The GS Music Bree 6 Keyboard Synthesizer: Super cute and super fat!!!

video upload by Matt Johnson’s Keyspace

See dealers on the right as well as https://www.gsmusic.com/synth-store for availability and price.

"The Bree 6 will surprise you with its massive sound! I would take this over a vintage Juno anyday!"

Matt Johnson GS Music demos

And one from Starsky Carr:

Analog Done Right // GS Music Bree 6 Keyboard

video upload by Starsky Carr

"In this in-depth demo and review, we explore the GS MUSIC Bree 6 keyboard — a 6-voice VCO-based analog synthesizer with a fully analog signal path, built-in chorus, delay, arpeggiator, and sequencer. If you love that vintage-meets-modern sound, this one might surprise you.

From raw oscillator tones to lush stereo pads and punchy basses, I break down what makes this synth special — including its unique double/triple arpeggiator modes, MPE compatibility, and rich, characterful sound that sits somewhere between classic Roland-style synths and something entirely new.

If you’re into synths like the Roland Jupiter-8 or Roland Juno-106, this is one you’ll want to hear.

🔍 What’s Covered
Sound demo (full track made entirely on the Bree 6)
Oscillator section: saw, pulse, sub oscillator
24dB analog low-pass filter with resonance & key tracking
Dual ADSR envelopes & fast modulation
Voice modes: poly, mono, unison & stereo spread
Built-in chorus & analog-style delay
Unique arpeggiator (double & triple note modes)
Sequencer workflow & performance features
MPE support & expressive control

🎛️ This isn’t just another vintage clone. The Bree 6 blends:

Raw VCO tone with modern reliability
Hands-on workflow (minimal menu diving)
A distinct character that feels alive and immediate
A surprising amount of depth for a single-oscillator synth
🎧 Who Is This For?
Analog synth lovers
Producers looking for fat, mix-ready tones
Fans of classic Roland-style sound with modern features
Anyone wanting a hands-on, inspiring instrument"


via GS Music

The day has arrived

We’re proud to present the Bree6 Keyboard, our first synthesizer with an integrated keyboard, designed and produced in Argentina for the world. 💙

Built on a six-voice analog architecture, it delivers a powerful and expressive sound engine capable of everything from solid basses and leads to rich, evolving pads. Now expanded with a built-in sequencer and advanced arpeggiator, it becomes a complete performance and composition tool.

With its one-knob-per-function interface, semi-weighted keybed with velocity and aftertouch, and fully analog signal path, the Bree6 Keyboard is designed for immediate, hands-on control—no menu diving.
Immediate Control. No Menu Diving.

The Bree6 Keyboard version is designed to deliver an immediate and intuitive hands-on experience, eliminating the need for deep menu navigation. Its interface follows a one-knob-per-function philosophy, providing direct access to all key parameters for fast and precise sound shaping.

CLICK FOR MORE »

Introducing Drum Farm by Knobula

video upload by knobula

Drum Farm is a Eurorack module dedicated to the cultivation and un-ethical treatment of drum sounds. It combines real-time drum synthesis, effect processes and sampling into a hands-on, multi-engine instrument, delivering up to four simultaneous voices and three effects at once."

Press release follows:


Knobula cultivates new ground in drum voice design with Drum Farm performance-focused Eurorack module

LONDON, UK: advanced modular synthesiser developer Knobula is poised to cultivate new ground with its upcoming Drum Farm Eurorack module — merging synthesis, sampling, and real-time effects into a single, hands-on instrument built for fast, intuitive sound design, empowering users to relentlessly sculpt, process, sample, and re-sample sounds grown from its wide range of virtual analogue and physically modelled drum and effects algorithms — readily representing the latest addition to its growing lineup of control-centric instruments embodying a no-screen, no-preset philosophy, as of April 21…

