"The synthesizer and case are in Mint Condition, and barely used. Includes Power Supply, Case, Manual, Power Supply. Original box does have minor water damage due to stored in attic where rain leaked in.
The Korg ARP Odyssey Rev3 37-Slim Key Duophonic Analog Synthesizer is a professional-grade keyboard synthesizer designed for musicians and producers. With its slim keys and duophonic design, this synthesizer provides a unique and expressive sound experience. As an analog synthesizer, it offers warm and authentic tones that can be further manipulated and crafted to create custom sounds. The Korg brand is well-known for its quality and reliability in the world of musical instruments and gear, making this synthesizer a popular choice for those seeking a versatile and high-performance instrument for their music production needs."
"The Odyssey 2021 Sound Bank with 100 presets was created on the Korg DS 8 and converted to Yamaha DX7 format, so it is ideal for the M-VAVE SMK-37 Pro.
"Guest curator Brian Kehew gives as a tour of the new ARP Exhbition at the NAMM Museum of Making Music in Carlsbad, California. Titled 'ARP: The Innovator, The Instruments, The Impact', the exhibition includes details about Alan R. Pearlman on his centennial, a large collection of ARP instruments, and a bit about the legacy and new re-creations.
Both the exhibition and opening events were done in collaboration with the Alan R. Pearlman Foundation. To find out more about the foundation, including how to support their work, please visit: https://alanrpearlmanfoundation.org/
The background music for this tour was created using Cherry Audio's re-creations of classic ARP instruments, including the CA2600, ODC 2800, Chroma, Quadra, and Pro Soloist.
00:00 Introduction 00:26 Overview of the exhibit 01:37 The ARP 2500 02:00 The ARP 2600 02:30 The 1972 NAMM show 03:02 The ARP Odyssey 03:36 The Pro Soloist and OMNI 2 04:58 The Avatar 05:46 The 1978 NAMM show 06:05 The Rhodes Electronic Piano and Chroma 08:08 The Impact: Korg Odyssey & Cherry Audio 09:16 The early ARP Soloist 09:46 Don Lewis and the LEO 10:44 Albums and advertisements 11:44 Conclusion
"Following the Studio Tour Video I made last November, here is an update with recent acquisitions and changes to my workflow in my Studio.
Some highlights are the Moog Messenger, Arturia DrumBrute Impact 1984 Edition, Synido TempoPAD C16, Aly James Lab Vprom 3.0, Beyerdynamic DT1990 Pro, Modartt Pianoteq 8 and some Franklin Audio Devices.
The biggest change is in my 2nd Studio where the B Team is kept. I have connected those synths to a Franklin Audio SS-6 Switchable Input Stereo DI which then sends audio to my Universal Audio Volt 476 interface connected to a Macbook Pro Laptop.
You can view the original Studio Tour Video here -"
"Please use headphones for panning, delay, phasing and other details. This is recorded live and there is no multi tracking!
Bass sequencing : Korg X-911 + Doepfer Dark Time
Jupiter 8 sound : Roland JV 1010 + Roland A500S + Boss FS-6
FX-Intro : Moog Minimoog + Roland SDE1000
Rich Choir sound : Roland JV 1010 + Irig Keys 2 Pro + Boss FS-6
Other FX sound : Roland JV 1010 + Emu 25
extra chords : Korg Polysix
Solo : Yamaha CS 15D + Flash Back II
Extra noise : Korg Monotribe + Flash Back II
extra bass sequence : Roland SH2 + Korg SQ1
extra bass sequence : Korg/ARP Odyssey + Korg SQ1
percussion : Behringer SY-1 + Boss RV1000
Trouby Modular master clock
Modular: Pittsburgh and Doepfer
Mixers Roland M-160 and M-12E
Space Delay Roland RE-3
Reverb/delay:Alesis Microverb III
Effect processor: Yamaha EMP 100
recorder: Tascam DR-60D"
"The man himself, Herbie Hancock, has graciously signed an ARP Odyssey in support of the Foundation. This full-size Odyssey was generously donated and assembled by Korg USA.
Herbie signed this Odyssey at the Hollywood Bowl while busy on the Chameleon reunion tour. We are always thrilled to have Herbie's support, and we're excited to offer a lucky player the opportunity to see his blessing every time they power on their new synth.
Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.
NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.
VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm
Amazing analog sounds that only digital can provide - now in your DAW.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It's already garnering acclaim as one of the best synths of the year.
"The multi/poly module brings the acclaimed power and versatility of the multi/poly synthesizer to a rack-mountable design, perfect for modern studio setups. Featuring redesigned, incredible-sounding filters and oscillators, this module pushes the boundaries of analog modeling to new depths."
