Schmidt Analog Synthesizer - No Talking #schmidt #synth #synthesizer

video upload by Anthony Ng

New Korg PS-3300 FS Deep Dive at NAMM 2024

video upload by Anthony Marinelli Music

"Watch Anthony Marinelli simplify the powerful reissue Korg PS-3300 FS vintage analog poly-synth at NAMMM 2024. He'll give you a hands on quick guide about how to use, program and play this classic vintage poly synth. The instrument in this video is currently the only one of it's kind in the world. It's heading back to Japan after the show, so don't miss this sneak peak and tutorial with the master!

00:00 Playing the 1st Sound I made
00:30 Introduction by Korg's Luke Edwards
01:13 Anthony's overview breakdown of the 3 Basic Modules
02:09 Anthony's overview breakdown of the Modulator Section
03:02 Anthony's overview breakdown of the Utility & Output/Mixer Section
05:01 Anthony's overview breakdown of the MIDI/USB and Librarian Section
05:34 Anthony's overview breakdown of Patching and Normals
06:00 Anthony Plays & shows how to Patch Your Own Sounds
08:08 Let's Hear the "Amazing" 3 Band Resonators
09:20 Exploring the Envelope Generator & Long Release Times
10:25 Creating a Multi-Timbral Sound from "Scratch"
12:01 Anthony breaks-down Luke's Favorite Preset Patches
14:42 Anthony Shows how to trouble-shoot when you can't hear the sound (trouble-shooting)
15:58 Anthony Breaks-down how to make a "Monster Pad" Sound
17:43 Luke shows us 2 more presets
18:03 Anthony's Summary - Why the PS 3300 FS is so powerful!
19:07 Anthony Explains How You Can Program the PS-3300 & some extra functions
21:30 Discovering the Damper Pedal Feature
22:03 Discovering the Librarian & MIDI
22:24 Closing Remarks"

https://www.anthonymarinellimusic.com

Bill Wolfer-The Man Behind MJ’s “Billie Jean” CS-80

video upload by Anthony Marinelli Music

"Bill Wolfer has referred to himself as "the least famous musician that everyone has heard play". He was a rising star in 80's Soul Music working with Stevie Wonder, Shalamar, Vanity, Dynasty and was responsible for programming and performing the iconic CS-80 synthesizer chord riff on Michael Jackson's biggest song 'Billie Jean'. Michael remembered a CS-80 sound he heard Bill play while they were on tour together and the rest is history.

This video provides a rare behind the scenes look at Michael Jackson's creative process while composing "Billy Jean" all the way through a detailed account of the final recording session at Westlake Studios. We discuss what it was like to work closely with producer Quincy Jones, engineer Bruce Swedien and of course Michael.

Bill was a trusted friend of Michael, someone that he could rely upon to develop his 3 original songs for the Thriller album - 'Billy Jean'. 'Beat" It', and 'Wanna Be Startin' Somethin’. Bill helped Michael feel comfortable working out musical ideas and played an important role getting Michael's original songs ready for the album.

He also put together a truly great unlikely hit solo album in the vein of Quincy Jones' The Dude. The lineup of musicians include mega-stars Stevie Wonder (harmonica solo), Michael Jackson (backing vocals on two cuts), Finis Henderson (vocals) and Gospel star Jon Gibson."

CLICK FOR MORE »

ALAN R. PEARLMAN FOUNDATION AND ANTHONY MARINELLI MUSIC NAMM SHOW DEMOS & GIVEAWAY

Press release follows:

ALAN R. PEARLMAN FOUNDATION AND ANTHONY MARINELLI MUSIC ANNOUNCE DEMONSTRATIONS AND SYNTH GIVEAWAY AT 2024 NAMM SHOW

Made possible through a generous sponsorship by Korg USA, Inc

KINGSTON, NY, JANUARY 15, 2024– The Alan R. Pearlman Foundation in conjunction with Anthony Marinelli Music will be presenting “ARP 2600 Made Simple” demos at the Foundation’s NAMM booth (#9800) on Friday, January 26th at 2PM PST and Saturday, January 27th at 12PM PST.