As an appropriate appellation, Drum Farm was inspired by Knobula Technical Director Jason Mayo’s background in computer animation, where vast ‘render farms’ generated thousands of realistic images with minimal human input; as a performance-focused Eurorack drum module occupying 24HP of rack space, it is organised into three core sections: a Drum Synth with 16 virtual analogue and physically modelled drum algorithms, an Effects engine offering 16 different realtime processes, and a digital Sampler with up to three playback voices — capturing the combined output of everything a creative user could conceivably do with it. By bringing all the essential building blocks together, Drum Farm allows for the creation of original sounds quickly and intuitively — whether shaping punchy kicks, layered snares, tuned percussion loops, cymbals, CV/Gate-controlled samples, or physically modelled drum membranes.

Moreover, Drum Farm’s onboard sampler can run automatically in the background, sampling into one of 16 sequential audio buffers. Ultimately, users can capture the drum synthesiser on its own or record hybrid combinations of synthesis, effects, and samples, which can themselves be resampled into richly layered percussion structures or loops. Additionally, an EXT (external) input opens the gate to the world of field recording or sampling directly from elsewhere in a Eurorack system and a row of CV and trigger inputs allows further influence to any assignable control, including the ability to switch samples, drum algorithms, or effect types on the fly.

Duly designed for fast, intuitive sound creation, Drum Farm positively encourages an immediate, iterative workflow — simply select a drum model, sculpt it, process it live through the effects, sample the result, blend it with another model, and repeat. As a result, complex and evolving sounds quickly emerge.

Embodying Knobula’s philosophy of promoting experimentation and tactile control reminiscent of classic real-world instruments, Drum Farm features no screens and no sub-menus. Instead, it is a performance-focused module that rewards hands-on exploration, invites happy accidents, and provides a fertile environment for sounds to flourish and grow.

It is possible to create fully hands-free generative patches, self-building sample libraries, or access to round-robin multi-samples since all controls are CV- or trigger-assignable via five CV/Gate inputs. Sensibly, sounds can be saved to a microSD card alongside a complete snapshot of the module itself, whereby buffers, knob positions, samples, and settings are stored together as a session — with up to 32 sessions per card — allowing users to return to their work, exactly where they left off. It is fair to say, therefore, that Drum Farm is always ready for both studio experimentation and live recall.

Thanks to Knobula cultivating new ground with Drum Synth, the relentless creation of drum parts in Eurorack has never been more immediate or rewarding. Attendees at London Synth & Pedal Expo 2026 may recognise the farm-themed product tease, with ‘alien cow abduction’ subsequently forming the core of Drum Farm’s promotional campaign video.

Shipping scheduled for June 2026, Drum Farm will be available to purchase — priced at £449.00 GBP (including VAT), with a choice of two faceplate colourways on offer — directly through the Knobula shop (https://www.knobula.com/shop), as well as via Knobula’s growing global network of resellers.

For more in-depth information, please visit the dedicated Drum Farm webpage here: https://www.knobula.com/product-page/drum-farm

WAEVE82 First Play

video upload by The 5th Volt

"This is my first time playing with the WAEVE82 wavetable synthesizer from tangible waves. Here in the VF mini package complete with full MIDI and audio connectivity and MultiFX module for lush reverbs, shimmers and a dozen other effects. I'll make more tutorial style videos over the next few weeks, but wanted to give you a taste of what it sounds like. Personally I think it sounds amazing, but you be the judge!

This module can be found at the tangible waves website:
https://tangiblewaves.com

All sounds recorded directly from the rack into my H6 recorder with minimal EQ and compression in Da Vinci Resolve."

Novation Launchkey Mini keyboard controller in the video.

Tangible Waves introduced the WAEVE82 back in December.

3 Eurorack Modules That Are Complete Synth Voices (No Patching Required)

video upload by Dots

"What if you could get a complete synthesizer voice — oscillator, filter, and VCA — all in a single Eurorack module? In this video I demo three self-contained voice modules that are perfect for small racks, live performance, or anyone just getting started with modular synthesis.

