Cherry Audio Introduces Memorymode 2

video uploads by Cherry Audio

Playlist:

1. Cherry Audio | Introduction to Memorymode 2 with Tim Shoebridge
2. Cherry Audio | "Memory Flow" by Steve Peglar with Memorymode 2
3. Cherry Audio | Foundation Presets Pack for Memorymode 2

"Memorymode 2 - Inspired by one of the most iconic polyphonic programmable analog synthesizers of the 1980s: the legendary Memorymoog. This is not just a basic version update; Cherry Audio has completely transformed its highly acclaimed 2021 flagship synthesizer by employing cutting-edge analysis and emulation techniques, resulting in unmatched accuracy and precision. Furthermore, we have significantly expanded its features, firmly establishing Memorymode 2 as the definitive successor to both the original synth and our groundbreaking tribute to it.

https://cherryaudio.com/products/memo...

Memorymode 2 is now available for only $69 at cherryaudio.com and at authorized resellers. Owners of Memorymode version 1 can upgrade to Memorymode 2 at the discounted price of only $39 from the Cherry Audio store at https://store.cherryaudio.com/bundles..."

User videos:



Playlist:

1. Memorymode 2 by Cherry Audio: the Memorymoog comes alive again! - CatSynth TV
2. Cherry Audio Memorymode V2 Fantastic Virtual Analog Synthesizer Moog VST - Rik Marston Official
3. Cherry Audio | Foundation Presets Pack for Memorymode 2 - James Dyson
4. New Synthesizer Cherry Audio MemoryMode V2 - James Dyson Live Stream

Foundation Presets Pack:

"100% of the proceeds from August sales of Foundation go to The Bob Moog Foundation!

Discover an impressive array of sounds with the Foundation Preset Pack for Memorymode 2, available exclusively from Cherry Audio for only $9.99. All proceeds from August 2026 sales of this pack will benefit the ‪@moogfoundation‬, now celebrating its 20th anniversary. The Foundation is a non-profit organization dedicated to preserving the legacy of synthesizer pioneer Bob Moog through education, archives, and the Moogseum.

https://store.cherryaudio.com/presets...

This massive collection features 275 additional presets, expertly crafted by the select team of sound designers James Dyson, Scott McAuley, and Ger Hughes. These presets fully utilize the innovative features of Memorymode 2, including layers and splits, polyphonic sequencers, the Touch Animator, dual arpeggiators, and the updated effects library. The result is a stunning showcase of additional dynamic sounds and motion for Memorymode 2.

The Bob Moog Foundation: https://moogfoundation.org/

Our deepest thanks go to the team of James Dyson (‪@James-Dyson‬), Scott McAuley (‪@scottmcauleysounds‬), and Ger Hughes of CustomSonics (https://customsonics.bandcamp.com/) for the donation of their time and talent to this effort.

This preset pack requires ownership of the Memorymode 2 synthesizer by Cherry Audio. Once you obtain it, the collection will be automatically downloaded and added to your presets."

Update: press release follows:

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AIR - Preset Expansion Sound Demos for Akai MPC & Desktop

video uploads by AIR Music Tech and Akai Professional

Playlist:

1. Hi Voltage for AIR Hype - Preset Expansion Sound Demo for MPC & Desktop

Hi Voltage is a preset collection built for modern Hip Hop, R&B, Trap, and contemporary production. Featuring powerful basses, expressive leads, lush pads, sparkling bells, keys, plucks, guitars, and more, Hi Voltage showcases the incredible flexibility of Hype's multi-engine architecture while delivering production-ready sounds from the moment you load them.

2. Midnight Moods for AIR Jura - Preset Expansion Sound Demo for MPC & Desktop

Inspired by the warmth and character of classic analog synthesizers, Midnight Moods was created for soulful beats, lo-fi hip hop, fusion jazz, chilled electronica, and beyond. Featuring expressive basses, rich pads, keys, leads, plucks, arps, and synth textures, this collection blends nostalgic analog character with modern versatility.

3. Phat Bottom Bass for AIR OPx-4 - Preset Expansion Sound Demo for MPC & Desktop

Phat Bottom Bass is dedicated to the foundation of modern music: bass. Featuring sub basses, synth basses, warm basses, hard basses, and glitch basses, this collection is built to add movement and expression to the low end of your productions. Many presets evolve through modulation wheel, velocity, and aftertouch, creating bass sounds that morph and interact with your performance.

