"Sound demo of the Amiteque AR-110 in a sort of song context... well it's one pattern going round and round that I fiddle with a little bit. The important thing is whether the drums sound any good to you."
The AR-110 is a compact analog drum synthesizer with classic Roland-like sounds, separate outputs, and volume controls for each instrument. Its ease of use and affordability make it a great addition to both amateur and professional studios.
Compact & Affordable Ideal for low-budget studios while providing high-quality sound for professionals.
5 Separate Outputs Process each instrument separately on an external console or record individually.
Adjustable Levels Fine-tune single instrument volumes and master output for perfect balance.
True 6-Note Polyphony Bass drum, snare drum, hi-hats, cymbals, and claps—play them all at once.
Power & MIDI Indicators Visual feedback ensures easy monitoring of power and MIDI activity.
Plug & Play No complex settings—just connect and start playing instantly.
Technical Specifications Sound Engine Bass and Snare Self Oscillating Circuit HH, Cymbal and Claps QR Noise Generator Contour Envelope 5x VCA Polyphony 6 Voices Connectivity and Control Audio Outputs 6x 1/8” Jack, 2 Vpp max Level Control 5x Individual and Main MIDI IN DIN 5 pin, Channel #10 Power 9~12 VDC, Center (+)
"The triple featured Oscar Tria offers regular waveforms, swarming oscillations and polyphonic chord modes within a Eurorack, CV-controlled context. The stereo format offers some lovely detuning and there's some superb morphing between the waveforms. It's built on a digital platform but has a very analogue sound and workflow. Let's get into it."
"Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode: A ‘traditional’ stereo oscillator. In Green Mode you get the usual three waveforms – saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog’s ‘shark tooth’. Green mode also gives you a square wave sub oscillator – one octave below the main oscillators – and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image – or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode: Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode: This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output."
In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Credits
Alex Ball - audio & video production and narration
Çağatay Çetin - 3D animation"
"GForce pulls the two-voice, duelling SEM, sequence and keyboard-driven TVS Pro into the software realm. It's effortlessly retro, sumptuously old fashioned and plays very differently to regular synths."
Oberheim TVS Pro Synthesizer by GForce Software (No Talking)
"In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Whether you’re a long-time Oberheim fan or new to SEM-based synthesis, TVS Pro is a tool you’ll return to again and again—for its tone, flexibility, and sheer playability.
Key Features
The most authentic duophonic TVS Pro experience available
The most playable SEM ever – full of character, now with an additional 3rd VCO
Over 635 patches, with 220+ new sounds and 400+ adapted SEM patches
April 8, 2025 – Cre8audio, proudly introduces Assembler, a synth-focused analog audio mixer designed to deliver unmatched vintage console sound with intuitive hands-on control. Developed in collaboration with the renowned Pittsburgh Modular Synthesizers, Assembler fuses the warmth of classic analog mixers with a modern workflow tailored for contemporary electronic artists, plus a few other fantastic sound sculpting tools.
Vintage Sound, Modern Control Inspired by the iconic consoles that defined decades of music production, Assembler brings the same sought-after warmth, character, and tonal shaping to today’s producers and performers. Featuring custom-designed Pittsburgh Modular analog circuitry, the mixer utilizes signal contouring and soft compression to unify the overall mix. This process emulates the beloved sonic characteristics of vintage recordings, offering a rich and cohesive sound.
Comprehensive Mixing Power With ten audio inputs split into three distinct channel types, Assembler seamlessly integrates into any live or studio setup. Key features include:
Powerful preamps with up to 20x gain boost for line-level signals, clarity enhancement, or saturation.
Vintage tape saturation style contouring and soft compression on all channels and auxes
Three assignable aux sends for external effects and sub-mixing.
"Weirdly fascinating Mantis synthesizer spreads voices, diverts filters and detunes like nobody's business. Now with four whole voices the Mantis feels like a proper synth with bags of character."
"Some presets I made on the Mantis. Review coming soon. These presets will be captured into an exclusive virtual instrument for patrons. / robinvincent"
"The Eurobuss VCA Compressor from AudioScape Engineering is based upon the G-Series bus compressor found in classic SSL consoles. They're spun it into a Eurorack module in the hope that it might bring joy, glue and cohesion to your modular noises. Headphones recommended for this one."
Index:
Intro 0:00
Overview - 7:41
Audio testing - 12:55
Changing Settings - 19:12
Attack and Release - 19:26
Auto Release - 20:23
Ratios - 21:01
SCHPF - 22:23
Just the Rhythm Section - 24:52
Bringing synth elements back in - 28:23
Comparison to G-Series Bus Compressor in SSL BigSix - 33:46
THCV - Threshold CV - 37:46
Side Chaining - 42:53
Conclusions - 50:42
"The Eurobuss VCA Compressor from AudioScape Engineering is based upon the G-Series bus compressor found in classic SSL consoles. They're spun it into a Eurorack module in the hope that it might bring joy, glue and cohesion to your modular noises. Headphones recommended for this one.