I cover:
🔹 Frequency Central Product – pure analog, East Coast character, pre-patched and ready to play
🔹 Knobula Monumatic – 8-voice polyphonic (!), built-in reverb, huge sound in minimal HP
🔹 Mutable Instruments Plaits – 24 algorithms, incredible sound variety, my go-to for live performance

Whether you're new to Eurorack and don't know where to start, or you're deep in the rabbit hole and protective of your HP, these modules prove you don't need a massive rack to make great sounds.

CONTENT:
00:00 Intro
00:57 What is a synth voice?
01:33 Frequency Central Product
04:25 Knobula Monumatic
07:05 Mutable Instruments Plaits
08:51 Jam

🎹 Modules featured:
• Frequency Central Product – £325 (PCB/panel DIY kit £90)
• Knobula Monumatic – £400
• Mutable Instruments Plaits / After Later Audio Beehive clone – £200"

Phonec3 Synthesizer by Psychic Modulation (No Talking)

video upload by Elektronick Musick

https://www.psychicmodulation.com/pho...

"Evolution of the original Phonec Synthesizer, retaining it's distinctive character while introducing new and expanded features with an improved workflow.

Inspired by the remnants of the video age, Phonec3 embraces the haunting qualities of decay and imperfection, exploring the various facets of aging sound. Drifting tones, fragile textures, faded melodies, distant atmospheres and irregular harmonics form a palette that feels organic and evolving. Aside from it's quirky nature, Phonec3 is a unique and powerful synthesizer, capable of producing a wide range of sounds in the realm of vintage analogue tones, lo-fi synthscapes, ethereal ambiance, minimal techno sequences, retro leads and hard hitting synth basses. It's intuitive GUI attempts to strike a balance between form and function, making it a very practical tool that can be creatively inspiring to work with."


Features:
Dual Oscillators with various combinations: Mix, Ring, X-wave, logic.
Sub Oscillator for beefing up the low end.
Cascading lowpass filter with 4 stages + Milk & Acid Filters.
Post Highpass Filter.
Pre/Post Filter Distortion.
3-Stage Filter Separation.
Melt: A unique feature that adds instant character to any patch with drifting pitch and amplitude fluctuations.
Extended Melt functionality with extra tweaks under the hood.
Arpeggiator that works in conjunction with a set of Note & Modulation Sequencers.
Note Sequencer: 16-step pattern sequencer for pitch ranging -/+ one octave.
Scale Mode: Locks the Note Sequencer to scale for snapping to harmony.
Pitch Wheel Quantizer for note-stepped pitch bending that can snap to Scale Mode.
Modulation Sequencer: 16-step pattern sequencer for amplitude and filter cutoff.
3 LFOs: BPM or Manual modes w/ Keytracking, and Note Retrigger.
HFO (High Frequency Oscillator): FM style audio-rate modulator.
3 Modulation Envelopes for several additional parameters.
Aftertouch and Modwheel control of multiple parameters at once.
On-board FX include:
EQ: A 3-Band Parametric Equalizer.
Chorus: A lush chorus with multi-voice stereo spread.
Echo: A dub-style delay unit with bandpass filter.
Pan-Tracking.
Patch Randomization of Sub-sections.
Sub-presets: load/save settings for sub sections
Preset Import from Phonec2 (bank import coming soon)
Custom GUI scaling.
Intuitive patch management system.
Several presets to get you started.

MERG-E For NI Reaktor 6.5

video upload by Antonio Blanca (antblanca)

"MERG-E is a sampler instrument for Reaktor 6.5, created for the exploration and transformation of audio through multiple simultaneous playheads (up to 8), loop memories, and a focused set of sound-shaping tools. Thanks to its Dynamic LAYERS system, it’s easy to move quickly between very different sonic results from lo-fi, broken, and tape-like textures to hyper-digital, chaotic, cinematic or minimal looping structures, all within a minimal interface designed to keep the focus on sound.

