Sequential Fourm - Ambient Kinda! An Ambient song made with Fourm Presets!

video upload by kgbirmingham media

"Sequential Fourm – Kinda Ambient
I have playing around with my new synthesizer the Sequential Fourm. I decided that I would create an Ambient style song using only presets on the Fourm.
I’m Not sure it really is all that Ambient, since it does have an identifiable lead line. Anyway, it was fun to create.
Enjoy!
For the Techies
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Fourm: The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
I created five tracks, using five presets, which I messed around with, both on the Fourm and also by applying some effects in my DAW. I didn’t use the TC Electronic Plethora X3, since I wasn’t sure that I wanted to “bake in” the effects.
The Presets I used were all in Factory Bank 2:

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Build Your Own Audio Plugins, No Code Required, With Amorph AI Driven Plugin Platform

Build Your Own Audio Plugins, No Code (Amorph v1 Beta) video upload by Artists in DSP

"Amorph is a free audio plugin. You build, play, and share your own tools inside the DAW — the sound, the knobs, and the code sit on your computer.

This is the full how-to. Install. The window. Three ways to build. Remote. Lock. Share.

A patch can be an instrument, an effect, or a MIDI processor.

Download Amorph v1 Beta:
https://artistsindsp.gumroad.com/l/am...

Getting started:
https://artistsindsp.com/get-started-..."

Modular Town : a synth hidden in a town (Amorph)

video upload by Bungle Society

"Modular Town — a synthesizer town, drawn by hand.

Modular Town is a single Amorph instrument: a hand-drawn village you scroll through, where every knob, step-sequencer and jack is mounted on a building facade wired by hand, just like real hardware. 🏭 Filter (Cutoff/Resonance) on the factoryVCO1 / VCO2 on the vending machinesDetune and Attack/Decay/Release tucked into the houses🥁 A 16-step drum machine (Drums Volume, Accent, Drive) running through its own sequencer🍜 Ramen Bass Shop, a mono bass synth with its own 16-step piano roll, playable live or sequenced. A day/night cycle you flip from a shop sign. Delay (Time/Feedback/Mix) on a canal-side wall. A full patch panel route LFO, ENV and random modulation across the whole village with real cables✨ Reverb, aged-paper texture and film grain for a sketchbook feel"

CLICK FOR MORE »

Moog Grandmother VS Rogue Synthesizer Face Off (No Talking)

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2026

Both a Moog Rogue and Grandmother are in the studio. Let's do a comparison face off today. Oscillators, Sync, Filter, Envelopes, and Noise. Do they have the same basic Moog tone? Where there is feature overlap can I get them to sound the same? Which of them wins the day for you? Raw audio recorded direct via Roland GO:Mixer Pro-X, no post process eq or compression added. Listen w/ headphones or studio monitors to get the full experience!

I make cool Eurorack modules with mojo! Check out my Reverb Store https://reverb.com/shop/gstormelectro

0:00 | Oscillators
1:53 | Oscillator Sync
2:26 | Filter
3:38 | Envelopes
5:32 | Noise"

G-Storm Electro:
MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro

Collide 4 Swells

video upload by Ebotronix

Joranalogue Audio Design,
4x Cycle 5, 4x Filter 8, 4x Generate 3, 3x Fold 6, Pivot 2, Select 2,
4x Contour 1, 2x Collide 4, 2x Link 2, Enhance 2, Step 8, Orbit 3,
Morph 4, 4x Mix 3, Delay 1,Add 2, Walk4, Warp 1,Compare 2, Flow 3 ,
3x ,Ornament and Crime, Melody Minor Scale,
ALM, Pamela's Pro Workout,
ARC Serge TKB,
Flame 2x Q Slider,
Intelligel 2x Swells,
Mutable Instruments 4x Shades,
ADDAC 2x Floor Control, Boss 2x EV 30,
WMD 2x Time Warp,
4ms DLD,Peg,
Verbos Scan & Pan,
XAOC Batumi,
Befaco ST Mix,XAOC Batumi,
Doepfer R2m, Ribbon Controller,A 156,
13.09.2026
video# 2674

Sequential Fourm - Chaos - The Song!

video upload by kgbirmingham media

"I just recently purchased a Sequential Fourm and I wanted to create a “Song” using only Fourm Presets. So, I laid down six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
This is the final 'Song' from a 'Making Of' type video. I put 'Song' into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer. I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot. The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Tape Fiasco 2 for iPad: the whole plugin, on a tablet

video upload by Phase Fiasco

"Tape Fiasco 2 is now on iPad. Not a stripped-down companion app: the same engine that runs on macOS and Windows, rebuilt for touch, as a standalone app and an AUv3 plugin.

Download on the App Store: https://apps.apple.com/us/app/tape-fi...
$19, one-time purchase. No subscription, no in-app purchases.

