Sapphire "Beyond the Void" - wide stereo field, deep space drone

video upload by Don Cross

"Making this patch, I imagined traversing immense distances between galaxies through the voids in deep space. I used multiple Sapphire Elastika modules tuned to produce an ever-shifting drone chorus. Then I added a few extra voices to round out the bass. There is plenty of slow-flowing chaotic modulation for interesting variation and texture.

You can download this VCV Rack patch at: https://patchstorage.com/sapphire-bey..."

Introducing Sapphire Chaops - expander module for Frolic, Glee, and Lark

VCV Rack - Sapphire - "Ice Station Oberon 11" - custom virtual synth

video upload by Don Cross

"Tonight I made a complex synth voice from several voices, but all tuned to the same V/OCT signal. Then I decided to play that synth voice using a virtual keyboard (Impromptu Twelve-Key). Usually I do generative stuff, but it was fun to make something more in the spirit of a custom synth, and then to perform that synth.

Download this VCV Rack patch from: https://patchstorage.com/sapphire-ice...

The Sapphire plugin for VCV Rack 2 is available at: https://library.vcvrack.com/CosineKit..."

Introducing Sapphire Chaops - expander module for Frolic, Glee, and Lark

video upload by Don Cross

"Chaops is a new 'chaos operators' expander module in the Sapphire plugin for VCV Rack: https://library.vcvrack.com/CosineKit... Here I show how to use Chaops to store/recall the state of Frolic, Glee, or Lark. Chaops also allows you to morph the 3D vector output on a spectrum between position and velocity, which provides a new range of 3D chaotic curves. Finally, Chaops can freeze/thaw the movement of the attached chaos module. All of this functionality can be operated manually or by input voltages."

Introducing Ocean Swift Wavetable Creator - Craft Custom Wavetables for Any Synth!

video upload by Ocean Swift / Faxi Nadu

Follow-up to this post. The editor is now available at https://oceanswift.net/product/wavetable-creator/

Ocean Swift - Wavetable Creator | Overview and Demonstration

video upload by Ocean Swift / Faxi Nadu

Press Release follows:

Create, Customize, and Export Wavetables Like Never Before!

Save 40% - just €25 (normal €40) , until January 10, 2025

Ocean Swift is excited to announce the launch of the Wavetable Creator, a powerful tool that empowers everyone to create custom wavetables for high-end synthesizers, modular environments, and audio production tools.

The Problem:
Today's wavetable synths, modules, and apps often require wavetables with specific frame sizes and cycle counts, making cross synth compatibility difficult. No existing app or wavetable pack guarantees seamless compatibility across all platforms.

The Solution:
Ocean Swift’s Wavetable Creator – a powerful tool to design morphing wavetables that work anywhere! From Serum to Eurorack, this tool lets you craft wavetables with innovative crossfade, morphing, and blending techniques, and robust compatibility export options. Whether you're producing music, designing game audio, or developing synth plugins, this app is built to unleash your creativity with an easy intuitive interface.

Pricing and Availability
The Ocean Swift Wavetable Creator is available now at a regular price of €40. As a special introductory offer, you can purchase it at €25, a limited-time price valid through the Black Friday, Christmas, and Winter Holiday season until January 10, 2025. Don’t miss this opportunity to enhance your sound design toolkit at an unbeatable price, with a unique product!


Grab the Wavetable Creator here: https://oceanswift.net/product/wavetable-creator/

CLICK FOR MORE »

BUCHLA & TIPTOP AUDIO 259T mega TUTORIAL with scope and explanations. All you need to know.

video upload by Flat Round Modular Music

"A complete demo and tutorial of the Buchla and tiptop audio 259t. The father of all the complex oscillator will show you all its secrets. So you'll can play with and understand all its sons, they work the same...DPO Brenso Further generator and more.

How complex oscillators work.
Waveshaping
Wavefolding
FM
Internal and external modulations
Cross modulation
Hard and soft sync

And don't forget to look at the scope.

Have a look."

DELIA Poly Synth MORPH Feature - How To Transform Your Sound

video upload by Melbourne Instruments

"DELIA's Morph feature is a powerful creative tool in addition to its versatile palette of sounds and motorized knobs. Morph is one of DELIA's sound design and performance superpowers. Morph can transform your sound; create truly unique timbres and a powerful expressive performance tool.

Essentially Morph gives you access to 2 different patches, where you can combine or mix between 2 different patches, be they similar in sound or completely contrasting.

