CouchJam with Minichord and audio.computer Beat Friend

video upload by Many Small Functions

"I ordered my Beat Friend at SuperBooth 2025 and it arrived a couple of weeks ago. This is the first chance I've really had to sit down with it. I love it-- it's inspiring and can be pretty good to chill with.

The Minichord is also delightful for chilling. I need to get more into the patch editor.

Played live while recording on my phone for lofi excitement."

See the labels below for additional posts.

Oddment ODD-1 Build Update & Demos

video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads

For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.

2. ODD-1 Overview: Grains

This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.

3. ODD-1 Overview: 03 Envelopes & Time Path

This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.

4. ODD-1 Overview 04: Sample

This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.

5. ODD-1 Overview 05: LFOs, Macros, Patching

This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.

6. ODD-1 Overview 06: Filters, Saturation, Echoes

This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!

7. ODD-1 Overview: 07 Layers

This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.

8. ODD-1 Overview 08: Reverb & System

The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?

And from their newsletter:

What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

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BugBrand Introduces TCS - Touch Control Sequencer

via BugBrand (For those in the US: check on availability with Noisebug per below)

"The 5FW design stems from ideas I used way back in the Old Blue days when I had the CTL1 Touch Panel - that design went through a few iterations during its 4 years of life, moving from just a control/preset device to incorporating some basic sequencing. Now I have taken it several steps further - expanding it out to 8 steps and increasing the control & sequencing options. The result is a powerful little hands-on sequencing hub! It can link up with other clocking devices, especially the Sequence - indeed, I'm just beginning to investigate a joiner/expander for the pair that would allow the Control link to be easily switched on/off and also incorporate a handful of other useful functions.

In the meantime, the first modules are starting to ship - they can either fit in a larger system or sit in a 5FW case - perhaps an interesting addition to other banana systems!

US shipping & Tariffs:
There has been a fair bit of uncertainty because of new tariffs on shipments into the US (10% from UK vs 20% or more from most other places), alongside the ending of the De Minimis exemption for shipments under $800. Given that I send a fair amount to people in the States, these changes have proved worrying!

Thankfully I've been able to jiggle things around and have found that I can still send things easily & affordably - indeed, often including pre-payment of tariffs while not raising the overall shipping cost, and sticking with Royal Mail who have proved so reliable over many years of use.

Noisebug:
But, alongside these changes, I'm rekindling my prior work with the wonderful Noisebug store of Pomona, California. Just today I've sent a reasonable initial load - a couple of 1Frame systems, several mini-systems and a handful of red designs.

As you know, I've tended to work directly with people worldwide, but have kept in with a very few small & specific stores - Noisebug really fit the bill here for me! So if you've got requests, feel free to get in contact with them - or continue to nudge me direct ;)"

Arcaico Instruments Introduces Virgo VCO Eurorack Module

video upload by Arcaico Instruments

"Virgo is not just a classic oscillator, but also a module capable of generating non-standard sound timbres.

In a small space (8HP), we have managed to include many functions and voltage controls to give you the ability to create your own sound.

Virgo features:
double cross modulation (can modulate input and output)
5 output sources (4 classic shapes + 1 MORPH output)
waveform modulation input
PWM modulation
stable and accurate 1V/OCT up to 8 octaves
HardSync input
MORPH selector switch
MORPH CV input
MORPH CV output
The pitch drops to very low frequencies and can also be used as an LFO.

For more information, visit our website www.arcaico.eu"

New Eurorack Modules Coming From Doepfer

Doepfer will be showcasing the above new modules at SUPERBOOTH25. Details on each follow.
Check with dealers on the right for upcoming availability.

Module A-119-2 is kind of a dual version of module A-119 without envelope follower. Instead two amplifiers are available and the module width is 4 HP only.

The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can be used also for stereo signals, e.g. the stereo output of a smartphone.

Controls and displays:

Level 1/2: manual control of the amplification in the range 0 - about 45.

Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)

In 1: audio input 1 (monophonic or stereophonic, see technical details)

In 2: audio input 2 (monophonic)

Out 1/2: audio output (monophonic)

Technical details:

for higher amplifications the two amplifiers can be daisy-chained

normalling options: the signal applied to socket In 1 can be normalled to socket In 2 in different ways by means of a jumper on the pc board:

socket In 1 is connected via a mono patch cable (standard patch cable) to a monophonic signal and this signal is normalled to socket In 2 (i.e. the same input signal for both sub-units): jumper on pin header JP2 in upper position

socket In 1 is connected via a 3.5 mm stereo TRS cable to a stereophonic signal and the second channel of the stereo signal is normalled to socket In 2: jumper on pin header JP2 in lower position

no normalling: jumper is removed from pin header JP2

all inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.

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EMS Synthi A with Robin Wood mods, mint

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

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Warthog by Adamsynths (The first modular synthesizer with Total Recall and DAW Integration)

video upload by Adamsynths

"Adamsynths created a brand new modular synthesizer with TOTAL RECALL and DAW integration called 'Warthog'"

Press release follows:

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SAMPO Sampler обзор (часть 1)

video upload by SynthCone

"The long-awaited review of the SAMPO sampler.

This is a review of the main functions of the device. In the process, a review of working with the application for loading samples and a separate video on additional parameters.

Enjoy watching. Sorry for my bitcoin)))

SAMPO - A small sampler with great capabilities.
(ZeptoCore clone)

Capable of storing up to 32 GB of stereo samples (16 bits, 44.1 kHz)
Samples are stored on a microSD card (16 banks, 16 samples each)
Has 16 effects (delay, reverb, fuzz, filter, saturator, etc.)
Can be used as a drum machine, loading drum sounds and writing your own rhythms.
Built-in bass synthesizer.
MIDI USB-C in/out, synchronization.
Many different settings and capabilities.

The project is open source and you can repeat it yourself or pre-order it from me.


Pre-order. Check the production time.

To order, write to TG: @SynthCone_maste"

Logan String Orchestra

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

"A perfect working Logan String Orchestra, the lush string synthesizer released by the Italian company Logan in 1973. The machine has been recently checked and calibrated by a professional technician, it works like a charm.

Released in 1973, the String Orchestra expanded Logan's range of string synthesizers by offering warmer and more refined sounds. It positioned itself as an alternative to the edgier character of the String Melody I, also produced by Logan, as well as to later string synthesizers like the Solina String Ensemble. The String Orchestra is a fully polyphonic synthesizer featuring three parallel BBD (Bucket Brigade Device) chorus circuits and a unique architecture that makes this machine truly one of a kind.

The Panel
The Logan String Orchestra features five mixable string sounds, each with its own dedicated volume slider. Interestingly, these sliders are duplicated on the front panel, with one set assigned to the first two octaves and the other set assigned to the remaining two octaves on the right. When both sets of sliders are adjusted identically, the same sound is produced across the entire keyboard. However, by setting them differently, you can perform with two distinct sounds simultaneously on the left and right sides. The small panel near the keyboard features the following controls:

Bass: Volume slider for the bass sound, assigned to the left side of the keyboard
Perc: Adjust this slider to make the bass sound punchier
Tone: Functions like the "Brilliance" slider found on many vintage string machines, shaping the brightness of the sound
Slalom: Acts as a pitch bend control, also useful for fine-tuning the main patch
Volume: Master volume slider for the overall output
Hawaii: A piezo tactile switch that temporarily applies a pitch envelope to the notes being played
Orchestra : when this button is ON, the synth deactivates Violins and Bass
The Sound

The overall sound of the String Orchestra is silky, warm, and extremely pleasant—quite similar to the string sounds of the marvelous Godwin Symphony 849. It’s rich and velvety in the midrange, while remaining precise and never harsh in the higher octaves. This makes it quite different from the grittier, wilder sound of the popular String Melody, also produced by Logan.

The Cello, Viola, and Violin sounds represent three different octaves of the same oscillator: a beautiful, smooth, and highly musical sawtooth waveform. When used individually, these three sounds create a peaceful and smooth string tone, where you can truly appreciate the lush effect of the three parallel BBD choruses in action.