Anthony Marinelli is a musician, composer, synthesist, producer, and conductor. He has recorded with Michael Jackson (most notably as a driving force on the Thriller album), Lionel Richie, Kenny Loggins, Supertramp, and many other notable artists. He has also scored countless feature films including Young Guns, written award-winning TV commercial music, and performed on blockbuster films such as WarGames, Stand By Me, Starman and more. His YouTube Channel, Anthony Marinelli Music, seeks to help musicians get the most out of their synthesizers. Recently, his YouTube videos have gone viral in and beyond the synth community. [some posted here]

During the “ARP 2600 Made Simple” demonstrations, Anthony will be present to program & demo the 2600, share stories, answer questions, and premiere a unique video featuring the 2600 “Blue Marvin”.

Attendees are encouraged to connect with the Foundation at the demo, or at any time during the show. Come by the booth to enter to win an FREE ARP 2600M synthesizer signed by Anthony Marinelli. The drawing will take place on Sunday, January 28th at 4:00pm.

The ARP 2600M is a small-size recreation of the original ARP 2600. At about 60% the size of the original and iconic 2600, it faithfully recreates the sound of its ancestor at a more convenient size, with additional features that help this historic synth find a place in any modern stage or studio. The Foundation expresses their gratitude to Korg USA for sponsoring this giveaway.

For more information about the Foundation, visit www.alanrpearlmanfoundation.org. For more information about Anthony Marinelli Music, visit www.anthonymarinellimusic.com

MJ’s “Beat It” - Hidden Machine Gun Sound

video upload by Anthony Marinelli Music

"In this Video I’ll show you how I made the 'Machine Gun Sound' in MJ’s 'Beat It'. It’s kind of a hidden sound, but it serves an important purpose in the orchestration of the song to create tension and energy just before Eddie Van Halen’s iconic guitar solo. This is one of many examples of the nuances that can be found in the arrangements of the songs on the album.

We’ll also shine the spotlight on Thriller engineer Bruce Swedien’s ability to know when and how to use a sound like this and when to get it out of the picture to create space for other sounds. This concepts can be applied to any style of music you are creating.

I made the original sound using an ARP 2600 & Dr. Click but you can re-create this sound on your VST with less effort.

00:00 Music Example of The Hidden 'Machine Gun Sound' on 'Beat It'
00:08 Intro
00:15 History of the "Machine Gun Sound"
00:46 Working with Michael Jackson on "Beat It"
02:14 Syncing the 16th note "Machine Gun Sound" to the drum beat
03:51 How to set the waveforms (VCO's)
05:02 How to set the Sample & Hold Generator (S&H)
05:19 How to set the Voltage Controlled Filter (VCF)
05:58 how to set the Voltage Controlled Amplifier (VCA)
07:35
07:49 How Bruce Swedien created Arrangements & Orchestrations when Mixing Thriller
09:57 understanding the concept of the "Machine Gun Sound" to re-create it on VST's
11:25 Full Music Example"

https://www.anthonymarinellimusic.com

See the Garfield Electronics label beloww for additional posts featuring the Doctor Click.

ARP 2600 Tonus vs Korg 2600 M: Synth Showdown

video upload by Anthony Marinelli Music

"Prepare your ears for an electrifying synth showdown! In this video, we embark on a journey of pure critical listening as we compare the Korg 2600m and the ARP 2600 Tonus model, one newcomer synthesizer and one Giant of Synthesizers!
We'll begin with a mesmerizing solo performance, featuring my original composition played on the Korg 2600m and ARP 2600 Tonus.
Next, we'll dive into a comparison of three legendary musical examples on both synthesizers, exposing some intricate details of each sound.
Throughout the video, we'll be conducting shootouts to explore various aspects of these synthesizers:
Waveforms: Exploring the sonic palette of different waveforms.
VCF's (Voltage Controlled Filters): Uncovering the unique filtering capabilities.
Envelope Generators: Analyzing the shaping similarities and differences
Spring Reverb: Discovering the distinctive character and beauty of the 2600m
2 Voice Mode Capability: Exploring the dual-voice mode and its sonic potential.
Finally, we'll wrap up with a comprehensive summary. I'll share my personal opinion on the strengths and characteristics of the Korg 2600m and ARP 2600 Tonus.
Join us on this audio adventure where we rely solely on our ears to determine the winner in this epic Korg 2600m vs. ARP 2600 Tonus synth showdown. If you're passionate about synthesizers and critical listening, this video is a must-watch. Don't forget to like, subscribe, and share your thoughts in the comments below!