Morph interpolates the settings across the entire front panel, unlike an audio cross-fader. Morph transforms the settings across the oscillators, filters, envelopes including all the modulation matrix assignments.

By default, almost every patch on DELIA has 2 sounds loaded into A & B. The Morph knob moves between A & B, where you can see the front panel knobs moving and responding to the changes between the 2 patches. Press the button next to the Morph knob to switch instantly between A & B patches. When lit, this button indicates you are on the B patch.

Moving the Morph knob immediately prompts the option on screen to either save your current settings to position A or B . This is great for those moments when you hit on a sound you love - a very fast and intuitive way to create new patches. Just don't forget to save your preset when you're done!

To LOAD a new sound to Morph, hit LOAD, find the preset you want then hit OPTIONS where you'll be able to load the patch to A or B.

Morph can also be a modulation destination, easily assign your modulation source and dial in the Morph amount!

Whether you're looking for subtle way to shape your sound or create wildly contrasting timbres, Morph is a lot of fun, like having eight arms. It's a source of happy accidents and equally a powerful way to manipulate your sound on DELIA."

Super expo shapes and double quadrature with FALISTRI!

video upload by Frap Tools

"Falistri has plenty of controls, but it offers functions so pure that we can bend the rules and use some cross-patchings to go where the knobs don't dare.

#fraptools #modularsynth #eurorack #synth #analogsynth #electronicmusic

00:00 Introduction
00:12 Double quadrature with the four-quadrant multiplier
05:33 Super exponential shapes with the four-quadrant multiplier or cross-patching"

DiscoDSP OB-XD 3 (Oberheim) | What’s New, Worth Buying? IPad, Windows, Mac, Linux

video upload by Gavinski’s Tutorials

via DiscoDSP

August 23, 2024

OB-Xd iOS 3.5 released

Our OB-Xd 3 synthesizer for iOS update delivers a comprehensive suite of enhancements, significantly improving both functionality and user experience.

Key features and improvements include:

New High-Quality Engine: The iOS version now incorporates the same high-quality digital signal processing (DSP) engine as the OB-Xd 3 Desktop version, ensuring identical sound quality across platforms. This upgrade enhances the richness and authenticity of the audio output, bringing professional-grade sound to your iPad.

Cross-Platform Compatibility: Full compatibility with desktop presets and banks across macOS, Windows, and Linux. Users can now effortlessly transfer their sounds between desktop and iOS devices without any loss of data or quality, ensuring a smooth workflow across different environments.

MIDI Keyboard Enhancements: The update introduces a fully functional standalone MIDI keyboard, now supporting a custom 2-octave layout. The keyboard is optimized for touch and standard input, allowing users to play and experiment directly on their iPad.

User Interface Overhaul: The user interface has been completely redesigned with a new skin created by Ilkka Rosma, offering a modern, visually appealing design that aligns with the desktop version. This update not only enhances aesthetics but also improves navigation and usability. Icons and UI elements have been resized to adhere to iOS guidelines, ensuring a clean and consistent look on all screen sizes, including larger iPad models. Dialogs and menus have been specifically optimized for touch interaction on iOS devices.

Enhanced Functionality: Significant improvements have been made to the bank and preset management system, including enhanced import/export functionality, tooltips, and a refined user experience for creating and organizing sound banks.

Additional Tweaks and Fixes: The update includes numerous tweaks tailored for iOS, such as optimized dialog messages, handling for larger screen devices, and improved file operation dialogs in AUv3. Addressed various issues ensuring a more stable and reliable user experience.

This update marks a significant milestone for OB-Xd 3 on iOS, bringing it in line with the desktop version in terms of both functionality and sound quality. With the addition of a new high-quality engine, a redesigned user interface, and enhanced cross-platform compatibility, this release ensures that iPad users can enjoy a professional, seamless music production experience on the go.

OB-Xd 3 is now available on the Apple App Store with a special limited-time introductory price. This release offers an unbeatable opportunity to experience the enhanced features and professional-grade sound quality of the OB-Xd 3 on your iPad. Don't miss out on this exclusive offer to upgrade your music production toolkit at a discounted rate.

DX5 performing The Human League "The Sound of the Crowd"

video upload by DX5

"A simple but interesting song not much known by the early days of The Human League V2 (when the female vocalists joined). If you don't know the original version, check it out. I found it catchy, specially the chorus. So I decided to pick my two analogues plus the JP8000 and give it a try

Gear used:

Left:
Roland MRS2 Promars: single VCO bass (and extra sub bass on backtrack)
Roland JP8000: Cross Mod lead

Right:
Korg Polysix: Sawtooth lead

Backtrack previously recorded, instrument by instrument, on Pro Tools (just drums and the extra sub bass). Original song composed by Phil Oakey, Ian Burden.

