Click the auction link on top when you get there for additional listings.
"This is a custom built synth made for me by Jos Van Ras who is an ex-Phillips engineer in the Netherlands who builds Elektor modules and cases.
The synth consists of the following modules: 3 x VCO - very powerful VCOs with a Moog vibe and unlike most Elektors, these have Sync inputs and the sync sound is really powerful. 3 x VCF - 3 different VCFs, two based on the original Elektor designs (a 12dB multiode filter, and another filter switchable between 24/18/12/6 dB/octave with LP and HP outputs) and a third based on the Steiner Parker filter which is really nice sounding. 1 x triple LFO - 3 simple LFOs without voltage control but with a variety of waveshapes. 1 x NOISE / RANDOM VOLTAGE 4 x ADSR 2 x VCA 2 x MIXER 1 x quadruple MULTIPLES 1 x RING MOD 1 x S&H / Inverter 1 x COM which is an output module with a 3 band EQ which is surprisingly useful 1 x MIDI to CV converter
This synth offers tremendous bang for the buck, I think it gives quite a Moog feeling in sound. It contains everything you need for a great variety of sounds but you can always patch it with Eurorack or other modular gear. I will post some sound examples as there aren't many good demos online.
The negatives are that the cabinet is just functional MDF, no fancy timber, and the MIDI interface is very basic. I usually use a Kenton for more complex MIDI control."
ELZ_1 play V2 [Preset Jam by Yu Endo]
video upload by SONICWARE
User videos:
Playlist: (you can use the player controls to skip around)
1. ELZ_1 play V2 (version 2.0) Quick Guide - Waldorf Wavetables, Layering, New Effects + More - ChrisLody
2. Wavetables, Layers & Total Transformation // Sonicware ELZ-1 Play Just Went PRO - Starsky Carr
3. NEW SONICWARE ELZ_1 play V2 synth!! (WALDORF wavetables and 18 engines) - sound demos - FutureMusic.es
Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
"This is a rare 1977 cs30. Yamaha’s most complex mono synth. The closest thing Yamaha made to a modular system. This one was modded specifically for me. Individual cv inputs for the 2 oscillators and individual gate inputs for all 3 egs. I have this hooked up to 2 Kenton Pro-Solo midi/cv converts. One is set to low note, one to high note. Now this synth plays like a classic duophonic synth like the Odyssey, sh7, etc through any midi keyboard or sequencer. Both midi converters and cables are included. It also has custom wood end pieces. I will also include the original plastic ones. This is a crazy synth with 2 oscillators, sub osc, 3 egs, 1 lfo, ring mod, cross mod, 2 multi mode filters, 2 amps, 8 step sequencer that can trigger any of the egs so you can make complex lfo shapes and modulate anything. Tons of modulation options everywhere. Even the external input can be a mod source and the lfo can be different shapes at different destinations and be effected by an eg. Amazing synth. Everything works perfectly. It should be noted that when using the cv/midi, some functions like detuning and portamento do not work. But the Kentons can do both and even add tuning range and extra LFOs."
"Using the new @DoepferMusikelektronikGmbH Mini Analog Sequencer to change filter modes on the Matrix VCF, whilst also providing a melody for the VCOs. Ideally, a separate sequencer would be used for each purpose, but just for fun I wanted to see what I could creating using the same sequencer CV to create both a melody, and change filter type on the Matrix. This is made much more viable using the CV MIX module, to adjust the range of CV to cover the modes I wanted to use - predominantly those at the bottom, including 4-pole low pass, band pass, all pass, and the combined 3-pole all pass & 1-pole low pass mode.
Stereo Panning per step also features towards the end (headphones recommended), using the Triple Cross module to pan the mono sequence between 2 outputs, which is sent to a stereo input on the Cosmic Pro. The Tap Tempo VC-LFO is providing sample & hold-style random stepped voltages, which go to the Triple Cross module, modulating the amount of stereo panning between left and right on each sequencer step. I didn't increase the panning amount to maximum, because the result was just too extreme for my delicate ears! It's a great effect though."