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APHEX TWIN - #8 (COVER - Prophet REV2, Elektron Syntakt & OP-1field)

video upload by nicola neeco

"I made a cover of #8, also known as 'Blur,' by Aphex Twin, from the iconic album Selected Ambient Works Volume II (Warp Records 1994)

One of the darkest and most hypnotic tracks on the album, Blur has a unique atmosphere that I tried to reinterpret using a small setup of 3 hardware instruments.

I recorded the entire performance in a single take, using:
• Sequential Prophet Rev2 for the main synth parts (with Valhalla Vintageverb reverb)
• Elektron Syntakt for the drums and rhythmic elements (no samples)
• Teenage Engineering OP-1 Field for the string sound

A special thanks to my friend Lorri for lending me his OP-1 Field for this performance.

#aphextwin #selectedambientworks #prophetrev2 #syntakt #op1field"

He Made a Complete Song Using ONLY a Roland D-50 Synthesizer

video upload by Elmar Mihm

"What can one Roland D-50 do?

For this track, I wanted to find out how far I could push one of the classic digital synthesizers of the 1980s — using only the Roland D-50, except Drums.

No software synths. No additional synthesizers. No layers from other instruments. Just the D-50.

The entire song was recorded using the Roland D-50, exploring its distinctive LA synthesis, presets, textures and the unique character that made this synthesizer such an important part of the late ’80s sound. No external FX or EQ.

The D-50 is often remembered for its atmospheric pads, digital textures and iconic presets — but there is much more hiding inside this instrument.

So the question is:

What can one D-50 really do?

If you’re into vintage synthesizers, classic Roland gear, 80s sounds and old-school electronic music, I hope you enjoy the track.

🎹 Roland D-50
🎵 One song
🎛️ One synthesizer
🚫 No additional synths or software instruments"

MONOCHORD: chord instrument sampled from 80s-2000s hardware (Mac/Win)

MONOCHORD in under 90 seconds (no talking) video upload by orph



"MONOCHORD is a dream machine, harmony workstation and chord instrument for macOS and Windows. It maps full chords to single keys, so chord progressions, melodies and arp patterns can be performed with one click or key press, no piano or theory training required. It ships with 600+ hand-voiced and adjustable chords (from simple triads to pianistic nine-note chords), 425 multisampled instruments in an 11.8 GB library recorded from hardware instruments from the 1980s to 2000s, 15 effect & modulation engines, MIDI output for routing to hardware and DAWs, and full audio and MIDI export and user multisample & chord import."

Buy here: https://www.orph.audio/monochord

MONOCHORD is a chord instrument & harmony workstation for producers, composers and sound artists — 425 vintage instrument sounds captured in the character of iconic 1980s–2000s hardware, 600+ hand-voiced chords, 15 effect engines, full MIDI routing and audio/MIDI export. Build chord-based arrangements from a single key press or mouse click. What normally takes piano and harmony training, a chain of plugins and a slow setup happens here in under a minute, leaving only the music.

FORMATS
Standalone · VST3 · AU
macOS 10.13+ · Windows 10 / 11
Universal · Apple Silicon + Intel
64-bit only

AUDIO
32-bit float internal
44.1–192 kHz
6 synthesis engines · FM · analog · wavetable · additive · granular · PCM

LIBRARY
~11.6 GB sample library · one-time first-launch download (streamed)
425 sounds · 70+ multisampled instruments

SYSTEM & I/O
~12 GB free disk space · SSD recommended
16 GB RAM minimum · 32 GB recommended
Internet for activation + one-time sample download
MIDI in / out · DAW automation
Export: MIDI · audio (full/ dry/ wet mixes) (key · scale · tempo)
Hosts: Logic Pro · Ableton Live · Cubase / Nuendo • FL Studio etc"

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Soft Cell - Tainted Love | 80s Synthpop Cover | Maxi-Korg 800DV, PPG Wave & Emulator II

video upload by RetroSound

"My cover of the iconic 1981 Soft Cell synthpop classic “Tainted Love”, recreated with authentic vintage synthesizers and samplers from the 80s electronic music era.