MERG-E is the result of a long process of experimentation around multi-playhead playback and loop manipulation, refined into a tool meant for fast, intuitive exploration with samples.

If you enjoy pushing recordings beyond their original context, I hope MERG-E finds a place in your workflow.

FEATURES:

- Create up to 8 Loop Slots to store different start and end points for the loaded sample

- Play Loop Slots or transpose them via MIDI notes

- Modulate Volume and Pan according to the playheads position

- Layer pitch can be quantized to preset intervals like Octaves, Fifths or Semitones, or fully shaped per layer using the Manual mode - Crush, Filter, Grain Delay with Pitch-shifting and Space effects

- VARIATE function to generate subtle sound variations or discover potential new sounds

- Includes 82 snapshots and 76 samples to explore and manipulate

- Optimized for real-time performance, allowing MIDI Learn and Automation on most parameters

- Light on CPU usage

Explore MERG-E here: → https://antblanca.com/pages/merg-e"

Dreamy Minimal Ambient with OP-1 field and norns shield | Warmth 2026-03-05 by atnr

video upload by atnr

"Ambient Engine (macOS)
https://store.atnr.net/downloads/ambi...

A piece created with ‪@teenageengineering‬ OP-1 field, ‪@KOMAelektronik‬ Field Kit, norns shield, NTS-1, and Ambient Engine. It is minimal ambient built from dreamy synth tones, distortion, and fragmented chorus textures.

On the OP-1 field, a 44 step phrase runs in a loop using the ENDLESS sequencer. The output is connected to. ‪@strymon‬ blueSky with reverb applied.

On the norns shield, Graintopia is launched and an electric piano sound from the CP-88 is recorded with phaser applied and processed with granular synthesis. The output runs through ‪@ChaseBlissAudio‬ LOSSY with EQ and reverb. In the outro, packet loss effect is used to create a lo fi texture while the sound fades out.

In the Field Kit, radio tuner audio is sent to the ‪@KORG_INC‬ NTS-1 where delay, chorus, and reverb are applied. The return signal is sent again to an AUX channel to create feedback and distortion.

In Ambient Engine, two voice samples are loaded and played with randomized playback ranges. Filter, MicroLoop, delay, and reverb are adjusted during playback."

Audio Damage Introduces Descent Granulator

via Audio Damage

"Descent is a granular delay and reverb effect that transforms your audio into evolving, otherworldly textures. At its core, Descent captures incoming audio and breaks it into tiny grains—anywhere from a handful to dozens at once—then scatters them across time and pitch to create everything from subtle thickening and rhythmic delays to vast, frozen soundscapes and shimmering pitch-shifted clouds. With independent control over grain count, duration, overlap, and direction (forward, reverse, or random), combined with extensive randomization for pitch, pan, position, amplitude, and timing, Descent turns any sound source into a living, breathing texture. Whether you're adding shimmer to guitars, creating infinite sustain on synth pads, or designing abstract sonic environments, Descent delivers studio-quality granular processing with an intuitive interface and real-time FFT visualization.

Features

Granular engine with adjustable grain count (1–50 simultaneous grains), duration, overlap, and envelope shape for precise texture control.
Pitch shifting from -24 to +24 semitones with pitch quantization—lock transpositions to specific intervals for harmonically-correct shimmer, fifths, octaves, or any chromatic combination.
Six-axis randomization: independently randomize pitch, pan, position, amplitude, duration, and grain count for everything from subtle movement to complete chaos.
Direction control plays grains forward, reverse, or randomly mixed—perfect for tape-style effects, reverse swells, and glitchy textures.
High-feedback mode with diffusion control transforms delays into lush, reverb-like washes that never get harsh or out of control.
Tempo-sync or free-running modes let you lock grain timing to your session or let textures evolve organically.
Real-time FFT visualization shows your granular cloud evolving, making sound design intuitive and immediate.
35 factory presets covering shimmers, delays, reverbs, pitch effects, and experimental sound design to get you started instantly.
Cross-platform preset manager with XML-based presets compatible across all plugin formats and operating systems.