The two Orchestra sounds are based on a rectangular waveform. They share the same fundamental frequency but differ in pulse width and filtering. Orchestra I features a very narrow pulse width, a 12 dB/oct low-pass filter fixed at 10 kHz, and a low-frequency cutoff that doesn’t go below 180 Hz—perfect for adding extra harmonics to the patch. Orchestra II has a wider pulse width, a 6 dB/oct low-pass filter with mild resonance, adding warmth and body to the patches.

And finally, the Bass sound. This is a very fat, filtered sawtooth waveform ranging from C0 to A1. The Perc slider adds a gummy sine waveform with a fast attack and a gently quick decay. By lowering all the sliders on the right side, it’s possible to play the Bass sound on its own."

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Der Mann mit der Maschine Introduces DROID MASTER18 - Compact Universal CV Processor with MIDI/USB

"The MASTER18 is a very flexible generic CV processor.

You can think of the MASTER18 as a smaller and cheaper version of the DROID MASTER without CV inputs and LEDs, but with an integrated USB and MIDI, six additional gate jacks, two of which are inputs and four are outputs.

Details:

It has 8 CV output jacks with a voltage range from -10 V to +10 V, driven by highly accurate low jitter 16 bit DA converters,
2 gate inputs switching at 0.1 V
4 gate ouputs switching between 0 V and 5 V
2 MIDI interfaces via MIDI standard B (mini jack)
MicroSD card reader and a button for reloading the MicroSD card
USB C to access the SD card from your computer or to send/receive MIDI
MASTER18 comes with two interesting bonus features:

It can be connected to the Sinfonion as a follower of the Harmonic Sync.
It has an integrated tuning device for VCOs (can measure their frequency).
The MASTER18 is a good choice if you intend to just create CVs and don't need to process incoming CVs. It’s perfect for building sequencers and MIDI to CV converters.

MASTER18 can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

You can attach several different DROID controller modules, such as the E4, the P2B8, the P10, the B32, the P4B2 or the M4 in order to get direct hands on access to all parameters and values of these patches.

Easily create your desired DROID patch utilizing our simple and easy-to-use editor with built in tutorials - the DROID Forge. It is available for Windows and Mac (both Apple Silicon and Intel).
The file created with the DROID Forge is a simple text file named "droid.ini" and needs to be loaded on the micro SD card that goes into the MASTER18.

Hint: If you'd rather use a simple text editor to alter the "droid.ini" pick one you like and go for it.

The building blocks of a DROID patch are called circuits. Every type of circuit performs some basic task. Just like a Eurorack module each ciruit has inputs and outputs. You can wire these either directly to the eight inputs and/or outputs and even connect them internally. Every parameter can be CV controlled. You can attach up to 16 controllers to your DROID. Controllers have faders, buttons and potentiometers and allow you to map assign to any parameter or function you like. This gives you direct control over your DROID patch and allows you to create you own instrument.

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The ongoing quest for a good simple delay: The Marshall EH-1 Echohead

video upload by Richard DeHove

"Enter the vast realm of Pedal Land and choose your quest. Will it be the ever-popular Quest for the Ultimate Reverb, or will you choose an easy side quest like The Best Classic Phaser? How about one of the original favorites: The Quest for Best Simple Delay.

But what do you call simple? Is the lack of a tap tempo too simple? Does it need more than one core sound? What about the delay length? Is the pedal's physical size important? Will you be happy with mono? Is it simple if it had dual-function knobs?

My idea of a good simple delay is a small footprint, good sound (of course), reasonable delay length, tap tempo, and maybe at least one other sound-shaping function. I don't want any hidden functions or mystery knobs. It needs to have just enough features so you don't keep wanting to slide in your big stereo unit instead.

I recently bought the Arp87 delay to satisfy these criteria and it's a good delay. But I don't use it often enough to remember what the "X" knob does and I've already forgotten how to get into the hidden fifth mode.