For this version, I used:

🎹 Maxi-Korg 800DV – analog bass and fx synthesizer sounds
🎹 PPG Wave 2.2 – main theme and pads
🎹 E-MU Emulator II – CR-78 drum and additional sampling sounds

The goal was to capture the atmosphere, character and raw electronic aesthetic of classic 1980s synthpop, while giving the song my own production and sound approach.

' Tainted Love ' became one of Soft Cell’s defining songs after its release in 1981. The duo Marc Almond and Dave Ball transformed the earlier soul song into a minimalist, dark and highly influential synthpop classic. The song was originally written by Ed Cobb and first recorded by Gloria Jones in 1964.

Soft Cell’s version became a major international hit and helped define the sound of early-1980s electronic pop, with synthesizers, electronic rhythms and a distinctive minimalist arrangement.

For me, recreating this track with vintage hardware is also a journey back to the analog and early digital sound of the 1980s — before modern software instruments became the standard. Dave Ball wrote me he used the Korg Bass and the Synclavier in the original song."

synth tees: https://retrosound.creator-spring.com

The Crow Hill Company Announces POCKET STRINGS Plug-in for Free

The Best Strings Plugin Money CAN'T Buy??? video upload by CROW HILL

Press release follows:

The Crow Hill Company announces availability of popular POCKET STRINGS plug-in for free, bringing broadcast-grade string possibilities to everyone

EDINBURGH, UK: around a year after its initial launch, not long after the Edinburgh-based enterprise effectively rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company is proud to announce that it has made its popular POCKET STRINGS — styled as a never-tried-before strings plug-in that aims to bring broadcast-grade string possibilities to everyone by combining live cinematic orchestral recordings of some of the best musicians working in the UK with some rarefied vintage synth classics made to measure for added body, depth, and character — available for free with no strings attached (but pun intended), as of August 6…

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Introducing AIR Fabric Vintage Synths Vol. 2

video uploads by AIR Music Tech and Akai Professional

Playlist:

1. AIR Fabric Vintage Synths Vol. 2 - Iconic Synthesizer Virtual Instruments for MPC and Desktop

"Three Titans of Analog Synthesis, Modernized. https://inmusic.to/5xrs3f24 Discover the sounds of three essential synths in one modern synthesis environment. From cinematic pads and evolving textures to massive basses and eccentric leads, Fabric Vintage Synths, Vol 2 brings three of the most interesting and expressive polysynths ever made to your MPC or DAW-based workflow.

Fabric Vintage Synths, Vol 2 features Fabric Vintage Andromeda, Fabric Vintage CS, and Fabric Vintage Matrix in one unified virtual instrument collection. Each instrument has been reimagined through the AIR Advanced Multi-Sample Synthesis Fabric Engine for how you make music today.

This innovative Fabric engine allows these virtual instruments to retain their unique identity while working seamlessly across MPC hardware and desktop DAWs.

Fabric Vintage Synths Vol. 2 is available for MPC Standalone, MPC Desktop, and all major DAWs."

2. Fabric Vintage Matrix - Walkthrough

"A defining, genre-spanning era of analog synthesis encapsulated in one 12-voice polysynth. Fabric Vintage Matrix honors the iconic 1980s subtractive synthesizer’s design, bringing its depth and flexibility into your current workflow.

With an intuitive interface and a streamlined workflow powered by the AIR Fabric engine, Fabric Vintage Matrix makes it easy to experiment with unique, developing textures and sounds without slowing down your creative process. Like its hardware form, this synth is perfect for rock and electronic music, film scoring, ambient production, and advanced sound design.

Chapters
Features introduction :14
Front Panel Macros 2:08
Edit Page 3:31
Effects Page: 7:09
Arpeggiator: 9:22
Factory Presets 10:23

Fabric Vintage Matrix is available for MPC Standalone, MPC Desktop, and all major DAWs."

3. Fabric Vintage Andromeda - Walkthrough

Powerful, immersive, and ready for revival. A 16-voice multitimbral giant known for its sheer depth, the original Alesis Andromeda A6 brought together a fully analog signal path with innovative digital functionality. Fabric Vintage Andromeda takes this timeless polysynth’s monstrous sonic range and puts it right at your fingertips.