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video uploads by Vincent Presley
Found the above in the listing for the Moog Sonic Six further below.
"Breaking down the last 50+ years of synthesis into 6 eras and finding what era is really the best.
Everybody likes different stuff so hopes this is somewhat useful to people."
Playlist including the list of synths:
1. What’s REALLY the best era for synthesizers? Part 1: 1970 - 1978
"Beautiful 50 year old Moog that can do things no other Moog can do. It's the only Duophonic Moog! You can set one osc as low note and one to high note for duophonic playing, set it as a mono synth, or even change the scaling of the high osc for microtonal playing. This Moog has the same oscillators and filter as the Minimoog Model D but instead of the Mini's third osc that doubles as it's only lfo, the S6 has TWO dedicated LFOs that can have separate wave shapes and rates and can be modulated by the eg! Modulation craziness. This Moog also has TWO amps! One signal goes through the filter, as usual, but there is a second amp that bipasses the filter. This means you can have a high resonance sweeping filter sound going (which kills all low end on every Moog) but you can beef it back up with the dry out amp. I've had most Moogs and think this is by far the best and most powerful Moog. I passed on a Minimoog for only 3k years ago and sold my Multimoog when I got my first S6. Everything works. Tuning and scaling was just adjusted and it's working great. I barely play it and have some studio changes in mind so it's on the chopping block. Sold as-is. No returns and I am not responsible for any guts getting shaken during shipping. It's 50 years old and it's in excellent shape for that age. Tuning and calibration info can be found online if you need it after shipping. Also considering selling the Polymoog 203a seen in the photos which is also fully functional and includes the rare Polypedals. A little demo video of the two can be seen in the link. The S6 tune drift in the video is actually a slow LFO and not just drifting. Also the video was done before I tweaked the scaling pots inside."
"Sound demo with a Korg ARP Odyseey triggered by an analog sequencer. There are no effects used. And yes, I had some extra fun with an oscilloscope modular patch."
"in mid 70th I had the first contact to the Arp Odyssey.
50 years later I've got the Odyssey again and I can say ' this is a very goog Synth'
Arp Odyssey Module Lead
Roland J 6 Chords
Moog Taurus Low Drone
3x Doepfer R2m Ribbon Controller
2x Mutable Instruments Midipal
Line 6 DL 4 MK2
Electro Harmonix Small Stone Phaser
Strymon Big Sky MX in Dual Mono Mode controlled with
Midi CC ( 16 channels) by 16n Faderbank AtoVproject
11.12.2024
Video# 2440"
"Step into the iconic Greystoke Studio in West London, owned by renowned record producer Andy Whitmore! In this exclusive tour, Andy reveals one of the largest analog keyboard collections in the UK, featuring gems like the legendary Jupiter-8 and Yamaha CS80. Discover the studio's rich history of creating chart-topping hits with artists like Boy George, Lemar, and Peter Andre.
This video is Part A of the studio tour, showcasing Andy’s unparalleled synth collection. Stay tuned for Part B, featuring rare keyboards like the Steinway & Hammond, along with his guitar collection.
🔑 Studio Highlights:
• The birthplace of Peter Andre’s #1 hit 'Flava' and Lemar’s triple-platinum album Time to Grow
• Recent projects include Ben Hemsley’s 'Every Little Thing' with over 5M Spotify plays
• Home to iconic TV theme music for ITV Champions League and tracks featured on The Simpsons, Top Gear, and Frasier
If you're a synth enthusiast, music producer, or just curious about where the magic happens, this tour is for you!"
"Seven years we are together with you to share our knowledge, tips, sounds, inspire you,
helping to choose instrument & sharing our passion!
In this film you will meet lots of hardware synthesizers - modern,vintage, rare & popular
& lots of musical styles: from space ambient & cinematic music to downtempo & goa trance vibes!
Played by chief of our company - Nick Klimenko.
Chapter List:
00:00-02:54 Korg Delta Big Cinematic Sound
02:54-12:10 Astronaut's Dreams
12:11-16:35 Brute Duo
16:36-24:46 Astronaut's Odyssey
24:47-28:54 Winter In Berlin
28:55-33:50 Anjuna Beach
33:51-39:55 Reflecting Pieces
39:56-45:34 Dark Roots
45:35-49:54 Summertime
49:55-59:39 Downtempo Roots
59:40--1:01:40 Korg Poly-61 Multi
01:01:41-01:04:56 Delta Ambient Pieces