Enter the now discontinued Marshall EH-1 Echohead. It satisfies all my criteria and is cheap. It's sort of ugly though quirky enough to get a pass. The knobs are unreadable (I can feel a reknob coming) but with a tap tempo attached and the level set permanently at maximum the only knobs to worry about are the delay type and the feedback.

The EH-1 was released in 2006 joining a range of similarly-styled effects that started in 1998. I couldn't find out when they were discontinued so it's hard to know how old my unit may be. I'm guessing they finished up around 2014. Anyone have any info on this?

Anyway it's been flawless so far, no noise, pot crackle, jack issues or feezes and I've had it running for days at a stretch. It's so good I might even let my Arp87 go (but the DM-2w definitely stays).

As usual there is no external processing or limiting. Slight volume changes that happen when I talk is because the music is ducked against my voice.

0:00 Intro gumpf & specs
2:10 Mono test
3:38 The six algorithms
4:44 Tap tempo
6:17 Ping Pong
7:09 Analog
7:28 Tape
7:54 Multitap
8:07 Reverse
8:21 Filtered
8:36 Slow sounds
11:01 Slow tape
12:04 Slow reverse
12:30 Filter blips
13:20 Conclusion

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/

Dynacord ADD-one + ADD-drive RARE PAIR

Note: links to listings are affiliate links for which the site may be compensated.
ADD-one Audio Demo video upload by morbank01

Playlist:
ADD-one Audio Demo
ADD-one Diagnostic Display and LED Test
ADD-one Easter Egg

via this listing

Two pics of the inside below.

"Dynacord ADD-one + ADD-drive, Dynacord’s dynamic sampling duo! This combo makes for an incredibly powerful hardware synth/sampler with unparalleled capabilities for its time.


NOTE: Other recent listings only include the ADD-one, but if you are reading this you probably know that the increasing hard to find ADD-drive unit is essential if you want to be able to sample your own sounds.

So if you have been looking for a complete ADD-one/ADD-drive don’t sleep on this rare opportunity!

These two specific units were purchased in 2016 from Wavemeister AUT (receipt available on request). Both units are in incredible cosmetic condition for their age and are working as they should. Used in a smoke free, climate controlled studio and never gigged. The build quality on both units is top notch and all knobs and buttons feel great. ADD-one’s display is original, but it is bright and easy to read (see pics), although not from all angles, but this was never the case even when new. Serviced by Audio Rehab, CA (Greg Granieri) in 2019 (receipt available on request). All contacts, pots, jacks and switches were cleaned. And all 23 button contacts have recently been re-cleaned and are working as they should.

There is a very slight whine sound when powered up which can be heard at the outputs. I am no expert, but it’s possible this could be resolved by replacing the capacitors in the power supply. It has never bothered me enough to address so I will let the next owner decide if they feel this is necessary.

The ADD-one is running firmware v2.22 and passes all diagnostic tests and sounds fantastic (see video link below).

There are a few, very minor blemishes and scuffs on both units, with one small dent on the top panel of the ADD-one (see pic), and some erosion on the top edge of the left rack ear of the ADD-drive (see pic). However the front panels are mostly pristine, with only one tiny, tiny mark on the ADD-one visible (see pic), and some wear to “Dynacord” text on ADD-drive (see pic). Very, light rack rash on both units (I hit Reverb’s image limit but additional pics available on request).

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360 Systems Digital Keyboard SN B-311

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

One pic of the inside below.

"One of the earliest multi-sampled synthesizers. Less than two hundred were produced between 1982 and 1984.

This particular unit is in very good condition, and was used for an in-depth sample pack, so you can be sure it functions very well and sounds fantastic. All patches & sounds work. All outputs work. All buttons and knobs work.