BUILT FOR IPAD
• Standalone app or AUv3 in AUM, Logic Pro, GarageBand, Cubasis, Loopy Pro, Drambo and other AUv3 hosts.
• Load your own audio as the sound source, or start from the built-in factory loop library.
• Record the output and share or save a WAV straight from the app.
• Ableton Link for tempo and phase sync across your network.
• MIDI Learn with mappings that persist across relaunches.
• Two-finger scrolling, resizable and rotatable layouts, touch targets tuned for fingers instead of a mouse.
• Background audio, so it keeps running when you switch apps.

Desktop (AU / VST3, macOS + Windows): https://www.phasefiasco.com/tapefiasco-2"

"Most audio plugins process your sound. Tape Fiasco performs it. Four independent time engines run simultaneously: a dual-grain stretcher that slows, freezes and scrubs in real time; a tape machine with wow, flutter, stop and scratch; a rhythmic slicer that repeats at any subdivision; and BendIt, a circuit-bent buffer mangler with a seven-zone pitch macro from subtle wobble to full DJ scratch, quantized to the host grid. Chain them in any order.

Behind the time engines sits another 30 effects, from spectral filtering and modal resonators to distortion, bit destruction, circuit bending and beyond, followed by a master stage with a three-band EQ, compressor, soft limiter and auto gain.

Routing goes deep. Animate any parameter with multiple modulators: LFOs, random sources, envelope followers, and bezier graph editors. Sequencers stretch, bend and stutter. The Perform section puts four macros and an X/Y pad on the front panel, each routing to up to five destinations with three-point crossfade curves, all recordable as host automation. If it moves on screen, you can automate, sequence, or modulate it."

Sequential Fourm - He bought the Sequential Fourm, for the wrong reasons, and you may want to too!

video upload by kgbirmingham media

Don't miss the videos below. Also see Sequential Fourm - The Non Prophet Presets by kgbirmingham media.

"I traded in my Roland MC-707 for a Sequential Fourm. And, I did it for all the wrong reasons!
This video is different than my usual music videos. I needed a synth that was simple to use, could be a Polyphonic Aftertouch Controller for my ASM Hydrasynth and horror of all horror had MiniKeys.
So, this is why I bought the Sequential Fourm and why you may want to too!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into a Zoom R4 and transferred it to my DAW - Fender Studio Pro 8.
The background music is five tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and an iPhone SE and iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm - For All The Wrong Reasons - The Song!

video upload by kgbirmingham media

"Sequential Fourm – For All The Wrong Reasons – The Song!
When I shot my Sequential Fourm video 'For All The Wrong Reasons' I created a background music track using only the Sequential Fourm for that video.
It is short, but I like it, so I put it together with some video on a misty day from Marie Curtis Park.
Enjoy!
For the Techies
The background music is five tracks all created on the Sequential Fourm using Factory Presets:
1 - A New Legend, 44 - Ryan Reverse, 69 - Sin Cussion, 72 - PluckyArp, 42 - Mini Prophet
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to a: Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video: iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm Creating Chaos

video upload by kgbirmingham media

"Sequential Fourm – Creating Chaos
This is a 'Making Of' type video. I just recently purchased a Sequential Fourm and I wanted to create a 'Song' using only Fourm Presets. So, I created six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
I put “Song” into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer.
I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Generative Soundscapes | Cyma Forma Rnd & Torso S-4 (Extended Sound Demo)

video upload by Andre Bregegere

"In this extended, unannotated sound demo, I’m using the Cyma Forma Rnd as a standalone generative synthesizer, processing its audio live through the Torso Electronics S-4.

🎛️ Routing & Setup:

• Track 1 (S-4): Acts as the main track for the Rnd.
• Track 2 (S-4): Heavily processed, functioning as an auxiliary send track for the Rnd to create vast textures.
• Tracks 3 & 4 (S-4): Occasionally bringing in a drum loop to anchor the generative chaos.

Note: The audio in this video was recorded live and then lightly mixed and mastered in Pro Tools."

VITA SYNTHS

video uploads by Vitamin AH3PCm

Playlist at the time of this post:

1. ADS BD - VITA SYNTHS - Sound Demo

Sound demo of the VITA SYNTHS Modular Algorithmic Bass Drum Eurorack Synthesizer ADS-BD with no effects, accompanied by the VITA SYNTHS Modular Algorithmic Closed & Open Hi-Hat Eurorack Synthesizer ADS-HH and Behringer PRO-800.

2. DR-SEQ-64 Drum Sequencer – Quick Pattern Edit Tutorial

A demonstration of the DR-SEQ-64 module by VITA SYNTHS, showing how to:

delete an existing pattern,

create a new pattern,

save and later load a pattern.