Kingston, NY— In 2025, the Alan R. Pearlman Foundation celebrates the centennial of its namesake, the electronic visionary whose marvelous ARP synthesizers changed the landscape of music forever. As part of the ongoing celebrations, the Foundation is announcing the release of Soul Of The Machine, a 36-track musical celebration of the man and his creations as interpreted by a diverse range of recording artists.
Soul Of The Machine is a 36-track collection of tracks old and new, covering everything from innovative electronic, dance, and space music to jazz, funk, and Latin pop, all featuring the signature sounds of classic ARP instruments. The collection includes everything from ARP’s first synthesizer — the massively powerful ARP 2500 modular system — to the instruments that rewrote the rules on how electronics and music came together. The 2600, Odyssey, Pro Soloist, Omni, and many more ARP instruments sing, cry, scream, and soar, in the hands of musical talents both legends and newcomers.
Soul Of The Machine is a treasure trove of musical exploration. Martin Gore’s “KIno" combines Depeche Mode’s signature rhythmic power with a uniquely lyrical and sweet atmosphere. “Mr. No” is a celebration of the classic proto-techno sound of John Foxx. Award-winning soundtrack composer Mark Isham showcases his signature pulsating energy and evocative moodscapes in the mini-suite “Musings – in Two Parts”. Lisa Bella Donna takes listeners on a journey into timeless wonder in the epic “Conclusions.” JG Thirlwell’s “Sphere” is a synth freakout ricocheting between ominous sci-fi atmospheres and searing beats. Panic Girl offers "Drifting Whispers," a somber and uplifting neo-retro journey into a past that never was.
Other artists on the collection include Michael Brückner, Phil Cirocco, Rupert Greenall, LaMar "Kronick" Mitchell, Jeff Rona, Drew Schlesinger & David Torn, Don Slepian, and many others, as well as tracks by the collection's curators Steve Roach and Chris Meyer of Alias Zone.
Famed ambient / electronic pioneer and ARP user since 1978, Steve Roach shares his thoughts on Soul Of The Machine: "In 2024 I had the honor of meeting Dina Pearlman-Ifil — the director of the Alan R Pearlman Foundation — in person. Over the course of several phone conversations we discussed ways to celebrate the centennial year of her father's life and his place in history. My idea for a compilation of music using her father’s creations grew out of those conversations, presenting a perfect way to directly experience the vast range of music that was birthed by the family of ARP synthesizers. This compilation is just a small taste of the universe Alan inspired in sound explorers and artists across a vast range of genres."
Steve mapped out the music so that CD 1 represents a sonic journey and CD 2 provides a showcase of the depth and breadth of what ARP synths can do. After both CDs were finalized, there were more tracks than room on the CDs. These additional songs are available as a bonus digital supplement to the physical CD set.
Says Dina Pearlman-Ifil: “I have long-dreamed of a multi-genre collection that would illustrate the depth and breadth of the possibilities of my father's instruments. This collection is the embodiment of what my father treasured most: The creative spirit. As the old ARP tagline used to say: ‘The most creative part of an ARP Synthesizer is you.’”
The Alan R. Pearlman Foundation is dedicated to the empowerment of young and burgeoning artists into the future. When we look at classical instruments born hundreds of years ago, we see that Alan Pearlman's synthesizers stand tall, earning their place in the evolution of musical history. Acoustic or electric, their common ground is the enduring inspiration for creativity and sonic innovation that inspires the hearts and minds of musicians, performers, and sound explorers worldwide.
Soul Of The Machine will be available for streaming on October 17, 2025. The special limited edition CD will be available for purchase in early-to-mid-November.
Proceeds go the Alan R. Pearlman Foundation
The Alan R. Pearlman Foundation is a 501(c)(3) not-for-profit organization. Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman, by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create.