Even better, this unit doesn’t have the piano sound that takes up so many EPROMs. It comes with 20 of the best patches:

Cello, Strings, Clarinet, English Horn, Flute, French Horn, Muted Trumpet, Oboe, Saxophone, Trombone, Electric Guitar, Nylon Guitar, Clav, E Piano, Trumpet, E Bass, Slap Bass, Mallet, Timpani, Vibes

The sound of the 360 is a combination of beautifully captured samples and the inherent lo-fidelity crunch of EPROMs passing through a CEM3320 analog filter. Its sound is comparable to that of a Mellotron, Chamberlin or Orchestron but has higher fidelity, and the 360 has more parameters and options.

Issues:
There are some issues with key contacts. Some keys double trigger. We’re happy to clean this, which will very likely resolve the issue.

Cosmetically, it's in amazing condition. Very clean and pristine.

Cosmetic issues:
Some keys aren't level. Some dirt on the keys. Random small scratches and wear around the unit. But overall, in wonderful cosmetic shape."

CLICK FOR MORE »

WMD Digital VCA MKIII - Dual Zero-Crossing VCA and Polarizer - Announcement

video upload by WMDevices

"Announcing the MKIII version of the WMD Digital VCA eurorack module. This new and improved dual VCA and Polarizer (bipolar VCA) has a zero-crossing detector and noise source. At only 8HP, this module can do many cool things for any modular synth in a small space."

WMD Digital VCA MKIII - In Depth Demo

video upload by WMDevices

"WMD is back and finally in production with the new Digital VCA MKIII eurorack module. This modern take on a classic WMD design combines a Zero Crossing Detector (ZCD), a Voltage Controlled Attenuator (VCA), and a couple noise sources to make a super versatile tool at only 8HP. Watch as Alex Anderson explains many of the features and use cases.

00:00 Overview
00:54 White Noise Explanation
02:16 VCA overview
04:55 Remove clicks and pops the ZCD
07:59 Trigger Mode
14:06 Amplitude modulation and the Bipolar functions
18:51 Normaling of 'B' inputs with Dual VCA patch example
20:56 Mixing capabilities
23:00 ZCD Outputs"

via WMD

"I've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Limited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future."

A lot of control in a small package - The E4 endless encoder controller for DROID

video upload by Monotrail Tech Talk

"The people over at DROID have been busy and present a new controller for the DROID eco system. Today we have a quick look at the features, and some examples I have been testing out. I think the module is a great option when you are interested in starting with DROID with a compact setup. But it will add a whole lot of control to deep setups as well."

"Der Mann mit der Maschine | E4

The E4 is a controller with four rotary encoders.

The encoders look like normal potentiometers, but you can turn them endlessly in either direction. (Don't be fooled by the knobs, which do have a pointer).
This allows for a wide range of applications and great flexibility.

Each encoder is surrounded by a square of 32 multicolor LEDs. This LED ring is used to indicate the current value of the encoder. And it looks really great! The LEDs help you to give you an orientation by displaying the current value.

Each encoder contains a push button, which can be used just like those on the P2B8 or on the B32.

The E4 is perfect for mapping many different functions or presets to one encoder and then switch with the buttons of a P2B8 or B32 to some other context. Because of the LED rings you instantly see the current value after switching. And other than with pots, no "picking up" of the value is needed.
Furthermore, the nature of the encoders allows for some useful features, for example:

Create a "multi turn" pot, that needs to be turned several rounds for going through the total range (which allows for a finer selection).
Enable a mode where a slow movement of the encoder changes the value even slower, so it allows for instant fine tuning.
Use an encoder as a switch with a fixed number of positions (the LEDs visualise that)
Select a bipolar value with proper visualisation by the LEDs.
Use an encoder for "strumming", where you get triggers when it is turned.
As a bonus, there is a circuit called encoquencer, that allows you to build a melody sequencer based on the encoders and LEDs of the E4. It has the same features as the sequencer that is based on the motor faders of the M4 (motoquencer).
Power consumption:

+12V: 220 mA when all LEDs are white, 53 mA during normal use case
-12V: 0 mA
5V: 0 mA

Hint: The LEDs only shine fully white when you set them up to do so in your DROID patch. As long as you use the encoders in a normal way, the LEDs display colored light which is not as bright, so the power consumption is much less under normal circumstances."