00:00 Original Music Track
01:57 Introduction
02:32 Korg 2600m Solo
04:08 Michaels Jackson's "Thriller" Bass
04:44 Logan's Run EFX Patch
05:44 Midnight Express "Chase" Bass
06:22 Waveform Shootout
10:26 Listening for subtlety in sounds
11:13 VCF Shootout
15:10 Like & Subscribe
15:28 ADSR Envelope Generator Shootout
19:29 AR Envelope Generator Shootout
22:17 2600m Reverb Demo
23:52 2 Voice Mode
26:11 Summary
27:10 Vibrato Patch
28:34 Original Music Outro
____________________________________
*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

*Website* - https://www.anthonymarinellimusic.com"

Anthony Marinelli Dr. Mix Rob Rosen Synth Jam 2 | CS80, EVS, OBX, OB8, Matrix12, Prophet, ARP2600

video upload by Anthony Marinelli Music

"Welcome to Synth Jam 2, the finale of the day when I introduced Rob Rosen to Dr. Mix during his visit to me in LA. This video showcases a live AMBIENT IMPROVISATION on monster vintage synths recorded at the Cabin Studio @ Rosen Sound. It features Dr. Mix on Oberheim OBX, OB8, Prophet 5 and Prophet VS, Rob Rosen on Oberheim 8 Voice & CS-80, and me, on CS-80, Oberheim Matrix 12 ands 2 ARP 2600's. Check it out...and please remember to visit Dr. Mix's channel on YouTube for a full tour of the Cabin with Master Synth Tech Rob Rosen. You'll be glad you did!"

Anthony Marinelli Doctor Mix Synth Jam 1 | CS80, 73 Moog Modular, FVS, ARP 2600

video upload by Anthony Marinelli Music

"Check out this explosive music track spontaneously created by Anthony Marinelli and Dr. Mix while jamming on some of the monster synthesizers that live in the Rosen Sound Cabin. including: CS80, 73 Moog Modular, FVS, ARP 2600!!!!!"

Welcome To The Synthesizer Nirvana

video upload by Doctor Mix

"Today I get exclusive access to The Synth Cabin room at @RosenSound, L.A.'s leading sythesizer repair and customization lab. @anthonymarinellimusic and I join the legendary Rob Rosen for a in depth studio tour and a dense all-synthesizer jam session."

Also see Rob Rosen Reveals His Ultimate Synth Collection

How to Make Edgar Winter's Frankenstein on Synth

video upload by Anthony Marinelli Music

"In this ghoulishly delightful episode, I'l be dressed in my Halloween finest to transport you to the creepy and kooky labratory of "Young Frankenstein." Our set is adorned with all the trappings of the classic film, setting the perfect ambiance for an up-close breakdown of the iconic synthesizer sounds of Edgar Winter. You'll experience my frightfully-fun re-creation of the mind-blowing synthesizer wizardry that made this song a legendary rock anthem.

With my ARP 2600, I'll unravel the supernatural secrets behind this iconic track. From spine-chilling synth leads to thunderous bass lines, to the iconic "Frankenstein Sound" coming to life, you'll be forever enchanted!

I've also included pumpkin patch sheets for 6 of the sound effects in this video along with the transcribed lead solo. Go to AnthonyMarinelliMusic"

MJ's "Beat It" - The Untold Story by Tom Bähler

video upload by

"It's my pleasure to re-unite with my old friend Tom Bähler who generously tells us all the details of his experiences with Michael and Quincy during the making of 'Beat It'. This untold story is a result of Tom contacting me after seeing one of our videos about how to make the gong sound on 'Beat It'.