Performed here by DX5 Jose Maria Bara"

Background Modulars No.5 - Buchla 100 and EMS VCS3

video upload by Memetune Studio

"Don’t have a Buchla 100 and EMS VCS3 to hand? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

Here is 10 minutes of self-playing modular synthesiser randomness. Why not put it on loop - then you can have it bubbling away in the background while you do other things

A note on the patch: The whole thing is being run by the EMS Random Voltage Generator, but that is being modulated by a divided down set of voltages from the Buchla 8-step sequencer, so it changes the randomness very slowly, which makes it seem like its evolving as it goes along. There are ring modulated VCOs, cross mod VCOs and pitch shifted VCOs, from both systems all being mixed on the 205 matrix mixer, which also has feedback paths set up to go to the WEM valve copycat and also the Buchla dual reverbs and dual compressors. So the whole patch is intermingling and feeding back on itself via the matrix mixer. Its a highly complex patch and is pretty much impossible to describe fully because I just kept patching it until I liked the result enough to let it run and film it for 10 minutes"

INTRODUCING THE OBERHEIM TEO-5

video upload by Oberheim Official

"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.

Music by Peter Dyer
All sounds from TEO-5

Learn more at
https://oberheim.com/products/teo-5/"

TEO-5 Synthesizer Unboxing & Demo Feat. Tom Oberheim

video upload by Doctor Mix

"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"

J3PO reviews the new Oberheim TEO-5 synthesizer

video upload by J3PO

"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.

00:00 Introduction
01:04 Sound Examples & Discussion
26:38 Conclusion / Final Thoughts"

OBERHEIM TEO-5 Review // Filter & TZFM explored // Pros & cons vs Take 5 & Oberheim synths

video upload by loopop

"Get access to my exclusive In-Complete Book of Electronic Music Ideas, Tips and Tricks, on my Patreon: / loopop"

TIMELINE:
0:00 Intro
1:10 Overview
3:10 Build & keys
4:05 Low split mode
4:30 I/O
5:05 Oscillators
7:30 Sub & noise
7:55 Sync
8:20 Thru Zero FM
11:20 Misc osc
11:45 Filter
14:05 Overdrive
14:45 Effects
19:55 Unison
20:25 Chord mode
20:35 Envelopes
22:30 LFOs
24:10 Mod matrix
27:10 Vintage
28:05 Arp
29:25 Sequencer
30:50 SoundTower
31:55 Pros & cons
37:45 Preset sounds

Oberheim TEO-5 INHALT Synth Demo

video upload by INHALTVIDEO

"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.

The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.

Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.

Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.

Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."

SUPERBOOTH 2024: Oberheim - TEO-5

video upload by sonicstate

"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.

Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.

With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package

TEO-5 Available: July 2024. Price: 1,499 USD

https://oberheim.com/"

Oberheim TEO-5 Demo from Superbooth 2024

video upload by Starsky Carr

"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.

Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.

Anyway.. just a Quick Look.. enjoy:)"

And the press release with pics:

Introducing the New Oberheim TEO-5 Polyphonic Synthesizer

TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse

San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.

“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.

The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping.
Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.

“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.”
Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.

CLICK FOR MORE »

Hans Zimmer 'RadioPhonic' Synth @ Superbooth 24 w/ AJH Synth

video upload by AJH Synth Official

"Hans Zimmer's 'RadioPhonic' Synth from AJH Synth @ Superbooth 24 - This monster MiniMod Eurorack modular system was commissioned by Hans himself, and he was kind enough to allow us to build a limited number of exact replicas which will be individually built to order by AJHSynth. Full details of the system, along with an interview with Hans Zimmer about his use of the MiniMod system, can be found at https://ajhsynth.com.
We will have one such RadioPhonic system on display in our bungalow at Superbooth 24, along with a MinMod Keyz, a 9U full system, and a huge monster case full of AJH modules.
Richard Quirk, and Wayne Taylor (DreamsOfWires/Tomorrow the cure) will also be there representing AJH with Allan J Hall himself. We'd be glad to chat about the modules and demonstrate some in action, so feel free to pop by.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"

Update: press release and pics follow:

CLICK FOR MORE »

LFO Mod Magic, Make better sounds now!

video upload by Ricky Tinez

In this LFO Deep Dive we'll explore the world of synthesis modulation using the Novation Peak, though this can be done on most synths especially VSTs. We'll take 2 LFOs to modulate one another and then add some key tracking to take things to the next level. These synth tips are such fun and easy tools to have in your back pocket when you want to spice up your sound. I really hope you learn something here! Take care."