ARP Centennial Compilation Concept: Steve Roach Project Directors: Steve Roach, Chris Meyer, and Dina Pearlman-Ifil Mastered by: Robert Rich
Cover concept and design by Dina Pearlman-Ifil, production by Sharon Wasko
This compilation wouldn't be possible without the support of our incredible sponsors: Cherry Audio, Korg USA, Moog Music and Steve Roach. Also HUGE thanks to Chris Meyer / Alias Zone, Mark Marshall / interage.com for all things web, Dr. Mike Metlay/ atomicwords.net for creative input on the liner notes, and Sam Rosenthal / Projekt Records.
"Here is my deeper review about the ISE-NIN Single Voice Module and the Breakout Box for Eurorack. A Single analog Voice of the BC ISE-NIN Polyphonic, which is inspired by the Roland Jupiter-8. Together with a Anton's Step Brother, Roland System 500 Modul 510 and 531, Waldorf KB-37, AMSynths 8111 & 8171, Vermona Fourmulator, RYK M185, VPME.DE Quad Drum Voice, Glou Glou Flancher-9, Boss DR-110 and Arturia Keystep Pro."
Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Steinberg Cubase 14 and Final Cut Pro X"
"Similis is a lo-fi synth that has several different patches. Here it is set to run a random sequence over a major or minor scale. This preset can be switched between 1 or 2 oscillators, each playing a random note independent of each other.
Pot A/CV in A sets the root note.
Pot B/CV in B sets the range of notes of the chosen scale.
Pot C/CV in C sets the rate of the sequencer (controlled using an envelope generator in this example)
Switch A sets the waveform (Sine, Saw or Square)
Switch B has 3 different settings (Stop the sequencer playback on its current note, run the sequencer, run the sequencer and add an additional synth voice.)
Switch C sets the scale."
"Similis is a lo-fi/chiptune style synth consisting of several different presets.
This Similis patch stacks 3 oscillators and detunes them against each other.
Pot A/CV in A controls the root note.
Pot B/CV in B controls the detune of the other 2 oscillators.
Pot C/CV in C controls the level of the 2 additional oscillators.
The root note pitch is being controlled by a random scale from Pam's Pro Workout.
Here an envelope generator is controlling the level of the detuned oscillators through CV in C.
Switches A B and C change each oscillators waveform (sine, saw, square)"
"We ride along Interstate 278 across the Triborough Bridge (also known as the RFK Bridge) from The Bronx to Queens. In between the two spans of the bridge, we are treated some scenic views of the Manhattan skyline.
Original music by Amanda Chaudhary, featuring: Cherry Audio Pro Soloist, Trident MkIII, Mercury 5 Audio Modeling SWAM Contrabass & Tenor Saxophone Arturia Piano V, Pure LoFi Vintage Minimoog Strymon Magneto and Starlab Morphor Plectrum BFD Drums with Ken Scott collection presets EastWest Orchestral Percussion Gold
0:00 Introduction 0:11 Starting in the Bronx 0:36 The truss span of the Triborough (RFK) Bridge 0:56 Manhattan Skyline from the highway 1:46 The suspension span of the bridge 2:12 Entering Queens 3:21 Continuing east on the Grand Central Parkway
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
"Join us at Bristronica 2025 as we explore the innovative Circle Guitar with Anthony from Circle Instruments. Discover how this self-strumming, MIDI-enabled guitar opens up new creative possibilities ."
"The player can sequence the wheel's movement with a DAW or MIDI controller such as the Morningstar MC6 Pro and MC8 Pro. All external MIDI-enabled devices and effects can be synced to the wheel's speed to adjust dynamically together."
1. Circle Guitar at Distillery 2 - Episode 2 - Medley
2. An introduction to Circle Guitar
3. Circle Guitar at Distillery 2 - Episode 1 - Theme Tune
4. Circle Guitar - Promo
"You can connect any external device to Siluria via the line input, this might be useful also if the FM broadcast is no longer available in your country.
This is the HauntBox, more info here: https://www.resonancecircuits.com/pro...
Powered by RipCord and connected with CandyCords, you can find them here: https://myvolts.com/
(no affiliation, I just think these are great products from great makers)
The sound was recorded directly in the unit - it is possible to record the resulting mix (exactly as you hear it in the headphones) to the SD card for later use.