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Full Blotter by Giorgio Sancristoforo

demo tutorial video upload by Giorgio Sancristoforo

"Full Blotter is a ticket to infinity!
It’s a smart little software that can turn any audio file (or song!) into an immense psychedelic, mesmerizing ambient drone.

Discover it at giorgiosancristoforo.net

(Windows version will be released in about 20 days)"

SINSTANT SPACE TRAVEL!
Full Blotter is a ticket to infinity!
It’s a smart little software that can turn any audio file (or song!) into an immense psychedelic, mesmerizing ambient drone.
Simply drag and drop a file into the waveform window and prepare to reach the limits of the galaxy, in no time.

DRONE HEAVEN
Granular synthesis often works using many small grains, Full Blotter instead use a few (ten) very large grains which have sizes of several seconds.
The algorithm disintegrates transients and time and transform any audio file into a luscious stream of hypnotic frequencies.

REMIX YOURSELF OR…
Remixing your music into an ambient megadrone version has never been easier and fun and using the random functions you can let it go alone for hours.
You can use FullBlotter to meditate, sleep or well… take a bicycle travel…
Use it wisely!

KORG Introduces The New microKORG - A New Origin

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

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Waldorf Introduces Iridium Core - Smaller Quantum / Iridium Based Desktop Synthesizer

video upload by WaldorfMusicChannel

"Iridium Core" introduced by Panic Girl

video upload by WaldorfMusicChannel

JakoJako about integrating the new "Iridium Core" into her modular setup

video upload by WaldorfMusicChannel

Iridium Core - Sound Demo

video upload by WaldorfMusicChannel







The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.


Press Release follows:

Waldorf genuinely gets right to the heart of its Iridium synthesizer product line by introducing Iridium Core as small form factor variant

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Introducing Beetlecrab.audio - Makers of Vector and Tempera

via Beetlecrab.audio

Dear friends,

as hot summer months are slowly passing by, our Prague workshop has been pretty busy working on all axes. Since there's now two products to care for, there's more things to do, more PCB wiring and more code to siphon through, but there's a silver lining in that when we're too deep in one thing and need some respite, there's always something to do on the other :)

We are Beetlecrab.audio

Another thing we're slowly dealing with is the inscrutable situation about our branding, which we have gotten ourselves into. Vector, VectorSynth Tempera, TemperaSynth Vector, Vectora Synth Temper. It's a mess. To get out of all this confusion we decided to adopt an umbrella for both existing and new upcoming projects: beetlecrab.audio. We couldn't quite figure out a suitable name but many of you started using this, so let's go with it. For now the website is a simple crossroad and will be improved over time. Both Vector and Tempera newsletters will be merged into one at some point, so if you're subscribed to both you may have received this email twice. Please ignore the other.

Now to the actual news. There's two parts here -- an update about how Tempera production is going, and announcement of the new Vector v2.9.1 firmware update. Let's start with -

Tempera Production Update

New upgrades

There's a few changes made to the hardware that we're comfortable sharing, now that they are verified. First, a great quality of life improvement: the TRS MIDI sockets are compatible both with Type A and Type B wiring ! This means that you don't have to worry and fiddle with unmarked adapters -- both types will work.

Next, we were still a bit unhappy with the powder coat finish of the metal case. It's difficult to get right: each attempt at different color and paint structure takes a lot of time to test and verify because at least a piece of metal needs to be painted and sent to us for examination, and it takes even longer because of course the metal case manufacturer doesn't have all the paints in stock, and sometimes they have to buy a whole bottle just to use a few drops. A sample palette exists but as we already learned with Vector, these give some idea but in the end look nothing like what you think on the actual metal, on the bends, crevices and so on.

Having said all that, I think we found and verified a finish that we're really happy with . It's less glossy and has a finer and more granular (hah) structure. It's very nice to the touch and I think looks much better. See for yourself, how the light interacts with the old vs new powder coat on top. Noticeable are also the beautifully laser etched graphics. (Tempera in old finish, plate on top in new finish. The light is angled in such a way to highlight the grain, the new finish is in fact even blacker than the old.)