The video also shows that an unsaved pattern is not lost if the module is powered off unexpectedly, and it will be restored when the module is turned on again. This feature helps prevent loss of unsaved patterns.

CLICK FOR MORE »

The M8 Tracker Continues To Blow His Mind // OS 6.6 Release

video upload by EZBOT

"Today I wanted to take a bit of time to explain my deep love for the Dirtywave M8 Tracker while going over the patch notes for the new OS that was released last week. The new OS brings a slew of upgrades to the device in both sound and presentation. Let's check it out and make some tunes."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

M8 Changelog on github

Makes for an intersting look back on the development history of the M8:

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Sequential Fourm - The Non Prophet Presets

video upload by kgbirmingham media

"Sequential Fourm – The Non-Prophet Presets
I almost didn’t buy the Fourm, because most of the demos I watched focused on the “Prophet Sound,” which is great, but I was hoping for more versatility then that.
When I got it home and went through all the Factory Presets, I soon discovered that it is a very versatile synth with lots of character and it is quite capable of producing Non-Prophet Sounds!
So, the following are a whole bunch of Non-Prophet sounds, with a few classics put in, just because.
I did not apply any effects and the only plug-in I used was a Limiter.
Enjoy!
For the Techies
Here is the list of Presets.

CLICK FOR MORE »

Cyma Forma RND: Deep Dive & Sound Demo (No External FX)

video upload by Andre Bregegere

"In this video, I am taking a detailed look at the Random (RND) synthesizer by Cyma Forma. This review and demonstration covers everything you need to know to get started with this unique instrument. I walk through the RN's basic functionality, panel layout, and connectivity options before diving into some hands-on sound design.

First, I explore the RND's capabilities as a standalone generative synthesizer, letting the instrument's internal logic drive the soundscape. Then, I demonstrate how it responds to external input by hooking it up to a MIDI controller and keyboard to play it more traditionally.

To give you the most accurate representation of what this instrument sounds like out of the box, all audio in this video was recorded straight from the RND's headphone output. There is no added reverb, delay, or external effects—just a touch of dynamics processing and mastering applied in Pro Tools to ensure optimal listening levels.

Timestamps (adjust to match your final edit)
00:00 - Opening Credits
00:30 - Intro
00:55 - Connectivity
01:10 - Feature List
02:10 - Standalone Demo 1
04:00 - Adding MIDI Controller/Keyboard
04:26 - Master Control: MIDi channel 01
06:20 - Controlling Individual Tracks: MIDI channels 2–5
06:20 - Controlling Individual Tracks: MIDI channels 2–5
08:02 - Controlling Individual Tracks (Solo): MIDI channels 6–9
09:40 - Modulating the Master Scale
10:17 - Closing Thoughts
12:15 - Standalone Demo 1 (Bonus Content)"

"Unsettled" Ambient jam with Dreadbox Artemis, Digitakt II, Arturia Keystep Pro

video upload by Aurélien Vieira Lino

"Working on a track with the beautiful ‪@Dreadbox-synths‬ Artemis and ‪@WeAreElektron‬ Digitakt 2."

Ear Candy: The Best EP Sounds of the 80s (Full Walkthrough with Intro)

video upload by JimDaneker

"Ear Candy is the ultimate collection of iconic EP (electric piano) sounds from the 80s & early 90s, meticulously deep-sampled for MainStage/Logic and Kontakt. These are the most "expensive" sounding EPs you heard on the biggest hits of the decade, by countless artists.

This is a walkthrough of all patches, with background info on the instruments captured.

Get Ear Candy at:

https://backstagepass.store/earcandy

Table of contents:

00:00:00 - *** Intro Teaser
00:00:32 - *** DX DREAMS: History & FX options
00:02:45 - Clique & reverb options
00:04:01 - Dreaming of the 80s
00:04:25 - Multi-Layer EP: DX Dreams vs. plugin options

CLICK FOR MORE »

SUPER 606 - DRUM MACHINE | iPhone/iPad

video upload by MATTHEW FECHER

Super 606 by AudioKit Pro | Drum Machine Presets Demo & Walkthrough

video upload by Moby Pixel

"Today we are taking a look at Super 606 by AudioKit Pro for iOS inspired by the legendary Roland 606 drum machine. It has been a while since AudioKit released a drum centric app and this one might just be the droids you are looking for. In this video, I’ll give a quick walkthrough of the app and demo a bunch of presets.

Chapters:
0:00 Super 606 Intro
1:15 Sound Editing
2:58 Presets Demo

Thanks for watching!
Nick C.
Moby Pixel"



Inspired by classic hardware. *Roland Cloud and TR-606 are trademarks of Roland Corporation. SUPER 606 is not affiliated with or endorsed by Roland Corporation.

SUPER 606 features SYNTH generated drums. Give your music movement, character, and life.