Sound Design Ideas

Add subtle depth with a few long grains and minimal randomization. Create rhythmic delays with short, quantized grains at high feedback. Build infinite sustain pads by freezing audio with high grain count and overlap. Design glitchy textures with extreme randomization and reverse grains. Craft shimmer effects by quantizing pitch shifts to octaves and fifths. Transform vocals into ethereal textures with diffusion and wide panning."

New Open Source Virtual Pipe Organ Project: Rusty Pipes

This one is in via DS:

"Hey Matrixitians!

I'm writing in to announce a new MIDI-controlled Virtual Pipe Organ software called "Rusty Pipes".

It's a sample-based organ synth with support for GrandOrgue and (unencrypted) Hauptwerk sample sets. It features 32 bit internal audio mixing, full MIDI support with extremely flexible channel routing, integrated audio and MIDI recording of performances, convolution reverb, and an innovative sample streaming mode that makes it possible to play very large sample sets with a minimal amount of RAM, yet without increasing latency!

Other unique features include a REST API for things like pulling stops - great for people who like to build physical consoles - and optional text mode support (via Ratatui) which makes this ideal for running on headless setups or on a RaspberryPi.

Rusty Pipes is a clean-room implementation written 100% in Rust, available free and open source under the GPL v2. Version 1.3.0 supports over 20 languages including Latin and Klingon, and is available for Linux, Mac and Windows. Debian and Arch (AUR) packages are provided as well.

Project page
Downloads

There's a bunch of sample recordings on the project page, but here's some standouts:
https://playspoon.com/files/RustyPipes-Vierne-Symphony-No2-Finale.ogg
https://playspoon.com/files/RustyPipes-Bach-Klavier_Uebung_BWV-669-Strassburg.ogg

Stay loud!"

Minimal Audio Plugins Jam

video upload by DATABROTH

"Current - 50% off
https://www.pluginboutique.com/produc...
Review https://www.databroth.com/blog/curren..."

CHOMPI CLUB CHOMPI DESKTOP SAMPLER (PINK)

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Chompi Club Chompi in excellent condition. It comes with original packaging and accessories.

Manufacturer's description
Chompi is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed “tape” style looper; Chompi is ready for immediate fun.

Special care was taken with sourcing quality materials for Chompi's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches and keycaps, and DJ-style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

Chompi's workflow is designed to be user-friendly and accessible to individuals of all experience levels… So whether you’ve been playing music for years, or are just starting your sonic journey, Chompi just might become your new favorite buddy!

CLICK FOR MORE »

the Good, the Bad and the WELSON RITMO

video upload by Vintage Audio Institute Italia

00:00 video begins
00:30 introduction and specs
01:48 more examples of auto accompaniment sections
03:07 fast orchestral arpeggios
04:29 more orchestral arpeggios
04:49 waltz ending

"WELSON RITMO - 1980?

The successor to the Welson Band is a colorful device with great analog sounds albeit slightly minimal variety or modulation offerings.

The video probably has the information you need so please watch the whole thing - we can't provide better answers than you find in the video itself.

Let's do a basic rundown here :

The thumbnail shows you the siblings together : The Welson Ritmo and The Welson Band - both machines made by Italian instrument maker Welson.

The Ritmo offers 4 instrument sections with individual volume controls and mute buttons :

CLICK FOR MORE »

Inner City/Big Fun (Circuit Rhythm Instrumental)

video upload by Guinan

"Written in 1987 and released in 1988 Inner City’s ‘Big Fun’ was one of the first big crossover hits for House music internationally. Composed with minimal equipment and featuring Paris Grey’s iconic vocal, it set the template for many imitators and subsequent hits.

