Pacarana website.

Update: the official press release came in at 4:33 PM:
"New Supercomputer for Sound:
Pacarana for Kyma Sound Design Environment

Champaign IL, January 12, 2009:
Musicians and sound designers for film, games and live electronic music now have a new supercomputer designed specifically for interactive sound exploration and live performance. The Pacarana and Paca are two new multiprocessor computers optimized for capturing, processing and synthesizing sound for the award-winning Kyma Sound Design Environment. Designed by Symbolic Sound Corporation to serve as a smaller, more affordable and more powerful replacement for the Capybara*320 sound computation engine, the new entry-level system is 5 times more powerful and costs $500 less than the older entry-level configuration. The power of the higher-end model exceeds that of a fully-loaded Capybara*320 but costs far less than half as much.

http://ssc-media.com/Pictures/Pacarana/Front%20(full%20res).JPG

http://ssc-media.com/Pictures/Pacarana/Nick%20Paca%20trimmed.jpg

Kyma, the Paca(rana), and backwards compatibility
Favored by sound designers for its unique set of algorithms, the ease with which one can create endless combinations of sound processing and synthesis algorithms, its reliability during live performances, and the responsiveness of real-time control over sound parameters, the Kyma sound design environment benefits from the new Paca(rana) platforms in the form of more polyphony, denser textures, faster loading times, more memory for live sampling and playback, enhanced portability, refinements in sound quality and the potential for future developments.

According to composer/performer and early adopter Phil Curtis of SoNu (http://www.sonusound.com):
I'm loving the new Pacarana. [M]ost of my old sounds just barely register on the meter, even sounds that just barely worked on the Capybara....I can already see that this is going to be a big leap in what I can do and paves the way for years of further development.

Sound designers who have been using Kyma X on the Capybara*320 can open and continue working on their current projects using the new hardware. Switching back and forth between the Capybara and the new hardware is completely transparent, and Symbolic Sound will continue to support Kyma X on the Capybara-320. Kyma users also have the option of keeping their Capybara*320 computer running alongside a new Pacarana, augmenting, rather than replacing, their current hardware.

Smaller, lighter, easily portable
With more sound designers going freelance, more musicians going on tour, and the airlines charging for each checked bag, Symbolic Sound decided to make the Pacarana and Paca small and light enough to fit into a backpack, laptop case or in a small rolling rack. The Pacarana footprint is the same as that of a MacBook Pro 15" (the Paca is about 3 inches shorter) and is 1 rack unit in height: ideal for live performances, working on the road, transporting from home studio to sound stage or from work to home.

Connectivity
On the back of the Paca(rana) are 2 USB ports, 2 FireWire 800 ports, and a DC power plug that connects to an external power supply brick (about the same size as the Mac Mini's power brick).
http://www.ssc-media.com/Pictures/Pacarana/Back%20(full%20res).JPG

The Paca and Pacarana communicate with the Kyma X software running under Mac OS or Windows via FireWire 800 (IEEE 1394B) or FireWire 400 (IEEE 1394A) using an 800-to-400 adapter cable.

Audio and MIDI input and output is handled by an external FireWire or USB converter or, for current Kyma owners, through a Capybara-320 with Flame FireWire I/O.

Additional USB MIDI controllers like keyboards or fader boxes can be connected via the second USB port.

More Audio and MIDI Input/Output options
Symbolic Sound decided to decouple the sound conversion from the sound computation functions in order to give customers more options for customizing their studio and mobile setups. Customers can now select from among a full range of high-quality third-party 1394TA AMDTP-standard FireWire and class-compliant USB audio converter devices available in nearly every size and price range. The growing list of qualified third-party converters includes the TC Electronic Konnekt series, the MOTU UltraLite-mk3, the Apogee Duet, and, on the USB side, the M-Audio Fast Track Pro and Logitech and Sennheiser USB headsets.

The Kyma Sound
Early reports from alpha and beta testers confirm that the sound quality of the Pacarana matches and, in some cases, surpasses that of its predecessor.