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Oberheim OB-X8: Sounds with Page 2 Features (including an OB-6 filter mode sweep)

video upload by thesrabbit

"Contents:

0:00 Intro (Notch Dream patch with delay)
3:27 Hell's Swells patch (with short plate reverb)
5:35 OB-XH patch (with delay and reverb)
6:50 OB-XH lower layer (dry)
7:11 OB-HX upper layer (dry)
7:31 Hell's Swells lower layer (dry)
7:53 Hell's Swells upper layer (dry)
8:16 Notch Dream lower layer (dry)
9:01 Notch Dream upper layer (dry)
9:51 LFooy patch (with delay)
11:01 Square Weirdo patch (with delay)
11:55 Crazy AF patch (with delay)
12:44 Dirtano patch (with reverb)
13:47 Notch Dream patch variation with MIDI Mod (with delay)
15:16 OB-6 filter mode patch variation with MIDI Mod (with built-in chorus and delay)
18:06 Outro with OB-X8 and OB-6 (Notch Dream patch and OB-6 filter mode patch with delay)

If you have an OB-X8 and you're not using the Page 2 features, you're missing out on half the synth. Nobody seems to talk about these features or explore them. The OB-X8 is indeed a very versatile synth capable of many different timbres, not just the classic sounds from the original OB series. There are so many things you can do with modulation envelopes, LFO phase inversion, different SEM filter modes, and layering, just to name a few things. The OB-6 is limited by comparison. I find it pretty frustrating to use sometimes after making sounds on the OB-X8. It does have other tricks up its sleeve of course, and it sounds beautiful. It's definitely its own brand of OB with its own flavor. Similarly, the addition of 3 SEM filter modes and ability to mix and match OB-8, OB-Xa, and OB-X components and features make the OB-X8 its own beast, and I feel like a lot of people don't really appreciate that. It is so much more than a reissue.

Rant aside, my main motivation for this was to see how close I could get to emulating an OB-6 filter mode sweep. I think I got pretty good results here regardless if the sound is close or not, but I'll let you be the judge. Let me know what you think. There's no way to match perfectly because the filters sound different, and I believe a lot of it has to do with the differences in the oscillators, and maybe gain staging. The OB-X8 filters are more aggressive, with more prominent resonance. Crank the resonance on the OB-6 with the filter in the notch position. It barely does anything. Do the same on the OB-X8 and you'll hear those "sing-song harmonics" as you sweep the filter. And although they're not as loud as they are in the other filter modes, they are still very noticeable. There is also something magical about the high pass filter in the OB-6. Again it might be due to the oscillators. I find the high pass on the OB-6 very comforting, not that the one in the OB-X8 is bad in any way at all. It's just different. I also find the notch filter in the OB-X8 to be more "chewy". This is probably the result of it being more aggressive. In a battle of the filters, I'd choose the OB-X8 for lowpass and notch, and the OB-6 for bandpass and highpass. Anyway, I'm sorta ranting again.

Ultimately, I hope you enjoy these sounds and if you have an OB-X8, I strongly encourage you to explore all of the Page 2 features. I'm sure you've noticed that I have the pinstripe overlay for my X8. While I do prefer the pinstripe look, I really got it because it has the Page 2 function labels on it, and this is huge for me. Page 2 doesn't have to be menu-diving, it can simply be shift functions, which tons of synths have and they're easy to use. Having the labels and changing Page 2 parameters on the panel is a game changer for me. I don't have great eyes, so the small screen can get tiresome after awhile. If you don't want to splurge for the overlay (it's pretty expensive), maybe there's another option for adding labels to your synth. For me it's totally worth it.

Lastly, I think I may have inadvertently ripped someone off in the outro. It sounds like it could be from a movie, but I can't place it.

Enjoy the video.

MIDI Mod for iOS and Apple Silicon Macs:
https://apps.apple.com/us/app/midi-mo...

Bandcamp:
https://hypergol.bandcamp.com"