With an intuitive interface and a streamlined workflow, Fabric Vintage Andromeda makes it easy to shape polished, powerful sounds quickly, whether you're sketching ideas or refining a final mix. Combining classic analog depth with modern electronic, ambient, and cinematic production, this tool is great for musicians and producers seeking dramatic, bold, attention-grabbing tones.

Chapters
Features introduction :29
Front Panel Macros 1:54
Edit Page 3:05
Effects Page: 7:34
Arpeggiator: 9:48
Factory Presets 10:47

Fabric Vintage Andromeda is available for MPC Standalone, MPC Desktop, and all major DAWs.

4. Fabric Vintage CS - Walkthrough

Not a replica, or a replicant, but an homage to a synth that starred in one of the most iconic sci-fi film soundtracks of all time. Fabric Vintage CS brings the warmth, nuance, and deeply expressive character of this legendary late ‘70s and early ‘80s polysynth to your setup today.

Powered by the flexible AIR Fabric engine, Fabric Vintage CS brings vintage polysynth character into a modern environment with enhanced polyphony, integrated effects, and performance-focused controls, giving you immediate access to deeply expressive sound without a complex setup. From timeless analog textures to modern ambient, electronic, and cinematic production, Fabric Vintage CS gives you a whole new sound palette to explore.

Chapters
Features introduction :29
Front Panel Macros 1:54
Edit Page 3:05
Effects Page: 7:34
Arpeggiator: 9:48
Factory Presets 10:47

Fabric Vintage Andromeda is available for MPC Standalone, MPC Desktop, and all major DAWs.

5. AIR Fabric Vintage Matrix for MPC | Vintage Synthesizer Virtual Instrument
6. AIR Fabric Vintage Andromeda for MPC | Vintage Synthesizer Virtual Instrument
7. AIR Fabric Vintage CS for MPC | Vintage Synthesizer Virtual Instrument

Ultravox - Dancing With Tears In My Eyes | 80s Vintage Synth Cover | Emulator II

video upload by RetroSound

"Ultravox – Dancing With Tears In My Eyes

Originally released in 1984 as the second single from Ultravox's seventh studio album, Lament, Dancing With Tears In My Eyes became one of the band's biggest international hits and remains a defining classic of the 1980s New Wave and Synthpop era. The song reached No. 3 on the UK Singles Chart and became a Top 10 hit across several European countries.

For this cover, I used a selection of legendary vintage synthesizers and drum machines to recreate the iconic sound and atmosphere of the original recording as authentically as possible.

Instruments:
Rodina Alisa 1377 – Analog Bass
Oberheim OB-Xa – Pads & Synth Textures
E-MU Emulator II – Piano, Choirs & Additional Samples
LinnDrum – Drum Machine
Simmons Electronic Drums – Classic 80s Electronic Percussion"

Website ► https://retrosound72.wixsite.com/home

Robert Palmer - I Didn't Mean to Turn You On | Vintage Synth Cover | PPG Wave System & Emulator II

video upload by RetroSound

"Robert Palmer's classic hit "I Didn't Mean to Turn You On" recreated using an authentic collection of legendary 1980s electronic instruments.

This cover was produced primarily with the iconic PPG Wave 2.2 and PPG Waveterm A. Most of the synthesizer sounds and samples were created directly on the original PPG Wave System, delivering the unmistakable sound of early wavetable synthesis.

Additional textures and sampled guitar sounds were performed on the legendary E-mu Emulator II, while the rhythm section combines the unmistakable punch of the LinnDrum with the electronic percussion of the Simmons SDS8.

The drum and percussion tracks feature two true vintage classics:

🎹 PPG Wave 2.2
💾 PPG Waveterm A
🎹 E-MU Emulator II
🥁 Simmons SDS8
🥁 LinnDrum

This cover is a tribute to the incredible production and atmosphere of the original recording, combining authentic 1980s synthesizers, sampler technology, and classic drum machines.

The goal of this production was to recreate the authentic sound and atmosphere of the mid-1980s using original hardware instruments."