Halloween is approaching, get your ghosts ready! :)"
"The HauntBox: Inspired by the spirit box/ghost radios used for paranormal investigation. The HauntBox from Resonancecircuits contains 10 sound banks of 'real world' evp captures, faux evp, radio broadcasts and atmospherics.
Each soundbank contains between 20-90 samples that are played back in a random order and will continuously loop until the next soundbank is selected.
Soundbanks: 0 - shortwave broadcasts and faux EVP 1 - global fm broadcasts and EVP captures 2 - AM/MW broadcasts and EVP 3 - southern preacher (CB radio) 4 - houdini's seance 5 - whispers 6 - end is near 7 - atmosphere I 8 - atmosphere II 9 - your soul
Controls: on/off power switch orange indicator led scan push button - used to select the next soundbank sweep control - sample playback rate/speed of transition between samples frequency control - pitch of samples output level control mini jack output powered by 9v DC input (negative centre polarity 300-900mA). PSU not included Closed Case Dimensions: 5.5(H) x 14.5(W) x 9.5(D)cm Dark oak stained and waxed wood casing with metal corner embellishments. Custom circuit and design by ResonanceCircuits"
1. MPK Mini IV | Your Next Big Idea Starts with MPK Mini
2. MPK Mini IV | Overview
3. MPK Academy | Getting Started with MPK Mini IV - Quickstart Guide
KEY FEATURES
[NEW] Updated third-generation keybed for an expressive playing experience
[NEW] Push/turn rotary encoder for effortless function navigation
[NEW] Enhanced arpeggiator with Pattern, Arp Freeze, and Mutate functions to encourage experimentation
[NEW] Expanded DAW-mapped transport section for an uninterrupted workflow
[NEW] Two distinct colorway options to match your style
[NEW] Full-color screen for real-time feedback and easy navigation
[NEW] True pitch and mod wheels for tactile hands-on control
[NEW] Pre-programmed DAW mapping for Ableton Live, Logic Pro, FL Studio, and more, with 1-to-1 mapping for convenient control of preset parameters
[NEW] The Studio Instrument Collection, a VST/AU and standalone virtual instrument with over 1,000 sounds from AIR, Akai Pro, and Moog, plus MPK Mini IV integrated controls
25 velocity-sensitive mini keys with 10-octave up/down range
8 assignable 360° rotary knobs for tactile sound-shaping
USB Bus-powered for hassle-free connectivity
Scale and Chord Modes for playing in key, adding harmonies, and building progressions with ease
8 Velocity- and pressure-sensitive RGB backlit MPC pads for responsive, expressive feel Connections: Full-size MIDI output
"In this video I explore the Sequential Take 5 alongside the Eventide Modfactor. Specifically I look at the Modfilter, Tremelopan and Undulator effects on the Modfactor.
Chapters 0:00 Intro 1:10 The Take 5 2:33 The Modfilter Lowpass 4:53 The Modfilter Bandpass 5:45 The Tremelopan 9:48 The Undulator 15:59 Outro"
Sequential Take 5 + Eventide Black Hole = Larger than life!
1. themkI | An exploration of a 70s classic
2. themkI | Overview
3. themkI | Presets playthrough
Press release follows:
Thephonoloop tweaks themkI as deeply-sampled, expressive VI exploring electromechanical keyboard classic’s imperfections with colourful Version 1.1 update
KATOWICE, POLAND: Thephonoloop is proud to announce that it has tweaked themkI — already available as a deeply-sampled, expressive VI (virtual instrument) for Native Instruments’ KONTAKT PLAYER platform housed in an MPE (MIDI Polyphonic Expression) compatible engine built for discovery and experimentation, exploring the beautiful imperfections of a Seventies-vintage electromechanical keyboard classic — with a colourful Version 1.1 update introducing sharper contrast for better visibility alongside new GUI (Graphical User Interface) colour options for customising its look, as of October 7…
"Enjoy a fun and nostalgic ride along Interstate 87 in New York in this beautiful 4K video! We start in southern Westchester County, where I-87 is part of the New York State Thruway. At the border of New York City, the Thruway ends, and I-87 continues into the Bronx as the Major Deegan Expressway. It has a large and perpetually traffic-clogged intersection with I-95, which connects to the George Washington Bridge to New Jersey as well as to New England. After that, I-87 and "The Deegan" continue through the south Bronx and end at I-278 and the Triboro (RFK) Bridge.