See You Later Oscillator Hat

00:00 The Goal Today
01:32 Step #1
02:15 How To Use LFO Fade Time
02:45 Utilizing LFO Repeats
03:16 If you don't like this sound, here's how to fix it
04:30 Step #2
05:16 LFO 2 to LFO 1 Rate.. Cross Modulation!
06:11 LFO KeySync
06:57 LFO 2 Repeat Setting! Super Crucial
08:55 Fine Tuning the Modulation
09:28 Step #3 - What I Heard In My Head
09:45 Keyboard Tracking to LFO 1 Rate
12:37 This is the Final Cherry On-Top
15:26 NOW THIS IS THE PATCH! wooooo

OP-X PRO-3 released ! Semi-modular dream synth | Trailer | Tutorial

video upload by SonicProjects

Chapters:
00:00:00 Intro Trailer
00:02:12 Change Interface Size
00:02:20 Playing Factory Presets
00:29:20 Famous 80s Presets
00:34:10 Create Presets
00:39:00 Mark Favourites
00:40:38 Search Function
00:41:40 Modulation Matrix
00:46:34 Unison Note Priority
00:46:58 Modulation Effects
00:48:52 Voice Boards
00:50:17 Multimode Filter
00:57:55 Wheel Modes
01:01:21 Arpeggiator / MIDI Processor
01:06:06 Outro

https://www.sonicprojects.ch/opxpro3/

SonicProjects OP-X PRO-3 released! 12-voice semi-modular monster synth which fullfills virtually all requests and wishes from users collected over the recent years. The synth offers:

CLICK FOR MORE »

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

CLICK FOR MORE »

Buchla & Tiptop Audio Release Model 296 Programable Spectral Processor

See the dealers on the right for availability.

Via Tiptop Audio.

"Today we celebrate the official release of an important project we started 2 years ago: the remaking of Don Buchla’s mega module, the awesome Model 296 Programable Spectral Processor. It is now available for pre-orders at our dealers at $699. Shipping to the dealers from us will start November 30. The 296 was first introduced in 1978 and very few were ever made. Making a module of such complexity at a time when electronic schematics were drawn with pencils, with 48 filters that were most likely hand calculated is just incredible. The 70’s were a great era of exploration and proof of audio electronics scientific theories, but for Don Buchla it seems like it was always something beyond theory. The 296 might at first look like an equalizer, but Don had totally different ideas for it. He managed to pack into it a 16 band analog modular spectral processor, a cross band vocoder plus a massive amount of patch points to work with his synthesizer system.

We are very proud of this project, so much has gone into making it, and thanks to your strong support of the 200t project we are able to price it like a mass produced product. To learn more about the 296t please check out the user manual. As its name implies, the 296t is complex and worth spending the time reading the user manual.

CLICK FOR MORE »

Analogue Solutions Introduces MAXIMUS AS300 POLYSYNTH

On the heals of COLOSSUS and AMPLE, Analogue Solutions introduces the MAXIMUS AS300 POLYSYNTH. It is set to make its first physical appearance at SYNTHFEST UK this year.

Specs and details follow.

16 VCO / 8 Voice semi-modular polysynth.

Being built in small batches.

Batch 1 is avaialble to order now.

The price will increase for batch 2 due to horrific increases in all costs.

So get your order in now to lock in the price.

DON’T MISS OUT !

Available to order direct now.

Please email to check current wait time Typically 2-6 weeks

AS300 main unit £22500 £19900 Launch price - batch 1 only

AS400 optional keyboard £1900 £1800 Launch price - batch 1 only

excluding crate, shipping and tax (all if applicable)

CIRCUITS

VOICE - X8
2 VCO
1 Mixer
3 12dB filters
2 Full ADSR envelopes
1 16 step note/modulation loop sequencer
1 BBD style retro echo
1 Main out VCA
1 White Noise
1 Sub Osc
1 Portamento / Glide
1 VCO tune Vernier dial
Generous selection of cross modulation controls.