Website ► https://retrosound72.wixsite.com/home
Merch Shop ► https://retrosound.creator-spring.com/

Why Everyone Wanted an E-mu Emulator (The Story Behind the Icon)

video upload by Ian Dixon

"The E-mu Emulator is one of the most influential musical instruments ever made. From Pet Shop Boys and Depeche Mode to Genesis, Rush and countless film composers, the Emulator helped define the sound of the 1980s. In this episode of TDL Synthchat, I'm joined by Peter James Steven from the Pro Synth Network to explore the complete history of the Emulator family, from the original Emulator I through the legendary Emulator II, Emulator III, Emax, Proteus and beyond.

Peter owns several original Emulators and even helped develop the Emulator 5 "Vampire Rack", giving him a unique insight into the evolution of E-mu's groundbreaking samplers. We discuss the iconic string sounds, why the Emulator still has such a devoted following, how it compares with the Fairlight, and why many musicians still believe nothing quite captures the original hardware.

If you're interested in vintage synthesizers, classic samplers, 80s music production or electronic music history, this is an episode you won't want to miss.

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Talk Talk – Life's What You Make It | Vintage Synth Cover | Oberheim OB-Xa & Emulator II

video upload by RetroSound

"A Vintage Synth cover of the timeless 1985 classic 'Life's What You Make It' by Talk Talk, recreated using iconic vintage instruments to capture the unmistakable sound of the original era. The song was originally released as the lead single from The Colour of Spring and became one of Talk Talk's signature New Wave hits.

Vintage Gear Used:
• Oberheim OB-Xa – Pads & Organ Sounds
• E-mu Emulator II – Guitar Riff & Piano
• LinnDrum – Drum Machine
• Simmons Drums – Electronic Drums & Percussion

This cover is a tribute to the incredible production and atmosphere of the original recording, combining authentic 1980s synthesizers, sampler technology, and classic drum machines."

E-MU Emulator II – Depeche Mode “It’s Called a Heart” – 80s Synthpop Sound Cover

video upload by RetroSound

"A faithful cover version of Depeche Mode’s 'It’s Called a Heart', recreated with the legendary E-MU Emulator II sampling synthesizer to capture the authentic atmosphere and sound character of the original 1985 production.

The E-MU Emulator II played an important role in the sound of 80s electronic music, delivering the unique sampled textures, rich pads, and distinctive character that defined the era. This cover pays tribute to the iconic synthpop style of Depeche Mode while adding my own interpretation.
Released in 1984, the E-MU Emulator II became one of the most iconic sampling instruments of the 80s, famous for its unique sound and use in electronic and synthpop productions.

If you love Depeche Mode, vintage synthesizers, E-MU Emulator II sounds, 80s electronic music, and authentic synth recreations, enjoy this tribute and feel free to subscribe for more classic synth covers."

New Ondioline modèle 56 Incoming

video upload by matrixsynth

via Ondioline

"We are proud to annonce the renew of this iconic early synth !

Our Ondioline prototype is running great since months and the first production unit should leave the workshop before winter.

We stay as close as possible to the original Georges Jenny design and philosophy.

Full analogue tube synth (12 in total) as stunning expressivity with suspended/wobbling keyboard and pressure sensitive keys !

Full specifications and price TBA

https://www.ondioline.fr/
https://www.instagram.com/ondioline.fr/"

See Georges Jenny, inventor of the Ondioline, demonstrating one in 1948 here.

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Vladimir Kuzmin, Creator of the Legendary Soviet Polivoks Synthesizer has Passed Away

Some sad news in via @elta_music

"Greetings to the entire synth enthusiast community.

We have some bad news for you.

Vladimir Kuzmin, creator of the iconic POLIVOKS synthesizer, passed away on June 12th.

Rest and peace our dear friend. Our collaboration was wonderful. Condolences to the family. #polivoks #polyvox #synth #synthesizer #synths"

Vladimir Kuzmin's influence in the world of synths is legendary. You can find endless posts featuring his Polivoks synthesizr here. The Polivoks was often compared to the minimoog, however, it was also known for its agressive sounding filter which has been cloned and/or used by various synth makers, including the Harvestman aka Black Corporation, Analog Craftsman, SOMA's PULSAR-23 1984 edition, AJH Synths Matrix VCF module, and of course Elta Music's implementations of his designs.