He felt it was time to fill-in some blanks in the timeline about how and when things happened and to also share some of his most intimate, inspiring moments about the creation of the song. In this segment we'll tap into a little bit of history about the Synclavier and how this game changing synthesizer got into the hands of Michael. Then you'll find out how the infamous gong sound was discovered, that it was slightly altered and who actually played it on the record. Tom is a gifted storyteller who colorfully weaves relevant and fun anecdotal sidebars in the process of describing the historical facts. He tops off this segment with the back story about Michael's incredibly drawn out search to find the perfect sound to play on the 4th beat of each bar in "Beat It". Michael had the sound in his head but needed to discover what instrument could make it. The first thing I saw when I (Anthony) arrived to play on the album was Michael hitting drum cases with 2 x 4's, but I never knew about the events leading up to that day. Now we all will. I hope you enjoy this special interview and rare opportunity to hear these personal stories directly from Tom Bähler, a living legend. And stay tuned to Anthony Marinelli Music for the other segments with Tom about Working with Michael, Working with Quincy, Arranging for "We Are the World" and writing what some consider to be their favorite song by Michael, 'We are the World'.

0:00 Introduction to Tom Bahler
1:33 Discovering the Synclavier
3:16 The Gong Story, Michael & Bruce
9:48 Copyright
12:35 Michael's Search for the 4th Beat of "Beat It"
19:40 Michael & Quincy Speaking in Colors
20:18 Conclusion"

10 Distortion Techniques: Every Synth Needs This

video upload by Anthony Marinelli Music

"Get ready for some sonic devastation as I demonstrate some of my favorite efx pedals and techniques that deliver filthy synth sounds capable of cutting through even the thickest wall of amplified guitars! I'll show you 10 different color palates with hands-on examples ranging from tasteful overdrive, distortion, fuzz all the way to full meltdown clipping. A little of these flavors added to your synthesizer instrument will help you create more inspiring sounds and also help you require less work to bring you final mixes together. I truly believe that every synth needs a drive circuit as much as it needs filters, reverbs and delays. After watching this video I hope you'll be inspired to grab some analog distortion pedals and start discovering what I did, that I can't live without them."

00:00 Introduction
00:51 Minimoog External Input Feedback Loop
03:49 ARP 2600 Internal Preamp Distortion
07:27 Distorted LFO's
09:46 Moogerfooger MF-104M Pedal Drive Circuit
15:08 Boss HM-2 Heavy Metal Pedal
18:14 Boss FZ-2 Hyper Fuzz Pedal
20:59 Mutron III Input Gain as Distortion Pedal
25:07 Vintage 1965 Fender Showman Amp
28:09 Joyo American Sound Pedal
32:09 Arturia Minimoog with Moogerfooger MF-104S Plug-ins

*🎹 THRILLER SYNTH GIVEAWAY 🎹* ✅ Visit https://www.anthonymarinellimusic.com... to find out how to enter ✅

🏆 Want to win the same model synthesizer used on *Thriller* to make the _iconic_ 🐸 "Froggie" Bass sound? ⏰ Hurry because the giveaway ends October 30th! 🏃‍♀️🏃‍♂️

ARP 2600 Custom Mods

video upload by Anthony Marinelli Music

"It's my pleasure to show you the custom modifications I had installed on my ARP 2600 back in around 1979. In this video I'll discuss why I believed it was necessary to drill holes into the synthesizer for what I considered to be essential features and/or improvements to the design. I say essential because I was using the instrument to perform on live feature film recording sessions and live concert events. I needed to have preset octaves, preset intervals, longer release times, separate keyboard gates and more patching capability to be more effective in those mediums. Quick sound changes we required! Remember this was at a time when synthesizers did not have the ability to recall sounds via some sort of internal memory. I had to remember all the patches myself and use the modifications to immediately morph my sound changes in real time. I also had to get pretty good at creating patches without hearing the synth and hoping that I was close when I needed to start playing. Those were some golden years to be performing electronic instruments. It was easy to mess up but it definitely taught us some skills. I hope you enjoy seeing the mods in actions and hearing some of the accompanying stories!"

0:00 - 1:28 Introduction
1:29 - 2:49 Octave Switches
2:50 - 4:26 Preset Voltages Up and Down
4:27 - 6:14 ADSR Envelope Generator 10x Length
6:15 - 8:12 AR Envelope Generator Separate Gate
8:13 - 10:15 Multiples
10:16 - 11:02 Recap

Synthi 100: Live in concert

video upload by Faculty of Fine Arts and Music

Follow-up to this post. This one was sent my way via Sam.

"In a live performance recorded on 16 May 2018, Interactive Composition staff David Haberfeld, Anthony Lyons and Mark Pollard showcased new works on our Synthi 100 synthesizer.