MASTER
1 VC LFO
1 LFO with delay
1 LFO
8 channel stereo mixer
2 Real spring reverbs
1 Master control knobs
1 Poly MIDI to CV converter
4 Key modes
2 MIDI Sync modes
1 Multiple
Generous modulation routing

MISC
Metal cabinet
Birch ply real wood
Healthy set of jack sockets for patching on all panels

OPTIONAL AS400 KEYBOARD
61 full length keys
Weighted
Velocity
Aftertouch with VCA for modulation
64 pad touch controller (can be split to 2x32)

SOME THINGS YOU CAN DO WITH MAXIMUS

Standard pad type poly sounds

Unusually Poly Sounds

Monophonic Synth Sounds

A mixture of Mono and Poly Sounds

Filmic / Epic ambience sounds

Rhythmic patterns, with a new sound on each key press.

Although Maximus can do traditional ‘pads’ it’s better suited to more unorthodox poly sounds. It excels also at unusual analogue loops and rhythms when it is played in cyclic mode. Have each voice set to a different type of sounds, and as you cycle through them you get very interesting patterns (melodic or otherwise).

Maximus does not have patch memory - just like the very first polysynths.

Every sound you create will be unique - the first of its kind ever to be produced. Your Maximus will never sound like anybody else’s. It will always be unique and yours.

WHAT IS MAXIMUS?
Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.

Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since its is so much more than that.

When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.

Because you can never dial up each voice completely identically, standard polys pads will sounds superbly vintage.

All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.

This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the 70s.

There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.

Synthesisers like this only come around once in a decade, or possibly a generation.

AS300 main unit £22500 £19900 Launch price – batch 1 only AS400 optional keyboard £1900 £1800 Launch price – batch 1 only

Sound design comparisons - Roland Jupiter 6 vs Sequential Prophet 10 vs Roland JD-800

video upload by MIDERA

"For some reason I really wanted to do an experiment where I sit down with the Jupiter 6 and Prophet 10 and just explore how they sound as I go through the settings/parameters. At the end, I would ask myself - which one do I like best? And then I thought, why not add something completely different. So I did. I added the JD-800.

I wanted to keep the comparison consistent in one way: they would be routed (mono) through the Strymon El Cap and then given the same amount of reverb. So the only difference is what's going on in the synthesizer itself.

It feels like a bit of a failed experiment because 1) their levels were hard to control (it's not patch comparisons so I don't think "X sounds better than Y because it's louder), so hopefully that's ok, and 2) they all kind of sound good in completely different ways.

My actual EXPERIENCE was that I much preferred using the Prophet 10. I think I like the sounds from the Jupiter 6 or JD800 best, but the JD800 has advantages (plethora of different waveforms) and disadvantages (no sync or cross mod).

So what did I learn from this endeavor? Probably nothing, but I haven't actually sat to listen to my work, so I don't actually know yet."

The Ciat Lonbarde Peterlin - Peter Blasser Meets Benjolin

Chaos Patterns with the Ciat-Lonbarde Benjolin / Peterlin Synthesizer

video upload by Duskmos

Note the "Peterlin" made it's first appearance with Hainbach on May 7 here on MATRIXSYNTH. This post features a few examples from others, and additional details and pics below.

Above: "In this Signal Colors Palette video, I'm taking a first look at the Ciat-Lonbarde Benjolin / Peterlin, a tiny wooden synth featuring a nod to synthesis history by putting the focus on sound creation with a circuit design inspired by the 'Rungler' by Rob Hordijk.

Hang out while I coax some cool sounds from this wildly experimental sounding synth!"

Quirky little groove machine: Ciat-Lonbarde Peterlin first impressions

video upload by NoctopolisMusic

"Listen to albums, download tracks and support me at https://noctopolis.bandcamp.com/
I was lucky to get a Ciat-Lonbarde Peterlin (why not Blassolin though?) from the first batch at PatchPoint and these are clips from my first don´t-know-what-I-do-sessions with it. First one: solo. Second one: with Lorre Mill Double Knot 3. Third one: with Moog Subharmonicon."

Ciat Lonbarde Peterlin meets Serge VC Resonant Equalizer

video upload by La Synthèse Humaine

This is the first post to feature the Peterlin.

"first patch ring modulates peterlin xor to vcfq with a sine wave - both controlled by rungler. this is mixed with the peterlin audio output in the vc res eq and its bands get modulated by various peterlin outputs

second and third patches have a bit less and a bit more going on... all gets a little confusing and knotted up

check out my newest album Contraluz here: https://critiqueofeverydaylife.bandca..."