"People tell me that Kyma has an excellent word-of-mouth reputation for audio quality, and they usually attribute the quality to the Capybara*320 converters," says company president Carla Scaletti. "While it's true that the Capybara converters are excellent, the real secret to high-quality audio is in the algorithms. When you have a computer entirely dedicated to computing sound, you don't have to cut corners; we don't have to share our sound computer with a CPU-hungry operating system or a graphics subsystem; all Paca and Pacarana cycles are dedicated to computing high quality sound."

Live Control
You can use any USB or FireWire MIDI device or software for controlling sound parameters on the Paca(rana). Symbolic Sound has been working closely with Haken Audio (http://www.hakenaudio.com) to create seamless plug-and-play operation with the new MIDI-based Continuum fingerboard. Additional controllers with a high degree of Kyma integration include the Wacom tablet, the MotorMix, and the controllers supported by Camille Troillard's OSCulator (http://www.osculator.net) software, including the Nintendo Wiimote, the Jazz Mutant Lemur, the Logitech Space Navigator, and others.

Backpacking
The Paca(rana) fits perfectly into the hard-shell laptop sleeves made by Tom Bihn (http://www.tombihn.com) and Symbolic Sound is making the Tom Bihn Brain Cell sleeve and Brain Bag backpack available with the purchase of a Paca or Pacarana for hands-free transport of your laptop, Pacarana and other mobile audio gear.

Price and availability
Symbolic Sound is now shipping both the Paca and the Pacarana. The entry-level Paca is available for US $2970 and the professional studio model Pacarana is available for US $4402. To place an order, please visit http://www.symbolicsound.com or send email to info-kyma@symbolicsound.com

Summary
A lower entry-level price, a smaller footprint, and a whole lot of extra horsepower make Kyma X + Paca(rana) a supercomputer for sound designers and musicians!

Background
Symbolic Sound first revolutionized the sound design and music software industry in 1990 with the introduction of Kyma, a graphical modular software sound design environment accelerated by the software-reconfigurable Capybara multi-processor sound computation engine. The Paca(rana) is the fifth in a series of increasingly powerful sound computation engines designed and produced by Symbolic Sound to work in conjunction with the Kyma sound design environment (now in its sixth major release, not counting the hundreds of free updates between each major release). Symbolic Sound is committed to bringing the most advanced and flexible sound design technology to sound designers, musicians, educators, researchers, game developers, and other creative professionals through its innovative hardware and software offerings.

Symbolic Sound, the Symbolic Sound logo, Kyma, Pacarana, Paca, and Capybara and their logos are trademarks of Symbolic Sound Corporation. Other company and product names may be trademarks of their respective owners."

Thursday, October 09, 2008

Threshold - Lainhart Performance in New York City October 16

via Richard Lianhart:
"Friends: on Thursday, October 16, at Judson Church in New York City, I'll be performing the premiere of my EMF-commissioned piece "Threshold", for electric guitar and Kyma, as part of the Ear To The Earth 2008 New York Soundscape festival.

Here are the details, and an excerpt
More about New York Soundscape

"Threshold" creates its soundscape through a process called cross-filtering, which runs on the Kyma system. In cross-filtering, the tonal characteristics of one sound, called the impulse response, are imposed on another, called the source, so that the end result is a sound that contains only the characteristics common to both. In this case, ambiences recorded in and around New York provide the source, and my guitar playing provides the impulse response. You hear neither directly, but only the result of the interaction between me and my environment.

Recording sources and locations: street traffic during a cab ride from 53rd Street to 89th Street; the lobby of the Museum of Modern Art, and a floor buffer in a side gallery; the lobby and galleries of the Guggenheim Museum; a trash compacter in the mid-50s; an air-conditioning compressor in the mid-50s; an industrial document shredder in the mid-80s; Olafur Elliason's New York Waterfall #4 at Pier 35; traffic on the FDR Drive at South Street; nocturnal insects and thunderstorms in Rockland County.

In addition, I'll be showing my short film LUX while performing a new live soundtrack consisting of the same NY sound sources used in Threshold, but this time processed with realtime spectral transformations to create a unique new ambience.

Those interested may download my original environmental sound source mix here, to do with as you wish:

http://www.otownmedia.com/ThresholdSource.mp3


Thanks, and I hope to see you there."
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