This one is particularly special, as CatSyth host Amanda Chaudhary grew up here and traveled this freeway often, including to regular visit her grandparents in the Bronx.
00:00 Introduction
00:11 I-87 & Thruway in Westchester County
02:42 Entering NYC & The Bronx. Start of Deegan Expressway
05:15 The interchange with I-95 and US 1
05:57 Continuing on the Deegan and I-87 into the South Bronx
08:12 I-87 ends. Merge onto I-278 and the Triboro (RFK) Bridge
Original music 'Big Cat' by Amanda Chaudhary
Instruments include:
Arturia Jun-6 V, Wurli V, CP-70 V
Cherry Audio Pro Soloist, Blue 3, Chroma, Atomika
AudioModeling SWAM Flute, Clarinet, Bb Trumpet, Tenor Sax, Double Bass
BFD Drums
Buchla Red Panel 158 and 156m
Strymon Magneto and Starlab
EastWest Orchestral Percussion Gold, StormDrum 2 & 3"
TIMELINE: 0:00 Intro 1:20 vs Live II 2:00 MPCe pads 3:20 Articulations 4:10 Touch strip 5:05 Mic test 5:30 More power 7:00 New features 7:45 I/O 9:25 Content 9:55 Using MPCe 13:00 Drum seq 15:05 Note Seq 16:40 Step edit 17:35 Last step 18:00 Automation 18:35 Other modes 19:45 Macro buttons 22:00 Clip matrix 25:20 Rec to arrange 26:15 Live looping 27:10 Snapshots 28:50 Clip settings 30:35 Sequences 31:00 Super stretch 31:50 New stems 32:30 New FX 33:20 Env follower 34:00 CV tools 35:10 MPC Desktop 35:30 Pros & cons
KEY FEATURES
[NEW] Expressive pads
16 MPCe pads with 3D-sensing technology for flexible music production and expressive performance
"An 8-voice analog synthesizer. Also known as the Split-8.
It features a 2-channel multi-timbre specification, allowing you to split or layer two different sounds to play simultaneously."
"Playing around today with the Seventh Summoner and Arp Of Darkness in the small case. I like where this is headed so I thought I’d share.
https://www.flatsixmodular.com
Patch Notes: Clock is handled by Pam’s Pro Workout.
Voice 1 is sequenced by the Seventh Summoner and consists of the supersaw patch on Braids through the 2051 Bit Corrupter patch on the MFX and then into the delay patch on a Noise Engineering Desmodus Versio with the “MultiVersio” firmware flashed to it.
Voice 2 is a saw wave oscillator from the Disting MK4 processed through a Pittsburgh Modular low pass filter, and being sequenced by Sequence X on an Ornament & Crime module with the Phaserville Suite firmware running. The filter is being modulated by the Shredder applet on the Ornament & Crime.
Voice 3 is being arpeggiated by the Arp Of Darkness, and is made up of a swarm & detune patch on the Neutron Sound Dust of Time running through a ping pong delay on another Disting MK4 by Expert Sleepers. I’m hand modulating the swarm to detune the swarmed notes giving it that dissonant contrast and the release of bring things back to unity.
In-Case Drums are being handled by an Erica Synths Pico Drums module running through A low pass filter on another Disting MK4 and into Data Bender by Qu-Bit for glitching duties.
All outputs run through a Kombucha by WGD for delay send duties and then into a Befaco STMIX for mix down to an Intellijel Headphones output in the 1U row.
Additional drums provided by the K.O. II by Teenage Engineering running my own personal samples."
Update: the first user videos added below. Note: this post is pinned on top, see below for new posts going up throughout the day.]