Find out more about the event: https://precinct.finearts-music.unime..."

Not directly related, but also worth a look if you found the above interesting: Arp Fields - ARP 2500 live in concert

"Mark Pollard, Anthony Lyons, Les Craythorn and David Haberfeld get wired in to the Synthi 100. By Giulia McGauran."

Meet Anthony Marinelli's 1969 Moog IIIc Modular Synthesizer. It’s what started it all.@RosenSound !

video upload by Anthony Marinelli Music

Anthony Marinelli's Favorite Eurorack Module

video upload by Anthony Marinelli Music

"I have to tell you about joystick modules because they've changed my ability to perform expressively on synthesizers that don't have expressive keyboards or sophisticated built-in controllers. A joy stick allows the user to expressively send control voltage signals according to varying positions of a stick. You can also use it to mix up to 4 different audio signals to create morphing complex sounds from simple sources. I'm demonstrating this type of controller using the Intelijel Planar which is a relatively inexpensive Euroack solution that can be integrated into many types of setups. In this video, I've integrated it with my ARP 2600 and show you how to control filter brightness and vibrato at the same time with one hand movement. It would otherwise be impossible to simultaneously change these two parameters while playing the keyboard with your other hand (without the joy stick). I've added some efx pedals to the sound to achieve a vocal quality that pairs well with the joystick modulations. There are many more uses for this expression controller, so stay tuned for more advanced applications and musical examples in upcoming videos.

THRILLER SYNTH GIVEAWAY

Giveaway link : https://www.anthonymarinellimusic.com...

Want to win the same model synthesizer used on THRILLER to make the iconic FROGGIE BASS sound? Visit the above link to find out how to enter. Hurry because the giveaway ends Oct 30th!

00:00 - 00:23 - Musical Example
00:24 - 01:36 - Introduction to Demonstration
01:37 - 02:11 X-plane
02:12 - 03:12 Y-plane
03:13 - 04:08 VCA Envelope
04:09 - 05:33 Adding EFX Pedals
05:34 - 06:37 Summary

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"

How Anthony Marinelli Programmed the Lead Synth on Michael Jackson’s PYT

video upload by Anthony Marinelli Music

"In this video I'll show you a simple technique that I use to breakdown a sound when I need to re-create it. The most important weapon you have for programming a sound is your listening skills. I always take a deep breath before getting started. Quieting my mind in this way usually helps me understand what I'm hearing better. This example is a very simple one oscillator patch so it's a great one for try out this technique. The flutey lead from Michael Jackson's P.Y.T. is a cool counter line that enters for the 1st time in the 2nd verse of the song. It really gives the second verse a lift, almost floating feeling over a very funky groove. The waveform is a triangle wave which has a minimal amount of harmonic content. That's one main reason why it can be up in the mix and not interfere with the lead vocal. I used a Minimoog to create the sound for the track, but you can make this sound accurately on almost any synth including plugins. A lot of the personality of the sound comes from the performance including the use of vibrato via the pitch wheel. Experiment with playing the vibrato in a similar way as Greg Phillinganes (the original performer). This will help you understand the level of nuance that is possible. He's the master of it. And always remember the most important thing about any sound is when it occurs in the song and what notes are being played. Who is playing it doesn't hurt either, so be sure to interject your own thing into everything you do!

THRILLER SYNTH GIVEAWAY

Giveaway link : https://www.anthonymarinellimusic.com...

Want to win the same model synthesizer used on THRILLER to make the iconic FROGGIE BASS sound? Visit the above link to find out how to enter. Hurry because the giveaway ends Oct 30th!