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Sequential Pro 3 Patches that your auntie approves of on a Thursday morning

video upload by H4NDCRAFTED

"My Pro 3 patches because.. why not ?

0:00 Bass
2:38. Sequences
6:10 Drums
8:47 Keys etc

Use headphones silly goose"

🎛️ 🎹 Turning a Thrift Store Projector Case into a Daisy Pod Synth + Amp

video upload by Foggy Mountain Spaceship and TrimPath

"A synthesizer, an amplifier, and a Bluetooth speaker, all built into a vintage projector case from a thrift store. Sound generation runs on an Electrosmith Daisy Pod.

It's the companion piece to the Banjo-Synth (BS-1) I built in 2024. The BS-1 plays it, this box makes the sounds. It was challenging and a lot of fun to build, I hope you enjoy the video.

🧰 The Parts:
Electrosmith Daisy Pod
Vintage Argus Projector Box
CME H2MIDI Pro Interface
JBL Home Audio Speaker
Vangoa PS-01 Rechargeable 9V Power
ZK-502T Bluetooth Amplifier Board"

See this previous post for additional demos and details on the Banjo Synth.

CLICK FOR MORE »

Sequential Fourm Preset Demo Without Talking or Effects

video upload by B&H Pro Audio

0:00 A New Legend (Program 1, Factory bank 1)
0:32 Hard Synch (Program 93, Factory bank 2)
0:45 Mini Prophet (Program 42, Factory bank 1)
1:31 Sawyer Vibez (Program 45, Factory bank 1)
2:00 The Bassics (Program 3, Factory bank 1)
2:19 EEEE PEEEE (Program 4, Factory bank 1)
2:48 Syncing Pressure (Program 5, Factory bank 1)
3:04 Fourmer Brass (Program 8, Factory bank 1)
3:19 Petite Sweeper (Program 9, Factory bank 1)
3:42 Hollo Legato (Program 10, Factory bank 1)

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External MIDI Amiga Synth? Wait, what?!

video upload by Jeremy Parker

"A few years ago I restored my childhood Amiga 500, and only recently found a way to use a soft synth, Aegis Sonix V2, with external MIDI control. I saw ‪@magicalsynthadventure3216‬ video on the topic a while back, and on a whim decided to revisit the idea of using my Amiga as a synth. Thanks to an Amibay.com forum thread, I learned that it's pretty easy to get Aegis Sonix V2 to respond to incoming MIDI, and so I was off to the races. Enjoy!

Magical Synth Adventures video: • Commodore Amiga Music Production: Modern S... [below]
Amibay thread: https://www.amibay.com/threads/aegis-...
Stone OakValley Studios info on Aegis Sonix: https://www.stone-oakvalley-studios.c...
OctaMED info: https://chipmusic.org/forums/topic/10...

00:00 Intro
02:28 The Solution
03:33 Sonix Demo
05:31 Sonix & Reaper
07:33 Amiga Groove

Commodore Amiga Music Production: Modern Sound Design on Retro Hardware

video upload by Magical Synth Adventure

"A delve into obscure software instruments on the Commodore Amiga. Here I look into both realtime & non-realtime varieties, covering a staggering array of synthesis types!

Additional attributions:

I forgot to give a shout out to uncle Brian! Sorry uncle Brian!
Endless Tunnel Animation: KRITRIMVAULT
Syndicate Intro: BullFrog Productions

Links:
SOFTWARE
http://old.exotica.org.uk/websites/dr...
http://ftp2.grandis.nu/turransearch/"

Update: An interesting side note is that Sonix was released in 1987 with a beta in 1986. That's 10 years earlier than Dave Smith's Seer Systems Reality, which was released in 1997. Seer Systems Reality is often credited as the world's first soft synth. Curious if the distinction was between an editor/interface for the existing Amiga sound chip vs. a self contained software synthesizer.  

I asked Google AI just to see what it would say. Here it is:

CLICK FOR MORE »

Improvised Techno Jam with Torso S-4 (Vocal Loops & Sidechaining) | Vol. 39

video upload by Andre Bregegere

"Vol. 39 of the Torso S-4 Explorations series.

In this session, I dive into a raw techno track starting with a layered soundscape built from two vocal samples. From there, I bring in a driving drum loop and use the Torso S-4's envelope follower to dial in a sidechain compression effect directly on the unit.

No planning, no preparation—every sound and structural decision was made entirely on the spot. The live performance was recorded and lightly mixed/mastered in Pro Tools.

--

0:00 - Intro
0:30 - Soundscape setup (Vocal Samples)
2:10 - Adding the drum loop
2:35 - Envelope follower & sidechain effect
3:08 - Let's bring another sample
3:48 - Performance continues

--

#TorsoS4 #LiveJam #Techno #Dawless #MusicProduction #Improvisation #ProTools"