AudioScape has loaned the module to me for review, no money has changed hands and I don't even get to keep it.
"Seventh Summoner is a sequencer in a 1U module with a natty single octave keyboard. It can store 6 sequences, has various playback modes and can summon sequences in to a chain. Here's what it's all about.
https://flatsixmodular.com/
Flat Six sent me the module for review but no maney changed hands and they have no say over the content of the video.
Index:
Intro - 0:00
Overview - 3:22
The Thing About Gates - 6:02
Creating a Sequence - 9:21
Playback Modes - 14:02
The Summoner - 19:15
Conclusions - 28:01"
"Two performances from members of the Norwich Synth Club. The first group are called A Vector in Hilbert Space and the second group are called D A C 3."
"Draw two modular artists out of a hat and persuade them to improvise live on stage - that is the Patch-Off and these are your stars:
Paulee Bow - / @magicalsynthadventure3216
Finlay Shakespeare - https://finlayshakespeare.bandcamp.com/
Nicki from Dots - https://www.iamseeingdots.co.uk/
Gaz Williams - / gazwilliams
Steve Davis - https://theutopiastrong.bandcamp.com/
Robin Vincent - https://moltenmusictechnology.com/
Visuals by Sloon - / sloon_visuals"
"Molten Plasma is a source of decimated, glitchy and energy infused sounds sampled from the Gamechanger Audio Plasma Voice. I've created a bunch of fizzing bass sounds, fluxing pads and static filled percussive hits that take full advantage of the polyphony, filter and effects of the Decent Sampler platform.
Molten Plasma is only $10 and is available here:
/ shop
Be aware Apple will add a charge to anything bought via an iOS app, so your best deal is via a desktop browser.
Alternatively all $5 and above Patrons receive the Molten Plasma, and all future instruments, for free. Patrons support the channel by subscribing to my Patreon page where you'll also get an exclusive chat server, unreleased tracks, advert-free videos and more.
/ robinvincent"
"Novation and GForce are proud to announce the release of the GForce Bass Station, a brand-new software version of the original analogue synthesiser.
Bass Station is an iconic mono-synth, celebrated for its raw, punchy bass and distinctive analogue filter. First launched in 1993, it has been a core part of Novation's brand ever since.
The new GForce Bass Station AU / VST is an exact emulation of the original Bass Station, now with a new expanded mode, which includes up to 16-voice polyphony and unison modes, taking its versatility far beyond the monophonic hardware original.
"Here's my walkthrough of the London Synth & Pedal show, along with my thoughts on why this show is important for bringing new people into the world of synths and modular."
Details on this year's upcomiing event:
The London, UK edition of the Synth & Pedal Expo will return to the "Hackney Wick riviera" on March 22-23, 2025.
Free to the public, the London Synth and Pedal Expo is an annual, strictly-in-the-headphones event featuring: A gear expo – where musicians can try pedals and interact with builders A pop-up market – where exhibitors can sell their products to attendees Soldering DIY Workshops in the heated terrace by the canal Product Clinics and Presentations (also in the terrace) Gear giveaways and other promotions (discounts, deals, etc) There's also a full-fledged Brasserie/Restaurant next door for those who intend to spend the entire day at the event.
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The expo, which was attended by close to 2,000 visitors in 2024, will return to the same venue in Hackney Wick (Studio 92/94), and it's the only major event for synth lovers hosted in London. It's a unique opportunity for the huge local community of synth and pedal lovers to check out and try the latest devices by big and small builders belonging to two increasingly cross-pollinating niches.
It will also feature an educational component with workshops and clinics, and an assortment of media partners and influencers that will allow it to broaden its relevance beyond the physical constraints of a real-life event.
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The Story behind the Expo Launched in 2018 in Brooklyn, NY, the Synth & Pedal Expo is a dynamic and compact gear exhibition in a pop-up format, specifically tailored for the vibrant, city-based music communities shaping the most lively scenes in North America and Europe.
Unpretentious, free to the public, and pop-up in nature, this strictly in-the-headphones event was born from an NYC music blog covering local emerging bands called The Deli as a way to entertain the community of musicians it served.
After expanding to several other big North American music scenes like Los Angeles, Toronto, and Portland - the Synth & Pedal Expo launched its London show on March 18, 2023 - although it was initially scheduled for 2020.