00:00 - 00:30 Intro
00:31 - 01:08 How to breakdown a sound
00:09 - 01:32 Oscillators
01:33 - 01:59 Filter
02:00 - 02:33 Envelope
02:34 - 03:30 LFO/Vibrato
03:31 - 03:36 Conclusion

In this series Anthony breaks down some of the most icons synthesizer patches that he programmed for Michael Jackson’s Thriller

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"

“Tom Sawyer” Legendary Synth Intro

video upload by Anthony Marinelli Music

"I've Always wanted to breakdown the opening bass sound to 'Tom Sawyer' by Rush. The introduction is so memorable that it sticks with us as much as the verse and chorus of the song. I'm using an Oberheim OBX which is the same model synthesizer used by Rush. Because of this, I can achieve a very close match compared to the sound on the album. In this video, I will show you the precise oscillator waveforms, modulations, filter and envelope setting so you can re-create this sound on almost any synth you have. Most importantly, the skills you learn on this channel about how to breakdown the sounds you hear on famous recordings will help you tailor any preset into a perfect fit for the records you are making. Also, I hope you are experimenting with merging all the tips and techniques from my other videos with the info you learn from breakdowns like this. Putting that together will bring you a step closer to being able to create any sound you hear in your head See you next time, Anthony

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major."

Website: www.anthonymarinelli.com

Phase Plant Presets - Luftrum 28

video upload by Luftrum1

"You are listening to a preset demo of Luftrum 28, a collection of 75 synth presets handcrafted by Luftrum and sculpted for Phase Plant by Kilohearts. https://www.luftrum.com/phase-plant-p...

With deep roots in both the past and the future, Luftrum 28 builds upon its lineage of soundsets, featuring rich bioluminescent pads, expressive poly synths, and legendary classic emulations. Drawing inspiration from a mix of genres, Luftrum 28 paints a tribute to a diverse range of artists, from Vangelis and Jon Hopkins to Madonna, Boards of Canada, and Imagination while serving as a fertile ground for new, innovative sounds.

Presets played in the demo:

00:00 About a Forest
00:27 Loreen's Tattoo
00:48 Music and Lights Bass & Lead
01:00 The Unthinkable
01:36 Borderline Bass & Lead
01:56 Antarctica Keys
02:27 Tesseract Dark
03:01 Earth's Magnetosphere
03:31 Chronicles
04:07 Epiphany Dark
04:35 Carbon of Canada
04:58 Arp Drift Obscura
05:20 Kosmos
05:51 Tesseract Light
06:17 Solar Waves
06:43 Hypersonic Bass
06:53 Bioluminescent
07:30 Chariots of Chronos
08:03 Anthony's Bass
08:18 Celestial Quasar"

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

CLICK FOR MORE »

Rob Rosen Reveals His Ultimate Synth Collection

video upload by Anthony Marinelli Music

A look inside the Yamaha CS80, the 14th ever made Sequential Prophet-5, a Rev 1, and a Roland Juno-106, touching on some of the evolution of analog synthesis technology over the years.

"I hope you enjoy this rare opportunity to visit with my close friend Rob Rosen for a deep dive into his ultimate vintage synth collection. Together, we’ll see inside some of the rarest synthesizers of all-time and learn from this master technician how synthesizers have evolved, what makes them tick and why synthesizers make such cool sounds!

I consider Rob’s shop @Rosen Sound ground zero for anything relating to synthesizers. It’s also the biggest wonderland of vintage synths in perfect working order that you’ll ever see .

Rob is a self-taught technician and is now the world leader for repair, restoration, custom manufacturing and sales of vintage synthesizers. He’s also quite an accomplished musician programmer and keyboard player as well."

Chapter Time Stamps:
00:00:01 Intro Anthony on the street in Burbank, CA
00:01:55 Entering Inside Rosen Sound
00:02:06 Meeting “P” from Chromeo and The Rosen Sound Team
00:03:06 Rob shows us his personal work space
00:11:42 Montage of Synths - Start
00:12:35 Montage of Synths - End
00:12:36 Anthony and Rob in “The Cabin” - a wonderland of vintage synths
00:13:42 Anthony explains and demonstrates features on the CS-80
00:20:36 CS-80 “Under the Hood” in-depth tour by Rob
00:53:31 Prophet 5 “Under the Hood” in-depth tour by Rob
01:12:50 Anthony Demonstrates some of the Juno 106 sounds
01:19:27 Juno-106 “Under the Hood” in-depth tour by Rob
01:28:54 One-of-a-Kind Oberheim Modular 8 Voice System tour by Rob
01:35:31 Anthony asks Rob 20 Questions about Synthesizers
01:39:09 Rob asks Anthony some Questions about Synthesizers
01:49:47 Bass Shootout: 1973 Moog System 55 VS ARP 2600
01:54:54 Shoot Out Conclusion and Bass Tips