"Dressed in their signature banana jack-laden wooden enclosure, the Peterlin is Ciat-Lonbarde's take on the Benjolin: a tribute to the synthesizer designs of Rob Hordijk. Deceptively simple in appearance, the Peterlin is a highly interconnected instrument containing two oscillators, a resonant lowpass filter, and Peter Blasser's take on the infamous Rungler circuit. Clocked by one oscillator, the Rungler is a shift register feeding upon not only its own output, but also listening to the output of the other oscillator to further influence its data with feedback chaos. As the Rungler's CV output is then fed into the oscillators and filter, a range of hefty drones and chaotic noise is possible. Of course, the Ciat-Lonbarde take on this classic experimental instrument is filled with its own mysteries.

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Oberheim Introduces OB-X8 Desktop Analog Synth Module

You might remember Oberheim mentioning they had something new coming to this year's Superbooth.

Here it is. The OB-X8 Desktop Module. Be sure to click the pics for the full size shots.

Press release follows:

Oberheim Announces OB-X8 Desktop Analog Synth Module Fits Perfectly into Your Studio, Your Music, Your Life

San Francisco, CA — Oberheim today announced the much-anticipated desktop version of their highly acclaimed OB-X8 eight-voice analog synthesizer, which faithfully recreates sounds from the classic Oberheim OB-X, OB-Xa and OB-8 synthesizers of the eighties. And now all its presets, synthesis features, and sound editing controls are available in a compact package that fits everyone’s creative space.

“The original OB synths were jam-packed with components and took up a lot of space. There was no way you could contemplate getting even a four-voice version of that sound out of a desktop or rack-mount unit,” mused Tom Oberheim. “Well, here we are in 2023: eight voices of our amazing OB-X8 three-in-one synthesizer now comes in a size that fits your studio.”

The new OB-X8 desktop version does not include the 61-note Fatar keyboard and expression levers found in the original, but don’t let that stop you from experiencing all the sonic power of these monster synths in a footprint that’s compact enough for studios of any size, and convenient enough to take on the road.

Just like the keyboard version, the desktop OB-X8 boasts an identical sound engine, featuring an all-analog signal path with discrete VCOs, VCAs, and filters. And it still manages to provide the same knob-per-function front panel sound designing experience, with immediate access to virtually all the synth’s parameters.

“Bringing back the Oberheim brand has been a joy,” said David Gibbons, CEO. “And since the introduction of the OB-X8 keyboard in May 2022, we’ve heard an overwhelming desire for a desktop module version catering to those whose free studio space doesn’t quite match their enthusiasm for unique synth sounds.”

In the hands of such luminaries as Prince, Van Halen, and Herbie Hancock, Oberheim synths were more than just instruments, they provided the soundtrack of an era. Now a whole new generation of artists are discovering their voices through OB-X8. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” said Trent Reznor, the creative force behind Nine Inch Nails, and an Academy Award-winning composer. “I’m excited more people will be able to experience this classic instrument.”

OB-X8 desktop module weighs approximately 9 lbs. 9 oz. (4.34 kg) and measures 22.00” L x 8.50” W x 4” H (55.88 cm x 21.59 cm x 10.16 cm).

The OB-X8 desktop module is available for pre-order now, with a US MAP price of $3,499. Shipping worldwide in June.

For more information about the OB-X8 desktop module, visit us at:

https://oberheim.com/

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Bad Gear - Roland JV-1080

video upload by AudioPilz

"Become a Patron and get access to music clips from the show, additional content, Bad Gear samples and even more AudioPilz madness

https://www.patreon.com/audiopilz

Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland JV-1080. Is this classic Roland rack synth the Roland Cloud of the 90s? Can these sounds still be used in modern music production or do we have to subscribe to Zenology? Can it hold up with analog synths?

Check out Don Solaris' webpage for in depth knowledge on the 1080:
http://www.donsolaris.com

Chapters:
00:00 Intro tune
01:06 Overview Roland JV1080
01:49 Wave Generators (Waveforms, Samples)
03:02 General Midi
03:12 Synth Engine (Cross Mod, Filter, LFOs, Envelopes, Modulation)
03:47 Patch Structure (Booster, Ring Mod)
04:06 Presets
04:29 Effects (Insert, Send, Reverb)
04:41 Rhythm Kits (Drums)
04:51 Performance Mode (Multitimbrality)
05:02 Expansion Cards - "The 90s Cloud"
05:35 Manual, Build Quality, Outputs, Pricing
05:55 Hate
06:22 Jam 1 (Classic Sounds)
07:11 Jam 2 (Synth Tweakery)
08:04 Finale
08:34 Verdict"