The following is an interview with Vladimir Kuzmin from Soundmit 2020.


SOUNDMIT

"We interviewed Vladimir Kuzmin together with Giulio Curiel of New Musical Instruments. Inventor of the Polivoks and other Russian synthesizers in the 70s and 80s, we hear from his voice the story of those incredible years"

The Summer Madness Sound with Vintage Synths | ARP Odyssey & ARP Strings

video upload by RetroSound

"Step into the lush, atmospheric world of Summer Madness by Kool & The Gang and discover how its iconic textures can be recreated using classic analog instruments. In this recreation, we focus on the essential ingredients that define the track's unmistakable character: the expressive lead sound of the ARP Odyssey, the warm and soulful Rhodes electric piano, and the rich ARP ensemble strings (ARP QUADRA) that float effortlessly through the mix.

Using vintage synthesizers and period-correct techniques, we'll break down the signature tones, performance nuances, and subtle production details that helped make this 1974 masterpiece a landmark of jazz-funk and electronic soul. Whether you're a synth enthusiast, producer, or fan of classic groove music, this journey explores the magic behind one of the most influential instrumental tracks ever recorded."

The Story Behind the 3rd Wave Synth - Interview with Bob Coover

video upload by Music Journey with Paul

"The Story Behind the 3rd Wave Synth - Interview with Bob Coover

Robert Coover, founder of Groove Synthesis and the mind behind the 3rd Wave synthesizer, shares the story of how this instrument came to life at Superbooth 2025 event in Berlin.

In this 9-minute interview he talks about:
working with Dave Smith at Sequential,
why he wanted to revive the iconic PPG Wave sound,
how four synthesis methods (wavetable, analog, FM, sampling) came together in the 3rd Wave,
the challenges of creating a high-end synth as a small team,
the evolution from the keyboard version to the desktop module,
what’s next for Groove Synthesis – a new product so unique it may even get a patent.

💡 If you’re into synth history, sound design, or want to know what drives independent makers to create instruments at this level – this is for you.

Chapters:
00:00 Intro
00:23 Working with Dave Smith at Sequential
02:07 The ambition behind the 3rd Wave
03:57 The start of Bob's career
04:38 The launch of the 3rd Wave and Groove Synethesis
05:28 3rd Wave Keyboard and Desktop
06:28 Expanding the 3rd Wave with sampling
07:19 About the built-in sequencer
08:15 The new mystery product coming in 2026!"

Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

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Kawai K5000 — The Legendary Additive Synthesizer From The 90s

video upload by RetroSound

"Welcome to this demo of the legendary Kawai K5000 — one of the most advanced and unique digital synthesizers of the 1990s.

Released by Kawai Musical Instruments in 1996, the K5000 series became famous for bringing true additive synthesis into a hardware synthesizer with an incredibly deep sound engine and expressive realtime control.

Unlike traditional subtractive synths, the K5000 builds sounds from up to 128 individual harmonics, allowing for evolving textures, shimmering pads, vocal-like formants, metallic atmospheres, and complex cinematic soundscapes that still sound futuristic today.

One of its most iconic features is the powerful formant filter, capable of creating animated spectral movement and organic vocal-style timbres rarely heard in hardware synthesizers.

The K5000 was available in several versions including the K5000S, K5000R, and K5000W workstation, and over the years it has gained cult status among ambient artists, soundtrack composers, experimental musicians, and lovers of deep digital synthesis.

In this video you’ll hear original patches, evolving additive textures, classic 90s digital atmospheres and some factory demo and promotion tracks made the K5000 one of the most underrated synthesizers ever created.
I used the K5000 in the years 1998 - 2010."

MOOG Liberation Analog Synthesizer Keytar w/ Manual & Docs SN 1205

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"1981 MOOG Liberation Analog Synthesizer Keytar – Original Invoice, Manual, Warranty Card, Original Power Supply, 40-Foot Cable, Sealed S-TRIG Plug, Professionally Serviced

Offered for sale is a remarkably well-preserved 1981 MOOG Liberation analog synthesizer keytar—an exceptionally complete, documented, and professionally serviced example of one of Moog’s most iconic vintage instruments.

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