"Fourm 4-voice analog synth with polyphonic aftertouch
Fourm is a compact analog synthesizer that invites you to play, shape, and perform with unprecedented expression. With its legendary Sequential tone, hands-on modulation, and uniquely responsive Tactive™ keybed, Fourm is a creative partner helping to bring your musical ideas to life.
Synth sounds and drums exclusively by Fourm. Composed by Peter Dyer."
See the dealers on the right of the site for availabily.
User videos:
Playlist:
1. The new Sequential Fourm in 60 seconds! #analogsynth #synth - Available at Signal Sounds 2. Sequential FOURM -- J3PO demo & overview
3. Sequential Fourm Analog Synth INHALT Demo & Discussion
4. Sequential FOURM Review — Classic synth sounds in a small package! - BoBeats
5. Introducing the Sequential Fourm Synth | First Look & Demo - Gear4music Synths & Tech
6. Sequential Fourm: Poly aftertouch, stacked waves, expressive arps – First look and sound demo - MusicRadar Tech
7. Sequential Fourm Performances & Overview - Sweetwater Soundcheck
8. SEQUENTIAL FOURM: the synth we’ve ALL been waiting for? - Projet Home Studio
Press release and pics follow:
Sequential Introduces Fourm: A Four-Voice Analog Synth with Polyphonic Aftertouch
A New Fourm of Expression
San Francisco, CA — September 23, 2025 — Sequential has announced the release of its most affordable, synthesizer to date. Fourm is a compact, 100% analog instrument that redefines expressive electronic performance. With its warm, organic tone, hands-on modulation routing, and a uniquely responsive polyphonic aftertouch keyboard, Fourm is ready to bring your musical ideas to life.
At its core, Fourm delivers four analog voices of genuine Sequential sound, derived from the legendary Prophet-5 — complete with dual oscillators, a classic 4-pole lowpass filter, and envelope curves modeled after the 1978 original. The result is unmistakable Sequential warmth and punch, now with overdriven feedback for a performance-ready edge.
For the first time in 40 years, Sequential has returned to polyphonic aftertouch. The team developed the new Tactive™ slim-keys poly AT keybed to work in concert with Fourm’s analog synthesis engine. Every element was co-designed and precisely calibrated to unlock new levels of expression, enabling a deeper connection to our signature sound that no off-the-shelf keybed could deliver. The result is a more expressive bond between player and instrument, energizing new modes of creativity.
“Wowww holy smokes: this thing sounds and feels amazing,” said Bryn Bliska, (keyboards for Chappell Roan, Maggie Rogers, Jacob Collier). “The polyphonic aftertouch is seriously so fun… Sequential nailed it.”
“We’re so excited to bring this innovative all-analog keyboard into the world,” said David Gibbons, Sequential CEO. “At a price-point that most people expect to pay for a monophonic synth, we think this product will invite legions of musicians who have longed for the magic of polyphonic analog sounds to start their journey of discovery with Sequential.”
Notably inspired by the Pro~One, Fourm’s top-panel modulation matrix puts deep sound design at your fingertips—no menu diving required. Modulation sources and destinations are clearly labeled, connections are made with a button press, and color-coded indicators make even complex routings easy to manage.
With its compact footprint, professional-grade build, and a sound engine rooted in Sequential’s most iconic instruments, Fourm is a powerful new voice in analog synthesis.
About Sequential Sequential has been at the forefront of synthesizer innovation since 1974, creating instruments that inspire musicians and shape the sound of modern music. With a legacy built on the iconic Prophet synthesizers, Sequential continues to push the boundaries of sound design with cutting-edge technology and exceptional craftsmanship.
"All sounds come from the 'Jexus PRO-3 Soundset' with 220 custom presets / patches & all the sequences that you hear. I did not use any external FX in the demo; all the delays, reverbs, noises & sound deformations are part of the PRO-3 engine / intentional sound design."
"This is a custom built synth made for me by Jos Van Ras who is an ex-Phillips engineer in the Netherlands who builds Elektor modules and cases.