In the interview below Kevin Saunderson states that all he wanted to create was a track that could be played at the Paradise Garage, the birthplace of House. Nearly 40 years later it can still fill a dancefloor.

Much of the essence of the track comes down to the sampled sounds used. I’ve tried as far as possible to use the original sound sources for my samples and have recreated a version that fits the track into the Circuit Rhythm. What you hear (on both the instrumental and vocal versions) is recreated entirely on the Rhythm and recorded direct from the audio outs. See below for more details."

How Kevin Saunderson Made Big Fun

video upload by Mixmag

Minimal Audio EVOKE

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/evoke-...



check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

00:00 testing resynth modes
02:50 bass experiments
06:43 lead experiments

Rare Gear Demo: The Johnson Intonation Trainer (1966)

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Instrument Attic

via this eBay listing

"The 1966 Johnson Intonation Trainer is a rare and intriguing instrument developed by the E.F. Johnson Company of Waseca, Minnesota. Originally designed to assess pitch-matching and pitch-discrimination abilities, this device has garnered attention for its unique features and potential applications in modern music production.  

One of the standout characteristics of the Johnson Intonation Trainer is its full polyphony, allowing all 37 keys to be played simultaneously. Each key is associated with its own oscillator, enabling microtonal adjustments and the exploration of unconventional scales and tunings. The instrument offers four distinct voicing options, ranging from basic sine waves to more complex, reedy tones. Additionally, the “Scale Selector” switch provides a choice between standard tempered tuning and a tunable mode, with individual “Tunable Scale Controls” corresponding to each note on the keyboard for precise pitch calibration.    

Housed in a robust fiberglass case, the Intonation Trainer features a built-in speaker, though it can also be connected to external amplifiers or mixers via standard 1/4” outputs. Some units include a vibrato effect, though functionality may vary between models. 

In contemporary settings, the Johnson Intonation Trainer has found a niche among experimental musicians and sound designers. Its ability to produce rich drones and facilitate microtonal exploration makes it a valuable tool for creating unique sonic textures. The instrument’s vintage analog circuitry imparts a distinctive warmth and character that is highly sought after in modern music production.

Due to limited production and the passage of time, functional units of the Johnson Intonation Trainer are exceedingly rare. Finding one in full working condition, complete with original documentation, is a remarkable discovery for collectors and enthusiasts alike. The scarcity of this instrument, combined with its unique capabilities, underscores its status as a treasured piece of audio history."

via this eBay listing

"Made in 1966 in Waseca, Minnesota by the E. F. Johnson Company. Originally designed as an ear training and intonation device, but in practice it is a unique fully polyphonic analog synthesizer with extensive tuning control. Very few were made, and surviving examples in this condition are vanishingly rare.

CLICK FOR MORE »

CubuSynth Introduces ARKARION Eurorack Analog Synthesizer Voice

video upload by CubuSynth Modular

"The ARKARION is a complete analog synthesizer voice, housed in a Eurorack module, with digitally controlled signal routing. It combines the tactile experience of analog patching with the generative potential of randomized patches, all controlled via a single button or external gate signal.

Inspired by a fictional "DNA synthesis" concept, the ARKARION interprets a virtual genetic code to define routing schemes for CV and audio. This allows complex, evolving sound design with minimal patching.

This synthesizer is designed for users seeking a unique blend of structure and chaos, combining traditional subtractive synthesis elements with a digitally modulated signal flow. Whether played from a MIDI source, sequencer, or by hand, the ARKARION delivers a wide range of timbres, from tightly controlled tones to wild and unpredictable textures.

CLICK FOR MORE »

Meet Bela Gem Stereo & Multi

video upload by Bela Platform

"Get Bela Gem on Crowd Supply: https://www.crowdsupply.com/bela/bela...