Event Details: When: March 22-23, 2025 Where: Studio 9294, Hackney Wick, London
"Seventh Summoner is the third firmware from Flat 6 running their fabulous 1U keyboard module. This one is a sequencer with up to 32 steps, different play modes and the saving of up to 6 sequences. I've paired it with the Knob Technology ηCarinae, through the Replicant Filter and into Echo Cinematic. The ARP of Darkness, meanwhile, is playing the Castor & Pollux II through the Foxtrot Duo filter and into an Erica stereo delay.
That's it! I think I've found my sequencer combo for live performance."
'Seventh Summoner' (Black) Nocturne Alchemy Platform - Free Swappable Firmwares The Seventh Summoner is a powerful 1U performance sequencer that brings the flexibility of a full-featured sequencer into a compact form. At its core, it’s designed for real-time performance, giving you the ability to recall and manipulate up to six 32-note sequences on the fly. Adjust playback direction, slew, octave, note transposition, and clock division in real-time to craft evolving musical expressions.
And then, there is the Summoner... With the Summoner Sequence, you can record these same dynamic manipulations into a meta-sequencing layer. Chain up to 16 of your sequences, complete with all your adjustments, and watch them come to life like spirits in the grasp of a master Summoner. Height: 1U (Intellijel format) Width: 26HP Depth: 40mm ("Skiff-friendly") Current Draw: 40 mA +12V, 0 mA -12V, 0 mA 5V Four octaves of control from C0 to C4 Six 32-note sequences 16-step Summoner Sequence to chain and manipulate the six normal sequences Five playback modes (Forward, Backward, Pingpong, Golden Ratio and Random) with direct select, (queued & immediate) and reset EEPROM Storage for saving of all sequence data Clock input and CV out calibrated to 1V/0 Calibration mode with tuning for each note across 4 octaves (Comes pre-calibrated)
"I've just built the Basilisk from Wirehead Instruments and thought I'd give it a play with some friends. DIY Build video should be in the channel shortly. This is one fun little box of synthesizer with a very cool generative sequencer and two oscillators. This is just an improvised jam and fiddle around to give you a flavour of the synth."
"Who knew a Xenon tube of plasma could produce such fierce sounds? The Plasma Voice has all the energy of a barely contained explosion that zaps and spits its way into your patch. Is it too much? Nah, it's bloomin' awesome!"
Intro - 0:00
Getting into details - 5:58
The Sounds - 14:25
Let's develop this a bit! - 21:31
Played from a keyboard - 29:47
Modulated Sequence - 33:09
Conclusion - 35:12
"Synth East 2025 is open for business. Tickets are on sale now directly from the Norwich Arts Centre. It takes place over the weekend of the 21st to 23rd of February 2025 and combines synthesizers, modular, film, interviews, DIY and extraordinary music."
"I really love it when the YouTube creators work together with manufacturers to realize modules we may all need, but can't get. Following in DivKid's footsteps, Robin from Molten Modular now presents his second Befaco collab after the Motion Meter. The Bypass is - you may have guessed it - a 'detour' circuit. Typical usage is hard-switching between a dry sound and an FX chain. It seems a bit similar to send/return, but the Bypass opens and closes an entirely different path. It's more like an insert/return, with a Launch button to open and close it (also CV controlled). When the Launch is set to 'soft', the return remains engaged, and only the insert goes on/off.
Even though on paper it's a simple utility with four ins and four outs, it opens up a lot of possibilities which are relatively simple to patch with separates, but you may need a switch matrix or something much bigger than just 4HP.
00:00 Less hard
00:43 Hard vs Soft switching
02:13 Rhythmic CV injection
02:55 Typical usage of FX insert/return
03:52 Feedback patching made 'less hard'."
"It's a new module that brings a well-needed amount of turning on and turning off to your modular. Discover the meaning behind a soft and hard bypass, experience gated and latched launching, and contemplate loops of modulation."
"Telepathy is a full analogue synth voice in 14HP and you can chain them together to create a rather fabulous polyphonic synthesizer. I'll take you through the pros and cons of the Telepathy and then turn on the polyphony."
Index: Intro - 0:00 Overview - 4:05 VCO - 5:45 VCF - 7:31 LFO - 8:35 CV In - 11:01 Playing with a sequence - 12:31 Initialise - 13:20 Envelopes - 13:40 Developing the patch - 15:14 Using a MIDI Controller - 20:53 Presets - 25:57 Playing it like a synth - 29:00 Telepathy Bundle Overview - 32:18 Chaining the modules - 34:36 Psychosis Effects - 37:25 Controlling all the Voices - 40:57 Going Multitimbral? - 43:10 Conclusions - 46:06
Its ease of use and affordability make it a great addition to both amateur and professional studios.