The Bela Gem series comprises two boards: Bela Gem Stereo and Bela Gem Multi, both designed to transform the PocketBeagle 2 single-board computer into a powerful platform for real-time audio and sensor processing. Whether you’re an engineer, maker, educator, or researcher, these open-source systems provide the tools needed to create innovative audio projects with minimal setup and configuration.

Whether you need two or ten channels, the Bela Gem family of boards bring you flexible I/O and ultra-low latency for applications from haptic feedback to hearing aids. Due to the powerful quad-core 64-bit ARM chip on the PocketBeagle 2, advanced processing power gives you real-time digital signal processing, and all the flexibility that entails for your projects."

Thicken Kicks, Bass, and Synths with OCELOT Octaver

video upload by Fuse Audio Labs

Press release follows:

Fuse Audio Labs offers OCELOT Octaver as octave-down weight- and octave-up presence-delivering plugin with precision and ease

DUESSELDORF, GERMANY: truly analog-sounding plugins developer Fuse Audio Labs is proud to announce availability of OCELOT Octaver — offered up as an octave-down weight- and octave-up presence-delivering plugin with precision and ease, duly designed to add deep punch to kicks, extra growl to bass, or subtle enhancements to synth lines as a streamlined tool that reshapes source material in powerful, specific ways with zero latency and minimal CPU (Central Processing Unit) load — as of June 19…

OCELOT Octaver offers full control over the frequency focus of each octave via dedicated TUNE controls — unlike many traditional octave effects, enabling optimal low-end extension and top-end lift to be dialled in with precision as a result of this being so successfully implemented. Its Listen mode, meanwhile, aids in identifying the exact range being enhanced, enabling highly targeted and musical results.

Anchored around a state-of-the-art algorithm, OCELOT Octaver maintains signal integrity throughout. The plugin delivers consistent, phase-stable performances — even on fast transients or harmonically complex sources, contrasting wildly with the warbly, glitch-prone behaviour common to many octavers out there. The outcome is tight, clean octave content that blends naturally into the mix.

OCELOT Octaver’s detailed visual feedback supports confident decision-making at all times. There are separate level meters for each octave, the output signals providing clear level referencing, while the collapsable FFT (Fast Fourier Transform) view reveals the effect’s spectral footprint. Furthermore, octave solo options, smart key shortcuts, and global level control complete a workflow built for flexibility, precision, and speed.

“Octavers are often either too simplistic or too unpredictable to be truly useful in serious productions,” proffers Fuse Audio Labs CEO Reimund Dratwa. “We set out to change that, offering precision tuning, rock-solid tracking, and deep sound-shaping tools in a plugin that feels as creative as it is reliable,” he continues, concluding: “It’s all about inspiring results, without it getting in the way.”

OCELOT Octaver is available at a significantly discounted introductory promo price of only $29.00 USD until July 19, 2025 — rising thereafter to its regular price of $69.00 USD — directly from its dedicated webpage, which includes more in-depth information, here: https://fuseaudiolabs.com/ocelotoctaver_utmpr.html

14-day trial versions of all Fuse Audio Labs plugins without any limitations are available to download from here: https://fuseaudiolabs.com/plugins.html

Only 16 Samples?! This Minimal Eurorack Techno Slaps!

video upload by Electronisounds Audio

"I wanted to see what I could create using ONLY 16 samples.

This is a really basic setup with triggers and modulation only, no pitch sequencing.

This setup also does not allow for any velocity programming, every sound triggers at 100% max velocity - making it almost impossible to program build ups to help with the ebb and flow of the track.

I also did not have any room for riser or impact sounds which really help with keeping the intensity level a bit higher.

All things considered though, it's not a half bad track - just a little basic, perhaps... ;)

-----------------------

Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!

---

▼CONNECT with me / SUPPORT creativity and good content▼

WEBSTORE ► https://www.electronisounds.com/

PATREON ► https://www.patreon.com/DeanDaughters"

Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

CLICK FOR MORE »